Submit your work, meet writers and drop the ads. Become a member
1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
Vermillion lips smile knowingly
across the room, so at ease it's
almost angelic to see.

He grips his wine glass to almost breaking point,
what the **** is she doing here?
More to the point ,How is she here?

Relationships are like cats, let them out,
and well they'd better be neutered.
That's what gramma said!

Slowly, sensually almost, she sashayed
over to him, she could see his tension,
but not his fear.........yet.

Face to face they smile, but her smile never
reaches her eyes, he stammers, drops his glass,
'Here, she says you need air'

Outside, he's composed
'No one knows, no one knows' he keeps repeating
Who are you talking to darling? She whispers

Not me,I'm dead, you shot me,
I was there, then kicks him hard
Vulnerable alone with his red mouthed wife he screams.

Guests rush out, to their host babbling,
Incoherent, confessing to ******,
screaming over and over, blue lights in the distance

Closer and closer, guests now witnesses.
Host now completely within the pain of a mental
Eternal mind slip.

She, moves closer to him, soothes him, sirens closer,
reassures him as he screams,that yes his wife is dead
appeased he looks up in bewilderment.

Oh, me, oh darling brother in law did you forget?
Jo's twin, the one au-pairing abroad when you married
Pleased to meet you
© JLB
Mauren Oct 2018
where it starts
1. your girlfriend will have a miscarriage
for the second time
and you, you'll start using needles
THERE WILL BE NO DIRECT CORRELATION BETWEEN THESE TWO THINGS
but you tell yourself
a daughter is what would make life worth living
and subsequently what it takes to get you sober

2. you lose your job
because you're always in the bathroom missing veins
loss of job will inevitably spiral into an
"intolerable depression"
or
"extended sadness"
or
"whatever version of this is easiest to swallow"

3. you get to spend every holiday from your birthday until The Day She Dies sitting next to your mother's hospital bed
(except for when you're always in the bathroom, missing veiins)

LATER
your sister reassures you that mom didn't know the way you also choked back guilt with all the bile and unpleasant things in your trips to the restroom
but for now you will hate yourself
hate the sticky needles
and hate the way your girlfriend leaves all her ghosts behind when she leaves you

4. you find that bathroom floors are your new home
splayed out after your 8th overdose
jail cells are just a normal tuesday
and you keep waking up to razor blades left neatly on your pillow

where it ends

5. giving up ****** is like pulling teeth
messy and painful but typically necessary
and so hard to do alone
Edward Alan Feb 2014
That statue of a god, with godly state,
whose clenching fist and arching back expand
to free the thund'rous trident from command,
will hold his step and ever warn and wait.

That statue of a god dares uncreate
that Sculptor of a god, Whose waxen hand,
in image of Himself, prepared to stand
those ankles, feet, and knees that spell his gait.

Gouge out his eyes and skyey senate seat;
his absence reassures Us, Men, the stellar
blanket warms but nameless moons and stars;
that fire that rises from an earthy cellar
lends itself and names it solely Ours,
so that Our liver is Our own to eat.
There are moments
when I feel more clearly than ever
that I am in the company
of my own person.
This comforts and reassures me,
this heartens me,
just as my tridimensional body
is heartened by my own authentic shadow.

There are moments
when I really feel more clearly than ever  
that I am in the company
of my own person.

I stop
at a street corner to turn left
and I wonder what would happen
if my own person walked to the right.

Until now that has not happened  
but it does not settle the question.
Jim Ellis Apr 2012
There's something about that itch
that you can't itch enough.
I feel like when I put on my
Adidas or Nike ankle socks
they just don't do the trick.

My Hanes crew length
feel so comfy on my itchy legs.
They keep my legs warm
when I spend eight hours
in the cold box stocking drink.

However when I wear those
high socks with shorts people stare.
I guess it looks goofy
with my pale skin
that people have to double take.

I bet they ask questions like
"Is that his leg or is he wearing socks?"
I smile though when they stare
because it makes feel noticed
and it reassures me that I'm here.
JJ Hutton Dec 2012
Bradley, don't climb, the boy's mother says as she pries him off the bronze left shoulder of Sam Walton. She dusts the boy's coat. *Wait here a second. She begins digging in her purse. Her grey, sweatpants'd husband holds a point-n-shoot digital camera. The wind is inconveniencing him. The fog is inconveniencing him. Sorry, sweetie. I'm looking for a tissue. Every word his wife says shatters like glass.  He's been on the road too long. Of all the places, why make a pilgrim's stop at Kingfisher, Oklahoma?

It's the 7th of December. A day FDR said would live in infamy. It's also my birthday (thanks for setting the stage, Roosevelt). And here I am. Making my own pilgrim's stop at a subpar statue marking the birthplace of Mr. Sam Walton with no one for company but a green thermos and these tourists.

While his mother is distracted, the boy tears at yellowed grass. He pretends to feed the blades to Sam Walton's open-mouthed and unexplained canine. The husband sighs.

Ah! I found them, the mother reassures. Grimacing, as though shards of her words have lodged in the far corners of his brain, the husband asks,

Are we ready?

Not bad. The tiny bubbles from the champagne firecracker on my tongue as I lower the green thermos. Reminders of spilt coffee dot its sides like the little, overlooked  coastal islands of New England. Reaching? I know. But I'm learning to take notice of things, Sam. Patience.

I got into town before the liquor store opened. I vultured behind steering column. After a glance, a longhaired shopkeep with an oak cask belly shook his head in disdain for my entire generation. Turned the key. Flipped the sign from closed to open. Not to appear eager, I waited for a commercial break on the radio. I walked through. A bell chimed. Thirsty, son? the shopkeep asked.

I always am at the sound of a bell, I responded.

Let me get this off real quick, the mother says to Sam Walton as she wipes dry, white bird **** off a deep-cut wrinkle in his bronze forehead. Can't take a picture with you looking like that. The mother turns around. Offers an unsteady, white flag smile to her husband. Looks down at her boy. Bradley, stop playing with the grass. I mean it. Drop it. Stand by Mommy. We're going to take a picture.

Why?

Whiskey modge podged with ***** with wine with gin. Champagne. Champagne. Confused? lines joyously sparked from the edges of the shopkeep's eyes and lightning'd down his cheeks. Making him seem pleasant for the first time. Proud, even. I've organized the drinks by country of origin. Notice the flags?

What does France's flag look like?

France is over here. Looking for a wine? Perhaps a rich cognac? He led me down a densely packed aisle. Little ratings cards jutted out underneath each bottle.

Champagne, actually.

I see. I see. Is something ending or something beginning?

Both.

The boy places his hand on the dog's head. Pretends to ruffle its frozen fur.

Ready?

Ready.

Click. A flash goes off. Automatic.

Now can we leave? the boys pleads.

Why are you being so antsy?

It's just another stupid statue. I'm tired of this stupid trip. I just want to go home.

Today's my birthday. I lowered the champagne as I poured it into the green thermos. I kept watch for shoppers and cart crewmen in the parking lot. No one seemed to notice the transfer. The shopkeep ended up selling me an American bubbly. Silent Girl. I liked the artwork. A large-breasted woman with puckered lips stared down the sights of a .44 pointed directly at the drinker. Black and white. Refreshing to see someone so up-front.

The mother opened one of the rear doors on the family's Tahoe. No, you don't get a toy. Brats don't get toys. Brats get quiet time. She slammed the door.

Just you and me, Sam. A drink. Sorry, I didn't bring another cup. I lean in close. Trace the wrinkles of his forehead, where the sculptor stuck his knife deep. As I do, my own wrinkles become more apparent.

You know I heard a minister talking about you a week ago. I remove my hand from Sam's face. Take another drink. Apparently, your last words are his claim to fame. He said your nurse divulged them to him. You should see him. Each church he visits, he opens with, 'Anyone know what Sam Walton's last words were?' He doesn't ease into it or anything.

'Sam Walton's last words were actually, I blew it.' Can you believe that? 'I blew it.' Don't worry, Sam. I didn't buy it. That answer is for the customer. Not for truth. People love to think at the end of your successful trajectory, you'd just Solomon out. Fizzle. 'Vanity! Vanity!' I'd like to think there you lied in your hospital bed. In your private room. 7th Floor. Curtains open. Blue sky free of blackbirds. Your family around you. And your mouth tasting like metal. Like blood. The gears of your existence grinding to an end. And I bet you hated everyone in that room. Your wife wiping spittle off your mouth with a red handkerchief. You pushing her arthritic claws away. I bet one of your grandkids was at the end of the bed. His hair unwashed for two days. Uncombed for six months. A tall cow suckling your success. And I bet that clumsy hair was blocking the television. You told him to move.

When he moved, something horrendous was on. A soap opera. Something frustratingly ironic. General Hospital. Hit the red button. Called in the nurse. And your last words, 'Change the channel.' She put it on a Cowboys game. You watched Aikman throw an interception. Closed your eyelids. Changed the channel.

It's the 7th of December, Sam. It's my birthday. A milestone, Sam. So, there's cause for change. I told you the same ambition in you coursed through me. That I too, had sat in the back booth of diners alone -- conspiring. And while you're eternal bronze, while you're family photos, I'm mortal to a fault. But allowed to change my mind. I don't want to be ambitious, Sam. That's what I came to say. I'm not coming back to wail at this wall. Legacy, you taught me, is not in my hands. Even if I make a helluva go at it on this sphere, I run the risk of getting turned into half a statue with an idiot dog sidekick. You can dam a river, but ultimately rivers don't give a ****. They flow where they please.

That's the end. The beginning is that I can go anywhere from here. That's worth celebrating. I tilt the green thermos and let champagne run down Sam Walton's still face. This river runs onward. Without fear of legacy, of memory. I'm going to love, Sam. I'm going to love fully. Onward. While you stay put. A stupid statue.

Sam Walton is silent. Quiet time.
daniel f Sep 2013
All manner of people can be found in train stations, there character betrayed by attire to the more observational at least. The hard pressed city worker, walking ever walking, phone at hand, ever scanning emails and ensuring accessibility always, to control is too maintain is too succeed. Those who's steps seemingly shorter and more though out, are either here on some grand tour or some exotic soire as if silently noting surroundings, as the pass beneath the ornate decorations of their location. There care free folly the main indicator of intentions.From time to time a transport police officer shall pass, stern faced, seemingly compelled by some unknown mission others stand stationary a deterrent to would be criminals. From time to time the most beautiful facet of humanity is likely to appear, in the adoring stares of young lovers. It's this or the hold and don't let go grip, young lovers and train stations have long associated (In my mind at least) the point of departure is a grey area. Where displays of public affection normally reserved for movies and poems, reach the realm of social acceptability. Long deep kisses and well thought out speeches describing the grievances of an ever bleeding heart. There is one group I have failed to mention, who in there own way are entirely distinct from any of groups fore mentioned. They are the watchers, found normally at some quite looking coffee shop across the street, however this is not to imply they can not be any of the above. All of the above mix intermittently with interesting results, I shall for as long as I live never forget the passionate embrace of an on duty police officer and his wife. His eyes bright with surprise, at ease staring upon the one he so adores. I leave the station and head toward the embankment,
All manner of people pass me on their way to unknown offices, some holding hands and staring deeply. The rumble of unseen locomotive reassures me now of course I'm drawing closer, the winter winds once faint now felt as the once green leaves now all manner of colour are pulled by unseen gusts. This city must surely be the greatest in the world, from the industrial chimneys distant to the rolling ocean. Dockers smoke cigarettes and exchange raucous  tales whilst foreign sailors stare intently. I always try my hardest to listen to as much as I could manage of these half spoken speeches.  Im rewarded instantly with an image far more detailed and planned than anything the most creative minds could conceive. The wild waves create orators, there thoughts distilled be evenings spent alone. I've always found myself drawn to transient people, I feel like I've spend forever dreaming of someplace else Greenland Egypt Canada, you name the place and I've seen it in my dreams at least. It took me a while longer than I care to admit to truly get a feel for the place, at first like some timid child I avoided it. From the age of thirteen I've been locked in a battle with wanderlust, my urge to leave it all is simply overwhelming. In all my darkest fantasies, I leave this place at some point on some old ocean liner to arrive at unknown port. Too share a meal with mountain air as my ashtray overflows. I warm myself with images of ancient explorers sailing distant oceans, guided by starlight. Some people just elude me. I'd call myself stubborn but certain people melt me, I the eternal romantic a victim of my own high hopes. I'd often find myself alone, staring across the river and wondering. I always sit upon the same old bench carved with all manner of messages declarations of undying love, names, dates all carved into immortality. The steady movement of approaching footsteps is eternal, beyond the customs house  solitary North Star shines, as if admiring its provincial estate. An unknown entity now serving as a subtle voice of reason in the darkness, occasionally couples pass, as if to cement my my longing. The starlight illuminates breaking waves, as boats sway easy ******* to subtle quayside. Ever reminded of my obligations I should really leave and go to sleep. However the pull of the darkness is tangible, that was something! oh something! Suddenly a gentle calm smothers all thought, as lights glimmer distant. Light! Oh  brother light, I the eternal castaway home bound at last. My expectations were entwined with food and wine, and the comfort of my own bed.
NitaAnn Jul 2014
Today I feel defeated. I feel like a small fish in the big ocean. Everything I do fails and at the moment my head is going full speed with "pictures" from my past. I call them pictures because that is what it looks like in my head. Like a slideshow. I think these pictures are eating me alive. It feels like there's a hole where my heart is supposed to be.

When I close my eyes I see darkness. A dark room. In this room is a crib, and in that crib there I lay. The crib bars surround me. I am crying. I cry because I am hungry or because I'm wet or lonely or maybe because I want my mother. I cry for all of the millions of reasons that babies cry. Until my door opens and the sound of his boots walking closer and closer to my crib gives me something else to cry about.

When I was born darkness cast its shadows over me. The devil himself kissed me on the cheek. That devil was my father.

I do not know how old I was the night that my father left my room but I know I was younger then two. This is the first memory I have of my life. I also remember his smell and his hands and that when he left I felt broken, hurt,shattered, exposed and confused. I do not know what he did to me exactly. This I cannot see. Maybe I am not ready to see it. But I know this incident changed who I was supposed to become.

This makes me angry! That my father the one who was supposed to love and guide me through life is the one who could hurt me in this way. When I see other girls with their dads, girls who complain about how "daddy won't give me money" or "my dad is so annoying" It literally makes me sick to my stomach. They have no idea what they have. I grew up with a dad who had two faces. He was charming and handsome and loving and made me want to be his daughter. Then night came and he was evil. Thinking of nighttime daddy makes my skin crawl. He played his game well and everyone was fooled. I was just a tiny bug caught in his web of lies. Only now 40 years old can I start to realize that what he did was wrong and was not my fault.

How could he look at me a small child and see anything ******? Babies are warmness, smiles, laughs, and play. What kind of person would want to destroy that? I guess no one can ever answer these questions for me. I have to accept this. Anyways explanations will not solve or fix what has already been done. Nothing will. I am a victim of ******. THERE I SAID IT. Acknowledging it makes it real. But that does not heal me. I am a broken bird with tattered wings.

How do I fix my heart with these huge gaping holes in it? Do I pretend I am okay and patch them up with fake smiles and laughter? What if the patches fall off and I am left feeling defeated again? Do I spend thousands of dollars talking to therapists about all of my many problems hoping that 10 years later I will somehow be "normal" whatever that is? I will go with the first option for now. Pretending I'm fine and putting a smile on my face. If I smile I seem happy and then no one will know the pain inside me. Some know what happened but think I am "healed" so they do not ask questions and smiles do not lie right?

Sometimes I wish that someone would see past it and try to save me. Take me into their arms and let me cry and give me what I crave so much. Human contact. The right kind of contact that reassures and tells you your safe and loved. I feel alone and without purpose. What I know is today I feel defeated. Today I feel alone. Today I remember things that I did not remember yesterday. Today I have flashbacks where I feel like a little girl again. Where I feel like his hands are rolling over my body now. His eyes creeping up on me now. But it is not happening now. It is not real. This is what happens today. Tomorrow will be different. Tomorrow will be better.

I am trying to heal. I am trying to move on. This is a slow moving hard process.
Omar Kawash Jul 2014
Sterling eyes close the falling red ward
Big Brother has seen it all
He tells me: there is danger
Terror past the massive, all-protecting Atlantic


Don’t stray there, the mouth
of stumbling heads say,
They want to take away
Our safety, our ways, our Freedom

Mr. Elected reassures
Nothing will harm you
Not with me going there
I don’t want you going there


He speaks like my mom
Warning me of the illicits
I am too vulnerable to experience
It’s death I’ll go to- I’ve been told

Sleepless red monocular
Enlightening the air to a passive blue
It’s opacity beneath and above
Ascending again

Mama and Baba say it’s time to go home
I confront the arid peninsula of Qatar
Lungs accustomed, vitality not frozen
Precariously perceiving the harmful

Sentiments of years past in Jordan,
I wonder why
my kin would ban this place
Rumor on dirt pavement in a draft, ears picking up

The Atlantic is not to be crossed,
A lack of morals, malintentions
lay beyond the scape.

Extravagant grenade above,
Falling to the horizon

And no detonation, collapsing behind a curved veil
Skyward lay the remnants
Of heat, frozen in time
The lips in a box on this shoreside

Warn the zephyrs from the ornery
Reaches towards our home
Be on guard of the deceitful
star at night that rains red


Tomorrow may not be there
My blood brothers of Lebanon say,
But I wait, field of vision
aligned to the east

Aural stumbles translate, articulating
My brethren begin their search of food
And in too many moments unnoticed,
Black on bottom, red on the low, blue slowly suffocating the obscurity above
JJ Hutton Feb 2013
coupon for Granny's Original 32% All Natural Oatmeal®
cart-to-cart down aisle 48 and this man's an affront to khakis
and this woman's brain runs off a child's complaints
BLIZZARD 2013
according to the radar, buy 80 pounds of rock salt
from The Home Depot®, more saving. more doing.™
more rock salt. more doing
BLIZZARD 2013
according to the radar, buy two-weeks-worth of tuna,
a pallet of Pepsi Max®, and four loaves of Baker Good's NeverMold Bread®
all for $21.99 with your Sam's Club® Rewards Card
BLIZZARD 2013
cart-to-cart down aisle 62 where once there was soda, now an I.O.U.
and I read on the internet that the preservatives in diet cola will keep
my body from decomposing and I read on the internet that these
dented, discount tuna cans will give me botulism
BLIZZARD 2013
one jug of water from a spring in Mountain View, Arkansas
one jug of water from a spring in New Iberia, Louisiana
picking between Miley Cyrus and Hannah Montana
the pitter-patter on the warehouse roof reassures
time for eenie meenie miney mo
BLIZZARD 2013
and the intercom desperate for a cart wrangler
customer service now open for checkout
don't leave your toddlers alone in shopping carts
they're choking on free samples
with an echo, raindrops strike parking lot pools
just past the intersection an ambulance grumbles
BLIZZARD 2013
in a room with a view wishing the windowpane weatherized
beers bought by volume, candles forgotten, six months of
licorice, EverFluff® popcorn, and hand warmers of chemical kind
remembered
BLIZZARD 2013
will not be landing in the city, watch out for that rain though
if the temperatures drop below 32 degrees it could ice over
and if the temperatures don't, well, it won't

News 7's coverage of Blizzard 2013 brought to you by
The Home Depot®, more saving. More doing.™
and Sam's Club®, savings made simple.™
K Balachandran Sep 2014
Plan A: there is none as such;
though unflinching ego makes
complex calculations, concludes,
reassures it is best laid for sure.

Plan B, hence has no actual relevance
A mountain river, life is, it rushes
the way the cryptic GPS message directs.
If you ask how it works, try to understand
the intricate organic correlations, involving factors
that  even a super computer can't process
but your mind would, somehow easily tell you
in a clear voice, if only you are ready to  listen.

Every best laid plan is merely a wish
the more profound is spoken as a prayer
words addressed to the voice inside, that listens and acts
fulfillment then, is an emotional construct
you need the scent of that flower to inspire life.

Who says the cosmic plan is mysterious?
One who walks the karma path right, even when eyes closed
knows how to reach where one is headed to.
The truth this: one leads oneself, so keep the inner eyes open.

Subtle wishes that bring smile on the face of thy neighbor
are much more meaningful than selfish desires
One is just a cog in the cosmic wheel
On the cold solstice
the velvet magnet
of Luna's magic
pulls

quietly urges

whispering
gentle spells
into dreamy ears

compelling
her lover
to rise
quixotically
coaxing
him from
the warm sleep
of winters
first night slumber

she summons
a willing lover
inviting him
to follow
her stark
alluring light
illuminating
the lonely blackness
of a bleak universe

her
seductive powers
transcends distances of
a thousand solstices

her
resounding light
a sure mark
braces any weakness
emboldens desire
guiding the bidden
to unforeseen
destinations

standing
in your presence
my face is flush
reflected by your
resplendent light

my heart
broiled
by your
vexing
radiance

the roiling tide
of a midnight reverie
ebbs
as my
earthen shadow
begins to pass
over your
indelible
whiteness

I witness
my dark countenance
eclipse your light

defiling you
fearing
to forever
mark your
effervescent silver
with the baseness of me

without shame
your smile
allays my fear

you understand
you anticipated
the expression
of my
coy reticence

a sweet chant
sings
unencumbered
reveries
gently
reassures
you've danced
through many
moonlit nights
with eager lovers
only to return again
in virginal whiteness
across the
endless cycles
of time

released
relieved
abandoning
all restraint
now
I
summon you

my blackness
your whiteness
breeds a
sensuous
orange
sweeter
then an
open mango

she rules the sky
a celestial monarch
forcing Mars into
a sheepish retreat
commanding
mighty Orion
to sheave his sword
while
Venus
seethes
with envy

my form
begins to swallow
your lines
and
soft curves

my blackness
disappears
into
inviting cracks

falling into
dark creases
the soft billows
sweet mounds
voluptuous craters
gay playgrounds
for my mouth
mysterious hillocks
eagerly explored
with hands and
limbered fingers

a quixotic Eros
the scent of spice
swells in my head

everything
enveloped
like a
holy ghost
playfully gaming
hide and seek
radiantly moving
through
darkened canopies
of a lush forest

nostrils fill
with
tang of spice
a scent
of Caribe

face buried
in thick tresses
of maddening blackness

becoming unhinged
by eyes speaking
a thousand languages
as lips whisper
joyous whimpers

a silent kiss
of an orange lit night
writhing bodies
splayed together

ravenous tendrils
shape sloping
cloud pillows

quivering lips
unveil smiles of
alabaster pearls

mocha darkness
sambas through
the night

she exhales
her lovers name

Luna bathes
her cinnamon curves
in delicious
mango light
offers generous
dollops
of ******

peeking
baying
drifting
I cast off
onto a sea
of lucid dreams

drinking from
a dark aureole
as the tresses
of her
sweetened nest
moistened my member
in a sacred communion
to a hungry lovers mouth

her dancers legs
slim, supple
unbounded
and open
sweet to taste
smooth
so soft
to touch

the fullness
of our rumba
se los tango
con cha cha cha

light steps
close caress
kinetic commotion
wild laughter
fills the sails
of bold schooners

Luna's smile
commands
the seas
to heave

un poco loco
ola de feliz
los hablamos
un contrara
la estas
la esta

the lavender sky
of the mornings
twilight
inspire
Meadowlarks
to herald
the emerging day

still
drunkenly swigging
loves nectar
sleep creeps closer

confessing
small regrets
she fell
victim
to passion again

Luna
comes back
to her lover
pets his chest
with delicate fingers

in a voice
as light as air
she sings
a poem
into his ear
of passionate nights
beauteous art
longing to express
heartfelt truths

The mango consumed
Luna's whiteness returns

my shadow recedes
into inconsequential
nothingness

naked
I stood
sadly witnessing
the dark horizon
overtaking
my fleeing lover
swallowing her
in tiny bits
as morning drops
a final veil
over the face
of a now
vanished love

Music Selection
Grant Green, Moon River

jbm
Oakland
1/19/11
theunrealist Oct 2015
The absence of wonder in your eyes and sincerity from your mouth monotonously reassures the credibility of my contempt for casual communication with characterized ?individuals?
         My own iris has been stretched by my eager to expand awareness.

         I normally pity someone like this,
But your arrogant certainty shook my shadow to consciousness.
It told me to cast you naked into the glare,
         Maybe snip your eyelids out of spite. Its fortunate for you that I am not a slave to the fury.

No constructive change would come of my martyrdom.
Josie Patterson Nov 2014
fueled by alcohol
swollen emotions,
the age of consent
and mistakenly stuck doors
the mutual understanding that comes with a singular passion
singular desire
just one time
but when the clock chimes
1:45
and curfewed kisses are few
you take my hands and sing
"i want to know you"
my fingers weave along my glowing screen
praying your given digits will be well received
and when my phone buzzes
i sigh
for i had tried to not let doubt cloud my mind
but i did not know you yet
and it rarely happens like this
when the clock chimes
6:00 Am
my rosy cheeks wait in the cold mist
a note on the table excusing my absence
a pale faced taxi driver goes through the required motions
to take me to your warm lips
with two hours of sleep
your makeshift bed is the port in a storm
and your slight frame is the sort that initially misleads
but it is powerful and exceeds expectations
the sweet sharing of bad puns
disney songs
and the unexpected "i love you"
the "you have beautiful eyes"
and the mess that is my hair do
i wake you with a warm hand to the hip
and a quick kiss on the lip
reassures me it was the right thing to do
the twang of ukulele
and its warm wood brush over my breast
its hard form against my warm chest
you sing for me
and the poetry that traverses your lips is magic
though slight
you have no trouble maneuvering through my wide rivers
and hidden valleys
my small forests
you flip me with ease
a playful tease
tracing racing and running
soon warm water runs over our shadowy forms
because though forever may be spent in bed
the real world obligates us to move
to shower
in our travels we find ourselves caught in drizzly public transportation
making our way to the place of your occupation
though we are eating for two
you order three breakfasts
making up for the meal missed
replaced with loving
surrounded by kissing
you drink coffee
a quick pick-me-up
i drink a london fog
to remind me of the sleepy morning
and a quick peck to the lips reminds me of the rest
a test of my willpower
my power to resist taking you then and there
though that may have resulted in your termination
so i resist my considered temptation
i take a slight deviation
for every story must end
every sentence
no matter how much love
we must wait for blood
because every hook up,
every sentence
must end with a period.
Rich Hues Jun 2018
Alice Green’s Renault was seen parked in Lovers’ Lane,
With steamed up windows, rocking gently in the rain.
Now her husband wants a divorce,
And bad news rides a fast horse…

…In the unlikely shape of Kate Brown,
An unattractive woman with a soviet frown,
A fertile mole but otherwise downpour hair,
And a saxon graveyard in need of some dental care.

On the edge of her ottoman my mother’s all ears,
As Kate reassures her by confirming her worst fears,
Of how he had the snip when he was forty-two,
And how Alice’s little friend is three months overdue.
And they shake their heads in unison and say it’s such a shame,
That the carrier-bag-carrying Kate doesn’t yet know the father’s name.

And later I help Kate take her shopping home,
Her husband works in London and during the week she’s on her own,
And digging up a smile she offers me a drink,
On tiptoes to the dusty glasses on the shelf above the sink,
As my fingers slide around her yoghurt coloured throat,
Then that glint of recognition between weasel and stoat.
And she’s screaming ‘Harder!’ on the sofa with both feet up in the air,
Forgetting her Facebook streaming webcam with its settings set to ‘Share’.
In anticipation of the too-few precious hours in tandem, we divulged our carnal cravings at each others’ hands, but omitted fragments, saving them for some other day, finding them too truthful.

When you hold your body to mine, as you have told me you will, I want a flurry of colored breath, peach and magentas and crimsons slipping translucently from every part of me and wafting in and out and between us like a graceful fog, and not just the force of fingers that have waited too long to touch, but the electrostatic brushes of life’s restlessness falling slowly into their own gravity as we learn to trust the moment.

Our lips are full of nerves and that is why a kiss is so much more than symbolic. I placed my lips to the skin of an orange and I was met with the sensuality of the whole terrain of this world. Intimacy then, is the slow press that reassures humanity – the invitation into a world with no walls – the rush of blood that comes from being completely receptive – that is the kiss I want with your soul.

After all the epochs of lovers, these are all the same words, but they are lanterns bouncing across the plains and sparking anew in the way that the naive are always entranced by the lighter in their hand when they first learn how to light a cigarette, elated and dizzy from the *****. Twinkling.

Sometimes all it takes is a breath and I am light and wind and red paper confetti and the moon and a golden orb that turns all it touches into a shining constancy of what’s called love – and I visit your heart knowing that you can’t tell it’s me, and then I must leave– and I know that I was not in my body, but that it must have kept existing while I was gone because I always wake up in tears, and someone had to cry them.

Conventionality dies between us and there are no titles or promises to speak of. I once found security in labels, only to find that they leave no room for the inevitable growth and weathering of time. So I ask little of you – only that you are always true with me, and that you occasionally put your hand in mine.
Play "Your Hand in Mine" by Explosions In the Sky.
http://www.youtube.com/watch?v=JzIK5FaC38w
Inspired by that.
Lauren Upadhyay Feb 2012
I am afraid.
Afraid that I will lose you
To the merciless entropy of the Universe,
Or to the inexorable mystery of God’s plan,
Call it whatever you want, but whatever it is
I am afraid that it will take you from me at any moment,
And that I will be alone again.

I am afraid.
Afraid that every moment with you will be the last,
And our last shared experience will be an insignificant goodbye,
And that will be the last memory I have of you.
That is why I insist on physical contact, because
It reassures me that you’re real and
I am afraid that if I don’t constantly remind myself
I will forget what you felt like,
And then I will forget what we felt like.

I am afraid.
Afraid that I will lose you and not remember you,
That I will feel an unbearable and aching emptiness
And not know why.
I am afraid of fading memories,
As they suggest an essential futility in the beautiful endeavor
That was us.
They suggest that we is incapable of being constant,
That we is merely a rotation of the stone
As it continues its mossless journey to the sea.

I am afraid.
Afraid that in losing we I will lose a part of myself
And remain forever broken and immutably unwhole,
Unable to put myself back together because
My pieces are missing.
I am afraid that we is an essential part of me,
And that I will never recover from the loss.

I am afraid of losing you and afraid of losing me.
I am afraid of being alone and afraid of being broken.

I am afraid that we will lose we and
Then nothing will ever be okay again.

I am afraid.
I am afraid.
I am afraid.
Koketso Hlahla Sep 2015
Our love defines perfection..
When you cry, I cry.
When you hurt, I hurt.
When I can't, you can.
When I won't, you will.
In my downfall, you rise.

Our tears are identical, just like how our pain is a reflection of our souls cause they intertwine with strings of love.
It's an almost unbelievable, unfathomable love.
Your heart beats, and my body pumps blood.
You're my strength in my weakness, my comfort in my tears and my help when I fear, you're the joy to my every tear.
Your smile is a forever that shines upon my darkness, your words a tune to my ears when all I hear is the pain that's so unbearable.
Your love reassures my pain and reminds it that it's only temporary, cause your love permanently drives out my pain.

And I've learned to accept your love like how your soul accepted my flaws and glorified them as perfection.
You made me feel like a flower when I felt like a seed buried and forgotten.

You made me feel like a star, even when I felt like I was burning out.
And just like the sun, you shine on my moon to make me see that your light reaches me from wherever you are.
We read “Captain Hook’s collection of psalms,
And other songs to sing along to.”
Nothing better to do off hand,
But revel in our own arrogance.
And, we notched holes in leather straps,
To expand at the waste.
Drive through diets replacing lessons-
Of keeping elbows off the table.
Of speaking only when spoken to.

Twenty-one years plus a little change.
And, daddy says-
Everything I taught you is replaceable.
And, daddy says-
Mistake is a just a word.
Hasn’t got it figured out either,
At least he admits it,
Choking down another cigarette,
Says: here’s to now.
And, don’t break your back if you don’t have to.

Technology affords avenues
Different rivers to float experience
Overalls and baseball caps
And the tree house that broke my tibia.
Talked through tin cans in this age,
Of golden innocence.
Now I’m Facebooking and twitting or twittering
Or… who the **** cares?
No one I care about.
Rivers given way to raw sewage.
And, even dogs eat their own ****.

This cat called my computer a ******* box-
If the shoe fits,
Clichés get the hits.
Search: Blonde **** *******-
5 million 38 hundred and 2 results.
Neon Bibles erupt in the sky.
Today I am a believer in the quarter pounder with cheese
Tomorrow in gasoline for 2.85
Midas made gold
Now he wants to change my oil.
They call that economics
Or advertising.
And, suddenly my sneakers aren’t good enough

Voice on the other end reassures-
My ideas are manic.
Paint a scene of terror.
Laying waste to iron giants-
Tearing down systems in place to restrict
Setting fire to everything-
Rack it up to fulfilling.
Rack it up to rebuilding.
Dismal haze, red glow to ash filled sky,
That makes mom clutch the good book-
Saying its time to go home.
How she knows her redeemer lives.
Clarity reigns supreme
And, daddy says-
Son, you’ve been watching too much TV.
And daddy says-
You catch more with honey by rule.
Cameron Martin Apr 2015
Some of the wishes I carry like worry stones,
polished smooth and mine alone, because
I cannot add my weight to yours:

How I wish I was a better thief, because
I could have lived exciting parallel lives,
running from corner stores with my spoils
trafficked down teenaged pant legs – or because
I would be a better poet but instead I skulk
and borrow and hobble scraps together, and
bury them all in my breast pocket because
I keep all of my flaws close to my heart.
Or how I wish the hundred apologies
I offer you, a constellation of condolences
for sloppy drivers spilled coffee stubbed toes
were solutions instead, not a litany –
reciting all of my opportunities
to fix your world which I wasted – or how
I wish I had words when I needed them,
when we are holding hands walking two abreast,
or snapped into each other late at night
like orphaned puzzle pieces which strayed
from the box – so I could whisper into your neck
all those glances I've stolen,
snapshots I collect and hoard
because they are beautiful,
because they sustain me –
so I could have those words right then
in those pivotal moments, instead
I’m slumped over a keyboard
three weeks later –
so I could tell you how
I cannot put my weight on you
because I like where it lives –
my weight is mine
and it reassures me
like my father’s leather duster
draped across my twelve-year-old shoulders,
because I don’t know how to walk
without slumping over.
I want the words to tell you how
I wish I was the one to fight the cancer,
because it couldn't hurt me. If I could explain
how my darker memories shine brighter
with the passage of time – spotlights
that freeze my stories in place, stop them skulking off
so they can’t slip away, or because
I’m still waiting for the cancer,
Cancer with a capital “C” which lurks
behind the curtains, in the corners
of the mirror, just behind me –
weaved into each thought each day –
instigator, paralyzer, the gasping breath,
my inescapable Zodiac – because
I enjoy hospital rooms and needle ******,
because I can’t bear you being stuck in
another hospital room. Because
it should have been me.
Because I could do what I always do,
turn that stone in my pocket and
polish it smooth, another star
in the constellation.
Jaya Gumatay Aug 2013
He didn't hold my hand
or kiss my cheek
Instead he held me to his chest,
and our arms always seemed to kiss each other.
He didn't share his day with me
nor did he ask me about mine
Instead he shared his music and his art
and encouraged me to do the same.
He told me not to worry too much
because being sad won't get me anywhere.
He reassures me that things will get better
and now getting up in the morning
doesn't seem so bad at all.
JJ Hutton Oct 2018
There he waits,
the Nice Guy,
looking academic
and out of reach
in his tweed.

There's something
feminine in the way
he crosses his legs,
draping right over left in the fainting chair.

There you are, across from
him, at this party your
roommate dragged you to.
And you ask how he is.

He ushers you to his chair.
Sit down, sit down. I insist.
You know, he says. Most people
would tell you they're good or just fine.

The Nice Guy reassures you he is
not most people. He's a Nice Guy;
he's down with feminism, waves
One through Three.

He has a dog named Atticus.
They frequent open-air bars
in the summer.

He's a Nice Guy, an old soul,
someone who should have been
a young man in the 60s.

God, he has so many female friends
he tells you, leaning on the banister,
sipping on Glenfiddich.

You wonder how he is. This was your question.

He has so many female friends. Notice
how I'm stressing the word friends, he says.

I do, you say.

He's a Nice Guy and all these female friends
they're all the same. They love the bad boys,
the rich snobs, the ******* jocks.

I don't, you say.

Oh, sure you do, he Nice Guy-splains to you.
And there's a golden light coming from the chandelier
behind him, and he looks so holy and pure as he tells
you how one day Tara, Sam, Whitney, and Amber
will wake the **** up and realize just what they're missing.

But by then, this Nice Guy will have rambled on. He'll become
someone's second husband. A Good Woman will see how precious, how rare this Nice Guy truly is.

Okay, you say.

Prove me wrong, the Nice Guy says. He leans in closer.
You can smell the scotch. Prove me wrong.
Raina Grace Jul 2014
Spilled coffee freckles a handwritten note,
Eyelashes filter the sun
Making rainbows for your eyes
As all our heartbeats run.

The way the pines look alive reassures you.
So old, so tall, and so wise.
You feel calm within their cradles
That sway you like the tide.

If only you'd listen closely
As the gentle branches creak
And move through the wind so easy.
Quiet words, through silence, leak.

The willow withies bend as well.
They're trying to get through,
Saying "HEY, we're all connected!"
So am I, and so are you.

You may just feel a firey light
That makes you feel complete.
You'll shine it out, wherever you go
To everyone you meet.

And one day you will meet someone,
And at first you will not see,
The same familiar firey feeling
That once came from a tree.
:)
Adam Legion Jul 2014
I feel Alone, and she feels me in return.
Reassures me when there's nowhere to turn.
One thing is certain.  I'll know it 'till the end
I'll always have Alone when I need a best friend.

(Living alone is an inspiration.  It becomes clear what your solve craves;  what you can't live without.)
Written around 2005, age 25
Tom Spencer Nov 2018
awakened
in the middle of the night
by unexpected rain
pattering the roof
and dripping off of the leaves
I guess I should have watched
the forecast
but I am glad that I didn’t
even in this wet season
a surprise visit
from an cherished friend
reassures this sleepy old man
and sets me adrift
dreaming of spring

Tom Spencer © 2018
Cailey Duluoz Oct 2010
Yours is extraordinarily beautiful.
It's rhythmic like the movement of the sea and
Reassures me of the endlessness,
The ceaseless calm of the world we've created
Here in our embrace.

Mine is far more painful
And my exhausted lungs sound
Like the wheezing old engine of our '83 Chevy
As I lay here
Surrounded by electronics meant to preserve my life
That will only destroy my spirit.
- From Terms of Endearment
Ally Smith Jun 2013
Like a game of Russian Roulette,
I sit here and I sweat.
My palms are cold and wet.
I am waiting for the gun
To make its way to me.
The barrel glistens
As if to my thoughts it listens.
I am waiting for the bullet’s collision.

My heart pounds in my throat.
My heart pounds in my head.
My heart beats in its place.
What if you found me dead?

Finally the gun has made its way
All the way to me.
Across from you at this table,
I do not break my gaze.
I take a shot of whiskey.
I swallow all the ***.
I put the barrel to my head.
Won’t you join the fun?

You know, my dear,
I am well aware of my mortality.
It hangs on by a thread.
How would you like to know
That said thread
Is made up of
All the words you’ve said?

The gun shines like your eyes.
You taunt me with your smile.
“C’mon, just pull the trigger.
You’ve been stalling quite a while.”
Your smile reassures me
So I put some pressure on
The tiny little trigger,
With the help of some liquor.

Nothing happens.
It is what it is.
It does not really matter.
Because I know what love is.
Prabhu Iyer Oct 2013
Then, when a pin-fall echoes ringing
in the enveloping darkness,
and muddied silence eclipses all light,
spreading all around
the mistletoe
guards the path forward,

we must know, it will all end.
For a greater power than all we know,
than even the greatest of Gods,
a secret is enshrined within
the very fabric of existence:
a mystic voice echoes,

from the mists, a boon-giving hand
reassures us lost here:
Whenever in trouble, wherever you be
call and the help shall swell forth
from within the wells
dug empty in the crusts of our being;

Like the last light of the evening
the image of clay disappears
into the waters, that in mystic union
connect earth and the heavens,
appearing again year after year
in yet more lovely forms:

A river of love that swells forth
at our suffering, the cradle
of our weal and woe, the Mother
of everything that ever is.
Nine there might be, the darkest
of nights, but the tenth is

the day of victory for sure!
Navaratri or the 'Festival of 9 nights' is the most important celebration in Hinduism's annual calendar. The festival salutes the feminine aspect of the Divine, and ends in a celebration of the ultimate victory over darkness on the 10th day, called 'the Victorious 10th Day'.

In ancient times, all the Gods assembled their collective power in a great Goddess, who won a victory over the seemingly indefatigable buffalo-headed demon, Mahisha. After the war, the Goddess departs, bestowing a boon to all her devotees, that She will always appear and protect her children, whenever they call upon Her earnestly in their suffering.

The famous Durga Puja celebrations in Eastern India form part of this festival. The Great Goddess is worshipped in a specially crafted clay image for the last 4 days of the '9 nights', after which the image is immersed in sacred waters. If you wish to explore further: http://en.wikipedia.org/wiki/Navratri
Hayley Neininger Nov 2012
My mother is getting ready for work. And I am a child of about 9 years old sitting on her bedroom floor watching her get dressed the same as I would for the next 9 years or so in this house. The house that I remember then use to shake violently from the train a block away and was so glass-fragile and so cold-damp that its walls warped and swelled; making it look like someone had once blown up a large balloon inside of it and the walls curved around it. Even after that balloon popped the walls never managed to regain their original shape. My mother who never complained about the state of our home and in fact rather fancied it would tell me “Isn’t it cozy living in a snow-globe shaped house, and when it shakes we can pretend we’re snowmen in a glass ball.” She would always say things like that. I would always listen; I would always sit quietly with my legs tucked under my *** and watch my mother get ready for work. She would go through the same motions she went through every night and every night in the same order, she did this so often and religiously she had it down to an art, a methodical system of movements that at this age seemed to me more like dancing. I would watch as her dance started in her hands. Her fingers thumbing over the light pale and pink lip paints she saved for weekday afternoons and for Sunday mornings. She instead reached for the bright Chinese red stick she painted onto her perfectly pursed lips. She then reached for her black dress, pressing down the wrinkles smooth as the backs of thumb-tacks, smoothing the fabric over her hips, her thighs, her legs. Next she would sashay over to her vanity, pick up a small container and spread over her eyelids a bright but dusty blue shadow. I love this next part. When she would gently sweep me up and sets me on her bed as she knelt down and told me to sprinkle her face with a shimmery clear powder, giving her the look she always said made her stand out, made her look “unique”. I always thought she looked like she was in the caught in the middle of a snow-globe. Her next step was then slipping her dainty and fragile size 7 feet into heels that I knew would look invisible in the dark night outside our front door, she would look like she was almost floating. I often thought those would hurt her feet as she walked that long stretch of street outside our house.  Her arms then would sway and flick her hands outward, grasping with all her fingers a purple and gold glass bottle of perfume on her dresser. Back then it looked to me like a curious crystal globe of sweet-smelling water that turned sparkly when she shook it. This is my mother’s last step, she presses down the sponge-like pump. I really love this part. The only magical part of my mother’s evening- the part I always thought would make her realize she should stay. As she presses down on the pump I see the shiny and clear purple hued liquid release and bubble out into tiny specks of oxygen atoms, I watch them as they swirl up the golden bottle-the rounded glass holding them in, controlling them, allowing them to eddy and ebb around themselves, to tango around each other within the safety of its bottle. They are dancing, writhing around in their own world, free from the terrors of the outside air, these atoms embrace the chaos and they wallow in the pressure that perpetuates them in an endless looping of rhythmic motion. They enjoy it. They bask in the comfort of the fluid that holds them tight together safe in their glass house, keeping them untouched. I, sitting there eye level to this bottle watching ever so closely as the air bubbles swim closer and closer to the surface until they slowly start to realize that they are being expelled from their bottle. Then they stop dancing and move franticly in a tornado-like motion, they scream and they fight their way back down towards the others like them, wishing to not be pushed up and out into the bigger pool of air they know will surely render them invisible. They wish so strongly to be kept inside their glass world, to always be safe and visible in the enwombing liquid that circles around them in their bottle that reassures them of their existence as a single being and not as a part of a whole. To be separate from the mass of air that awaits them, the air that only yearns to add to its girth, by swallowing the tiny air-bubbles. I want them to stay. Stay in their snow-globe and live forever as air bubbles safe and few, to not swim up to the world that will gulp them down whole. I know they are dainty and fragile and I want to keep them safe. I want to always see them dancing separate and unique and never leaving, yet they do. I want them to stay, yet they do not. All in an instant, faster than the blink of an eye, the once dancing bubbles are gone and are now sprinkled sweet across my mother’s neck. The only evidence of their existence- a lingering scent flowing out of my mother’s bedroom as she grabs her purse off the couch. I want her to stay too. And as she grabs her bag and slams the front door it shakes our house like glass around me. I remember a younger me, left there feeling liquid and weak in a snow-globe house now void of air.
edited a previous work.
Katie Lindsey Apr 2013
The High Priestess
she tells me
all I need to know

She speaks to me
in my dreams
in symbols
in colors

She is high above
the restlessness within me
the blocked chakras
that need breathing

She is high above yet
not too far away
She watches me
She reassures me

The High Priestess
She tells me all that I need to know
She enters me
at times of struggle
She over comes it
not through hostility
through acceptance
She lavishes in it
she sees the lighter side
of the human spirit
and she laughs

she is spirit
she is my spirit
she is I
I am
The High Priestess.

I am.
Frankie Gestone Sep 2012
Beautiful, sad, and true
Just this little story of me and you
It's always over before you know it
Your laugh, your smile, I once was sure to commit
The beginning, not sure of its start
Not once did I imagine we could ever part
Too perfect and too good to be true
My mind will never forget or get over you
I say deep inside I know you will return
But my heart, oh, how it slowly continues to burn
I have never known love, only hate
But it's you, the way, and I can just see it in your face
Quite sure about where my heart stands
Your soft, smooth skin I feel especially in the palms and tips of my hands
Your warmth is always where I long to be
The artistic wonder of your body always reassures me
Out of the seemingly infinite amount of women
There's just one, your elegance, I am sure to win
Your melodic, finely tuned voice is always on my mind
Your heart-shaped face and flawless smile always sends shivers down my spine
One has to stop and stare as your kind is quite rare
You are every boy's dream, his life he gives to you forever to share
Your fire is my desire, my passion for you I have no shame
Your being, your hair and outline in the dark is like a hungry lion I will never tame
Unleashed, please go freely and teach yourself to learn
For I wait, perhaps one day, you will happily return
If we see each other again, in love, under the sun
It will be only because of the reason that you are and I am the one
Through voracious eyes devotees, peruse writings, clever literature all styled to thoughtful poetic ways
eloquently, exposing wounds of body and soul, discovered distrust, anger much regret, sadly even fear,
thereto shortcomings in life, of people, their actions, loves and lies promulgated in illuminating phrase.
Technology endows contributors with outlets for venting suchlike occasions using artistry is here.

Passionate poignant experiences most well written, some not are duly shared to attracted communal eyes.
declarations of 'I have cared so much I'm wounded mortally', some bask in lost or unrequited loves last kiss,
several employ inner strength 'whatever happened, I don't care, I'm resilient, I survive', shared with poetic pride
concise verses rework obvious reminders, may motivate suggestion that opportunity shouldn't be missed.

Modest words abundantly profound begin remarks that reassures, with the - I'm here for yous'- symbolic embrace,
in support it is written, 'I know what you mean' and from a great distance - empathise, but I have little to say.
Health issues aren't fixed by artistic pennings, only face to face professional advice forms the strongest base,
Writings from the poetic inner self  may become positive steps, for futures not, staring in depressions face.

Much is written with sensitivity oft-times is judged by content, overlooked is why and how it is composed.
For instance suicide  educes fear however. dubiety invites, is it fiction or truly despair?
Writing as an art observes, describes, creates imagery, of sadness and joy, escapism, fictional or no.
Poetic creators who web-wide commune through stories, thoughts, secrets, ideas, dreams, let the poetry be shared .




Poetry www    Michael C Crowder 12th  January 2019 @scorsby
my thoughts about poetry its content and writing skill
Alyssa Yu Jul 2013
I am in love.
Not with the guy next door
Or the charming ****
Or even the bad boy

No, I am in love with the people on the streets.

I am in love with their smiles.
I am in love with their surprise when their casual How are you? doesn’t turn out to be rhetorical.
I am in love with their intense honesty when I ask them the same question in return.
I am in love with their hope when I meet their gaze, and they realize they might not be invisible after all.
I am in love with their inner artist and musician and scholar.
I am in love with their humanity

And nothing breaks my heart more than seeing their downcast gazes fixed on the hard, unfeeling ground
As if they don’t believe themselves worthy to be seen

I wish I could place them in front of a mirror
So they can understand just how beautiful they are
When someone else reassures them that they do exist.

I am in love. But I don’t know how to tell them yet.
Justin G Diaz Jul 2015
Time* has gone by
But only in reality has it gone
Within, it seems like its been a lifetime
Knowing you, or rather having known you..
It’s probably all been the same
We said things wouldn’t change
But we’ve slipped away from each other
Like aged tires, unprepared for the rain

At the ****** of our demise it seemed unreal
I tried to hold on for so long
Most would say too long
As i hung from my figment of a cliff, my fingers began to fail me
With every moment of negligence I cried for a change of heart
From you, that never came

As I free fell from my cliff
Deep into the abyss of nothingness I sank into, and digressed from life
I was in a state of internal paralysis
My heart beated, but ever so quietly
My mind thought thoughts, but ever so dismally
I walked the halls watching others laugh and fellowship
When all the while I just missed your smile

Your laugh
Your smell
Your walk
Your talk
Your eyes
Your touch
It was all too much
Too much to yearn at once

As lonesome days came and went, I wondered when this would leave me
When I’d be free from this feeling of no feeling
Others tried to help but my heart was stubborn
I wanted nothing but to reverse the clock
Back to the days when I did feel
When I did smile
When I did live

But then that day came.
That day when God dove into the abyss and rescued me
It was as if all the pressure from the deep ocean had been lifted off my shoulders
My emulation of the Titan Atlas was no more
My fled soul had been returned to my body
And it was all by His grace

Nowadays I still check up on such individual
But I do so from a far
The feeling of care still resonates in my heart
Just not in the way it once did

Yes you've changed, but I don’t see that You
I see the You that i knew
The You that I met and felt utterly anew
The You that I temporarily walked life with and grew

But I have moved on
It took longer than most would
But I guess it was because I loved way more than I knew I could
Now I see you and I feel nothing
But its far from the nothing of before
Now its a calm nothing
A nothing that reassures
Everything’s going to be okay,
I’ve lit my lantern and let it float away, as it burns

Maybe it was all meant to happen this way
Maybe it wasn’t
But either way
Time has gone by
But only in reality has it gone
Sally A Bayan Jun 2015
My Fingers Touch...
(an offshoot of an older poem...)

It happens  any minute of any day...the empty feeling...the sadness, the grief visit...all are put on hold...yet, they make me realize all the more,  grieving isn't over yet...
i think of the ones gone...but, there are people around me, with pressing needs...faces that get bored, but can't be ignored, needing my say and my care.

Mornings, i work around visible reminders...i touch them, i feel them...they take me back, while dusting old furniture,
window sills, and curtain frills.

My fingers touch the old bookshelf, i see Tortilla Flat, Perry Mason,
The  Raven, The Virginian
i find myself in a different era.

My fingers touch old framed pictures and photo albums, and i am slowly unburdened, sighing out unwanted energy.

My fingers touch the old bed, the old seal, the old vases...i am saddened, but comforted, by tangible souvenirs.

My fingers touch my temples, and the old memories, old dreams come back... it's the same face with the smile that never fades,
the same one that still shyly reassures me.

Never saw my father, yet he always smiled at me in my dreams.
perhaps, it was his way of telling me, he wasn't physically with me,
yet, he never left me.
despite his absence, he knows me, us, and we know him well.
i felt him closest when going through a dilemma, or when i was ill.
there was this loving presence,
only i can know...i was sure it was him
i miss the comforting warmth of those moments.

My mother had told us more than enough---their love story, dreams and plans cut short
where I got the shape of my face, my nose, my legs...my fingers
even my allergies,
the funny names he called my siblings and I, his funny tales,
his rocking chair
the events when he died...how he died
where he died...what time he died.

We knew him well
through those stories my late mother told us
through those accounts passed down to us by my late aunts
through my dreams that never have faded.

I realized
he was with us, all the way
silently...invisibly

...we never lost him at all...


Sally

Copyright March 28, 2015
Rosalia Rosario A. Bayan
****To all fathers, grandfathers, in and out of Hello Poetry,
                      Happy Father's Day to you all!****

............

— The End —