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"refractions" poems
And gusts a wind that never sleeps When at the pond arrives a breathless boy, Knees kneel within the reeds and muck To glimpse distorted carp beneath. He counts his boundless hunter's luck As shiftless as a seaweed wreath, Then baits the wand that bears his angler's ploy, And gusts discern he plays for keeps. This boy roguish As fish are coy. And silent in the swaying deeps The drifting dance of carps who dream and wish Is ceased by ripples from a splash -- Refractions of the surface shake As sinks an enigmatic flash: Allure from realms beyond the lake. The one that hungers proves the bravest fish, And silent, at the lure he leaps. Bravery
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Aug 24, 2013
Aug 24, 2013 at 12:00 PM UTC
Bravery
Violets are purple, and roses are red. Because romance and the color blue are somehow different tonight. On this one day of the year, the refractions of light aren't bent to the left, romance just tends to mess with our heads. So, what I'm saying is, this year let's just watch Netflix instead. Because why be blue on Valentines day, amirite?
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Feb 14, 2015
Feb 14, 2015 at 2:29 PM UTC
A Valentines Poem
Morning Rainbow Myriad prismatic crystals,      refract the morning sun-streams - painting layers of spectral arches      across the misted horizon. Eyes turned to the western skies,      we suspend our meteorological selves   acquiescing to miracles unveiled before us -      un-beckoned and scarcely earned, proffering thanks for the radiant epistle      of healing, hope and promise, artfully encoded in transfigured light. Synthetic Refractions A luminary ballet takes center stage     when synthetic refractors come to play: crystal pendants bathe our foyers       with dazzling swaths of color. Hazy coronas encircle streetlamps       discovered by headlights through the fog. A science class prism slices light rays      into pre-ordered spectral strata. If the sky denies us a rainbow,      we can always fashion one of our own and we do! Spectral Sound Before there was music,      bird songs brushed our souls and the murmur of woodland streams      held us captive by their banks. Soon we learned to sing and tint the air     With prisms of wood and wire and metal and to color soundscapes in our spirits      With songs of wonder, joy and longing. Before there was music,      bird songs brushed our souls. Robert Charles Howard, 2019
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Feb 25, 2019
Feb 25, 2019 at 1:14 PM UTC
Prisms
Somethin' about an empty room, depending on how the light asks to be let in on its edges. An empty room don’t expect you to do nothin' whatever. And its floor responds in this kinda lilting relief when you tap-dance barefoot upon it. If you sit in all its corners, with your eyeballs (try it!) you can trace the refractions and suggestions on the wall, 'specially the places where paint and odd plaster stick up like little men and cast shadows all their own. You can spend hours doing this. You, the impressionable film upon which the world's projected herself—you turn the world upside down and make sense of the image in this empty box. You Make art here. Shout here! Run and kick and punch through the walls and Love them as you do so, kid. Something about emptiness itself, gets a lot of flack, you think, cast as grave. Hell! Emptiness: potential, Emptiness: casting being in sharp distinction. Emptiness: sensual, like breath before the action of the human magnetic. You: the one alive in this your empty room and therefore acutely aware of what you chose to project in such vibrant relief. Today, it is newspapers and magazine clippings and a notebook and a blue pen and a book by Susan Sontag. Today you lie on the woody floor, supine, eyes wide and become part of it your lungs breathe life into this ancient emptiness. And the air between its walls vibrates, and sighs, nascent, ‘thank you.’
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Feb 18, 2017
Feb 18, 2017 at 3:01 PM UTC
camera obscura/ode to emptiness
It was 29° (f) degrees this morning with a waning gibbous (¾) moon. Still, as we started our run, it was dark enough that the world was rendered in black and white. Lisa was a sepia print of herself while Charles was a large, quiet shadow, a dark visual noise pattern. We usually jog from our dorm, down to and along New Haven Harbor and back. Lisa and I love the ocean. The wind was in our faces this morning and there were no sparkling moon refractions in our direction, which made the water musou and colorless. I’ve gotten my outfit down to a science, leggings under shorts, four long sleeve, dry-wicking spandex tops (layering is important), a power-wool-earflap-beanie, thermal neck gaiter and quantum, icebreaker gloves (with touch-screen compatibility) - you gotta dress warmly but be able to shed layers as needed. I listen to audiobooks while we run. Right now I’m on book 5 of the ‘The Expanse’ series. I don’t have time to read anything fun these days, so I listen to science-fiction/fantasy while I workout. I love the new AirPod Pro feature that automatically turns the sound down if anyone talks. I wear a fitbit charge around my right ankle and my Apple watch as well - they both track my run - the fitbit is more accurate but my watch sends my workout stats to my siblings - we’re uhh, sort of competitive. At first, as we came up on the harbor, it was impossible to see the intersection of the two dark oceans - the great terrestrial and the greater galactic - but as we turned for home, there was an atmospheric scatter of blue at the edge of the horizon, heralding the sunrise on our retreating backs. musou = one of the darkest shades of black
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Nov 2, 2023
Nov 2, 2023 at 7:41 PM UTC
along the harbor
It was 29° (f) degrees this morning with a waning gibbous (¾) moon. Still, as we started our run, it was dark enough that the world was rendered in black and white. Lisa was a sepia print of herself while Charles was a large, quiet shadow, a dark visual noise pattern. We usually jog from our dorm, down to and along New Haven Harbor and back. Lisa and I love the ocean. The wind was in our faces this morning and there were no sparkling moon refractions in our direction, which made the water musou and colorless. I’ve gotten my outfit down to a science, leggings under shorts, four long sleeve, dry-wicking spandex tops (layering is important), a power-wool-earflap-beanie, thermal neck gaiter and quantum, icebreaker gloves (with touch-screen compatibility) - you gotta dress warmly but be able to shed layers as needed. I listen to audiobooks while we run. Right now I’m on book 5 of the ‘The Expanse’ series. I don’t have time to read anything fun these days, so I listen to science-fiction/fantasy while I workout. I love the new AirPod Pro feature that automatically turns the sound down if anyone talks. I wear a fitbit charge around my right ankle and my Apple watch as well - they both track my run - the fitbit is more accurate but my watch sends my workout stats to my siblings - we’re uhh, sort of competitive. At first, as we came up on the harbor, it was impossible to see the intersection of the two dark oceans - the great terrestrial and the greater galactic - but as we turned for home, there was an atmospheric scatter of blue at the edge of the horizon, heralding the sunrise on our retreating backs. musou = one of the darkest shades of black
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7
uoy ot gnis I seuh derettahs fo yballul a htrow dna ytilaudividni fo snoitcarfer kni gniyrc neeb ev'uoy em revo lla deraems ynnuf s'ti, das os gnikool                             I sing to you a lullaby of shattered hues refractions of individuality and worth you've been crying ink smeared all over me looking so sad, it's funny 'sit scriptor aspiret invicem' Should we? we already are. Each other we paint; "blood from thee."
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Jun 16, 2021
Jun 16, 2021 at 8:28 AM UTC
one (proper format)
The wind's fingers reached into his collar, pinching him with the cold With another stroke of the paintbrush The blue mixed with the gold The walkers who ventured o’re the shore Stared at the mumbling man Whose teeth were stained with yellow And drank to calm shaking hands The burning lights blurred in the water Pooling refractions and ripples He captured the heavenly bodies As the canvas he covered in stipples Azure he blended with the indigo, canary and honey and flax The cool and the warm melded in one candle and moon, wane and wax Soft falls the light in the harbor The stillness of night overcast In the river he cleans off his brushes And turns round for home at the last.
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Mar 9, 2021
Mar 9, 2021 at 11:15 PM UTC
Starry Night on the Rhone
Revelatory refractions held in the disco ***** reflection, glancing off the wall. Dim-lit dreams tilt forward, spilt into a paper cup, bounced backward and sprinkled up. ******* synonyms from the cold, dead pages of the riddle’s mask. Breaching spatial avenues left for those who understood the task. Taking hits from a dry-lit flask, leaving windows closed to bask Clapped the snap back bass kit as it turned Wallace snitch. The Wire drawn and laid on lawns boundless in the ditch. Deaf to congruencies of affection, brought about by an adolescent ******** Blind spot in the centre of view. Rhythmic dancing, oblivious to the pew Unplugged mixing, interlocked twisting Pulsing in tune with distorted computation Dehydrated seizures next to the watering station Molly Mary caught in the flashing lights, blinded by the car’s brights. A necklace found, nothing else around. Body grasped for fun, stuffed, mounted, late night pokes meticulously counted.
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Nov 4, 2014
Nov 4, 2014 at 12:37 PM UTC
Voyage Of The Beagle (Ambrlyrhynchus Demarlii)
This is not mine! THIS IS NOT MINE! THIS IS NOT MY HOME! your diamond *** intense compaction and heat clear like hash gum red as a cherry until it pops bittersweet the end is enough but victory feels naught years of blood I cough and hate is what i'm taught. Away from sane Pleasures of pain Try and keep the loose locks chained Realities plane From what we gain Oh life is tamed From heart to brain Your name is bane Now I’m the same These maggots of shame Express my frame The life of death is but a game The fowls in your lies They **** out my eyes Streaking fire harmonize Along the lines of mental suicide now lost in higher skies Known like when a ghost dies Inegligible melting wax With a sea of philosophical facts Tearing your nails for satisfaction incomprehensible refractions why try to grasp such fractions to only destroy your foundation? like narcotics and communication or the vane abyss of dead relaxation
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Jun 14, 2015
Jun 14, 2015 at 7:16 PM UTC
Fictitious Catastrophe
*By amber light we sit here in this scintillating evening By amber light we wonder at the treasures of the night, Enraptured by the shimmer of the highlights in the wavelets Across the bay the music plays to thrill us with delight. Moving to the rhythm of a tango in the moonlight, Feeling the sinuating warming run inside Start the steps in synchro to the pulsing of our swaying Roll the eyes in fun as we let our bare feet glide. Shimmer on the wavelets in the balmy air of evening Kaleidoscope reflection of refractions of the night, Titilating trumpets to the pulsing of the conga drums We meld our hips together in our tango's rich delight. By amber light  luxuriate as long as night’s forever We’ve felt the brush of loving in a tangled, close perspire, We’ve danced the dance of romance in these luscious shades of evening To be happy and  exhausted in a bubble of desire.* Marshalg In the magic of the peaceful night and the waters’ beautiful, shimmering shades. Manou’s Harbourside Restaurant Port Taranaki, NZ. 9pm 1 April 2013
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Apr 3, 2013
Apr 3, 2013 at 12:57 AM UTC
By Amber Light & Tango
Around your neck not a stone a crystal shown I relate to it shine so special you let me touch it touches me in return I relate to you it's part of you after all refractions cloud my school day it's physics in the crystal I C Re: fractions which in total have no equal and which apart add up to me .. as time does for you in action? you seem to be anything but.. so.. so.. hypnotic? action? crystal as time act eye on cry  s t a    l   .. a  s     t      i        m      e love? and you? it seems formulaic the equation stalls so sad MC is square not round no cutting corners 2 let us go on and oners Love = pluses and minuses I guess one kiss would solve it Thank 'Eee awwww (I'd be such an *** not to)
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Jul 20, 2014
Jul 20, 2014 at 12:18 AM UTC
Your See Saw See All Crystal
It hit the pressure point, **** shocked electric joints, Finger flounder, a  weapon, Cold recoiling aggression. Regretful revenge, Hmm, still not really cleansed. The concentrated intents Odd refractions been bent.
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Apr 15, 2013
Apr 15, 2013 at 7:38 AM UTC
Pressure point
Stone of massive solidness, shards of gemlike flint Crystalline refractions flash in noon day's sunshine glint, Obelisk in grasses green, immense in grey repose Has lain in place for centuries here, how long, nobody knows. Created in the hellfire deep and ****** up from below Molten in its’ infant form to flow with orange glow. To work its’ way down mountain flank to plunge to cascade’s grasp And tumble, grinding river stone, worn smooth in torrent’s clasp. Rolling swift in flooded flow to beach by river’s edge With grasses green against it’s’ girth in shade of leafy hedge. Seasons come… cold rain and snow with baking heat in summer past Millennia doth flow on by to leave untouched this boulder, vast. Until this day I happened by, perchance beneath a clear blue sky To rest my bones upon this rock, remove my boot and empty sock. Admiring, in the midday sun, the snow clad peak and river run, In wilderness of debris strewn from high volcano past it’s noon. To notice with discerning gaze the rock, on which I sit, is glazed With crystals of refracting fire to capture, now, my eye entire. What secrets lie within this stone that lies so massively, alone? What history has passed it by beneath its centuries of sky? What stories could this boulder tell should I remove its silent spell? Bemused, I tie my boot and yield,this obelisk to chosen field….. Marshalg On the timeless bank of Taranaki’s wild, wild Stoney River. 25 November 2013
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Nov 24, 2013
Nov 24, 2013 at 9:31 PM UTC
Grey Obelisk.
beneath the stillness of my ocean, there are currents overwhelming, & it’s a gentle, persisent undertow - they pull me down. - I can not tell, at times, when the sea only whispers, those waves of wonder, I am all smiles on my vessel. - but lo! at times, I remove my hat, And without, I can see reflections, (refractions too!) of the sunlight, illuminating, the trenches & dark spots, the layers I seek not to swim, - it is there, where I search for a map, but there is no map, or guide of sorts, my ocean remains ever unknown it is there, where I float alone - they pull me down. - what is the worst; to know not your ship or self? I do not see either… I can only see the reflections - that truth is drowning me…. - I have made my boat bright, intertwining daises freckle the sides, but it is not me - & true! the piece will work but for how long? - I fear I have not made it strong. - still, I shall sit in it. it carries me well… I have made seat enough for two took the time to fill them up no! my boat is full… - I must make for you, a space! have my seat here… me, I shall lay on the floor! - yes, I like it better here… I can see only the sky… & for miles & miles, I will dream of, one day, sharing this view - & we won’t have to tell at times, what the undertows are murmuring - I will not listen; I will not let them pull me down
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Mar 21, 2013
Mar 21, 2013 at 6:11 AM UTC
the pergatory of pisces
Verse One A simple complication Shapes the way we see ourselves, A fatal disconnection, To be just like everyone else, Find the spark in your heart And let out the flames, Kiss the scars on your arms, You were never to blame, Turn on the lights in your mind And throw out the dark, You were never made to break this way, Trauma never fades to grey Chorus Paint with watercolours from your tears, A prism you made from your fear, Chase the spectrum and touch the light, Crystal clear and it shines through the glass Of your heavy soul, You want to be whole, Fill the cracks in the flaws only you can see, Perfection isn't what it seems to be. Verse Two A desperate resignation, Starve your body from the hate, A fatal designation, Purging pain until it's too late, Put the nightmares to bed, And lock up the door, The voices will cease to exist any more, Kiss the scars on your thighs, And fall in love with your skin, You will never break again, You are stronger than the strongest of them Chorus Paint with watercolours from your tears, A prism you made from your fear, Chase the spectrum and touch the light, Crystal clear and it shines through the glass Of your heavy soul, You want to be whole, Fill the cracks in the flaws only you can see, Perfection isn't what it seems to be. Bridge Rainbow refractions of years to come, Mirrors that show the person you've become, Crystal reflections Will show unique complexions Of yourself, Perfect the way you are, You've put up a fight and you've come so far Chorus (x2) Paint with watercolours from your tears, A prism you made from your fear, Chase the spectrum and touch the light, Crystal clear and it shines through the glass, Of your heavy soul, You want to be whole, Fill the cracks in the flaws only you can see, Perfection isn't what it seems to be.
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Jan 25, 2014
Jan 25, 2014 at 3:40 PM UTC
Lyrics: Cracks (Perfection isn't what it seems to be)
Verse One A simple complication Shapes the way we see ourselves, A fatal disconnection, To be just like everyone else, Find the spark in your heart And let out the flames, Kiss the scars on your arms, You were never to blame, Turn on the lights in your mind And throw out the dark, You were never made to break this way, Trauma never fades to grey Chorus Paint with watercolours from your tears, A prism you made from your fear, Chase the spectrum and touch the light, Crystal clear and it shines through the glass Of your heavy soul, You want to be whole, Fill the cracks in the flaws only you can see, Perfection isn't what it seems to be. Verse Two A desperate resignation, Starve your body from the hate, A fatal designation, Purging pain until it's too late, Put the nightmares to bed, And lock up the door, The voices will cease to exist any more, Kiss the scars on your thighs, And fall in love with your skin, You will never break again, You are stronger than the strongest of them Chorus Paint with watercolours from your tears, A prism you made from your fear, Chase the spectrum and touch the light, Crystal clear and it shines through the glass Of your heavy soul, You want to be whole, Fill the cracks in the flaws only you can see, Perfection isn't what it seems to be. Bridge Rainbow refractions of years to come, Mirrors that show the person you've become, Crystal reflections Will show unique complexions Of yourself, Perfect the way you are, You've put up a fight and you've come so far Chorus (x2) Paint with watercolours from your tears, A prism you made from your fear, Chase the spectrum and touch the light, Crystal clear and it shines through the glass, Of your heavy soul, You want to be whole, Fill the cracks in the flaws only you can see, Perfection isn't what it seems to be.
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60
Seated on the edge of the riverbank Watching raindrops fall across the city light's reflection; A living Monet of color and fluidity and the sutble refractions of life. The bridge above me is humming with traffic, The railyard to my left fills the cold night with the timeless bellowing of midnight trains, Used syringes lay amongst the driftwood here. A crudely painted ******** adorns the trail head, Overgrown with brambles bushes and blackberry vines. A solitary ****** cruises the shallow dregs of shore On an endless quest to find her mate, Painfully unawares of his fate, Fallen victim to a poacher, Some careless fool with a greedy and discontented heart. The tents and tarps of Portland's homeless, the lost and forgotten, line these hillsides; Their many dreams and hopes lie broken amidst the rubble of this everyday existence. I sit here often, smoking and thinking, and watching the ever changing lights. Every now and again I take a picture, gather a stone, or fall asleep to the sound of rain And the smell of earth and leaves and rushing water.
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Oct 13, 2016
Oct 13, 2016 at 2:24 AM UTC
Willamette River Blues
pull them weeds from yonder brick, be quick... bedazzle me with corduroy and ambergris be thick as thieves; be all things faithful to the shadow, and in your passing scrye the odd ghost. decry your abominations as the fodder of false hope clothed in the style of the regent of Amiss. on the Isle of a Man. clip the nettle from my tongue where i'm most stung by misdeeds. amplify my misery with a joyful peroxide, the living thing in your  chest of winters. your remarkable damnation in full blossom. more awesome than fog diamonds in wet eyes grazing on refractions of something unknown and that's how you see it. a gargantuan sliver of now
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Nov 20, 2012
Nov 20, 2012 at 3:50 PM UTC
Amiss Amongst The Weeds
Beautiful Grey and Darkness Stream and leaves decay. Navy green, brown, clay-blue. Subtle shades. Cold bones, wandering mind. What am I looking for? Hidden world Creep over my body. Take me slowly. Reality slips away and another replaces it. Two actors, one protagonist. Pale and melted Colour floats on the water. Dancing, finding Folds and creases. Reflections, refractions. Mild cold Makes its home in the empty spaces Between fabric and skin. Goosebumps. In-between, twill. everything and nothing. experience and oblivion. Hide me, let me freely wander inner worlds. Careless in Beautiful grey and darkness.
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Mar 27, 2015
Mar 27, 2015 at 10:01 PM UTC
Beautiful Grey and Darkness
You send your words, Directed to my ears. My eyes they read, Somehow they fear. I imagine the others; how they'd react. I wish not to retalliate. If I can forgive you, I should forgive myself. That agony, directed: in reverse: through reflections: of infinity mirrors: with refractions: reverberated light: quantum waves: perpetual motion: unviolated entropy: Let me hold that forgiveness, Let me offer it to myself, I want to take the hostia, The sacrificial bread, The holy communion. Chanel divine grace Into my inner being. Give me utmost peace. Allow me such union, I will consume from the chalice. spilled liquidity: ripples in water: splashing kineticism: frequency oscillation: oceanic dispersion: moistened vibration wettened wavelengths: aquatic repetition: Will it not dilute? Will this spirit stay mine? Will it not disorient? Will this wisdom remain? Will it not expire? Will this solemnity be? Give me the strength, I implore my higher self If it is to exist That is.
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May 25, 2016
May 25, 2016 at 6:56 AM UTC
Teach me to love myself.
Her body. She scowls. She counts the calories on the bottles. She waits a few months between binge drinking... That way she doesn't overextend her choleric intake. She eyes me in such a way That I can't tell if she's ***** or angry. We both take another drink and we let The best pieces of ourselves rot away. She brings the flashlight under covers Her smile is just water refractions The room begins to fill with jewelry Nothing between the bed and we. I'm so alive with you nearby. You make me want to die sometimes. I wish that we could start a life. You make me wish I could still cry. I will think of you when I sleep tonight. I'll hope that these next 3 years go by. Without you I just might fly But there would be no reason why. I love you You **** me I love you You **** me I love you You **** me I love you You **** me I love you (You **** me) I love you (You **** me) I love you (You **** me) I love you (Please **** me)
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Dec 29, 2012
Dec 29, 2012 at 7:36 AM UTC
Picking Ribs
You see this world. This I know to be true. But you see refractions And shadows of other yous. Your cries are misrepresented Seen as horror in the night But I know that it's just Peter Pan Making faces in the light. You are different. I'll give you that. But differences are just Glitter in the cracks. Some may say that You are wrong, But you're not, their Imagination is just gone. You are beautiful. Scars and all. Scars especially; it's Strength, not a downfall. Hold on to the colours Dancing in your head, Because without them, girl It will all be grey instead.
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Sep 29, 2016
Sep 29, 2016 at 4:33 PM UTC
A Different Light
At six in the morning when the inches of snow are still holding the sunshine off with their vacant swelling hills and troughs, I hear the passing traffic a block east. Will the traffic stop? When I say traffic, I mean the rumble of coal cars two miles distant. I mean garbage trucks full of yawning men I don't know and garbage I've known for a week. I mean the women leaving hospitals bound for sunbathed sleep habits and more long days of night. When I say traffic, I mean the adolescent fox foraging through the Baptist churchyard. I mean the line of metal carriages trailing from checkout line 10. I mean the blood racing to my arm after we spent the night holding each other. When I say blood racing I mean the multiplying and dividing of cells, beats in a symphony built up, crumbling down by an ancient arithmetic pulling us in, broken gravity we fight by holding onto it, clutching it to our hearts as we step into the earth. When I say blood racing, I mean the tiny blind lives bustling under flesh overpasses, blood cells commuting perpetually even after years of smoking cigarettes, lungs an oil spill butterfly resting in the chest. When I say six in the morning, I mean the dark hour, my second wind, when I rise to clear our tables and stack the dishes in the sink. I mean the hour you finally went to bed after we fell asleep on the couch, again. I mean the hour I crept into the hall to take out the trash, tight hand-rolled cigarette patient on my lip. When I say six in the morning, I mean the time between the milk man and the sunrise, I mean the minutes falling around the decaying beauty of gold and scarlet leaves prostrate on cold sidewalks. When I say decaying beauty, I mean the wizened grey tree, standing naked, no, stooping over the fence by your road. When I say stooping, I mean the man draped in a scarlet vest and goldenrod button-down wincing himself upright on the stool, unconcerned with the dark pub behind him or the faces bent through his glass in the dim refractions of the Open sign, faces bent over mostly empty glasses, empty faces.
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Mar 2, 2012
Mar 2, 2012 at 3:06 PM UTC
Blinding the Eye of the Storm
At six in the morning when the inches of snow are still holding the sunshine off with their vacant swelling hills and troughs, I hear the passing traffic a block east. Will the traffic stop? When I say traffic, I mean the rumble of coal cars two miles distant. I mean garbage trucks full of yawning men I don't know and garbage I've known for a week. I mean the women leaving hospitals bound for sunbathed sleep habits and more long days of night. When I say traffic, I mean the adolescent fox foraging through the Baptist churchyard. I mean the line of metal carriages trailing from checkout line 10. I mean the blood racing to my arm after we spent the night holding each other. When I say blood racing I mean the multiplying and dividing of cells, beats in a symphony built up, crumbling down by an ancient arithmetic pulling us in, broken gravity we fight by holding onto it, clutching it to our hearts as we step into the earth. When I say blood racing, I mean the tiny blind lives bustling under flesh overpasses, blood cells commuting perpetually even after years of smoking cigarettes, lungs an oil spill butterfly resting in the chest. When I say six in the morning, I mean the dark hour, my second wind, when I rise to clear our tables and stack the dishes in the sink. I mean the hour you finally went to bed after we fell asleep on the couch, again. I mean the hour I crept into the hall to take out the trash, tight hand-rolled cigarette patient on my lip. When I say six in the morning, I mean the time between the milk man and the sunrise, I mean the minutes falling around the decaying beauty of gold and scarlet leaves prostrate on cold sidewalks. When I say decaying beauty, I mean the wizened grey tree, standing naked, no, stooping over the fence by your road. When I say stooping, I mean the man draped in a scarlet vest and goldenrod button-down wincing himself upright on the stool, unconcerned with the dark pub behind him or the faces bent through his glass in the dim refractions of the Open sign, faces bent over mostly empty glasses, empty faces.
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51
Loneliness can be pressed into a jewel and hung in the window. Spinning prisms across the walls of my empty room. It's brightest when the sun is shining; the facets deep and ever-changing. Light and shadow; time and distance. This is when it stings: Every perfect evening (gull cries and clear skies) hangs on the walls of my room in light-tricks. Vignettes of sunsets; only refractions. The daylight oranges over his long back, it goldenrods in his hair, shadows lengthen his crooked fingers, strong wrists. He looks west. The sun says: follow! The light is chasing me. His loneliness is a jewel that he saves for me.
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Mar 9, 2014
Mar 9, 2014 at 1:29 PM UTC
Prism
I would re-name the planets after galaxies in your eyes. The stars finally know what it feels like to burn with envy. There are constellations tracing the soft skin of your back. Following dips and curves, I would draw maps with two fingers of everything that matters. Freshman science taught us about untouched miracles; and just like that- the ultraviolet cosmic phenomenon fixed us to spiral arms in far-away planetary nebulas, like the ringed Cat’s Eye. The milky skies whispered so that only we could hear, "Heaven's dust will fall" You feared last night you could hear the earth cracking under the weight of the universe, paralyzed with a crippling guilt you'll only see the stars after they've died. Neighboring nova would spectate our telescopic wavelengths- needing the prisms to reflect on our kaleidoscope refractions. No matter the efforts of a tangible spectrum, one could never quite touch our frequency. Between lazy and lively, our whitecap love remained visibly invisible.   Our infrared vessel to space, raced clusters of runaway stars past post-distant intergalactic bodies, shooting through beasts, astrologies, gods. We window shopped stellar bursts of dust clouds above our clouds, a gravity shelter. Meteors became our faithful companions glowing gassy flowers of dusty debris. The pressure (we couldn’t touch) generates combustion; atoms gazing psychedelic pinks, greens, soothing tones of aquamarines. Ever since then you've been the glittering black hole, heaving me in. The only thing I’m able to taste is   the way your luminous Milky Way kiss gives gifts of halos to terrestrial light rays. But the flavor of your lips are the battalions inspiring the star shining front lines- Integrity a marathon taking laps to the moon to Pluto and back, the long way. Blizzards of stars rewrite our language in the moon beams, guiding us past lost letters to Pluto. How do you sleep among dancing stars while the rest of the universe watches? I made my home in your eyes and you made your home in the sky.
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Feb 17, 2018
Feb 17, 2018 at 10:06 PM UTC
Moments Lasting Shorter Than the Speed of Light:
I would re-name the planets after galaxies in your eyes. The stars finally know what it feels like to burn with envy. There are constellations tracing the soft skin of your back. Following dips and curves, I would draw maps with two fingers of everything that matters. Freshman science taught us about untouched miracles; and just like that- the ultraviolet cosmic phenomenon fixed us to spiral arms in far-away planetary nebulas, like the ringed Cat’s Eye. The milky skies whispered so that only we could hear, "Heaven's dust will fall" You feared last night you could hear the earth cracking under the weight of the universe, paralyzed with a crippling guilt you'll only see the stars after they've died. Neighboring nova would spectate our telescopic wavelengths- needing the prisms to reflect on our kaleidoscope refractions. No matter the efforts of a tangible spectrum, one could never quite touch our frequency. Between lazy and lively, our whitecap love remained visibly invisible.   Our infrared vessel to space, raced clusters of runaway stars past post-distant intergalactic bodies, shooting through beasts, astrologies, gods. We window shopped stellar bursts of dust clouds above our clouds, a gravity shelter. Meteors became our faithful companions glowing gassy flowers of dusty debris. The pressure (we couldn’t touch) generates combustion; atoms gazing psychedelic pinks, greens, soothing tones of aquamarines. Ever since then you've been the glittering black hole, heaving me in. The only thing I’m able to taste is   the way your luminous Milky Way kiss gives gifts of halos to terrestrial light rays. But the flavor of your lips are the battalions inspiring the star shining front lines- Integrity a marathon taking laps to the moon to Pluto and back, the long way. Blizzards of stars rewrite our language in the moon beams, guiding us past lost letters to Pluto. How do you sleep among dancing stars while the rest of the universe watches? I made my home in your eyes and you made your home in the sky.
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Two beautiful moons, galaxies apart Turning circles held there by the obligations of gravity. But one ever seeks the other, Sensing they are destined; They feel the pull of the other Through the void of spaces. In their endless revolutions each Counting the twinkle of the stars, down to the one Lunar turn when they align paths only seconds to Tell of a universe of love in that moonbeam, eclipsing Each others spaces, their refractions touch. Particles of moonbeams close enough to mingle in each others high hopes, but the universe has its own time scape At least as they drift, further from the rings of their bounds Each endless cycle, drifts them a fraction closer to their hearts; and on that glorious night when their hearts collide the universe will see a brilliance of love To eclipse every sun.
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Oct 31, 2013
Oct 31, 2013 at 9:11 AM UTC
Two moon junction (Scribble-naughts and moon theories) (c)