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Left Foot Poet Mar 2019
The Fidelity of Transmissions

”Cells, the units of life that compose our bodies, are able to make copies of themselves to help us grow, fight disease and recover from injuries. Cells have built-in mechanisms that maintain
  the fidelity of transmission  
of genetic information from one generation to the next, and to control cell division in a timely manner, allowing our bodies to build or rebuild various tissues.”

~~~
when the poetry cri de cœur grows unbearable ,
sound mystery-science calms his tumbling transcendency

alas, here too, his ears sit up straight when stumbling on a invitation to
“come write,” for hid within the science jargon, oft rests a snipers shot

redirecting the didactic mind back to the
everyman’s land where-poetry cells split,,
commanding him to delve into, visit new brain wrenching vistas
“the fidelity of transmission”
at its macro level, for science is micro-poetry,^
n’est-ce pas

~~~
when you love another
the transmission is a slow pour,
or a radical jarring,
the fidelity extremely extraordinarily variable

the loveliest unpredictable

the sip sip of eyelid kissing adoration,
the irrational irrigation of the no-space-between,
when the television remote disappears in the couch crack,
the screen, complete static, perfect complement, to a rigorous experiment of

the loveliest unpredictable

we manually conjoin fluids in her mouth’s petri dish,
stain the slide for observation,
in full Imax color observe the cells busting and doesy-do’ing over to
a new partner, where bonds of fidelity attach a partnership clause to

the loveliest unpredictable

when a child emerges, the first words are
find that remote, just kidding, first comes a comestible demand,
mother’s milk 98 degree heated,
feed me a white solution to any unanswered cell’s questions, what a

loving predictive predicate

scribble this, ****** that, change a diaper,
while debating whose baby’s assemblage resembles,
overjoyed at the experimental outcome,
proofs of the fidelity of transmission,
the outcome notated, but science demands no bias confirmation,
another test required of tissue rebuilding

the loveliest unpredictable

~~~

^postscript
for is He not laureate greatest poet of all,
developer of the scientific architecture,
inventor of varietal sunsets, moonscapes,
individualized singularity of snowflakes,
love making, gravity and the preprogrammed death
of your own cells,
etcetera etcetera etcetera
all just poetry in motion in fluidity,
ah, fidelity fidelity
fidelity
Sat., March 9, 2019
He Pa'amon Aug 2018
"And in a funny way, the shaving of my, uh, head has been a liberation from, uh, a lot of, uh, stupid vanities really. Uh, it has simplified everything for me, it has opened a lot of doors maybe." - Stephen Malkmus, Jo Jo's Jacket

the first layer of skin i shed
was the bra

rid of the foreign metal sculptor producing a deep rift between skin
my third eye, swallowing gazes

rid of my **** , my ***** , my rack
replaced with sacks of fat and nerve and milk ducts
hanging, existing, for no one else
not even myself

the second layer of skin was the painting of the face
the concealing and erasing of imperfections, the lines of laughter of sorrow of life
redirecting attention and importance to the bow and symmetry of the lip

no longer did i have to put myself on in the morning
i woke up as i was, as i needed to be,
bare and uninhibited

my skin now breathed, and for no one else
not even myself

and then i grew another layer of skin,
made of dank tangles to protect my age,
i stopped shaving the years i'd walked this earth, shedding my womanhood

the skin grew to my armpits, little tufts of sweaty, odorous mother nature dozing in a fleshy convex nest

and to my legs, were the tangles wrapped around my ankles
preventing the spreading of the legs for every life
for not every life wanted what was not tame
and what was not tame no longer wanted to be.

my body did not conform,
for it was not brought into this world to be consumed for the pleasure of others

it exists for no one else,
not even myself

and as i was engulfed in this hairy wonder of my own body
i shed the last layer,
the shaving of the head

my brain, my being breathed
porous and exposed
vulnerable to weather and whispers

but i was all at once naked and calm,
having finally peeled away the layers of ***** over-sexualization and constrained femininity that had molded this meat sack that serves me,
a bundle of circuitry and solution balancing and bobbing on the neck

for i exist for no one else,
only myself
inspired by the song Jo Jo's Jacket by Stephen Malkmus
Butch Decatoria Jan 2019
I remember when MTV was in its prime,
A new voice to represent the new boom
Babies growing up since the 80s
Louder still through the troubling decades
(Maxed out credit no head room)
After —the punks in nirvana and rapping clergy
It was the only channel on
Youthful rebel yell —honest news
I remember it pretty well
Shaping us generation x y and Personal Jesus
New wave good bye to when
Childhood then without pain of malnourished
Africa or nukes threatening our
Cruel summers
Were we happier then?
So what happens to the music
Rockstars rip van wrinkle
Geriatric hall of fame

(No one lives forever
Reruns with the ****** & mr. Ed
Now that old neighbor’s dead)

Television
Nowadays
Seem more gangster
School shootings terrorists
On the train, kamikaze planes,
It’s all the same ole
Bling kablam oh bits
******* please
Redirecting our attention
To WMD
***
Where the hells are we?

I remember back then
On MTV —Nicki Minaj says
Between the hysterics of police brutality
She said Happiness is living your life
Without struggle,
That stuck with me
Because we all watch the tube
We all search for meaning
Sadly defining what happiness
May look like
Real World and paradoxical reality
TV
Para socially defunct
Clarity
Conditioned to continuously
Stay tuned
Brief message of empty
Hypnosis a pure form of business
Wall Street
Boulevard of broken dreams
I want my

Happy. What do I mean
To be?
Life ***** lately
The human condition
Talking too much
Refusing to see
No more talking heads too much
Bla bla *******
I want my
MTV . Happy .
My generation
We are the world
freedom And yes, Peace.

Man kindly as one
Symphony
And street, a melting ***
Of diversity

I remember the music
The future
I had hope to see
Behind the shades
Circa 80s 90s
(Fossils)
What time is it then?
When will we
Begin
Again

Don’t worry be happy
Run Forest run!
elizabeth Jan 2015
It can be said
that whatever you put in
is what will come out

So why is it
that I am not getting back
everything
I am putting in?

I was taught early on
that energy cannot
be created or destroyed

If I am giving you everything,
then you are not destroying it,
just redirecting the love
towards something
you care about more

I suppose I need
to account
for the negativity
I intake from you,
which would make my output
less than perfect

We are a water cycle-
you pour drinks down my throat
and I cry them back into your hands

Let's pretend
our equation is balanced
until I remember
what it means
to be my own pure element
Word: Intake
BR May 2018
I am afraid of speaking.
I am afraid of the texture of my voice, and the effect it will have on you.
I don't want to be pressed into the caricature of an angry woman; voice raised in what they call a hysterical display of emotion.
Calm down. Be rational.

Stop being
So
Dramatic.

Well let me tell you something:
I am an angry woman.

Because all I can see is my best friend’s blonde head, coming within an inch of becoming the crushed drywall beneath his fist.
All I can see is the false piety painted on his pastor’s face, asking, “well… did he hit you?”

I see her eyes closed in the darkness, fingers gripped in the sheets he tore off of her body to wake her. She has to hold on to something.
He says, “Show me you're enjoying it.”


Calm down. Be rational.

Like he wasn't gaining access INTO her BODY by FORCE. Like, of course it's her job to lay down and take it. Like it. Lick his lips for the taste of honey, because honey, he told you to.

but it's poison. It enters her bloodstream, weakening her will to resist it.

She looks at her phone, at a text she did not compose herself, or send,
“Hey hot stuff. When you see this, let's have ***.
“If I pretend I didn't write this I'm just playing hard to get.”

Do you get it?

Yeah. I am an angry woman.

Stay calm, dear sister. Be rational.
Rationalize the gaslighting, because the big picture doesn't look beautiful when you hang it above the sofa; and her home was staged to look like a family so that when you look in the window, you don't see that she was a hostage.
You don't see that her son was asleep in the bed when he grabbed her face between his hands and crushed it,
And called it “gently redirecting her gaze.”

From the window, you can't see his body blocking the exit.
You can't see her baby, with his little fingers curled around her *******, begging for comfort.

I will not calm down. And in case you are so damaged by devotion to comfort that you can't see it, it is right to be angry.

It is righteous.

I am angry, and more rational than I have ever been in my entire life- rationally, righteously begging for justice to flow down like rivers.

I am an angry woman.
Jaymisun Kearney Jan 2014
Your conspiracy brings
what avalanche over
this paranoid spiral
forcefully traveled
as I cool hot black?
Under an awning
in heat below rain,
overpriced stale coffee
works like electricity
Jolt
Shock my brain:
Why would I explore
tightening veins?

Could it be,
maybe,

That you tore me from ear to ear
jagged through the jugular
and I'm redirecting?

Your deliverance calls
what genuine heartbreak
to our turbulent girl
who feeds stray black cats
then loses, clueless?
Wet alabaster skin
in heat under sheets
brings wanted dreams in tow,
almost realized and live
Hope,
squeeze my veins:
Why would I submit
to chemicals?

Could it be,
maybe,

That pages left in mud puddles
are best never resumed
and I'm redirecting
old losses until I lose it
all?
Meg B Dec 2014
Self-inflicted distractions,
ingesting every possible stimulation the
world can afford me,
lost in peopleplacesandthings
abusing myself with every tangible
substance,
redirecting my mind away
from addiction,
but try my damnedest and still
there you are in the lyrics of a new song,
so I start to read and there
you are
in the character in my book,
turning on the TV and there you are
in the storyline,
stumbling into another man's bed and
he becomes you
when my eyes are
closed;
everywhere I run
my addiction finds me,
and sometimes I fear
I will never escape
you;
you are there
in all the places I go
in all the people I meet
in all the things I see;
I see you
I feel you
I taste you
I smell you
I hear you;
you are my five senses,
you have infiltrated my bodyheartandmind;
even without you,
you still control me,
you still catch me slipping,
my mind wandering to you
in my dreams, subconscious still stained
with your imperfect, incomplete, undeserving imprint;
in my attempts to forget you
your memory refuses to
let
    me
         g   o.

I guess
once an addict,
always.
me back to
the altar of I dunno

from the falter of
I wanna know
nownownownownow

all the things
whisper thier truths
into me

in time
Kara Jean May 2016
The wind rumbles, persuading
The dry sand encrusted sky shines
Redirecting with force the human path
The empowered rage as trash and tree branches pass by
The wind hears to no laws only the torn
A breath of a savage
Alluring destruction
I put my hands out wide, my clothes blowing high
My eyes concealed
The strong breeze shoves my hips and arms in different positions  
An outcome is all I ask to reach
Listening to my request the wind has no remorsing
No conditioning, only thrusting
Willoughby Lucas Mar 2012
[1] Introduction

Originality a creation of the self
Yet asking for fiction
Unable to conjure from a thin presence
But gifted from life gathered.

[2] When, Why, and How?

When the tears from this today
Mimic the rain of my tomorrow,
How do I know where
To escape?

When we are lost in our selves
And tempered by the faults of others,
How do we grow
To understand?

When logic is renounced
And feeling is felt,
How do we remind ourselves
To refrain?

Moments that unfold
Will educate the soul,
Inspiring our answers on How
To Live?

[3] Plot, Setting, Mood

Our overlapping ideas,
The overlapping events,
And unfortunately overlapping people,
Become my overlapping emotions.

I’m the paradox,
You’re my paradox,
And actually we’re the contradiction,
Inspiring my few uninspiring words
I am reading and writing to you  


The pain you are
The pain you caused
And the pain I feel
Produce these overlapping paradoxical poems.


[4] Betraying Body

Walk with fake footprints,
See with unfocused eyes,
Touch but cannot feel,
There is simply nothing to taste,
And smelling only the lost scent;
Living desensitized the body feels unlit with purpose.

We are lost
Directionally challenged
Falling, tripping….now bruised.
We live damaged,
Our tears cleansing our deepest cuts
Internally bleeding,
The blood forcing color to our eyes
Beginning to live with the hue obtained.

Hemorrhaging at the heart
Cardiac arrest
We’d welcome death, the ungiven gift
They choose life, the given curse
Disregarding our last rights
Providing us with a life we do not wish to live.

It rains, we flood
Wishing to drown
And yet being denied
Our legs tread the threatening tide
Progressing to our new state of barely alive.  

Time willingly unkind:
Intentionally slow,
Trudging through, perhaps looking to an end
Watching the rise and fall of numbers
Their cyclic hands pass
Strangling the minds of many
Those still living: live lonesome, accompanied by the inevitable tock of time.


[5] Semicolon

Bridging my gaps,
Sewing my wounds ,
And preparing for the relapse in pain.

Writing through my wordless speech
I begin to reinterpret my language
Advising myself to remember my illiteracy.

Repeating my self
Becoming redundant
Incapable of innovation...
I look again through the pages of my unspoken mind.



[6] The Repetition of my Pain

Headache, life threatening?
Heartburn, possible survival?
Common cold, originality?
Pregnancy, new life?
Who defines pain?
Are you sick?
Are we all?

I’m sick
I’m hungry
I’m cold
I’m tired
I am heart broken.
Am I sick?
Aren’t I always?

He’s fine
He’s happy
He’s lying
He’s pretending
He will never say.
Is he sick?
Was he ever not?

We were fine.
We were happy.
Were we lying?
Who was pretending?
We will never love again.
Were we sick?
When were we not?


[7] Falling Action

Redirecting my momentum and changing the gears,
I found HIS path
I’ve regained consciousness,
Been lifted out of the soapless  bathwater
And cleaned by the warmth of  a fire.

Although burnt and previously bruised
The bandaids were enough,
The aspirin filled a void,
And my head had stopped hurting.

Self sought,
Self seen,
Self claimed,
And now reconciled with self;
Clarity retrieved and new quest begun.
Harper Oct 2012
The Quantum anthem sets off the spark of enchantment as I file through things only thought
All borrowed and blurred belligerence baffling beauty, things only sought.
Spiraling sickens the surging of those who surrender their sudden sorrow for meaning to flutter.
Herds of things unheard splurge in cinematic combs fastened by fertility
Charred remembrances burn deep as feelings bleed
Bursting boundless solidifying into expression
Without it battles of head and heart oppression
Redirecting rising ripples focused forward
Onward and steady swaying as my doubt is fading
Curtains close the colossal conundrum crystalizing in my veins
Setting off distant delirium  
Honeycomb harbor home
We are not alone
We are not alone
Alan McClure Feb 2012
I was always told to stay away from the street
Keep myself protected, redirecting my feet
The traffic rushing past would **** me deader than dead,
that's what the old folks said
But little did I know that by avoiding the cars
I wandered in the path of something badder by far
Keeping to the fences and the gardens to play
That made me easy prey
For the houses, on the prowl
The houses, on the prowl
The windows, are a hungry scowl
And the doors are jaws to swallow you down


Ever seen a picture of a venus-trapped fly?
Happy as a clam as if it's ready to die
Sucker for the honey never knowing it's bait
Until it's far too late
Well comfort and protection are what houses pretend
A welcome sanctuary and a fabulous friend
We lavish love upon them like they're part of ourselves
Until there's nothing else
But the houses, on the prowl
The houses, on the prowl
The windows, are a hungry scowl
And the doors are jaws to swallow you down


People at the window, haunted and confused
Something's got them prisoner, and it'll never let them loose

I know that you will think it's just a travellers' tale
Like Jonah or Gepetto in the guts of a whale
But they were brought salvation from the soul of the sea
And that's never come to me
Helplessly protesting at the ribs of the room
Quietly digesting in a wallpaper tomb
It's hard and getting harder to get out of the door
And the world don't care no more.
HRTsOnFyR Apr 2015
His body grounds me...
I was an alternating current
with a frayed wire
Sputtering... sparking...
Misfiring...
Alone and flickering in quiet desperation...
Then he drew me in with his hands
Held me tightly, pulling me close...
Inviting me into his Center
Insulating my circuits from the heat of their own charge,
Reigniting those cold, dead connections...
Redirecting, realigning
Aeons of my dissipated energies.
I become more, now, than some
Reckless, erratic sunburst...
Snapping and flaring on the mere surface of things...
A loving so strong it makes me re-enter the belly of the beast,
He and I, we become the pulse...
Folding ourselves into the warm, primitive heart of God...
Selflessness... Sacrifice...
Joy, Radiance... Gratitude...
I find all these things here.
And everything false just quietly disappears.
Joseph Valle Aug 2012
I don't know why
my mind flies
through space and stars
to hit blinded satelites
in the hope of redirecting
itself to yours.

I don't know how
a homeless old man,
who only knows English,
picks up on the Arabic conversation
of ill will directed toward him
from across the crowded restaurant.
He begins to shake and scream and curse.

I don't know who is at fault for thinking of another
or if it matters at all.
Arcassin B May 2015
By Arcassin Burnham

Static t.v's,
Stare at it 40 hours and tell me you don't feel them pulling at you,
Bringing you down,
Steal things you found,
Take what your names pronounced,
And for what!
So you could drink your sorrows away,
Devil's nectar eating at your face,
I got three words for you,
Leave me be,
Nor redirecting to you,
I swear Its just me,
Put away all the check books,
Words as blue as the sea,
Blue wine is what I drank,
It feels alright to me.

________


Conflicted,
Misused,
Abandoned,­
A shot in the dark,
But except the sun reflects,
Off the waters only if you tell it no,
Never takes it for an answer, just a blur,
A lost figment,
So your imaginary friends will never accept,
Resentment is not a good thing to throw at anyone,
But if anyone is wrong,
Then they have every right to ignore everyone,
Tie your shoes and run,
Looking around town for a bit of thrill as in fun,
So while its may,
You may believe all your sentences are important,
Hoping writers block will stay,
Only for a couple of minutes and get lost in distant extortion.
I need a drink right about now.
Nat Lipstadt Jan 2017
~
for T.M.R.
~

We find our poems in many different ways.  Of late,
I keep finding inspiration in the public and private messages that many of you send to me, regarding poems I choose to publish here.

So I repeat my disclaimer,
"any message you send, can and will be used as a poem."

~

instant recognition at levels so deep within,
what are the odds, given the enormous differentials,
that the kin in kindred, would blossom across two lives,
where the oppositional factoids are exceptional

as if seeded in the fertile soil of the blank spaces,
between each of our poem's words and verses,
there secreted for each other, but gleaming visible
for all to see and uncover, even join in,
uncovering semi-hidden insertions and assertions of affinity

I confess

she stands behind me ofttimes in my mind, silently,
suggesting, reflecting, critiquing a word choice,
a nuanced pressure upon the hand redirecting,
with infiltrating suggestions imaginary

oh wordy me, four stanzas excised,
abstracted from the memories contained within my fingertips,
this, an accolade to the pleasuring of humanizing mystery connectivity,
when she, in the depth of her stylized brevity,
captures more than I, after hours of exercised trying,
in the succinct excalibur of her comprehension

*"We are an unstated understood"
Vernarth was ready at the threshold of the validity of the constellation of Orion, barely a hundred millionths as indicated by the Duoverse in his Cosmogonic amphiboly, and sensitive to physical space with the Kli vessels that he carried on his back that were in the proximity of the Loop of Bernard as the Omission nebula as the exponential hemicycle in the center of Aurion's oculus waiting for Vernarth and redistribute its molecules at 518 light-years or 440 Parsec, with the diameter that will be reflected in Patmos of more than 300 light-years condensed with the element of Hydor or water from high space over Aurion. Vernarth, united by the fragrant hand of the Mashiach, could carry it when he moved away from the Opistodomos and the remains of incandescent lagoons of supernova materials that surrounded them to accelerate the mass of the Iridescent Nimbus that Vernarth would carry, and the Mashiach as a sentinel of his Purgation. already defined whenever the simultaneous explosion of the Super Nova with Patmos becomes effective, and the Terrestrial World in impulsiveness that admonished him under the right shoulder blade in the skinny hollow of the arm that was getting rid of the oscillometer right at the original entrance of Betelgeuse, and when Vernarth remained alone in the frontal altitude chamber to take off towards the cosmogonies of Eridanus to tune into the Ptolemaic astral. The Sybilla who acted as stellar consort would be Herophile with overtones of expansion and her brilliant metric mass that would take her through Betelgeuse Orionis allied to a multifunctional instrument such as the entrance Aulos, expelling hydrogen-like an Ace in 240 harmonic scales, and sounds of light that they boomed towards the Pleiades and the Milky Way where it would be the supposed first state of paradox where Vernarth would utter: "Give me a little Gála and I will be more than Zeus". This is where he will experience the diarthrosis of his synovial joints in the process of Hyaline cartilage, allying himself with the two bones and synovium to hunt down the Trapper Aurion in advance to wake up from the feared defenseless world that he feared since everything he abandoned despite having his Purg discharged, he kept sensing that if nothing would work for a lost world. Here Vernarth would hold Alexander the Great's first childhood vision as an infant at Péla using his scapula with the force of rubbing discs at the Olympiad making the sky his Odyssey-encrusted Constellation of whips, and sullen Hellenistic being by May in the amber trunk trapezoid and in each hand a Xiphos and Dorus.

The pathologies were at the forefront with dexterous inclinations of his Kopis to the west when he throws it and the whistle of return makes him see that the meteorites reached as far as his gaze could observe the latitudes of the Tyrrhenian. He takes his bronze-brass cudgel with the corrosive breath, filing the odysseys on the concupiscent ******* of Eos, Goddess of the dawn, opening the heavens of the eager natives of Gála, by sipping raw milk from the right edge of the corner of her upper lips before the first dawns of the world, when Eos would be in grains or grasses that brandished from the bronze club that Vernarth waited for before leaving Gaia, or rather the fertile land of Patmos that officiated at him. Mega hectares appeared that threatened Enopion's revenge, disturbing his eyes that shone in Hesiod's striae by advocating for him in the Duoverse where all deities would be annulled but his psychic ramifications as stellar humans would be covered by the action of Helium gas. In this way Vernarth was already bidding farewell to Saint John the Apostle with his rounded eye set on the shine of both pupils between Mintaka, Alnitak, and the third shine of his pupils united in communion with Vernarth when arriving sideways at the pale shine of Alnilam (The Three Mariah) fourth star to follow in Orion as the brightest of the three on Vernarth's neck like a necklace of precious pearls. In this way, he climbed the steps to measure the slow brilliance of the immensity of the celestial solstice that raised him with the expedient Sun that also led him towards the twelfth lunation of the celestial vault attached to Pléyone in his bolometric oceanic matrix, which will arise between the stellar limitrophe between the Canes Mayores and Menores, and a priori in the measurement of the eye of Aurion always harassing the Pleiades. The intrigue will be reborn for the second time from the Duoverse's momentum that Vernarth will have to leave in the biosphere oscillation wasteland of Prometheus already freeing himself from life in community, and from an extreme sensitivity of major psychic connections that will flow throughout the immensity of inaccessible time. , on the atmosphere of the earth like bronzes that twist in the necks of the oxen that urinate on the endowments of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles as flagrant Amphibology. The Kanti Steed and the Aorion nebula to the beat of a waltz will ionize chemical portents of ions free of electrons, on the neutral molecules of Betelgeuse to propagate in the nerves of the shoulders of the bronze club ad limit of harmonious praxis, and net compromise by supplying steps to the nebula and art of the Duoverse that shows the primeval daily days as in his alchemical armband, germinating astral Lynothorax and axillary armpit that held him in his maximum club, cutting down roots of Olivo Bernar after Barnard's Loops in between of fugitive stars that go regimented in their ionized bleeding esplanade, like Stellae Novae that transfers astronomical cults in the formation and pretext of going through the darkness to sleep near his parents Poseidon and Euryale, acclaiming him near the gramineous fields to paste him with explosive clay on the portfolio of such a smiling face drunk with Ionian wine, in precedence of the disemi nar by the new and expandable Duoverso, Vernarth was already on the last steps of the stairs similar to that of Florence in the Medicea Laurenziana as well said to feel alive when going to paradise next to the Messiah who came to pick him up. But at times electrifying residues would vanish over his field of vision in small beams or flashes, which would prevent him from moving forward to the last stirrups without looking back where all the Birthright was watching him for one last time.

Sitting on the edge of Andromeda, Zefian was waiting for him to meet him in his dark chamber, since the most intimate and primordial causality of his metaphysics emerged from the bases of the reason for all things that should exist, before everything was created and that it has never had pre-eminence as it is in this case of the parasitic chamber of Zefian in the company of the Auriga, which also came to wait for him in the calash running wild as prescribed by the Duoverse in the structures of luminosity in the midst of this colossal inter-planetary chamber, between molecular agitated points that will venture through the axon of infinity longitudinally unpredictable for light-years even though it is so. The thermal outcomes of superheated remnants over the entire luminosity will speak of the catastrophe, and of the inherent emptiness in the eyes of the eternal hothouse very close to the supernovae that can only strengthen the fusion of the space disks of the Universe-Duoverse long before the explosion between Orion and Andromeda. The axes of time will be dislocated between both astral components in this dissonant chaos that will contract with Vernarth's levitation whenever he has stepped on the last step before entering the Hydor chamber in every dark portion of the Universe, making both constellations the ferrule or ring that will yield to the underbelly of Betelgeuse, dispossessing the boasts of the appropriate Commander Hetairoi of his Lynothorax to resist the ravages and turbulence of the Apokálypsis, which brought the immense loads of matter that discharged all its constant energy through the circulating nuclear power plants, and tangents that caused galaxy changes pierced by Hetairoi Aorion clods satirizing expenses for retracting the galaxies below Soldier's precept and super homeostatic mass attracted from their distance on astronomical scales of 2.5 million light-years.

The galactogenic galaxy made use of great prominences that would cover the greater proportional that is outlined in Andromeda of the strands of the Universe adjacent to the spiral that rolls on the underbelly, deferring to telescope sections, and the gravitational field to execute its nocturnal translation like the Hyperdisis Galaxy that collects the bubbling of the belt in conjunctions of minor stars making star mechanics by exaltation, and magnetic disorders creating other leading atmospheres in those detached from the cord of Andromeda, the Milky Way, and Orion. Vernarth was still holding on to the transparent hand of the Messiah while he was climbing the ascension steps to Hydor that would transport him to travel with him through the globular clusters, they will form the perfect delay in transfusing the lineage and not another, in this way the Lynothorax or bleeding pectoral de Vernarth continued to flow from this polynomial tractatum between all area subjugation guidelines, and refinement of the sagittal profile of Hyperdisis in the inter-galactic reversible staked Duoverse.

Lenticular to irregular above the nails of the trapezoid, it spread towards Aurion's right armband, sequentially making the centric radiogram hiccup, despite taking advantage of interstellar matter to self-generate its own transmission light, this made it refrain from emanating the hybridity that came out of its body by vibrating above everything that expelled from its center towards the right rectitude of Orion, thus making the multiplied speed of containing itself of both parts of the null hemisphere of its free will when verifying that it never existed, that it was only an illusion of doubtful matter that would soon Go away like gasified water on the galactic repulsions that would settle on Patmos as devotions of Skalá, and Astro-omegas that would be adhered to the Xiphos and Kopis, who were still united to their being rather in the contour of the perimeter of his soul two meters floating like invisible quantum universes. The totality of everything was inciting the fields of omega-stars that would begin to advance after becoming visible from the spur of the sword that became denser with the viscosity of the Hebrew Adom, which trickled from Orion to Hellenic lands as an Omega age for Vernarth which is conceived early when it carries Hecate's Kleidia or keys to the Omega world towards the proto-galaxies that provide ultramarine loaves, knowing that the Milky Way and Andromeda come so close in their stellar mass that they can collide in a few million light-years. The Duoverse of Hyperdisis was predicted in the visual reality of a fusion of change to interact with each other as it dismembered but re-transformed into the new theoretical core of the Duoverse as a large Black Hole embedded in the center of Patmos. In such a way all the inhabitants began to worry when phenomenal masses of warm air that began to take on the appearance of the Universe plagiarized each other generating incoming earthquakes, not affecting the Opistodomos or the Primogeniture, nor the crowd that was waiting. of all the monstrosity of monks who were grouped kneeling on the top of the Profitis, floating the shattered shaggy skein parts of the Himation. As it was dyed in the albi-color of Calígine, demonstrating the darkness of the intrinsic terror of whoever plows later to free all the succumbed who fell throughout Greece and Judah, exposing all the origins of appearance from the internal now in the converted Universe that was reimplanting itself in the helical of polarity, and bifurcating by pretexting all the reincarnations and polishing the stagnant cessation of darkness towards a luminance that could warn them and observe where their feet could move, sheltered from the monumental litter of calorimetry, and chromatics that was linked in romances trivial with the residuals of the angel shark galaxies where Aurion's progenies will deliver in candelas per square meter: LV waking is the luminance, measured in Nits or candelas per square meter (cd/m²).

• F is the luminous flux, in lumens for the Andromeda triad, the Milky Way, and Hyperdisis in conjunction with Orion. From here Vernarth will supply all of them as the one who will dwell in it in the preface of his Fables of Calígine with the following: "Ex Calígine Chaos: ex Chao et Calígine, Nox, Dies, Erebus, Aether", which transliterated means "Of Darkness: Chaos. From Chaos and Darkness: Night, Day, Erebus, and Ether", Decreeing the (Burning Darkness) before Chaos as flow F, is he also the only one who divinized this abstraction, conferring a proper meaning to the word. And then make of the normality of dwelling in the darkness that is the irrevocable opulence of the desire to maintain the radiance of all the forces that devour eternity. From the remote aces came dark families of flying Lepidoptera Ditrisios, lined up with countless other species that carried dimensional eyes that will be devoured by ocelli or giant eyes that come from the chaos of Vernarth's Caligine to appease the effects of ultraviolet rays, which started from the Nimbus Iridescent creating a layer of protection between the new dimension of the twilight of flight that was already beginning to ignite from the Aurion's scaly fingers.

• dS is the surface element considered the triad Kímolos, Rodas and Patmos. While Vernarth is distracted, he manages to dissipate the twilight of the inverted Erebus between Eleos and Ezis, personifying Clemency and Sadness, where they border the worlds that are not yet riddled with chaos or Calígine, who exalted himself over Erebos with the redemption of Eleos, who was getting ready to swallow the sadness of Ezis. Therefore Kimolos, Rhodes, and Patmos will consolidate their hegemony of unalterable lands where Eleos' piece of clemency will bring the support that makes Ezis's faceless portent, close to the hybridity of the Itheoi gods, in the Transversal Valleys of the Horcondising, with the Norns and generosity of Apollo who had given them after long stays in Hyperborea as female spirits once again as advocacy and imperishable protection of the legacy of Smintheus's travels by providing the company of Dísir, Uror, Verdandi, and Skuld as a female entity, of the past, current and future that should occur by order of Skuld. This will allow the three to unite with the Ds to merge the three as a complement of three female entities that will safeguard all climate change on future disasters in the Dodecanese.

• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse. From this premise, the worst of Vernarth's fears was to let go of the Messiah's hand and fall into the anger that blushes even Hetairoi Hero from Deimos, when the night reverts to the rest of the demons and the night adopts those who go perceiving in Vernarth that perhaps he was holding hands with Ares for the battle alongside his brother Etrestles, under the orders of the savagery of the metaphysical engines of panic. From this vision, Vernarth manages to open his eyes with the desire to show those who were watching him and to be able to show that he was aware of being a prisoner of his emotions and escaping from himself in the illustrious suffering of thousands of arrows, which ran around him like fleeting meteorites to the flat field of Tisiphone's revenge. The luminances became and became colors that were molecularly twinned with disparate tones that were capable of differentiating them, and at the same time nullifying the power of obscuring Vernarth's countenance to take his right hand and take the arrow to break the darkness that was lunged at him.

• θ is the angle between the diameter from Andromeda and the Milky Way (2.5 million light-years), Nemesis or Ramnusia as the retributive coercion of disobedience, being aware Vernarth became more and more of a being adopted by balance Nemesis for balance to command him to his senses before entering the field of limpidity of his soul in transit to liberate himself from all the chained who used to be happy, but sad that no one acclaimed them except Aionius Itheoi of Vernarth who translated the messages that from now on will move diametrically from Andromeda to the Milky Way, without any of these two portions being invaded only under the order of Nemesis, and Vernarth abiding by the retributive justice of The luminance that can be defined from the radiometric magnitude of the radiance without more than weighting each length of the wave by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of Vernarth's eye in the underbelly of Betelgeuse, spilling plasma and magnetic bruises on the galaxies and Eyes of Orion.
Meanwhile, it manifested itself as a personal universe, not excluded from time and space for a metaphysical causality that will not be able to compose the mentality that is measurable in the joint senses of a Zig Zag birth from this same calígine emerging from another creature of self-observation and see the physiognomy of the anti-material and mass Universal Horcondising. From which we pre-exist to waste of science that models the system of energy and matter in causes of ancestors with which his life and ours that were propelled furtively. Gravity made great paternity in Vernarth's active Biomass, being in the Dodecanese and cosmos in the verification of curvature that makes us with the moon of its romantic astrophysical swings and exaggerated geometry of a Zigzag.

We are versatile multi-dynamic mass that expands simultaneously in the void that pauses in the Nothofagus Obliqua of Vernarth's Horcondising, and also of time2-space2 that have not been attributed to the origin of the stars that move irregularly in Zig Zag, for their immature componential that is clearly of Aramaic blue light from the Pealim of the Abba, circulating with bullets movements skimming the air of the grasses attracting the attention of the entire order of the hypnotized universe, making appear before them the duplication of the universe itself; in Duoverse, which is the recently shaken Universe and of gratitude in the distribution of nearby galaxies that are keys to the paleo kosmous already arranged in macro waves, which are percentages of the spaces of the Tri-solated energy fields, which interact with the phylogeny of the Mashiach in Gethsemane, lying now in a stagnant decomposed future, in a frozen present specific to the peri Kosmous. Its final station is to wager the Zig Zag Universe on the temporal middle Ages chrestomathies re-expanding in qualities of gregarious Sub-mythology, already settling here in Archangels to activate. The implosion of gravity has procreated worlds of visibility of magnanimous astronomical longings, in some fractions of time in Zig Zag by millions of fractioned light-years, as an irregularity that resembles the measure of everything quantifiable, being omniscience or not acquiring the hexagonal of the primogeniture of the fragment since Jerusalem goes to Bethlehem, where the Davidian prism whose Original is attributed fractal in form.

The personification of longevity was trapped by Geras, always escaping from the obfuscated universe or temperament that could be represented in humanity that relied on the antigens that served as support for the reversibility of every hero like Vernarth, who tried to glorify himself in the fullness of life in Heraklion or in the sand that was dyed red-azure when the soul of Alexander the Great would rise together with Vernarth with the Mashiach. The fractal beating line of the Mediterranean towards a vein resembling the rhinestones of King David to the Ziziphus of the Messiah simulating to be irregular symmetrical formats, to build gems in thorns of landscapes that basically subdivide into similar conical funnels, to then be randomly displaced towards its central point shared with King David's five o'clock Incorruptible crown, recursively reiterating it in each square until the eminence of the desired detail was reached in the curve that joins the landscape to Bethlehem and then to the Baptistery of the Shepherds in its hexagonal base, figuring to be the sleet in the final Crown of Rejoicing falling on the top of the roofs "Doroteo or theological gifts" in which the Mashiach's stable of Kafersuseh burst and agonized in the abstraction of the One-Dimensional Beams with foreign eyes, and own tissue eroding to mortal frowns that can be seen with their divine eyes in our own likeness, and of the planet n failed to increase the size so unknown and analytical in this peripeteia of the implosive ideology of the bubbling of the Verthian Duoverse.
The nature of the snowflakes in Bethlehem are natural fractals detailed in their nature, and in the natural infinity that here was envisioned from the new privileged world for self-similarity in speculative functions of Vertnarth, by intervals in each space of shadowy fences, bringing accelerated courier bulbs from Gethsemane in intermediates of olive trees transformed towards other humans.“Their correlation is infinite with reversible observable time, and paternal belonging to mobile gagged echoes of a space that is obstructed by Vernarth, in such a monograph and integers among the fractional integers "Finite is the curvature between the path that walks through the thickness of the Duo-Universe as an alternative of Zigzag and Duoverse energy, which is unleashed to our subconscious observable orb, and what a great beacon reflecting eye that ignores and prescribes extreme distant and focal parts of the One Dimensional Beams of Kafersuseh in Ein Karem. The Duoverse is the rehearsal Universe that the Mashiach had before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse Orion, changes of arduous colors in gradient and Avant-Garde, for limits of perspectives and verbally of amendments of physical fields framed by an external gravitational means. The macro waves are exposed to matters not contained in the abrupt changes of the Mashiach optical selection with the One-Dimensional Beams, attracting selection crystals to atomize them in reaction disturbances, and recreation of multiform plasma saviors of Christian astronautics, examining the double of the macro waves and equation of them on the axis of the universe converted into Duoverse, already in millions of light-years, they will continue in the Duoverse, to reconvert from ectoplasm with large margins of assertiveness. Cartography is the error correction of the current universe, getting lost in the second thousandths of figures that separate us from the Universe, but all being more than time…!, remaining at the expense of the wick of the Cirio with all its electro-matter” Having already established the sub-mythology, Hestia appears after having slept a great dream, when she appeared before Vernarth in Tsambika she was seen changing size, when she was six meters away she looked tiny and when she was already two meters away from him It looked monumentally enormous, but with a versatile physiognomy, therefore it was already appreciated in the last steps with its domestic figure of a goddess that emanated light-years disserted by chimneys and its rooms. The critique of immanence that would happen, would pre-exist the perfectible plan for the Zig Zag Universe and Hyperdisis as Hyper-Hestia, bringing torn words for those who were approaching the main altar of the Vas Auric, which consisted of the great ratio of the proscenium in the Teodora vicinity of Tsambika, between Clairvoyance/Judgment for Wisdom/Meditating constant mechanisms according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called the Triverse. The oscillation of all these fantasies was observed by Vernarth, but he knew that he would have to collide with this finally, already precipitated by temperatures that acted on the average of the normal range, therefore it was imminent to mutate him into the proselytizing provisional Duoverse, which moves backward between the lights vertiginous of creation. Immediately afterward, the Universe has torn apart and lost among those around him, establishing units of millions of years of compressed light from the piccolo Aulós, which Hestia carried in one of his pale hands, his prytaneion was lighting up with the flames of the heart of fire and passion of consanguineous love, "Prytaneum", paving the light in the clarity of the faith of the owners of farmhouses that were founded when they arrived in Tsambika in search of the Vas Auric, acclaiming with the omphalos stone that marked the navel of the world with defiance wandering to the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils over her face always walking to and from her home unscathed in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones who were staying in the cold fire of her climacteric losing fertility after his father swallowed them, and then they were expelled from himself regurgitated in flaming matches from a blessed house full of indemnity, giving the Duoverse another category calculated with angles never contained vibratingly sliding between distances that discount minutes of Hestian space for such a corollary of approaching to its finitude and inaugurate the sub-finite,  which will never be a source of terminus in a disconcerting end of time not finished flush with the physical equation. “This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is consummated and restarted in a process that does not end (sub-infinite).

Vernarth was a few meters from entering the Nimbus, when suddenly his soul darkened and his panic flared..., suddenly he felt a scream from above and below he saw how everything was made of rubble. Courage blinded him, not wanting to observe what the evident end of the world and rubble intended to consume him if he said goodbye to his most beloved beings, until the lines of infinity approached those of the earthly world, intending to eliminate all traces of his family lineage. In this way, he begins to run through his hands the reflected Hydor of colors that pierced the skylight of austere words. He manages to see Calígine del Apokálypsis farther from the mist, detached from all gravitational force, only being able to see his mother among the smoke, who was coming up by a ray of light, Vernarth tries to free her from that moment of expiration but does not reach the synchrony of catastrophe in what pretended to be from the hand of Eris as the disagreement that did not allow him to put his survival weapons in order, believing that this instance would not allow him to ****** her from the goddess Eris, if he could believe that it was inevitable that his mother Luccica became a granite coat of arms, after the dark night that threatened to unravel her from her flimsy solid state, and then crumble to the ground turned into the ground that was crushed from roots that postponed it to be consumed by the gift of the light of life, and end of a light that is visible in all the roots of the earth when consumed by the infinite that vanishes in the existence of all being.

Vernarth, when a moment of clarity allows him to see his mother, tries to rescue her, realizing that his father Bernardolipo was with her, between them they would try to redeem them from the spread of Nix and Calígine, who behaved with great pain by mocking the edges of the Ether that they received Crono, they could not be victorious in arriving in time to rescue them, if from the harmony of a troubadour of the Mashiaj he observed him see if he would return with him to enter. They became visible in their parents as they contended before an avoidable awareness of this indivisible event with the aggressor words of hindrances and generations of millennials who anticipated the omega of everything in the lower part, under the feet of their parents appearing insignificant one (w) that precedes and succeeds the beginning of a beginning based on the end of a beginning a thousand times more than a threshold based on hundreds, appropriate to the metric unit of the numeral Myríaz = ten thousand, three times more than the Falangists, one thousand less than the Peltasts and three thousand fewer than the horsemen, total thirty-seven thousand fewer than the fighting forces in Gaugamela out of a total of forty-seven thousand, under the myriads of the Myriaz of Phalangists undermined by their Xiphos in the area of the right calcaneus of each faithful man under his command before facing the Achaemenides. During this period, Vernarth took extreme steps to rescue them and stop the numbing effect of all organic matter, not being able to rescue them, only granting them in the image of each one when they began to turn stone from feet to head until the fragile solidification of their eyes. when for the last time, they looked at each other only making it clear that it was a belated rescue gesture. The omega was ineffable even beyond the omicron, being Omega and Micron in the warfare primer of initiation of its cause within the prophetic in all the necropolis of lowercase omega (ω), towards an Omega that reaffirmed the raised hand in Saint John the Apostle to rewrite the Apocalypse twice, having to be the same but with the voice of Vernarth commanding the ten thousand Phalangists that made up the intergenerational gaps, more than mimicked alien ancestors. In such an effect, as is known, the Duoverse opened the skylights with its sheathed pillars and with the strings of tetrachloride of chlorine in solid angles of Ω in what was Virgo institutionum/Aurion, an entity that interfered by projections and leaks that converged in the strut of the omphalos of his heavenly father dealing in frequency and bloodless of immortality, consisting of an auxiliary being towards the planes of subconscious reprogramming and perspective. With its arms raised in each claw, a sword raised to pierce the vanishing point between the spaces that were ascribed, under the solid projection from an observer that inhibits and limits the biomass in all the aqueous filter pastes and lumens, towards the throne of the angelic guardian of Avant-guard by stereotype and sclerosis of Zeus of dissociated physicality, still being an amorphous entity with magnitudes pulverized between numerosities of Pi and Aureos, fading without area or volume.

Saint Jerome of Estridón: “Vernarth, I come from Bethlehem to help your life because I have detected the subsuming of the chains where your parents made the alliance from where your life has been erected from Sudpichi, Transversal Valleys in the temple that bears my pseudonym. The only rune that will determine that your parents can remain united, is through the action and direction that has been consecrated to me. No dead language will unsay what a dead soul cannot interpret. Our Mashiaj has entrusted me to free the languages that have conspired at night, and low luminance where Calígine has been uncomfortable seeing me knowing that it is my favorite environment, the memory of the chains want to incarnate in the stones that surround your parents, but  they are typical of a response that I will get to conclude by urging your mother and father to recognize that here they made the alliances, ordering, and reconciliation of your world that concerns us all in endless dictates to be agreed, I know very well that the point has not of allowing your atonement to have been prevented by this cosmological affront, here are the transverse Valleys in the favorite place of the Spirits lie the treaties that will move my greatest interest to re-marry your parents from the true chains of the complacent scholar, thus all the vastness that afflicts you will belong to your servant Jerome”

Vernarth replies: “At your service, his majesty, here I have been since dawn arriving at the town to meet them when they contracted their marriage. I know I shouldn't be here, rather I know that decades of inquiry had planned it that way. Of such conviction that their chains were anointed from the heights of the Kanthillana whose partiality emits the partials close to your direction? As is known, my very extensive walk through these dusty paths must recognize that the personality and nobility of its burial mounds will strengthen my presence so that everything that is incomprehensible if it is brief by making it neighbor to my reason”

Saint Jerome of Estridón: “everything has been planned like this, and as time drags on I know that your wounds burn in my epistolary like Latin and Greek voices that reluctantly direct me to your aid. Everything is beautifully comparable, and first to what should not be said..., but to do to the genre that above all it practices, the second to one of the ways with the above all that it practices "
By the reverse of the expletive to the insurmountable destiny, Vernarth takes his hands and Saint Jerome withdraws them telling him that it was not time for greater vain for the equivalence of minor desires to please him if he had not appeared before him. It shows him to celebrate him and to want to make of him the permutation of his golden polysemy or interpretation of the world's Apokálypsis by not changing his axis of change, by redirecting them to stated comfort interests. Namely; the leaders of the world in their world of annulled freedom of will to practice following as they please when interpreting the Apokálypsis only as a revelation, and not as a destiny that exalts the senses and compensation that will reconquer the consistency of the nature of the Apokálypsis that adheres to humanity as golden that will consolidate humanity fearful of its own ******* and excess of greed, just as it was just a few steps before entering the Temple of San Jerónimo in Alhué hand in hand with Vernarth already fully healed of his Lynothorax pectoral. They go to the ambo and Saint Jerome essentially takes out of his pockets chaff that was from the escape of the mass of stone that had not yet finally hardened, allowing them to generate a mystical sermon so that their parents return to the nave of the temple in person to surpass farther from the spring of awakening of the Kantillana requesting the unification of the ashes of his father Bernardolipo and Vernarth, to rescue his mother from a poor abundance, and is transposed by the metaphor of the life-giving spirit. Immediately afterward, Saint Jerome pours the chaff of his parents all over the surface, a great noise is produced, the doors and windows of the temple are suddenly closed, and his parents can be seen walking along the central row of the nave, where fiction could testify that everything was a fantasy, rather a great testament that would exhibit the union of two juxtaposed flanks prior to an invaluable crossing of smiles and flowers that fell from the upper altar on their crowns, they came holding their arms like open borders with the procedure before the harsh reality of a metaphor made real in the future of two beloved shepherds who crossed the limbo of their fingers, with the ferrule or the act of engendering rings of family procreation. The crosses of Lisbon and Saint Jerome resembled the monograph in beats of her wealthy feet that were consistent with the nubile gesture of her lips and then released with all frenzy towards the meeting of her beloved Vernarth, the three of them dancing together on the central pinnacle of the obese light that sheltered them, meaning from the testamentary Hebrew the Aleph on the way to Sudpichi after the Raphaca “Healing” ceremony until the diastole that adheres between the middle of the gap that was produced when the three confronted each other and the word “Heth” again He was bent over to take them like gigantic camels to meet his relatives and ghosts that surrounded him when observing the heights of Kanthillana at the assent of all this.

Because of all this similarity, the tribulation from Patmos was raging with very strong resistance, leaving totally clear of the conditionals of the flint or flint, which enveloped the parents, began to fade from their bodies while it was recomposed of seven elemental forms in relation to the transcription and identification of the three as a family trunk enormously of its exegetical possibilities. Tangent to the transcription, and if it is the case identification of the names that we stick to reunion and redemption of their parents, like all anthropology that was chained to the figures and characters that cordoned off the top of the temple when the three met they hugged and held hands as a sign of illustrative demonstrations of never surpassing oneself. Beginning with the compensations in the fullness of the tables, and completion of all the facts that showed that nothing of language escapes what an eye can observe; that is to say, as long as there is a speaking light, it will always be necessary to listen and then observe in the presentation of the mechanics by the lines that expressed the figures, which were increasing the number of letters that were possible to decipher; called stichometry or measurement of the lines in the texts that Saint Jerome that they were ordering to order a vade mecum or memorandum of this unbridled situation, which in any case had to simplify it whenever it is indicated for the reading of three beings that would meet in what literal of four spirits articulated in the continuum, in such a way that Vernarth added his bilocation to this symmetrical experience to meet again with the Mashiach who awaits him on the third step before entering the Iridescent Nimbus.

His parents will be the co-princes gathered on the Supichi road bound for the Horcondising, where Vernarth all Austral Winter Solstices will come to ask his parents for an audience in the Kanthillana Heights where they will summarize the exact day, that everything happened from a Thursday to a Sunday in the first hour of the most certain Saturday in which the twelve unnatural candles will be incorporated into the Duoverse from the branch of the Raedus Codex, specifically from the Antiphon that accompanies them to the compromised one, and sinuous height that was misted by the mist of snow, and vehemence that was perceived in the greatest regulars of Spílaiaus, having a ring of lights as if such were a gesture of Jerome and everything that was named in the concordance that could be confusion that slipped from the metaphysics of new space by beginning. From such a root emerges the Eta or value number and Vernarth symbolized as  N times from "8" to the entire value of the figure of 800 "w" or Omega, which will be the values of figures and numbers to predispose the alternation of the visits that will take place. to have with his precursors each Solstice, after alternating with the Elves of Archimedes, and to cross with them the manifestations that made him lighter than air, as could be expected before the imposition of everything that he imagined to sleep to the badly gestated world that had been altered, even with a remote Faith that symbolized the decisions of Saint John the Apostle by disposing of the salvages of the vestiges that had been destroyed in the physiognomy of a cause that proved more eloquent than a mere revelation that was never believed which would awaken from its very Semitic superlative. In this case, the allegory surpassed the prototype of all curly visual language that emanated from Vernarth's decision for the humanity that needed him, on the one hand, Saint Jerome already resolved, and Saint John the Apostle in the division of two events of the same story that It was melting into the complexity that would be unspeakable for two Saints in the middle of Vernarth, demonstrating that he had taken them with all the power of the force that is capable of pulling and manipulating until arriving at the darkness of the senses where all understanding and reasoning fall asleep. only allowing the silence to take them in the ellipsis recently emanated by the Nothofagus that were walking on the flaccid snow, the three went with graces of faith and satisfaction, Saint Jerome escorted them with everything healthy that made the incomparable awakening of two latitudes explode who managed to revive in invisibility, after resisting the latent verbigrace of the Apokálypsis that showed that the incomparable topic denoted the ma Greater resistance to everything destructive and Omega with the only subjection that only the verb "Love" does. They reached the icy and stinking gases similar to what Santa Rita de Casia emanated, which at the same time would be dividing breakers like those declared by the Corinthians about the Israelites when they were blinded by the radiance of Moses. The same would happen in the veil of little snow that was left behind his last steps when everything was white as a growing incident that would be attached at once to Patmos and Sudpichi, as well as Kanthillana and Olympo. He says goodbye to his parents and they carry their impulsive agreements to meet on the next Solstice together with Saint Jerome and Spilaiaus on the plateau.
Genesí of  Apokalypsis
C A May 2013
I'm redirecting my thoughts once again
Focused on a new beginning with a new perspective
I almost wandered off on all the broken cross streets
Misdirected from all the blinded passengers
The strangers try to speak directions
But their languages seem so foreign to me
I see the traffic light go green and I won't go just yet
All the noises drown out what I need and what to do next
With the echoes humming phrases of "I need you please won't you help me"
I want to be the voice of reason, if your instincts cannot work
I want to save you from defeat but you have to have a bit of courage
I want to light the pitch black darkness from you saddening soul that cries
But love is not enough to save your heart wrenched painful catastrophic life
You're still just a a shadow dancing with hand of distant tragic spite
It's all to much to bare and I am not your super girl
You are far too much to care for as a child of my own
I don't have the time to swallow your guilt on hand and knee
I don't have the room for blaming games and bitter painted self pity
I am not trying to push you from a heart that loves you so
Your tears have done enough for me so I have to let you go
You are so broken and lonely and too naïve to see the truth
I am just one girl with common sense and I hate to lie to you
Your misinterpretation of the reality that is
Is all just so demented and it only bringing you down
And darling I don't want to go down with you
darling I have just to much to lose
Please forgive me
I can't save you
Its not that your not worth it
But I have traveled that winding road once or twice
And life is only what you make of it
So why don't you make it what you want to be
Instead of crying here for company
Why don't you, start now
Negra Apr 2020
i know i love you
cuz i forgive you
do i love me
when i forgive you
should i forgive you different
for me
redirecting my energy
Keyan R Dec 2018
I didn't think I could've done it
Talk to my love like that
Told her I didn't want to take her back
Force her away and never look at
I have so many photos of her
I have so many memories with her
I've grown so close with her
No moonlight will ever shine brightly as her might
Her lips alone brought a smile to my own
Parting ways this feeling is above me
I will never find someone like that

I will never be loved by someone else
Like she loved me
So true, I beckon the thought as I crouch on my knees
Is this the guilt that's been itching after cold words left my breath?
Over the phone, I couldn't greet her face to face
To see her with blank eyes as I rejected her
To see her break down harder and justify that she would be alone
Even though I was redirecting her
I told her best friend about our situation and we talked for a long time
I was surprised over how much she invested her own time
You see...I only knew from the perspective of what my love told me
So forever alone I didn't know I had company

Always the one to blame
Quick Draw, pointing fingers it may
It was the hardest decision I made
It was incredibly relieving and still so misleading
I didn't think I would ever say the words I said
I didn't think I could ever let her go
But this is the only chance I have to let her grow
If she wants to change this is the turning point
I hope she can forgive me one day I don't know
I know that she hates me
And I need to do the same thing and let it go.
Guilt from the day before. I let my lover go, a long relationship of seven years. I feel disgusting. But I am trying to fight for the next day. It's different when the man is suffering the mental abuse in a relationship. When having a relationship I know that you give and take, and things you never had before the relationship you have after the experience.
Mckenzie Ycmat Jan 2014
I sit in a single chair
In my house of clear glass walls.
My hands folded over a note in my lap
I keep my head bowed.
Black covers the room all around me for miles
Yet small hints of light reflect off the glass
The stars shine through my glass roof,
But I do not look up to see them
I keep my head bowed.
I clasp the note with one hand and let it crumple into a small ball
The edges of the paper pierce into my skin
I quietly smooth it out
I read the inked words in the dark
Knowing them by heart
From the corner of my eye I see a slim line of bright light
The light suddenly begins to creep into the glass room and I look up.
The sun is rising over the snow-capped mountains
Outside of my glass prison.
I can now see the field around me
I am there and I can see and it is beautiful
I stand and walk to the wall in front of me.
The note flutters from my hands and
I let it fall to the ground.
I put one hand against the once cold glass,
Now warm from the suns rays
I look at myself in the reflection
And look past my eyes at the coming dawn
I raise my other hand into a fist and smash it hard against the glass.
Blood runs hot from my mangled hand as the house shatters
Like a fast ripple in a pond
The air is full of falling glass,
Each shard refracting and redirecting the morning's light.
The fresh air fills my lungs and I smirk at the sun
I’m gone
The house is just many fragments of broken grass
Around a note that says
"Goodbye cruel world."
Nebek Wormer Feb 2016
ever find it funny how how how how it all just goes on
no matter what
people say this, people say that
doomsday around the corner
at the drop of a hat
but the next day always comes
bright n early and on time
when will the day come?
''''''
words breaking
bodies shaking
beautiful thunder
ringing, reverberating throughout vessels
ethereal, physical, inanimate
cars rocking steady
beds creaking
echoes of soundwaves vibrating
Precipitation
always been waiting
for such a moment
touch of flesh potent
been waiting for this moment
is it everything wanted?
''''''
fading
swaying
breaking
subtly
noticed
when walking boldest
incomprehensible to consciousness
but deep within ancestral blood
subconscious behavior
''''
eyelids paint black
out like a match
burnt from decay
feelings never want to stay
stand still, yet sway
falling off on a decay
dry whippin with no delay
but with a fade, deep down, once locked in cage
where answers lay
within;without
look around
peepin corners
under curtains
eyes looking
something cooking
brooth for thought
keys to mind identified
moving on with presence of now
move like crow bringing woe to everyone around
feel positivity under negative dualistic attributes
working towards retribution
ever so steadily, but with swift foot guile
familiarity with these tiles shifting and forming, morphing into something new, always and forever nothing I pretend, but something ego cant depend.
~~~~~~
Pilot
lighting away
lightning distant, not far away
close like word on street
but stuck in suburbia
trapped in isolation
land molested by white devil hands
rooted deep in the finest grains of sand
in ancient lands
Looking outside of the glass,
reflections of past, a future smudged, but faintly visible
Outside of the glass is the infinite moment of now,
somehow,
untouched by human hands,
something only observed outside of observance
energy in abundance pouring out of fountains in mountains o brooth
no one believes, but its a truth
partial to the bigger picture
is a caption really necessary?
''''''
on and on and on and on and on
it goes ever so
built oppression
neglected expression
stuck on false thoughts and feelings
redirecting sails into new lands
a new perspective
new flesh
~~~~~
Evil consciousness
Suzerian possession takes sway,
stage the show
(haiku)
nevergone,alwayshere,neverclear,steadysteer,destinationsneverclear,itisalwayshere,
Account is collecting webs
but never neglected.
This posting is a collaboration
of sudden inspiration
Michael W Noland Apr 2013
I wounded myself, to feel how it felt, razor stripes of my life trickled from my arms, and chest, i tested how it felt, again, how it felt, to hurt, and i lurked, in these tears of trickery until they dried.

I remember looking into hate for a well of ailments, but just layered laments on my fragility, but I still remembered the memories, as they blurred through times passing, fast forwarding right past me, pulsing, flashing.

I Remember the blasts of my friend, as his head cracked on a trunk, six bullets, rolled back eyes, pink foam, and a rasping noise, and all i thought was to catch his breath, one last concept, as it slipped on by.

Not one tear, not one cry, neither him nor I.

And I, still feel the feeling of those wondrous eyes of mine, gasping unto beautiful skies, in the sweet sweet surprise, of something bigger, something so profound, as to drown the world in doubt, of its thinking.

So young, so innocently brilliant.

And I remember sinking pits of regrets, and things i wish i said, as i bled, in tears, before the years stole the deepest emotions ill ever know, and strolled through uncontrollable turmoil, in rolls, and waves, of the tolls, Ive paid, in coils, of hate, all balled up in haste, and chucked at the door, mucked of the core, spilling its guts, on the mudhuts of my humanity.

Humility unborn until true scorn pierced center mass, penetrating my soul, my coal, my face, and my masks, changing me, redirecting my intentions again, to the forbidden zen, of absolutely ******* nothing.

Not a bird chirp, a cricket, or wind.

Not a frown, smile, or squint.

******* nothing.

And i remember my operational function, unplugged and bludgeoned, in the intoxication of girls, that whirled right past me, leaving blood, ***, *****, and glass, in my shadow, lifting from the ground, proudly striking down, everything but what mattered, as it shattered my heart, into a million fragmentation's that popped, on every person it came across.

I remember everything, like another's memory, remembering something at the door of knowing, before dying upon its showing, of the path, the caste, the infinite black, staring back from the black, and laid upon me the eyes to look back, and see that it wasn't me, and suddenly ...

I remembered nothing.
Reagan Williams Feb 2017
2am

These 2am thoughts consume my mind like an entrée,
Devouring every square inch of my cognition.
Its always a constant war between my heart's intuition
And my mind's belligerence.
Redirecting my brain to consciously fall victim to making"mistakes" .


But It is only when the sun temporarily evaporates
and the night sky transpires
When images and memories of us flock in my head.
Like our careless rendezvous and lustfulness that became euphoric..

If I could just sleep,
Sleep maybe.
I'd sleep away the pain,
The result of these 2am thoughts.
Jack Dec 2013
What is it to smile…

when the eyes you cherish
turn from you,
peering off into the distance,
seeking another sight,
encased in a theme
that does not include you?

What is it to desire…

if what you long for hides
behind curtains of pain,
blacked out windows
redirecting the sunlight
to a place
that longs for nothing?

What is it to breathe…

within a life that does not matter,
in full view of your imagination
crumbling like so much dust
beneath cushions of your heart,
mingling with lost change
alone in muffled visions?

What is it to love?
C A Sep 2014
Bitter thoughts redirecting infinite wavering change
Manipulative and graceful even
Catastrophically inclined because negativity was a habit brewing
Possibly her only hope, if that isn't ironic enough

Everything is a reflection of irony
Stardust was result of all my wishes
I've never seen perfection sparkle so bright, as sober as that night
Perfectly gleaming through a thunderstorm, effortlessly painting chaos's masterpiece
Beautiful
The sunset beamed through the prism of my heart
There she was smiling back at me
Apollo Hayden May 2019
I may seem like I'm lost
but only because you're searching for something you'll never find.
I may no longer be able to hear your voice but I can still feel your eyes.
Life is love and I'm so in love with life.
Still dancing with poetry because she never leaves long after those who were here are no longer in sight-
Insight has shown me a whole new world like I'm on a carpet that flys
and my head is the genie so I rub it twice to let out the light.
Shining from the inside out and learning how to move,
leaving you wondering about things you have no business wondering about and so it just leaves you even more confused.
I'm a ravens feather in the wind,
I'm a muses muse,
catching fire whenever writing from the depths,
redirecting my energy to things that make it easier to breathe, instead of feeling spent because I'm up to my chest in spiritual debt.
Nothing to prove...
Nothing to see even though you think I show it all,
but you'll need a few oxygen tanks to dive deep enough to understand just how I breathe.
Till then, with this pen I'll cause inception and use it to get through the layers of your dreams.
To search out your true intentions and see if you really came to love or just to hurt me.
Well this time around my shields much bigger and my sword is sharper too,
so I'm blocking everything and anything that doesn't serve my highest good and cutting into the marrow to look for truth.
I'll be invisible so the things you think you know, you really have no clue.
Though you think you see, your eyes deceive
as I write quietly I silently move.
Amanda Stoddard May 2014
safety in my mind is a seven letter word
and you may not believe me now
as our bodies are caressing the hands of time
stopping everything in our minds
that could potentially break us both.
Or even when our heartbeats
are directly in sync with one another
redirecting the orchestra of years
that were spent misguided by the ones
who are the reason for our trust issues.
But baby it is you.

I can honestly say I've never felt this way,
because I've written a poem for about
**** near every person I know
but not as many as I've written about you
and my hands as they type for you,
are like a self-portrait for how I feel
except I can't quite get your ****** features right
even if I harnessed every aspect of your beautiful soul
bottled it up and turned it into a collage of color
it still wouldn't do you justice
and I know all poets write about love,
but see the thing is I don't know how to write about love
or if this writing is even right, or if my mind has just left-
because this feeling is far beyond any **** I've ever felt
and I am ******* scared...
but euphoric at the same **** time.

Like falling down and scraping you're knee
while you're running for the ice cream truck,
or like the monster under your bed reaching for your feet
just to give you a candy bar.
I feel like such a kid again.

And your eyes **** your eyes
warp me into a world I've never known
and whisk me off my feet faster than my ability
to even think of what to say in this next line
because I don't know how to make sense of this
and I'm not even sure I want to.
Because if I could explain it in words,
that would take away from the beauty
behind the rarity and the innocence of this madness
and everyone else would try to find it
and harness it into this little jar we call a heart
and live inside of it, never coming out again.

****, ever since my dog died
I thought I would never love again.
Ever since my first boyfriend in eighth grade
took my heart from my chest, polished it
and played hacky sack between him and my best friend
I thought I would never love again.

Looking into your eyes for the very first time
( and I think about this moment every day )
was the most scared I have ever been
mostly because I saw who I really was reflected in them.

Ever since every person of interest,
would leave me for another
I thought the idea of love was stupid.
and ever since I saw my parents
treat each other like ****,
I thought the idea of love was stupid.

But **** did you disprove it.

No one can take this away from me,
except for you.
So if you must take a piece of me
when it comes time for you to go
I ask it be the piece of myself
I saw inside of your eyes
that very first day
because the way you saw me
is the way you've always seen me
and a way that I've never actually seen myself.
I want you to keep that image of me  
because if you go you may never see it again.
Ryan Nyberg Feb 2016
you broke my heart
and now im breaking yours.
im taking my ships back
to homeland's shores.
im redirecting winds
and raising tides
you wont find a lone soul
you'll hear no cries.
you broke my heart
and now im breaking yours.
im giving back the wounds,
the pain, the sores.
Jessica Who Mar 2013
The stinging bites of those tiny teeth.
Coloring my skin.
Branding me with art that touches my soul.
As the pain brings such pleasures, not to be spoken of.
I needed that.
Deeply.
Secretly.
Pulling it in and spreading it throughout.
It's almost too much.
Ahhh, the cold, wet kisses it better.
Takes me back, I'm ready for more.
Clearing my mind.
Redirecting thoughts.
I lose myself in the melody.
Deep breaths.
I can do this...and so much more.
ME Jun 2014
The Hour Glass
Flossed on the inside
Clear on the outside
Impossible to change
Redirecting the sense of time
Unbewildered to it's loss
Connects the dots of past and present
A weathered feather
A fallen leaf
A dying flower
You and me
Alyanne Cooper May 2016
She says we're magic.
And my inclination is to doubt
Because to me magic is the impossible.

But every time she speaks
She's magic.
And it's been like that since we shared a womb.

We are twins that shouldn't have been;
No twins run in either side of our bloodlines.
An impossible pair, you could say.

She calls us magic.

She and I have faced death and lived.
Hindsight still brings no clarity
To understanding why we didn't die.
An impossible life, you could say.

She calls us magic.

And I watch how she moves through her life as a teacher
Touching and changing and redirecting
The fatal fate others are destined for
Making it into a life worthy of them
For she says they're magic too.

And knowing what she's seen and lived,
What she does seems impossible to me.

But she does it. She lives it. She is it.
And I wonder how she couldn't be
When that's the only sensible thing:
She is magic.

Then she pulls up a mirror
And faces me.

Our lives parted paths long ago yet remain parallel.
And she makes me see that all I've done
To live and breathe and thrive and succeed
Is in others' eyes, impossible.

And she boldly declares yet again,
Yo, we are ******' magic!

This time I believe.
Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria

They passed each other on the outskirts of Archangelos to go to Tsambika, going to the Necropolis of Helleniká where he was waiting for them more than 400 kilometers to the west of the Cyclades, precisely in Kímolos where they would do the colloquy with to do the channeling with the Necropolis. Etréstles had traveled with Kanti the steed; on his back, they saw the distance before they arrived at Mandraki in Rhodes. They all headed down the coast towards Archangelos, but Etréstles went to Helleniká, the Vas Auric was landed on Mandraki for the purposes of the Creation of Vernarth together with the Apostle Saint John. Kímolos, it is on this island that the famous beginning of the procession towards the outskirts of the cities was to deposit their sacred remains on the way to a better one, here were the martyrs who were used to Etréstles since he cohabits in delay with Drestnia for the new millennium (His female of hers) with which he resides in the Koumeterium of Messolonghi in the ninth vertical cemetery. Having a chapel and altars this place was propitious to create between Kimolos and Tsambika which was so many kilometers away, so the meeting performance between villages would be seen in its entirety to be resurrected and worshiped between the Cyclades and the Dodecanese with pious exercises between both latitudes precisely in the chapel of Theoskepasti, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands some matches of some population dowries with laws of affability and generations lived there without knowing each other between the two islands and tabernacles, arguing canons of burial and exhumation. In this case of performance refer to the Vas Auric of Limassol that brought the construction of a world of the right angles for the neat reconstruction of multi polygonal spectra, adopted for the first time in Kímolos to be retransferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and the west of Kímolos re-installing themselves among more than a third of the venerable ones who rested in Helleniká, in syncretic neatness with dissimilar populations and creeds.

Saint John the Apostle with Vertnarth, Raeder, and Petrobus plus Eurydice would bring from the rubies of Alexandria the incorporeal honor of Alexander the Great, turning both island sites into palaces of the Muses of Helleniká for the scholars who would be at the canonization of Vas Auric. Being the precursor of the chapel of the Theoskepasti, this performance of erudition will be endowed with the new status for Philo of Alexandria present here, now being a co-demiurge who will convert this necropolis city into duality with Tsambika for distinctions of the rituals and homilies, reducing the inputs basics in ceremonies. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote in La Legatio ad Gaium, the Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him to be built as Jupiter in the Temple of Jerusalem, which sowed desolation among the members of the delegation. Finally, this purpose was not realized thanks to the intervention of Agrippa I and the death of Caligula, Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily the spiritual custody that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to Panagia de Tsambika, in the frameworks that feed the Hebraic and Hellenic boundary “translating Greek into Hebrew, but in two universal sites of creation in the Theoskepasti chapel and Panagia de Tsambika, about the magic of the meeting of omniscience and grace. Says Vernarth: “with the interpretation of Philo of Alexandria and his exegesis, I will rub the tract of the successions of infinity legitimately stored the creation thought of the ZigZag Universe with the Parapsychological Regressive authority now circulating in a sniffing universe with a Verthian genealogy, tempering with my Falangist disciples but being biblical when it becomes the occasional emaciated mob of a world that falls degrading with its last pieces and challenges of the world associated with an allegorical spirit, contracted to wings of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and in Helleniká, making delights of pleasures in these ceremonies to create the world’s ignored in the office of the super compassionate language, in more than seven days that add up between the Sun and the Earth, in a sub-mythological world being ourselves our own executioner established on the ***** that falls from the match of the wick of my Lucerne in its own mood. I still have a memory of who and of each one who will always be in my prayers, reopened in a sacredness less than my own end, here I will not continue to be stored. Rather I will continue to fall, exhumed from the very storehouse and from the struggle of the thistle that falls from itself rounded up to be competent to explain himself biblically as if he had never before been read ad limit of the doctoral, and sacred in the work of Philo of Alexandria here with us leading and there in the Necropolis on another thorn; as a perpetual creeping species growing here as an unvarying summer plant in cooler climates, which would usually be prostrated on the Helleniká slab with radiating branchy stems extending the fractal distance between Kímolos and Tsambika in thistle´s ceremonies. The hirsute silts will come from the genesis of their spiritual temporal being the same wool of the whirlpool of all the weeds attached and oppressed to the lamp of the gargoyles that are tuned together with the Gulpers of Archangelos in a happy diet following patterns of even, and odd thistles spring in the Cyclades and the Dodecanese. The Parapsychological regression XIV century - Saint John the Apostle says: “from Filerimos a sidekick monk of Philo of Alexandria has come with the image of the blessed Immaculate ****** and painted by Saint Luke the Apostle. The Knights of Saint John built the Monastery of Saint John in Rhodes with this image; everything comes from there on the Miraculous Hill of Filerimos, and the temple of Athens Polias was converted into a proto-basilica with a three-bay nave dedicated to Her. The church is known since then for housing the figure of the ****** of Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John a monastery was built here surrounded by cloisters cells and a series of chapels, that is where the figure is the miracle worker and is reverently guarded. Being a Capuchin order after the Ottomans destroyed it; it was rebuilt by the Italians. With this image we canonize the Vas Áuric in the homily prior to the spiritual link with Etréstles in Kímolos, before every morning they illuminate the sacred Earth of both latitudes in the mystical house of Saint John the Apostle with the herbalists on the wind to fight for the Somnia in Hortum et Flos Herbarium in Kímolos, Garden of Flowers and Dreams in Herbalist in Kimolos. Knowing that the Universe is approaching the Vernarthian Duoverse, Saint John the Apostle decided with the Birthright to establish a Duoversal Garden in Kímolos with the aim of laying tremendous foundations on the base of the pre-Christians and apostolic who enlisted in the Greco-Hebrew world with the addition of compression, and medicinal valences for the herbalist of Kímolos, in such a way to reissue it in the monastery of San Juan in Rhodes and the Panagia of Tsambika. Since the grains grew and germinated they became thickets of great predestined forest in Rhodes, aspiring to continue being a well-known theology in Greek also being sufficient testimonial about its Aramaic originality, being addressed to the Sanhedrin, 37-42 AD Before Caiaphas and redirecting it to his brother-in-law Theophilus of Annas. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls, found at Qumran, with notable early messianic mention of the Son of God. Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Highest, the Messiah as a messianic voice, being able to be confused with the Beast or the Messiah but Philo of Alexandria will be there saying “I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has, and will reside forever and ever in his Messiah” Given this situation, the commanded expressions were those of astragals mysticism in herbalist and botany in this manuscript, since the unfortunate leftovers are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; in regard to the wind of the Anemoi being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena, but he heralded the excitement of the Cyclades, like Sound of Sounds between Narcissus of Sharon and Lilies of the Valley. The audio-images were avocados forming the deep thickets that will move according to the inclinations of the planets, each time the Universe approached Greece among all the cisterns with water for the flower meadows that Vernarth in litanies was assigned to the paths that lead to the Vas Auric.

Vernarth says: “With these titles “Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystical, and Regina sacratissimi rosari”, I have to transform all the astragalus, and shrubs into the consorts with the presence of the jacaranda vase of living human nature in virtue of the meeting of the Universe-Duoverse, for the herbalist of Kímolos now imprisoned in the Vas Auric of Limassol. "Sweet Nectar of the dying, eager for eternal hunger and sweetness in withered flowers"
The end of Parapsychological regression XIV century
Saint John says Apostle: “Helleniká and Tsambika, will be the lily, the saffron, the rose and the violet but also new ones, like the marigold and the chamomile making of all a diadem crown to place the world of the Duoverse in all its radius, for the star that illuminates par excellence as a white planet without thorns, which is perfect among the perfect, anti herbicide of language and of incarnation as in the Empyrean the medieval sky in the highest of heavens. It is likewise in the place of the physical presence of God, where angels and souls reside in Paradise between caltrops and Rosas towards the alimentary plane of conventual voice, and tonics of the glycogenic Milky Way sipping third-grade milk to curdle in the children who have not been a Messiah yet. Paths of thorns will guide visitors to this gallery of flowers and plants through the Panagia monkish for the holy homily with the Lilies and through low valleys, where no more Lilies can escape from their chains of the Liliorum genome in the valleys of the galactogenic virtue. Like Mother Rosette and son Lirium, being the mother of everyone and of that…, there… your son, “Myself in the path of the three Mary’s”. Over there in the desolate place, a columbine carries me imprisoned on my heels as a bond of a son who makes my steps with the Columbine of my saving feet” At 320 meters of altitude Still, Life appeared concealed behind the Vas Áuric descending…, here everyone approached the auric circle of Moral that made them authors of the proximity of the Universe falling on Greece, and the Herbolaria that fell with all its reliable structure in the foliage where many more species appeared such as thilts, Laurel, Olive, Linen, Grenade in a simple and nuanced devotional with the pro status of the delegate; the same Hexagonal Primogeniture to make the cinnabar fistulas that were elemental by the different associated colors, and by Grail tutorials that looked indigo on top of some Rhododendrons. If it is eschatological, it is in the mystical nets of the Empyrean further from a form that is said to be called a form of antagonism, between Cardinals and their dead Lilies. As first among the last, the bulbous and clayey Tulip of the orbital and basilica symbology, peacemaker and philosophical Eritrean for spiritual quests that toil outpourings from the Empyrium, reaching the Messiah on his Colt on his way to Bethany. Around the Monastery, everyone could be seen as they arrived to the beat of the cymbals and aulós, among lyres that prowled tickling the inquiry to rest their fingers, or perhaps dressed by some Trojan villain augur in those of "Daedalus". Being the latter, here a tulip with flames of a true seeker trying to sacrifice subsistence daring over the risk of the resole of salvific death or perhaps dressed by some Trojan villain augur in those of "Daedalus".
Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Thalos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster; the labyrinth was a building with countless corridors and winding streets opening into each other, which seemed to have no beginning and no end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave of Minos in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth, I have to lament for the ****** of Perdix, now turned into Partridge who now carries in his claws the creation of the Universe-Duoverse, turned into his own, and myself in envy neither harassing me about my endings, and neither starting nor finishing. That is why I appear here coming from Crete, to wrap myself in the garden and its mystery closing all the madrigals and hedges, like a world that has created me, in its splendor, seeing the humility fragrant with violets grafted onto lavender with my soul now, of a somewhat syncretism Hebrew-Hellenic and Mythological sub-Mythological, like a nobleman who walks free and without chains… passing through the Parthenon to put on tiaras in dresses that are adorned with Linens, but of evangelical lineage here in Kimolo.

In Kimolos; Helleniká Necropolis, Etréstles was suspended in a columbarium equivalent near the lapidem of the necropolis. There was a great amount of accumulated air enclosed in the musty cinerary walls, with the translucent specters that fluttered through other metropolises that transited inconsistently in their proto-masonry, and some resembled pink jaspers on some grooved slabs, letting pale dovecote rhizomes slip away under an oblique columbarium domain that manifested itself meagerly on an unstable podium of Folegandros. Adhering to this enormous exteriorization were Kanti, and Etréstles in their hydrothermal genesis, lying as a petra forms at a wide range of heat towards periodic effluvia of their Devonian geology, manifesting discreetly until a carbonization of sedimentary rocks attributing their curiosity when they continued to remain in areas favorable climatic conditions, simulating to be exordiums on thermal hydro sediments, leading to the carbonization of the surface of the necropolis with micas and serpentines, to cool down in the selfless natural fields that resisted the effect of the heat generated by the ZigZag Universe, etching each other on pyrites and graphite’s with the compactness that increases, and extends the widening of the mournful enclosure attentive to channeling emanations and traces, that will be the first loads of exegesis from Tsambika for prompt elucidation from Mount Hymettus in Athens, and continue to proliferate in hives of bees libating in its thickness towards the good-smelling necropolis causing its magnificent flowers and herbs to steam; so much so, that from the paved lipoids of honey astragalus and spectra will come out deposing to be toxic, yearning the strigilas or curved striaeons (reverse or straight), imitated from pagan sarcophagi.

Thousands after Thousands of Centuries after centuries, adorning themselves in the lapidem glossaries on the exterior fronts of tymbos that were embedded in the tholons, almost as in outright Constantine-Hellenic brilliance towards an unarmed cenotaph with their flat covers, pouring over them the devastated trisomy of Kaitelka, of whose diploid organism extras, aberrated by being parity triplicates of their greatest chromosomal and homologous hereditary complement. The vestiges of fossil whales here were generating disproportions of execrable variation, being destined to the patio of fall on them in three additional courtyards of marbles at the rate of inverted strata, revealing only some of their extremities appreciating them with semi-covered figures, and on reliefs filling again by genetic trisomy for gentile practices and lead them to the Christian Vas Auric. Faced with such a famous disproportion of fossil reliefs, they turn to the scourges of the Universe.

Panagia Theoskepasti Parapsychological regression Etréstles in Kímolos: The church of Theoskepasti, due to its position could be easily recognized by the invaders during their raids. However, according to a legend the church was veiled by dark clouds of mist and became invisible as soon as the assailants approached. Due to this legend the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" meaning "God" and "watch" respectively. So, the name is 'God Veiled'. According to another tradition, when once a foreigner managed to get into the church and tried to steal the golden candle divine power cut off his hands. Also if it is watched over by God, so it is divine for the Creation that it will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese. Etrestles After staying together with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of Kimolos, here in the necropolis there are ruins of ancient tombs that would form part of the new humanity in the creation of the Duoverse, existing since Mycenae and the Cyclades next to the small islet of Agiоs Аndreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Elliniká with some stones still in the sea between Kimol and Milil, in the vicinity of Psathi on this island located on the southeast coast. Kímolоs to Chοrá is 1 km away on the hill above the Psathi port from here the foreign ships trying to come to the Bay area sighted, for the advent of the Cinnabar on the scapulae that hold the Gates of the Necropolis for the effect avant-garde, and regenerator of souls that will resurface with more universal chromosome tints mutated from trisomy, more of extreme longevity. In the homily, an archpriest of the regional deanery will make a pastoral criterion for this gesture by virtue of eminence, and guide them through the orthodoxy of the chapel to the Episcopal organizational procession of the Vas Auric. It was already twilight and Etrestles was climbing onto Kanti's pony clutching the utensils of the homily, in the customary ritual before incensing and setting fire to the laurel and rosemary in the fords of Leto and Koumeterium of Messolonghi, it rotated in ellipses sprinkling crumbs of the purest loaf from Arcadia on a gray Monday with hummus to attract sour souls that they were in a catatonic state making them more esthetic or aesthesis, of reactionary rebellious natural aesthetics with nuances, then reincorporate them into the three courtyards in a magnificent concordance with Rhodes. When the Archpriest begins the talk, he derives his prayers from semi-inert materials that were made in communion with the chromosomal dyes; with the worms with absentmindedness of progenitor snakes that were grafted undulating, being in reality only worms that were amazed at the exhortation of the Archpriest in the ritual, circulating universals destined for his elegies and celebrating from an ambo or pulpit with classical Latin pronouncing the archpriest the way it died lunae, mutating it ****** to dies lunis by analogy with dies, on a dark Monday day but full of grace for the assistants doing the sermons to interpret the alabaster patios that will lead to Tsambika. The first worms were persecuted by Kanti, he believed that they were scatterings that emerged from the ground, such an earthly ecosystem was beginning to disown him due to the metamorphosis of annelids which seemed to increase their ultra-grave texture with the same remains of an irresolution without a sarcophagus, turned into sharp curves intestinal that were depressed breathing autonomously on consistent folds of the dermis of the oldest caste of the subsoil of Helleniká. Preexisting the distant origin of the Arcadias and they're dissected that silently followed the hummus and bobota, not to digest them with their suckers, but rather surround them and delegate them to explore the surroundings that would encapsulate the ground with the proximity of the transfigured universe to Vernarth's Duoverse, to phosphorus and emit the will-o'-the-wisp nitrogenous fires before the Archpriest, Etréstles and Kanti disquieting by an arcane movement. Being a full act of the herbaceous phagocytosis, they continued ascending in the curvilinear procession with their traces weaving moment without time, which was added to the sub-mythology and a finite sub-time, like unicellular procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of the organic material on the hummus and exudation of propolis rhizomes. In this way, they resign when falling with serious cramps cleared of the digestive world, which no cell has tasted ******, but rather direct when breathing from Hellinika's lung lobes, comprised mostly by the alabaster sheepskin that was suspended to other colonies of worms that sailed to lean out towards the surface of the altar where they regenerated from the flow of the annelids. Archpriest says: “The frame of the Vas Áuric arises from the nuclei of the medallion, pending a high presence of insulation. With high mobility between the tissues and amino acids of the annelids, new basal cell functions even being visible for Etréstles and not totally for all yet. The image of the medal had a classified functionality and concrete information, but imperceptible chronological possibly being the first function of the icon in its justification with religious symbols and manifestations of the divine, and semantic still removed from a theoretical auto-iconic. When reading in Vas Auric, "What two men do not see, a man sees who does not see..., what the creeping animal sees, self-prisoner of his lack of vanity..., He will see it". Being epistemic images that provide more distant knowledge of the sub-divisible organic matter in finite mortality towards the other eternal inorganic, contributing to the super complex neuronal development, in a veiled sensation that is lost between itself and its own bodies, being able to take them with its own differentiations”

Panagia Tsambika Monastery - Channeling Cinnabar: Vernarth commanded the three architectural courtyards of Tsambika for the Cinnabar layout. They climb the steps that lead to this monastery at the top of one and to the very connection of the homily with Helleniká. In this monastery they will have to censor three courtyards, all pointing towards the west of Mandraki Bay, on some pine trees all surrounding the virtual stained glass window of the portal that joins the main avenue with the ascent of the monastery, until very close to the Virginal Marianus icon and very close to the dividing wall from where Lindos can be seen. The Tsambika Monastery is four kilometers from the city of Archangelo, the height of the monastery is leveled with pebbles on its bare floor that led everyone barefoot, towards the three nearby patios. Cinnabar as a polygonal crystal would be specially used for the perpendicular ceremony of Mercury, to sensitize the climatologically the variation that would be appreciated once it began to sponsor the bones that would spread in the extreme longevity of annelids exchanged from the moldy alabaster arcades, and carried by alluviums of crystallized mercury, granting together with the Panagia of Tsambika fertility, and parental conception for the new Universe-Duoverse of Vernarth, extending life farther than the first-born descendant's first ancestor, being the cinnabar the diversity of versed uses now been given in the upright channeling with ultra vital extensions with Helleniká. The alabaster and the three columns of these sulfated stones form compact would dare to hydrate in the silos where the windows will be poured, this is where the sub-mythological specimens detached from any temporal dimension will be used, leaving sapiens annelids free will recombining the diploid chromosomes, and profiting from molds of exact erratic aberrations to be vindicated in the dispensaries of Saint John the apostle. Thus adorning the perfumed areas intervened three cinnabar patios, for the sermon of the Vas Áuric. Thus inspiring the chair with the verses of Saint John on the immanence after the fifty days of the Messiah in epistolary verses and the evangelizations, elaborating vessels of the low rank of Faith to opt for expectations of moldings with new consciences of selenite clay, and refine them in messianic faith. Middle-range pebbles were subtracted for the interior and extramural floor of the Monastery, being rather Biblical Calcite for the Egyptian-Hellenic Alabastron psalmody praise perfume. This typology will be the quilt for the magistracy with a canopy glass exhibited near the tulip lamps, and ceiling lights of the monastery for the use of the diamantine sphere of the opaque panels that flamed from the intersection of the arachnids re sprouting from the current wind of cinnabar. Vernarth says: “Suitable for our consciences, we will open the channels in Kímolos before our subtle bodies that will make us divided just as we parabolize ourselves, before the airs of St. John the Apostle in the headdress of mediumship to reach the wavelength to Helleniká, the interactive vibrations will leave with the expression of deep reasoning after pontificating the Mandylion with the Vas Áuric, for the effect of its icon and idiomatic monologues for the edges of San Judas Tadeo and Veronica, for such a faced event in foreign forces before the Messiah, a coherent gadget will be made in the intermittence variants. The channeling to the Cyclades will go from east to west wading the Aegean and Mediterranean waters, through the channel of the Universe-Duoverse for inter consciousness between the Hexagonal Primogen in Tsambika, and the triad of Etréstles, Kanti, and the Archpriest in Helleniká, with high degrees of the light consciousness and conclaves between both synchronous homilies. With drowsiness before the Anemoi winds that will be crossing near the voyages of the Trojan chthonic ships, and before the fateful chthonic divinities for such deities in the Mediterranean substratum identifying more obviously with Anatolia which since prehistory has followed to the site of Troy, in a cheesy union plan for Agamemnon's loyalists, to defeat Hector between farms and revolutions of agriculture, and Akkadian worlds b.C., in peripheral outposts to influence the central regions of Greece and its maritime trade. Hydro-physical influences, for the cycles of the solstice and nature with life and survival after death that is at the center of concerns that are not translated. In Crete, the supposed cult of great Gods is transformed during the second millennium BC as new actors appear: various animals, plants, etc. Given the consciousness, it will be the channeled light in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the Cyclades channels, which go from Rhodes and Kimolos, for discernment. Sometimes it is more gratifying to hear what you want to hear and not the real message, the egotistical mind that does not come from a series of daunted egos..., or signs of the technological shamanism, intervening artificial intelligence from maniacal administered consciences, being shrill for worlds of appearances and illusions. I Vernarth with our own Khaire Fíle…, in my mind I go to the vessels that sail through the landscapes of the elusive identity, trapping her in the totemic stratum, and tracking psychology, but a seer of her present ego. Today I will wear my Leonatus cap, to separate his anger from such a shadow that clouds my grief, and my own victimhood of reduced and meekness which spurns violence, blaming it on a ruthless kind of depression and excluding shame from everyone's own fear of everything. I will bandage my eyes against diseases that will heal after three days, to straighten the ecstasy that thickens towards the scaffold, staying in Golgotha with nothing, I will create the framework of cinnabar for the pain of the skull that trembles in my claws, until sleep becomes vaporous with anger and the harmless destroying itself before your egos, colorful throbbing towards your alien beings and scarified host. I will be waking up from my subtle and anthropomorphic subconscious dreams, with sentences that hurt my worst self-destructive delinquencies before the new memorial, on the veil of Theoskepasti with its science sheltering itself by giving in on the vanquished springs and inaugurating new miraculous courses where I will surrender, full of forgiveness and more distant from the veil that does not act as a viewer.

Duet time, Duet space, one with the other illusion unreal elements and epistemic images ignoring them in expeditions crackle my Duoverse, and temples of Tsambika with the decoded annelids mutating in trisomy with flat doors towards the Olives Berna. We look at what gratifies basting and plotting the positions of the stars of the universe that are attached like sheets worthy of almighty serials, and redoubled humor on the chthonic embracing tridents, before skewing Xyston as an original replica of the dream of a night in Tel Gomel. The counterweight of the message of light lagged behind the high astral like the little bear, bustards, and her angelic breath retreated in dissolution..., now if diva emotion I have my daring, and courage towards the binge of my omniscient prosopon, similar to omniscient telepathy, my soul lies and my emotion too because in this way I will treasure the value of panic by surrounding myself with the fears of resting, against the poles and sights of a peaceful energetic confrontation that will make them in Rhodes and Kimolos, channel the consumed human finitude and not eternal ad portas of his Áspis Koilé.

Unconsciously they will continue halfway with their bouquets of flowers for Valekiria, and may they never really take the time to tell her what time of eternity will make them more crowded for her, and her reliquary poem bursting into flame with its insidious outbreak and fear of telling him that if they revive they will be other Hellenic Hetairoi towards the vermilion light of the embodied sacrificed loop state as a "Being of Light". Oh ghost phenomenon that doesn't scare me... rather disappoints, clinging to the skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me... As conjecture and presence of Greek life..., having to be promoted and involved where they should be tempered to the contribution of biodiverse, and species for island life and its balance in the Aegean. The theorem will enunciate in the image of the Vas Auric as sounds of homeostasis in classrooms, properties of intervened annelids consistent, capable of maintaining them in a certain internal and stable condition, compensating for the changes of the explosion of the intervened patios, towards an environment through regulated exchange of matter and energy with the outside towards its (comparative metabolism), in the case of a form of dynamic balance with properties of Cinnabar brilliance, as a self-regulated biosphere in the conditions of the planet to make its environment (especially temperature and atmospheric chemistry) nobler with the species that make up life in the compass of two unmanned islands by beings from Gaia, rather as entropy in physical magnitude for a thermodynamic system in equilibrium, inhabited by dynamic beings that associate nobly for adaptations of worlds that are not born. It segregates them towards a departure measuring them from heightened numbers in states of zero compatible with the laws of that physics for the purposes of watchful guardians if Gaia's engine is turned on before this psychic and spiritual combustion. The laws of this system with closed circuits and brought will tend to maximize the entropy expiring inhibitory reactions for the traces of oxygen and nitrogen of the worms, making a sign of the levitated carbon dioxide to take it from Tsambika in two converged energies of Leviathan and Saint John the Apostle in moles of carbonate dioxide, battling surviving the impostor necromancers adverse to their conditions and reproduction, keeping these habitable for many who do not they enjoyed the life-death-life cycle. Greece, as it will now look regenerated and appropriate of laws and extensive fibers concerning moles of molecules said to be equal of said Vernarth hypotheses by way of sub-mythology, rather perching on the growing ivy and strangling the signs of satiety of life with properties in consonance with severities that hurt even to the sound of the rattles before the passing of the millennia! Fear, insecurity, and frustration did not fit because they will cut the Diospyros abenuz, with its stamens usually sixteen more hypogynous or inserted at the base of the corolla; as female flowers being greened or being converted into staminodes, Diospyros with generally tetra-locular ovaries or with eight locules due to false divisions, will make us channel by inseminating Itheoi demigods, under the staff of sub-mythology with Zefián, before the migrations in Helleniká begin, just as in this pact with silence and meditation and a burning flame, below the vulnerable and high insolated frequencies..., waking up in Gaia as a dozing fairy. Shamanic vested will grade synergy and simple science.
The Homily in the natural lassitude of the created, the Duoverse presented IHΣ, falling in the eighteenth letter of the Greek alphabet and in the duo hundred changes of physical remembrance. The PH (Hexagonal Primogeniture), is conceived in the presence of the Crismón, more Hellenic with the Vexillum banner and the Kantabroi to rescind the tired depressed zephyrs, since the quantum of memory was lost in the integrity of an earth acrophobia for the subsequent it would be air-water for this reason, preceded by the ceremonial that begins with the trimming of the abenuz Diospyros with its stamens usually sixteen plus it's hypogynous or inserted at the base of the corolla; like those of the female flowers having part of the gynoecium in the part of Tsambika, and of the androecium that will be of the Diospyros in Theoskepasti; usually tetra-ocular ovaries adapted to be inseminated for the raids of the demigods Itheoi and Duoverso, with the monogram HDD (Horcondising-Duoverso), tracing the bifurcations with Zefián; the chaos ordering up to modulated Theoskepasti. The changes have to be reborn in the stamen, being almost sterile and aborting in the chronicles of Galilee personifying the pollination benefit of the Diospyros resprouting in the same stem of the whorl even more so in each stigmatized part of Vernarth and Etréstles, carrying the IHS candles with the monogram and the Mandylion-Vas Auric, pointing to the Olives Bern. Before the seams of the carved heels and the canals of the annelids rise up through the alabaster up to the calyxes with the Chrismon hat. Filling the warehouse of Anemoi himself struggling with the roof, and forgetting his deposit of the breath on synaptic abbreviations continuing to argue with Saint John the Apostle in the network of Rhodes and Kimolos, in the bark of the sensory past and consequence of fallen gushes, and affecting being restored on the basis of oxygen-nitrogenated Nemo-genetic activation to summarize loss and gain of channeling between the Cyclades and the Dodecanese. The memories of the stuck Vernarth cerebellum will be loaded, trembling towards the marsh of the hippocampus where Zoroaster led the Magi to the end of the span and first-last border in the vicinity of Ein Karem. This evolutionary scale fluctuated in weak air masses with the increasing rise of the Meltemi over the Aegean taking them to Dekas Bay, on the knees of the colossus that cursed to avoid some delirium that could replace it's joint, remaining like this on a scale of reminiscent and unspoken emptiness..., it continues to be stated and not occupied and not, but raised towards the colossus from the ground of Vernarth which had unfolded bipartite from Rhodes to Kimolos, by way of the Verthian neuroscience whose prose emanated in the submissive glaciers of hyper-intuitive meditation (as a technique of knowledge and abstraction for functional links of improvisation, purgative discernment and yogic memory). All the nonsense is alluded to infringing the rationality of the Vas Áuric ceremonial in its phenomenology making curvilinear pauses to re-captivate phraseological, and diminished keys in the condensed equivalents to approximately ten terabytes from a homologous half surrendering almost when exhausted before both scholars, and their debts exchanged by driving..., thus recovering wave descents before reaching the bay of Dekas; Kímolos and final in the necropolis of Hellenika..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos to finish in Tsambika, Rhodes. As a parallel response to the archpriest not to alter the IHS monogram of the homily and the association in remembrance can affect the conduction of the mediate trance, almost prostrating it in the house of omission and frenzy, if it has to recover unstabilized. The sulfurous mercury component of the Cinnabar, came acidifying from the essences of the Vas Auric, already prospering in the tutelage of each auric conductor..., Archpriest and Saint John the Apostle, each one with the sulfurous of the Greek mountain and the arch of the Aegean Sea as a former karstic foundation for its diametric towards a change of reaction of chemical prisms up to the multi-angular of the topaz that Saint John the Apostle carried in his bag near the reliquary, hanging off some fringes of the Vexillum that had been placed near Vernarth. Immediately from the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos who came on another mission to be taken to the cinnabar, more on top of an encourage observing the quarters stationed in the sandbanks of Rhodes, Petrobus the pelican circling the ledges of the monastery, marking out the apparent slackness of his body and entreaties in case they ventured into Kalymnos for a good portent, in waters for tenth seeds and for all the rodines. From the cloister with one of its necessary dependencies, all were with white candles aggravated between the steps of each cell and attached friars they made an antechamber in the nave near the church on the hexagonal floor, being screened by the center of the garden where everything was dominated by the limits of the alabaster arcades, which only now pointed to the closet of the books, this time with plenty and saved voices with devotion. Chapter by chapter it was won..., for each cell, identifying each portion in identity up to the scriptorium and refectory, where this ceremony books were distributed to the infinite world of the Duoverse near the locutory to witness where Saint George and the Dragon raged, souring winepresses for the missal wine.

Sequence shot in Kimolos, Panagia Theoskepasti- Etréstles says: “according to what has to be said in this dimension, the word will be the Duoverse. Synchronically it will be aligned with the monastery in the Tsambika for the third hour after noon, reflecting on the unrevealed walls of the chapel on all the radiosities of the cinnabar, entering in electromagnetic lassitude through the trusses of the pulpit anchored in the Vox and mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, which collided crashing many times until by the glow of Cinnabar somewhat sulfurous, was mixed with the interlocking of some novas which also acted as a decoy for the Chrismón that Kanti carried the steed adjusted in the saddle on his back, as a mount in syntactic esotericism speaking with intangible brown colors of the Cinnabar.
Vas Auric
Jack Jun 2014
What is it to smile…

when the eyes you cherish
turn from you,
peering off into the distance,
seeking another sight,
encased in a theme
that does not include you?

What is it to desire…

if what you long for hides
behind curtains of pain,
blacked out windows
redirecting the sunlight
to a place
that longs for nothing?

What is it to breathe…

within a life that does not matter,
in full view of your imagination
crumbling like so much dust
beneath cushions of your heart,
mingling with lost change
alone in muffled visions?

What is it to love?
Graff1980 Mar 2015
The vacation is done
But I don’t want to come home
Haven’t wrote anything all week
So when the driving starts
I don’t speak
My pen does
The fading suns plays hide and seek sneaking behind
Tall red brick building blinking and blinding me intermittently
The first thing I see
Outside of the frustrating congested city
Is a silver topped silo
Miles more away the world becomes
An infinite sea of green and browning trees
Clearing that cauliflower collective
Orange marked work zone signs pop up every ten miles
Redirecting my tired mind
To the side the favorite part of any ride I watch
Pools of shimmering water refract, reflect, and relax my tense body
As we pass them by
Grey clouds sporadically spit little bits of cleansing rain
Dead dry dragon clouds with a soft pink underbellies
Drift dangerously close to me
Darkness decimates the white light veil
Becoming a star strewn corn moon
Night sky
We still have a long drive
And I still don’t want to go home

— The End —