Submit your work, meet writers and drop the ads. Become a member
I'm tired of men thinking that what a girl does or dresses as defines her. That what she does in bed reflects what's going on in her head. I have friends who call girls ***** because they decided to give the time to more than one guy over the span of several years or months. That how girls dress is cause to say how much they would "destroy that". **** shaming doesn't go far in my books, I have far less tolerance for that than I do hearing you idiots talk.
   Hearing this gives me more thoughts about changing the *** on the outside to what reflects myself on the inside. I live under the patriarchy of America just to hear in school idiots blabble on about things they think they know. Like they've lived their lives in glory when really their glory is now. It goes downhill from here so while you're living the high school life I want you think, just think for once that what you say really reflects the ignorance of America. That you are the Idiot America, the reason men have such a bad reputation.
as the mirror reflects what is standing in front of it,
your body reflects the pain you've been feeling
as you slowly let your skin be destroyed.
the only thing you've eaten in the past four days
is an apple.
95 calories.
you lift your shirt and see your ribcage.
underneath those frail and fragile bones
are patches of raw skin in the shape of countries
that contain sure capitals of your depression.
your cold but sweaty and shaky hands
travel to the rips on your waist.
the fourteen rips and tears on your waist.
they formed there when people started
staring at the forty-seven rips your thighs
and asking if you were okay,
which, by the way,
drives you absolutely insane
because they knew you weren't
but still they laughed in your face and called you weird and said you were just acting and it was all in your head. in your silly, pretty head. the silly, pretty head you wanted dead. the silly, pretty, dead head you felt like ripping every strand of hair from and gouging each eye out from and-

as the mirror reflects what is standing in front of it,
your body reflects the pain you've been feeling
as you slowly let your skin,
and your sanity,
be destroyed.
paige v Jan 2015
covered by thorns and hidden by vines
but you’re still attracted to the light
that reflects from my broken sides
you want to swim alone tonight
but I know you’d let me hold you down
Velvet rose petals and shattered glass don't mix but still you’ll love me anyway
despite the scars I've left on you
you’d lay with me
on dead grass
and let me point out your fading colors
you’ll excuse my relentless attempts
to bury you under ground.
“you're destructive
and reflective,
I see myself in you”
As my ridges rip you to shreds you stay with me,
a ****** mess and a lonely swimmer,
another garden destroyed
with wasted raindrop tears
Ella Gwen Jul 2015
I feel like the white lion
stuck in a cage for the rest of my days
feet set to tread a path barred and dusty
from all of those who trod before it.

The only excitement, the jangles of
keys from the keeper who runs to
throw carcass of rabbit, turkeys
through my bars for me
to render sustenance, incomplete.

I fear the white lion
hear my lonely roar and wonder
at such talons, canines now stolen
and feet dismembered, claws ripped
from their shackles, top-of-the-food-chain
fear desecrated.

And a genetic time-bomb too
ticks under my skin and theirs
as I sit and I listen to the lies
your children now share.

My line also ends, a mere stutter
in the sand, as the tides flow steady
and the last lion lingers.

And I am, too, held high like a beacon,
a warning, a message spanning
centuries, look, children, look!
See the mistakes of your ancestors.

See how her coat shines so very bright
that it reflects all seven colours
of the light? See how lonely and low
the last of a manipulated, mistaken,
misconstrued species can go?

She was drawn from her mother
mixed with her father, no she doesn't need him
and the others, why yes, all left
are her kin!

How wonderful, how quaint, you
know only ten now remain?
None in the wild of course, where
their life cannot sustain,
better here locked under our
constraints where we have
so much wonder, so much recreation
and education to gain.

And true, from this bleak place
they can never migrate
but look at her, no where else to go
this man-made mistake.

Don’t worry about the pacing,
the maddened, gleaming eye
the freedom they miss
out there? They would die!
And they know no other way
than this.

I know she looks sad, but
that’s just your feelings projecting,
they’re just animals, my darling,
you’re innocent, shouting in consternation
save her in the name of conservation!

But we are all white lions
all now endangered, our steps
are no freer, our lives all
subject to external changes and we
cannot move but for the cage
they have constructed, their
lives are impacted but our
wonder is not deducted.

I feel like the white lion
this ambassador of our greatness
this one mistake, so very clever,
engineered to engage us, these lives that
were wrought solely to entertain us.

I feel it, their future entwined in mine
and in humans across the ages.

Meaning of life designed, its sibilant message
dangerous, a dumb animal wandering
a set path, disregarded, destructive, aimless.
Brian O'blivion Oct 2013
where solar lips are parted
and crescent ******* hardened
cobalt fire licks your name off its oldest breath
this ****** hollow bends its neck through thermal skies and sand
scarlet waves of heat off your (sweet ancestral) hand
come inside, the door is open. the answer's always yes

Medusa’s gaze would turn to sand
if she knew the stony glories spanned
within rock candy walls ablaze
flood plains carry hydrogen freight
from your abyss' collapsing weight
the broken ***** flowers rusting in the haze

long stem bows in the cut orchestral
steal blood from the times ancestral
the ink has spilled and left a stain
under folded layers of skin
that the mirror reflects from views within
your eyes are naked lights, innumerable and plain.
retrofitted, edited and repurposed...like, simultaneously...
Daniel Magner Nov 2012
Strangers known
by shared room
Honey voiced , high cheek *****
no less, no more

Licorice words pounding
on a chest
scrambling to wrap fingers
around a single perfumed breath
Two days dragging on
pulled through mud
stuck in fog
seconds are hours too long

Then ringing came
answered by drops of syrup
pouring out a reply, yes!
drinking it in with big gulps.

Mirror reflects practiced hellos
swishing hair put in place
teeth and lips splitting
breaking through stone face

Pacing back and forth
frantic footsteps pounding
crushing carpet in a line
south, north, south, north

No ring, no change
red blushes fad grey
phone silent, gaze up
stare blank



Is the swooshing hair the wrong way?
Is the grin too toothy?
Is the face not constructed right?

Stood up and let down
sailor on a ship
already sunk and drifting
off the starboard bow
Stood up and let drown

by the honey voice
the high cheek bones
Failure in hindsight sighing
“I should have known
I should have known…”
© Daniel Magner 2012
judy smith Apr 2015
Getting the fashion industry excited about an event is no plum task. And yet season after season, Anna Sui does it with her thoughtful and fun runway shows. Blame it on her ability to transport her audiences deep into her world full of references that range from Pre-Raphaelites to Diaghilev to disco. (Of course, the retro soundtracks and top models don’t hurt, either.)

Lately, Sui’s been sharing her passion for fashion history with a wider audience by taking on many collabs, the latest of which is with O’Neill, in stores now. Just in time for summer, the designer crafted a selection of swimwear and cover-ups that echo the bohemian mood of her main collection but also target a new kind of customer. We caught up with Sui at her Soho store to reflect on her career, her favorite muses, and texting with Anita Pallenberg.

You’ve been doing more collaborations in general lately—why is it important to you to diversify into these arenas?

Well, there are certain limitations that we have as far as production for what we’re able to do. A great way to overcome that is to work with somebody who has the expertise in that product. So working with Frye, they make the coolest, sturdiest boot that you can imagine, and so I think this is my third time collaborating with them. They’re just dreams to work with. It takes you to another place. And also you learn so much, because we’re so limited as far as resources now that it opens up new avenues. I did the same with the Coach bags and with the luggage with Tumi and now this collection with O’Neill.

How did you get involved with O’Neill?

Our sales manager knew somebody at O’Neill, and she started thinking that it would be such a great pair-up between O’Neill and Anna Sui because O’Neill is very much our girl. They’re very print-oriented and known for their surfer style, but we wanted to incorporate our bohemian style with it. I think that we’ve blended it so well. The clothes are just so dreamy; we were all just oohing and ahhing over these lace pieces.

That perfect white lace dress is a very necessary summer item.

It’s so true. I remember one summer I was looking at Naomi [Campbell] pictures on a yacht on Daily Mail or something, and every day she had the most beautiful, little white baby-doll dress. I thought, Where did she find all those?! But she can just zero in on something, too. That’s always been my dream, to have all those gorgeous white baby-doll dresses.

You have the best references season after season—who was the beachy surfer girl that you looked to for this collab?

We wanted to capture that true bohemian feeling of the ladies of Laurel Canyon: Joni Mitchell, Michelle Phillips, all those girls you put pictures on the wall and are like, “I hope I grow up and look like this.” So what we tried to capture was that dream.

I think fashion in general is really swinging toward the Anna Sui vibe, very bohemian.

It’s exciting. It’s kind of like a new beginning again. We’ve had so much reaction from all the stores and press—it’s like when I first started. It’s got that same feeling. It’s wonderful.

How do you define who your customer is and continue to change and grow with her over the years?

I think that somewhere I never grew up, and it’s still that same dream as when I was looking at the pictures of Michelle Phillips. It’s still always that same thing, and no matter where I go with the collection, Vikings or Pre-Raphaelites, there’s still that bohemian girl there. That was always my ideal. As much as I try to veer away from it, there are always a couple of those Michelle Phillips and Joni Mitchells in the collection. Through every collection you can find them.

So what’s the secret to staying young forever then?

I think loving what you do. You can’t ask for more. This is what I wanted to do since I was 4 years old, and just the fact that I’m able to do it and do it globally—I work in Japan and I work in Europe and I work in New York—it’s kind of a dream. It’s a lot of hard work and I’m very, very dedicated to it. I do a lot of sacrificing of other things, but it’s what I’ve always wanted.

As someone who’s been in the business for so long, how do you stay inspired and not get worn out or jaded?

One of the things that I love the most is research—learning new things and exploring new things. That’s what I do when I work on a collection: I find something that sparks my interest and then I’m obsessed with and I just go into it. It’s like going into the rabbit hole. Then all of a sudden you find out all these other things because one thing leads to another. Like when I did the Ballets Russes collection [Fall 2011], I saw that beautiful Diaghilev exhibit at the V&A; and I thought, OK, now I can be inspired by those Léon Bakst drawings. I remember one of the Ormsby Gore sisters was telling me that the way they started wearing vintage was because of a sale of the Ballets Russes costumes in, like, 1968. They couldn’t afford the principal costumes, but they could afford the costumes of the Sugar Plum Fairies, all these crushed velvets. So they started wearing them on the street, and all of a sudden the Beatles and the Stones and everybody else started following what they were doing. Well, don’t you know, in the Diaghilev exhibit, there was a film of that auction. I was just like, “Oh, my God.” That’s what sparked that whole thing where everyone was looking romantic and medieval. I love finding that connection. That makes my day—that makes my season when I find that out.

Do you feel like it’s harder or easier today to communicate that to your customer? I feel like with the pressures to make Instagrammable moments, it’s become very hard to get people excited about the history of fashion.

There are so many levels in what I do. Somebody like Tim [Blanks] will get the really intricate things, but then the obvious things will be the things that people talk about the most. I always try to bring it all back, make it current, and tie it in to something that’s happening in our pop culture, like the Viking thing. It’s really true—I was watching [the History channel TV series] and I got that idea. It wasn’t an intellectual idea, but that’s really how it happened. I think that you have to put it on different levels.

Is there one specific era or muse you feel like is the most Anna Sui?

My biggest idols are Anita Pallenberg and Keith Richards. So at the end of the day, it’s always like: Is there something that Anita would wear? Is there something that Keith would wear? Is it cool enough for them? And then I usually send Anita an image and say, “This is the outfit that I did for you.”Read more here:marieaustralia.com | www.marieaustralia.com/evening-dresses
SophiaAtlas Mar 2019
It happened in the dead of night while I was slicing bread for a guilty snack.
My attention was caught by the scuttering of a raccoon outside my window.
That was, I believe, the first time I noticed my strange tendencies as an unusual
human.
I gave the raccoon a piece of bread, my subconscious well aware of the consequences.
Well aware that a raccoon that is fed will always come back for more.
The enticing beauty of my cutting knife was the symptom.
The bread, my hungry curiosity.
The raccoon, an urge.

The moon increments its phase and reflects that much more light off of my cutting
knife.
The very same light that glistens in the eyes of my raccoon friend.
I slice the bread, fresh and soft. The raccoon becomes excited.
or perhaps I'm merely projecting my emotions onto the newly-satisfied animal.

The raccoon has taken to following me.
You could say that we've gotten quite used to each other.
The raccoon becomes hungry more and more frequently, so my bread is always handy.
Every time I brandish my cutting knife the raccoon shows me its excitement.
A rush of blood. Classic Pavlovian conditioning. I slice the bread.
And I feed myself again.
Oh, Moonlight Oh Moonlight while so many of us use your shine for light to guide us through the night and use your beauty to be amazed at as the clouds run pass you.

Oh, Moonlight Oh Moonlight another sign of love and happiness as far be on imagination can take us and allow us to see and use our minds to think with.

Oh, Moonlight Oh Moonlight that shines so bright that reflects in our eyes can you please show us more beauty that takes us on a journey that you have for us.

Oh, Moonlight Oh Moonlight please don't fade away keep blessing the night skies with your beauty and attraction of shades of colors that take up the night sky that brights up with the stars so high to make a wish come true.

Oh, Moonlight Oh Moonlight the form of you takes breaths away and brings smiles on faces that tell a story of their own.

Oh, Moonlight Oh Moonlight, while so many of us use your shine for light to guide us, through the night and the young use your light as a night light being so cozy as they sleep the night away.



Baron ” Dreamwriter903”
PoeticDreams903@gmail.com,
Mr E Sep 2012
With different people come different skills,
in the game of life which we all play.
And like a game of chess , each piece,
unique in its own way.

To the smallest pawn to the greatest knight,
each piece reflects who we are inside.
But as one might think a disadvantage is at hand,
that the pawn has not any chance.

With the queen’s strong offense,
and the bishops swift attack,
the pawn’s presence is sadly overlooked.

For many see it as a worthless runt,
only used in the scheme of the king and ignored
until the bitter end.


But in fact the pawn is the most courageous of them all.
The only piece who knows how to charge.
Fearless and brave, it surges forward,
unhesitant and void of fear.
Who won’t retreat when defeat is near.

So who are you? Which one are you?
The decisive knight, the stubborn king,
the blunt rook, the potent queen?
The swift bishop or the valiant pawn?
All of which reflects who we are.
MdAsadullah Nov 2014
Oceans having color blue;
Only reflects skies above.
Love Perfect for perfection.
Lover just reflects his love.
Mirror reflects light,
Mind reflects actions.
Wavering thoughts eclipse -
Peace of mind.
Thoughts converged -
Into an idea,
Conceives an art.
Creation becomes possible -
When two merge into one;
Mind and intellect -
When merge together,
Impression takes birth.
Thoughts, words, deeds -
If line-up perpendicular,
Integrity reflects Divinity.
PrttyBrd Sep 2012
Through the icy morning
To the sunny afternoon
I find myself looking at you
So far away, yet I remain surrounded
In the warm sun and cool breeze
You tickle my skin happy
In the blue/gray sky that reflects your gaze upon mine
Until finally I am enveloped in dreams of you
copyright©PrttyBrd 09/01/2011- From 14
Alan McClure Jun 2013
The sad thing is
I could have justified my instruction
with the simplest of reasons.
I would not have asked
a harmful or a wicked task of him
and I could have explained that
with perfect clarity.
But in the instant that he asked 'Why?'
my patience failed
and I said, 'Because I told you to.'

The implied threat was sufficient
and the task was done, satisfactorily.

If I had only known
that I would become one in a long line
planting furrow after furrow of bitter seeds
in this young man's head,
each of which would grow
into the toxic blossom of blind obedience
I would have checked myself that day.

But I did not.

And any inquest worth its salt
would line me up beside him,
beside parents, teachers, priests,
drill sergeants, generals, presidents

A line of dominoes
aimed remorselessly
at a smiling young woman with a placard
in a park, in Istanbul.
This is my second attempt at a response to the brutal crushing of protests in Turkey.  It's hard not to just roar and grieve, casting blame at this or that institution: but I try to remind myself that every officer who pulled a trigger is an individual who was set on that path by something, some set of circumstances in his past.  We don't come to brutality by ourselves.  This got me wondering about our shared complicity and what, if anything, starts this hideous journey off: the best I could come up with was the institutionalised tradition of 'following orders' and unquestioningly accepting authority.  And I immediately saw my own role in that.

The notes are longer than the poem - that indicates a lack of success!
Kewayne Wadley Jul 2018
In the question of reassurance.
The single solemn response cannot always end with one that causes
the most anxiety.
The involvement of social media, random dm's, the arrangement of severed ties mended with one thing in mind.
For these reasons insecurity deepens.
Eventually things fall apart.
It's not always about opening your mouth.
There are other ways to be vocal.
Silence becomes deafening.
Defeating the purpose of awareness.
Tempers quickly raise and often the things that aren't meant to be said come out.
Echoing the loudest.
Petty arguments, the excuses that lead us into the messages we're quick to hide.
Despite how much time we've invested, the easiest thing to do is walk away.
Anxiety becoming the fear that pushes us the furthest into ourselves.
It's not always easy.
Opening up,
vocalizing a single woe that begins the journey of a thousand,
if not more.
If forced, we too begin to shut down and contemplate the single best thing.
Being seen as selfish, self-centered.
Quick burst that justifies wrongful intent with one that's right.
It's all about support.
Care & understanding.
The saving grace that bonds the realization that either of us are perfect.
That there are deeper issues at hand that seep far beyond. 
the way we see ourselves, whether we are too big.
Too small, the things we find often too late, said behind our back.

outside of everything else do you truly understand the quality of reassurance.

the equivalent to the moment everything seems to come crashing down.

The times any slight movement brings us down the most.

Equally we both seek the same.

The response reflects the moment.
To defy standard and move to something meaningful.
At a point, the question deserves an answer.

Going in one ear, quickly coming out the other.

To vocalize seemingly in one direction unless the role is reversed
Ceyhun Mahi Aug 2016
The clouds slowly conceal sunlight at night,
Who then slowly reveal moonlight at night.

In this city roams the Moon of New-York,
Who's face reflects the city's light at night.

All kinds of people walk around up here,
In lit streets who're full with delight at night.

When this city is seen, it looks like an
Huge ocean of lights by eyesight at night.

Every time I look at this adorned place,
I fail to forget that bright sight at night.

At sunset this city becomes one square,
A place where people can unite at night.

From miles away you can see this city's
Presence and signs by it's skylight at night.

Every second someone gets Pleasure's kiss,
While another feels Despair's bite at night.

In here roam hedonistic people,
And people who are strict and tight at night.

In this city who never sleeps at night,
I hear singing in highs and deeps at night.


The breeze of the summer stays at night,
Witnesses the turning to days at night.

I can't fail to remember this city,
Since I've seen that luminous face at night.

Because of the countless sighs of lovers,
You can feel in the air Love's haze at night.

The city's melody is determined,
By what each individual plays at night.

The strangest of all and mundane of all;
Each one has occurred in this place at night.

The rich, the poor, the mad, women and men
All walk along light-adorned ways at night.

The lights reach every soul in this city,
Coming from hotels and cafes at night.

Wherever that Moon goes, it leaves it's mark,
At each place you'll find that Moon's trace at night.

It takes miles for pilgrims from far away,
To enter this place trough highways at night.

In this city who never sleeps at night,
I hear singing in highs and deeps at night.


The neon lights cover the street at night,
Who are set in places who fleet at night.

Traces of drama, tragedy and more,
Is felt in every hotel suite at night.

The homeless and party-goers here,
Both walk on tired and sore feet at night.

Meals on wheels at sight at every corner,
To serve people who want to eat at night.

Both the old and youth are called to places,
With pleasures who are bittersweet at night.

Streets who reflect neon lights in puddles,
Are places for lovers to meet at night.

So many people walk along themselves,
Yet there's no time to greet at night.

This awake city who is always breathing,
Always blows to me a conceit at night.

I can't seem to stop to describe this place!
About this jungle of concrete at night!

In this city who never sleeps at night,
I hear singing in highs and deeps at night.


This place witnesses misery at night,
And also witnesses beauty at night.

Millions of fishes are swimming around,
Trough streets in this luminous sea at night.

The gates stay open without any rest,
All people come and go freely at night.

Trough happiness and even ill horror,
This places stays silent and steady at night.

Those who're in love in this city see with
Little eyes, who perceive blurry at night.

Lovers are tangled up in each other,
While raindrops fall in an alley at night.

No one is an exception in this place,
Darkness veils your ethnicity at night.

Many have acquired shine up here,
And lost, in that shining city at night.

Ideas are hoisted out of my well!
Gihon will end his poetry, at night.

*In this city who never sleeps at night,
I hear singing in highs and deeps at night.
Poetic Form: Terkib-i Bent; several ghazals woven into each other but with a different rhyme for each stanza. Each ghazal is closed with a couplet who always comes back so that a next stanza can come in with a different rhyme.
lirau Jul 2018
The dark reflects off the mirrors
A long t-shirt fondly used to cover my mornings
Fell for what sought me

With ferocious caresses
I am a carcass thrown to a starving lion.
But I'm still breathing
Against the shoulders above me
In return

He prowls
The rainforest path of clothing,
Tugging the shirt back over my head.
written in a starbucks while staring at my friend
edited Aug 12
Tomas Denson Jan 2015
Tightened skin stretched around burning sockets
dry eyes that want nothing more then to weep
staring at non existent patterns of the ceiling
trying to decipher something
anything
to bring release, blessed unconsciousness
to float away for a time and timeless
to not exist
nothing
until time to wake again to face this hateful world
torn full of words and screaming to be heard
only to rush to another endless night
to lay alone with the voices
and wish desperately
to sleep
tortuously the weary mind tired beyond comprehension
is denied this most basic of escapes from life
seemingly trapped here in this stale
empty bed that reflects
waking life.

Send me out to the emptiness between galaxies
and let me sleep forever in the cold dark
peace.
Kenshō Dec 2014
Embody the world!
Dream into creation!
Your touch will comfort like carpeted grass.
Your voice like the wind and streams of peace.
Your breathe like lemon grass herb, warm and sweet.
Your mind like the mountains and clouds of the wanderer.

This man walks with poncho, satchel and cane.
He claims no wisdom and wars over no land.
He saddles the wind and chants to the Gods of ever-last.
Trailing only is a smokey film produced by his pipe of eternal life.

Modest is the heart of a good man;
Keen are the eyes and consciousness.
A natural fortitude are the roots of a clean soul;
Spread are the arms of success upon a mountain.
Survey the landscapes of history,
The beautiful transforming of this world,
Divine in its nature!
~~~
Annie Heller Mar 2013
The blue color of the Forget me not
Reflects the blue felt in a heart
When the person you love the most
has forgotten you're their other part.

Forget me not I beg
It is for you I care the most
It is my arms I thought forever
Would be your loyal host.

I love you like the summer sun
Adores the summer sky
It only leaves when the moon is up
Or clouds close up and cry.

Forget me not, I love you
How could you forget me dear?
Your love is my protection
And your rejection, my fear.

You and I have made it
We cried and hit and fought
But through it all I've fallen
So please love, forget me not.
A liar a ******* a friend and enemy all rolled into one.
A fool with a wreckless sense.
A dreamer who's life rest ready to be void at the end of a gun.

The losser who's past speaks of no future clear.
The uncertin madman who seldom is ever truely here.
The man's lust for the road.
A still frame dessire cast in a black and white play.

To many fights to little scars.
To many reasons.
To less bars.

The grey in a was young  head.
My time is past half  is already dead.
The bitter truths  and well ment lies.
The wolfs heart under a devils   disguise.

Stories unwritten and some yern never to be told.
A winters bite in a glimmer of passion.
My place  gone from the illusion  ive loved so well.


The mirror reflects all you'll never see.
The mirror lies to all.
But never hides it's fatal truth from me.
From the Still Night Sessions   my ill attempt at a second book
Nat Lipstadt Aug 2013
The Seven - The Mashup


In memory of my mother who passed away recently, I wrote, or intended to write seven (only six were actually done) new poems themed about her, her passing and some perspective on life and death.  All were read and I am deeply appreciative.  I have consolidated them all here, in order, though not necessarily the order in which they were written. But the order does matter, as it reflects the change in my mood with each passing day.   Perhaps I will write the seventh someday, but not now, not soon.

Thank you all so much for incredibly kind words of sympathy. I am not a dweller, so I set myself a goal to complete this vow, this task, in a week to correspond to the seven days of mourning the immediate family observes after the burial (the shiva, shiva meaning 7).  For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night


#1 Shiva

I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown,
His father, cancer won.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

#2 Hover^

My Children:

Ancestral homes oft possess,
a unique scent, product of an atomizer, a memorizer

Musty time, the odor of
faded and shadow,
hollow, yet hallowed.

Somewhere along the road,
a residence transforms from home to
shrine-storage unit-hospital room-tomb-records depository.

Dust, expired perfumes,
the sweet odor of crumbling, yellowing books, disinfectant,
stale medicine chests, years of furniture polish, sabbath candles.

It is my smell -
the parfumerie of my history, a customized blend,
a commissioned work in 1964, entitled, more accurately, emitted,
"Her-Story."

Photographs, memories, and paper scraps
my very own Preservation Hall Jazz Band.
Yet the most potent firing pin for historical retrieval,
the molecules of scent.

Soon all will be dismantled, discarded,
just plain dis'ed.

Confused and disenchanted,
my departure orderly but, in a disordered fashion.
unable to seed one last kiss upon your forehead,
nonetheless, surreptitiously enter your neurons
though my entity, away, across the miles-wide Hudson River.

For three days, I will hover invisible,
implanting myself once more,
slapping your mucous membranes,
transversing this pathway, an additive to your cells, nuclei,
where my markers always reside.

Adding one more ingredient to your inner vision,
strengthening the formless structure, my altered state.
This odor, keep close, fresh, no becoming musty too, my scent,
the last of your senses knowing me, a true keepsake.

Hold me close and hold me fast.
This one last magic spell I cast.
This one last magic smell I set fast.
You cannot hold it, but it will cradle you.
You cannot see or touch it, but when contact comes,
You will see me, hold me, as in the days of your youth,
When you loved me best,
And I, you.

^According to the Talmud, the soul hovers over the body for three days after death.  The human soul is somewhat lost and confused between death and before burial, and it stays in the general vicinity of the body, until the body is interred.


#3 Orphan

The funeral will commence at 11:30 am.
Gives me one last review time before the
Final Exam.

Panicked, I discover a whole new chapter
for which I am wholly unprepared,
though its inevitable presence was
assuredly knowable long in advance.

Orphan

It doesn't fit, occur, imagery is of a young child to
soon abandoned, not a late-in-life curmudgeonly poet-boy,
who has been multi-times reincarnated.

I add this title to my list
of proper ways to address me,
titles earned by dint of hard work,
or just unlucky luck.

This new status, orphanhood,
bequeaths no special privileges,
other than, a semi-official
societal permission slip
to feel bereft, lost, and compose poetry.

Know a real orphan, from early, early on,
has never recovered and
never will for it is just impossible.
Just impossible.

So whom am I to make light of
my undesired, unrequested new degree?

I accept it and to my surprise,
It hurts.

# 4 Judgement Day

After you put in some time on this planet,
You kinda know what the world thinks
About you, your rep, what they don't say to your face,

Sure, thingies, time and incidence and circumstance
Can sometimes cause makeovers external,
But each of us know the quality of ourselves,
Self-certification, you can out your internal self,
Better than anybody else.

So I inquire of myself, about myself,
what will you be remembered for, if at all?

Why do I ask, today, now?
Do we not ask ourselves this
On the low down, subconsciously everyday?

Is this a poem?
Most assuredly...
And a trial.
You, the judge the jury and the prosecutor,
The defender, if u can, if u will.

For seven days my mother was adjudged,
Family, friends, hers, her children's,
Almost an 80 years of live, in color, HD, looking back video,
Tales told, memories dug up, old photos explicated,
Who what when where of the details of one women's voyages,
Creations.

I cannot, I will not, do the details here.
Suffice, acts of kindness, faith in people,
Feminist in a strange land, a chance taker,
Gifts of memories, streaming of adoration,
Many strangers are witnesses to me,
This trial a runaway train.

I am outed.  There will be no such verdict for me.
I am outed.  There will be no trial needed, just a
Summary judgement delivered.

Out yourself.
What will you be remembered for, if at all?


#5 Summer Girls In Their Summer Clothes

Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)

*#6 & 7 Live like you're dying

Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...
Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:
Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.
I own an umbrella
A black umbrella
With all the colors of the rainbow underneath
I own an umbrella
Which protects me from the rain and the bad days
I own an umbrella
Dark outside and colorful inside
I own an umbrella
That looks just like me
I own an umbrella that reflects my soul
I own an umbrella
And it makes me smile
Because the irony is not lost on me
That everytime I open the ****** object
My heart blooms with hope
That someone would notice
It's not simply an umbrella
It's not a random pick
It's a black umbrella
With all the colors of the rainbow underneath
It's an umbrella
Dark outside and colorful inside
Which, when closed, lets appear a sneak peek
Of how it truly is inside
Sparks of colors
Sparks of light
Life
Happiness
But no one will know
Unless they open it
And look up
Into the rainbow
That protects me from the rain
(Manuscript of Poet Mario William Vitale)


From 1993-1997 - Attended State University in Connecticut,Attempted plays : Tartuffe, Miracle Of St. Anthony and Balm in Gieade,( His poetic aspirations had  in 1989 from submitting his first poem entitled, "Remembrance Of A Loved One"- (Sparrowgrass Poetry Forum)Next from 1989-1997 ( Wrote primarily for Poetry.com and The International Library Of Poetry),* Received editors choice award in 1997 for poem, " A Beacon Of Light ",(1998) Sent poetic manuscript to N.Y. Time Magazine and Chief Editor " John Hyland".Back with rave reviews !* ( From 1999-2008:Had adapted a real keen sense of style for writing poetry: ( 1999- Sent Editorial to:New Man Magazine for the Passion of Christ Movie;Sent followup letter to company with poetry platform information attached,* 2000-2007 : Magazine : ( Catholic) Maries Rose Ferron Magazine submitted poem" Beacon Of Light", which had excellent editorial reviews as the outset !2008- Wrote poem entitled: ( The Heavy Cross) to Poetry.com* Achieved Poetry status of work of Excellence in writing from the Academy Of American Poetry in which still having received rank and status as a member of Academy;* ( The Connecticut Poetry Society)* Short story submitted entitled, "China Dog Ray" submitted to Virginia WritersQuarterly, West Virginia, Also having member status on their board of Poetry.*


( Attribute Poetry to an ever increasing love of God and his unconditional love that he has for us in return,Thankfulness toward family and friends.( To our past ancestors who fought to uphold freedom that far too many of us take for granted ?One needs a pure heart that's fixed on truth,This is in order to withstand the true great test of time !Life is way too short,Press toward the goal or mark of our high calling that is in Christ Jesus The Lord !~My contempoarry artists include that of ellan Bryant Voight, Kay Ryan and carl Phillips.Which all three are Participants in the Academy Of American Poetry.* Having been a member since 2006,My work reflects the likes of past poets such as C.S.Lewis, Hawthorne and edgar Allen Poe.Most of my work reflects with the values of religious beliefs intact,( In my personal view it is essential in demonstrating a real heart of creativepassion !The reader I believe will benefit by my artistic style of development in a verypositive light.)To further the need for poetry to become more main stream,

Mario Vitale was born in Bristol , Ct Has developed a skill for writing poetry in the free verse form. has been featured on Hubpages.com, Starlitecafe.com & Poetry soup. Vitale lives with his elderly mother Ann Soulier in Wolcott, Ct. Currently has written well over 1,000 poems & 2 short story's toward credit platform.

Vitale has taken the poetic world by storm being featured on Google, Yahoo & MSN. Looks up to contemporaries in the poetry industry such as John Ashbery & Major Jackson.
Has been a favorite featured poet reader at Barnes & Noble in Waterbury, Ct.
Also featured on such sites as Poetry soup, Writer's café & Neo Poet.

Mario William Vitale
1 Winfield Drive
Wolcott, ct 06716

A Beacon Of Light
Written by: Mario Vitale
A beacon of light to a much hurting world in need !

Can't help but to claim..,

Some sense of identity,

Stregnth and encouragement only come from above !



Amidst in the distance, the trapped seagull..,

Lieth frightened but still yet adrift !
In a most vengeful fashion striking the passing fish,
A true source of hope,
Yet a most triumphal beam !

This beacon of light shineth forth,
Passerby's can err' escape the helping hand..,

To the most sparkling of radiance !


(2)Thanksgiving Dinner by Mario Vitale
Home for the holiday from New Orleans,
with Mother and Father at the tiny
drop leaf, brown rosewood, mahogany
table with the gold, grinning claw feet;
Father, choler- red-in the-face, short-
sleeved white shirt and cane, says the blessing
as Mother brings in the turkey and cranberry.
Then Mother asks, “Won’t you have more?” and father :
“Do you think Moll Flanders was a *****?”
(I have suffered and bleached my hair blond.)
I am silent before their replies.
Mother sighs. “I can scarce speak to her.”
And Father, too, quotes Shakespeare. (I am thin
as paper and the rose- colored bowl
of blown glass sitting on the silver stand,
half- filled with water.)
“How sharper than a serpent’s tooth it is
to have a thankless daughter”


(3)

Song of Spring
Today I heard a robin sing
heralding the coming spring
A song of exultation to the sky
an ode to earth's awakening

I saw a willow on the hill
It's branches greening in the sun
and all the earth seemed hushed & still
sleeping streams began to run

I heard a softly rising breeze
whispering through the grass
singing through the still bare trees
waiting winter's chill to pass

I saw the sun, so bright and warm
warming the earth after the rain
the buds and leaves, no frost to harm
at least, at last, it's spring again.

(4)

The Ancients
It's my last day with the old giants
In mourning I hike the lost trails,
sniffing the aroma of the bark,
that cinnamon of the forest
Under tepees of wood
in a membrane of shadows,
I stalk the earth, its mammal traces,
its elusive tracks,
to sit on a fallen log
where spiders macramé,
moss sloping to my knees
unaware of invisibles within,
grubbing in their tunnels
A lizard taps my foot,
responding, I muse to its touch,
my thoughts like Indian visions,
And when daylight mushrooms into night,
and an owl hoots from cedar,
I still sit with a lizard on my shoe
Huddled with the ancients of the woods


(5)

Epiphany
Written by: Mario Vitale
It clings to the cliffed shore,
to the wintered face of the thistle path,
to the fingers of the old man's glove
as he waves his memory homeward

In that breath between come and go
she moves up from the bay;
gold turns her stride,
the line of her dress,
the soft sea pulling at her feet

When he reaches out
and the frail birds fly
and the sun and the sky
have married deep into the sea, it clings

Even as his shadow threads retreat,
it clings, even now as it dissolves to mist


(6)

A Return Home, Only Time Will Tell
Written by: Mario Vitale
Oh blessed hope !

Both hardly a believable dream,
Sweltering heat with bloodshed in the street...
Send the troops home !
There is no clear reason for them to roam..,

These are desolate times !
For we have chosen ill faded rhymes..,
The casualties are enormous ?
For a stated cause that clearly atrocious..,

A mother's cry as the door chime rings,
A vanishing salute to freedom as the church choir sings !
Let us look above to all the heavenly love..,
Merciful one, take this chip off my shoulder..,

Stop the senseless fighting before our dear nation grows a bit colder,
Suddenly, seeds were dropped out of a farmers bag,
In time roots spring up fresh out of the fertile soil...
As the sun heats up,


Time will tell when this harvest will soon boil...
In the vast game of life,
One's time is so very brief !
The soul yearns for its' heavenly relief..,

Share with others who may want to turn over a brand new leaf..,

Time will tell of the true importance of helping one another,
To never give into the finish line..,
Nor harsh criticism that our society puts out !
Like a famous fighter in his final bout !

Time will tell of the return home,
To the open arms of a loved one !

(7)

A Valiant Knight
Written by: Mario Vitale
A Valiant Knight

Death springs a new day basking in the breeze
In solemn moments lets pause to think of a place
A far off castle in the mountains away from it all
A valiant knight lived in the structure of it's dwelling
Those days of old where mere men had a noble demise
A beautiful maiden was in waiting for her knight
He would often fight for the cause of stregnth and dignity
The draw bridge where the castle stood had a very unique aura
A mystery of sort sought up in the vast array of crowned nobility

For the king on his thrown was humble yet greedy
Always would take care of himself caring nothing for the needy
A valiant knight was concerned about the kings trust
Often they would disagree on who it was to serve
A joker came in front of the king one day with a magic wand
Waving the wand in the air then there floated ivy everywhere
For the court jester was a fool in the making of his legacy
The maiden would often come forth and see

For she treasured a red rose that was plucked sometime before
Cherished the calling of her stature to the glory of the throne
A valiant knight would often sing sweet songs in the night
Had a following of village people that would sit before his feet
Having a way of words that he would often share
The castle was filled with dragons and warlocks searching for love
A cause to be brave amidst uncertainty of the kingdom
The legacy of golden capulets filled ardent vestibules
Let us toast to the valiant knight who keeps a watch on all that is good


(8)
Hampton Beach

The smell of fresh fry doe
Time had elapsed playing at the casino
Fresh lobster with a side order of fries
Those spacious wonderful sky's
Down at the shell the continental were playing
A walk by the lady of a statue in waiting
Flip flops and the sound of laughter
A playground for kids in the middle
The boardwalk with seagulls flocking over head
Fire works in the midnight air with a cheer


(9)

God's World
It is raining again.
Summer will be over before it ever gets here
Thunder rolls far away, drops
hit the windshield, the sky turns gray

The Sunflower, the blue
Delpinium, the white
Stinkwood drink the moisture
greedily. The green and silver

leaves of the Aspens sparkle as the rain hits them, and the
wind turns them round and round
The creek flows on, oblivious to
the change in the weather.

A break in the clouds allows a bit of sun to hit the side of a
towering mountain
Three cows slowly wend their way homeward. It is dusk.
The gray clouds lift and the sun bursts through,

before sliding behind the hills for the night
It is God's World. He gives it to us to enjoy and to share with each other


(10)

Jake's House
There was a man whose name was Jake
Who had a house upon the lake
Every morning he would wake
And for breakfast have a piece of cake

He had a private fishing hole;
He always used a long cane pole
He fried his fish on red hot coal
And served it in a great big bowl

For a pet, he had a cat


(11)

In The Zone
Written by: Mario Vitale
In The Zone

whispers...
through the dark deranged portals you evoke fear
filled with angelic fervor on it's textual base
yet we dig much deep then ever before

cries in the dark will light the spark of what we need to know
still we stand idle as the average novice introduces its spell
along again then the sadness evokes a newer feeling
dwindling through the vain extraction of the never world

we visually see a flash then a new day approaches
on the lawn two lovers having passionate ***
the screams of vile extreme explodes throughout
perhaps this is the place where Nero tread

yet again I sit alone in my house now huddled in the corner
the twilight sun has tainted my inner vision
the howls of Satanic laughter gives a piercing shriek through
a candle was lit by the edge of my bed

One can remain lax in the quietness of the moment
yet again the setting of the sun
a new day has begun as we embark on the moment
Does death hurt you the most or is it fear

You can equate logic through a firm grasp of the hand
whispers again...
then a faint cry,
we construct living pyramids to honor the dead

A stroke of luck an the impulse ensues
onto so much more but for what
are we grasping for straws what are we searching for ?
quietness again this time I'm in the zone

as if zombie creatures with viscous long fangs that bite
dripping blood off side we run away to hide
no one questions anymore no one has a voice
alone one last time yet feelings of grandeur awake

to the message of hope that spills from the sky
a challenge to be free is a question of time
eyes with spots digging holes in a pool of blood
Satan laughing again spreads his wings

Suddenly I awake but to what ?


(12)

An End Of The Age Of Innocence Part III
Written by: Mario Vitale
In our fast paced twentieth century world..,

We oft' have neglected to stop to smell the roses,
Oft' we used to bow our heads silently to pray,
As we reflect back to the sixties is had launched a pad to rebellion !
With a vast amount of liberal bias and thinking,

No wonder why our nation is sinking..,

Sinking amidst a cuss pool of mere morality..,
For now it is a quite different time,
A very unique but different type of day..,
An end of the age of innocence,

One hath been enlightened..,

From seeking truth,
Some fresh out of a garbage can..,
Yet for Gods' sake,
He hath such an amazing plan !

Hence, to shun the broad road,

Yet to seek to venture in the narrow..,
Such as a distant bird in flight !
You might see this creature venture out at night ?
Of the Eagle nor the Sparrow..,

It used to mean something to have a sense of common courteous..,
To hold open the door for your neighbor ?
Yet for the time being we relent and waiver..,
Would you prefer another taste of a certain ice cream flavor ?

To ponder we must be content with who we are in the inside..,

Nor, a mere fancy suit or blazing sport's car,
Life is a roller coaster..,
In what you do while busy making other plans..,
Finding solace among the height of nature.,

Such to think at what is quite simple,
As a young child reflects on his or her poster board,
Playing with their magic crayons..,
For in eternity it is such a very long time !

Take heed in what you do,

Now is the expectant hour !
What will one choose to do ?
There can be no place nor need for any compromise,
Within it's vast perpetual spectrum !

One just can't put a price tag on a genuine but unique heart !

Hence, with honest integrity..,
The time for change is today !

(13)

He Was There
by Mario William Vitale

From the inner silence of the lamb he was there
In welcoming to the world to share
Within the multiple of words the mouth speaks
As a heart beats through the passage of time
To every poem that was ever written
To every burden ever lifted
To rivers crossing where people living
Sometimes loving other moments giving
In storms that were outside brewing
What is the significance of this love
In painted pictures from above
To every soldier in a battle
To every cow amidst the cattle
Not a second glance at any real romance
A field of dreams throughout our head
From both fire and ice will make you think twice
Perhaps another chance at a roll of the dice
When every kingdom comes thy will be done
Shadows in the shining morn if there's a rose it bears a thorn,
He was there in every circumstance
When they tried to throw stones at her
He was there drawing a line with his finger in the sand
It is my hope that some day all will understand
A glance at the past will tell us of our future
Amidst the inner pain & uncertainty
Through shadows in a field of dreams
In moments of solace amidst the pain
A light moved out upon the street outside
A day that wasn't meant to be
Thorn crown was pulled upon his head
Those shouts of intense anger from the mob
There was only one who would help him back on his feet,
A light that brought only a few to greet
Let us not run away & hide
Each one of our sins was placed on that cross
To lose the battle now would end in tragic loss
Father please forgive them for they know not what they do
He said the prayer now the rest is up to you
That cross that broke a sinful world apart
With his blood-soaked crown with spear in side
To show the whole world he had nothing to hide
The summoned cry brought about healing in the sky
Watch the free angelic dove fly!



(14)

Momma Of Pearls
by Mario William Vitale

Since there's nothing I could find
That was worth giving you,
I sat down to think a while
And write a line or two
If I had a magic wand
I'd wave it just for you,
And give you anything you'd like
No matter how many or few
If I could give you back the years
You so willingly gave to me
I'm sure that you spend them over again
The same as they used to be
Remember when those days and nights
Instead of going to the fair
I'd always say tell me again
The story of the three little bears
I tried to get a strawberry pie
But they were out of season
Then I thought of gold
Pierre Ray Mar 2012
Horrid and morbid, bitter, glittered and littered memories! Automotives, adaptive captives, movies, motives, Natives, locomotives, obsessive and possessive. Some awesome, brilliant, different, ignorant, persistent and resilient. ****** and exotic! Some memories are eccentric, fantastic, futuristic, magic, logistic, optimistic,

plastic, realistic, tragic or sadistic. Some random sizes with hidden prizes! Blameful, gainful, lameful and painful. Dreary destinies, diaries, inquires, weary rivalries, stories and theories in memory.
In theory, memories made from cheers and fears, jeers and tears!
Of amends, amens, omens, gems, hymns and stems. Memories

abbreviated and dedicated, deviated and medicated! Memories cased,
edited and erased. Evangelically, eventually everyone inherits! They’re like tiny merits! They spike the psych. They strike and are unlike. Memories of bites, defects, dislikes, effects, fights, flights, insects, logics, neglects, objects, plight, projects, protests, recollects, reflects

rejects, respects and suspects. Memories of fate and hate! Some are not great. Memories of schemes, screams or themes of dreams that seem. Memories of small, memories of tall! Memories in despise, memories
of lies. Memories of wise; beyond the skies, as I close my eyes…
There is magic
In each snowflake
I don't know how or why
But I know
There is magic
In each snowflake
That falls in the night sky

Night snowflakes
Make lights brighter
Night snowflakes
Are more crisp
Night snowflakes
Have more magic
Night snowflakes
Are a wisp...

There is magic
In each snowfall
But, more so
Snow at night
For it's magic
From night snowfalls
That help with
Santa's magic flight

Night snow
Shines like silver
Night snow
reflects more
Night snow
Holds the magic
Night snow
Hear it roar

There is magic in each snowflake
You can't see till you believe
There is magic in each snowflake
Just wait...until Christmas Eve.....
The light pollution
from the lives of little people
in the big city
reflects off the lowriding clouds,
the same way my knees reflect
in the little puddles
from the big rains.

It hurts my eyes to look up
without sunglasses,
hurts my lips to think of tasting
the subway oil that
drip
drip
drips

I speculate at the transformers,
part automatic, part people
in their pre-ripped jeans,
learning to get their Ns
to drive themselves away,
yarn trailing from their sweaters
like parade float streamers.

Citizens run so fast
to catch the early train home,
freefalling down the stairs  
breathing in the exhales
of the other racer’s exhaust.
Marking their triumphs
with participation ribbons.

The pacific pants at toes,
a puppy that only occasionally misbehaves.
Impatient for attention,
waves wagging back and forth,
up the imitation river,
past the downtown.
Kicking the sea wall with it's gravity boots.


The geese are on hiatus
until they can take back the city.
Making the drains overflow,
creating their own habitat,
they’ll strut their haughty markings,
distinguished from orcas,
away from any saline nonsense.

Were we to retrain the population
to turn blind eyes,
we’d be much more efficient,
stop wasting time contending
to society’s obsession
with documenting itself.
But then, what would we do all day?

Creating light pollution
must give immediate gratification.
Once all the lights are turned off,
the influence won’t continue,
creating a lack of permanence,
making our need to be remembered
seem trivial indeed.
Raven Jan 2019
"Do you have a lighter? Am I dancing **** yet? Are you watching me because I move alone?"
Well, look a little harder, because as glass reflects on me I reflect back revealing the other side of me.
Two-sided.
She dances with ease.
Do you feel the pain because it's pain that I unleash.
I am the inner workings of your mutability.
I switch up as I am never at true peace.
Look at me, watch me...
Feed on me as I feed onto you.
The perplexities of my intentions are at it's core when I move.
Lost, but just a crazy ***** with the master ability to play with your mind baby.
Do you see it?
I do.
And she's nasty.
Taste her, lick her, **** her.
She's the dark side of me and she's waiting to play.
Tear me up like I'm your doll and grasp onto my insides like the strings have been attached so the grip cannot lose itself in your sins of your sinful embellishment.
Dress me up, move me.
You are my puppet and I only want to tease your mind.
**** me like a twist of your mad insanity.
Play with me.
Taste me, and watch me because, I move alone.
The ocean reflects the scenery of the sky,
But the sky does not reflect the ocean.
The ocean and sky never touch ,  
But…
The ocean still holds the reflection of the sky.
And when night time comes the ocean still reflects the sky.
Forever faithful to the sky.
The ocean tries its best to reach for the sky with its waves,
But the sky just sits there with no effort.
The ocean is so still at night,
in solitude when it realizes the sky is so far for a reason .
But when the sun rises again the ocean tries even harder.
Why does the ocean try to touch the sky knowing it is impossible ?
When people love something strong enough they will try their best to be with them. But you always want what you cannot have.
judy smith Aug 2015
Summer Finn is the charming, elusive love interest of protagonist Tom Hansen in 500 Days of Summer. From her playful personality to her cutesy hair ribbons, actress Zooey Deschanel's 500 Days of Summer style is irresistible. IMO, the overall look of her character is not a far cry from Jess Day's style (the leading lady of New Girl, also played by Deschanel). However, Jess' style is on the kooky side of whimsical while Summer's errs on the feminine side.

Summer's style could be described as girly, quirky, and ethereal. The ethereal factor probably has more to do with her attitude and personality, as she tends to keep Joseph Gordon-Levitt's character Tom at arm's length. (I know, who in their right mind would do that?)

The baby blue clothing that she wears throughout the movie also reflects this sentiment, since blue is regularly associated with sadness. It is almost as though Tom knows subconsciously that his relationship with Summer will not end well. This makes perfect sense in filmography terms because the movie is shot in a non-linear narrative. Right at the start, the narrator even informs the audience, "This is a story of boy meets girl but you should know up front, this is not a love story."

So here's how to channel Summer Finn's charmingly tempting style, because looking like a modern day femme fatale is one of my personal favorite things.

1. The Summery Tea Dress

Channel Summer's vintage style of decades past by with a lovely, feminine tea dress. Summer's has cute, capped sleeves, a magical swirly pattern, and it appears semi-sheer (adding a touch of naughtiness to her outfit). Whichever style you choose, make it a modest length with flirty details, whether that be sheer material or cheeky cut outs.

With its sheer sleeves, cutesy Peter Pan collar, and adorable buttons, this darling pale blue dress is just the ticket and is available in sizes S to 4X.

2. The Cat Eye Makeup

Cat-eye makeup gives off a vintage vibe while also adding a sassy feel to your beauty look. To tone down the sass and keep it less Catwoman and more Brigitte Bardot, keep the rest of your look super natural. Think dewy skin and rosy cheeks.

This vegan eyeliner has a super thin brush so you can create your cat-eye flick with ease. If you're feeling funky, you can even pick an alternative color such as white or purple to really make a statement.

3. The Alternative Workwear

Summer proves that workwear needn't be boring. Put a youthful spin on the classic, white shirt by wearing a sleeveless style and pairing it with high-waisted, tailored trousers.

This classic white shirt is a style steal and can be paired with a multitude of garments. It'll make choosing your work outfit much easier when you're bleary eyed and you've not yet had your morning coffee.If you wish to wear a more feminine style and channel Summer's gleefully girlish side, then why not wear a mini dress? As long as it's tailored in some way (like Summer's stiff short sleeves) and sports a formal flourish (like the lace hemline of her dress) then you should totally be able to get away with wearing it for work. If in doubt, throw on a blazer. Blazers make any outfit look formal.

This pencil skirt dress with its stripe detailing and capped sleeves is sure to have you looking like the best dressed in the office.

4. Up Your Hair Accessory Game

Ms. Finn is often seen sporting some kind of adorable hair accessory. She changes it up from powder blue ribbons to strappy, modern headbands to suit her different ensembles. A ribbon worn as a bow in your hair has connotations of Sandy from Grease and in turn adds a youthful naivety to your outfit.

If you're short for time on a morning, throw your hair into a high ponytail and clip this cute bow into your barnet for instant vintage vibes.

A strappy headband is nostalgic of retro Alice bands. However, the straps keep it modern and elegant. IMO, Summer has nailed hair accessories. She wears the pretty bow in her free time and the grown up headband at the office.

I could totally imagine Summer wearing this simple yet feminine headband. Plus, the pearl design will add an air of sophistication to your outfit, helping you to appear oh so ladylike and mature.

5. The Off-The-Shoulder Chiffon Dress

Seen in a completely different look, Ms. Finn looks stunning in an off-the-shoulder chiffon gown that juxtaposes hilariously with the "*****" game she plays with Tom. To me, the décolletage is one of the most sensual parts of a woman's body and exposing it can sometimes feel sexier than showing off your cleavage or wearing a tight dress. The addition of the chiffon plays on Summer's ethereal, magical side and she reminds me of A Midsummer Night's Dream characters. The key to this look is picking a flowing, fairy-like gown.

read more:www.marieaustralia.com/cocktail-dresses

www.marieaustralia.com/short-formal-dresses
Viji Vishwanath Dec 2019
What a beautiful thing it is !
A Canvas that speaks a lot
Wow ! an artist’s soul
That try to speak a lot
From the window of canvas
To the doors of sky
Till the depth of ocean
In the romancing moonlight
And spreading its vastness
As the fragrance
Of night blooms
Until the sunrise
Again from morning dews
To chirping birds
Snowy mountains
To windy breeze
A moving cloud
And even from rain to rainbow
All is possible
With the tip of a brush
Is a marvellous thing
That depicts an artist’s heart

An art is a creation
Of an artist
Which is made
In different colours
With different paints
And in different shades
But all in one canvas
Makes an effective painting
Which can never die
As an artist’s soul
That is lightning forever
As a magical lantern

Some paintings speaks a lot
Like stories to us
When it starts speaking
The whole image depicts
It’s originality
As an original photo
Of some place
And that really can lost us
Somewhere as in the canvas

Even eyes of a portrait
Speaks a lot
When we stare in that eyes
It seems as the person is gazing
As a living person is standing in front of us
Which feels like a real photo
And it really makes
An unbelievable painting
Which is like giving life
To the non living thing
Within the canvas
By an artist
Or like a flower bloomed
In the hands of an artist

Canvas that speaks a lot
Really shows true heart
Of an artist’s creation
A beautiful creation
By ones own hands
Mesmerise all of us
With no time
Like an original picture
Taken with a camera
Of high resolution
Is something to adore
With the hearts of love

Canvas that speaks a lot
Is a graceful creation
That makes us wonder
Which is a miracle
In hands of an artist
That remains its effect
For life time
And that make
An artist
Different from others

Canvas that speaks a lot
Is a creation of art
When an artist starts
To move his hand on canvas
It starts to speak a lot
From the sincerity of love
To the beauty of a nature
Sparkling eyes of a human
And the depth of a sea
All that beautiful creation
Of Godly things
Is once more painted
With the help of an artist’s brush
Is something that speaks
For a lifetime
With thousands of words
In one image
Is an exemplary
Creation of humane
In a canvas

Canvas that speaks a lot
With voice of heart
Beats in every hearts
And in all eras

An artist is like a lantern
That lightens other lights
And a canvas is a mirror
Of an artist’s soul
That reflects the lights  
For lifetime
Which was once lit
By an artist
With a great deal
Who was owned
By an eloquent soul.
Dedicated to my loving father who was an artist is no more with us. I personally  lived and experienced the life of a canvas with hands of my father is something to adore more than in words. Memories and the paintings on canvas can never die as an artist’s soul.
Kimberly Clemens Nov 2013
A map guide clarifying the wrong place
Stoic expressions with implied purpose are no help
Busy streets bustling about this foreign land of no lights
High buildings sporting officiality block my view
Of the mountains and rivers now paved over by ideals of the future
A showcase of grey streets, walls, and skies; I am left hopeless.

No color, no contrast, just black and white: the architects are hopeless
All the intricate designs and patterns are of a different time and place
I cannot be trapped in the colorless cinema of the town; I search for a vibrant future
Native minds drear into the day, knowing not that they desperately need help
The neon lights and rain shower rainbows are not an element of the city's depressed view
It's as if the colorblind man blackened the city and closed his curtains to the light

The planes cannot find where to land because someone put out the runway lights
Auras only shine in black and white, the long since hopeful are now helplessly hopeless
I exhale my dissapointment towards the uninspired dead end view
And mournful rainbows melt out of the sky, defeated. Why did I come here in the first place?
Perhaps I am the prophecy, the ******, the angelic omen sent by God to help
Or perhaps that is conceited; one person alone cannot brighten this future.

No amount of psychic ability or math calculations could have predicted this future
Somebody shot down the angels, choked out all the lights
Malicious villains took over as citizens realized superman wasn't coming to help
Thus the people watched as the color drained out and faded away, oh, they are hopeless
Cacophonous chaos throws broken hearts, leaving shards all over the place
A kaleidoscope zoom reflects nothing but melancholy expressions into my view.

When was the last time the sunshine peeked through the window's view?
Did the sun burn out from uncertain predictions of the future?
I try to envision when only the bleakness of TV sets in the city were out of place
Because psychedelic intricacies ruled, shinning proud neon lights
But then the clouds greyed the sky once the colorblind man began to feel hopeless
His dimension of colors disagreed with the perception of others, shying him from help

Nobody could answer his message in a bottle, his SOS, his plea for help
So day after day darker walls constructed over his already restricted view
At points in our lives our faith finds nothing to battle the hopeless
But news of the blind man seeing purple mountains ignites faith in the future
Of the man of no color who painted the city grey and drained the neon lights
Because his color is not non-existent, but waiting to be found in his own secret place

So perhaps we can help transform this dystopia into a brighter future
We cannot let be a view that we know has the capability to glitter in the light
We will smolder the pollution cloud of hopeless energy and enlighten this place.
Nat Lipstadt Feb 2016
A Woman's Reflection on Her Reflection (Valence and Value)

one poem, written by two authors


~~~

Ever the analyst,
A mirror functions as surface to
Parse the fleeting constant
Of youth's beauty.

From genetic gift
Of symmetry and bone,
To technological tampering,
Until the equation is solved,
As experience and character
Models and maps the result.

The answer, a reflection,
Of individual valence and value

(written by S.D., a woman)

~~~

(written by N.L., a man)

unbidden and unannounced, a
"not fully formed poem,
but a simple reflection"
inbound missile arrives inbox,
armed with silent power,
the lethality of the
Holy Unexpected

the man reflects
on her mirror-on-the-wall's
fulsome reply,
parsing the words of a
woman's reflection,
while gazing on her own

every human's momentary glass notation,
but an instance of summation,
a human poem, whose editing,
unceasing

a comma here,
a period inserted,
an eye shadowed, an eyebrow tweezed,
a eye dark circle line added,
to tree-mark time's authorship

all  these
but a person's
excerpted extraction,
notarized,
then auto-erased and revised,
as out of date,  
instantaneously compromised

but,

it is upon  the conceptual,
valence and value,
more that the man reflects perpetual,
less on transitory morphing changes of
exterior mortality

while overlooking her
glassine realization from behind,
he concludes:

every reflection,
no matter how oft the snapshot,
the unfleeting constancy
of the combining of the

princes of principles,
valence and value

that he witnesses,
in the calming pool
of her eyes,
(those borrowed windows into her soul's well,)
so well reflect
her unchanging greater finery,

her character

this reflection,
metamorphosis transformed.
into a planetary permanency poem,
high placed in his the firmament
of their conjoined sky
Valence,
as used in psychology, especially in discussing emotions, means the intrinsic attractiveness (positive valence) of an event, object, or situation.

In chemistry, the valence or valency of an element is a measure of its combining power with other atoms when it forms chemical compounds or molecules.

you decide.

hers, two six sixteen,
his, two seven sixteen,
in the wee hours
She's a woman of integrity,
She recognises her beauty,
And her specialty.
Knowing she's not perfect,
She reflects before she can react,
She may not be every mans desire,
But that doesn't matter because its not something to require,
Love and total attention from one is enough,
Lots of times she laughs,
At times she even bluffs,
When life gets rough,
She gets tough,
She's a survivor,
Her familys reviver.
She's a woman,
A woman of integrity.
Tori Edwards May 2014
the snowflakes are falling
and slipping through frozen fingers
so don't cry ***
the summer'll be here soon

even if it seems
the roads are choking
under salt and ***** sand

Your love cascades down from
our purple velvet skies
While the whole world shimmers
and reflects the blue in your eyes

the snow can keep falling
until it covers our little English town
It's been falling all day long
but I don't mind because of your smile

everything is safe and sound
in our own little
Purple Velvet Wonderland
No matter how many times I edit this one, it never seems right to me.
Amitav Radiance May 2015
The flute yearns
for the lips to kiss
Dancing fingers
In rhythm
Nature’s tunes
Play hide n seek
Music of the soul
Reflects
celestial harmony
Amit Shroff Dec 2014
Lie beneath the galaxy in a cathedral silence,
Stay up till the moon dives behind the beige mountains.
Rest on your beast, let the valves take a break,
Treat yourself with a feast, its the only time in your fate.
Slithering into my sack I rest under the canvas,
How peaceful it is far away from all the ruckus.

The monk's prayers bid me with good luck,
I'm off riding in the sparse cold desert.
I stop with the view of a disputed lake,
Miles long the jade blue reflects the golden tops.
In refuge at a monastery, fuel is a luxury,
I'd give up everything for a piece of this little heaven.
Nat Lipstadt Feb 2019
being a poet is not planned

~for Gabriella Garcia~

~~

a sixteen old soul says she understands,
being a poet is not planned,
forcing an old mans re-collection of the first time,
he made love to a virginal white
papyrus with muscles trembling,
body bent, chest bursting a rockets red glaring,
eyes marking the sheets with salty drip spots

what possessed the wrist veins
to wrest a cheap ballpoint pen to transfuse pain,
in a semaphore of uncoded ink blotches,
what was he thinking

was he thinking?

that it was an ejection
that it was an *******
that it was a tribulation expiation
that it was a tribute explanation?

that it was an injection
that it was a circumspection inspection
that it was a circumscision surgery of emotional complexion
excising an infection with a written genuflection?

try, but no might, the first is subsumed
by the thousands that followed dutifully
though his one poem  flawless, expertly recalled,
it will always be the next,
and unplanned just like this one too

who anointed his brow, the hair and forehead,
with oil pure, dripping down onto, into his cut cain marker,
who is not answering a query relentless
is this his plan, his appointment,
is this his flawed excellence,
is this his imperfect penance perpetual?

knowing well and full
now

the unplanned is his plan,
it’s his faceted flaws
that refract his coloraturas


~~

upon this he reflects,
praying that
god protect the
young poets
from planning
____
https://hellopoetry.com/poem/2893127/unplanned
anotherdream Nov 2017
Candle candle, in the air,
Where is your flicker,
Where is your flare?

Candle candle, in the dark,
Do you believe with all your heart,
That you and your light will never part?

Candle candle, in the night,
Do you not scoff at the sight,
Of the darkness that surrounds you?

Candle candle, light so small,
Do you not have one single flaw?
Nothing to hide, it only reflects off the nearby wall.

Candle candle, why do you flicker?
Do you barely hold on and hinder,
While bearing the cold harsh winter?

Candle candle, of golden warmth,
Why is it so easy to love, to adore,
All you are that shines brightly on the floor?

Candle candle, flame of bright,
Why so humble and yet reach for heights,
No one admires or sees, for we all are blind?

Candle candle, why so faint?
You have endless beauty of flame,
And no match to light it, only pain.

Candle candle, in my dream,
Tell me, are the things I see,
Things of old or present reality?

Candle candle, in my head,
Is the flame of my heart,
The one fire I haven’t lit yet?

Candle candle, tell me now,
Where to give up, when, and how,
So I can leave the dark and shine bright.

Candle candle, show me how,
To light my spark and take a bow,
For the candle’s voice is a small sound.

Candle candle, on the wall,
Let me glide and let me fall,
This is my choice, it’s not your call.

Candle candle, why so hot?
Draw me close just for a shot,
To see what it would’ve brought?

Candle candle, pull me close,
Tell me all, I want to know,
So that you will never hit a low.



Candle candle, listen dear,
Life is too short for sadness or fear,
Regrets, pain, or makeup-filled tears.

Candle candle, I know it’s hard,
You were never warned you would get this scarred,
And put up with the things of the dark.

Candle candle, cherish what you have,
And never even try to look back,
There are only lost memories that take what you had.

Candle candle, you were thrown out,
Rejected with force and left with doubt,
Of your flame that still yearns to shout,

Candle candle, here I stand,
Take all of me, take all that I am.
It’s my turn to play in love’s final band.
Nigel Morgan Jan 2013
Gradually as darkness fell the wind that had beset the travellers all day subsided and the particular silence of the lakeside clearing assumed a presence. It was a silence of the discrete movements of animals and sporadic calls of birds, the settling now into stillness of trees wind-tossed for a night and day, the breathing to and fro movement of a large body of water that already held the night sky’s reflections and would soon be enveloped in moonlight. Zou Fen rose and beckoned Meng Ning to accompany her to the Emperor’s Hall. There, they stood together on the long veranda and looked down through the sporadic trees onto the lake.

‘It is said that the Master did not discuss anomalies, feats of strength, civil disorder, or the spirits,’ said Zuo Fen quoting Confucius. ‘It is for you and I to disregard sorcery as nothing but illusion and cunning. We must bend our thoughts to seeking explanations from circumstance.’

‘We know, my Lady, that Yang Mo had already seduced the Emperor and his guests with his many and infamous illusions. To achieve these feats of the miraculous would have required a sizable retinue and the most careful preparation. It is unlikely that the Emperor would have countenanced such sorcery in daylight hours, so we might imagine how with the play of lanterns, fire and smoke Yang Mo was able to make the impossible seem possible. Like the actor he undoubtedly was, he was probably a man of commanding presence - all eyes would have been upon his person, all ears tuned to his words. And round about the harsh clangorous sounds and shouts of his assistants would be sustained as his illusions began to unfold.’

‘Wisely spoken Meng Ning,’ says Zuo Fen, ‘a most convincing exposition. So we must imagine how after a long presentation of illusory wonders, the imbibing of much wine and other intoxigents inhaled or consumed, the first presage of dawn comes upon the company. Guests and their consorts seek the privacy of their quarters, lights are dimmed, only the meditative music of the zither sounds in the Emperor’s hall as new confections of poetry continue to vie with the ancient verses. Then, as the Emperor rises to seek his chamber there, half hidden amongst the wraiths of mist floating on the lake, lies a sailing vessel, its single sail empty of wind, a spectre at once marvelous and shocking.’

‘But an illusionary boat, possibly a vessel that could not and need not run with the wind, something constructed, a shell no more, made out of the lightest wood or taut cloth that in the blue dawn would seem more substantial than it is, fashioned and placed in position by Yang Mo’s assistants at a right distance to evoke the illusion of reality.’

‘The Emperor summons his court and its guests, summons Yang Mo, regarding this as a step taken beyond what protocol allows, a violation of the ancient spirit traditions of the lake. Yang Mo stands his ground suggesting that this is his greatest illusion yet, that there is no harm done, and should the Emperor decline to sail on the ****** waters he will take himself away from his presence boat and all.’

‘At this Xie Jui, the second wife, lets it be known that she regards with some contempt the prohibition of a vessel’s presence on the lake. She wishes passage on the boat and if the Emperor will not accompany her she will go alone with Yang Mo. At this the Emperor is incensed but challenges Yang Mo to explain how he will deliver Xie Jui to the vessel.’

‘This is where, My Lady, we will need to seek the Red Slate Path that, it is said, Yang Mo prepared to take himself and his passenger to the waiting boat - only to disappear from view in front of the very eyes of the assembly. Our task for tomorrow perhaps?  Jia Li can be our guide as she surely knows its location.’

And so, as the three quarter moon rises over Eryi-lou and the chamberlain takes his leave of the courtesan, Mei Lim appears from the near darkness to escort her mistress to the small chamber where they will pass the night. Zuo Fen remains in a trance-like state but allows the ministrations of her maid to prepare her for the business of sleep.
      Meanwhile Meng Ning, intoxicated by Zuo Fen’s presence, does not return to his quarters but takes the terrace steps down, down to the lakeshore. He allows his official skills as a poet to fashion an array of characters he will first commit to memory, only later write out in his fine calligraphic script, and then destroy. Whereas Zuo Fen commutes between dream and reality he has no such pleasure. This is a stark, cold place at autumn’s end. But this condition only seems to excite and fuel his passion for this woman, this gracious, mysterious woman with whom he has spent the recent hours in close proximity. Her face floats before his eyes; her precise lips and still perfect teeth, gentle chin and youthful neck, the beauty and grace of her bearing seated cross-legged like a sage before him.  He imagines for a brief moment her long nakedness revealed in the bright moonlight under which he now stands. Holding this momentary image close to his physical self he makes his way up the many terraces to the small wooden chamber in which he will sleep.
       Despite her journeying and the revelations of the day Zuo Fen lies awake. She is savouring a very different quality of the night in this remote place. For many years she has remained wakeful in the hours of the Rat and the Ox to welcome her Lord Wu should his goat cart find its way to her court. She would like to rise and reflect on the images that hold sleep from her – but fears to wake her maid without whose close attention she might falter. This natural world beyond her court and the Emperor’s gardens are of an almost constant wonder. She reflects that as she gets older each season seems to become more vivid than its predecessor. This autumn, with its vivid dreams and visions, she likens to flowers picked from her garden, their colours and textures continuing to hold true and firm. Between such thoughts the intimacy of her time with Meng Ning remind her of the delight of human association. Aside from her dear brother Zuo-Si she has rarely known that keen intimacy of another man - other than her Lord. Though she has, she reflects further, in the writing of The Pale Girl, allowed her mind to explore the variousness of the body’s pleasure. To school Meng Ning in the arts of passion would be pleasurable indeed, and she considers he would be a most willing and attentive student. She imagines, for a moment, guiding him towards the exacting refinements of touch and stroke a woman requires to achieve the deepest coitus. Her body stirs as this thought takes hold and caresses her towards necessary sleep.

(to be continued)
Elisabeth Sep 2018
A mirror reflects harsher words than I’ve ever heard,
Even if they’re slurred.

These words say they won’t grieve,
Won’t care if I leave.

I go after my veins looking to bleed
Maybe then I can be freed.

These voices continue to come in a flood-
Maybe I can escape with my blood.

I can hear them no matter how much I scream and shout
Maybe another sting will draw them out

Another sting and I’ll feel something else.
Maybe then I’ll feel my pulse.

Another sting and maybe it will mask the sting of my own words...

— The End —