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"recognizable" poems
Scattered across my bedroom floor, glimmers of light staccato on wilted rose pedals Memories of us,  the faintest slapback of the person I was with you, flicker with lethargic buoyancy  Fondness for fondness sake, denial as a delicacy Your face, obscured in these floral polaroids Impressions of who you were; what you meant to me, a struggle to behold but recognizable in ripples across the faces of others Remains of an entanglement that seemed to answer why the universe was even formed to begin with This omnipresent truth laying abed the other jagged reality of our affair; it was never you, it was my self-possessing pursuit of wholeness
0
Mar 13, 2019
Mar 13, 2019 at 9:10 AM UTC
Staccato Rose Polaroids
poem in two parts (a plane and bird) You are a sound in still silence; a point against negative space toward which my eye is drawn. The sun set, peeking beneath a blanket of storm clouds, painting the underside, as a plane, an infinitesimal photon, a plane flew as an impossible pinprick of optimistic light, moving slowly against the immense parallax backdrop of bright and hazy pink-orange glowing thunder clouds. You are the first breath I took. You are the product of all infinities, divided by itself, the sum of all integers. When the earth falls into the sun, long after humans left, long after you left, and any recognizable trace of you is swallowed, your memory will persist. You will have still lived; You will have been the last breath I took. A fulcrum of loss and a wedge between two equally lost people, but between them, between them still a bird, flying farther than any eye can see, but should the lights of the lighthouses lose you against their foggy panes, or should the salty wind dash you against something equally heavy, call out, and cast your voice into the sky, upon the sea, and against the stars, and maybe its echoes will live a little longer than you.
0
Dec 24, 2015
Dec 24, 2015 at 5:27 PM UTC
For Victoria
In your anger you opened your heart. I saw the picture you painted of me. What baseness! Only recognizable point is the fullness of my lips that look freshly invaded. Some things never change, though feelings do. Feelings change. Every lub-dub that disturbs the surface Shrieks at me - you liar! You two-faced ***** Begone! Even Eros dare not let you be loved again. A tear or two wash down the wounds fresh on flesh Surfacing charred waste of what you once cherished in me.
0
Feb 16, 2014
Feb 16, 2014 at 2:21 PM UTC
Feelings Change
"hell yeah?" the burglar asked the pusher. (the burglar: wirily, ambitious. plain appearance, dressed in black. the pusher: wealthy, strong and well-conditioned. sumptuous leather jacket.) "hell yeah", the pusher answered. "now i got what i like and you got what you need." both grinned. after a day of extensive work, they relaxed in a hellish pub. it was visited by diplomatic creatures whose faces were recognizable like shadows. this pub was called babylon 8. the burglar and the pusher touched glasses to celebrate their deal. they drank. "nothing to be written down", the pusher added. burglar nodded. voices of the diplomatic creatures surrounding them; satanic sighs; bold laughter; their sentences sounded like orders that are dictated by judges.    snakes and rats. gravelpitbulls and red cats. creatures with excellent memory. guys who swallow their plans after they had learned them by heart. a while later, a lady entered the pub: adorable like a man's fantasy; imitable like a woman's strategy. her hair color was your desire; her skin color the color of your dreams. her name was fantasy girl. suddenly, the lights went out; suddenly, a lightblue sun illuminated the room. no one noticed. everyone so busy hiding something that nothing was hid. the creatures of babylon 8 therefore didn't perceive the light. fantasy girl ordered a drink. she told the bartender: "i need freedom. that's what i want from you, the people of babylon 8." the bartender a giant with a face full of shining scars; his right ear missing; flashy shirt; an ancient first name; speaker of all world languages combined: the omerta. fantasy girl took a sip from a silver brew which had been served to her by the bartender. she took out a single match and there was no box; a long cigarette between her unknown lips. bartender looked at fantasy girl. without saying a word, he turned his stubble cheek into her direction. fantasy girl lighted the match. lightblue fire. inhaling. smoke. iceblue cloud. the burglar and the pusher had been looking at fantasy girl all the time. fantasy girl held a white fountain pen and took a black sheet out of a green handbag. she began to write.
0
Dec 15, 2019
Dec 15, 2019 at 10:12 AM UTC
BABYLON 8. FANTASY GIRL'S SCENE.
"hell yeah?" the burglar asked the pusher. (the burglar: wirily, ambitious. plain appearance, dressed in black. the pusher: wealthy, strong and well-conditioned. sumptuous leather jacket.) "hell yeah", the pusher answered. "now i got what i like and you got what you need." both grinned. after a day of extensive work, they relaxed in a hellish pub. it was visited by diplomatic creatures whose faces were recognizable like shadows. this pub was called babylon 8. the burglar and the pusher touched glasses to celebrate their deal. they drank. "nothing to be written down", the pusher added. burglar nodded. voices of the diplomatic creatures surrounding them; satanic sighs; bold laughter; their sentences sounded like orders that are dictated by judges.    snakes and rats. gravelpitbulls and red cats. creatures with excellent memory. guys who swallow their plans after they had learned them by heart. a while later, a lady entered the pub: adorable like a man's fantasy; imitable like a woman's strategy. her hair color was your desire; her skin color the color of your dreams. her name was fantasy girl. suddenly, the lights went out; suddenly, a lightblue sun illuminated the room. no one noticed. everyone so busy hiding something that nothing was hid. the creatures of babylon 8 therefore didn't perceive the light. fantasy girl ordered a drink. she told the bartender: "i need freedom. that's what i want from you, the people of babylon 8." the bartender a giant with a face full of shining scars; his right ear missing; flashy shirt; an ancient first name; speaker of all world languages combined: the omerta. fantasy girl took a sip from a silver brew which had been served to her by the bartender. she took out a single match and there was no box; a long cigarette between her unknown lips. bartender looked at fantasy girl. without saying a word, he turned his stubble cheek into her direction. fantasy girl lighted the match. lightblue fire. inhaling. smoke. iceblue cloud. the burglar and the pusher had been looking at fantasy girl all the time. fantasy girl held a white fountain pen and took a black sheet out of a green handbag. she began to write.
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21
Hurtling along and away, Approaching the center of the galaxy, The event horizon becomes visible, Slowly pulling me inside, Time and space distorted, Wave-forms collapsing in on themselves, Stretching and bending frequencies, Unrealities become fluid, then begin collapsing and twisting, Beyond recognizable form, Into infinite and immense matter, Like twist and tears in the fabric of space, Falling toward nothingness, That dreaded singularity, A moment away, A million moments away, As time ceases to exist, And crushing gravity, Displacing understanding, Dispelled notions, Horrific, And peaceful, Become the same.
0
Oct 10, 2012
Oct 10, 2012 at 6:06 AM UTC
center of the milkyway
I felt her presence, hovering over my grave like a mothers last prayers Like a fathers burning sorrows after thirty years drunk Alone she stood, framed against the soft blowing trees, and the dancing wildflowers that were placed as an ode to the dead She held orange petals to herself, close to her chest, as if to let them hear a heartbeat, but the ear of a flower only picks up meaningful noises, not the slow tempo of a withered muscle, overworked from exhaustion She wore black, knee high leather boots, and a matching jacket Her hair was wild, and she looked ***** She smelled of ***** and no showers, cigarettes and sweat and blood She looked of regret, and her eyes sang tunes of pessimism Anxiously she removed the bright flowers from her ***** Poppies, by the look of it She presented them to the face of my headstone, cracked and eroded with age, my name barely recognizable Left with nothing, her fingers went to her short blonde hair, matted and encrusted with dirt She ran her hands nervously throughout, eyes constantly distracted Suddenly, she focused hard on the headstone A tear fell from her eye, and I watched it soak into the concrete Her lips moved in familiar shapes, but words were lost to me Every word But one A name Abigail And she turned away, walking crookedly into the wind and rain And though I know she was talking to me, I could feel the name on her lips, see it in her eyes She scratched the insides of her arms as she disappeared from sight, and I felt a longing in my own "I walked away from myself that day. I gave it all up for hope. I guess this just goes to show what it's worth. Maybe I'll understand it one day, but for now, I am dead to everyone including myself." Abigail Hollow Jan 1992 - Aug 2008 A loving daughter, sister and poet.
0
Jul 30, 2014
Jul 30, 2014 at 5:52 PM UTC
Dreams ****** Headstone)
I felt her presence, hovering over my grave like a mothers last prayers Like a fathers burning sorrows after thirty years drunk Alone she stood, framed against the soft blowing trees, and the dancing wildflowers that were placed as an ode to the dead She held orange petals to herself, close to her chest, as if to let them hear a heartbeat, but the ear of a flower only picks up meaningful noises, not the slow tempo of a withered muscle, overworked from exhaustion She wore black, knee high leather boots, and a matching jacket Her hair was wild, and she looked ***** She smelled of ***** and no showers, cigarettes and sweat and blood She looked of regret, and her eyes sang tunes of pessimism Anxiously she removed the bright flowers from her ***** Poppies, by the look of it She presented them to the face of my headstone, cracked and eroded with age, my name barely recognizable Left with nothing, her fingers went to her short blonde hair, matted and encrusted with dirt She ran her hands nervously throughout, eyes constantly distracted Suddenly, she focused hard on the headstone A tear fell from her eye, and I watched it soak into the concrete Her lips moved in familiar shapes, but words were lost to me Every word But one A name Abigail And she turned away, walking crookedly into the wind and rain And though I know she was talking to me, I could feel the name on her lips, see it in her eyes She scratched the insides of her arms as she disappeared from sight, and I felt a longing in my own "I walked away from myself that day. I gave it all up for hope. I guess this just goes to show what it's worth. Maybe I'll understand it one day, but for now, I am dead to everyone including myself." Abigail Hollow Jan 1992 - Aug 2008 A loving daughter, sister and poet.
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40
so what do we do when all is left are figurines gifted in the unholiest of manners and the crusties in my eye when i awake are no longer their since sleep is a distant memory and all the tides of highs and lows simmer to a stagnant plateau because days no longer carry weight surmounting to popcorn on a string --one just like the last-- suddenly a day --popcorn with extra butter and just a pinch of salt-- comes and shakes the bland you into something recognizable a sparkly-eyed realist with an unusually magnetic personality drawn from absolutely nothing but the reality that life goes on and we just have to be aware of peoples polarity s.q.
0
Oct 21, 2014
Oct 21, 2014 at 5:47 PM UTC
popcorn
But where is the place for the people like us? The artists, the cutters, the solemn observers. Every INFJ. Every poisoned mind. Every social awkward with so much depth they just might sink. The ones who have found their soul but are searching for their mind. The ones who find their mind by losing their marbles. The misrepresented and misunderstood. The hurt and the happy. With a requirement of so much patience and love that no one is willing or able to give. The ones who make adjustments. Who hit rock bottom and manage to get back up on their own. The ones who fall too fast for something out of reach. They end up quietly crashing and burning. The ones who are living under layers of paint; on their hearts and in their homes. Whose sweetness and innocence are buried somewhere underneath the paint, barely recognizable. The ones who were born with a fifty year old soul. Who have a biologically memorized speech that no one will hear; that no one can hear. I ask you, where will they go, the people like us?
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Dec 25, 2013
Dec 25, 2013 at 9:07 PM UTC
The People Like Us
Toking on a cloud with ******* Jesus and his family Lame folks ask me how, its cause I ******* smoke religiously No God I smoke religious tree, I get ****** in the name of heresy You angry penguin ****** preach acceptance So praise the Lord and ******* shame on me My guise is Satan ***** and my swag is undisguisible heartless and no conscience, sicksicksix most recognizable -that statement may surprise a little but since we all surmise a little Why deny me as the devil when When I clearly play a golden fiddle. . . From Hell I made a deal and there is no repeal nothing you see is real, I will invade and pervade your mind So wait in anticipation, life's a figment of your own imagination I'll watch you dissipate into oblivion Pound for pound, I'm a cenobite at heart, I just haven't a heart to be found It's not hard for me its profound, the sound of suffering your soul is ours now and I will tear it apart Here's a toast to our orchestral Symphony of the flesh My swag's so ******* flawless 100 carrot diamonds, ******* love me cause I'm gorgeous can't stag no more, fat stacks galore embrace the force it opens doors Is there a source, but of course - it just lies dormant/ What's a ***** to a floor except a doormat And you know that I'm no diplomat It's just a fact I ******* hate those stinky ratchets And I sharply lack tact tell that ***** her ***** smells like Magikarp Body language, that of Snorlax someone once asked why don't have an open mind brains would spill out if my ******* snapback weren't so tight Its the season to seize C's and hallucinations be dazzlin em don't believe your eyes son, its only a phantasm but Words are like playdough, fun to play with not to eat So clap your ******* trap and get lost to the beat I can't be defeat So suckle my teet My verses are perverse I'm high as **** words: failing Get low ill as **** so ******* sick, blowed half past belligerent, tweaking off my nasal drips, There's serenity in debauchery - ***** I ******* bask in it have a taste basketcase, I drink red bull it gives me ******* wings "Memento quod sumus lascivio venatus" Remember that you are playing the Game
0
Nov 29, 2013
Nov 29, 2013 at 9:00 PM UTC
Anomalous Phenomena
Toking on a cloud with ******* Jesus and his family Lame folks ask me how, its cause I ******* smoke religiously No God I smoke religious tree, I get ****** in the name of heresy You angry penguin ****** preach acceptance So praise the Lord and ******* shame on me My guise is Satan ***** and my swag is undisguisible heartless and no conscience, sicksicksix most recognizable -that statement may surprise a little but since we all surmise a little Why deny me as the devil when When I clearly play a golden fiddle. . . From Hell I made a deal and there is no repeal nothing you see is real, I will invade and pervade your mind So wait in anticipation, life's a figment of your own imagination I'll watch you dissipate into oblivion Pound for pound, I'm a cenobite at heart, I just haven't a heart to be found It's not hard for me its profound, the sound of suffering your soul is ours now and I will tear it apart Here's a toast to our orchestral Symphony of the flesh My swag's so ******* flawless 100 carrot diamonds, ******* love me cause I'm gorgeous can't stag no more, fat stacks galore embrace the force it opens doors Is there a source, but of course - it just lies dormant/ What's a ***** to a floor except a doormat And you know that I'm no diplomat It's just a fact I ******* hate those stinky ratchets And I sharply lack tact tell that ***** her ***** smells like Magikarp Body language, that of Snorlax someone once asked why don't have an open mind brains would spill out if my ******* snapback weren't so tight Its the season to seize C's and hallucinations be dazzlin em don't believe your eyes son, its only a phantasm but Words are like playdough, fun to play with not to eat So clap your ******* trap and get lost to the beat I can't be defeat So suckle my teet My verses are perverse I'm high as **** words: failing Get low ill as **** so ******* sick, blowed half past belligerent, tweaking off my nasal drips, There's serenity in debauchery - ***** I ******* bask in it have a taste basketcase, I drink red bull it gives me ******* wings "Memento quod sumus lascivio venatus" Remember that you are playing the Game
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72
Pizza is my life I started out as dough with doughy eyes Mother picks me up Mother molds me After no time at all I'm sent down the line Toppings... Things other people want but I get By the end the toppings are as important as the dough Sometimes I wonder if there was any dough to begin with Because the foundation is changed so much by the fires of the oven The chaos makes me steam, bubble, and boil Once I simmer down I'm recognizable as what I should be but not what I once was Now that I'm developed it's time to be delivered into the world And find my own home But what will I find when I get there? Will it be love? Or will I be ate up and shat out? Or is there a difference?
0
May 22, 2017
May 22, 2017 at 1:28 PM UTC
Pizza
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
0
Sep 11, 2013
Sep 11, 2013 at 6:36 PM UTC
9/11 Distilled
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
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67
Brigid was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. Little's known of Nellie's early years; Da died before she knew grieving tears, They'd turn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her look is distant, Her face is blurred, But recognizable In an instant. She was schooled six years To last a life, Some math, the Irish, To read and write. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God and Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie, Relieved their worry. War flared, men were few, There was work in Coventry. Ireland's thistles were left to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin followed, When war floundered to its end, They shipped back to Monaghan, And brought the mill to life again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself A generator, Providing power To lights and wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Daddy's angel. Is this what turns A father strange? Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no borders For brothers and sisters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
0
Feb 12, 2016
Feb 12, 2016 at 5:09 PM UTC
Her Many Names
Brigid was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. Little's known of Nellie's early years; Da died before she knew grieving tears, They'd turn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her look is distant, Her face is blurred, But recognizable In an instant. She was schooled six years To last a life, Some math, the Irish, To read and write. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God and Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie, Relieved their worry. War flared, men were few, There was work in Coventry. Ireland's thistles were left to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin followed, When war floundered to its end, They shipped back to Monaghan, And brought the mill to life again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself A generator, Providing power To lights and wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Daddy's angel. Is this what turns A father strange? Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no borders For brothers and sisters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
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84
Murmurings of words so long unspoken, now sent out across the curved expanse of our spherical home. Murmurings of all our voices and languages, coalesced into one. Winging out into open space, like the nimble murmurations of birds, never quite touching, yet deftly creating virtual shapes, markings recognizable only from a distance. *Do birds' own souls unfurl and unfold in these undulations?* Starlings find aerial corridors, travelling together swiftly, so to stay warm. Do we? These murmurings, our word-murmurations,   fly out into the space between us, swiftly curving back, and then back again, before dipping low, then nesting deeply, so very deeply, into sweetest sleep.
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Sep 2, 2015
Sep 2, 2015 at 5:09 PM UTC
Murmurations
i'm an empty optimistic in a world where lost souls remain we're all threaded together by birth, given the consequences but what are we without an upper and a even worse downer those who survive the downers, sometimes never get back up did you feel the connection, like our roots locked together like we were handcuffed in familiarity, but you are as recognizable as my own heartbeat and it seems so natural, when you sing without the blissful harmony we used to sing together in unison, careless and carefree, and my heart is eroding day by day, would you still be able to swim if i taught you when i could and would you still be able to speak if i paid attention to you as i should but you inflict your pain back at others, is that how our world survived with the wildlife and it's fires, burning our only chance at safety, but i tried to extinguish the devastation and i'm a shapeless survivor with reasons to seek, **** and destroy in a way, does this make me the hero of the story, stripping the evil down? if you forgave me, i would be able to forget because i'm still carrying your world on my shoulders, and even though hearing your name makes me sick to my stomach, my body will refuse to give in to the peer pressure if i winded the hands of a clock, could i possibly strip your walls down still or could i stop caring and get revenge, which could possibly be a thrill -kra
0
Nov 10, 2013
Nov 10, 2013 at 10:27 PM UTC
healing herds
dreams of drowning but not in water, necessarily locked in rooms that look familiar though not recognizable locked doorknobs with missing locks and my name being called from the other side repeating mundane tasks to the point of insanity "what's the point of everything?" dreams of you hurting people in front of me and while i watch, i say, "it's okay. i understand."
0
Jan 13, 2014
Jan 13, 2014 at 2:08 AM UTC
i understand
"Beauty just is." I have an 80's wooden plaque with a picture of an ocean somewhere and waves crashing on the rocks, written on the sky in the photo is the quote, "Beauty just is." I believe it.  So should you. Whoever you are.   I could pick apart the picture. But I won't.                                                                     Don't look for ugly. The quote was given credit to anonymous.  Deservedly so. Anyone anywhere at anytime can recognize beauty. This is not a duty, choose to be dutiful in all things beautiful. There is lacquer over the picture to protect it. The lacquer makes it shine. I find that part ironic, protecting the beauty from spills, unkind graffiti, from any ugly thing that might happen to it. That might mar the beauty. It is not an easily recognizable coastline, not a celebrity coastline or a model coastline or a physically outstanding coastline, no archways of rocks or large rocks that have stood the test of time and erosion and wind and well, pollution. "Beauty just is" so accept your beauty.   I am not talking to your cat or my dog, the aquarium or the stable full of horses, all those animals do not measure life in terms of beauty, only we, humans do.  Animals do not judge anything on the basis of beauty, smell maybe, not necessarily good smells but strong smells, even odours. Only we humans; also decry, put down, use the word ugly and write each other off, for not being beautiful. But "beauty just is", beauty just is. Period. If you are talking about a piece d'art and you are going to shell out cash, from your stash, make sure you buy something significantly important to you and beautiful. As for another human being... You have not the right or responsibility to say that someone is not beautiful. I do not think there is one person with the wisdom, alive to recognize what makes each of us beautiful. Beauty just is, no parts, no assembly required, accept it, accept one another. I know there are those that already get it. I don't want them to read this and sweat it. They don't need to. I want the bully to read this, out loud. Beauty JUST IS. You might not get it, yet. Keep rolling it thru your mind, a beautiful surprise awaits you. Meditate on it. Meditate on not the author of the quote, he is anonymous, but the Creator of beauty is not. Be surprised, as this revelation once understood, will change your perspective on life,  after all you're beautiful too. Originally done by © DWE 2011-5-11
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Apr 25, 2013
Apr 25, 2013 at 12:39 AM UTC
Beauty Just *Is*
"Beauty just is." I have an 80's wooden plaque with a picture of an ocean somewhere and waves crashing on the rocks, written on the sky in the photo is the quote, "Beauty just is." I believe it.  So should you. Whoever you are.   I could pick apart the picture. But I won't.                                                                     Don't look for ugly. The quote was given credit to anonymous.  Deservedly so. Anyone anywhere at anytime can recognize beauty. This is not a duty, choose to be dutiful in all things beautiful. There is lacquer over the picture to protect it. The lacquer makes it shine. I find that part ironic, protecting the beauty from spills, unkind graffiti, from any ugly thing that might happen to it. That might mar the beauty. It is not an easily recognizable coastline, not a celebrity coastline or a model coastline or a physically outstanding coastline, no archways of rocks or large rocks that have stood the test of time and erosion and wind and well, pollution. "Beauty just is" so accept your beauty.   I am not talking to your cat or my dog, the aquarium or the stable full of horses, all those animals do not measure life in terms of beauty, only we, humans do.  Animals do not judge anything on the basis of beauty, smell maybe, not necessarily good smells but strong smells, even odours. Only we humans; also decry, put down, use the word ugly and write each other off, for not being beautiful. But "beauty just is", beauty just is. Period. If you are talking about a piece d'art and you are going to shell out cash, from your stash, make sure you buy something significantly important to you and beautiful. As for another human being... You have not the right or responsibility to say that someone is not beautiful. I do not think there is one person with the wisdom, alive to recognize what makes each of us beautiful. Beauty just is, no parts, no assembly required, accept it, accept one another. I know there are those that already get it. I don't want them to read this and sweat it. They don't need to. I want the bully to read this, out loud. Beauty JUST IS. You might not get it, yet. Keep rolling it thru your mind, a beautiful surprise awaits you. Meditate on it. Meditate on not the author of the quote, he is anonymous, but the Creator of beauty is not. Be surprised, as this revelation once understood, will change your perspective on life,  after all you're beautiful too. Originally done by © DWE 2011-5-11
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46
This is not atrocity This is the basement This is the sea receding like lips to reveal tooth-like shells Amongst the bullet casings and corpses felled leaving the boats This is the sand like an inverted moat around the Kingdom at sea, and this is the Remainder. Yet they remain jubilantly- Is this what being jubilant means? Chamomile anklets adorning a hanged child. This is not atrocity, Ignorance wielding pitchforks and fire. Anger alight and hostility riled This is not atrocity. This is not far from this reality; Remember this child- And the mob piled like tinder on themselves Convincing carrion feeders And unimpeded breeders that Halt the march of science that This is not atrocity. The certain hot song by which Earth is greeted Has an immediately recognizable tune. And This is not atrocity; It sounds more like ****** ****** But I can't hear it And I have no fear anymore I open my eyes to another routine killing, and I know- This is atrocity- But a necessary one. It's hardly enough to stay alive And as I and we strive for Money and coffee and love, I and we let atrocity enter us. Climb into us like a hand does a glove, or a puppet. It is not nature; Nor fate; And one needn't be dead to appreciate the ability to open the senses and actually sense. And this, I am certain, Is not an atrocity
0
May 21, 2010
May 21, 2010 at 8:30 PM UTC
This Is Not Atrocity
Bridget was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. What's known of Nellie's early years? Da died before her grieving tears, But burn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her visage blurred, Her eyes look distant, Yet recognizable In an instant. She attended school for six short years, The three R's, some Irish, And a Doctorate in tears. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God, Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie To relieve their worry. War flared up, and men were few, So the work in Coventry Left Ireland's thistles to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin were carried. When war floundered to its end, They shipped back to Monaghan, To work the flax mill again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself a generator. And powered the lights and the wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Father's angel. (Is this what turns A father strange?) Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no family borders For brothers and sisters, sons and daughters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland in familiar songs. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
0
May 7, 2016
May 7, 2016 at 2:49 PM UTC
Her Many Names
Bridget was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. What's known of Nellie's early years? Da died before her grieving tears, But burn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her visage blurred, Her eyes look distant, Yet recognizable In an instant. She attended school for six short years, The three R's, some Irish, And a Doctorate in tears. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God, Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie To relieve their worry. War flared up, and men were few, So the work in Coventry Left Ireland's thistles to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin were carried. When war floundered to its end, They shipped back to Monaghan, To work the flax mill again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself a generator. And powered the lights and the wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Father's angel. (Is this what turns A father strange?) Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no family borders For brothers and sisters, sons and daughters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland in familiar songs. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
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81
I listen to the words of tv hosts trying – or maybe just pretending – to analyze topical issues of the day in depth on their panels with certified experts on the issue yet in the end mostly remains a host of possibilities rarely a clear decision more seldom even a provocative conclusion one could at least start arguing about what happened to well-structured arguments that did not lend themselves to fuzzy readings but had a recognizable opinion at their core challenging viewers to discuss some more?
0
Apr 26, 2018
Apr 26, 2018 at 4:26 PM UTC
tv panels etc.
Is a realm where alchemy is alive and well It resides in the aether making it difficult to envision A place of dreams but if you are imaginative There is also structure Dreams without structure are just whispers of nothingness Quickly dissipating Without structure, dreams quickly fold back into the aether Waiting for a less superfluous re-imagination To make it on the physical plane, there must be roots When dreams are infused with structure, roots can be found There is potential that those dreams can wake up When the dreams are provided with structure and Are re-animated with function Then we have a breath of life Structure and function are what allows Us To step out of dreamtime and into reality To find the roots of that architecture you must have vision Not see with your eyes vision, but a different type This framework hasn’t always existed Relations have created it That’s why it’s recognizable The framework are the laws, both natural and synthetic It’s the place where duality and non-duality collide It’s a place of transcendence A place of truth Maybe we can learn to see holistically here Anisotropica has many functions It’s art and science fused It’s poetry and song and dance And mathematics and physics and chemistry It is an expression of sacred geometry An amalgamation of binary and analog The fusion of dreams and laws Creates a space that can be mined for transcendence A place where we can extend past many current limitations It's a springboard to become who you are
0
Oct 20, 2014
Oct 20, 2014 at 4:26 PM UTC
Anisotropica
Is a realm where alchemy is alive and well It resides in the aether making it difficult to envision A place of dreams but if you are imaginative There is also structure Dreams without structure are just whispers of nothingness Quickly dissipating Without structure, dreams quickly fold back into the aether Waiting for a less superfluous re-imagination To make it on the physical plane, there must be roots When dreams are infused with structure, roots can be found There is potential that those dreams can wake up When the dreams are provided with structure and Are re-animated with function Then we have a breath of life Structure and function are what allows Us To step out of dreamtime and into reality To find the roots of that architecture you must have vision Not see with your eyes vision, but a different type This framework hasn’t always existed Relations have created it That’s why it’s recognizable The framework are the laws, both natural and synthetic It’s the place where duality and non-duality collide It’s a place of transcendence A place of truth Maybe we can learn to see holistically here Anisotropica has many functions It’s art and science fused It’s poetry and song and dance And mathematics and physics and chemistry It is an expression of sacred geometry An amalgamation of binary and analog The fusion of dreams and laws Creates a space that can be mined for transcendence A place where we can extend past many current limitations It's a springboard to become who you are
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36
I wandered until I couldn’t wander anymore My eyesight became a shadow even in the hot burning sun I just knew I was done The desert felt like a furnace Desert Wind Storms kicked up violently Tears poured down my face in anguish Sweat was all over my body My cries for help only echoed back It was like hearing a recording being a song track Yet my cries went unanswered I felt alone Suddenly a voice echoed out, “You can make it and take my hand” Immediately the wanderer took the hand of a stranger The wanderer looked into the eyes of the stranger, and discovered the face was recognizable It was the face of the Heavenly Father The Savior who controls A man powerful and mighty who packs behold The Desert Wanderer felt he wouldn’t survive His life of assurance and conquest was written in the scribe However the Lord said, “I am the Lord and you will strive” The wanderer moved on He also felt really strong The Lord carried the Wanderer and he got along It was Faith in where the wanderer needed to belong.
0
Aug 6, 2016
Aug 6, 2016 at 7:08 PM UTC
THE DESERT WANDERER
Time is a mysterious thing. One we think too little or too much about as if it was either an extraneous concept or a recognizable one but never simply an acquaintance. We fear to gaze in to its dark eyes for fear of what we’ll see in its untamed structure. Perhaps we fear the absolute freedoms of it in how all its courses are never underlined by incongruous moments such as once that hunt our very existence. Or maybe we’re jealous of how youthful it stays while we slowly deteriorate to our graves as it watches with indifference. I wish to give time a gender so it fulfils all my assumptions of it. Perhaps it’s a women, gentle and eloquent; with a heart that grounds the most feral of things. Her touch is knowledge and wisdom but also all things unknown. She is sculpted like the goddess praised while her love burns oceans from existence yet she watches alone from a distance quite unreachable. Lonely everlasting. Nonetheless her soul is cruel and unforgiving; her betrayal unexpected. Her expectations to high that even the most eligible of men would not dare attempt such a futile conquest for to even try would be to fail. However her compulsion is too powerful to disregard so no man sits ideal. Perhaps it’s a man with a will that is ironclad. His grips too powerful for even the greatest of empires to resist so all chose to bend for fear of breaking. He rules like he makes love, with intensity that shatters all the women underneath him but they still come back for more for his touch, his magic stroke. Non who have been touched by him have ever resisted or those who have were swallowed by the tide that was his fury. Yet his heart is gold and he cares more than he expects as his gifts last eternity and from the sweetness of it, just a moment.
0
Aug 20, 2018
Aug 20, 2018 at 3:25 AM UTC
Time
Time is a mysterious thing. One we think too little or too much about as if it was either an extraneous concept or a recognizable one but never simply an acquaintance. We fear to gaze in to its dark eyes for fear of what we’ll see in its untamed structure. Perhaps we fear the absolute freedoms of it in how all its courses are never underlined by incongruous moments such as once that hunt our very existence. Or maybe we’re jealous of how youthful it stays while we slowly deteriorate to our graves as it watches with indifference. I wish to give time a gender so it fulfils all my assumptions of it. Perhaps it’s a women, gentle and eloquent; with a heart that grounds the most feral of things. Her touch is knowledge and wisdom but also all things unknown. She is sculpted like the goddess praised while her love burns oceans from existence yet she watches alone from a distance quite unreachable. Lonely everlasting. Nonetheless her soul is cruel and unforgiving; her betrayal unexpected. Her expectations to high that even the most eligible of men would not dare attempt such a futile conquest for to even try would be to fail. However her compulsion is too powerful to disregard so no man sits ideal. Perhaps it’s a man with a will that is ironclad. His grips too powerful for even the greatest of empires to resist so all chose to bend for fear of breaking. He rules like he makes love, with intensity that shatters all the women underneath him but they still come back for more for his touch, his magic stroke. Non who have been touched by him have ever resisted or those who have were swallowed by the tide that was his fury. Yet his heart is gold and he cares more than he expects as his gifts last eternity and from the sweetness of it, just a moment.
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3
I want you… I want you instinctually and primitively. Spiritually and physically. I want to give you portions of me that I’ve never shown anybody; that will become distinctively yours - recognizable only to you and you alone. I want to submerge you in a realm of ******** gentleness that perpetuates an aggressive kindness, that stimulates, and soothes every aching, yearning, desire that flows through your body. Continuously… I’m telling you what you already knew, that I will always be there for you, and you will never again feel alone or abandoned. I  want to give you complete and total satisfaction. I want you and every little idiosyncrasy that makes you unique, that others have critiqued, because they didn’t understand. I want to show you that I can… I want to dwell in the depths of your being. I want to unravel your complexity. I want to give you vibrations in the form of a currant that arouses sensationally, at a frequency that makes you hum melodies of ecstasy uncontrollably as you call out for me. I want to initiate an explosion of soft convulsions from the warmth of my mouth penetrating every inch of your body rhythmically. I want the waters from the spring of your masculinity to drown me, and then I want you to save me. I want to embrace you each night and wrap you in between soft warm thighs, and welcoming arms under moonlight, until your torso is wet, drenched with sweat, until each kiss drips from the tip of your lips, and I caress your back with my fingertips. I want to make love to you the way an angel would if she could. I want to show you heaven and ethereal visions without limita-tions or specifications.   I want to give you happiness and pleasure unparallel, unlike any-thing either of us has ever felt, seen, or could create in our dreams. I want to protect you from harm beneath my wings. I want you to believe in me… I want you to come into my life.
0
Sep 1, 2010
Sep 1, 2010 at 7:21 PM UTC
Come Into My Life
I want you… I want you instinctually and primitively. Spiritually and physically. I want to give you portions of me that I’ve never shown anybody; that will become distinctively yours - recognizable only to you and you alone. I want to submerge you in a realm of ******** gentleness that perpetuates an aggressive kindness, that stimulates, and soothes every aching, yearning, desire that flows through your body. Continuously… I’m telling you what you already knew, that I will always be there for you, and you will never again feel alone or abandoned. I  want to give you complete and total satisfaction. I want you and every little idiosyncrasy that makes you unique, that others have critiqued, because they didn’t understand. I want to show you that I can… I want to dwell in the depths of your being. I want to unravel your complexity. I want to give you vibrations in the form of a currant that arouses sensationally, at a frequency that makes you hum melodies of ecstasy uncontrollably as you call out for me. I want to initiate an explosion of soft convulsions from the warmth of my mouth penetrating every inch of your body rhythmically. I want the waters from the spring of your masculinity to drown me, and then I want you to save me. I want to embrace you each night and wrap you in between soft warm thighs, and welcoming arms under moonlight, until your torso is wet, drenched with sweat, until each kiss drips from the tip of your lips, and I caress your back with my fingertips. I want to make love to you the way an angel would if she could. I want to show you heaven and ethereal visions without limita-tions or specifications.   I want to give you happiness and pleasure unparallel, unlike any-thing either of us has ever felt, seen, or could create in our dreams. I want to protect you from harm beneath my wings. I want you to believe in me… I want you to come into my life.
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20
Cleans the filth off a persons hair Off their Bodies From their hands Cleans the swears from your mouth A bitter recognizable sent The scent of early morning Clean Fresh New With this my senses burn Like these past few years are being wiped clean All of a sudden I feel fresh Invigorated From the scathing hot water The endless scrubbing Of my raw flesh Now no one can see my mess They cannot tell where I have been A fresh start The one I have been hunting for for ages There are still some scars left to explain But with time those fade as well I have found peace with myself He is my soap I'll never forget that smell
0
Apr 5, 2010
Apr 5, 2010 at 8:48 AM UTC
Soap
The girl’s corneas expand over the small black abyss of pupil Tides of blue and hazel rising over onyx isles An unhinged eyelash balances precariously on its neighbor It evaporates with her quick blink Directly beneath her right eye Below the mottled eggplant shadows The corpse of a capillary drains among the freckles Subterranean rivers of vein Pulse under thin skin Her nose is spherical Etched by soft papery scars Pores round and gazing Culminating in a uniform valley Lips are soft and pink and unkissed A source for a small steady trickle of pride Her mother’s lips But behind the outer façade The seamed surface is rough with nervous nibbles Ribboned with scars of worries and troubles She lacks fourteen teeth Absent since the womb Those she has are either sickly infants or filled with grainy mystery metallics Some entirely fabricated with spatulas of amalgam Yellowed and cracking Rough and worn Spongy inner marrow screaming with pain She hides the stony incisors from view The hair Curling and waving Kissing with reptilian tongues at her cheeks Neck Forehead Framing her face in brambles and cowlicks Indecisive of its true form Fuzzy with moisture Unwilling to obey The strands of a gorgon A monstrous tangle of personality Instantly recognizable Her hands attempt to soothe the undulating tendrils But they anger As stubborn as her Refuse treatment She gives up Rinses her hands And turns away from the mirror Sighing
0
May 31, 2013
May 31, 2013 at 11:48 PM UTC
Restroom Mirrors