"reed" poems
I must not gaze at them although
Your eyes are dawning day;
I must not watch you as you go
Your sun-illumined way;
I hear but I must never heed
The fascinating note,
Which, fluting like a river reed,
Comes from your trembing throat;
I must not see upon your face
Love's softly glowing spark;
For there's the barrier of race,
You're fair and I am dark.
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on a sea strand,
have you watched empty shells
mercilessly tossed from sea to shore
and from shore to sea?
often I shrink and reduce to such a shell,
with jagged and broken edges
colorless and empty
among many a debris cast on the shore,
i lie half buried under the sand
waiting for some mighty wave
to wash me away
all the way to the sea
how tedious is my voyage
shuttling from him to her
and from her to him
unable to openly confess
who weighs more
on the balance of preference
through how many alleys and by ways
I have wandered, questioning my identity!
am I a puffer fish, being toxic
the fisher men have discarded?
a jarring note in a discordant symphony?
I wonder....! I often ask myself!
destined to grow
in mercurial climes,
planted in arid shallow soil
with the tap root trimmed,
branches pruned,
growth denied,
I, a stunted bonsai!
still I dream to be a towering tree,
that in profusion gives fruits and shade!
a ****** aspiring to be a Goliath
a hollow reed,
longing at once to be the singer and the song!
Jul 27, 2018
Jul 27, 2018 at 9:41 AM UTC
Hear the bass, grace notes race all over the place
Cymbals paced, hi-hats chase, weaving between the bass
The piano - chords struck with wide spanned hands
Poly-rhythmic, multi-layered sounds in strands
The timbre of reed vibrating against warm metal
Precision; a sixth, a ninth and an eleventh interval
A major, a minor scale; a frantic modal sweat
A small sound for mankind; but a truly giant step
Each note slices through the eclectic beat-drop
Singing and whispering this post-modern be-bop
Multi-phonics scream, like controlled feedback
The seductive saxophone – this weapon of attack
The boundary is stretched, new ground broken
The holy saxophone has never thus spoken
And I pay homage, all my deepest respects
Go to the man who made those giant steps
Aug 22, 2011
Aug 22, 2011 at 9:25 AM UTC
How this **** fable instructs
And mocks! Here's the parody of that moral mousetrap
Set in the proverbs stitched on samplers
Approving chased girls who get them to a tree
And put on bark's nun-black
Habit which deflects
All amorous arrows. For to sheathe the ****** shape
In a scabbard of wood baffles pursuers,
Whether goat-thighed or god-haloed. Ever since that first Daphne
Switched her incomparable back
For a bay-tree hide, respect's
Twined to her hard limbs like ivy: the puritan lip
Cries: 'Celebrate Syrinx whose demurs
Won her the frog-colored skin, pale pith and watery
Bed of a reed. Look:
Pine-needle armor protects
Pitys from Pan's assault! And though age drop
Their leafy crowns, their fame soars,
Eclipsing Eva, Cleo and Helen of Troy:
For which of those would speak
For a fashion that constricts
White bodies in a wooden girdle, root to top
Unfaced, unformed, the nipple-flowers
Shrouded to suckle darkness? Only they
Who keep cool and holy make
A sanctum to attract
Green virgins, consecrating limb and lip
To chastity's service: like prophets, like preachers,
They descant on the serene and seraphic beauty
Of virgins for virginity's sake.'
Be certain some such pact's
Been struck to keep all glory in the grip
Of ugly spinsters and barren sirs
As you etch on the inner window of your eye
This ****** on her rack:
She, ripe and unplucked, 's
Lain splayed too long in the tortuous boughs: overripe
Now, dour-faced, her fingers
Stiff as twigs, her body woodenly
Askew, she'll ache and wake
Though doomsday bud. Neglect's
Given her lips that lemon-tasting droop:
Untongued, all beauty's bright juice sours.
Tree-twist will ape this gross anatomy
Till irony's bough break.
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Ripples riddle the mirror,
Below, faint shapes shift
Elegant forms float here and there,
Little legs thunder, leaving a gentle wake
in lieu of turmoil.
The air is thick, the sun falling,
Already lost behind billowing storm clouds
Etched chaotically on the horizon.
Invisible but for the ubiquitous light.
It is the dragonflies time,
A darting zip and an effortless flutter.
From surfacing **** to towering Reed,
Searching for something we can only pretend to know.
Determined housewives, faces set,
Arms pumping and hips swaying
Their Anatidean waddle so fitting
Their quacks, a wall of stereo.
A lone rusted sign warns of gators,
but of signs, there is that one alone.
No rogue bubbles or beady eyes,
no ticking of swallowed clocks,
no suspicious splashes.
nothing.
My battery is now as low as the sun,
and my pen is as empty.
A not so subtle poke in the ribs
from a universe in protest of the
bad poetry being inked.
c'est la vie
or as we say in English
**** it
Aug 2, 2018
Aug 2, 2018 at 10:47 AM UTC
We had come to see him, the aging Tenor sing.
He was as good as he had always been.
But half way through, a woman appeared,
Moving gracefully in bare feet upon the stage.
Entering the ring of bright spot light near him.
Long blond hair, falling loose around her neck,
Held back both sides by Turtle Shell combs,
Reflecting the light.
Adorned in but a simple, low cut black dress,
Her with a face beautiful as a new spring day.
Held in her left hand an ebony hued violin,
Touched fondly, like a well accustomed old friend.
Her right hand holding a bow, ready and waiting.
The Tenor’s and her eyes met and conveyed a message
Only they understood. Then starting slow and low,
The full Orchestra commenced. The woman in black
Brought instrument up to her chin, lovingly resting
her face upon it, as if comforted by it's touch to skin.
The fetching violinist, like a graceful reed,
In summer breeze, began to gently sway,
Laid Bow to strings and a transcended beauty,
The voice of both her Instrument and from within she,
Emerged through her fingers, completely filling the hall.
With eyes closed, the slight movements of expression
On her face registering the feelings the musical notes made,
As if those gestures too, guided the bow's musical cords.
Slender precise fingers lovingly caressing the strings.
For nearly a minute, she and her violin played alone.
Her actions of body, hands and head in concert,
To her music, unavoidably hypnotic it could be said.
The Tenor started to sing, and yet my eyes stayed
Locked on her, as if no one else in the room was there.
The blond woman in the black dress owned the stage.
I have no idea how long that piece of music lasted,
I could not attest to what contribution the Tenor made.
Fully my attention and eventually my heart belonged
To that lovely, evocative young woman in the backless,
Little black dress.
It’s true that I may never see or hear her play again,
I know not, even her name.
And yet, I’m sure that I will never forget those
Few minutes mesmerized by her magical spell.
Hopelessly caught in her enchanting web.
With me sitting, third row, isle seat left,
Worshiping as I did, at her so pretty,
Slightly ***** naked feet, the striking
Blond woman in the black dress.
Nov 6, 2013
Nov 6, 2013 at 4:01 PM UTC
This...
The shaking of a reed
The movement of the water
The flicking of a flame.
This...
The crying of a child
The weariness of the labourer
The burning skin from the sun.
This...
The racking pain of guilt
The salty tears of loneliness
The swan song of past glories.
This...
The masks of complacency
The contracts of acceptance
The closing of the mind.
This...
The continuing saga
The words that fill the pages
The lot in life we all share.
Sep 9, 2025
Sep 9, 2025 at 8:57 AM UTC
Hello swans with your brown signets
On the near edges where the weeds blend
And the green meets the trusted stoney bed
You frighten a little with those huge wings
The strength to **** if fear struck an orange eye.
The ducks and drakes trailing fluffy ducklings
So linger daring the hands of bread and biscuits
A continuity of return until fat and bloated, stop.
Their tail feathers sharing a twitching line march
As they swim back to the safety of the reed beds.
Love Mary
Jun 15, 2018
Jun 15, 2018 at 10:27 AM UTC
Sara L Russell 11/11/2015, 01:45am
I wanted to end writer's block.
So I got on my magic carpet and said "Take me to India."
It took off at fantastic speed.
Clouds flew past like frantic ghosts.
I thought I saw Lord Ganesh
smoking a hookah by the Taj Mahal.
The sparkling waters of the Ganges soon came into view.
I dismounted the magic carpet and waded out
in my long chiffon dress, into the cool water.
Candles shaped like lotus flowers drifted idly by.
Suddenly I caught my toes on a reed and was falling,
falling, falling...
the magic carpet flew away.
Woke up in ****** Carpet Right.
Nov 11, 2015
Nov 11, 2015 at 7:41 AM UTC
Laced with ribbons of moonlight
Bangladesh a touched dream at first light.
Land of my father, my mother
sweeter than nectar.
Purer than the driven snow
brighter than raw gold.
Gazing stars’ bumped up bottom
down the untouched moon.
Men and the six seasons
living in one loving fold
our one fertile sweet home!
O Allah rank our martyrs our heroes
up high in paradise in bloom
brought Bangladesh freedom abloom!
Punters cumulus clouds fly
eyes on the sky blue
on a spur hanging low tune into wild coo.
Picture independent Bangladesh
step in on the morning rug
rolls out outside the sun
walk through, the moon is inside!
Bask in, take your time
when the twilight adds a shadow
the beauty spot on your broad daylight
escape to more serendipitous discovery.
Eye on the stars or tuberoses on the ground
our free land is inspiring, beautiful even in the dark.
Laughs free from a tulip glass
across the land, air and the water
upon the reed flute stirred river
flowing downstream to the hilt
from a deep-delved foundation out of reach
her raised high flag flies
over the pivotal banyan trees.
Every flap of our ‘the sun in the green’ shaped flag,
the light of heaven on the evergreen earth!
Ah, sways in the chalice of every flower
on the land cheers beyond the warm South
whispers to our hearts and makes us feel proud.
Mar 1, 2022
Mar 1, 2022 at 10:14 PM UTC
There's a black cat
walking flat,
his back feet
dipped in
marshmallow droppings.
His tail flicks
like a reed in the swamp,
and he can't
help but run through legs
swiftly
hopping on furniture
daintily
belly all soft and white.
Silent is he,
catching the almost-full moon
in his bright whiskers.
Padded paws,
a black tail snaking
twitching as he
squeezes to rest
in tight spaces
wide eyes as green as
a kiwi fruit
with the seeds cut out.
He bats his toy freely,
ears up then
hears a rustle
at the screen door
and sits
transfixed
but only
for a moment.
Jan 20, 2017
Jan 20, 2017 at 12:52 PM UTC
i wish i was a fish swimming in a brook
swimming in the river and every little nook
in and out of reed having lots of fun
coming up for air basking in the sun
hiding under rocks from the fishermen
wait until there gone then come out again
swimming with the flow as it goes down stream
swimming past the roach and the golden bream
i would be so happy just to be a fish and hope i dont get caught
would be my only wish.
Apr 23, 2014
Apr 23, 2014 at 12:56 PM UTC
grandma did steer the family ship
she always liked to be in command
those who questioned her stewardship
were quickly given a reprimand
her seven children always paid heed
to the orders she'd issue out
they were under her unbending reed
her edicts to them ever so stout
throughout her life she got her way
her dictates were well known to all
nothing but nothing was like her sway
everyone heard what she'd call
though she was a woman of authority
family members respected her stewardship
she had a steady hand like the admiralty
who so effectively steered the ship
Oct 28, 2013
Oct 28, 2013 at 7:44 AM UTC
I am not a poet.
I am only a wanderer in the marketplace of words,
a fool who follows the glimmer of syllables
as others follow the scent of bread.
Poetry is not ink on paper.
It is the pulse beneath the page
a breath moving through the hollow reed of the poet,
a secret that leans close to the ear of the heart.
When I meet a poem, I bow.
I circle it once,
then twice,
then again,
as though it were a shrine whose mystery
can never be entered in a single step.
Each reading strips away a veil.
Sometimes the veil is my own blindness,
sometimes the poet’s mercy in hiding the flame
until I am ready.
There are nights I leap from sleep crying, I have it!
and mornings when the truth laughs,
gently reminding me:
Child, that was only the shadow of the meaning
come back, and drink deeper.
Poetry is a journey without map or return.
It is the caravan of joy
that passes through my heart again and again.
Aug 7, 2025
Aug 7, 2025 at 8:53 PM UTC
What was he doing, the great god Pan,
Down in the reeds by the river?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.
He tore out a reed, the great god Pan,
From the deep cool bed of the river:
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.
High on the shore sat the great god Pan,
While turbidly flowed the river;
And hacked and hewed as a great god can,
With his hard bleak steel at the patient reed,
Till there was not a sign of the leaf indeed
To prove it fresh from the river.
He cut it short, did the great god Pan,
(How tall it stood in the river!)
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notched the poor dry empty thing
In holes, as he sat by the river.
“This is the way,” laughed the great god Pan,
(Laughed while he sat by the river)
“The only way, since gods began
To make sweet music, they could succeed.”
Then, dropping his mouth to a hole in the reed,
He blew in power by the river.
Sweet, sweet, sweet, O Pan!
Piercing sweet by the river!
Blinding sweet, O great god Pan!
The sun on the hill forgot to die,
And the lilies revived, and the dragon-fly
Came back to dream on the river.
Yet half a beast is the great god Pan,
To laugh as he sits by the river,
Making a poet out of a man:
The true gods sigh for the cost and pain—
For the reed which grows nevermore again
As a reed with the reeds in the river.
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{Fergus.} This whole day have I followed in the rocks,
And you have changed and flowed from shape to
shape,
First as a raven on whose ancient wings
Scarcely a feather lingered, then you seemed
A weasel moving on from stone to stone,
And now at last you wear a human shape,
A thin grey man half lost in gathering night.
{Druid.} What would you, king of the proud Red Branch
kings?
{Fergus.} This would I Say, most wise of living souls:
Young subtle Conchubar sat close by me
When I gave judgment, and his words were wise,
And what to me was burden without end,
To him seemed easy, So I laid the crown
Upon his head to cast away my sorrow.
{Druid.} What would you, king of the proud Red Branch
kings?
{Fergus.} A king and proud! and that is my despair.
I feast amid my people on the hill,
And pace the woods, and drive my chariot-wheels
In the white border of the murmuring sea;
And still I feel the crown upon my head
{Druid.} What would you, Fergus?
{Fergus.} Be no more a king
But learn the dreaming wisdom that is yours.
{Druid.} Look on my thin grey hair and hollow cheeks
And on these hands that may not lift the sword,
This body trembling like a wind-blown reed.
No woman's loved me, no man sought my help.
{Fergus.} A king is but a foolish labourer
Who wastes his blood to be another's dream.
{Druid.} Take, if you must, this little bag of dreams;
Unloose the cord, and they will wrap you round.
{Fergus.} I See my life go drifting like a river
From change to change; I have been many things --
A green drop in the surge, a gleam of light
Upon a sword, a fir-tree on a hill,
An old slave grinding at a heavy quern,
A king sitting upon a chair of gold --
And all these things were wonderful and great;
But now I have grown nothing, knowing all.
Ah! Druid, Druid, how great webs of sorrow
Lay hidden in the small slate-coloured thing!
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There's a hidden sweetness in the stomach's
emptiness.
We are lutes. No more, no less.
If the soundbox is stuffed full, there is no room
for music.
If the brain and the belly are burning clean with
fasting,
Every moment a new song comes out of the fire.
The fog clears, and new energy makes you run up the
steps before you.
Be emptier and cry like reed instruments cry.
Emptier—write secrets with the reed pen.
When you're full of food and drink, an ugly metal
statue sits where your spirit should.
When you fast, good habits gather like friends who
wish to help.
Fasting is Solomon's ring.
Don't give it to some illusion and lose your power.
But even if you have, if you've lost all will and
control,
They come back when you fast,
Like soldiers appearing out of the ground, pennants
flying above them.
A table descends to your tents, Jesus' table.
Expect to see, when you fast, this table spread with
other food,
better than the broth of cabbages.
~Jalal ad-Din Rumi
Feb 28, 2017
Feb 28, 2017 at 11:40 PM UTC
I
I learnt this week
that time and distance
can be friends to memory
their respective lengths
only wet and sharpen
the edge of love
but for us dear friend
we hold hard to hope
that we may
one day soon
share the present
and live each moment
in each other's heart.
II
Hearing you on Holkham beach
- whose soul is greater than the ocean
whose spirit stronger than the sea -
did I doubt for a moment
that you, though buffeted
by a cold east wind
would never age for me,
nor fade, nor die.
Nor you for me (she said)
Goodbye, my love,
a thousand times goodbye.
Write me well (she said)
and turned and ran.
III
The Reedham ferry was but a river's width
and yet I stood at the water's brink
and watched the reeds quiver in the wind,
watched the rain splatter on the puddled path.
All around to the human eye
this valley, a plain of grassland
broken only by reed-fringed pools,
was a gentle, unpeopled, easy place.
The absence of relief left
no fixed frame of reference.
Places apart from one another
would concertina and merge.
Tempted to cross I waved a no
to the ferryman in his quayside hut
then turned and walked quickly
back down the long, low road.
Jan 11, 2014
Jan 11, 2014 at 6:29 PM UTC
1100
The last Night that She lived
It was a Common Night
Except the Dying—this to Us
Made Nature different
We noticed smallest things—
Things overlooked before
By this great light upon our Minds
Italicized—as ’twere.
As We went out and in
Between Her final Room
And Rooms where Those to be alive
Tomorrow were, a Blame
That Others could exist
While She must finish quite
A Jealousy for Her arose
So nearly infinite—
We waited while She passed—
It was a narrow time—
Too jostled were Our Souls to speak
At length the notice came.
She mentioned, and forgot—
Then lightly as a Reed
Bent to the Water, struggled scarce—
Consented, and was dead—
And We—We placed the Hair—
And drew the Head *****
And then an awful leisure was
Belief to regulate—
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Fear no more the heat o’ the sun,
Nor the furious winter’s rages;
Thou thy worldly task hast done,
Home art gone, and ta’en thy wages:
Golden lads and girls all must,
As chimney-sweepers, come to dust.
Fear no more the frown o’ the great,
Thou art past the tyrant’s stroke;
Care no more to clothe and eat;
To thee the reed is as the oak:
The sceptre, learning, physic, must
All follow this, and come to dust.
Fear no more the lightning-flash,
Nor the all-dreaded thunder-stone;
Fear not slander, censure rash;
Thou hast finish’d joy and moan:
All lovers young, all lovers must
Consign to thee, and come to dust.
No exorciser harm thee!
Nor no witchcraft charm thee!
Ghost unlaid forbear thee!
Nothing ill come near thee!
Quiet consummation have;
And renownèd be thy grave!
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As I let my mind wander into time, and release these binds that have me confined, I began to feel a great energy, like the sun had been compressed and put into me, and as time tic tocs and unwinds into its trail of infinity. I realize a trinity mind body soul, they burn as a whole, for the mightiest of goals. and as time unwinds it'll leave you behind. unless you get your spot in, a line of legacys never to be forgotten
Confucius, Isaac Newton, Albert Einstein, Martin Luther King Jr, George Washington, Ernesto ‘Che’ Guevara, Nelson Mendala, Mohandas Karamchand Gandhi, Steve Jobs, Stephen Hawkins, Leonardo Da Vinci, Wolfgang Amedeus Mozart, nikola tesla, Wael Ghonim, Jimi Hendrix, Joseph Stiglitz, Reed Hastings, François Rabelais, Archimedes, Sigmund Frued, Charles Darwin, Aryabhata, Bob Marley, Garrett Morgan, George Washington Carver, Aristotle, John Locke, Johann Wolfgang von Goethe, Plato, Galileo Galilei...and many many more...
Stand for something. Think outside the box. Evolve and express yourself. Make a difference #STEM #LegacyToIfinity
Nov 28, 2014
Nov 28, 2014 at 5:31 PM UTC
THE KNIGHT IN THE PANTHER’S SKIN
***** Rustaveli (c. 1160-1250), often called simply Rustaveli, was a Georgian poet who is generally considered to be the preeminent poet of the Georgian Golden Age. “The Knight in the Panther's Skin” or “The Man in the Panther’s Skin” is considered to be Georgia’s national epic poem and until the 20th century it was part of every Georgian bride’s dowry. It is believed that Rustaveli served Queen Tamar as a treasurer or finance minister and that he may have traveled widely and been involved in military campaigns. Little else is known about his life except through folk tradition and legend.
The Knight in the Panther's Skin
by ***** Rustaveli
loose translation/interpretation by Michael R. Burch
excerpts from the PROLOGUE
I sing of the lion whose image adorns the lances, shields and swords
of our Queen of Queens: Tamar, the ruby-throated and ebon-haired.
How dare I not sing Her Excellency’s manifold praises
when those who attend her must bring her the sweets she craves?
My tears flow profusely like blood as I extol our Queen Tamar,
whose praises I sing in these not ill-chosen words.
For ink I have employed jet-black lakes and for a pen, a flexible reed.
Whoever hears will have his heart pierced by the sharpest spears!
She bade me laud her in stately, sweet-sounding verses,
to praise her eyebrows, her hair, her lips and her teeth:
those rubies and crystals arrayed in bright, even ranks!
A leaden anvil can shatter even the strongest stone.
Kindle my mind and tongue! Fill me with skill and eloquence!
Aid my understanding for this composition!
Thus Tariel will be tenderly remembered,
one of three star-like heroes who always remained faithful.
Come, let us mourn Tariel with undrying tears
because we are men born under similar stars.
I, Rustaveli, whose heart has been pierced through by many sorrows,
have threaded this tale like a necklace of pearls.
Keywords/Tags: ***** Rustaveli, Georgia, Georgian, epic, knight, panther, skin, queen, Tamar, praise, praises, Tariel, Avtandil, Nestan-Darejan
Apr 22, 2021
Apr 22, 2021 at 1:38 AM UTC
Everybody knows today's figures.
Lincoln Park. Kanye West. Beyonce.
Musicians. Artists. They are all praised in today’s society.
But nobody knows the names of people who actually matter.
Willis Carrier. Invented the air conditioner.
Nobody knows his name.
Robert E. Kahn. Made the internet.
Nobody knows his name.
The problem with today’s society
Is that the minds of young people are being poisoned.
By the schools who leave things out of textbooks.
By the people on the street, screaming their views.
The riots, the protests, the hell of today.
Poisoning the minds of young people.
Reed Hastings. Marc Randolph. Nobody knows them
Yet millions of people use Netflix.
SalvinoD'Armate. Nobody knows his name.
Yet over 4 BILLION people wear eyeglasses.
Young people today hate history.
They think, “Why do we need to learn about dead people?”
George Santayana once said:
“Those who cannot remember the past, are condemned to repeat it.”
We learn these things, not to be bored in history class.
Not to just **** time in the day.
But to inspire. To help young people to become creative, more innovative.
Imagine a world, where Alexander Bell never made the telephone.
Imagine a world, where the internet, just wasn’t a thing.
Imagine a world, where nobody invented new things.
William Higginbotham. I Guarantee that nobody in this room knows his name.
He created the very first video game, Tennis for Two, in 1958.
Without him, we would not have the games we have today.
Assassin’s Creed. Grand Theft Auto. Call of Duty.
People play these games, and use the other things I’ve listed every single day,
And they use them without any thought, or appreciation for where they came from.
Or how far we have progressed as humans.
So I ask you this. Who invented the desk you are sitting on?
Who invented the jacket you’re wearing?
Who invented that pen in your pocket?
You don’t know, do you?
Aug 30, 2018
Aug 30, 2018 at 1:52 PM UTC
On that day,
When the sky clouded over,
All the heroes stood Shoulder to shoulder.
Villains on each side with tears in their eyes.
They each took a turn,
To show their love and to say goodbye.
None hurt more than peter.
He was held up by tony and reed,
For they feared that the boy would fall due to weakness in his knees.
They all lost their creator,
That is plain to see,
But peter lost his father,
And now complete is something he will never be.
Peter screamed out, Please just take me. Don’t you dare leave me!
Where will I be without him, My father, Stan the man lee.
Nov 19, 2018
Nov 19, 2018 at 6:33 AM UTC
Make my life a hollow reed
That will bend now in stormy breeze
For in numbers I find my strength
Beneath the willow tree
Make my life like the rock
Piled high upon , top to top
A stonewall that runs for miles
Around my lands it stands
Make my life short and sweet
Give me peace not dire defeat
Give me love and woman's sigh
Amidst the clovered fields
Make my life a Godly song
One that knows right from wrong
With wisdon as old as stars
I'll dance inside the fire
Make my life to unfold
I am tired , my shoes have holes
My dreams are seeds cast to the wind
And just the husk remains
Make my life now come to end
It's my time to propend
I'll walk among the ghost's remains
And willingly I quote
Hollow reeds will bend not break
Holow reeds will not forsake
Of hollow reeds my death bed make
And lie amongst the stars
Oct 21, 2014
Oct 21, 2014 at 1:23 PM UTC