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"registers" poems
For my cousin, Chris Goldrick Lacing my skates after walking two miles in girl-strictured delight Mom's stories of Sonja Henie-- No, not ever Lacing my skates with  snow-ball pompoms felt skirt and nylon tights Cute little hat with matching scarf My thighs and fingers already freezing icy burn from miles on foot to get there the lake where-- I must get out I must get OUT! Knowing what to expect from my body the quick-twitch of muscle Could always sense specific-- gravity of water     at 22 degrees Desiring to feel the motion between ice and steel Read speed's vibrations through my body The brain registers relation to weather's effect Tell of velocity possibility of fall Feel the slash of the blades beneath me Throw my weight sideways, sudden to hear that furious hiss An object in motion tending, dire to stay in motion Threatening to stay there always in its heights-- of speed away-- from the crowds of skaters swirling distant in the lights Seeking instead the farthest reaches of Porter Lake speed and speed and more to overcome inertia of what it is to become undone at the outer edges, of humanity A force centrifugal unto myself Avoiding Pregnant and slow with years and babes.... The best must be broken and tamed of what it takes to stay free catching the edges with every stride catching my toe in the quick 180 spray of frost to the sudden still Listen to the frigid chill and the heave of my breath tumbling into evidence Gliding Once Forever-- on, into darkness of woods on frozen water The wildness of it all So infatuated with flight so full of grace I forgot Sonja The moon rose from her seat in the treetops and applauded
0
Jul 17, 2018
Jul 17, 2018 at 3:54 PM UTC
Night Skating at Porter Lake
For my cousin, Chris Goldrick Lacing my skates after walking two miles in girl-strictured delight Mom's stories of Sonja Henie-- No, not ever Lacing my skates with  snow-ball pompoms felt skirt and nylon tights Cute little hat with matching scarf My thighs and fingers already freezing icy burn from miles on foot to get there the lake where-- I must get out I must get OUT! Knowing what to expect from my body the quick-twitch of muscle Could always sense specific-- gravity of water     at 22 degrees Desiring to feel the motion between ice and steel Read speed's vibrations through my body The brain registers relation to weather's effect Tell of velocity possibility of fall Feel the slash of the blades beneath me Throw my weight sideways, sudden to hear that furious hiss An object in motion tending, dire to stay in motion Threatening to stay there always in its heights-- of speed away-- from the crowds of skaters swirling distant in the lights Seeking instead the farthest reaches of Porter Lake speed and speed and more to overcome inertia of what it is to become undone at the outer edges, of humanity A force centrifugal unto myself Avoiding Pregnant and slow with years and babes.... The best must be broken and tamed of what it takes to stay free catching the edges with every stride catching my toe in the quick 180 spray of frost to the sudden still Listen to the frigid chill and the heave of my breath tumbling into evidence Gliding Once Forever-- on, into darkness of woods on frozen water The wildness of it all So infatuated with flight so full of grace I forgot Sonja The moon rose from her seat in the treetops and applauded
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80
The oxygen secreted from the walnut tree, the snap-pole green beans growing up the side of the rusty garden fence, and bags of aluminum cans stored  in the shed with the old cash registers from the antique store. These are the golden frames caught and edited onto organic film, etched into grey matter, projected from a foggy lens onto reflective marble. We abandoned the clubhouse because of spiders; they took the place for themselves after a storm. Our new abode was the patch of grass between the walnut tree and the fence in the back corner of the yard; shady, rough terrain from fallen walnuts, and the grass always had a slight dew in places. "The place where the snakes live" is what we called it when we were sprouts; now we could catch them in both hands. One night, the wind blew over the shed doors; flimsy, sliding rail, aluminum thing. We slinked in and got to play with the old adding machines, foreign tools, jars full of door hinges, and rusty hand-crank egg beaters. Eventually, the roof of the shed collected so many years of twigs, walnut husks, and foliage fallen that tiny trees began to pop their heads up from the clutter. Crickets underneath the gutter guards- two types; the black singers and the ones you have to dig for that will draw blood if they get a hold of one of your fingers. Sometimes, if bravery was roused and boiling, we would drift closer to the railroad tracks in attempts to catch yellow jackets, or even hornets. One popped their stinger into the back of my neck.
0
Mar 24, 2015
Mar 24, 2015 at 9:06 PM UTC
Cousin Punches
The oxygen secreted from the walnut tree, the snap-pole green beans growing up the side of the rusty garden fence, and bags of aluminum cans stored  in the shed with the old cash registers from the antique store. These are the golden frames caught and edited onto organic film, etched into grey matter, projected from a foggy lens onto reflective marble. We abandoned the clubhouse because of spiders; they took the place for themselves after a storm. Our new abode was the patch of grass between the walnut tree and the fence in the back corner of the yard; shady, rough terrain from fallen walnuts, and the grass always had a slight dew in places. "The place where the snakes live" is what we called it when we were sprouts; now we could catch them in both hands. One night, the wind blew over the shed doors; flimsy, sliding rail, aluminum thing. We slinked in and got to play with the old adding machines, foreign tools, jars full of door hinges, and rusty hand-crank egg beaters. Eventually, the roof of the shed collected so many years of twigs, walnut husks, and foliage fallen that tiny trees began to pop their heads up from the clutter. Crickets underneath the gutter guards- two types; the black singers and the ones you have to dig for that will draw blood if they get a hold of one of your fingers. Sometimes, if bravery was roused and boiling, we would drift closer to the railroad tracks in attempts to catch yellow jackets, or even hornets. One popped their stinger into the back of my neck.
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32
Shut amid the swell of boredom Hole in the nose, sparkling adornment Dye in the hair....a blonde invention Image altered......still bored Plenty to do, still bored Not whilst doing it.....always But the longing for a bolt hole Registers, raising its voice to be heard Yet boredom creeps in, mud spattered steps Flicking dirt here and there Clinging sometimes leaving telltale tufts Staining....can’t wash it out or hide it away A rash of what you want lands perfectly Creates a broad grin in anticipation And no sooner it’s arrived ...well boredom Rears up grabbing the lead role You might say ‘be careful what you wish for’ And you might be right...how come...?? Wager the odds on r and r ...v... Over exposure in the commitment arena You’d think it would win out So what’s going on here? “Boredom”
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Aug 10, 2012
Aug 10, 2012 at 8:19 AM UTC
Boredom
I adore women I refuse to apologize for it I like the way their voices squeak in the upper registers I like the fashions I like the makeup I like the aromas Not the silly runway catwalk Biz that relegates them as awkward mannequins adorns them in  the impractical and cloaks them in the  absurd overreaching  of  the tired  clamoring for something new and unique that which exploits  their  lithesome anorexic perplexing job requirement I like the way they can shape shift, alter and assume new identities I like the fact that some have mood swings and *** I marvel that they can give birth I like being aware that their  'water-weight' make's  them grumpy I'm astonished that they innately ovulate with  the cycles of the moon and that the Huntress Diana inherently  acquired her namesake Doesn't bother me a bit that "it's a lady's prerogative to be late" or that opening a door for them is considered 'sexist' I was raised with a sister and a mother with lace and dainty  frilly things I caused them a lot of aggravation and consternation I think they enjoyed it - nonetheless somewhat I refuse to apologize for it
0
May 13, 2013
May 13, 2013 at 12:00 AM UTC
a male's misgivings
No, Time, thou shalt not boast that I do change. Thy pyramids built up with newer might To me are nothing novel, nothing strange; They are but dressings of a former sight. Our dates are brief, and therefore we admire What thou dost foist upon us that is old, And rather make them born to our desire Than think that we before have heard them told. Thy registers and thee I both defy, Not wond’ring at the present, nor the past, For thy records, and what we see doth lie, Made more or less by thy continual haste: This I do vow and this shall ever be: I will be true despite thy scythe and thee.
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3.3k
Sonnet 123: No, Time, Thou Shalt Not Boast That I Do Change
The Picture Window The vista view never changes but daily. The naked eye, registers the same distances, resting objects unmoved, modest alterations by wind and water are noted, but for intent, for purpose, the watercolor one would paint be invariably unvarying as a Swiss Alp. The  subtle nuanced worldview, where the sky stretches from ceiling to a foot above ground, as I lay prone neath the coverlet, vista always subtly differing, from its prior reincarnation, self-reflection demands to know. Alive & Awake? Yes. Breathing steady? Yes. Toes? Still can wiggly to & fro. My soul? Presumably ok, as I write, because I write, the picture window into to my insight, though oft blurry, yet intact, making discernible the changes in light, temperature  and heart rate, as the body/soul contraption modulates, just as the gradient of daylight shifts lighter and higher, with a rising sun bringing more clarity to our interactive encounters with our environments.. The picture window internalized, much the same,as the vista, subtle modest changes, colorations variegated, are registered. Today is mostly cloudy overcast, and shall remain so for the foreseeable future, which be about two days hence. Not unsurprisingly, methinks, the future tends to be cloudy. Beyond that peripheral, no one can say, our macular envisioning only gets weaker,time is a tough taskmaster and uncertainty is it’s own principle. But I can say, forecast from well under the comforter, that more than less, where less is more, this picture window, ex and in, shall remain, unchanged for the remainder of my years that fortune shall provide, and will & would grant me awakenings to the ex-sight and in-sight of a sculpted landscape, of negative entropy,  where disorder minimal. My musings end here, unless you still wish, come the morrow, what the marrow the day reveals, what the window will spill, new and exciting, subtly unchanged, and always different. Caution: The injection of caffeine may dramatically alter the windows perspective, as the exogenous always trumps the endogenous. 5:50 AM P.S. Making coffee clarifies: If the vista in +/- unchanging, then, all my personal, own horizons are immortal as well.
0
Jun 4, 2023
Jun 4, 2023 at 6:34 AM UTC
The Picture Window
The Picture Window The vista view never changes but daily. The naked eye, registers the same distances, resting objects unmoved, modest alterations by wind and water are noted, but for intent, for purpose, the watercolor one would paint be invariably unvarying as a Swiss Alp. The  subtle nuanced worldview, where the sky stretches from ceiling to a foot above ground, as I lay prone neath the coverlet, vista always subtly differing, from its prior reincarnation, self-reflection demands to know. Alive & Awake? Yes. Breathing steady? Yes. Toes? Still can wiggly to & fro. My soul? Presumably ok, as I write, because I write, the picture window into to my insight, though oft blurry, yet intact, making discernible the changes in light, temperature  and heart rate, as the body/soul contraption modulates, just as the gradient of daylight shifts lighter and higher, with a rising sun bringing more clarity to our interactive encounters with our environments.. The picture window internalized, much the same,as the vista, subtle modest changes, colorations variegated, are registered. Today is mostly cloudy overcast, and shall remain so for the foreseeable future, which be about two days hence. Not unsurprisingly, methinks, the future tends to be cloudy. Beyond that peripheral, no one can say, our macular envisioning only gets weaker,time is a tough taskmaster and uncertainty is it’s own principle. But I can say, forecast from well under the comforter, that more than less, where less is more, this picture window, ex and in, shall remain, unchanged for the remainder of my years that fortune shall provide, and will & would grant me awakenings to the ex-sight and in-sight of a sculpted landscape, of negative entropy,  where disorder minimal. My musings end here, unless you still wish, come the morrow, what the marrow the day reveals, what the window will spill, new and exciting, subtly unchanged, and always different. Caution: The injection of caffeine may dramatically alter the windows perspective, as the exogenous always trumps the endogenous. 5:50 AM P.S. Making coffee clarifies: If the vista in +/- unchanging, then, all my personal, own horizons are immortal as well.
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36
Some playful shrimps clean the octolord's suction cups. One of their antennae buzzes a message up one of his orange tentacles and registers in the Octolord's mind: the silly sun is playing! Another shrimp: what's that sun up to now? The Octolord opened his mighty eyehole lids. The sun! What's... NOTHING
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Mar 5, 2013
Mar 5, 2013 at 6:02 PM UTC
Octopus Manifesto 2
How Poets routinely tell lies or truth with great "sincerity" and earnest projections of "poetic charisma" and lashings of "who me tell lies?". and yet they routinely avoid truthfulness, in case they forget the  power of lies and truth, in their search for fame. Mesmerised by its attendant celebrity groupmind and of course its wealth.. Indeed Poets don't want to know that truthfulness has nothing to do with truth. Indeed Poets don't want to know that truth is a lie and a lie is truth, two sides of a darkened mirror and both are equally valueless except  for  seeing false faces in.. Poets bleat on about how the shackleable object of their 'love' , she or he, are not theirs to own or categorise or monopolise. yet they keep on expecting full submission and just getting an empty back, and a disappearing set of footprints. Like the sheep and goats that Poets are, they bleat on endlessly about their wants their wants  their wants. They want fame as Poets--disguised as distribution deals. They want contracts to produce garbage for HallMark--as if.. They want **** licking critical acclaim--from **** licking critics. They want international poetry prizes from aesthetic morons-- wearing Armani suits. They want Groupies--but not ******* They want Media eulogies--but not truthfulness. Always are they deliberately forgetting that "you cant always get what you want". The last thing that Poets want is what they need most of all. They really need An end to the narcissism of those that want to be called "poet"--in your dreams. An end to the juvenile arrogance that motivates them to put up strings of meaningless associated words and vainly call them poems. An end to childish immaturity, and inchoate meandering through other peoples words and experiences, stealing others lives and characters. Always incessantly pretending that because they can read the words of others that they have also shared their experiences--indeed their experience was deeper wider higher. In another day and age of non-violent sensibility   these kind of Poets would be called thieves and liars. In this day and  age they scribble emotional garbage and pretend its "poetry"--encouraged by intellectual follies. As poets they have become walking proto cash registers. Sin Verguensa. Sin Verguensa. Sin is Spanish for without. Poets are  SIN integrity. Poets are SIN Truthfulness. Poets are SIN decency. Poets are SIN. Im so glad I could never be mistaken for a  Poet. Wouldnt want to be mistaken as a poet.
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Jul 15, 2014
Jul 15, 2014 at 4:19 PM UTC
Isnt it 'funny'?
How Poets routinely tell lies or truth with great "sincerity" and earnest projections of "poetic charisma" and lashings of "who me tell lies?". and yet they routinely avoid truthfulness, in case they forget the  power of lies and truth, in their search for fame. Mesmerised by its attendant celebrity groupmind and of course its wealth.. Indeed Poets don't want to know that truthfulness has nothing to do with truth. Indeed Poets don't want to know that truth is a lie and a lie is truth, two sides of a darkened mirror and both are equally valueless except  for  seeing false faces in.. Poets bleat on about how the shackleable object of their 'love' , she or he, are not theirs to own or categorise or monopolise. yet they keep on expecting full submission and just getting an empty back, and a disappearing set of footprints. Like the sheep and goats that Poets are, they bleat on endlessly about their wants their wants  their wants. They want fame as Poets--disguised as distribution deals. They want contracts to produce garbage for HallMark--as if.. They want **** licking critical acclaim--from **** licking critics. They want international poetry prizes from aesthetic morons-- wearing Armani suits. They want Groupies--but not ******* They want Media eulogies--but not truthfulness. Always are they deliberately forgetting that "you cant always get what you want". The last thing that Poets want is what they need most of all. They really need An end to the narcissism of those that want to be called "poet"--in your dreams. An end to the juvenile arrogance that motivates them to put up strings of meaningless associated words and vainly call them poems. An end to childish immaturity, and inchoate meandering through other peoples words and experiences, stealing others lives and characters. Always incessantly pretending that because they can read the words of others that they have also shared their experiences--indeed their experience was deeper wider higher. In another day and age of non-violent sensibility   these kind of Poets would be called thieves and liars. In this day and  age they scribble emotional garbage and pretend its "poetry"--encouraged by intellectual follies. As poets they have become walking proto cash registers. Sin Verguensa. Sin Verguensa. Sin is Spanish for without. Poets are  SIN integrity. Poets are SIN Truthfulness. Poets are SIN decency. Poets are SIN. Im so glad I could never be mistaken for a  Poet. Wouldnt want to be mistaken as a poet.
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58
Customers have torn open the Christmas chocolates. Shoving it in mouths, shopping bags, children’s eyes. Quiet. We are shopping. as. a. family. Smoke accordions out of Santa’s mailbox. The sprinkler system hisses stale air. Custodians ride by on their metal cart laughing, sanitation chemicals flickering out of buckets. The 80 year-old piano player is hammering out Schoenberg. Customers shove lamps into their shopping bags, shove children into them. Turn on the light Jimmy. The ninth floor is barricaded off by old woman. They have turned the clearance divans on their sides and are throwing toasters. Down in the basement, the security staff have locked themselves into 2’ by 2’ cells. Fetally-positioned, their panting echoes off stone walls. Static sizzles on the array of sixteen camera screens. Customers have begin to bow in the reinforced door next to the two-way mirror. A fat man is leaning against it. He has been dead for over an hour. Restaurant staff are tearing down the great tree. Ornaments funnel down pop-crashing upwards from the floor. Three pound ceramic dinnerware crashes into the walnut bar The customers are putting mattresses in their bags, they are putting the offices in their bags. Human resources are backed into the employee orientation computer lab. Customers have poured Starbucks on the circuit-breakers. The lights are dimming, Escalators are jamming. Children scream I want to see Santa. Santa is dead. Employees calmly walk over his protruding belly. The velvet and fat feels good on tired feet. An inhuman voice garbles The store will be closing. Families grab onto shelves, racks, other families. Employees pick up the registers and slam them on granite counters. Coins explode out like bells. The rotating doors are not spinning. They are stuck, crunching on limbs.
0
Dec 27, 2010
Dec 27, 2010 at 5:16 PM UTC
Christmas at Macys
Customers have torn open the Christmas chocolates. Shoving it in mouths, shopping bags, children’s eyes. Quiet. We are shopping. as. a. family. Smoke accordions out of Santa’s mailbox. The sprinkler system hisses stale air. Custodians ride by on their metal cart laughing, sanitation chemicals flickering out of buckets. The 80 year-old piano player is hammering out Schoenberg. Customers shove lamps into their shopping bags, shove children into them. Turn on the light Jimmy. The ninth floor is barricaded off by old woman. They have turned the clearance divans on their sides and are throwing toasters. Down in the basement, the security staff have locked themselves into 2’ by 2’ cells. Fetally-positioned, their panting echoes off stone walls. Static sizzles on the array of sixteen camera screens. Customers have begin to bow in the reinforced door next to the two-way mirror. A fat man is leaning against it. He has been dead for over an hour. Restaurant staff are tearing down the great tree. Ornaments funnel down pop-crashing upwards from the floor. Three pound ceramic dinnerware crashes into the walnut bar The customers are putting mattresses in their bags, they are putting the offices in their bags. Human resources are backed into the employee orientation computer lab. Customers have poured Starbucks on the circuit-breakers. The lights are dimming, Escalators are jamming. Children scream I want to see Santa. Santa is dead. Employees calmly walk over his protruding belly. The velvet and fat feels good on tired feet. An inhuman voice garbles The store will be closing. Families grab onto shelves, racks, other families. Employees pick up the registers and slam them on granite counters. Coins explode out like bells. The rotating doors are not spinning. They are stuck, crunching on limbs.
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36
Classroom Discussion Raucous noise vibrates across The surface of my ear Not daring to enter and disrupt The train of thought That processes as a machine Turning, creating, assembling The wheel of thought spinning round the axle -------A **** on the rope, a pull on the subconscious The pulley recognizes the intrusion of an applied force The wheels halt, as if rust jeopardizes its advance. The thoughts scatter, a snapped electrical wire snaking in shock; a cooper waving current racing back to a reality through black rubber nerves. The noise registers, confirming the split of a once continuous wire Insignificant words- not quite processing, failing to relay information, refusing to form a sentence, still trapped in a realm of limbo wanting to return to the rhythm of a reverie. Slipping, falling the mind surrenders, the electricity dies. Materializing in a classroom The cage for intellectual minds Discussing about. From one world to another - act, adapt The bright scientific lights burn The eyes of the dreamer Who creates from the dark, Objects exposed, judged, determined. No place for the dreamer, who loves warping reality. Within the metal box this reality is set. Bars on the window, an indestructible verticality Plastic seats, beige, blue, cold Sit this way, look up, right, like that. You are my animals now speak, raise a hand, perform a trick, tell me what I want to hear, Speak my language of intelligence, be my machine.
0
May 2, 2011
May 2, 2011 at 5:11 AM UTC
Classroom Discussion
When CNN monotony breaks my heart, children wail for candy at cash registers, and traffic buzz replaces birdsong, I flee to my garden to water and **** Sanctuary explodes in miniature chorales soprano buds breaking through cellulose cradles last waters from a thousand wilting blossoms sing tenor at their organic wake above the loam and endless pneumatic streams drip from leaf tips as they always have and will. A googolplex of minute carbon dramas occurs melodious ballads echo relentlessly like Buddha’s kalapas of soil and light as pistil and stamen call the fat brown bees. Equally marvelous are my hands' deft fingers fueled by arterial rivers lymph and blood on capillaric freeways with off-ramps for neighborhoods of dividing cells built into my DNA, this machine of loving grace. Even the leather of my gloves once lived thick on a bull eating grass that waved on a prairie where the soil let the sun in drank the rain and that meticulous ensemble plays still for the wolf and the eagle. With the last seed sewn I sit transfixed by the garden gate knowing every blossom in every random patch will arise and pass away like the pointless TV news and I hear the machinery of this impermanence crackling like spring frost when sprouts push through and Gaia’s eternal trumpets ring.
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May 28, 2012
May 28, 2012 at 10:31 PM UTC
TINY KALAPAS
Love is like putting on a new pair of glasses. But not realizing you're wearing them. Until it registers that you are looking at small things in big ways.
0
Feb 11, 2011
Feb 11, 2011 at 3:07 PM UTC
affectionate opticals.
money from my hands like rain from clouds copper suns and zinc moons and dead grass green presidents pitter patter, flitter flutter falling from the spaces between my good sense and my fingers into cashboxes and registers. and what are these heavenly satellites and stars spent on? what are those famous dead men buying me? tiny luxuries that vanish like morning dew trivial things, unneeded and wasteful a month’s supply spent in a day by some lazy, jobless child with little common sense and no self-control.
0
Mar 29, 2012
Mar 29, 2012 at 12:02 PM UTC
Money
I'm not going to the pizzeria today Hell no, I'm not going to that pizzeria today To go in and scrub the dishes The bleach is burning my skin And insect crawling on the food While my time is just wasting I refuse to wash another bin or tray I'm not going to the pizzeria today I'm not going on that sinking ship today Forget that, I'n not getting on that sinking ship today We have a sushi place across the street Another pizzeria two doors down They also own the bagel shop between us And when bakery opens, I won't be around I'm sorry, but I certainly can't stay I'm abandoning this sinking ship today I'm resigning from this bad business today That it, I'm done with this bad business today The boss ignored the IRS for months They came, emptied the registers and shut us down Sometimes there's no money in the bank So every now and then all our checks bounce I work for six ours for $8.25, I expect to get paid That's it I've had it with this bad business today I'm giving up on this lost cause today Yes, I'm giving up on this lost cause today It fell apart when they switched hands Two parents bought it for their sons And they plowed it into the ground One's on coke and the others just dumb When they're parents come in they have nothing to say I'm giving up on this lost cause today I'm not going into work today I can not go into work today Where the employees could care less but still try their best And the boss act like two year old Where we get bi weekly pay and everyday is slow And the pizza in the case is cold I'm giving in my two weeks notice and going on my way There is nothing that can make me go to that godforsaken pizzeria today
0
Apr 23, 2014
Apr 23, 2014 at 11:55 PM UTC
Dishwasher/Prep Blues
I'm not going to the pizzeria today Hell no, I'm not going to that pizzeria today To go in and scrub the dishes The bleach is burning my skin And insect crawling on the food While my time is just wasting I refuse to wash another bin or tray I'm not going to the pizzeria today I'm not going on that sinking ship today Forget that, I'n not getting on that sinking ship today We have a sushi place across the street Another pizzeria two doors down They also own the bagel shop between us And when bakery opens, I won't be around I'm sorry, but I certainly can't stay I'm abandoning this sinking ship today I'm resigning from this bad business today That it, I'm done with this bad business today The boss ignored the IRS for months They came, emptied the registers and shut us down Sometimes there's no money in the bank So every now and then all our checks bounce I work for six ours for $8.25, I expect to get paid That's it I've had it with this bad business today I'm giving up on this lost cause today Yes, I'm giving up on this lost cause today It fell apart when they switched hands Two parents bought it for their sons And they plowed it into the ground One's on coke and the others just dumb When they're parents come in they have nothing to say I'm giving up on this lost cause today I'm not going into work today I can not go into work today Where the employees could care less but still try their best And the boss act like two year old Where we get bi weekly pay and everyday is slow And the pizza in the case is cold I'm giving in my two weeks notice and going on my way There is nothing that can make me go to that godforsaken pizzeria today
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40
What she saw stole her innate calm. She could see from across the room that he was in trouble. A kid, stumbling towards her. Desperate for her. Eyes wild with fear and fatigue. 14, 15, maybe he's 16? She knew from experience gained over a few months that he had an hour--maybe--before the weakness she saw stole his primordial drives. A life is on the line She wraps the plastic gown around her, she bends the metal of her timeworn mask against the bridge of her nose. She hides her hair in a net. She covers her feet with booties. All done with purpose. All done at full tilt. His name is Paul. And he is scared. She is by his side when his eyes roll back in his head. He's still breathing, still holding her hand but his eyes have gone white from the work of it all. His head swivels on its axis from north to south. "Please " is all he  can manage to exhale.   **** she thinks,  as his oxygen saturation registers at 20%. A life is on the line. 10 days later. Countless like him have come and gone. But, it's the exhausted exhale exchanged in his final plea that leaves her breathless now. A life is on the line
0
Jul 4, 2020
Jul 4, 2020 at 2:54 PM UTC
N95
Cash registers and sleepy morning smiles swept with the exciting smell of new-old things. He greeted me at the end of the line and   I asked him how he was-           "Cant you tell? I'm radiating with joy!            Every breath in my chest is a light            charged and glowing through my bones.            My throat is sore from laughing,            my cheeks from smiling,            and it's the sweetest pain I've ever known."    -and he was.
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Dec 29, 2014
Dec 29, 2014 at 2:55 PM UTC
Value Village.
knitted on a dodgy bobble hat or a favourite chunky jumper from scandanavia, or yorkshire untasteful but definitely practical.. smelly and friendly like a wet dog pliable like warm playdoh... patulioi oil will always remind me of you... 'a hippy place in my heart...' like a beachnut, no, a beach hut shelves littered with the flotsam of our throwaway society, flip flop corner... 19:10 some random hermit crab making his escape from the dripping bundle of just found fishing net down through the crack in the floor... into the sand and back to the sea. the moths and midges gravitate towards the fossils and rock shelf because that's where the gaslamp gently hisses. suncracked and faded pieces of 70's buckets and spades flicker in the corner between the scraps of rope and the deflated inflatables and the bottlecap damian hurst next to sea purse corner, biological tendrils contrasting the ever stoic rubber ducks who escaped from the pacific gyre... panning around, the smartphone registers, the garish tatty windbreak and the 90's ghettoblaster which still has some juice left from those batteries we bought at the gift shop... last year... for our imaginary beach hut.... in the outer hebrides...? you take the camping gaz from the cupboard and put the kettle on... the beach is desert island white the sea azure like a gaudy 70's postcard the wind tugging relentless through our hair. but the pub is warm and friendly where grizzled fishermen philosophise hardily. by the fire. between warming shots of smokey single malt.
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Jul 6, 2015
Jul 6, 2015 at 6:47 PM UTC
all right love
knitted on a dodgy bobble hat or a favourite chunky jumper from scandanavia, or yorkshire untasteful but definitely practical.. smelly and friendly like a wet dog pliable like warm playdoh... patulioi oil will always remind me of you... 'a hippy place in my heart...' like a beachnut, no, a beach hut shelves littered with the flotsam of our throwaway society, flip flop corner... 19:10 some random hermit crab making his escape from the dripping bundle of just found fishing net down through the crack in the floor... into the sand and back to the sea. the moths and midges gravitate towards the fossils and rock shelf because that's where the gaslamp gently hisses. suncracked and faded pieces of 70's buckets and spades flicker in the corner between the scraps of rope and the deflated inflatables and the bottlecap damian hurst next to sea purse corner, biological tendrils contrasting the ever stoic rubber ducks who escaped from the pacific gyre... panning around, the smartphone registers, the garish tatty windbreak and the 90's ghettoblaster which still has some juice left from those batteries we bought at the gift shop... last year... for our imaginary beach hut.... in the outer hebrides...? you take the camping gaz from the cupboard and put the kettle on... the beach is desert island white the sea azure like a gaudy 70's postcard the wind tugging relentless through our hair. but the pub is warm and friendly where grizzled fishermen philosophise hardily. by the fire. between warming shots of smokey single malt.
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47
Broken trust spilled over a pile of ***** laundry Memories deform as they enter the realm of imagination The music still plays, even though the dancers are long gone Curling away from the streak of light sneaking in through a crack in the curtains Stupid we might be, stupid we shall stay Believing in ourselves while living a lie The clouds finally part Close your eyes and look up at the skies Yearning for a familiar warmth Only to be smitten by the wrath of Helios Wishing for an oasis, only to be graced with an unending mirage Perched atop the pile sits a suit Within the suit, a man Years pass and yet he moves not He hasn't blinked yet Aged, has he not He sees, yet registers nothing His existence he cannot question himself As there is no monologue As the music refuses to fade The tired feet, start tapping yet again And then the wine begins to flow once more ***** eyes in the smoky room wander As men and women transform into gods and soon into dust Yet, the music plays on Distant, but still there.
0
Sep 4, 2012
Sep 4, 2012 at 7:06 PM UTC
A Tune in the Distance
Smiles Laughter Liquor Plasma screens Cash registers Deep cologne scents Bouncers Hot wings Hair gel Loud speakers Lip gloss High heels Tight skirts Cigarette smoke Cell phones Watches Car keys Last call for alcohol
0
Apr 28, 2015
Apr 28, 2015 at 11:38 PM UTC
Saturday Night
Wake up, stare out your jagged window at the yellow-green, creeping mist that pours through the suburbs. Taste darkness inside a spit shined, stream lined dank tank that your roommates call home. Shower and be appalled at just how unshapely you have gotten, your body a testament to your diet of Wendy’s and alcohol. Go to your dream crush, thankless job and stand at attention as the human flesh wave moves blankly through aisles and registers, even as they pretend that they are not the target market. Watch as they consume ferociously violent DVDs and smart devices at discount prices. Stand startlingly still and pray to God that they are like Tyrannosaurus and can’t see movement. Realize you are a ******* idiot because you get your facts from movies. Feel fear and dread make a shrapnel nest in your stomach when you understand that this might be the best that you can do. Frame count with fellow claustrophobic agoraphobics and call that pointless perfection pursuit escape. Desperately have twisted, quasi-acrobatic *** with every woman that is willing, but not so secretly wish they were that somewhat mousy, yet charming, grad student who makes your coffee every morning. Try to shrink into her pocket, invisible, only an absent touch away. Hope that someday you can intervene in her life positively so she notices you there. Go to sleep and breathe in that yellow-green vapor that reacts with your cells and becomes a clean cancer. Rinse, repeat and pray for that big break.
0
Sep 24, 2012
Sep 24, 2012 at 10:31 PM UTC
How I Made My Millions
Wake up, stare out your jagged window at the yellow-green, creeping mist that pours through the suburbs. Taste darkness inside a spit shined, stream lined dank tank that your roommates call home. Shower and be appalled at just how unshapely you have gotten, your body a testament to your diet of Wendy’s and alcohol. Go to your dream crush, thankless job and stand at attention as the human flesh wave moves blankly through aisles and registers, even as they pretend that they are not the target market. Watch as they consume ferociously violent DVDs and smart devices at discount prices. Stand startlingly still and pray to God that they are like Tyrannosaurus and can’t see movement. Realize you are a ******* idiot because you get your facts from movies. Feel fear and dread make a shrapnel nest in your stomach when you understand that this might be the best that you can do. Frame count with fellow claustrophobic agoraphobics and call that pointless perfection pursuit escape. Desperately have twisted, quasi-acrobatic *** with every woman that is willing, but not so secretly wish they were that somewhat mousy, yet charming, grad student who makes your coffee every morning. Try to shrink into her pocket, invisible, only an absent touch away. Hope that someday you can intervene in her life positively so she notices you there. Go to sleep and breathe in that yellow-green vapor that reacts with your cells and becomes a clean cancer. Rinse, repeat and pray for that big break.
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1
A loose wool-knit sweater had holes in the pattern, through which her skin was visible both above and below the dark sports-bra wore stretched across her ******* I could see the thin straps draped over her collarbones, and thought about the lines they leave in her skin. Yoga pants squeezed her legs underneath of thigh-high socks, and both were layered below tall leather boots with low heels. An olive green fatigue jacket hung open around her and was adorned with a colorful scarf that lay claim to her neck, its tassels curled and bounced with each step she took mirroring precisely the loose curls in her fair hair. Finger-less gloves left her free to feel the texture of the pages she turned one by one in a book pulled from the shelf. She had sat down right in the aisle, planting herself in front of the poetry section inside of a crowded Barnes and Nobles. Sitting there with such an elegance, I lack the words for it, completely unnoticed and free from the numerous holiday shoppers that were carefully stepping over her, books in their own arms, and heading for the cash registers.
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Jan 1, 2015
Jan 1, 2015 at 3:36 PM UTC
I see you there
History isn't made, Isn't told, isn't its registers. History is screamed, Shout without words, As long the feeling is right. For every action There's an unequal voice Roaring positively haltered, Farming, dividing, conquering, Cave by cave, House by house, City by city, Until no desire is spared. All that's left to do Is screaming badly, Be hard and be heard, Out of tune For other tunes to be discovered. Shout, shout, That's the only way Reality emerge, Only by scream, by sound, That's how to honor All the silence hidden In fervent claims. Shout who you are, Shout the smell around, Shout as the flowers could answer, Shout louder than howls, Shout hunger and richness, Shout danger, shout peace. Only unheard screams Can be shut by the grave.
0
Sep 14, 2018
Sep 14, 2018 at 8:00 PM UTC
The screams
Do you know, what's it like? To run, until the tendons, in your legs, crimp, like accordion bellows, held, in the grip, of a vice? ...Do you know, what it's like? When they smell the fear, from within... which adheres, to your skin, as it turns, to fright? ...Do you know, what it's like? Not even seconds, to hide? With the asbestos walls, exploding... your lungs, go off, like a bomb, and thrumming But the headlights, they just keep on coming? ...Do you know, what it's like? But you can't stop running, oh, hell no, Though the acid, drips, down the back, of your throat. And the panic, sticks, to your soul, like Velcro... But you try... ...Do you know, what it's like? And do you even want, or need, to survive it? When your fatigue, only gets them excited? When the kick and blur, of your legs, and curves, only registers, as enticement? Do you know, what it's like? Here comes the headlights around the bend, again, and it's do, or die. Do you think you could fight? You can't look, at the trunk, or you'll end up inside, it. It's fight, or you're ****** but what if they... have, a gun, or a knife? ...Do you know...what it's like...?
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Sep 4, 2025
Sep 4, 2025 at 7:49 AM UTC
[Do you know, what's it like] (TW)
Plane Poetry: I go to Barber aisle seat C 14, an emergency exit row, forced to solemnly swear that for the extra legroom, I will solemnly assist to open the exit door, me first as my reward, and keep my terrified screaming below an elephant's trumpeting mating call what hast this to do with a trip to Barber? you Brits and Aussies, ever economical, say went 'to hospital,' leaving we Ameddicans to dignify that august institution as going to The Hospital Thus advised, be apprised, a Nota Bene Benidictus: I go to Barber, Not I go to the barber. Samuel Barber, Adagio for String Quartet, Barber If unfamiliar with this piece, you will recall it well if "Apocalypse Now" registers at all If not stop immediately, return to Go, start here, www.youtube.com/watch?v=RRMz8fKkG2g be prepared to surrender your mortality, listen and if effected, if you find yourself on your knees weeping, recalling the days of loss, the early empires of hope, the first kiss of your firstborn and unknowingly, the last you gave a loved one if you have the courage to be touched and impacted, as I, then welcome back to right here where why... *I go to Barber where violins soar me heavenwards, where violins rip open sores long since scarred over, I go to Barber and float, eyes sky'd, as water fills and departs my body simultaneously, I go to Barber to know that art can rise beyond, that my weakened, wrecked human flesh, surpassable   I go to Barber to harmonize my disconcordia, romantic lyricisize my waning days, I go to Barber to voluntary confess, admit my impoverishment, to acknowledge that they, my days, yet are capable, I go to Barber to remember and to forget, to mark and unmark time I go to Barber to be created and recreated, to be destructed and despaired I go to Barber to acknowledge, as human, better is forever possible, for of the god spark, yet unextinguished I go to Barber because there is no plane as fast as his slow adagio, to transport me to the who I am and should yet be*
0
May 4, 2014
May 4, 2014 at 4:47 PM UTC
Plane Poetry: I go to Barber
Plane Poetry: I go to Barber aisle seat C 14, an emergency exit row, forced to solemnly swear that for the extra legroom, I will solemnly assist to open the exit door, me first as my reward, and keep my terrified screaming below an elephant's trumpeting mating call what hast this to do with a trip to Barber? you Brits and Aussies, ever economical, say went 'to hospital,' leaving we Ameddicans to dignify that august institution as going to The Hospital Thus advised, be apprised, a Nota Bene Benidictus: I go to Barber, Not I go to the barber. Samuel Barber, Adagio for String Quartet, Barber If unfamiliar with this piece, you will recall it well if "Apocalypse Now" registers at all If not stop immediately, return to Go, start here, www.youtube.com/watch?v=RRMz8fKkG2g be prepared to surrender your mortality, listen and if effected, if you find yourself on your knees weeping, recalling the days of loss, the early empires of hope, the first kiss of your firstborn and unknowingly, the last you gave a loved one if you have the courage to be touched and impacted, as I, then welcome back to right here where why... *I go to Barber where violins soar me heavenwards, where violins rip open sores long since scarred over, I go to Barber and float, eyes sky'd, as water fills and departs my body simultaneously, I go to Barber to know that art can rise beyond, that my weakened, wrecked human flesh, surpassable   I go to Barber to harmonize my disconcordia, romantic lyricisize my waning days, I go to Barber to voluntary confess, admit my impoverishment, to acknowledge that they, my days, yet are capable, I go to Barber to remember and to forget, to mark and unmark time I go to Barber to be created and recreated, to be destructed and despaired I go to Barber to acknowledge, as human, better is forever possible, for of the god spark, yet unextinguished I go to Barber because there is no plane as fast as his slow adagio, to transport me to the who I am and should yet be*
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72
It’s that time of the year When commercials appear to implore us to buy this or that. For the shopkeepers fear that without Christmas cheer They will never get into the black! Some Fraud in a red suit, Quite obese and hirsute, will be called on to hawk toys to tots. Johnny Mathis and Bing, Ad nauseum, will sing old chestnuts of holidays past. So we wish you Merry Christmas Now that Halloween has past. Here’s hoping, too, perhaps that you might spend as you did in the past. Let the registers ring It’s a wonderful thing To see all the rich spend their cash.
0
Nov 6, 2013
Nov 6, 2013 at 8:40 AM UTC
Merry Chri$tma$