Submit your work, meet writers and drop the ads. Become a member
Denel Kessler Mar 2017
Eroding brick wall
all that remains
refracted, fading
fishermen shadow
red dawn’s early light

brackish still water
shocked violent green
seeps from the desert
to be subsumed
by an unrelenting sea

restless dreamers rise
muscle sturdy pangas
into the churning tide
seeking quicksilver
at the continental edges

returning boats ride low
the shrinking horizon
race to safe harbor
cold beer on ice
under palm palapas

in the restaurant
a young man
shows off tuna
half as tall as he is
to admiring tourists

like me, seeking
the deep, slow burn
salt, jalapeno, lime
a fitting end to this
unraveling dream

Pueblo Mágico
of “no bad days”
walls of contention
in a fractured land
will never separate us

one margarita, two
another raised in defiance
of those who would try
to confine and define
free-range spirits

the Pacific touches
this contiguous shore
from equator to pole
we could catch
a clockwise current

follow Polaris up North
arrive transformed
magnetically charged
disparate souls fused
together bound
Hello and thank you. my HP friends!  I couldn't wish for a kinder, more talented group of people to spend time with.  Thank you for being a part of my life.  Apologies for sporadic reading...been drinking too many margaritas!
: )
BianchiBlue Nov 2014
My dream is not white
as paper, my dream is not
black, as these ink spilled
thoughts, my dream is not
colorless, refracted as light
through my sunlit tears
vircapio gale Aug 2012
on moonstone slab Manmata flames again
from out of ashes rises, gloating unfinality of Shiva's dance
reincarnate offering of endless Self
in Lakshmi's avatar
a fateful prince's heart to lance

and lanced his heart her visage did,
                                                     though with vaster pinions fully pierced was she, in depths
                                                          ­                                                                 ­                 without rivalry~

his lust was sharp to invite solitude,
but easy to conceal,
he imagined cupping her against him,
scoured memory of upward glimpse,
inch  by  inch
with added imagery, invention moulding her
beneath his grasp
from forehead curls along
glowing skin and eyes
to curving, palatially appareled ******* . . .
her open lips . . .  her hips
--but after, merely to dismiss
and even sleep a bit
and quip inside at irony
to be at mercy
of a girl in flowers
when he with arrows demons lay to rest
(though she would, within the selfsame hours lose her wits ;)

in cityscape descried the triad:
gold dome gifts for sky
in shining generosity
Mithila's people overflow with joy
exuding free abundance carelessly--
jewelry loosed on playful street
from overkeen embrace, is left to lie;
loss in ever-present wealth nigh obsolete

musth of elephant, froth of steed,
floral garlands tangle, line and mix
for clouds of honey-bees to lick their feast.
a bustling of virile acrobatic populace--
symphonic mux of chaos tressed,
metropolis of idylls coalesced;
drums, races, grinning faces flinging courtship,
smirking merchants under wigs
bathers splash exotic fish to flit and weave
while ballads sift for higher pitch of love

from elevated terrace ladies prance
and watching from an inner spire
the princess spies her prince--
emerald shoulders, lotus-petal eyes
Vaikunta hidden from their mortal sight
but straining recognition there,
a union ageless as the stars
inspired suddenly another first:
Rama's transfixed stare she feels and meets,
strangers locked entwining glances
--fated simultaneous-- electric heat   like
from a planet sparking for the taste of outer space --
the lightning burns its mark ensouled
in blooms beyond her ripe, anthophilous form,
verdant visions planted in the rays of light
between two instant loves
to slip inside the eyelid entrance
and evermore impregnate with a glory ill,
as separation wills,
to colonize throughout with other Being there
phantasmal yearnings of entrancing elegance
--from dawn of time instilled, akashic script
of binding hurt with joy in love's embrace
condemn desire to a writhing term
when not imbibing such togetherness
a worldless crypt preferred

and so as swift as gymnast flip to fall
the heart is gushing toxic lack,
epic ventricles the viscose tug
in fluid inspiration wrote of Sita's
sudden addict gnashing inner plight
while slips the sight interred within the crowd,
as if a sorcerer the cosmic sea to play her destiny:
the waves inside enraged to overwhelm
the sudden coral crust beneath the swell
an unmarked seaside's lavish drown unto the land
and reeling send this fragile ******
into wilting, her floral haze to drooping fell...
        in revelatory crash of passion's oceanic weight...
attendants pamper uselessly
--from swoon to mood irate
to wait until the next appearance of her mortal god
the only one to sate the shameless need
entwining up within a clenching wrack of milky fits
from bed to sweaty bed they take the burning maiden~
the outer sea inflow in calming dusk meant nothing to the agony of new romance
                       sequestered in hymenic fire, dawning brilliant
                                                       ­                                omni chakral pierce in rays,
                                                                ­                                                              tot­ality relentlessness
and therein descry a wholeness
  yet unregained
a hopeless birdsong careless as the wind
in caring strokes of pollen redolence
for forest ears an endless vibrate mate
of elemental ease the simmer float
upon the dukkha broil paths embroidery of karmic
cookery the godly recipe invoked,
gibed her without cease,
****** flare eternal guna coals to stoke
and spite her with their peace,
for her attainment only next to he
the moon communes the message blinding clear
amid the ghee her girls would light in care
to soften her despair -- but only aggravate her state --
and so by dim refracted moondrops set,
in only gemlight, Sita basks in pain
her gaze entrained by night obsessively
while overhead the crescent hook beams
freely in to fertilize her all-too-chastely girdle there,
petals wilting under body pressed to slab of stone
as mounting groan on groan intones her writhing questioning
of whomever he could be to cast her moaning so
a deity in maidenhead unwitting of such otherlife
left by endless, anthrocosmos' whim to ache, and alone
in wonder scream abandonment from aether poise
confusion reigning noisome nescient choice


















.
Manmata: the god of love, who Shiva is said to have burned to ashes with the purity of his contemplation
Lakshmi: Hindu goddess of wealth, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the consort of the god Vishnu. She takes her mortal form as Sita in the Ramayana, destined for Rama (who is Vishnu's avatar).
Guna: an element, 'thread', 'string' or principle of nature; the three gunas are (sattva), (rajas), and (tamas)
Dukkha: suffering
Anthro-: as in 'human'

"The impact of the Ramayana on a poet, however, goes beyond mere personal edification; it inspires him to compose the epic again in his own language, with the stamp of his own personality on it.  The Ramayana has thus been the largest source of inspiration for the poets of India throughout the centuries . . . Thus we have centuries-old Ramayana in Hindi, Bengali, Assamese, Oriya, Tamil, Kannada, Kashmiri, Telugu, Malayalam, to mention a few."   -R.K. Narayan (whose prose version of Kamban's 11th c.e.Tamil --originally written on palm leaves-- i'm reading at the moment, and whose advice i've found myself compelled to follow. in no way am i an authority, but an amateur--literally--'in love')

http://hellopoetry.com/poem/ramas-inauguration-facing-the-murderous-gluttony-of-thataka/

http://hellopoetry.com/poem/soorpanaka-the-demon-as-kamavalli-lusts-for-rama-1/
ryn Sep 2014
Destination home...
Making my way
Sleepy heads leaning
End of the day

Different people
Diverse ethnic races
Same endpoints
For us nameless faces

Where we're headed
Timeless cues
Rain-stained windows offer
Only blurred views

Beautiful display
Droplets colliding
Like liquid missiles
Crashing and merging

Yellow street lamps
Neons on buildings
Vehicular signals
Intermittent flashings

Reds, greens and ambers
Fighting for attention
Blues, whites and their hues
Feast for perception

Myriad colours
Refracted and broken
Prism induced dispersal
Little light show haven

Quite the spectacle
This dance and flight
Kaleidoscopic effect
Between water and light

Rain didn't abate
Unleashing full fury
All of us still safe
Capsule of tranquillity

Watching the chaos
Still silently looking
Overwhelming wonder
Heart is choking

Found myself tearing
At the sight of this view
Realised for certain
That I'm missing you...
Bus ride home in a rainstorm. Beautiful...
Alice Wilde Oct 2017
She was a wilting flower,
Delicately fading
Into the depth of her sorrow.

Her eyes-pooled gossamer stars
Falling from constellation webs.
Bouncing on the tile before losing shape
In the atmosphere.

My soul was swallowed into
Her sorrow,
And stayed there.

And when I held her,
It was like trying to hold on to refracted light.
**** is an axiom.
**** is our axiom.
Hence, **** your axioms;
We're gonna get ****** up.

When perception is refracted
laws and theories
become fractured.
We use it to our advantage.

Covet the strange days of adolescence.
Mariam Paracha Oct 2012
The warmth of the sun settles, hugging the lake.
The dragonfly flies low, hovering above the tranquil water
the light seeping through the paper thin skin,
it hums across the lake, refracting light off its wings,
An array of colors make patterns on the wings,
wearing it like a cloak, a rainbow embedded within.
The colors tilt and shift as the dragonfly gracefully cruises through life,
laying close to the water but letting the air propel it forward,
floating between two different worlds,
it is like a dream where our thoughts are separated from reality,
and are scattered like refracted light for us to assemble.  

Through a screen of our dreams, a world can be seen.
A world of hopes and desires that is dormant within
The light of life just soaks us bare,
our skin turns frail,
under the scorching glare,
the glare of eyes that want you to be,
someone that is accepted by society.


the dragonfly bathes itself in the sun,
the iridescent colors shine on its skin,
flying and floating, he’s determined to win
a predator, determined to get what it wants
nothing blocking its way or paving its path
making the most out of life and never holding back

spread your wings like the dragonfly
that hums its way through life,
dipping its wings in the sun to shine,
breaking free a life of colors,
that we leave locked and forgotten,
behind a reality made of black and white,
the black ink seeping through our minds,
injecting us with ideas of the 'ideal life'
where money and fortune, and status define.
Bathe your mind in the wonders of the world,
soak your heart in life's warmth and glow,
and pave your own path,
with the dreams you sow.
Life
Every blade of grass
Fed by rays from space
Each color refracted
An afternoon complete
With swing set
Barefoot strolling
Impartial recognition
Nihilism’s shadow
Hides seeds supplanting thistle
Frail beginnings
Awkward stems
Reaching for our earth
And a life left behind
Leaching nourishment
Acknowledged
By their voices
But glances are more telling
Lonely wanderer,
Man imbued
Disparate hopes
Discouraged and disheartened
As the sun shines down
His blades reflect
Refracted radioactivity
Thistled leaves snapping
Thorny twigs grasping
At our earth
At our voices
At anything
Our serendipity
MMX
Nathalie Anna Jun 2014
Like a captive, I capture rapture wrapping around stakes that matter
Joan of Arc battered
Also tattered but, easily dismissive
Refracted from fractured prominent phrases people play with
Distinctly persuasive and evasive, dressed boyishly attractive, lax stature, dawning armor crafted by absence as if asked about it-
I’m drifted
Protection is principle prerequisite, when fire is lit
I sort of implore your aorta before it’s incinerated to ashes
Dethatched as a habit, with swords or hatchets crafted to singe heartstrings that attached it
While I slash slick Rick as a quick fix,
To fend for pretend pretenses or presumed tricks,
I can’t quit
Cause I hit lips against hash spliffs fashioned with dashes of passion all while rationing fireball cinnamon sips
Martyr to avoidance
I gaze at fabled dazed gossipers galvanizing grips on gritty grapevines while licking warning labels through smoke haze on blurred lines
Capably unstable
Other eyes attending scandal circles able to shout lies and rekindle handed arguments on tables with locked smiles stay boxed in
Avidly amiable
Searching for counterparts when combusted or branded
Toying with matches loses meaning when rules reseed
Those vagabonds claim love is some all end hard bent to mend what the same above can’t comprehend.
Breaking boredom, I pillage pillows with night terrors
And ardent arsonists yearn for flames that churn, turn, liquefy and learn learned thoughts and smoldered feelings
Completely complacent
Melting in one another they are completing each other like two candles tryst true at a wedding day
However later the blaze is severed, smoke sears, and charred black wick stands alone for them.
Aggressive and progressive.
As for me never pleading, fire forever fleets to streets between iron bars I built that cage in deep heat and seep dire dreams once desired
Suppose I’m a skeptic
Roasted or disconnected
Just jaded, just met you
Always over it too soon
Burnt but I’m amused.
I’m useful.
LSD
I had a big stage.
Set to the grizzly backdrop of rural Stephen King.
Posts for streets and persecution for people.

But I've seen the suns light bend to the curvature
of the sky's massive hands.
And share the illumination like they were
gifts from no one in particular.
So, bright and light yet pregnant with inspiration
that the ideas refracted off the green grass
and stretched out for the rest of my life
and yours.
The people grew branches
and bloomed blossoms and
smelled of crisp forgiveness.
And you were there, and you and you.
Abby Jan 2014
Water rushing down
                         arms
                         torso
                         legs
and
                         face
tracing lines I wish erased
lines of
                       purple
                       red
and
                      tan
I wish this hell never began
light by incandescent bulbs
                      sunlight
                      lamp lights
                      moonlit glow
too late to stop and now you know
pain from
                      hunger
                      knives
an­d
                      words' impressions
soon we learn our masters' lessons
rebellion 'gainst a life of sorrow
leaves a fear of new
                     tomorrow.
Post-azure, cloud splashed sky,
washes with the suns descent,
breaking into melodies of sunset.
Fracturing into a blush,
the richness of the spectrum
makes itself known.
On a tangent of change,
amorphous clouds bleed
amber glow
and bittersweet combinations
of reds and yellows.
Vermillion streaks through,
and a few cloud folk turn titian,
like sumptuous surreal apricots
rotting in the sky,
that seem to augur
encroaching darkness.
Billows on the horizon
leak crimson,
like spilled wine on table cloth,
and pucker out
like blooms of flaming roses.
Fire refracted
coloured cousins of the sun
are dancing all about.

Here is the anthem
of wild transformation.
Here is cause
for quiet celebration.
Here at this fluent juncture.
Here at the closing of day.

The whole of the ocean below,
is the skies tremendous mirror.
It's reflection is variegated,
into variations a thousandfold.
Multitudinous, and ever differentiated,
distortions of above
ride the crests of waves.
Each apex is a new story.
Each new story,
just as soon as it is told,
comes crashing into trough.
Each finale is the ****** of beginning.
The dynamic roar
of the oceans ever-changing topology
is rife with meaning.

Colossal symphonic wonders,
the primordial song,
releasing upon: the uni-
verse continual,
sending the manifest
to move, with the give and strain
of immaculate design.

Here ensconced
between the safety of light
and the mystery of night.
Here at the oceans edge.

Above, shades of catalina-blue, in conversation
with the outer most cosmic-black
dismiss earlier brighter hues.
Tinged by the infinite nature of space,
the jeweled dome darkens.
Overhead, the first stars appear,
sky transparent to beheld blackness.

Luxuriant, pulling horizon, attracts
violet into it's unfolding theatrics.
Bloodied clouds turn purplish, then black,
a darkening rawness allures,
decaying with vivid beauty,
tragedies of a rouged romance
drug down into shadows play,
searingly alive, extraordinarily actual.

And then, the hush of dusk.
Darkness is felled, like silence.
Scintillating stars
strengthen in the nights
surrounding abyss;
giving radiance definition.

Dynamic Beauty
Lives In Transition,
Oppositions
Compliment.
Kachi Sawagu Aug 2015
Without light there is no darkness
Without darkness there is no light
One cannot exist without the other
To balance our lives with one another

Maybe I am the light
And you are the dark
We need each other
Like sister and brother

But alas the time has come
You have found one more
Of your own kind
And have forgotten about me

They say light travels slower in water
And you have traveled farther
Down to the bottom of the sea
Where I can hardly even reach

You're now so far away
Where you can't see the day
Perhaps when I have found you
All I am is a refracted memory
Cheyenne Mar 2015
Here in the masquerade,
plastic faces on parade.
Truth refracted by our lies.
Masks revealing what we hide.

Beneath the mask, a painted face--
there is no truth that's not erased.
We are what we pretend to be--
flaunting our complexities.

We cannot undo the mess we're in;
Our costumes now our second skin.
We choose carefully our facades;
We pay the price to act like Gods.
Rollie Rathburn Apr 2018
Perhaps there are 100,000 forms of darkness,
100,000 forms
of what they call depression.
I know one
or two of them.
There is no suffering scale, no way to compare
the suffering of one
human being,
or one illness
to another.

So we hold candlelight vigils
build totems to gather the universe and pull
back clarity around one another’s edges
But I can't burn sage inside me.
It may attract the bad you hide from. Or
is it the good that scares you?

The world beyond the bond
of hearts is a town
without pity.
A dull inhumanity of systems failing the people
we don’t look at.
In this way the brittle tethers of association are tested.

Hand in hand greeting the blackening sky, bearing
down like the face of a missing child’s parents,
staring at one another
knuckles clasp tight.
Your smile the remaining mirror at the end of the world.

If you were here, or I there
I’d be home right now. On the inside
we’re both waiting for one
another still.
Because I’m the same,
but not.

I am ruthlessly forgetful.
Names, birthdays, work schedules.
But I know the way your hair looks in motion.
The way your face looks
refracted through a cigarette ember.
How when your mood shifts,
the church in your eyes
becomes torn, battered, and bare.

If we could just give
another go-round.
It would be different,

Remember,
your best.
Where you are, might
be, may go.
When it used to feel so good.
WS Warner Feb 2012
Underneath the anger, there are tears. Beneath the fury, there is hurt, a river
of affliction - the day that possibility evaporated. I knew, the moment
it was gone. Telos obscured, like a mist, had left me.

Frost in February, morning at the local coffee house, perseverating, sedate
in privatized, cogitations - certainty dissolves into irony, the transient
collective with predictable cadence and singular objective. Borrowed
energies - preferred anesthetic in defiance of the placid, quotidian horror.

Angst wrapped in skin, clothed in remorse, like a muslin coat unable
to keep me warm, the palette of truculence, dislocated savant,
with guarded aversion - faces enucleating in tacit harmony, the muted tragedy
of the forgotten.

Yoked, the metaphorical satchel, freighted with the sentient debris, sifting
the fuckage, memoirs of failure, privation of venture and honor, objectified as
mere portent. [Existence] - the daily riot, becomes the necessary crucible.

Dissonance and detachment resonate the cultural banality, [being] displaced
by icon; [branding], ideas about ideas, life several times removed,
emblem over essence.

Existential renegade, exploiting the counter intuitive, the paradigmatic prodigal,
favor squandered, in the absonant passage, bearing fruit of the undone.

Bones of contention lament, interminably, like a false friend, present in absence,
perceived in the lack, subtraction, slip-stream - the disheveled
palaver of the broken.

Acutely self referential, misery enfleshed, its own reward, a post-war
discontent inhabiting sorrow, compressed and narrow, begetting
apathy in springtime.

Commodity of youth, the currency of beauty -permuted, commerce of the
ethereal and diaphanous. Human caprice, post-modern fog,
the flattened self,
the enemy of us is us, drowning in the decorum of narcissism.
the fattened calf,
immolating on the sword of autonomy.

Recycled grief, a recursive loop of gestating thoughts, marinating fluidly
within the interpretive grid. Confessional cyber community - exposed wounds
and concrete suffering, abstracted from virtual solidarity, refracted through a
reductive sentimentality, maybe they will ‘like’ it.

Iconoclast in exile, inhaling the incense of barrenness , surrounded by synoptic
drivel in understated - present tenses - alight in the now, axial axioms of the privileged,
who genuflect to the god of unfettered freedom.

Peripatetic intervals of isolation, self-imposed, hidden in a sanctuary of derision,
colliding with immutable otherness , the waters of chaos, calm.
The proleptic display, announcing eschatology. An ancient text written on the interior
expressed in myth and narrative the courier. The carnal and cerebral
arise, rightly flourishing.

Sense thresholds stirring, surprise and turbulence, reverberations of altered
domains merging - the temporal and ubiquity, the indissolubly resplendent
inversion - the invisible made visible. Opaque intrigues subsumed into the
balm of reconciliation - the first shall be last…

©2012 W.S. Warner
ᗺᗷ Aug 2012
The place you stand in casts a loathsome light from behind you as you gaze to the Mirror. A salted tear is shed followed by many down into the loch you have locked yourself into; drowning. What has the Mirror said to you today? I wish I could understand it.

The Mirror has rendered your wings useless, crippling you with a deadly snare it has embedded in your mind. A snare you could free yourself from with tools you’ve always possessed but never knowing how to use.

I reach inward to pull my heart out and smash the Mirror once and for all. The shards cut deep but nowhere near as cavernous as the cuts your razor edged tears have when they used to fall from you’re calloused eyes down into my chest.

The Mirror, now in a thousand pieces, must be screaming in your ears as you try desperately to put it back together. An act that is meek for you from the life you’ve lived befriending such a foe disguised as your comrade.  

It’s a wonder how one tries to fix the broken long before they realize that they themselves are the broken. The fragmented mirror cannot speak the same again to you but only display you it’s rightful self, showing you the truth.  

The truth that we’re all fragmented; no one was created to a perfect perfection but rather perfection due to an all-pervading and ever powerful imperfection.  One last tear is glazed down onto your lips. The sweetest taste you have ever savored.

My dear, sometimes you must shut out all other light in order to discover the Light that sets you free from the prisons you once existed in. Walk with me now into the darkness until we find ourselves in the ever awaiting Light of freedom.
Marieta Maglas Jul 2013
A red bird has flown soaring in the great height of the
purple sky. The thrilling scream was as a shrill cry on
the soundtrack. The bird has disappeared into the sky,

and all it could be heard was the sound. That cold sound
became fluid in the ears. A forked green lightning following
a zigzagging pattern appeared from an antimatter space.

The eyes fixed wide-open up, and the mouths kept silent.
A ship has left the dock to disappear in the mobile horizon.
It seemingly disappeared and reappeared based on where

the eyes were looking; the eyes were not able to leave the dock.
When the ship could not be seen, a prolonged blast could be
heard. Finally, the ship disappeared in an antimatter space,

where cold could illuminate and beat the heat to burn everything
as we beat the heat with icy cold neck wraps. The eyes fixed
wide-open toward, and red screams grew from open mouths.

The sun lost its strength to become redder than it was before.
In the twilight, its disk disappeared below the mobile horizon.
Its power was in the spirit and the matter of the freezing cold.

The eyes were unable to see where the sun was going. In the
soft and purple mist, they looked like little amethyst stones.
The violet light slowed down in the water much more than the

red light refracted. The waves of alternating strength in electric and
magnetic fields moved around the Earth in the tick of a clock.
The mouths murmured, but the anti-sound made them all be quiet.

From an airplane in the sky, the eyes could see two rainbows with
colors in opposite order forming a complete circle. The eyes could
move up and down to see the red light  that refracted out of

the droplets at steeper angles than the blue light. The mind could
imagine another rainbow made of complementary light wavelengths
such as green, blue, violet, red, orange, yellow-orange and yellow. The

sea shone brightly as a sky full of red and bluish comets having
tails like trains carrying hydrogen cyanide. Strange, sharp and
cutting words wounded the mouths stopping the thoughts to breathe.
Dalton Bauder Oct 2012
the thickest breaths of smog for me
in endless search for purity
approximate serenity,
a purge from which i cant escape.
my bones do ache
and muscles tear;
the trembling quake
of the heart i bare.

i pray for oxygen
to clear the dust from winded lungs
to cleanse my chest in sacred tongues,
a heart that rings with ancient song.
i pray for us again
to clear the fires from our hearts
to cleanse my motives from the start.
a moment’s calculation off
resets the forward destination
-infinitely

its so humbling,
through the broken glass i see
the endless possibilities
of all that could have been
mad to live
scared to love

I'm so alive.
"we're suffering to live, we're scared to love"
Nat Lipstadt Jun 2015
Refractions of Vivid Emotions

This poem has a story. A few months ago, inspired by
the response from patty m to one of my poems (quoted below,)
I started this poem and never completed it. Stumbled upon it, and asked for permission to post, when I realized the why of the absence of her voice from here, the passing of her beloved, Joey.
http://hellopoetry.com/poem/1195106/for-the-love-of-my-life/

It changed the poem.

for Patty M.
and Joey,
who I only knew through
the eyes that loved him


~~~

"dayummmm this is amazing.
I love your foreplay,
the wanton ******,
your words tipping words in
refractions of vivid emotions"

patty m

~~

she hits me
sweetly, unknowingly
with a best shot,
a four lined stanza
of expresso appreciation,
while
shhhhh,
I'm at work

everyone, observing,
looking at me,
cause I am instantly
floored

instant cognition,
emotional reverberation
disturb, perturb,
by her phantastic imagery
a language, a phraseology
"refractions of vivid emotions"

slow conniption,
her phrases,
never didactical,
cause my reactionary words
to refract my emotions,
light rays now reflecting,
breaking off pieces of me,
all scattered about the universe,
and I'm learning me a lesson good,
be careful what you read...

grab the cell only to hear:

"currently, none of
Humpty Dumpty's men
are currently available,
so please stay on the line...
you're caller number one,
expected wait time, well,
ha ha ha ha ha..."

fix me woman!
tape or glue,
won't adhere
where you words have cut me,
sutures cannot close caverns,
reverse magma flows,
can you,
is even possible
to bring me back to whole?

you've tapped some
deep watered notions,
split my atoms,
you have refracted me,
vividly

I have here
writ me
down

newborn needy,
requesting more of her words
to patch
up

and heal
me
~
so I search for a refresher course on
The Poetry of patty m,
and am twice trashed,
thrown twice over prostrate to the floor,
her voice gone quiet,
lost from loss,
sometimes loss makes makes the best silence,
sometimes loss make the best poetry

Oh, this wanton ******!

her news upends,
her words tipping words,
each word,
a companion to each tear shed,
and I cry copiously

a last poem, this time
of an endplay
absent he... absent foreplay

my pal Joey,
though our eyes never met,
a debt of gratitude owed,
for you refracted
from your soulmate

words that made this trying world
such a better place

I too,
at loss
how to say goodbye,
this imperfect poem chile of mine,
for I am inconsolable and ashamed
the overt poverty of my words
that offer but a weakened console

so with pride
I will borrow some
patty-words,
hoping that's ok

~~~

**Beware,

life is never fair,

a trap, a clap trap happenstance

leading me in rapid dance

perchance enhanced with vibrant hue

dispensed in advice I'll give to you;  

run don't walk with backward glance,

hide desire wrapped away

and concentrate on dragons to slay.

Rejoice in thoughts if once set free

would join the world

in unity,

but you and I

can never be,

this I say with certainty.  

then sigh. . .

         as I softly whisper

goodbye.
"For Patty and Joey: Refractions of Vivid Emotions"
Started April 2nd 2015,
Finished June 27, 2015
~~~
How it all began.

On May 12, 2014,
I wrote:

Patty M (Read the new poets here)


I have never been published
or won a prize,
except, yeah, yeah,
the one in the
Crackerjack box

but from that cheap plastic surprise,
much was learned even as a young boy

cull the chaff of life
from amidst the wheat

plant it well and deep,
then forget all about it,
except where,
t'was seeded

when eyes yellowed,
hair turned a color Disney repackaged as
frozen
white,
normally a gift of a hairdresser,
called mother time,
and your pink skin scaled smooth
now kin and kith of the kitchen grater,

then time is in,
cull your plantings

go back into that yards,
pull out the weeds,
uncovering what only time
can provide -

poetry planted and born from
the summary addition of thousands
of days of life,
well felt,
well received,
well recorded,
drawn from earth and water,
well lived

sometimes my nyc sidewalks uneven,
cause a toe snagging tripping,
this loss of balance,
adrenalin hot flashing,
similar to tripping upon a new poet

every time I say no mas,
I must choose tween
left or right,
one can
read or one can write,
but not
both

a voice on I stumble,
making me ever so foolish,
ever so humble,
ever so confused

so at 12:31am
at it again,
reaping what others have sowed

this woman by her own confess,
Trouble with a capital everything
T.R.O.U.B.L.E

only a grownup chile
writs me a poem
re crackers in her vegetable soup,
a naval battle akin to that of Midway,
that makes me crackers with delight!

saucy, that poetess
you better love her well,
she tells you outright
or she'll sell you, the reader out,
for the next one cruising along,
hence this poem, her good graces sought!

but to get certain memories I want,
but can't recall for I never had them,
she, for me doth record:

*Imaginary space within a dream
floats in a subconscious sea.
Our affection grows from
tremulous beginnings
its dramatic unfolding
vestige of the soul whispers
and lingers in twilight and ice

Shared breath,
in time our leisured rhythms
savored sweetly match kiss for kiss.

Words in parody drop,
one by one.
enmeshing me in rippling sorrow,
once again you've moved
just beyond my reach.*

curse the teachers and the genes
and my plain vanilla simp vocabulary,
that don't let me write like this,
but to my backyard I go,
where I cull what other's have planted better,
and harvest the new fruits of
crackerjack superior poets
refract |riˈfrakt|*
verb [ trans. ] (usu. be refracted)
(of water, air, or glass) make (a ray of light) change direction when it enters at an angle : the rays of light are refracted by the material of the lens.*


******* ash out of a little cardboard tube- what else would you have me do?
Taxed gasps but not as heavily as my thoughts- it is brought to my attention that,
perhaps I think too much.
and focus too little.
But as I’ve enunciated countless times before
what it is I’m waiting for

Refraction

Would it be wise just to make it happen?

Refraction

Nothing ever came to be by accident

Refraction

Except when the sunlight shone
and the wind did blow
with capricious direction

Refraction

and then a human crawled from the
cosmological wreckage
absolutely ******* random

Refraction

I suppose it’s within my grasp
to change my path
If only I knew where I was headed

Refraction
Meagan Moore Jan 2014
In the divet between mountains
Resides a wooden cabin – ostensibly an amalgamation of the scape
Adroitly - I - quondam female warrior flit
Down massive (ancient) hand-laid, hand-cut carved stone steps
Bounding from contingent step onto the dense pad of turned soil
Tacit compliance between gravity and soil holds footprints bound
A compressed deflating crescendo as pace ignites with bounds

Cadences of protuberant wildflowers and grasses erupt from swollen terra
A winsome chromatic menagerie, dispersed in ecstatic fistfuls
A venerably ancient ritual

My nascent clandestine vocation
Personally meted out - a beatification for my provisional sanctuary

Along glacier-fed stream
Lissome fingers shadow inert stalks –plucking dormant beginnings from their desiccated ligaments

I am austere and unadorned save for a festoon of pyrite flecks trailing my semblance
Residual gilding from my ante-meridian swim taken after requisite gathering of wild blackberries, goose berries, and rhubarb along oft-tamped path

The sun, nestling into its requisite apex endorsed my completion
I reclined into the hassock of soil, feeling the elements settle about with an embossment of my form
Imposing verdure arched subtly as compressed soil beckoned hyperbolic flux

As I lay within the basilica of opulent living columns replete with comestible bounty
Lingering dew honed inflections of sacrosanct petrichor in unison with piquant clover
Wild purple clover buds saccharinely tinted and inundated nestled nerves in mine cribriform plate

Birds pitched and galloped through the frond tips and beyond in the lapis expanse
Frequently snatching damselfly’s and assemblages of midges from their ephemeral drift

Auspicious rays transcended stippled diaphanous gravid clouds
Light inundated ether entered humbly into the cathedral oculus
Pyrite speckled terrain beneath, and my bare gilded form above
Cast a refracted aura about my sanctuary

Precipitously the elusive vaporous embankment distended further
Ashen atmospheric correspondence inaugurated liquescent sustenance to my mountain abode

And I -
Lingered beneath the descending gobbets, curls furled in a puddle
Fresh topsoil cupping my corporal topographic contours
Pressing blackberries into my mouth between smiles
Lady Misfortune Mar 2018
And by the end of the day he is indifferent
and she is in pieces

By the end of the day they are happy
and the future is ready

By the end of the day the book is set
but life is unsteady

By the end of the day my thoughts
are more alive than I

Vividly paint my life inside my mind

You are the happiness I hide behind

And now you are running away from me

I'll pass out this time
but there are no splashes of green

Thanks for bringing what you had to offer
and then snatching it away from me

By the end of the day the only thing on my mind
is the nostalgic moments you gave me

I had my head in the future
but I am currently caught up in the now

You are my Carnation

A flower, so grow wild

I wanna see you smile

Smile through the blood of this haunted house
Laugh at the dead mouse
Get out GET OUT

Of my head.
Dedicated to Indigo
3.8.18
Vipul Mehra Apr 2015
They were hanging conspicuously held by the warmth of the sun,
refracted glimmer by each crystal, they shared their blissful fun.
As I walked underneath, they poured upon me the shadows of crystal slate
Lesser did I know, the scintillating chandelier reflected my own fate.
I

In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.

In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.

                                    In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.

Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.

II

What is the late November doing
With the disturbance of the spring
And creatures of the summer heat,
And snowdrops writhing under feet
And hollyhocks that aim too high
Red into grey and tumble down
Late roses filled with early snow?
Thunder rolled by the rolling stars
Simulates triumphal cars
Deployed in constellated wars
Scorpion fights against the Sun
Until the Sun and Moon go down
Comets weep and Leonids fly
Hunt the heavens and the plains
Whirled in a vortex that shall bring
The world to that destructive fire
Which burns before the ice-cap reigns.

That was a way of putting it—not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings. The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to,
Long hoped for calm, the autumnal serenity
And the wisdom of age? Had they deceived us
Or deceived themselves, the quiet-voiced elders,
Bequeathing us merely a receipt for deceit?
The serenity only a deliberate hebetude,
The wisdom only the knowledge of dead secrets
Useless in the darkness into which they peered
Or from which they turned their eyes. There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been. We are only undeceived
Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way
But all the way, in a dark wood, in a bramble,
On the edge of a grimpen, where is no secure foothold,
And menaced by monsters, fancy lights,
Risking enchantment. Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.

The houses are all gone under the sea.

The dancers are all gone under the hill.

III

O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral,
Nobody’s funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God. As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing façade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.

                              You say I am repeating
Something I have said before. I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
    You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
    You must go by a way which is the way of ignorance.
In order to possess what you do not possess
    You must go by the way of dispossession.
In order to arrive at what you are not
    You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.

IV

The wounded surgeon plies the steel
That questions the distempered part;
Beneath the bleeding hands we feel
The sharp compassion of the healer’s art
Resolving the enigma of the fever chart.

Our only health is the disease
If we obey the dying nurse
Whose constant care is not to please
But to remind of our, and Adam’s curse,
And that, to be restored, our sickness must grow worse.

The whole earth is our hospital
Endowed by the ruined millionaire,
Wherein, if we do well, we shall
Die of the absolute paternal care
That will not leave us, but prevents us everywhere.

The chill ascends from feet to knees,
The fever sings in mental wires.
If to be warmed, then I must freeze
And quake in frigid purgatorial fires
Of which the flame is roses, and the smoke is briars.

The dripping blood our only drink,
The ****** flesh our only food:
In spite of which we like to think
That we are sound, substantial flesh and blood—
Again, in spite of that, we call this Friday good.

V

So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l’entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.

    Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.
Edward Barnett Feb 2014
I chased her in the ivory moonlight, her ebony hair curling softly over her dark skinned shoulders.
A faint smile with a chasing laugh followed on lips as soft as down.
We ran down by the sandy sweet seaside. The shore called our names and our feet carried us forward.
Frothing waves kissed our feet as my hand slid into hers. Their roar quitened as we drew near.
The night disguised us as I wrapped her safely in my arms and held her closely to me.
Her radiantly sparkling eyes told me I was right in leaning down to softly kiss her, my hand trailing
through her tresses and down her back to rest lightly on her hip.
It was the first of many as we stood under that heavenly sky, alit with stars and the faint twinkling of
refracted light from the crests of the waves.
As I led her by the hand back towards my home, our footprints stood still.
A memory in the sand.
Poetic T Mar 2015
She was like art still and silent
Beauty in the water, like a mirror
The essence of her shone from the
Halogen lights above.

She was like a picture, motionless
But still, her brushstrokes were
Grace upon skin, her moment
Was in this place, pictures taken
Of her pose of her posture frozen
in this place.

She was a beauty in the bath tub,
Her face in this lake of red, hiding
The deed, buried in temped water,
No longer pure, tainted by a final
Motion, claiming a last breath.

She was a beauty of refined allure,
But now her crimson glistened, refracted
Upon the light shining down a rainbow
Of shaded reds now greets all through
The heaven white doors.

She is the bath tub beauty now dead..
Geno Cattouse Nov 2012
Is a carnival house of mirrors .                                       Refracted                                 Mirrors. of house carnival a Is
what your eyes see is another                                            Reflected     ­                         another is see your what
dimension of what is sent                                                  distorted  ­                             sent is what of dimensions
to be bent and returned                                                  refract­ed                                  returned and bent be to
an image.                                                           ­ distorted  
                                              image.­ an
another version                                                       reflected                                           version another
another reality.                                                         ­                                         reality. another
Seamus IV Aug 2019
Thinking with short breath, gripping my chest, sinking with stress?
Just to attest, Imagine putting stress to the test
Over pushing boundaries set with intent
Chasing leads, gaining lost time pursuing a lust with broken trust
Only to rise to the question
Can the duality of morals and ethics which define us..
Be overwritten?
Misconstrued needs for skeptics lost in line
Slowly assimilating breathless methods

Hijacked

Black rose petals spiraling to conclusion, Decomposing as if to forget this
Why don't I neglect this elusive euphoria defined in terms of confusion?
Split paths once veering in opposite directions begin running parallel
I know I'm here, but who's that there?
Ominous reflections veer back with eyes unfamiliar
A face with no definition grabs my wrist lurching me forward
Weightlessly ***** following a diverging direction with questioned intention.
Where are you taking me? (Silence)
Operating in two places at once, questioning who is the driver

Hijacked

There but ever increasingly distant, attempting to reach you
The sunrise rekindling the spark of yesterdays intuitions
Preserving eloquence like a flower in full bloom
Suddenly fades eerie in an instant, dwindling on gloomy restless expressions
Cloudy perception refracted by crystalline illusions
The evanescent cypress terpene, king of bliss
Flowing in the direction towards what has been calling it most
An icy chill enters my chest, a constant race to chase an endless quest
A ploy of acceptance with a cotton ball
Robert C Howard Jul 2013
I - WORDS LIKE PRISMS

The crystal awaits the perfect slant of sun.
The world turns just so and refracted light
Hurls a color blaze against the wall.

So it is when a long awaited word
Forms on the lips of the wise.


II - WORDS LIKE FLAX

In the fire of conflict,      
Words fall to the floor like mounds of charred flax.
Red–faced saints gather clumps to themselves  
To spin into finest thread for self-flattering raiment.
  

III - WORDS WITHOUT WORDS

When pain burrows deep in the marrow
Where words cannot assuage
A gentle touch can bleed some out
And channel hope back in.
No words can spell a kind caress.


IV - POISON WORDS

Beware the charismatic
Carrying a jar of poison pills!
Cover your glass when he passes your way
Or he’ll slip one in unawares.


V - LAUGHING WORDS

Absurdities and failures are the stuff of jokes.
Long live non sequiturs and double entendres!
We love a clumsy tumble into the drink
As long as nobody drowns.


VI - WORDS FOR BUILDING

Of course you can!
I place my total trust in you.
      

VII - WORD PAINTING

Mister Frost's words never made a wood
Or caused a harness bell to shake.
Even so I’d travel many miles
To see his imagined snow accumulate.


VIII - THE GIFT

My cat, Zoe, never says a word to me!
He doesn't have the tongue or lips or larynx for it.
He cannot fit his paws around a pen.
His brain’s too small for metaphors.

The gift belongs to us alone.
To craft words to build or **** or heal.

Forgive us Zoe for doing little with so much.

July,  2006
Cody Edwards May 2010
I am the trusted family spatula,
the curve in a Slinky,
the light refracted from antique shoppe crystal,
the distrust that sits at the back of the mind while reading a movie review,
the subtle humidity of the end of spring that goes without remark.

Also, I'm a flamingo.
Never forget that.
© Cody Edwards 2010

[A thing is neither random nor designed.
It is, and that is satisfactory.]
Shirley Mar 2015
Sky
It is a vastness of cerulean,
A pool of blue which surrounds clouds that are strewn together.  
Tumbling, accumulating, towering formations of remarkable depth and awesome beauty.
Billows which blanket and envelop a sphere of life, turning the almost infinite and indefinite blue to grey,
Massed with the heaviness of forthcoming precipitation.
As time turns, and the big blue planet rotates, sunlight is reflected and refracted by particles unseen—painting swelling clouds with pale yellows that bleed into succulent pinks, deep reds, royal indigo, and then
The flowering violet of conceived night.
The sky portrays a huge entity, a formation of solidity and stability.
It does not contain, nor withhold from the terraces and crevices of the Earth’s surface.  
It is as close to infinity as the basic human mind can grasp,
The uttermost extension of one’s realm of existence.

To look up at the stars is an annihilation of Ego,
A humbling reminder of one’s relevance,
Of one’s fragmentation of being,
Of one’s essential insignificance in the immortal turning of the deep and everlasting vibration of the Cosmos.

Stars, barely conceivable at times,
Act as portals to the past spilled carelessly across an inky nighttime sky.
These subtle flecks, minute glimmers of incredible explosions, are billions of light-years away
Across the fabric of space and time.
The sky is an incredible portal to those things outside of mortal grasp,
A manifestation of all that is unknown, yet shared by every state of consciousness.  
A familiarity and a comforting reminder of eternity that will exist far beyond the human experience.  With its undulating formations, precipitation, protection, and sheer exposure,
It is a paradoxical beauty.
Brian O'blivion Jul 2013
1.
this is our corner of the world
polished brass and sweet briar
a hilltop of skinned matchsticks,
the cathedral's daylight spire

faded concrete slabs surround

an acre of white daisies found
pulled from guilty mirrored glass
clouded on the other side
of summer dawn's disease now past

across a pool of melted sleep
weaved with banded dreams of each
stands a pristine marble arch
the naked freeze will never breach

where converges a lilac destruction
sisters bent on double knees
knows no limits does seduction
helium kisses in the breeze
twin hearts of mercury
sudden in an iron pond
flammable streams of deconstruction
love looks down at broken bond

as the depths groan
comes a wonder
from an earthly being
torn asunder

"love it lingers so sugar sweet
the thinnest line between
finished and complete
the layers of gone that stand before us
this last time we are to meet"

2.
distant lies the ungraced angel
on the grass with broken wing
looking over halo's field
from the pit of early spring

we all knew her name

cinderella traded her virginity
for a moment with
the holy trinity

she had her moment
of doubt and pain
nailed to a velvet cross
internally bleeding for *******

(for which she had no affinity)

the ballad of a life
no one wanted to live
another name for destitution
(a lonelier prostitution)
subtly leaking like a sieve

5 fingers of love
were once wrapped around her neck
when she lay with dragons teeth
inside darkland tunnels
under sanctuary sheath
"i want to bury
my time
with you
on heaven's underneath
and empty my memories
on sunday morning's least...
for the way you are
and the way you'll always be"

3.
I knew a girl
with prisms
for eyes
scars
made by incision
(with holy precision)
(sunlight)
refracted into
the color of God

her names were myriad
blue and red and yellow
they cut like a knife and good
through a gestation period
of adolescence to
adulthood

one day disappearing
the whispers in the street were nearing
once with daylight straight aligned
now to the dark she was inclined

whose surgical decisions
have undone this condition
and brought down a stigma
of Christ-like submission?
what structure of mercy
could assault such a vision?

(she couldn’t speak
without bleeding-
an unrelated predisposition)

“while it strikes me as a vagary
of faith and needless repetition
I will indeed repeat myself
for this latest edition

lest a mistake be made
with those who measure enlightening
let it be known that:
I am the girl who magnifies God-she
who splits country lightning. I am the girl
apart from sight,
absent of fear and alone in the dark...
I am the girl beyond the speed of light!!

if I am to be undone
for these reflections of divinity
then let it be this cry
to echo out through infinity

I am not yellow
I am not blue
I am not green
I am not red

I am in between colors
of hues forever unsaid"

4.
no one knows who it was built for
this palace of injection
nameless and ageless
this abscess of infection

the dark horse king
is off his throne
and in his crowned confusion
gave away the
nightly blood
for his type's transfusion

no one dared
disturb his
seclusion
when his mind
decayed
into illusion
white blood cells
and brown powder
forever joined in a fusion

5.
"maybe i am /maybe i am not
but
i want
to be
the last line
in your
story tonight..
and the first thing
you see
when you
wake up.
lie down
next to me
now
and sleep"
ryn Nov 2015
In retrospect,
dredging up past events    
that led to the here and now.              
Pending course of actions in which to exact...    
Reaching as far back as the mind would allow.

In retrospect,
studying the reflection
in the rear view mirror,  
as the present freezes itself intact.
Sifting through past images...        
Second by second,
frame by frame.      
Identifying overlooked pitfalls          
and margin of errors.      

In retrospect,
straddling the realm...  
Where my current state of mind      
lapses into a minute-long sleep.  
Sights on the future... Folded blind,
discerning the treachery          
of impulsive thoughts and actions.        
Diving up from oceans deep,    
painting the backdrop beyond paths at
unmarked junctions.              

In retrospect*,
every detail deconstructed...
Deliberated against the yardstick  
of what's done and the supposed.    
Refracted memories snap back clean into place.      
Over and over...        
Layer upon layer...    
Time and again forming      
the looming weight      
that pulls me to a stumble              
into the stagnant puddle...  
Of long gone days.
ConnectHook Sep 2015
►☼◄
ओं मणिपद्मे हूं

I sing the Self – that mystic fable.
Lie to Truth as Cain to Abel.
Inner blight of fallen man,
enemy of Heaven’s master-plan:
your inner SELF! The guiding light
of Luciferian deception.
Mystic wisdom’s blinding sight;
purveyed as truth: obscene confection.
Listen well – please spare your soul
and sidestep this, the blackest hole.
Your self is sewage! Look within;
behold that putrid old abyss
then dive down deep into your sin
the fallen source of carnal bliss.
Inspire.  Inhale in full the stench
from deep within the septic trench
unsounded depths, a cesspool’s source
depravity released in force.
Apart from mercy undeserved
on those whom Heaven has reserved.
Apart from Christ, your sordid purpose;
jewel whose bright refracted surface
glistens, beckoning to the feast
yet never can appease the beast.
I hail your lie, oh Inner Self
you silted continental shelf –
(or are you more a surge oceanic:
roiling undertow satanic)?
New Age myth, and Hindu idol
fallen god whose pull is tidal…
Brahman, Atman, Buddha, babble
lies repackaged for the rabble…
How deep do you intend to go
into our post – Edenic show?
How far the bottom? Whence the end?
Explore ! You’ll never comprehend.
You’ll find still worse – and yet descend.
https://connecthook.wordpress.com/2014/01/02/new-age-sewage-your-sinner-self/

Marieta Maglas Nov 2014
A red bird has flown soaring in the great height of the
purple sky. The thrilling scream was as a shrill cry on
the soundtrack. The bird has disappeared into the sky,

and all it could be heard was the sound. That cold sound
became fluid in the ears. A forked green lightning following
a zigzagging pattern appeared from an antimatter space.

The eyes fixed wide-open up, and the mouths kept silent.
A ship has left the dock to disappear in the mobile horizon.
It seemingly disappeared and reappeared based on where

the eyes were looking; the eyes were not able to leave the dock.
When the ship could not be seen, a prolonged blast could be
heard. Finally, the ship disappeared in an antimatter space,

where cold could illuminate and beat the heat to burn everything
as we beat the heat with icy cold neck wraps. The eyes fixed
wide-open toward, and red screams grew from open mouths.

The sun lost its strength to become redder than it was before.
In the twilight, its disk disappeared below the mobile horizon.
Its power was in the spirit and the matter of the freezing cold.

The eyes were unable to see where the sun was going. In the
soft and purple mist, they looked like little amethyst stones.
The violet light slowed down in the water much more than the

red light refracted. The waves of alternating strength in electric and
magnetic fields moved around the Earth in the tick of a clock.
The mouths murmured, but the anti-sound made them all be quiet.

From an airplane in the sky, the eyes could see two rainbows with
colors in opposite order forming a complete circle. The eyes could
move up and down to see the red light that refracted out of

the droplets at steeper angles than the blue light. The mind could
imagine another rainbow made of complementary light wavelengths
such as green, blue, violet, red, orange, yellow-orange and yellow.
High on a mountain of enamell’d head—
Such as the drowsy shepherd on his bed
Of giant pasturage lying at his ease,
Raising his heavy eyelid, starts and sees
With many a mutter’d “hope to be forgiven”
What time the moon is quadrated in Heaven—
Of rosy head, that towering far away
Into the sunlit ether, caught the ray
Of sunken suns at eve—at noon of night,
While the moon danc’d with the fair stranger light—
Uprear’d upon such height arose a pile
Of gorgeous columns on th’ uuburthen’d air,
Flashing from Parian marble that twin smile
Far down upon the wave that sparkled there,
And nursled the young mountain in its lair.
Of molten stars their pavement, such as fall
Thro’ the ebon air, besilvering the pall
Of their own dissolution, while they die—
Adorning then the dwellings of the sky.
A dome, by linked light from Heaven let down,
Sat gently on these columns as a crown—
A window of one circular diamond, there,
Look’d out above into the purple air
And rays from God shot down that meteor chain
And hallow’d all the beauty twice again,
Save when, between th’ Empyrean and that ring,
Some eager spirit flapp’d his dusky wing.
But on the pillars Seraph eyes have seen
The dimness of this world: that grayish green
That Nature loves the best for Beauty’s grave
Lurk’d in each cornice, round each architrave—
And every sculptured cherub thereabout
That from his marble dwelling peered out,
Seem’d earthly in the shadow of his niche—
Achaian statues in a world so rich?
Friezes from Tadmor and Persepolis—
From Balbec, and the stilly, clear abyss
Of beautiful Gomorrah! Oh, the wave
Is now upon thee—but too late to save!
Sound loves to revel in a summer night:
Witness the murmur of the gray twilight
That stole upon the ear, in Eyraco,
Of many a wild star-gazer long ago—
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud—
Is not its form—its voice—most palpable and loud?
But what is this?—it cometh—and it brings
A music with it—’tis the rush of wings—
A pause—and then a sweeping, falling strain,
And Nesace is in her halls again.
From the wild energy of wanton haste
Her cheeks were flushing, and her lips apart;
The zone that clung around her gentle waist
Had burst beneath the heaving of her heart.
Within the centre of that hall to breathe
She paus’d and panted, Zanthe! all beneath,
The fairy light that kiss’d her golden hair
And long’d to rest, yet could but sparkle there!

Young flowers were whispering in melody
To happy flowers that night—and tree to tree;
Fountains were gushing music as they fell
In many a star-lit grove, or moon-light dell;
Yet silence came upon material things—
Fair flowers, bright waterfalls and angel wings—
And sound alone that from the spirit sprang
Bore burthen to the charm the maiden sang:

  “Neath blue-bell or streamer—
    Or tufted wild spray
  That keeps, from the dreamer,
    The moonbeam away—
  Bright beings! that ponder,
    With half-closing eyes,
  On the stars which your wonder
    Hath drawn from the skies,
  Till they glance thro’ the shade, and
    Come down to your brow
  Like—eyes of the maiden
    Who calls on you now—
  Arise! from your dreaming
    In violet bowers,
  To duty beseeming
    These star-litten hours—
  And shake from your tresses
    Encumber’d with dew

  The breath of those kisses
    That cumber them too—
  (O! how, without you, Love!
    Could angels be blest?)
  Those kisses of true love
    That lull’d ye to rest!
  Up! shake from your wing
    Each hindering thing:
  The dew of the night—
    It would weigh down your flight;
  And true love caresses—
    O! leave them apart!
  They are light on the tresses,
    But lead on the heart.

  Ligeia! Ligeia!
    My beautiful one!
  Whose harshest idea
    Will to melody run,
  O! is it thy will
    On the breezes to toss?
  Or, capriciously still,
    Like the lone Albatross,
  Incumbent on night
    (As she on the air)
  To keep watch with delight
    On the harmony there?

  Ligeia! wherever
    Thy image may be,
  No magic shall sever
    Thy music from thee.
  Thou hast bound many eyes
    In a dreamy sleep—
  But the strains still arise
    Which thy vigilance keep—

  The sound of the rain
    Which leaps down to the flower,
  And dances again
    In the rhythm of the shower—
  The murmur that springs
    From the growing of grass
  Are the music of things—
    But are modell’d, alas!
  Away, then, my dearest,
    O! hie thee away
  To springs that lie clearest
    Beneath the moon-ray—
  To lone lake that smiles,
    In its dream of deep rest,
  At the many star-isles
  That enjewel its breast—
  Where wild flowers, creeping,
    Have mingled their shade,
  On its margin is sleeping
    Full many a maid—
  Some have left the cool glade, and
    Have slept with the bee—
  Arouse them, my maiden,
    On moorland and lea—

  Go! breathe on their slumber,
    All softly in ear,
  The musical number
    They slumber’d to hear—
  For what can awaken
    An angel so soon
  Whose sleep hath been taken
    Beneath the cold moon,
  As the spell which no slumber
    Of witchery may test,
  The rhythmical number
    Which lull’d him to rest?”

Spirits in wing, and angels to the view,
A thousand seraphs burst th’ Empyrean thro’,
Young dreams still hovering on their drowsy flight—
Seraphs in all but “Knowledge,” the keen light
That fell, refracted, thro’ thy bounds afar,
O death! from eye of God upon that star;
Sweet was that error—sweeter still that death—
Sweet was that error—ev’n with us the breath
Of Science dims the mirror of our joy—
To them ’twere the Simoom, and would destroy—
For what (to them) availeth it to know
That Truth is Falsehood—or that Bliss is Woe?
Sweet was their death—with them to die was rife
With the last ecstasy of satiate life—
Beyond that death no immortality—
But sleep that pondereth and is not “to be”—
And there—oh! may my weary spirit dwell—
Apart from Heaven’s Eternity—and yet how far from Hell!

What guilty spirit, in what shrubbery dim
Heard not the stirring summons of that hymn?
But two: they fell: for heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover—
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
Unguided Love hath fallen—’mid “tears of perfect moan.”

He was a goodly spirit—he who fell:
A wanderer by mossy-mantled well—
A gazer on the lights that shine above—
A dreamer in the moonbeam by his love:
What wonder? for each star is eye-like there,
And looks so sweetly down on Beauty’s hair—
And they, and ev’ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of wo)
Upon a mountain crag, young Angelo—
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sate he with his love—his dark eye bent
With eagle gaze along the firmament:
Now turn’d it upon her—but ever then
It trembled to the orb of EARTH again.

“Ianthe, dearest, see! how dim that ray!
How lovely ’tis to look so far away!
She seemed not thus upon that autumn eve
I left her gorgeous halls—nor mourned to leave,
That eve—that eve—I should remember well—
The sun-ray dropped, in Lemnos with a spell
On th’ Arabesque carving of a gilded hall
Wherein I sate, and on the draperied wall—
And on my eyelids—O, the heavy light!
How drowsily it weighed them into night!
On flowers, before, and mist, and love they ran
With Persian Saadi in his Gulistan:
But O, that light!—I slumbered—Death, the while,
Stole o’er my senses in that lovely isle
So softly that no single silken hair
Awoke that slept—or knew that he was there.

“The last spot of Earth’******I trod upon
Was a proud temple called the Parthenon;
More beauty clung around her columned wall
Then even thy glowing ***** beats withal,
And when old Time my wing did disenthral
Thence sprang I—as the eagle from his tower,
And years I left behind me in an hour.
What time upon her airy bounds I hung,
One half the garden of her globe was flung
Unrolling as a chart unto my view—
Tenantless cities of the desert too!
Ianthe, beauty crowded on me then,
And half I wished to be again of men.”

“My Angelo! and why of them to be?
A brighter dwelling-place is here for thee—
And greener fields than in yon world above,
And woman’s loveliness—and passionate love.”
“But list, Ianthe! when the air so soft
Failed, as my pennoned spirit leapt aloft,
Perhaps my brain grew dizzy—but the world
I left so late was into chaos hurled,
Sprang from her station, on the winds apart,
And rolled a flame, the fiery Heaven athwart.
Methought, my sweet one, then I ceased to soar,
And fell—not swiftly as I rose before,
But with a downward, tremulous motion thro’
Light, brazen rays, this golden star unto!
Nor long the measure of my falling hours,
For nearest of all stars was thine to ours—
Dread star! that came, amid a night of mirth,
A red Daedalion on the timid Earth.”

“We came—and to thy Earth—but not to us
Be given our lady’s bidding to discuss:
We came, my love; around, above, below,
Gay fire-fly of the night we come and go,
Nor ask a reason save the angel-nod
She grants to us as granted by her God—
But, Angelo, than thine gray Time unfurled
Never his fairy wing o’er fairer world!
Dim was its little disk, and angel eyes
Alone could see the phantom in the skies,
When first Al Aaraaf knew her course to be
Headlong thitherward o’er the starry sea—
But when its glory swelled upon the sky,
As glowing Beauty’s bust beneath man’s eye,
We paused before the heritage of men,
And thy star trembled—as doth Beauty then!”

Thus in discourse, the lovers whiled away
The night that waned and waned and brought no day.
They fell: for Heaven to them no hope imparts
Who hear not for the beating of their hearts.
obnoxious May 2014
Like a prism
refracted ventures of love unfold
in all directions they spiral wildly
without any thought
leaving me distraught
Tommy Randell Aug 2018
I dreamed a Life where living was nothing but Dreaming
I walked through mirrors room to room as my mirrored self
Walked by me his eyes downcast so as not to know his future
Or show me mine.

Going into town I strolled in and out of Shop Windows
Watching myself there across the street wondering on the meaning
Of all my other selves reflected and refracted
Swimming through light. Separate journeys but one destination.

Are we so many? Bounced window to window down the street
Do we rush ahead to a future which changes before we arrive?
Or lag behind to notice what we missed perhaps the first time?
What do we get up to elsewhere on our Time-line?

Later shaving I looked myself in the eye and tried to see
Thought of being in the mirror and separately trying to be me
Only to make myself smile only then to make myself wonder
Which of me smiled first..?
dafne Jul 2014
He saw himself in her eyes suspended in two shining drops of bright water, everything was there as if her eyes were two miraculous bit of violet amber that might capture and hold him in tact.
Her face, fragile milk crystal with a soft constant light in it. It was not the hysterical light of electricity, but the strangely comfortable and gently flattering light of a candle.

For how many people did you know who refracted you own light to you? People were often blazing away until they whiffed out.
How rarely did other people's faces take of you and throw back to you your own expression, your innermost trembling thought?
a small piece I took of Violet Amber, which is composed of bits and pieces of Ray Bradbury's Fahrenheit 451

— The End —