Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

what could possibly be a logical joke,
akin to: 1 + 1 = 2... ha ha! type?
i can't think of logical joke,
comedy is beyond being calculated,
it can be properly
  executed within the realm
of punctuation a drop-line...
  but that's about as far as logic
centers around comedy...
   only recently i revealed
that i am arachnophobic...
   (rob zombie - the girl who loved
the monsters)...
           i am... i see a spider
the size of a thumb...
     i'm like: jeez! get that thing
away from me!
you know how comedy exists
in logic?
             it exists in phobias...
given that phobias are illogical...
well... that's still the antonym of
logic...
  yes... i know the spider
is only the size of my thumb...
but phobias... ha ha!
there's something obvious about
the joke of phobias,
as there's also an ontology binding
them...
  arachnophobia? is spontaneous,
it's a reflex reaction...
  and that's the logical joke...
the illogical fear...
   funny... really funny...
this progressive term...
what is it... hmm...
oh!
    right!
     - this really comes as a reiteration...
how can i be, "islamophobic"?
where's the reflexive reaction
upon seeing a Muslim in full
religious attire?
where's the principle of phobia
being acted on?
the reflex reaction?
where is...
phobias are the jokes of logic,
and the comedy of logic is:
that they summon illogical
reactions to the altar of relativism...
ergo... if i'm scared of
a thumb sized spider in the shed,
i should be scared of my thumbs...
islamophobia is such a made-up
word...
what logic is logic to me,
behind the spider?
            em... i'm trying to tickle
& trickle god into all of this...
but i can't...
what sort of logic is behind
the spider?
   a spider, like all animate beings...
well... even trees are animate...
in slow-motion (phototropism)...
what logic is there?
there is no logic to them...
they are purely empirical reactionaries...
there's no logic,
because there's no consciousness
of thought,
the senses are too inclusive
of themselves,
to allow an exclusivity that
might make their being
impregnated with thinking,
fertile with thought...
ah... i see the joke...
my phobia is funny...
  but...
   ha ha...
    you want to experience
a fear of god?
          find your phobia...
sure, the spider has no knowledge
of logic, but whatever "created"
the spider has placed an irrational
fear of the spider, and lodged
it into my general standard
of logic...
i see the fear of god in a spider,
as i also see the comedy...
phobias are categorized by
irrational reflexes,
   they are a set of cognitive reflexes...
so... why is the term islamophobia
so bogus?
what... you think that when
i see a woman in a burqa
my "natural" reaction is:
a reflex, 'kin to the words:
  oh ****! a suicide bomber!
NO!
     this term is what the ancient
Greeks would call:
what the **** are you talking about?!
(said really quickly).
- but that's the nature
of phobias... and the nature
of the comedy of logic...
it is derived from phobias...
i can acknowledge the comedy
of being "afraid" of spiders...
not all...
   it's not exactly a fear...
it's not a disgust...
it's a reflex reaction i have
inherited...
       from god knows where...
  you can't associate Islam with
an attache of: phobia...
like i said... a phobia is the joke
of my own logical conclusion...
i'm laughing at the illogical
premise... my cognitive reflex
and subsequent ****** reaction...
since there is no logic
behind a spider,
only the illogical pure empirical
functioning of the being...
and... past the "illogical"
nature of the spider -
the logic of a "god"...
    **** contemplating god
using the spider,
and, "the architect" reflected
in the spiderweb...
i'm going after the joke...
but... Islam as a phobia?
last time i heard...
Islam wasn't illogical...
it was just a logic different
to my own...
so... where's the joke?
where's the grand phobic
reflexive stand?
   i'm like the ancient Greeks...
what the **** are you talking
about
   (said really quickly)...
it's no phobia to be apprehensive,
precautionary,
anticipatory...
        a bit like...
ha!
          heating up oil in a frying
pan... and the moment
just before you drop in the potato
chips one by one...
wondering...
   has the water been properly
drained from them?
or hasn't it...
and the oil will go crazy?
that's not a phobia...
   a phobia is the comedy of logic;
but Islam is a logic
of its own kind...
  a phobia is trans-national /
  trans-ethnic, trans-gender, trans per se,
universal...
     so why do i not retract
with a reflex upon seeing a Muslim
in his religious attire?
like i would with a spider
in a shed the size of my thumb?
so... what Islamo-phobia?

.oh man, a spoiled mood, so rare, but so invigorating at the same, it's like you get so mad that you're only waiting for the cooling period, the cooling period is always so... armchair analogous... some people turn to a gym sauna, but nothing compares to letting off steam from, the tabernacle, i.e. your heart.

woke up at 10am, checked the time,
dived in for a snooze...
3 hours later, i thought i just lay there,
a strange sleep consumed me,
as if: half awake, half knocked out
by a Mike Tyson punch...

took the broken drill to the workshop,
walked in... immediate
claustrophilia emerged...
the scents of metal, oil
and cardboard...

    are men more prone to claustrophilia
and women more prone
to claustrophobia?

such a gentile lad behind the counter,
his father working beside me on
some other mechanical tool...
he said some wise words about
hands, and tools,
and what not...
can't exactly remember what he said,
but:

hands & tools were in it,
so... given that: hands are tools...
he wasn't far off from the truth...

such a gentile lad...
he even managed to catch up with me
in the off-lice
while i was wondering what beer
to buy (on this fine fine October
afternoon)
to get my details...
     gripped his shoulder gently
and said my thank you...

but last night was something else...
i rarely become mad while drunk,
but when i do:
pandemonium in my head...
the ego become a Minotaur
and subsequently the labyrinth expands...

phobias and philias -
fears and loves...

  while i was walking up to the workshop
with my broken drill,
i passed a Muslim family...

now... if i saw a pretty large spider crawling
unsuspected and with catching
it with a ****...
i'd have a reflex reaction,
an irrationally funny reflex reaction...
SO WHAT THE **** IS
ISLAMO"PHOBIA"?
apparently some people like to abuse
words...
   i passed the Muslim family casually...
what? they're just people,
the father was teaching his children
how to cross the road safely,
and his wife was watching
him with that motherhood glee
of contentment with regards
to how their father was engaging
her offspring...
  
   islamophobia?! what?!
come again... because i've just explained
what arachnophobia is...
a phobia is associated with
the reflexes... or rather... a reflex...
an irrational, funny (later) reflex...
      when i see a Muslim i don't react
to him / her like i would react
to a ******* spider of abnormal size
(abnormal... because it's not
a tarantula)...

but today i woke and felt i had to
concede to an apology,
yes, casual "racist" that i am,
i forgot to prefix the word ****,
i.e. ****-,
       because, just sometimes...
i can't be bothered to add the suffix
-stani...
                  simple...

   but there is a but...
my father was in a slight traffic collision...
and... i had to listen to him
ramble on and on about the details
as i filled out the police report...

when two cars collide...
you exchange insurance details...
so the insurance companies can
meddle in the matter...

but this ****- woman had some sort
of bodyguard who intimidated my father,
telling him: it was illegal to exchange
insurance details...
yes yes... accents: i call them diacritical
distinction coordinates...

              the point being:
what is she? some ******* Hindu deity,
a holy cow?!
        so she couldn't have had her sight
impaired by the Ninja outfit?!
a liberal journalist in a center right
newspaper (i think that the times
is center right, or, at least,
i like to think so)

                     wrote an article about
donning the niqab for one day...
and she herself claimed that her vision
was impaired... when, walking...
there...
           i'd ban niqabs for the purpose
of safe driving...
     no! there's no ******* compromise!

****...
        i just want to drink a beer,
and watch a cherry tree change color in
this glorious season...
         why does everything have to boil
down to the nitty-gritty,
the fiddly, the perpetuating nuance of
what is, and what isn't -
   that isn't always black & white?

- but i do remember why my parents emigrated
to England... well...
if they weren't ****** over by
some ****** lawyer... England was just
a step-over... over to Argentina and
hopefully to H'america...
    seems my mother had a fascination
with her grandfather...
a polyglot, who emigrated there...
   married some woman,
abandoned his son (my grandfather)
due to his brother's smear campaign
to inherit some land, yada yada yada...
but the Iron Curtain was lifted....
   major recession...
my hometown's steel industry collapsed,
plus the Communist Party connections
of my grandfather:
who joined the Party?
               for opportunistic reasons...
and to fulfill functions like sitting court
on a jury...
                        my hometown saw the demise
of the fall...
                    around 20,000 jobs lost,
if not more...
          
and yes, i know what illegal immigration
looks like,
   but i also know what legal immigration
looks like...
   i've seen the ping-pong...
i just hate it...
                    when some Somali with 10
kids gets a council house in west London...
and he's probably "illegal" too...
or, whatever Commonwealth ****-hole
he comes entitled with the status:
the former colonized.

but at the end of the day...
i just want to drink my beer man.

As he stepped into the ring,
Everyone his name did sing.
They wanted him to win
The title, for the commoners.
The title in his last fight.

He was out of practice,
His reflexes had slacked.
Gloves, boxers, guard, did him justice
There was something which he lacked.
Lacked in his last fight.

Before he could hear his favorite song,
Followed by the nerve-racking gong.
He had a look around
To catch a familiar sight,
Have a look at her before his last fight.

He checked the stands,
Then glanced around the ropes
And before he had given all hopes
He heard a familiar sound
Right before the first round.
Go hubby go! Punch him left and right!
She screamed with all her might.
Putting a smile on his face,
And then he boxed like an ace.
Winning the title, just for her.
The title in his last fight.

To maintain peace and sound reflexes,
Sever every possible type of nexus,
With ex’s friends & friends exes,
Regardless of their ***'s,
Above all, consider your cerebral plexus,
And know that wounds get infectious,
If unhealthy connections are maintained with one’s own exes.

a high school football game.
the field is ablaze with juicy roses
and doves.
the athletes suddenly drop thier pencils,
their coughing hands made of melting wax.
all the trombones are falling apart, and
the flute players are losing their *******
under the bleachers, throwing away secrets.
heartbeats cracking broomsticks, the nuns
were always hitchhikers with resounding
gag reflexes.
i sail forward, snatching the time bomb
from the quarterback, snuffing out
a pall mall on his right eyelid.
the dead angel is summoned to slay
the horrible hippopotamus. she is ancient.
she has a mouth full of cavities and peace
in her veins.
the truth is a piercing thing, whose bitter tongue will decay me.

Have you ever noticed the way a cat stares out the window.
Not relaxed, nor pouncing position, but ready.
He sits ready for anything to come through the window. 
If a bird lands, he'll see it. 
If a branch breaks, he'll hear it.
The window is the only thing in sight.
It's his one and only focus. 
Yet, at any given moment,
his lady friend could easily sneak onto him. 
And his focus will stray away from the window, only to focus on her.
And when she leaves,
He'll struggle to stay focused on the same window.
Their purring will echo in his head,
And his focus will forever be distorted by these memories.

I took a walk today
With my fluffy friend
My heart filled with blooms
Sunset painting itself across the sky

Down the hill I go
A person passes then stops

"Your dog is ugly"

I turn
Smiling so brightly

"Thank you" I reply

Person stares in disbelief
His friends laugh
I turn back and smile again
I continue walking; shaking my head

Yep, I had a good day today
Just me and my beautiful fluffy pal
My heart is too happy and filled with love

*I have no room for negativity. . .

This one time, my mom
and I said goodbye
to Juan's mom and we
walked from her apartment
to wait for the elevator.

Mom didn't like it
when I wouldn't stand still-
sometimes she'd smack me
upside my head just to
make sure I was there
(accompanied by her
motherly calls of malcriado)-
so I'd look in any direction
for a distraction or two.

Through the window a few feet
from my left, I could see two
older ladies in curler hairdresses
bochinchando like caffeinated hens
about the awfully friendly suelta
living next door to gallina #1
(they hung their hand-me-down
nightgowns and their husband's
boxers with such professional care;
if any article escaped the grasp
of family clotheslines, it was
roadkill forever).

I turned to the right
of the elevator doors,
counted the tar-black patches
of decade-old gum on the floor,
finished the half-written
sentences sprayed in *****
rainbows on the sweaty walls
by the zig-zag flight of stairs.

A boom and a click,
and the door creaked open
with the sideways grace
of a crab.
My toddler's impatience
boiled past the brim, I
exclaimed "FINALLY"
and began to walk forward.

Not a second later, I heard a
"NO" behind me, my mother
grabbing the back of my
cartoon mouse t-shirt,
letting out an ay cono, pendejo
that echoed eight stories down,
past the empty space substituting
for an absent elevator shaft,
soaring down that rusty freefall
at ten thousand times the
speed of a human boy's body.

Letting out a long exhale,
my mother did not allow
her emotions to brim over
the barrier-she recomposed
herself, all the while silently
chanting hymns of gratitude
in dedication to fate
and her reflexes.

We decided to take the stairs.
In my youthful oblivion,
I noticed a toy store
right outside the building
from the corner of my eye-
I plan to start begging when
we're at the bottom,
if we ever get there.

My mother took her sweet time
walking down those many steps,
reveled in the scratchy bristle
of the concrete against her sandals,
cultivated a newfound admiration
for my atonal imitation of a
Washington Heights car alarm-
it was a sign I was still there.

In the darkness of the night she looks to the moon for help, falling to her
knees she prays.  Seeing the darkest of nights she feels more alone then she ever has.  The hairs on the back of her neck rising she raises to her feet and runs, knowing there is something deadly wrong.

Hearing footsteps up ahead he rushes on ahead praying to the stars that the girl hi is after has not rushed to far ahead.  Leaves crunching under his feet he hurries on panting and gasping for breath, heart beating loudly he surely thinks that if she were near she would be able to hear the beating.

Her eyes glowing like the eyes of a cat, she feels her reflexes going into full affect as she runs as fast as a cheetah.  She pounces up into a tree hissing at the figure behind her.  Her emerald green eyes glowing in the darkness she sees the figure stop and bend over their knees to catch their breath she assumes.  Getting into attack position she sits and waits.

Looking up ahead in the darkness he sees the bright green eyes in a tree staring dead at him, feeling shivers go down his spine he slowly goes forward not knowing what to expect.  The coolness of the night tightens around him making him shiver with cold and fear.

Waiting, waiting, and stalking she sits on a limb looking down on the figure.  No know that it is a man that has come after her.  Her hind legs drawn
tight with adrenaline she still waits for the right moment to pounce.

Fear clutching his heart he fears for his life and the girls.  Looking up in the tree where he had first seen the green eyes he sees them again staring at him once again.  He stands there not moving just looking.  Could it be, he wonders.  No, it could not be the girl he is after.  Could the legend he has heard be true?

Her claws digging into the bark of the tree she hisses down at the man just standing there, she can smell the fear off of him knowing that it is not her he fears, but the thought of loosing her to the panther that she has become.  
Growling she leaps down onto the ground and circles him growling and hissing under her breath.

Seeing the large cat jumps down from the tree he stands perfectly still not longer fearful.  As the panther circles him he watches the sleek black body moving, noting the powerful muscles within the legs.  Not daring to move he sits and waits.

Shock that he would sit down she stops and walks to the front of him and sits down herself.  Looking into his gray eyes feeling her soul tinge she lays to her stomach and waits to see what he'll do next.

Not knowing how to react he stares into her emerald green eyes as she stares into his.  How could a sweet beautiful girl all of a sudden turn into a dangerous cat?  He quietly and slowly rises to his feet as the panther jumps to hers he stands still not knowing what she will do if angered.

As he stares into her eyes her soul feels weird once again.  She is angered that he had the nerve to stand and still not be afraid.  As she lunges to her feet she growls, daring him to be afraid.

The wind howls through the trees as he watches the panther as she growls he knows that she is extremely angered.  What is he to do?  He cannot make himself feel something he has no need for.  He knows that she wants him to be frightened yet he cannot, for he knows in his soul that she will not harm him.

Growling she tackles him to the ground.  Pinning him down she looks into his gray eyes feeling that tingling sensation through her soul once again.  She hisses at him for making her feel this way.

No longer fearing for him or the girl’s life he lays pinned to the ground feeling the panther’s hot breath on his face, he waits for her next move.

With the moon high in the sky and the wind blowing she fears that the time has come where she will have to return back to her normal body form.
She growls one more time at the man on the ground and races off into the darkness growling all the while as she runs feeling the wind on her face.

Stunned at just what happened he jumps to his feet and takes off after the panther not wanting to lose it.  Desperately trying to remember the legend that his grandfather had told him the night before about the panther girl.  He looks up into the stars and sees them in a pattern of a panther.

Still racing through the night hearing her own breathing growing heavy and her hair flying behind her wildly as she runs.  Knowing that she has
returned.  Hoping that she will feel the power of the panther again.

Now remember the legend of the panther girl he recalls it so he will be prepared when he comes up on her again.  His grandfather had told him that long ago a young girl had wondered into the forest for comfort after her mother's death.  She had asked for protection of the lord above, and he had given it to her by when the night is dark and the moon is high with the stars bright, only when she be either afraid for her life or when she would just want to feel the cool wind flowing through her black fur, would she turn into the black powerful panther.

Gasping for air she stops and looks around feeling cornered she climbs a tree once again for protection.  She sits and thinks of her mother that she had lost long ago.  Thanks to the angels above she had found protection and comfort.  She looks down and sees the man that has been after her coming down the trail.  She sits and watches him, wondering what he sees in her.

His legs feeling ready to give out he knows he must rest if he is to be of any good in searching for the girl, he drops to the ground and leans against the tree starring off into the distance wondering where the panther girl
was now.  He hopes and prays she is not to far off.  Feeling sleep take over him he has now power to resist, he falls into a dream filled sleep of running panthers.

Feeling more trapped then she has ever felt she looks down again and still the man sleeps under the tree.  How is she to get out of the tree without waking him up?  Looking for an escape route and finding none, she quietly climbs down the trunk of the tree leaping over the sleeping man.  She stands in front of him and looks him dead in the face while he sleeps.  Seeing a scar along his neck she shudders now knowing that it is he.

Opening his eyes he is starring at the beautiful girl that he had helped so long ago, no remember why the eyes of the panther were so familiar, it is she, the panther girl.  He reaches out his hand, hoping that she will take it.

Seeing his eyes open she blinks like the deer caught in the brightness of the light.  It could not be the man she had to look to for help that long ago, no it could not be.  The scar on his neck however says so otherwise.  He extends his hand to her she gently takes it not knowing what else to do.

He is the lord from the heavens that gave her the power to turn into the panther.  He is the lord that his grandfather talked about.  He came to her
when she prayed up to the heavens for protection and came down to show her that there was hope and that he would indeed help her, scratching his neck she had sat there crying and watching his neck bleed, taking her wrist he had slit it to mingle their blood together, and there he stood chanting.  And that is how she became the panther girl for he was the panther man.

Dropping to her knees she sits in front of him again, once again as she did three years ago.  Looking into those warm hopeful gray eyes, she smiles at him knowing he will not harm her for he is her father.

Rising to his feet he gently pulls her to hers.  Taking his daughter in his arms he whoppers that the time has come for them to finally go home.  Looking to the moon he growls as his fur is rustled by the wind.

Feeling free once again standing on all fours by her father she races through the **** of a new day with her blood father finally going home.

On
The counters of poetry
I dock and lock myself
Then
I scope on the bottles of liquors seductively
And spellblind by their syllables
I took the shakers and hybrid
The Similes
The Onomatopeia's
The Nemesis'
The Near-Rhymes
And The Triadic-Lines
Then I gulp fourteen shots of Sonnets
From my paper-glass
And glug a paradox
Or a foil-sigh
Trice,
The knots
Bundling my eloquence
Will exonerated itself
And torpidity will cuff my consciousness
And the droplets remains in my paper- glass
Will impel me
To quest for myriad of them

I'm not drunk!
I'm not drunk!
I'm not drunk!
I
Will slur
With half an eye open
As if the other is broken
Stock on a comedy chair

Then
When the
Limbs of time tread
Will I rush to the counter
Like the athletes at Olympia
And hybrid
The Blank-verses
The Alliterations
The Limericks
The Litotes
The Aporia's
And The Dysphemism's
And
Gulp countless
Yet measured shoots
Of Ballad,with my paper-glass
And unravel the oratories
Of sacred secrets,eclectic enchantment and regrettable reflexes
Aside,or injects the world
With my rugged pins of eruditions
Bestowed in me by the liquors of poetry

I'm not drunk!
I'm not drunk!
I'm not drunk!
I
Will slur
With half an eye open
As if the other is broken
Stocked on a comedy-chair

Again
I will rush
To the counter,and hybrid
The Exaggerations
The Personifications
The Imageries
And The Caesura's
And
Gulp uncounted shoots
Of Epic's from my paper-glass
And
Eulogise my steam and wit
Yet,I'm drunk
And deeply drunk wholly
By a might that mortify me so much
That I've become a slave
In the awe of my servitude

Now and then
Will I weep and wail terribly
Each morning,each noon,and each night
For the great demise of myself
And for an emancipation
From the perpetual counter-cells poetry
I'm drunk,and deeply drunk by poetry.

Deeply Drunk
©Historian E.Lexano

I was born for misery in every way
When God came by I was fast asleep
when the devil spoke he said I was cheap
When opportunity knocked my door was hollow
when chances were given I insisted to borrow
When marathons were ran I broke my bone
when houses were given I lost my home
When life was produced, Lucinda was taken
when love was excepted, mine was foresakan
When intelligence was tested I was dumb
when reflexes were tried I became numb
When fathers were there mine was gone
when statistics were taken mine were wrong
I am born for misery in every way
When God speaks I do not hear
when the devil threatens I do not fear
When opportunity knocks I answer slow
when chances are given I never know
When marathons are ran I walk along the side
when projects get restless I run and hide
When inteligence is tested I do not study
when reflexes are tried, I am never ready
When first looking out I could not see
when then and now I was born for misery
SDPope

I have opened up my mouth
and taken out a spare pair
of butterfly wings
(pinched between thumb
and forefinger),
used-to-be-dusty but now
slightly damp from their
place of residence.
I dried them myself,
striking match after match
and holding each underneath,
close,
but not too close.

Instead of drying they
shrivelled up like petals
after leaving the flower.
As if to preserve warmth,
curling inwards,
they shivered, animated
by the heat of the glowing stick.

The flame got too close
to my fingers. I dropped it,
swearing. Pinched the wings too
hard (reflexes), the membrane
broke between my fingers
and the remnants
of freedom fluttered softly
to the ground.

I remember that summer by the lake
How you were surprisingly quiet that day
and nice to everyone which was weird
no sarcastic remarks
or swearing

so unlike you

your wit had died down
if we hadn't known better
we would of said you were distracted
But grateful for the change in your
demeanour
and teaching me to skip stones
If only you had taught me how to place my heart in my palm
and throw that away
instead

You weren't one for smiles
but you didn't like dramatic send offs either
that's why I was surprised when we found your cold body on the floor
bathed in the afternoon sun
In your fathers cabin
by that god forsaken lake
Under that red sky that turned everything the shade of your blood

Cassie slipped and fell and screamed
But I didn't hear her I was too busy focusing on you
willing myself to see a chest rising and falling
but all there was, was static
somewhere beyond Cassies screams

And Luke rushed to somehow clasp your wounds shut
The reflexes of a Doctor's child
But he didn't see that there was no more blood left to flow
and you were blue and cold
but you seemed unburdened of whatever
was eating
you

I remember feeling relief
I stood there
numb

We laughed at your funeral
At the irony of it all
and when your aunt got up and said you were the most
kind, generous young man
we almost died of laughter then

you were the most cold sarcastic ******we ever met

but still loved you

Jake elbowed me and said "What would he do if he was here right now?"
I smiled  "He'd jump out that ******* coffin and give his mother a heart attack"
Because it was you after all
You did love dramatic endings

Can someone please trade me eyes?

It's unknown how they still have sight 
Every since I was 6 the sense have witnessed gruesome events 
Now my eyelids flicker past them very seldom 
My lacrimal glands have trouble producing saline 
I find it nearly impossible for beatitude to gleam from my eyes
And I cannot search for something that my eyes feel sorrow for 

Let me at least borrow yours? 
Please 
So I can see how it feel to grieve 
So that tears of joy can travel down my cheeks 
I want humor to cause me to wink 
I want my reflexes to cause me to blink 

Pleeeeeeaaassseeee?
I stand there in the face of danger 
When I should be aware 
Instead I just stare 
...
No glare 
Just dispirited 
The statical behavior that my eyes inherited 
Suppress me from all charity 

I'm begging you 
No one looks me in my face and feels warmth and comfortability 
All that they see is two white igneous rocks
When I wish that they can see marshmallows 

That's why I need your help 
The optometrist said there's nothing that he can do 

That's why I'm coming to you 
I just wanna be inspired by life 
Can you show me how the world look again just for one day?

the oddity of it all, i can sound like a 70 year old, writing in 2016, by simply writing about 2004 - and that's the excuse everyone gives for lazy English text form: 2 (abc), 3 (def), 4 (ghi), 5 (jkl), 6 (mno), 7 (pqrs), 8 (tuv), 9 (wxyz) - where you had to press a button several times to get the right letter (even with spellcheck helping you shorten the digit-bag sequence) - but that's no excuse with digital phones and a complete keyboard... but that's how it looks, after only 12 years... i'm actually aged 70 given the advances of the technology advent... let's forget the technology of the 1990s... i've circled round and met up with people who collected vinyls... that's how old i am in respect to my buying habits... we're the silver-compact-vinyl kids: the ghouls of the 1960s, born in the 1980s and not getting down with the kids... and to readdress just two books: all that stream-of-consciousness made the latter end of Ulysses a bit like writing by candle-light... as was reading the plagiarism of the above stated in Sartre's iron in the soul... or as the puritans said: we're filling for at least a ¶ (pilcrow) to be inserted: not to mess up the idea of a river and "thinking aloud" where punctuation marks mean: stopping suddenly because you become self-conscious... i just needed a ****** bookmark! the monks at the time of Charlemagne used the ¶ quiet often, condensed bibles, ink was worth 20 camels and paper was worth 20 dresses for a queen... ah, the times when paper was as precious as silk... so the puritans condensed writing, they weren't as sparing in their inner feng shui - a room the size of St. Paul's... and two words in it: Jesus Christ... they were like modern day delivery guys, packaging words together, they didn't have the luxury to write paragraphs with the now established spacing afresh, i.e.:

            and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.
             Florence was making a cup of tea when she heard Jimmy yell: 'my long lost golf clubs!' etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

i.e.

¶ and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

alternatively the ¶ went out of fashion in the literary world, once writing became affordable and changed into a profiteering case of bravado... but i still think ¶ is a bit like using a clef.*

or how to keep one's intellectual integrity: have a drink or two,
and muster enough creative energy to use this encoding -
or... how to make poetry akin to computer
programming - a subtler way to encode
the now slothfully rising moon:
half of it, not full, nor scimitar crescent,
a half bitten honey biscuit, just above the forest
horizon, and the semi-detached houses
of English outer-suburbia - in a sense
transcendentalism, a box with many words
in it attributed to the cause,
as is the reason why Christianity became
the most schismatic religion that has ever
graced man's "good will" (ambiguity,
not an approximation) - in line with philosophical
whims of vogue: idealism, realism, transcendentalism,
existentialism, ism after ism after the Methodists
and the Baptists and other mongrels of current
affairs... already stated: populist Platonism
and the ransacked and burnt library of Alexandria...
yes, decidedly, poetry as a variation of
computer programming - although more akin
to: the tetragrammaton and the Noah's
checklist of paired onomatopoeia(s) (plural
form is underlined, Oxford hasn't picked up
the circumstance: there are neurotics out there
who'd send you to the guillotine for not
updating "spelling mistakes" that aren't
"spelling mistakes" quickly enough!) -
to the cause or as signatures of being easily
recognisable as: yes, that's that... a moustache
and a bowler hat...            alternatively
watch a stand-up show by Miranda -
the very typical English-ness inside out:
hysterical from the word go... the ministry of
funny walk from Monty Python ***
                      the two walks at the airport -
or the trip-up on skewed pavement slabs
checking the impromptu socially acceptable
version of the other seeing us -
comedians do it oh so well: the inside-out,
stern exterior, boy ******* a thumb and relating
to a blanket as if it were an umbilical chord...
what a tightly knit individual...
                          made complete with about a dozen
patches...
                       but it is! it is! it really is already
ready to be likened to computer programming,
perhaps there's no <xerox> or other commands,
but poetry deals with encoding sounds,
no man can encode a proper roar of a lion
or a squirt of a skunk, that's sheer travesty that
so many people can actually muster enough
encouragement to encode these sounds...
i imagine a world where we don't even care
to write knock, and knock on a piece of wood
and a noumenon is born, the sound isn't noted
down, it remains a thing in itself (synonyms,
in italics) - it's probably akin to getting a tattoo,
great if you have a short-term memory loss
like that guy in Memento... but it's going to
be hard to displace knock-knock -
again this is already an approximation -
onomatopoeia upon onomatopoeia -
it doesn't even sound akin or properly dressed
to mention Plato's theory of forms -
sounds can be forms: apparently they're waves...
no waves are forms (shapes) -
or that demigod who fell in love with his shadow,
rather than his image reflected in a lake,
he fell in love: because it gave him enhanced reflexes...
every single time... boom... shadow... boom...
shadow... and so much of language goes into
these nonsensical types of encoding -
blah for: talking a lot -
                                           hmm - when negatively
pondering something -
                                            i believe that
there should be a grammatical elevation of the onomatopoeia
to the status of nouns, verbs etc. -
                           but it is, it is, it really is
like computer programming,
               above and beyond the sheltering vacuum -
how would we ever write a word to encode the
sound of lightning, or a volcano erupting,
or the earth spinning - in these areas i find god -
       i will find man in these areas:
but i'll be hinged on mathematical explanation:
and mathematics is pure optics -
                       so what that we can write one and write
1, write two and write 2, three and 3, four and 4 -
    by now we can write to, too, free and for...
and this is just the start -
                             by acknowledging onomatopoeia
for something, we acknowledge our limitation
of encoding something in that realm -
this inability gave us the emergence of nouns -
   sooner or later when someone started
talking about an earthquake... a litmus test of:
brr grrm boom bah dobble aah! etc.
we got the picture - and why would a monkey
evolve from its conscious-sleep reservoir
to say just as much as with a simple grunt and ooh -
actually, some onomatopoeia(s) became sophisticated -
a grunt is a sophisticated onomatopoeia -
       as is weeping and crying and shouting -
as is shooing (or to shoo) -
well, that's how i see it... poetry as reality programming -
since there's more than just a computer -
at the moment it just resembles a game of
whack-a-mole -                 although there's more than
the mere 26 primary moles -
      and all this talk does relate to something,
something very important at the beginning of the
20th century... well, a century later, and something
similar is being discussed... Ivan Bunin?
noble prize winner from 1933, the first russian to do so...
  anyway... this goes beyond his concerns...
his concerns were akin to that dud i made
with the word mruwka -
                               personally? i feel that the "correct"
version of the word is aesthetically displeasing -
and anyone who says otherwise treats orthography
not as an aesthetic question, but a question
of rubrics and regime - so there we have the "correct"
version mrówka                               (ant)       -
anyone agree with me? well, the English language
doesn't have any concerns for orthographic
regulation - it has excessive spelling and that's that -
what bothered Ivan was the Bolsheviks rewriting
orthographic rules... the word in question?
izvestia - that really peeved him off...
                      everyone in intellectual circles was
disturbed by the changes (can't recall the original) -
but the changes were approved by the Russian Academy of
Sciences (immediately before the revolution) -
there would have been any dispute about the "evolution"
in orthographic terms if done prior to Feb. 1917 -
the war postponed the changes, and with the Bolsheviks
in power... then obviously the suspicion...
   now... such changes are but farts in hurricanes
in comparison with what happened in the realm of English...
i mean, ****'s sake, we're talking minor aesthetic tweaks
here and there - the changes still encompass the form
that's understood by the ear, and it's only a matter of
taste where you write the word ant as either mruwka
or mrówka - well, mind you, i'm already asking
for the incorporation of the Czech š (sz) and č (cz) -
but what's happening in English... my god: it's terrifying!
all these acronyms? all these emoticons?
        i know that English journalists are in favour of
:) and :( and ;) ;) [wink wink] - and next thing you know:
you're talking to a monkey... you soon realise:
the deaf have nurtured a superior system of communication,
as have the blind than these poor, healthy, ably nimble
*******...                   how they're superior, i don't know,
and in all honest? don't care...
         for goodness' sake: a heard a story that a girl
wrote her g.c.s.e. English language paper in text format:
   e.g. c (see) u (you) l8r (later)          -
now you see why i think that poetry is like computer
programming?
these people are scripts from a classical software program
that looks something like: 3;r/d]]aq"pk.0    etc.    
it's a complete and utter mess!
                         fair enough saying: O Shakespeare O
Milton... those guys are turning in their graves...
and they ain't showering the English language with
graces mind you: they're calling it the new
***** & Gomorrah - and it's not England was the sole
inheritor of the computer -
                                       that's what not having
diacritical accessories does to you...
                             you get hacked...
and this... pretty much... is a form of a hack:
you'll wake up tomorrow with a pair of sunglasses
or think you're looking down a microscope;
i swear to god...       me and Ivan are just laughing...
he's not drinking, i'm drinking, but we share
the same intuitive devices - the same puppet strings
pulled him in 1919 as they are pulling me in 2016...
the same ****** trials of a variation of zoology -
some look at monkey behaviour,
            others look at how language is cradled in people:
and i'm not even going to bother
elaborating on anything by Chomsky -
which brings me to the following conclusion
(back to Miranda) - i don't believe in fame apparent,
fame apparent, as in: tabloid crap and c.c.t.v.
and 20 nannies and 50 bathrooms, and not being
recognised wearing a virtual reality gear when walking
down a street when otherwise imprisoned on
a television screen rewind - that's not fame,
that's tyranny under the masses -
                         i don't believe in it... which answers
one famous English scientist's question:
why does posthumous fame exist?
                                    it's like that Camus question
about suicide - well... i guess it's a question of
endurance... a bit like a fail-safe mechanism about
why the pyramids are still standing even though
they experienced so much weathering by the elements -
well, as endurance has it: posthumous fame is
filled by introverts...
                                          i dare you to name that
famous Bolshoi ballet dancer, or that famous 1930s
actor or actress... they're part of the extrovert side of
what's called "fame" - but that's only a minor point
i wanted to make... the real zest i already explained -
ah crap, summary in maxim:
   the concept of modern fame is the result of a god
that has been attributed such qualities as omnipresence...
               well, aren't modern celebrities... a bit like that?

This coffee (my second cup today)
gives me the shakes
and tastes like cold syrupy mud
I swallow it down
past my gag reflexes

out of nervousness

Sitting alone
in a coffee shop


with no one to talk to

trying to convince
myself
that



that's okay






so far, it's really not working.

The past is an opaque glass
something I can see but never get through
the longer I look the less I see
but no matter when I look I find you

this universe is centered around my feet
revolving creating dust from stone
nothing I see is from your eyes
and knowing I never will, hits cold bone

my feet only run as fast as my legs
but my stamina controls them too
A thick fog inside my ill and blinding mind
I breathe in smoke hoping to make it though

The sighs are the silent laments of the heart
As the heart is being crushed in a clenched fist
Slowly squeezing out all the love it can hold
Constricting the flow of life through the veins
Slowly, the mind goes into a partial coma
As the numbness spreads all over the body
Bereft of all the reflexes, to react and fight back
In a vegetative state, the slacking body lies there
With only outside support to keep you alive
But you are controlled by the sinister supports
Barely surviving, and on the brink of death
Slowly the laments of the heart die, with a sigh*





© Amitav (Radiance)

I LET YOU WALK ALL OVER ME LIKE I WAS YOUR LITTLE DOORMAT AND I LET YOU PUSH ME AROUND AND PLAY WITH ME LIKE I WAS YOUR LITTLE TOY JUST SO YOU COULD FEEL THE SLIGHTEST BIT OF HAPPINESS BECAUSE I KNEW THAT WAS A FOREIGN CONCEPT TO YOU. I LET YOU TREAT ME IN WAYS YOU CLAIMED TO BE AGAINST; THE THINGS YOU SAID TO ME AND DID TO ME WERE OKAY WHEN THEY CAME FROM YOU BUT UNACCEPTABLE WHEN THEY CAME FROM MY END. YOU KNEW I WASN'T GOING ANYWHERE AND YOU HAD BEEN TAKING COMPLETE ADVANTAGE OF THAT KNOWING I WOULD ALWAYS BE THERE FOR YOU. I LET THE CIRCUMSTANCES YOU FELL UNDER BECOME THE EXCUSES FOR THE WAY YOU MADE ME FEEL; I EVEN MADE EXCUSES FOR MYSELF. I SLIPPED INTO A STATE WHERE MY INSTANT REFLEXES WERE SECOND THOUGHTS AND GUILT AND I BEGAN TO FEAR THE WAY YOU FELT ABOUT ME BECAUSE I DIDN'T WANT TO BE THE REASON YOU ENDED UP HURT AND YOU'VE GOT ME INTO SITUATIONS I WANTED TO AVOID AND PLACES I DON'T WANT TO BE AND I'M NOT STRONG ENOUGH TO TELL YOU THIS AND IT'S TEARING ME APART.

t.m.

And I feel this sludge
running down the long halls of my legs
a flood of viscous petrol jelly
slick sewage sick
patrolling artery walls

this metallic slide
so much molten lava
running down the mountains
of my thighs.

I'm a concrete machine
getting my mortar fix
tin woman hollow heart
methyl folate ******

Give me another hit
buffer my pain.  
Already I have diesel fuel juice
leeching out my tissues
lightning striking the brain.

It's hard to get your attention
with this leavening
pooling the blood in my feet
It's hard to say hello with
acid cuddled words.
I want to raise my arms
and touch you
but I'm too toxic I'll burn you.

This nausea has become me
this metabolic crash is
my stop-gap.
Short circuit pain
this neuropathy has hardened me
in the space between these synapses
I dream of nothing.

Doped up by the yellow stuff
Daddy sprays from the plane
I was a farmer's daughter but
the doctor says
You've got the mutant gene,
for heavy metal toxicity.

Another serotonin addict
with brains of saccharine and plastic
I might get a pink ribbon for surviving
if they call it disease,
but silently, inside

I feel this sludge
sick sewage slick
battening down the reflexes
backing up the pipes.

my body is the future body
I say.
because this deadly brigade
is eating up the human chain.

There were Chernobyl defects,
and the media loves lepers with lesions
but a blistered stillborn baby
is no face for nuclear policy

but we --we're the unsung mutant breed--
there are billions of us
mentally sick lazy *****,  
hypochondriacs
of pre-existing conditions
can't find work
not even at Walmart
for disability aid--

But when you check out,
please donate.

Drop another baby
in the cancer cup.

the women on my father's side of the family are quiet
they are traditionalists, rooted in the ways of the women who came before them
i have watched them shrink before the voices of men
wilting like flowers do when the nights are longer than expected
it is not their fault
they have not been taught any differently
the women on my father's side of the family are small
delicate bones and feet made for tip toeing around hushed rooms
voices made for apologizing for things that they can not control
their lineage traces its way back through generations
they have shaky hands, yet have mastered the art of threading needles
i watch them, and something tugs at my heart, but i do not know why
i fear it is pity

the women on my mother's side of the family are loud
they have laughs that carry like the notes of a symphony
bold and unapologetic, sure footed in its own presence
they are the center of attention
at times the center of gravity as well
the women on my mother's side of the family are tall
they take up space and are not ashamed of it
sometimes it is called brashness
i always saw it as courage
they taught me how to sleep in on sundays and how to walk like i am
not afraid and how to hold my keys in between my fingers like daggers
i watch them, and something tugs at my heart, but i do not know why
i fear it is because i do not know if i will ever be able to be like them

you see, i am equal parts one as i am the other
as much as i would like to be brazen and unafraid
i cannot forget the reflexes inherited  
these things cannot be unlearned
they have been ingrained into hollow bones
however, if this is true, it must also be true that somewhere beneath this lies the kind of fearlessness that dances on tables and is not afraid of who watches
i have seen this courage in my mother, and her mother, and the women before them
one day i will steady these shaky hands and find that courage
until then i tip toe around hushed rooms and apologize for things that i cannot control
i am equal parts one as i am the other

It took me a decade of toil
years of experience and expertise
to learn that men are happy scoring
ecstatic when he bags and trashes
that short win he has not earned
Sometimes as women we steam
trimmed with seams of emotion
awaiting to open hearts unreserved
Yet he don’t want this vulnerability
he wants to be ignored and uncared for
denied and kept at the deepest ledge
for when you give yourself easily
he will devalue your inner-self
blocking and tantalising from afar
Men are still immature within
afraid of closeness,scared of love
afraid of the emotions,scared to trust
and when he chases,he is fast as a cheetah
preying closer and closer to his price
and when he lies, he sugar coats the facts
so that he creates an illusionary promise
Yet deep within he is like a baby
strained with automatic reflexes
unable to make an emotional dialogue
on how to make the woman really happy....

when the doctor tested my reflexes
he broke both of my knees
so now i walk at a crawl
and i struggle to start again

We are women -or men- that want to be free!
At least, for me, I like being treated inhumanely
Don't ask me why, I'll never know
It's just a thrill when I'm able to let go

See I like power
I hold it with my mind
But when a man wants to devour
All of me, I leave it all behind

His Dominance is so revealing
I can see right through His soul
My lust starts strongly seeping
My body is His to control

What brings me alive is the pain
Reflexes ache to restrain but
I have all the pleasure to obtain
Yes, my body is His terrain

And now it's my turn
His body is mine to learn

He goes to the basement, without a word he flys
To grab a sufficent sourse of numbness
To write freely and speak not so clearly
But to engage of times of the unknown and times of Modern times
The weather tide, the things of our demise
And the music rides, and the glass clinks
Goodbye to on time
hello to sweet dreams highs

Rummy is a card game
*** isn't for the hard weak
It's not win to fame when you're
Slugging back ***

It's not fun, it gags and try's to overthrow your reflexes
To misconcept your reasons
Why *** is for pirates and not for mere kitchen writers

Lost in the scansion of a cool iron box
I struggle for air from the confines of metal that blocks all fresh of life from the cage
Bound in gagged suffocated reflexes
I utter muffled screams of my nights spent in lost days

Held in suspended motion, mid-flight to a descent
I train myself, my senses already know what comes next
meanwhile the art of stillness, in vivid stasis I contemplate.

You can't just dine; It's not time.
Sleep, lines the bottoms of her eyes.
The circles form overnight, deprivation, falsification.
So if her common sense neglected?
It's 'cause something bigger's detected.
She doesn't mind being left behind.
She would rather go slowly to watch the sunset, anyways.
No reason to look behind the smokescreen (there are some things that no one needs to find.)
Look on as she survives another attempt, kinetic in her learning. Pleading guilty in a non guilty crime.
Avoiding awkward by jumping the fence to turn and step.
Can't help the second nature, her reflexes from past experience stay quick-just to hate her.
They taught her well, as she sought to dip-set
(back to her speculum of normalcy.)
Walking down the street, curbing the beat.
Lights flicker in and out; shadow-boxing down the alleyways of her life.  
Her eyes may have welled, only to dry; in the heat of the moment, regrettably she could only, sigh.
The one thing her mother taught her is to never believe in surprise. Collectively she will be waiting for the day and time when she gets hit from behind the lines, life flies by and she is not afraid to die.

"And she will bite her bottom lip all she wants."

Burning pleasure with each swallow
I love the way you taste.
Eradicate the stress.
Numb the pain.

In search for freedom
Steps to intoxication I take
Consumed in reflection
With each swig memories fade.

No matter the quantity internally vacant I remain.
How many more sips
How many more shots
For the remnants to trail away?

Ethanol
My aching addiction
Course through my veins
Life is nil without you.

Unable to remember
Questioning what was said
Passively expelling secrets
Drunkenly fearless I am.

Drowsiness imminent
Slurred speech
Coordination weak
Emotions wavering

Artery pressure low
Heartbeat delayed
Thoughts sway
Respirations slow.

Inhibitions lessen
Concentration impaired
Reflexes diminish
Hangover in the distance

Another day
Another drink
Inevitably it happens.
I succumb again.

Time reverses the inebriated.
If only time could annul the loss in me.
Subdue the recollections.
Until then sobriety is not for me...