"rembrandt" poems
Led down from the tower
Head high and hands bound
Blindfold declined against the wall
Black square pinned to his heart
Eyes afire and shining proud
He sang...
He sang of Caruso, Townes Van Zandt
Pavarotti, Bocelli, Mercury,
Carreras, he sang of Antoine,
Of Sinatra, Lennon, Morrison, Redding
He sang and songbirds paused in flight
He sang like them all
He sang a song of himself
Of leaves of grass, of second comings
Of Byron, and Bharti, and Cummings
He sang of Neruda, and Plath, Tagore
Dickinson, Kamala Das and Naidu
Oh, he sang of them all
He sang of art and beauty
Of Mona Lisa and starry nights
Girls in green dresses and pearls
He sang of Van Gogh, of Picasso
Of Rembrandt, da Vinci
He sang of Michelangelo
He sang of sadness, pain
He sang of My Lai, Sand Creek
Of Guernica and Krystallnacht
He cried and sang of Wounded Knee
Of Katyn Forest, Sabra and Shatila
Oh, he wept as he sang
He sang of history and wonders
He sang of Olduvai and pyramids
Machu Picchu, Tikal, and Angkor Wat
He sang of a great wall, the Taj Mahal
Stonehenge, Easter Isle, Mesa Verde
His song took us to them all
He sang of courage
A song of Bunker Hill, Gettysburg
Of the Alamo, Normandy, Stalingrad
Of Lincoln, Guevara and Dr. King
He sang of Bolivar, Bhutto, Ghandi
He shamed us with their song
He sang his song...
As women sighed and peasants cried
He sang until the rifles fired, he died
Songbirds fell from the sky
Soldiers broke their guns on stones
And marched into the deep blue sea.
r ~ 4/12/14
Apr 12, 2014
Apr 12, 2014 at 7:05 PM UTC
OLD HOUSE
They retain precious memories,
intimate feelings of inhabitants
passing through its sagging doors.
Romantic are seekers of forgotten times
memories encased in hard wood floors;
as lath plastered walls ooze remnants of a
history while we; when inclined listen.
We don't go very often, to abandon houses,
perhaps on a dare, or at Halloween.
Are we passed enjoying extremes into this
another world, musty energy a curious child.
That was the yesterday
which now waits behind
musty, dusty, derelict halls.
I stand I stand at paint chipped banister,
a faded worn carpet once carried dancing feet,
children playing before they sleep. The
broken coat tree on the floor.
From the third floor murmuring,
a wind storm jars
loose fears, of time
once lost to dreams.
Echos billow from
each room, curtains hanging
yellowed by a sun where
dancing light through holes in damask lace.
Mice gremlin's artful droppings,
tracks of nature on dirt strewn floor.
Broken shards from window
panes, confetti after New Years day.
Branches scratched
etched paths, tracks like graffiti
on sill its unread words, a glif
eerily cast shadows trigger echos from the past.
Jagged memories protrude from every corner
mixing with new, enriching our fantasies
bringing us closer renewed;
these musty memories long forgotten.
Like waves rushing back;
flooding a mind like broken
dikes they crash into our world,
Rembrandt's paintings on canvas fading.
Silent footsteps outside a door,
we hear laughter from bedroom walls;
a smell a whiff of hot butter *** silent
conversation coming our way.
Old Doc Masters listened at my chest, as
I read all by candle light, Sherlock detective stories
or the Tell Tale Heart of Poe or
Othello; all masters in the past.
A Grandfather clock
stands silent, keeping time,
lost its tick yet still striking,
it stands tall, upon a clueless floor.
Knowledge lost to a past
in a house so worn,
births, deaths, wars, wrapped
forgotten, encased by neglect,
I visited a house besotted,
neglected waiting to be
remodeled into another century
moving it to present times.
Ajerry
Archival Jan 5, 2011
Nov 1, 2013
Nov 1, 2013 at 2:46 PM UTC
The Dutch brought art, mud and dirt of the Kathmandu heartland,
With cigarette smoke clouding the air, and pizzas in the oven.
Not overcooked, no medium rare, slight rounded, man-made
The ambiance was now of Rembrandt and Van Gogh,
Yellow with the hint of light.
Perhaps coffee, perhaps tea.
And delight in a conversation of philosophy.
Maybe you'll pay, maybe me.
The open doors swallow in the air of the monsoon,
with the enigma of ever binding books who stuck to the wall
Like wall flowers, some folded papers like petals of an unbloomed bud.
They all had smells better inhaled with tobacco smoke.
The music played, and people dance within the security of their thoughts,
The shelter for their thoughts, the flaws of their speech.
Memories,pure and bright radiated from the lamps above the bar,
Lights which come to us only in fallen stars, but wishful thinking
is dangerous.
Hence forget it like Dutch forgot the wars.
Memories are made here, where the humidity is heavy from the perfume of heavy smiles, or folded chins and forheads from a chess game.
Not hidden, no worries, around the corner.
But yet again man made.
Sep 7, 2014
Sep 7, 2014 at 8:32 AM UTC
"Here Made of Gone" for Isabella Stewart Gardner
Lyrics By Randy Vera
Music By: Randy Vera and Anthony J. Resta
http://bopnique.com/anthony-j-resta-and-randall-vera-finalists-john-lennon
LYRICS :
Vermeer, Rembrandt, Manet, Degas, from my three thousand year old Chinese KU, I toast you.
Mrs. Jack, I am your Bronze Eagle. I cut the painting at the frame – thieves by any other name.
Mrs. Jack with handcuffs and ***** I overcame your walls. Your collection’s complete.
Titian's Europa still hangs. The mirror to my:
Piece de la resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert.
Here, made of gone.
Mrs Jack, I’m your new William James. Through your kindness, you support me, in Dutch Room empty frames.
Like John Singer Sargent, I toil between your walls. I am Vermeer’s "corn flower blue," indescribable.
The metaphysical: Known unknown!
St Patrick’s Day 1990, I’m in Boston in the Fenway. For my penance, I’ll go to Saint John’s, drop to my knees, and like you, scrub the tiles clean.
Titian's Europa still hangs, the mirror to my: piece de La resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert. Here made of gone.
Where language fails that where art triumphs. The interloper between camps of reason and dreams. I’m an event not cognition. Like any event stored in canvas, paper, pen ,or ink.
Oh Mrs Jack I so love your "Head Band." I’m also a Redsox fan. I loved the Champagne and donuts, and thank you for the paintings.
Dec 29, 2013
Dec 29, 2013 at 6:22 AM UTC
i am talking about her, dressed in black silhouette, painted with montage,
i can feel her presence, rubbing across the tips of my tongue, salsa through my hair.
her jet black soul piercing into me, a rembrandt only time is seduced to.
i am talking about her, noir necklace, twelve beads, wild heart, fantasy that teases my seclusion.
i am talking about midnight, her winds her flair, her grotesque, everytime i close my balcony door,
at 1am in the morning hoping the seduction ends and reality sets in on this papercup life.
Oct 16, 2021
Oct 16, 2021 at 4:17 PM UTC
For years so jealous I have been
Of those who excel with the brush
And envy those who make beautiful
A blank slate with the slightest touch
I tried my hand at drawing
Tried my hand to hide results
And my attempts at painting?
Rembrandt would label them an assault
But then I found a pen
And in this pen there was some ink
I found a page of blank paper
And sat down before I could even think
The words, they flowed like rivers,
Streams of life for the soul
Feeding my every desire
To reveal stories never before told
I have no use for charcoal
No use for chalk or paint
And a canvas is too small
Mocking me with its constraint
My pen is my paintbrush
Blank pages my inspiration
For my words are my works of art
The beauty found in their formation
Mar 11, 2012
Mar 11, 2012 at 1:33 AM UTC
Sunlight streaming through cracks in my heart.
Rembrandt painted tulips breathe color back into my life.
The palette of time brings possibilities of love again
moving in and out of my consciousness.
I’ve made my way to this colored landscape
hoping more than trusting in the future.
Trying to outlive the past, making the most of this time,
living with cracks in my heart.
Aug 20, 2012
Aug 20, 2012 at 9:33 PM UTC
Midnight in Paris
oui, oui Missour, excusez-moi s'il vous plaît,
may I take your bags, welcome to the Ritz
I am most sure, you will enjoy your stay
Paris is most happy, to see you Mr. Fitz
Paris in the spring is such a lovely sight
the flowers all in bloom, the skyline at night
bright sun shinning now, maybe an afternoon shower
plan your day well before you ride up in the tower
strolling past the cathedral of Notre Dame
thinking of the bell ringer the old hunchback
like the Philadelphia liberty, the bell has a crack
the storming of the Bastille, to relieve the shame
to the Louvre for the most exquisite art
Rembrandt and DaVinci at their best
so many things to see this is just the start
to see it all would be a fantastic quest
time for a ride down the Seine river
astonishing sights this old city can deliver
a bottle of nice Vouvray to enhance the ride
a lovely local woman right by your side
now you might ask her if she likes to dance
for the clubs in Paree are oh so fine
club Lido also a great place to dine
a wonderful time, Midnight in Paris, France
Gomer LePoet
Sep 1, 2011
Sep 1, 2011 at 2:29 PM UTC
Minuit à Paris
oui, oui Missour, excusez-moi s'il vous plaît,
peux je prendre vos sacs, être bienvenu au Ritz
Je suis plus sûr, vous apprécierez votre séjour
Paris est le plus heureux, vous voir M. Fitz
Paris au printemps est une si jolie vue
les fleurs tous dans l'éclat, l'horizon la nuit
le soleil brillant shinning maintenant, peut-être une ****** d'après-midi
planifiez votre jour bien avant vous le trajet en haut dans la tour
le fait de promener devant le cathederal de Dame Notre
le fait de penser au carillonneur le vieux bossu
comme la liberté de Philadelphie, la cloche a un craquement
le fait de prendre d'assaut du Bastille, pour soulager la honte
au Louvre pour la plupart d'art exqusite
Rembrandt et DaVinci à leur meilleur
tant de choses à voir c'est juste le début
voir tout cela serait une quête fantastique
le temps pour un trajet en bas le fleuve de Seine
les vues étonnantes cette vieille ville peuvent livrer
une bouteille de Vouvray agréable pour améliorer le trajet
une jolie femme locale directement par votre côté
maintenant vous pourriez lui demander si elle aime danser
car les clubs dans Paree sont oh si parfaits
le club la Plage aussi un grand endroit pour dîner
un temps magnifique, le Minuit à Paris, France
Gomer LePoet
Sep 1, 2011
Sep 1, 2011 at 2:30 PM UTC
Is there a poem in a sidewalk?
Paths of cratered concrete, cracked
By morning frost and midnight freeze,
Wimpy weeds grow through the fissures.
Children fall and skin their knees.
Is there a poem in a sidewalk?
Canvas for a budding Rembrandt,
Using colored chalk as paint,
Drawing flow’rs, and stick-man family,
Curbing not her young restraint.
Is there a poem in a sidewalk?
Adults dare not let loose the leash,
As they exercise their dogs, and ease their own stress,
Must carry bags and tiny shovels,
To clear the concrete of the mess.
Is there a poem in a sidewalk?
Scooters, skateboards, wagons, bikes,
Off the path, then on again
While yielding the right-of-way
To lovers walking hand in hand.
Is there a poem in a sidewalk?
Collecting children at the corner,
A guard, with yellow vest and sign,
Moses parts the sea of traffic,
Cautiously keeps kids in line.
Through front yards, across drive-ways,
Toward bus stops, stores and schools,
Gathering mown grass, autumn leaves, and winter snow.
There are poems in small town sidewalks,
Imagination on the go.
Phil Lindsey 1/11/17
Jan 11, 2017
Jan 11, 2017 at 3:21 PM UTC
My love, this is especially for you, I hope you will like it. With love from, Sylvia / Mijn lieve, dit is speciaal voor jou. Ik hoop dat je het leuk zal vinden, liefs van Sylvia.
as highest as the Chomolungma in Himalaya region
as magic as this Mount Everest correction
as huge as the Nightwatch of Rembrandt
as imposant as the Niagara Waterfalls when you shall land
as friendly as the Ricefields on Bali Island
as generous as the Space Needle together with Manhattan
as lovely as the puppet dolls my fiancé gave me in Jakarta
as beautiful as my wild Rose's voice when speaking about Indonesia
as wonderful as Serfaus at wintersport-season
as warm as Granada could be on Summerdays without a reason
as romantic as Venezia on dark nights
as cool as Paris sparkles in Autumnal lights
as truest as Jesus died on the cross at Calvary
my love for you so loyal as Plath's words, no fata morgana
so honest as Picasso's own Guernica
it means only most important and precious to you and to me,
this I tell to you as my only trustee and devotee.
Truest love ever known, most loyal ever shown !
I have told you all these with the help of God, amen.
Sylvia Frances Chan
Aug 10, 2015
Aug 10, 2015 at 8:50 AM UTC
The other day
my colleague came up to me
with his iPad
and he said, “You love Rembrandt?”
“Uh ha,” I said
*“Well, look at this google image.
This is Rembrandt’s Parents Making Love”*
And I looked at the image he had conjured
and sure enough there was a portrait of
Rembrandt’s parents in bed, you know,
doing that, doing it…
Rembrandt’s Parents Making Love
And I protested: *“How can that be?
That’s not a Rembrandt, no!”*
“Sure it is,” said my colleague.
*“That’s what they are making.
It's definitely an artist’s conception.”*
Jan 17, 2014
Jan 17, 2014 at 1:53 AM UTC
now, I was just minding
my own business
brought up by very virtuous parents
steeped in a culture ancient and proper
and graced with divine revelations;
the lotus forever growing pure
even in muddied waters;
and so minding my own business
and vowed to matrimonial chastity in mind
never looking at another woman
and never thinking of another ever
I mean no one thought
looking at Mona Lisa
even in my younger days
was ever bad; they simply said:
Oh, Mona Lisa…what a painting!
so I went about years
chaste, pure and I think, angelic,
until these women come into art books
and now more readily in cyber-life
like Rembrandt’s Bathing Woman -
oh, how could I not look?
She, Hendrickje, more natural and
more come-here-you than
today’s airbrushed digitally enhanced beauties…
O Hendrickje, Hendrickje,
entering the water
and lifting up her dress
so it won’t get wet
but O – was that really her intention?
Or perhaps to entice Rembrandt further?
Or to look at her own reflection?
and then what about us, full-blooded men of latter-days –
O Rembrandt, what have you done?
how can I not look, and look?
and come back to look again?
and under pretence of aesthetics I trace every
limb and curve of Hendrickje, O Hendrickje –
I become a Rembrandt of sorts,
just tracing lines on her image
O these cyberspace beauties
they corrupt my high ideals
And Rembrandt says across the ages:
Remember you your traditions and virtue…
And the morally upright say:
Hey! She was Rembrandt’s woman!
And I can only quip: Yeah - she was!
and leaving it at that
with O Hendrickje, Hendrickje,
gazing at her own reflection
and I wondering what she sees –
well, after Hendrickje, O Hendrickje
am I safe? you think?
Then come the women of Japan –
for instance
A woman Applying Powder
while Hashiguchi Goyō sketched and mixed his paints -
and why? Oh why, Hashiguchi Goyō?
why do you release these sirens, these women
this Woman after her Bath
this Woman combing her hair -
O these mistresses of the arts
O why release them
on my sensitive and pure
and morally upright mind?
O why you do corrupt
such a one
such a noble mind
that centuries of spiritual values jousted one another
to produce? Such a delicate specimen as I am.
Or may be
all these women should be deleted from cyberspace
and only decent women with quizzical smiles like
Mona Lisa should prevail…
Sure, we don’t know what she’s smiling about
but at least Old Lisa’s not as dangerous
as youthful Hendrickje, O Hendrickje -
or
as the Woman Applying Powder
baring her shoulders and her Japanese *****
I mean, how can I not look?
and come back again to look?
O my adulterous heart!
but delete them all
or black them out
or cover them all up from head to foot
(technology can do wonders nowadays)
so
I can just be minding
my own business
brought to you by very virtuous parents
steeped in a culture ancient and proper
and divine revelations
the lotus forever growing pure
even in muddied waters;
and I’ll end up in Heaven after all my Holy Days
and for my Eternal Holidays there
I’ll be given all the virgins I’ll ever want
Jul 30, 2011
Jul 30, 2011 at 4:38 AM UTC
you have entered the realm of life after separation.
gone are the daisies she tucked behind your ears. it’s autumn now.
you are getting older. your boots are heavy and your chest is heavier.
you were given something gleaming, but it isn’t yours,
anymore. you seethe in your own ache.
this is your first silver october. the blushing leaves have gone greyscale,
like an i love lucy rerun. they evoke a stab of grief between your lungs.
you have to rewrite the story of your life now,
go forward knowing that everything after will be somehow
lesser than her. no person will reach into you the way she did.
you are a lost girl. resignation is all you have left,
resignation and streets bitter with dead leaves, streets where you run and shout
a silent prayer of loss.
but then:
but then.
you are reciting a poem for a room of people and your words
belong to your body now. a deep glow has fallen over everything,
right onto a girl you’ve only seen once before.
front row. face open. taking in what you are saying,
your retrospective sorrow, with a particular kind of attentiveness
you have needed all along.
everyone is listening, but she is hearing you.
in that moment, when you are raw and earnest,
you think that perhaps there’s something different about
this one. how even when you are done, she still seems to be
hearing all the words you cannot say.
and then:
and then.
spring is thrusting its way out of cold dirt
and you are twisting and breathing and this girl,
this girl, she is one million ******* shades of red. all you can do is
look at her without turning away, as if you could do such a thing
even if you tried. maybe this is how rembrandt felt
when painting night watch.
full of thick, rich burning too immense for language to hold.
this girl, this girl in the midst of life after. this girl so good
she’s put meaning back into the messy coming of spring.
you have learned not to trust. not to believe.
to love with a window open, a hand on the door,
in case of incineration, ready to run.
but this girl, says your heart,
says the peachy light bleeding onto her lips and nose,
this girl is not like those who came before her.
you’ve been a stranger to yourself for so long, but this girl
is reintroducing the two of you, rubbing you raw with longing.
do you understand, you want to say to her,
how stunning you are.
standing there like that. in your sincerity and laughter, as it weren’t
breath snatching to witness. as if it were commonplace,
unexceptional. as if you weren’t the tenderest work of art.
do you.
Jun 9, 2017
Jun 9, 2017 at 12:43 AM UTC
I have seen it, O world,
I have seen it as one sees the clouds
or as one feels water naked in the cool lake
at the break of dawn
I have felt it as one feels the grapes
seized with savage hands and crushed against one’s teeth
O I have seen the rise and fall of pain
and greed and name and fame
and I have lived the grand ways of the world
of favor and office and recognition
and reward and loss and desertion and days of merry company
and years of desolation and years of patronage and commission
and I have cupped young soft flesh in both my hands;
and I have seen loss, death and growth and promise
and stealth and destruction and infamy
and I have seen genius and I have witnessed mediocrity
and you know, I have amazed and I have disappointed -
as you, O world, as you have disappointed and amazed
I have seen the pageant of emotions
of the rise and fall and the transition and journeys
of all thought and ambition and desire and want
O world, I have seen you and you have much of me
and we have struggled and we have cursed and approved
and we have raised our heads and we have looked the other way
and you have heaped praise and dispraise
and I have created and I have destroyed
and I have cut my own canvas into parts –
but still, O world, still,
if you look at me, if you look –
you know, you know
*I, Rembrandt,
I am always the Monarch*
Mar 1, 2011
Mar 1, 2011 at 7:19 PM UTC
When my daughter asks me to French braid her hair
I will smile with my eyes and tell her
to sit criss-cross applesauce on her bedroom carpet,
letting silk tresses flow down her back,
beckoning to be weaved into everything
I still do not know
how to tell her
I will paint her the colors of the past
upon the beaming canvases of her eyes,
the colors of Matisse, and Monet,
Rembrandt’s best,
I will teach her to find devotion
in the security of her own skin,
music in the way she weeps quietly to herself
when she gives away all her love
to a world who cannot accept it
And one day,
long after the braids have been released,
I will wipe away her tears and tell her
that the masquerade is over,
that sometimes, baby girl,
the festivities will hush
but the carnival always comes
around again in the summer
She nods
with inherited apprehension,
she does not believe me
Darling, my darling,
you do take after your mother
after all
Jan 11, 2016
Jan 11, 2016 at 9:03 PM UTC
"Where is my Monet?", I say
As I look through the blurred vision of an impressionist day.
A double paned view of reality
Swaying beauty through eyes once knew.
Where is my Monet or be it Van Gough?
All beauty's vision framed newly printed Picasso.
Shadow me done, and once never knew
What others should have seen as they counted me too.
So now, I say no
Not of Van Gough nor Monet,
I see beauty no Rembrandt nor Picasso to sway.
I see a simple little girl with all she will need
To see the world lovely and in the midst of all, succeed.
Jul 21, 2016
Jul 21, 2016 at 4:56 PM UTC
Never he was an honest man
Who prides himself
On wanton expeditions
In a field of truth
He lies, entangled in conceit
To win that which he desires –
It is only but a game.
Mind not his mental means, nor manner –
Be he sane or psychopath –
But the strategy by which he plays:
Cheat, deceive, manipulate,
Overcome, and conquer your carnal estate.
Twisted tales, spun with golden thread
Crafted by careful practice and confidence
The master of charisma in his own head
Is no Eros, in any sense – Erosive, yes –
He is only what you want but for a brief moment
Be suspicious and expect this ever-real Narcissus.
A lecher he is
A Greek God in wish –
Nay, he only lives in the fantastic,
Though he roams about us
In a surreal bubble,
Where love comes to pass,
He is ever-so subtle
He markets himself as a Rembrandt,
Although more a moke* than baroque,
Something which he could never see
Staring into his reflection so blindly.
At a cost, worth more than his fee,
This cheap knockoff of Sal Dali,
Would sell you his love
For a buck forty-three.
Beware the lecher.
Dec 6, 2016
Dec 6, 2016 at 3:01 AM UTC
Billie Holiday and Arti Shaw
performed together
for 2 years touring in a RR
both their record companies
couldn't get their act right
now only two tracks are known
Charles Bukowski
had a kitchen piled up with
Dairies and notebooks
but was kicked out of his appartment
again
Rembrandt van Rhijn
made a large scale piece
On the first meeting of the Batavians
16th Century City Hall Amsterdam didn't want it
Only a 1,5meter piece remains of it
in Stockholm
Sure, they were ******
so were we
But at least they tried
Apr 1, 2010
Apr 1, 2010 at 11:49 PM UTC
The game played no longer how it once was
No votes on new posts
don't check the trends
or check your own for views and comments
The substantive roaming data of broken WiFi connections
Mangle your jangling words, hide your swollen faces behind forced smiles, Rembrandt bastardisations or smeared oil paintings of the black soul(less) beasts that lurk in satiate tree shadows fawned over the lawnmower blue cycle rinse washed acid soaked daydream ***** slap nation
So you revere the works once read on poetical facsimile sites
only to smear words of younger wordsmith wrangled teen angst
and now in your age and ardor it seems advantageous to judge
But then that will leave you hollow inside
or in fact, you could jump from a tall building only to bounce off the concrete into a children's pool and drown there in three inches of **** coloured rain water
But so instead the workload decreases as your dementia bedpost nightmares
all come aflutter
The laced lily white throng of petal pinched patterns masks
the marked men on their dusty knees
There, watch how heads explode
or listen to foley artists rendering the lacquered finish of the watermelon headjuice
Make up words
or make up lies
Wear make-up daily, earn some prize
or don't
I don't care
idc
idk
Resemble rhyme or reason
Disassemble the times and season
Return to pejorative pretensions, rants in verse verse verse verse prose format and **** the rest
Or simply return to the old ways of playing the game
Upvote this, and maybe they'll take interest
Comment here
return one there
Use tags, hashtags, wash rags, fat slags, arm chair fat cats
But always separated by spaces, prettyblankspaces
No, I don't do slam poetry, I'm too white and not nearly rich enough to not care
Reassemble the times and season, maybe make sense of it
Maybe not
Just don't let them become a passing trend, please
Jan 26, 2015
Jan 26, 2015 at 12:23 PM UTC
You stood in the limelight
before a shaft of blazing luminescence
emitted from the zenith positioned
matrix of all energy
The brightness illuminated your
radiant countenance
as blackness enveloped around your
structures as in a early baroque
by Rembrandt
Your form was made from the finest
materials
But your representatives stood in defiance going beyond
their eroded gardens and
trampled vegetation and beast
underfoot; even defecated plutonium
in my backyard
and belched various gases in my face
Luxury is still your ideology;
all to sure in obtaining
unlimited resources
You are still heavily consuming
the best
still maintaining the frivolous notion
that all is well
never anticipating
that time passes into the future
The shaft of blazing sunlight
has insidiously been replaced
by a blinding interrogation lamp
as darkness licks at your morals
and creeps upon your very being
small cracks are now being discovered upon your once lovely face
No longer can you obtain desirous
riches as readily
as options become minimized,
while playing and bullying a winning serious game of monopoly
against poor countries
Panic is beginning to take hold
as reality overcomes frivolity
You are starting to run,
you have already left one of your golden combat boots
in Vietnam; later pirated black gold
from Mesopotamia
under perjury and severed our nation with the fascistic sword of xenophobia,
and plundered the spirits, at home, and other innocent minorities unjustly
And nationalised yourself from a continent to an island regressing
into itself; homogenized into exceptionalism and the nervous propagandized
gnashing of Caucasian teeth
But doubtless to say
there is no reason
for a prince to save you
because you have gotten too old,
much too corporatised,
too corrupted, too soon, too fast,
YOU MUST SAVE YOURSELF!!
And I know you can
And I know you can
be that lady with that beacon torch of hope...once...again
And whence comes the nourishment of love that flourishes once more...
Jan 3, 2016
Jan 3, 2016 at 6:58 PM UTC
The greater masters of the commonplace,
Rembrandt and good Sir Walter--only these
Could paint her all to you: experienced ease
And antique liveliness and ponderous grace;
The sweet old roses of her sunken face;
The depth and malice of her sly, grey eyes;
The broad Scots tongue that flatters, scolds, defies;
The thick Scots wit that fells you like a mace.
These thirty years has she been nursing here,
Some of them under Syme, her hero still.
Much is she worth, and even more is made of her.
Patients and students hold her very dear.
The doctors love her, tease her, use her skill.
They say 'The Chief' himself is half-afraid of her.
1.4k
D minor
Rembrandt's finer
Paint, oils, a breakfast
of red grapes and green olives
with Homer
Aristotle gazes
Admiration for a bust
An odyssey of emotion
Somewhere in the dust
Bach's fugue is overwhelming
Travelling back in time
Moving skulls around
To rest and surround
Socratic dialogue
resounds
leather-bound, a work of art
Aug 12, 2015
Aug 12, 2015 at 9:52 AM UTC
- for him a.k.a Rembrandt, a fellow poet & love of my life-
I think of you in the conservatory
of the Little Harp Inn, on the seafront
is this where you came too
is this the place you meant
in your poems when you spoke
in them of the ‘ glass tearooms’?
a ginger waiter brings a couple
their tea. Outside, a thunderstorm is raging
suddenly, there sounds a cry:
‘’ Look, the roof is leaking!’’
& bright lightning again splits the sky
just like love, striking
Everyone laughs in wonder
& an old lady walks by in pink
outside, without an umbrella
in this, Clevedon in the summer
Aug 23, 2015
Aug 23, 2015 at 10:00 AM UTC
Whilom seafarers in rapture,
seven minutes in heaven,
then nothing but bathos,
--a woman in bed,
she and Rembrandt quarreling
over fidelity or obedience to her king?
"It is I, Seagull!"
"Everything is fine. I see the horizon..."
Night sky, a blow torch,
a golden rain flowing between her legs,
curled in the veil of imperial lineage and/or arousal,
--ballistic arc,
peering into the hand mirror,
a breach of promise staring back.
"Will the flight
affect your reproductive organs, Danaë?"
"Conceivably...
and how they shall weep
when things go wrong between us?"
Jan 22, 2021
Jan 22, 2021 at 10:50 AM UTC