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zasrany Mar 2014

You are stronger than you realise.
You are crueller than you realise.
The smallest words will break your heart.
You will change. You’re not the same person you were three years ago. You’re not even the same person you were three minutes ago and that’s okay. Especially if you don’t like the person you were three minutes ago.
People come and go. Some are cigarette breaks, others are forest fires.
You won’t like your name until you hear someone say it in their sleep.
You’ll forget your email password but ten years from now you’ll still remember the number of steps up to his flat.
You don’t have to open the curtains if you don’t want to.
Never stop yourself texting someone. If you love them at 4 a.m., tell them. If you still love them at 9.30 a.m., tell them again.
Make sure you have a safe place. Whether it’s the kitchen floor or the Travel section of a bookshop, just make sure you have a safe place.
You will be scared of all kinds of things, of spiders and clowns and eating alone, but your biggest fear will be that people will see you the way you see yourself.
Sometimes, looking at someone will be like looking into the sun. Sometimes someone will look at you like you are the sun. Wait for it.
You will learn how to sleep alone, how to avoid the cold corners but still fill a bed.
Always be friends with the broken people. They know how to survive.
You can love someone and hate them, all at once. You can miss them so much you ache but still ignore your phone when they call.
You are good at something, whether it’s making someone laugh or remembering their birthday. Don’t ever let anyone tell you that these things don’t matter.
You will always be hungry for love. Always. Even when someone is asleep next to you you’ll envy the pillow touching their cheek and the sheet hiding their skin.
Loneliness is nothing to do with how many people are around you but how many of them understand you.
People say I love you all the time. Even when they say, ‘Why didn’t you call me back?’ or ‘He’s an *******.’ Make sure you’re listening.
You will be okay.
You will be okay."
The poem was written by a ******* tumblr named Ivy you can check her out here , http://ohthativy.tumblr.com. I apologise for not giving her credit from the start I just didn't know who the author was.
Piyush Gahlot Jan 2019
Stressed ?, Tensed ?, Frustrated in a blow ?,
Go to desert, beach, hill or a mountain of snow,
Sure, plan a trip, better make it solo.
Be free, feel the thrill, fear, love as you go.
Travel to unknowns, meet strangers say hello.

Feeling hurt?,
Stretch a desert,
Feel the sand,
Slipping through your hand,
Realise everything isn't in your control
A camel safari make it a goal.
Experience the culture, mix with locals
to rediscover yourself.

Are you in pain?
Head to mountains,
Altitude will test you in every way,
Your petty issues will go stray,
Try trekking, feel the snow,
Chilly breeze upland it blow,
Challenge your limits.
Trivial issues but mighty mountains digits.

When in doubt,
A beach you scout,
Feel the tropical sun,
Respect the relentless sea overrun,
You surf, sail and try the ****** fun.

Go beyond, challenge your limits,
Experience the miracles of nature,
Subside your pain, let stress be a bygone,
Rediscover yourself in the far unknown.
Many of us are going through unimaginable hard times,
But ugly truth about life is, it goes on.
I see traveling and going to unknowns as a remedy to the pain and frustration. This way one can rediscover himself and find meaning to life.
George Anthony May 2017
I know that there is a table
in a Catholic high school in my local town
with an etch of the letter "G"
next to boredom-inspired vandal,
jagged lines, circles,
perhaps a few ******* shapes
as silly high school boys
are prone to draw.

An Advanced Maths textbook sits on a shelf
with a little doodle
of a peace sign next to an emo smiley
from a time where I was caught
between two phases,
tight black jeans and a flowing turquoise shirt.

Tobacco stains smeared
over the wood of a sealed off door
just outside my bedroom,
evidence of the first time
I tried a cigarette, seven years old,
and then panicked and tried to
flush it down the toilet,
only to have to fish it out and stuff it
in a little crevice, to be hidden and
remain there for seven years.

We leave all these little marks
and stains
in places we've been.
Spilled food, spilled ink, spilled drink,
tobacco stains and pools of blood.
"The marks humans leave are
too often scars."

I have scars.
Left forearm. Right calf. Right wrist bone. Both kneecaps.

A scar across my ribs and chest I was
so desperate to be rid of,
I bathed myself in oils and it was
the first scab I
never picked at; but a couple of weeks ago
I dreamt it was there again, fresh.
It tore open in front of everyone, bled out,
and I woke up gasping, drowning in my fear,
agonised, clutching at a wound that'd long since faded
convinced I could feel it splitting me apart again.

I have evidence all over my body
and more buried deep within the recesses of my mind,
scars so jagged they put knives to shame,
shining, pale, like diamonds in moonlight
not half as precious
but still invaluable.
Evidence of the marks humans leave behind.

I'm not innocent.
I don't pretend like I am.
I know there is a man out there
who gained another scar to add to his collection
when he was fourteen years old.
I know my hands carved it into his skin.
I know I used to use my fists
when others used their words to hurt me.

When I die, I know that I will leave
pieces of myself
everywhere
I've ever been. Whether people know it
or not, whether they
remember me
or not. There are ink stains
and coffee spills. My blood
is still on the floor of his house.
The high school cafeteria
has a circle of red
from a nosebleed I didn't realise I was having.
There are parks wearing my graffiti
and children donning my old clothes, and people overseas
still alive because of me

(or that's what they'll tell me, but
all I did was talk.
Give yourself the credit you guys deserve,
you're the ones who chose to listen.
You're the ones who had the strength to
pick your head up and carry on)

There are exes who still think of me
and friends who will one day
come across some article of clothing
or a piece of technology
I left behind after a sleepover.
Teachers who will remember
that smart, sarcastic student
who had panic attacks in their classrooms
and drank coffee in the mentoring hub with Mrs. Hume
whilst buttering bagels and functioning on no sleep.

Maybe our place in the universe is
insignificant. Or maybe it's the
most significant thing
of all.
Maybe the Buddhists are right.
Maybe we are the universe, together
as one. I sure think it makes sense.

Streams of consciousness
and spirits that need healing.
We work the sun
without even realising we're doing it.
We destroy it, too,
which is perhaps why we
are so self destructive in turn.

Maybe we're
smaller than specs of dust
but that's okay.
You don't have anything
without the particles required
to make things up.
Everything is a collection of atoms:
the tiniest things of all
yet they're the centre of everything,
the beginning of everything.

So when the end comes and
we burst back into the sky,
stardust and souls and
blinking little lights,
we'll have left our marks on the earth
regardless of who remembers
and we'll still be there, twinkling,
a collection of atoms that came from a supernova
essential to the makeup of galaxies
and life itself.
What could be more beautiful than that?
I don't know. It was... some sort of stream of consciousness, perhaps? I blanked out halfway through writing it.
When his Gillette slices the Cake you give
And your Ribbon shows what a Prune he was
It's time to kick his Sorry *** and Live
Then realise he is below your Class
The School Council has met; and Verdict's sent
To advise the Nerds which Athletes are bane
But if you give an Artist a worth-time's spent
He will give the Cherriest Mood insane
Try to open your Doors, dear Fruitful One
For once, know that Other Hearts do exist
If you can sing where the Hill's Grass grow some
Then you know which Plate is worthy to fix.
Now in this Picnic my Noodles grow full
From this Prune-Cake made and sliced from his Soul.
b g Apr 2015
look,
she will never tell you her deepest secrets or kiss you quite long enough to feel whole. and some nights she will sneak out of bed and yell when you follow her, because there are nights when she needs to breathe and there have been too many fires too close to her throat lately.
let her go. tell her you know about thunderstorms, about storms so rough you seem to topple over at the thought of them—tell her, you too, have felt the earth shake beneath the soles of your feet a few times too many to stay still.
you don’t have to kiss her scars. you just have to kiss her.
boy, on good days, take her by her bruised hands and lead her to a place where you have always found sanctuary. kiss her then. she will trace your bones with her tongue and lay her hand on your chest to check if you’re hollow. kiss her then. sometimes she will smoke to fill herself with something else than pain. kiss her then.
look: when she trembles so loud you can hear her empty bones rattle, place one hand in her hair and one on her hip and kiss her. kiss her until she stills. being an avalanche like her is exhausting, but sometimes she just won’t know how to stop it.
when she falls asleep on the couch again, know that she is not avoiding you. she’s avoiding the emptiness of having you so close she doesn’t know if she’s allowed to touch yet. she doesn’t know if she earned it yet. and when you see her do her workout routine twice, it’s because the couch is giving her trouble sleeping—even more than the bed did. she hopes she will be too tired to care this way.
take her by the hand again. take her to bed. place her head on your chest. show her it’s alright to touch.
when she tells you she’s been counting the cracks in the ceiling because her head is filled with ideas of death and despair, repaint it. tell her this is a new colour for new thoughts and new beginnings. cover her eyes. kiss her eyelids. tell her they don’t always filter light but they don’t have to. tell her it’s alright to be an avalanche. tell her it’s alright to be an avalanche.
but remember this: when you are ready to fall to your knees, she will be there. when you feel the earth tremble beneath your feet, she will be there. and when your hands shake so much you don’t think you can hold her anymore, she will be there.
there is so much more to her than just something to hold. she’s not just this anger, she’s not just this closeness in her veins that makes you forget the way home, she is so much more than just gritting teeth and letting it go.
when you are ready to fall, she will always be there to catch you. remember: she knows the ripple of hurt that tears through your body so violently—she knows how it feels. she has felt it herself. when you tremble, she will make you still. when you tremble, she will make you still.
this is not just about her. this is about you, too. about the cracks in your ceiling. about your avalanche. realise that she understands. when you lay your head on her chest to check if she is hollow, realise she knows exactly what you’re doing. when you ask her to pass the cigarette, realise that she too, knows how it feels to fill yourself with something besides pain.
oh sweetheart, when the vastness of her love makes you agoraphobic, she will take you to the place she loves most and kiss you. she will kiss you breathless. don’t you know it’s in her blood to take care of you?
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Michaela Ferris Jan 2014
Trying to speak my mind
You never seem to realise
How much you truly mean to me.
Trying to make you see
But you're never listening
You need to try and sort things out.

Maybe one day you will realise
That friends and family are here.
Maybe one day you will listen
And hear the words I say.
I guess someday maybe
You will realise I care,
It doesn't matter who you say you are
I'll be here for you I swear.

It's like your always hurting
You expect me to be there
But some days I'm trying to stop
Myself from ending it all
But I'm still there for you
Like you want me to be.

Maybe one day you will notice
That I'm never far away from you.
Maybe one day you will hear ne
And believe the words I say.
I guess someday maybe
You will see what I see,
It doesn't matter what you say to ne
I'm always by your side.

Maybe I am blinded
By the future I see for you
But believe me when I tell you
How special you are to me.
You're the brother I always wanted
And I won't let you go.

Maybe one day this will be over
And you won't feel this pain anymore.
Maybe one day you'll be happy
Without a care in the world.
I guess someday maybe
You will realise your worth,
It doesn't matter what you're going through
You will not be going alone.
Charlotte Jane Jan 2015
Why is it that we are always wanting time to pass quickly?
We're constantly watching the clock, waiting for the minutes to fly by
But we never look at what it really represents
At how every minute that passes
Is a minute of your life that won't ever come back
Can't ever be recovered
As it is lost in the hands of a clock that is forever ticking
Counting down every second
Every minute
Every hour of the rest of our lives.
Each time we look at a clock
Watching the hands slowly tick by
We never do realise the meaning of what it is actually counting down to.
For it isn't really counting that one meeting you don't want to go to
Or that single maths period that feels like it will never end.
No.
That clock is actually counting down towards the final moments of the best times of our lives
The ones that we take advantage of without even realising it
Whether it's our years in school,
Or the last few years of our childhood.
The final few days you have left to spend with a loved one,
Or the true bliss of your first real relationship.

You see, through the good times and the bad
The smiles, the tears and the laughs
The times that you never really want to end,
And the ones you wish were over in a heartbeat;
This clock will be forever in the back of your mind
Counting down the hours, minutes, seconds
Towards the end.
And it's only then that you realise
That you wish to turn it back and start again.
But you don't know how
And those last few hours that you have left
Won't be spent looking at a clock.
But instead will be used to look over every single moment of your life
From the beginning to the end.

And it's only then, that the clock will finally stop ticking.
We never appreciate what's there, till it's gone.
Tara India Nov 2014
It is only at 2am when you will realise
You might have gone too far
You will get up to brush your hair
Feel your body almost give way
And nearly succumb to blackness
Mounting the window to **** down another cigarette
You will realise you kept nothing down
And haven't even tried to for six hours
You will realise you're awake and always are
When the rest of the world sleeps
Because some manic desire for deprivation
Keeps your bloodshot eyes pinned open
You will chew another stick of gum
Tainted by smoke and diet soda
And almost smile as you notice
You ostentatiously pretended to be trying
You've listened to chords and turned
Page after page and turned off your phone
But you're clinging to insomnia just like
You hang on to starvation as gratification
And some justification of your existence
You will burn your back on the radiator
That you're secretly glad is broken
And stuck on max because you are always
Cold as if you were winter itself
And the marrow of your bones is ice water
You will stare at your sternum and ribcage
And seek your hipbones in the mirror
Only to be frustrated because you
Still can't wrap your fingers round your arms
You will almost smell everything you wish
You could eat and not need to throw up
You feel your bones ache and stiffen
And think maybe you really let yourself go
You will think of what to eat tomorrow
Realise you'd rather drink coffee
And you made plans so as to avoid food
You will have moved it all downstairs
In a desperate urge to avoid the binge
And hate yourself for it because now
You have no release and not even blades left
With which to feel something and so
You stare into empty oscillating space
Extinguish your cigarette on arms
Already scarred and cut to pieces
You think to hell with everything and realise
You've really done it this time.
Rohit Mane Aug 2018
Sitting at my workstation I kept swirling my chair around,
Battling the strenuous drowse that tried to yoke me to the ground,
“How could this happen? This is the first hour of my job,” I wondered,
I chuckled. “How fool of me! It’s Monday today,” I remembered.

I peeked to my left to see an empty chair,
“No-one to talk around; hey, that’s so unfair!”


I cringed viscerally at the thought of spending the day without uttering a word,
I tried to re-task my focus on my computer screen when a soft voice I heard,
Made me turn, and as I did, I veered myself to the source of the euphonic voice,
I felt the dumbfoundedness of a person bewitched by a magical spell, twice.

For some moments I couldn’t decrypt the words that her lips uttered,
As I just kept staring into her graceful eyes, helpless and all cluttered.


She asked with a soft smile, “Is this person absent today?” and  motioned to the workstation on my left,
I felt my dopamine surge at the possibility of what might happen next,
I nodded as soon as I realised my tongue has gone numb,
She ensconced herself and smiled, her cheeks as rotund as a plum.

I swallowed a lump in my throat that I didn’t realise had formed,
I wasn’t hoping for anything like this but I liked what my day had unboxed.


“What is she? Are humans allowed to be this beautiful?” I questioned my mind,
Was she a manifestation of my dreams or an angel in disguise!
It seemed like her eyes possessed a power in them like Midas in his hands,
A sight of innocence that could even force the flying time to land.

I leaned forward a little to catch a glimpse of her pretty brown eyes,
She turned to me with a gaze of a doe and my tongue again got tied.


“Any problem?” She questioned me with a raise of her brow,
“Yes, your eyes. They’re too beautiful,” the response I couldn’t let out,
Instead I shook my head and turned my eyes away from her,
My peripheral could see her blushing; it seemed the bubble has finally burst.

I tried to venture a conversation but failed to remember the morphemes,
The anonymity between us allowed the nervousness to sweep in.


I sighed deeply and turned about to do what I’m paid for,
But her presence beside me made it harder for me to stay calm,
An unexpected “Hello” came from my left and an introduction followed the greet,
Although stunned by the suddenness I tried to smile at her, from cheek to cheek.

We exchanged our names and conversed a little for a while,
Before she got engaged in her work and I in mine.


After hours of punching the keyboard buttons I stretched my arms and yawned,
She giggled at me and I took it as a cue to move my first pawn,
I embarked, “I’m going to the cafeteria to have some tea”,
I hesitated for a moment and resumed, “would you like to come with me?”

She rolled her eyes and I understood she has refused my kind and genuine offer,
I began to walk away. “Wait a minute, let me lock my PC,” and then I saw her got up.


We walked our way to the cafeteria, slower than two people normally would,
My chivalry erupted as I held the door open for her as she entered the room,
We occupied a table for two and  it appeared like a date-night is about to happen,
With she in front of me and  the stories that we shared, it seemed like all the troubles in the world didn’t matter.

I mulled over the thought that I might have a crush on her smile,
But there was an absolute certainty that I had fallen in love with her eyes.


She shared some cheerful stories about her childhood and also the moments in her life she remorse,
She had a way of crinkling her nose adorably that made her appear cuter than she was before,
“You may have a body of a woman but you have a sweetness of a child,” I abruptly blurted out,
She smiled deep into my eyes and I could feel the brightest smile I ever had form on my mouth.

“That’s the sweetest thing someone has ever said about me,” she flushed a little while she said this,
It took us a moment to realise that we’re holding hands; the touch of hers was something I couldn’t resist.


We got up as we finished our beverages and sauntered our way back to our daily routine,
I tried to rein my thoughts that our day was  about to end, but my efforts were all just futile,
I just wished this night shall never pass as I wanted to spend more of my time with her,
We logged out of our PC’s as our shift ended but I craved for one last conversation with this girl.

While ambling towards the exit in silence I turned on my heels to look into her beautiful brown eyes,
I sighed as I looked at her and tried to settle down the feeling to hug her that was about to rise,
“I spent this beautiful day with a beautiful girl I wish I could see more of,” I said with truthfulness in my voice,
She smiled at the ground and then looked up, “You will. Tomorrow at 8. Here’s my number. The place is your choice.

========================================================­===
I wrote this poem for a girl I have a crush on (read: hopeless crush!). She works in my organisation only but in a different location than mine so I get to see her only once or twice in months.
When I first saw her it was the last week of March. For some reason she came to the location where I work and sat beside me for the whole day! But I didn’t get to talk to her or even ask her name as she was a complete stranger and also she was immensely busy with her work. (She was working on some important document.) During that day I only got to see glimpses of her beautiful brown eyes and her sweet smile but it was enough to give me butterflies in my stomach.
As fate would have it, after some weeks we ran into each other again!
She visited my office that day for some important work and asked me to help her with the printing machine as I was walking across her while she was having trouble with her prints. I immediately recognised those pretty brown eyes and the beautiful face but she didn’t recognise me. For her I was just a stranger that was helping her but for me she had become my crush.

That night while riding back home a couple of lines sparked in my head:

“I mulled over the thought that I might have a crush on her smile,
But there was an absolute certainty that I had fallen in love with her eyes.”

I instantly had a thought of writing something about her and what I did write is completely in front of you. I never had any intention of giving this poem to her and woo her with my writing abilities. I just used my affection for her as a muse to do something for me that I’d feel proud about. The above poem is the fictionalised version of the day I spent with her when she sat beside me for the first time.

I sincerely hope you guys enjoy the poem. :)
Jules Apr 2014
You hear it all the time
Jesus died for our sins, isn't He great!
Yeh yeh, that's pretty amazing, thank goodness for that

But actually think about it
Just a regular person.... a person who feels physical pain, emotional pain
He let people make fun of Him for claiming to be, basically, magical
No matter how much He proved them wrong, He was still a fraud
Then after all He has done for them, He got nails stuck into Him

Just think about that for a second
He didn't just get cut with nails, they were stabbed through Him
Do you think He wasn't feeling some sort of hatred towards us?
Of course He was
But the point is, He was looking at something greater

He got nails stabbed through himself because He knew we were destined for greater things
He didn't want us to suffer like He had
He wanted us to be able to go and live with His Dad, who we love so dearly for creating this world and everything in it
Even though after all we've done against God, we clearly don't deserve to go and live with Him
We were given a second chance

Now you may just think, He chose to die and got made fun of, big deal
But that isn't it at all
He endured so much more
He went through His entire life being the outcast, being the ******
Everything that came out of His mouth was a lie
Well that's what everyone thought

And even when he physically showed proof, He was still looked down on
And then He goes to save all the people who did this to Him?
What a guy.

Granted, God sent Him down to earth to do this and it wasn't necessarily His idea, Jesus still agreed to do this, despite everything He had been through
He could've easily turned His back on His father and think about it, not sure how many people would agree to such a thing
But He still did it.

So next time you hear of Jesus and how He died for our sins
Don't think it's some old story that doesn't involve us at all
Because it actually does
When Jesus was hanging on a piece of wood with nails in His hands
He was doing it for every person who lived and was to be born
Not just the people who were watching, laughing at Him

He did it for everybody
He did it for you.

Jesus is the most selfless man in history and we should strive to act the way He acted and spoke the way He spoke and He should be our model

And we definitely need to remember everything He did for us :)
Not quite a poem but it's just a little reminded to all Christians out there of how much you're loved and how awesome Jesus is! And hopefully spoke to any non-believers? :D If it did, I encourage you to delve deeper because personally, being a part of Christianity and having the creator or the world as your best friend makes life definitely a whole lot more satisfying and a lot less lonely too! <3
Mateuš Conrad Jan 2020
someone once said: only the natives can be designated
free speech...
the immigrants can have their dog
and let it bark, along with whatever thinking comes
their way...

exploring the last remains of thought -
well then... suit and boot me up for some "thinking"
as i extend it into writing...

if i were of the native stock... "elsewhere":
most probably h'america or australia... even in italy
having tea with mussolini i'd be:
an expat... as an outsider among outsiders
but among my sameness-namesakes of surnames
akin to jones and smith:

i will never be an "immigrant" among...
it's not even a voice of cocern, this little voice of
mine...
an englishman who decides to move
to h'america is an expatriate for the native
englishman who stayed behind...
he's never an immigrant...

perhaps other nations view the people that left
them in such a positive light?
where else to emigrate to that doesn't
speak basic english with a tinge of
a "welcoming" plethora of accents?

proudly having expatriated...
or having to have had to humbly emigrated...
bark bite and tail in tow...
my the luck of being an expatriate...
readily prepared with a francophile basis...
e.g., or some other: less frost-bitten
idealism as the work ethic of:
work work work...

we know the english immigrants
as expatriates... but i doubt that people
from where i from would call me...
an expatriate... they'd call me...
eh... hangman noose... a deserter...
god forbid the fact that i somehow managed
to integrate... but then found myself wondering...

have, have integrated into... "what"?!
today i was truly astounded...
after all... Romford, Essex... England...
can boast about a few things...
notably? it's the past place you can buy vinyl
without amazon.co.uk...
you can actually play the buyer and the person
that loiters with his shadow...
flicking through a dictionary of sorts...
finding a record...

i actually left the house for ulterior motives...
but i succumbed to the allure...
and as i walked the January 2nd 2020 highstreet
in Romford...
i heard english... as a spoken language...
twice in the pedestrian commute...
and of course when it came to a lingua franca
scenario of buying or selling something...
otherwise:

perhaps i retained my primitive instincts
and the tongue and should have left it with a ghost
of me back in the clarifying vicinity of
an airport 50 miles from Warsaw...
i have bigger things to worry about though:
how i should start learning Romanian...
even though: i thought bilingualism was a good
idea?
it's not?

not among the natives could i ever be
an expatriate...
an ever: never... like any more thesaurus
sharpening would do the trick to balance
the optics of "perspective"...

if it wasn't a mistake...
it has still been a purchase:
freddie hubbard on the trumpet,
jackie mclean on the alto sax,
kenny drew on piano,
doug watkins on bass
and pete la roca on drums...

the only reason as to why i bought
a gramaphone was to buy the only cheap vinyl
there is... jazz...
to escape the earphones...
to find the complete volume of space
that would later be deemed:
confined to a room... cell... or some alternative
variation: but... oh jeez...
how wrong it was of me...

make a note: alto sax jazz is not for you...
remember: alto sax jazz is not for you...

a sensation of being a foreigner in
an already double-dutch foreign sense of land...
anything that drops from clinching
to the London transport system
with the trains and the tubes and buses
is: england...
the england of my youth where i remained
like that... dunce in the ****** tunes cartoons
interlude...

and what of my citizenship on paper?
wave a passport around
like a benchmark or an otherwise easy
accent-identifier?
perhaps i don't even know:
Bristolian - my best guess with this acquired
tongue...

but at least buying jazz is getting easier...
freddie hubbard a known name...
but... no... alto sax jazz is not for me...
now it figures...
i can get away on a whim when
a trumpet solos... but not when an alto sax
solos... i really can't stomach it...
will i give this Bluesnik record back?
no, i need a testament -
i have bought something
but the self-reflection is free...

there's only so much classical music escapism
you can try -
before long you realise that the people
listening to classical music...
mostly... when they make requests...
want "something soothing"...
want "something jovial"...
or usually it's a piece of music that has
been attached to a movie...
classical music - apparently doesn't feed
people a subtle stream of images...
and it's obvious: those requests are not phoned
in on by blind people...

imagine... the ****** of F... when you have ⠋
to work with...
what is an sunrise... a sunset but a dash
of colour... a spring of the heavens
an autumn of the heavens...
but my my... in this inverted listening of jazz...
⠙⠑⠑⠏
⠃⠇⠥ ⠑    DEEP BLUE...

if i were blind: and came to the pearly gates...
i'd ask for letters: primo pronto!
later i'd worry about colours and shapes...
as i'd probably stick to my first passion
and hearing this fathomless shapeless
sounds that... abide to no lineage with a recant
of a triangle's use of 90°...

otherwise... what if you've been fed
the: classical music when listened to when a child
will increase your i.q. -
but what are the chances that you will:
"regress" from listening to classical
music and take to jazz?
perhaps because jazz has to be felt,
it has to be heard, first,
rather than... the silence and scribbles
of a composer at his desk -
where a classical music composition
is very much like writing:
that whole a prior shabang!
none of the a posteriori zigzagging
of impromptu and jazz?

one thing is certain... i'm not going to
be a fan of alto sax jazz...
sonny clark on piano - yes...
art blakey on drums - yes...
kenny burrell on guitar - yes...
alto sax no... ah... but give me tenor sax
and... no please no big bang jazz
equivalent to thelonious monk...
at least jazz gives you pedestrian tastes
and whims...
nothing akin to bowing at the altar
of a Beethoven: or talking lightly of
the man - "the man"...

and who the hell said that being
objectivity "works all the time"
that objectivity "runs the marathon"...
alto sax jazz is pedestrian music...
don't get me wrong...
you want to walk down a busy street
and you want to drown the sounds
of progress: no horses sneezing,
no horses' hooves playing tic-tac-toe
chess on cobweb stones...
alto sax jazz is your take-out
walk-through...
but when you're hunched in a chair
and pecking at a keyboard with
ten good beaks of the tips of your fingers...

again: how do the hands rest before
the keyboard?
the right hand:
index middle, pinky and thumb...
the ring finger is used for the: delete button...
a revision - the pinky does the enter -
and the cascade follows...
the left hand?

primarily the index and *******...
the thumb is always attached to space...
shared with the right hand's *******
to space,
i can't remember if i ever used my ring
or pinky finger of my left arm...

so much for inverted chiromancy...
the polacks will never give me the wings
to be an expatriate...
i will be forever: he who abandoned
that land running with milk and honey...
but... look at how they stand behind those
from england that decided to go "elsewhere"...
they are not immigrants...
they are... expatriates...
have nothing filthy them it comes to
the connotation...
it's not sad it's not funny it's: somewhere
"in between"...

because we know that the only russians
that ever make it out of russia
are the oligarchs... and by that standard
of "sentiment": they're always welcome...
who wouldn't welcome the pharaohs without
giza pyramid ambitions of construction?!
passing chalk as cheese -
and passing... ink for blood...
perhaps i haven't sweated enough to be allowed
to write but as little as this...

there's always this sense of alienation
among the germanic tribes of "israel":
europe... even if they are the scots or the welsh
suckling at the teats of romulus & remus' lupa...
as the old saying goes among the slavic people
when "integrating" into a germanic-esque society -
by the time you have integrated...
there's this dog-**** pile of Babylon left...
and the germans are: "nowhere"!

the saying goes via:
if you go among the crows...
you must croak their croak...

here's to flying high as an imitation seagull!
brazen: into this arable land...
that's being teased by the Thames estuary...

passing through a Warsaw train station
i noticed the immigrants / the expatriates
on the eastern front...
mostly mongols...
notably the ukrainians...
but now in england i'm starting to think
in concrete terms... better start learning
Romanians...
and on the street: you can't see a focus of
who's here and who isn't here...
back east the Roma people stood out
like a sore thumb or a voodoo plum and...
that didn't bother the locals since they were
meshed like glue...
but, here, in england?
everyone's a sore thumb a voodoo plum...
because the natives,
the blessed idiosyncratic professional
eccentrics have left and...
i'm not going to be the first chasing them down...

London the only and last bastion is
overrun with the whole lot of us...
well: the "us" vs. "them" mentality...
don't get me wrong... i'll still listen to the concerns
of the peripheries... in this cest pool
of immigrants, degenerates...
old people who "forgot" to move...
the lunatics the in-betweeners and the old guard
clinging on...
perhaps, after all... english was a very
accomodating language...
it wouldn't take a genius to learn it from scratch
being thrown into the deep end of the pool
aged 8...
who was mute aged 8 going to school
being moved from "east" europe to this island
with... no prior to linguistic connection?
moi...

and now look at me... i'm teasing myself
with... sordid welsh as if i were ever the posterboy
for welsh nationalism...
scottish nationalism? eh... if they were to retain
their gaellic roots...

expansion:
the longing for those who have left:
in the anglo-sphere - expatriate...
the abhoring sense of those who arrive -
immigrant...
otherwise... the english are always
and everywhere: welcome...
hence the expatriate status of those
who have left their native land...
even in h'america: a shared language:
to be an immigrant... while speaking
the same language?! how preposterous!

the difference between eastern style
comedy presentation and western style
comedy presentation: on stage...

the eastern folk prefer cabaret: theatre dialogue
montages...
the western folk prefer stand-up:
monologue samuel beckett esque
performances...
'woe i... stand alone in this infinite
space and... find others to laugh with...'

- perhaps we're not being less funny because
we're lowering our "i.q.": yes, the we are...
we are... lowering...
i find lee evans to be funny...
a laurel and hardy weren't exactly funny
by modern comedy standards that:
it's only funny if it's intelligent...
if there's a crossword puzzle at the end of "it"...

perhaps pride is the shackle...
and ham... what ever happened to self-depreciating
humor that managed to somehow
elevate you as also having a sense
of humor:
do intelligent men even laugh
at something that isn't a word-play or
a corset of wit?
perhaps we're experiencing a drying of wip...
perhaps the jokes are only supposed
to come: days after as a form of
reflection on the sigma canvas:
the joke has to exist outside the performer
and the stage... it needs to be: a live-experience...
it has to take on DASEIN qualities?
it has to be internalised?

that: oh yeah... that's funny...
perhaps the same thing has to be observed
and it can't be retold in an impromptu
fashion shackled to a stage?
the stage is the new camp-fire?
i thought so too... about the television...

as: here's to slagging off everything that's
being published online bypassing
the editorial process of selection...
well... if it weren't for all the seriousness
surrounding internet banking...
and internet shopping...
pen to paper...
******* clinching a ripped roll
of cushioning paper
and a pseudo-***** imitation
for a wipe while massaging my prostate
over the enlightened prospect
of dropping the blitzkrieg plump-dump-plum
into an echoing lake in the ceramic basin...
otherwise...

a seanse with that moment of realisation:
"something is happening to us
collectively"... it's as if: we're under a spell...
oh i was under a spell today...
watching alec guinness in the fall of the roman
empire...
and as coming from a people
that were never conquered by rome?
on this fine fine island that was...
well... my hopes were also high for
the conquests of the mongol empire...
and the remains of it in the form of the tatars
in crimea...

here are my tattoos... it's hard to break from them,
it's hard to wash them away...
but at least i can attest:
my brain might be all fat and sponge and
electricity... but there's some skull and skin
to be had of it...
otherwise... why would the year 1066
be important for me... why would the magna carta
be important for me?
i too have my years in tattoos on this big brian
of mine...

otherwise there's that copernico-darwinian
surge of: journalistic science...
i still find it staggering that darwinism continues
to capture the imagination of people...
"of people"... only in Wittgenstein was left
alone in finding that Copernicus did something
astounding... this surge of "awakening"
via darwinism: this statistical bombardment
like it was some tabloid journalism:
throwing a pebble at a mountain while
also ushering in a mantra: grow by
a poppy's seed added height! grow!

perhaps i'm just jealous...
among the polacks i will never be an expatriate...
what a jealous people...
an englishman who moves to france...
comes 20 year later...
he will have never experienced
the mark of cain: immigration "humphrey bogart"...
he or she moved to france...
perhaps to italy...
i remember being in greece and...
i was nothing when i said i was ******:
but with british citizenship! to add...
so what?
well... so what greece...
i latched onto some north africans
and went to **** away the night
in some strip-bar where i had
two strippers either head o' mine...
and it was constellations galore...
grandmother Etna said:
rest here, among the smooches poor child...

i borrowed Etna from when Aeneas
"left off"...
****'s sake... this is the Meditarrean
and not the Baltic? where is the amber
the whiskey and the leverage of gratations
of time?!

i will agree. Macedonia come night traffic
of quicksilver tinging?
if the metal is cheap and you douse it in some gold?
a mountain dripping fresh from some quicksilver
from the moon peering at it?
objectivity what?

the finite plateau of snow-riddled Serbia...
and perhaps that's because these people
speak their own language...
and have so... and i'm just the next
"english" tourist...
a jack kerouac americanism and:
oh sure! sure!
spectacular fly-over country tourism!
everything's so so different!
and yet all so oh so much the same!

darwinism was going to run the 5000 meter
race... it's currently running the 10000 meter
race... god help it in running the marathon
of still pretending: old news is new news...
i can't distinguish between darwinism
and copernican discovery...
only in the english-speaking world
would this discovery not escape a criticism
from ancient greece and some, some predecesor!

wouldn't anyone just bore of darwinism
if they were told: over and over again:
the copernican "reality"?
a scientific fact is... akin to a religious dogma...
until... it becomes regurgitated with
enough time, with enough journalism and...
tabloid wind... and after a while...
it's only worthwhile to be spoken to
amnesia peoples of the world: unite!
it's hardly "stupid" or "intelligent"...
more or less overlooked...
because a pebble thrown at a mountain:
is... no added mountain to behold...
conventional wisdom is the only wisdom
that there ever was made to be made:
available...

nonetheless, the circumstance stands...
unless from the slavic hemisphere
of europe...
unlike any other circumstance: other than
the one given, among islanders...
among continent builders akin
to australia and h'america...
the post-racial societies of post-colonial
spain in south america?
ever wonder why the brazillians don't
look for inspiration from the portugese
when it comes to football?
you'd think: those yanks better have
the best football team in the world...
they haven't exactly looked back...
back at "us": oh god... tea afternoon and cricket...
baseball wha'?
basketball? "football"?
why are "we" looking forward and "they're"
looking back?
perhaps i should learn some spanish and
get some insinuation about:
the argentinian sense of lack when looking
back into spain...

or what else is there to be had?
move to Greenland... admire Denmark...
**** it: do the whole stretch and find
some locals on the Faroe Islands...
perhaps i too will find a tomorrow...
but tomorrow i will find: sobering up
and having to deal with: everything beside jazz...

mmm... "delayed gratification" prospects...
seven kings: canon palmer catholic school...
when boys are educated alongside girls...
what if i went to Ilford County High?
what if i were born to immigrant parents
and wasn't an 8 year old immigrant?
what if i went to the Ilford Ursulines?
the all-girls school... the former, Ilford County High?
what chances of me being an intellectual
******?

what, oh the chances!
perhaps praying: segregated... is a tad extreme?
but perhaps ******-exclusion policies:
teaching boys throughout their puberty
as segregated from girls in the same hormonal
development "range" is...
well! how else! you take a boy and girl
and you put them into the hormonal cocktail!
just because it's in a shared educational
environment... why these teenage pregnacies
you ask?
i wouldn't ask such blunt questions...
not since the genius of Copernicus
couldn't attract these...
psychological left-over intelligenstia clingers...
that darwinism has allowed...
what it darwinism and journalism?
everything! the ant as the ego
inside the mind of an ape...
the dormant tapeworm embryo
inside the mind of an ant:
with siesmic consequence of a disturbance
of the collective hive network...

borrow too much from an ape...
borrowing from an ape is one thing...
it's the borrowing from all other
animals: with the ape as the backdrop
that's truly bothersome!
at least religious spew the same facts
over and over again...
scientific dogma? who keeps track?
tomorrow might be the next:
butter vs. margarine controversy!
what sort of "religion" is science
(it's not a religion... if it's not...
why does it have to cohabit a bed
with journalism then, to spew "new",
"improved" facts, then?!)
when... it's so ******* finicky!

look via the ape long enough:
it won't matter whether it's a geocentric
of a heliocentric system that
reigns above your head, no torso,
a pickled spine...
legs and arms floating about like:
an octopus experiencing spasms
pickled in brine...

perhaps these are the zenith years of
darwinistic popularity...
perhaps like the copernican popularity...
there will come a time of:
fatalism... that somehow all of this
is... inevitable...

i see one answer: this cage of grammar
this cage of whatever this god made human
pressures me into complying to...
to the last typo! i will stand against it!
without caging me into a use of emoji or
some other hieroglyphic purse of:
shortened "thinking"...

the "seven silences" might have passed
around my presence that i dare not
call it: in concrete - figure...
and still my eigth silence to unmask
nothing more than a mask...

who are these immigrants, these tight brewed
broods, these furrow brows
representing the native pensive "squint":
of anything beside the eyes and a thought
of h. p. lovecraft?
perhaps inside of europe:
but as ever... without a russian passport...
without a russophobia that's
a tickling hard-on... the "in-between-land"...
perhaps the balkans...
who are we... to these germans and quasi-germans?

we use their tongue, their zunge...
their everything they will otherwise allow themselves
to deny: perhaps this is not Dublin,
this is not Glasgow this is not Cardiff...
perhaps this is not Italy,
this is not France...
perhaps this is "europe" as long as
Scandinavia is involved...

woe a we unto us: the viking Rus...
or some lent word of lost vogue...
last time i heard:
these northern ******* are in no favour
of treating the Spaniards or the Greeks
as their equals...
as long as they have rich arab pimps
race their lamborghini brute ******
down... knightsbridge...

then! and only then! iz ist europa "reconquista"!
"reconquista"... i'll defend these poor polacks
that didn't think it...
"necessary" to only learn english in order
to comply to the global dictum of neu-communist
internationalism...
- what, they didn't teach you you stupid
**** that it only took to learn from english?!
- last time i heard... not teachings polish
to a canape of anything beside the french,
the spanish... also worked!

english as a language is oh so accomodating...
the people will react like antibiotics,
naturally... enough of darwinism and you'll
be found, bound, to having to reference it...
past a de facto menu:
and more like a subjectivity...
there's only so much truth that can be stated...
before fiction has to reply...
because... how many regurgitated facts
can be regurgitated...
before the desert of fiction and...
there's only the fact of a bottle of water...
that remains...
and there's not impetus to walk toward
an oasis...
a fata morgana is hardly a scientific experience...
when experienced...
it's something associated with
a desert and within the desert must either:
live... or die...

what if etymology was to become the new
standard for journalism...
what if one were to escape this contant
bombardment of darwinism...
like it wasn't the next new vogue akin
to the copernican "revolution"?

is that even possible?
whenever i return to Poland...
esp. in Warsaw... i'm a deserter...
i'm not an expatriate...
the native english call those who left
with a sense of longing...
somehow: or at least that's the leftover...
the expatriates from the inside-out
perspective... never the immigrants...

i'm an immigrant and...
a paper citizenship is: no citizenship at all...
a passport is only worth a passport
at a border crossing...
in between the everyday daily affairs?
'where are you from?'
****... 'Bristol?!'...
i'm hardly going to speak
the cockney cockers or an essex schlang...
am i? ***!
all but ******* plumbers and church pulpit
mongers... and some over-ripe
riddle fruits: if not simply left
bottles of wine for the bears...

the first part though, bothers me...

someone once said: only the natives can be designated
free speech...
the immigrants can have their dog
and let it bark, along with whatever thinking comes
their way... in mere thinking...
and a dog barking...

the natives will only have a freedom of speech...
what if an immigrant becomes a citizen?
just asking...
what if an immigrant is granted a citizen
status?
well then... i am your humble example
of a civic nationalist...
such a confusing term...
it must be: for the natives...

oh ****... what language am i using?
the language of the... natives!
rubric civitas!
civic nationalism is reserved for:
those that came from abroad...
i guess the ethno-nationalists never made
this distinction clear:
watching their contemporaries leave their
native pit of woe...
and they would never call them:
deserters... only... only... expatriates...
after all... aren't we in the postmortem of ancient Rome?!
isn't this the time when the remnant
english come out and glorify being
the conquered people of this: lettering?

what is civic nationalism?
what is learnt, integrated nationalism...
this is civic nationalism...
how about the english forget about something,
like solving crosswords...
esp. among the middle-classes...
and let's envision their globalist dream!
let them learn a second language
and let us all become bilingual!
oh no... not polyglots... just bilingual!

i can't be an ethno-nationalist...
em... because (a) (b) and (c)?
aren't the post-colonial commonwealth
remnants of the empire the sort
civic-nationalists there's talk of?
what language am i writing in?
hebrew?! mandarin?!

ethno-natioanlism and its tribalism...
civic-nationalism and its state...
where does the church fit into all of this?
it's like not being an amuptee but
nonetheless being prescribed a "missing limb"...
the **** would i need a third arm for?
wilt the third leg allow me to run faster?!

i guess the term ethno-nationalist is
conflated with civic-nationalist in the ethno-nationalist
realm of "debate"...
a civic-nationalist is your casual parlance
h'american patriot...
patriotism in h'america: nationalism (still)...
in europe...
if we have to: hello, my name is: bob
do it all over again with the squares
and dictum assertions and what not attached...
between the ethno-nationalists and
the civic-nationalists...
the inter-nationalists...

i'm a civic-nationalist because:
i fear people need concrete examples...
i will not move back to Poland...
except on the holidays...
to visit my grandparents...
which is why i have retained the labour
of a native tongue... and "identity"...
i will remain in England...
until England becomes: Alle-Land...
and even when all these
ethno-nationalists ******* to Australia...
and become civic-nationalists over there...
well: over there good luck!

why would anyone ask an ethno-nationalist
the question: are you a civic-nationalist or?
civic- implies:
i'm a Brit from a grand "beyond":
circa 3000km away...
civic is a bewildering prefix for the nationalist
of a ethno- persuasion...
it really is... esp. when this ethno-nationalist
doesn't believe in the existence of
expatriates... that he would remain... "stuck"...
and that somehow... ethno-kin could come
and replace... those kin that left: "in good faith"...

savvy?!
When I told my phsysical therapist that I'm a lesbian,
her answer was a question I did not ever expect;
"So... Are you a lesbian because you are disabled and you cannot get a boyfriend?"
I was speechless,
looking at the wall,
stunned. *******,
she did not just stereotype every single disabled homosexual to have ever existed.
I stammered no,
and I tried to explain that I have had boyfriends before,
it just wasn't my thing.
Looking back now I realise that,
I should not have explained anything because I don't ever need to explain anything about the people I love.
I have had a thing for girls,
since I was three,
and when I was three years old I did not notice my disability,
the way it's being noticed today.
And the absolute most heartbreaking thing about both my sexuality and my disability is,
that I still do not notice it as much as everybody else seems to do.
I can be the best girlfriend ever,
no matter what my sexuality is,
no matter how my body looks.
And don't get me wrong;
I like guys too. I think guys are wonderful.
If God had created Eve and Ava,
who would have brought me into this World?
I can get a boyfriend if I want one,
maybe someday I find the most amazing guy ever,
and I will not let my sexuality stand in my way.
But for now,
I am a disabled homosexual,
who decided to tell you about it.
And dear physical therapist:
I have never judged you,
not even when you told me you fell for a fat guy,
and now you're married.
So don't ask me if I'm only a lesbian,
due to the fact that I have a disability,
because guess what?
I'll have my disability no matter if,
the person I'm dating,
has a ***** or a ******.

(e.k.j.)
Mateuš Conrad Dec 2016
sometimes you look at these people and think:
is it better me drinking whiskey, or is it better treating
them ontologically as zoological specimen
                                                  and worth of caging?
i think that the Aristotelian awe-principle
for the practice of philosophy was
overly-exaggerated with dues
that consider science, i think that science
confiscated the emotional
imprint of philosophy that's bound to awe
and said: willcommen unto die phobia-realm...
which i still ascribe to postcolonialism...
  the times' propaganda say:
             arachnophobia is perfectly suited
to match-up to a billionth remark of Islam,
which is why i find Islamophobia so weird...
   arachnophobia consists of only one spider...
minding the phobic in Islam?
                          it's not a case of one spider...
it's a case of spiders...
                             they can't reason with
the Big Brother opportunism, which exists...
turning the blind eye won't help...
  it will simply aggrivate such people...
and using this language has created such
frustrations... correctly? aggravate,
dance of vowels. phobias aren't big, they're small...
miniscule... tell people that something is
small when it's actually big enforcers
a postcolonial past more so...
   i see these children like the psychotic reaction
to a prophesy kindred ot Harold II's slaughter
of the innocents...
                  they're there to edorese someone...
      after all: who gives a **** about these people?
                                                         ­  (endorse)
the psychiatrist gets paid, the mental health nurse
gets paid... why would they give a **** in a way
that says: i wasn't paid for this bollocking!
  maybe up in Manchester... but down here in London,
they don't buy disguises, you're
labelled Romanian: you're bound home where
you could have been a plumber but are reduced
to a straitjacket because: some ******* said
you didn't **** her... Philip Collins and hey:
welcome to paradise.
                        down 'ere in Loon-town you get
your money's worth...      
                   i wish they took care of me...
   silence pays... you get your cringe's worth of ****
to the Kilimanjaro's worth of calling
               bottled crema-foam on a phallus
an anorexia... as i see it: anorexia in Freudian lingo
is an objection toward treating ****** artefacts
in culinary terms... means that paradox
of having a cake and eating it too...
                obviously you'll sexualise problems...
i think anorexia is a question of making
          ****** parts culinary aggregates...
                i'm not jotting: girl, aged, 16, ***-starved..
i mean in general... making ****** objects
equivalent toward a culinary status for a care
to make them more appealing in being ******...
the anorexic might start thinking: so i **** it,
and don't eat it?   penguin clap for an icecream cone!
ruffian yoga minus the slippers and the seal clapping...
the loudest revision of applause: i can guarantee....
cos the flippers were wet... hence the additional
aquatic acoustic.
                    this is very much akin to that quantum
theory of: tornado at coordinate a.,
         and a butterfly as coordinate b.,
          i can see anorexia as a substitute to sexualised
preferences in making body-parts partially edible...
            i see **** i think of the cow's ******-pouch / pillow...
    i don't know, maybe because being in my 30s
i can still fake arousal when looking at it...
       i am not the original alienist... some martian
took my title role...
          but i can understand anorexia as a way to rebel
against putting potato mash and a steak and a few
veggies with the same duty nod as one might put
a ******* object into one's mouth and having to
a Werther's Original suckling tactic on it and
never attach a bone to it, i.e. never eat it...
      anorexia by my standard is verily sexualised...
   you put something into an open space and
it's almost a trans-transgender movement...
      which is why i find the transgender "curiosities"
obstructs in art... post-transgender occupancies
           are not reserved for the easily pleased...
anorexics are such people...
             this is sexuality confused with dietary requirements...
this isn't a circumstance of pronouns politicised
and exploits of modern medicine...
                   i do tend to abuse seafood
whenever i am cringed by the suggested floral pattern
whenever i dare not see the benefits of cesarean...
and i just can't see islamophobia fitting the irrational
rationality of other conscripted phobias...
          poor choice of Greek to be honest...
                      i think they're referring to:
a subtler suggestion, minus the crusading empowerment
that's yet to be honed on...
                        well **** yeah...
once you've actually a philosophy book,
   you'll become immune to any writing advice...
                you'll actually become immune
to advice for writers.... bhy writers... because you'll
realise their opinions are disputable and therefore
disposable... because they forgot that the one thing
that democracy hates... is its subversion,
                     art is the foremost stealth-seeker of
despotism in democracy... because it simply loathes
plagiarism... art is despotism in democracy...
               and it knows it... it's just too "shy" (aah...
wee wee poo poo) to admit it...
                 from what i learned from athos?
the best advice? is to not give any advice.
                    athos? alex dumas, the three musketeers.
the moment you finish a philosophy book,
a creative writing workshop and a quote by
Hemingway will seems as nothing but a bad dream -
these quotes come from people who abhorred
the mere concept of spelling, due and through
it being an "inconvenience"...
this is from people who suggested you were always
an incapable narrator without a daydream to
escape into... these writers began sounding like
your english teachers...
              then again... is sexualising problem better
than abstracting them? personally, and
without due approval: and all the more happy for
such a circumstance having been presented for me...
            we know the sane are too numerous
because they are allowed to make too much sense
of their dreams...
                     i contend anorexia, not as an eating disorder,
but as a disorder of a culinary aversion toward
          sexualising non-culinary objects in culinary terms...
or adding cream to the phallus or melted chocolate
to the ****...
                 i find that certain culinary objects are
oversexualised...
   and this is the norm: that extends into what
quantifies as the norm, for the norm is always
a quantifiable parameter than a qualifiable
      exchange, since an exchange never appreciates
     a qualification, or a grocer's worth of norm
for a conversation of two quid's worth of earning
equates to 20 tomatoes...
    we have assumed to know it all
whereas we are congregating in a plughole
     of close proximity prefixes, i.e.
re-: reflect, reflection, reflexion, reflex,
  reiteration, reimagining, retraction, reaffirmation...
    it's a tsunami of language / lounging with too
many images... it's "lounging" with too many images...
it's the proximity of prefixes... twinned with
the opportunism of the genus of synonyms creating
a deaf-shaft of faking rhetoric...
     i still placard the whole circumstance
a dance of vowels, or the unforced deviation of
keeping up an aesthetic....
                     no, i can't claim schooling,
because i don't want to claim being indoctrinated...
     and perhaps my Freudian is a little-bit
copper-wired / ageist...
                  but isn't food for the anorexic
  a bit like turning a ****** object into food
          for the ennobled aggregational stereotype?
the jokes aren't jokes for anorexics...
  the cucumber is doubly manifest
                         as both edible, as both sexually
arrogant... and thirdly as "inspiration" for
an architectural project...
                      oh **** fame... little albino blondie
can **** on my testicular cancer for all i care...
               and say the bulge was: like
******* on a cowish ******...
                                      i like puppets anyway,
cos i'm a bit laxed in that way...
                         for all the things that might be
given, of the few things that can't be translated
from house or car, or a wife and 3.4 children statistic:
personal integrity.
        obviously certain people can only hum along
to the achievements of a zenith's worth of a house
and a car and a dog...
                            personal integrity is almost too much
for them, such "essential" components of being
a human rather than doing a human reaction
       later involve the cliche of the ultimate gamble...
and we all know how humans love to gamble...
well... few ever manage to gamble the stake of:
a leap of faith... and we all know how Nolan's inception
         ends...           that's me seeing the film a few years later...
      so how does man, the gambler fair
   when he's asked to gamble with the odds
  leap ratioed against a stumble?
                                      numbered is that 10:1?
it's just fascinating that vowels are the sole assured
                        proprietor of "dyslexia",
or as i care to mind: even with a language proficiency...
and tongue-tied waggle that's excusable for
anyone ready to write something down.
      i can appreciate being an individual,
but i can't celebrate it... i'll only utilise my individuality
to create a new plateau, a norm, the most
distinguished liberalism of my individualism;
     i will only utilise my individuality to create a new
norm - and anything that comes against it:
can burn in hell.
Gulishta Jul 2018
The idealisation of the far-fetched reality ,
Doesn't make it right.
The happiness coming from someone else's pain,
Doesn't make you thrive.
The insensebility of taking wrong decisions,
Doesn't make you look cute, just cruel and naive.
The passing on of the confusion,
Shows your incapability of commitment or in general Life.
The repetitiveness of a command,
Doesn't make people oblige.
It's a simple game...
A game of what's wrong and what's right!.
Of seeing things you ignored ,
Being a self-centred blind.
It's an opportunity to open yourself up,
For the things you've done to others,
and putting yourself in their shoes...
And.....REALISE.
ryn Jul 2014
A self confessed dreamer
One that knew no bounds
Can't keep his mind in tether
It's always fleeing from the grounds

He'd always been the dreamer
Picking the shackles of reality
Always hopeful of finding another
A safe haven, an escape, a sanctuary

Madness is thought of this silly little dreamer
Forever bartering reality for a life of fantasy
"He's moonstruck", said one to the other
Obstinate still he chooses to wander free

Alas one day, he stumbled upon a jewel
Glistening, deceivingly within arm's reach
But a beautiful game was played so cruel
Fate wouldn't give easily what it could teach

Glimpses of undefined beauty
Himself drawn closer to this beacon
He craves for this gem so madly
Didn't care for what's to happen

He descended to the surface
One thing he just did realise
That the jewel wasn't in its place
But a reflection of another in the skies

He looked up, he spun and he squinted
Attempting this search he had just begun
For a moment he found himself to be blinded
For the jewel is indeed the sun

He marvels at her beauty
Till his eyes turned red and sore
But he doesn't stop even briefly
For she's the object of his adore

He gazes at his newfound muse
Till the day grew dim and late
When she sets he would hesitate and refuse
To return willingly to his ****** state

Through promise he returns daily
To catch his sun as she would rise
For she fills him with aplenty
And she listens to his forlorn cries

He loves her much as she did him
In each other's magic the two would bask
As time flits by, the day grows dreadfully dim
Too short a time from dawn till dusk

The dreamer waits patiently
As dusk turns to dawn
The dreamer waits painfully
For she will come then she'll be gone

This rise is somewhat special
For his love he had made known
She admits the love is reciprocal
For him her love had also grown

But the dreamer will soon come to realise
Out of reach his sun he can never kiss
Her bountiful love will be the ultimate prize
The prize he can never claim to be fully his

"Silly little dreamer feeding your childish dreams"
"Silly little dreamer what fanciful notions you make"
"Silly little dreamer you'll be ripped at the seams"
"Silly little dreamer not every heart you just can take"


He pays no heed to what the others say
He knows his chances run exceedingly slim
He's walking on tightrope that's doomed to fray
But what happens today is what really matters to him

I am that silly little dreamer
Whose feet is never on the ground
I have chosen to live part of my life in wonder
For it is you that I have found
Sarah-Jane Platt May 2010
With the sky turning orange
You load up your syringe
And shoot up,  right into the heart
Lying back in surrender
That face, once so tender
Was doomed in this game right from the start

And you'll steal and you'll lie
And you'd **** to get by
And it ain't that much fun anymore
But you're in far too deep
'Caus this game plays for keeps
And you're fighting your own private war

What do I have to do to make you listen?
What do I have to do to make you learn?
What do I have to say to make you realise
That you're just taking your turn
And despite that special buzz
You're not special anymore
'Caus you're dying from the inside
Like so many before
And it still goes on....

When you think Life's a downer
Take an upper to counter
Till you don't know what you really feel
And you're starting to fear it
But Want just won't hear it
Won't admit that your world isn't real

And you've stolen; you've lied
Guess you'd **** to get by
And you've just lost the will to say "No"
How'd it start, one small pill?
Now you're in for the ****
Did you think it would let you let go?

What do I have to do to make you listen?
What do I have to do to make you learn?
What do I have to say to make you realise
That you're just taking your turn
And despite that special buzz
You're not special anymore
'Caus you're dying from the inside
Like so many before
And it still goes on....

And it still goes on
Day after day it still goes on
Nobody can say
How it will end
How will you die?
Alone, without friends?
Have you the strength
To do what it takes?
I know the answer
And my heart breaks
For you

With the sky blue and sunny
The warm scent of honey
Finally bright colour floods your world
Red as strawberries, as roses
Your mind finally closes
You find peace as the death colour pearls

And you've stolen, you've lied
And you've killed to get by
Did you realise you'd died long ago?
Yes, we all tried to save you
Didn't need us, oh brave you
You just turned away, just said "No"

Couldn't do a thing to make you listen
Couldn't say a word to make you learn
Couldn't make the sense to make you realise
You were just taking your turn
And despite that special buzz
You're not special anymore
'Caus you're gone, dead and buried
Like so many before
And it still goes on.
kim May 2018
we met and exchanged hellos,
this was in school,
where we were both awkward,
and both kept secrets from each other

we know each other better now,
but there were still secrets between us,
truth or dare was our solution,
"who made you realise you liked girls?"

i never thought of it,
so i brushed it off
said it was a conversation,
for another day

it's been six months,
i've come to terms with who i am,
you guys know that,
"who made you realise you liked girls?"

you,
the answer is you.
you,
it's always been you.
This isn't very poem-like, but I wanted to share it

(Based on my real life experience)
Those little moments*
When you realise something
You could never be good enough
Jack Thompson Nov 2015
Have you ever stumbled upon someone life-shatteringly special?
You lose your breath and can't think straight.
But somehow they've stuck around.
Feeling like a stunned vegetable to your innocent charisma.

Like divine intervention we met in the most unlikely of ways.
We hit it off and spent hours together, confined and stressed.
How did we get along so well?
How did we manage to learn more together than alone?
How did we manage to find each other in this big world?
I'll always wonder if there is more to this story.
Answers to my plaguing questions that rule my emotional state.

I don't know how to describe what it is I feel in a rational way.
It doesn't serve rationale.
Writing it all down or saying it only compounds how crazy I must sound.
But I'm not a loony bin. On the contrary, you are just infinitely more special than you realise!

But I'll not skip a note nor bump a chord.
Because I see you so finely in all your elegance.
A beauty which radiates in an innocent manifestation.
I can't tell if everyone else can see it also.
They must?!
I must have no chance here.
I know I should cut my losses and move on.
Right..?
Hope to find this feeling once more.
But something from beyond the blackened ether of midnight skies and space dust tells me to keep trying.
© All Rights Reserved Jack Thompson 2015
Aria of Midnight May 2015
Maybe it's time
to realise that
I do not have
to search for love
elsewhere;
not when it's etched
into my being--
my identity.

Maybe it's time
to not salvage
that love for anyone,
but embracing it
for me.
ryn Feb 2015
You are the light
That hides below the horizon
I await humbly for your rays
To illuminate this darkened season

You are the beacon
That would build me anew
Equip me with newfound notions
When dreams and hopes are far and few

You are the air
Of a fresh new start
Allowing this body another chance
At retrieving a brand new heart

You are the opportunity
Held my breath for far too long
Soon be granted to live again
And choose the right from the wrong

You are the day
Like many have too often said
Due to arrive after tonight
And embrace me as I laid in bed

You are the tomorrow
The promise of my brand new day
But there have been many tomorrows
That have come and gone away

You are my tomorrow
My future, bearing much needed balm
Maybe tomorrow I may finally realise
**That you would never ever come
George Krokos Oct 2012
The most important things in life are often those we have to choose from at critical times.  They very often represent and determine the course our life will take and to what extent we have in controlling or shaping it.  With whatever choice we make, opportunities arise and by making the most of these we realise the relative benefits to be gained or otherwise.  Through our committment and willingness to achieve a goal, irrespective of what obstacles there may be or we come across, we move forward and progress is made in our endeavour.  If the goal is something we have set our mind and heart on whatever setbacks or obstacles are encountered should then be taken to be the hurdles to overcome.
By repeated experience we learn the necessary disciplines with which to train or involve our mind and body to reach our goal. When we recognise and forego or sacrifice certain habits that are not conducive to our overall progress we release more energy by which to accomplish our end.  By sustained right effort we put in motion the train of events that will bring about the right results, but we should not be too attached to the fruits thereof.  Too much attachment is a cause of blindness, disappointment and suffering.  However with the right mental attitudes including positive thinking and actions we should learn from and leave behind past failures by always striving onwards to our desired objective or set goal.
The best way to achieve this end is to include in some way the benefit and good of all those concerned whether they be friend or otherwise which will not be easy but will exhibit a spirit of high ethical standards and character and contribute to endearing oneself to others.
__________________­_
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Pixie Ellis Apr 2018
It was nice meeting you.

I bet you didn’t know you’re the first guy I ever tried to hit on. I bet you didn’t know I prepped for this conversation for a week. I bet you didn’t know how deep my heart sunk when I saw you go upstairs with another girl.

Thank you for being the first guy who’s ever flirted with me. Thank you for the pink gin. Thank you for the hand you placed on my back when you hugged me goodbye.

It was nice talking to you.

I know you falling on me was a move, even though you said it wasn’t. I know sitting and listening to the story of how I met J was a move. I know you like L. I know deep down she probably likes you too, I did.

It was nice that you didn’t message me after the party.

But I bet you didn’t know that I would of loved you with my whole heart. That I would of wrote you love letters and made you mixtapes of songs that reminded me of you. Thank you for making me realise that the right guy will come along, but that guy isn’t you. I know I’ll always be that girl at the party who’s name you can’t remember, or face you can’t place but I don’t lie.

It was nice meeting you.

I hope one day we’ll meet again.

— p.d.e
judy smith Jul 2015
With a personal trainer and a former Olympic champion for parents, it's no wonder that Summer Needs is a little water baby. The six-week-old daughter of Rebecca Adlington and Harry Needs has only just arrived into the world, but she's already enjoyed a dip in the pool three times.

Becky, who has previously said that giving birth was harder than winning her gold medals, has opened up about her baby's first swimming lesson – and how much motherhood has changed her life.

"It was absolutely brilliant," Becky told HELLO! Online of Summer's first dip. "You never know how babies are going to react but Summer was absolutely brilliant in the water. When we first bathed her, she just screamed the whole time so I was a bit worried but now she loves bath time."

Baby Summer was just three and a half weeks old when she first had a splash in the pool, and since then, new parents Becky and Harry have taken their daughter back twice.

"We both love being in the water so for us, it's amazing that we can take her in and share this family time together," said Becky. "Harry and I go in the water and pass her to one another and take turns going under the water. She comes back up, blinks a lot and there's been no tears at all. It's going really well so far."

Calling it her best memory yet, Becky, 26, added: "That's the one thing I was so excited about, taking her swimming and buying the costumes. She can't do much at this stage – we can't take her to the zoo and she doesn't really play with toys yet – but swimming is the one thing she can do and we can all do it together as a family."

Speaking about her little one, Becky, who says Summer has her eyes and Harry's nose, said: "She's really content. She's really laid back and chilled but when she wants something, like her ***** changed or she wants food, she definitely lets you know about it. She's a bit feisty in that way and she doesn't give you much warning.

"It's like, 'I want it now'. And you have to let her scream for a little bit while you get it ready and you're like, 'Okay Summer just chill out, you've literally gone from fast asleep to bawling your head off!' She's a bit impatient like us as well."

While Becky has been on maternity leave, personal trainer Harry went straight back to work after one week, but the nature of his job – working in the early mornings and late at night – has meant that he hasn't missed out on taking care of Summer during the day.

"Harry's definitely hands-on," said the former Olympian. "He's been changing her and feeding her. We share the responsibility and he's around for everything – he's seen Summer smile for the first time. It's hard for him because he's juggling work with family time but he's been absolutely amazing."

The Mansfield-born star has fully embraced her new role as a mother – something she has always wanted to be.

"Life is completely different but not in a bad way," she admitted. "You have to plan a bit more, you can't just walk out the house, but at the same time I've always wanted to be a mum.

"It's amazing how you love your baby straight away. You can't really explain it, you can't describe it. People spoke to me before about unconditional love and that you'll do anything for your baby, but you don't really realise it until it happens to you. It's bizarre because you don't know them and they don't know you but you just love them so much. It's absolutely amazing.

"It's definitely been life-changing but I guess it'll change when I go back to work, when Summer starts nursery. You have to accept that life will never be the same again but that's what's so exciting."

Describing motherhood in a nutshell, Becky added: "I'm such a family girl, it's amazing having that family time. It makes you realise that that's all you really need in life, as long as your family are happy and healthy then that's all that matters."

It's early days but the couple have already spoken about having more children.

Becky said: "About two days after I gave birth, Harry asked, 'So babe, when are we gonna try for another?' I said 'Not yet, I need my body to recover!' Nine months being pregnant is a long time! We do want a big family and we'd like a close age gap between our children, but we also want to give our time to Summer."

Becky, who has partnered with HUGGIES® Little Swimmers®, is encouraging all parents to don their swimsuits and have fun with their little ones in the water – even if babies and children are a little hesitant at first.

"For a kid who's absolutely tiny, that big pool is very, very big," said Becky. "Parents should recognise that each step is a huge achievement. Even if their child is just sitting on the side with their feet in the pool, that's better than last week when they just stood around.

"It's about persistence and taking them swimming regularly, and then that fear will disappear. Also taking them out of their lessons and going together as a family is good. If your children see you in the water as a parent, they'll know it's not a scary place."

read more:www.marieaustralia.com/red-carpet-celebrity-dresses

www.marieaustralia.com/formal-dresses
Anonymous Sep 2012
Lying on the bed
I think of what to write...
....words don't flow out
of my pen
my mind is clogged
vaccum surrounds me
I've ****** all the noise
into my self.
It's waiting to explode.
I realise I am too conscious
of myself,
I realise I am trying to pretend.
My pen leaks out
a random flow of ink
shaped in words
I strike them out
they don't manifest my feelings.
I don't want farce to appeal
to the eye,
I want honesty to touch
the heart.
I am waiting
for my words
to strike a chord
with the strings of my heart.
I am longing
for clarity
that will give my writing
a sense of purpose
and shorn it
of its randomness.

Lying on the bed
I think of what to write....
....my mind is a clean slate
I want to colour it
with thoughts
and feelings,
I want for it to
lose its barrenness
and be fertile
with imagination.
I want for it to
be bereft of fear
for it is,
the place
where revolutions were conceived
and philosophies were born;
the sole reason
for Man's greatness.
It boasts of coveted freedom,
which,
feared tyrants failed to ******,
it is a guiding light
to the often faltering humanity.
It has been
subject to manipulations,
deceiving history
into changing its course;
scripting moments
of momentous change,
all, of course,
owing their occurrences
to the enchanting influence
it wields over the body.

Lying on the bed
I think of what to write....
....my mind is deluged
with a rush of thoughts
flowing in and out,
a haze of colours
mesmerises me,
letters, words
dance before my eyes,
songs play out in a loop,
a multitude of
smudgy-outlined faces
gazes at me....
....And I realise
with an epiphany,
It is this very train of thoughts
I shall elaborate on!
Lying on the bed
I think I know what to write on.
Unrequited Love Sep 2014
I wonder how long it will take him, to realise that being with me, is a mistake.
He will figure it out sooner or later
Tamara Fraser Sep 2016
Cold hands warm heart they say.
Always clutching cold hands on warm nights;
being together yet feeling alone;
aroused, stimulated, distracted, absent-minded,
lost, perplexed,
all at the same time as focused,
like steel blades and the precision of knives.
You know what this is.
But you can’t ever outrun its fingers.
Can’t pull your throat out from under a choking hold.

Hiding is like allowing the wolf to catch your scent;
fighting is like battling a wave;
accepting is like russian roulette.
Are you daring enough to play?

‘Why are you crying over that?’
People said to me
in scolding tones and glacier eyes.

I can’t be this vulnerable; it’s spiky
and stinging and
rolling over hurdles backward.
Condense, squeeze it down so
you don’t have to swallow too hard.

Emotional vulnerability is feeling all those
spikes of emotions, all those acute,
mount everest’s climbed without warm clothes
allowing them to hit you full in the face,
being driven under the pull of a wave.

We feel these rides of our lives,
micro moments in days of episodes.
There is nothing like intimacy to completely throw you
off everything;
the superficial cover to fill out the empty spot.

We roll onwards in our spirals;
our cycles and roundabouts of fear and self-pity;
contempt follows us whilst
dusty, aged hope drives us.
I know my triggers.
I know the cycle I feed, I bleed into,
I run chased by myself,
branching into more cycles,
looping on each other in
disgusting order;
concentric whirls,
at alarming speed,
facing walled obstacles,
tackling nightmares hands bound up
waiting to see if someone can pull you up and out
or make you draw
the ugly patterns
of your own mind games
out in circles, broken lines
and scratches.

I was emotionally abandoned.
In a realm of angry, biting storms and
numbing head spins.
Knocked around by severe internal seasons,
wearing sweaters under hot sun,
or drowning in half-shirts under icy rain,
I can keep it away.
Don’t look.
Suppress.
Bite down on something hard
before you scream.

And then they burst in bright beautiful sparks;
feeling swept in delicious tastes,
explosive episodes,
rapturous warmth and synchronised heartbeats.
Painful glows and inspiring tornadoes;
destruction and recreation,
a chaotic peace and warm sweats,
stinging burns and hot tears
mixed with not-so-equal parts
of silken nights and glorious
wakeful dreaming.

'Of course you may hurt, of course you may cry.
Of course you can sing and laugh and ache, anything
you want to try.'

And this is why we feel.
Why we need to feel.
Why we love the slow smoulder of being caught up.
Caught up in emotions and their separate rides;
shifting speeds and tracks each new time
they crawl to our surface again.
Holding back is wasting precious passions;
it’s exhaustion you crave when everything else is
flat, blank, rigorous rigid routine and ripping open
empty boxes.

So you say I always have cold hands.
Cold hands warm heart they say.
This is the reason I love you.
This is the reason I wait for you,
to realise you love me too.
This is the reason I can only
hope
you make the right choice.
Not for me, for them, for anyone.
For you.
I don’t have a say anymore.
I never did.
I can’t speak, or help, or keep you warm anymore.
I can’t be your escapism.
I can’t be crack, dope, speed or any of your illicit nonsense.
I can’t be your forbidden fruit
in your late night feast;
creeping around, undercover lover,
giving you pleasure and happiness and smiles
locked under secrets and
silent words.
I’ll seethe and brood
underneath you, caged in the dark
shadow of your body
dreaming up it’s presence before I fall to sleep.

Cold hands warm heart they say.
Fuel my fire.
Keep my hands cold.
Nikki No Love Jul 2018
Tears in the skin
Tears from your sins
Tears in the mind
Tears from what lies behind.

Cut from within
Cut in your skin
Cut down your wrist
Life is so brisk
You like the risk.

They say "sticks and stones may break my bones"
But their the ones who always had homes
"Words will never hurt me"
What if you just left them be?

Deep cuts in the thighs
Deep cuts from your lies
Cut from what you realise
People are evil in my eyes
Hold my hands behind my back with ties

Sticks and stones will break my bones.
Your words will tear my head, my heart; tear my skin.
And I reflect what you have said; your sins.
And you try to find a way,
To ruin a day,
But you can't get there anymore.
I am blocking your path,
Because you have no remorse,
You'll be left with just your scarf.
No one will want to hear what you say,
So I guess like me, they'll run away.

Maybe eventually you'll realise your mistakes.
Too bad it will be too late,
But people wouldn't forgive you anyway.
When you will rot in shame,
We all know you'll be the one to blame.
Don't expect us to revive ourselves
Just to come and save you.
After all, we don't trust those who drag us under.
Nigel Finn Mar 2016
Do you ever get the feeling
That you've tried your very best
With self-love and self-healing
But have somehow failed a test?
And realise you were concealing
Something you had left repressed?

As you start to feel that everything
Finally goes your way
And you laugh out loud like your a king
And regret nothing you say
Or do, or write, or feel or sing,
And you think "what a wondrous day!"

Until you look around and realise
Not everyone feels the same
And as you look into their eyes
You feel just a hint of shame
That you've ignored those peoples cries
And feel that you're to blame.

It's not that I'm not happy
with myself- because I am,
But I realise that to feel that way
I must help my fellow man,
Because improving someone else's day
Helps me feel the best I can.
There's a phrase that says "You can't expect others to love you if you don't love yourself." I believe it's also true that you can't expect to love yourself if you don't love others.
Nico Reznick Jan 2017
There are no right answers.
The sky rejects the birds, turns them
over to gravity,
embedding them in the concrete and dirt.
The grit refuses to become a pearl,
just as the wound refuses to heal
and the flesh eats itself.
The market sees a sudden spike in
sales of Champagne and cyanide.
Coordinated efforts seek and fail
to curtail the rising tide of violence
in the nation's dreaming.
You realise that this crude, barbaric language
that you can't understand
is your own.
Beauty glitches and pixelates.
Frightened, furtive confessions of love
are unheard over proud, visceral
proclamations of hate.
Tongues divorce mouths.
Every now and then, a voice
inside your head says,
'Thud.'
The measures of sanity become
more quantifiable and
totally arbitrary.
The horizon
tightens
like
a noose.

It doesn't matter if this is wrong.
There are no right answers.
Spoken Word Video: https://youtu.be/wGxRvuMWCig
Pagan Paul Aug 2018
.
i.
Smoke coils up and dissipates,
soon the images will be clear,
as she stares with cold contempt,
into the depths of the Seers Sphere.
And she stands toking her pipe,
watching as the story unfolds,
soon her hate will boil once more,
unleashing her vengeance of old.

ii.
Smoke coils up and dissipates,
a thousand lifetime's away,
blackened stone and charred bodies,
the remains of a village destroyed.
The flames still licking at the flesh
and melting mortar of cottage walls.
Raiding horsemen ride off cheering,
with swords, shields and firebrands,
carrying amidst them a prisoner,
their prize and sport for the victory feast.
Savages are these violent men,
barbaric in their wanton lust for war,
the red mist and the ****** fury,
it's all they really have a care for.

iii.
She waits with patient seething,
her moments will arrive so soon,
the spilling of her black arts,
witnessed by a Woman's Moon.

iv.
The Vale was so beautiful lush and green.
Steep sided, oak trees, clear blue stream.
With fresh grass on which horses grazed,
and smooth rocks where wild fowl lazed.

v.
But the leader here was not a man,
she was the daughter of this warrior clan.
Fierce, cold, she barked out her orders;
build a fire, make food, secure the borders.
Her status unquestioned by her riders,
they would all fight and die beside her,
and as the camp grew out much wider,
her boot casually crushes a hated spider.

vi.
Manacles held her ankle fast,
shackled as she was to a tree.
Withdrawn, shivering with cold,
still seeing her burning family.
Images scorch her private intimacy,
awaiting the moment of her epiphany,
eyes watching with careless vacancy,
preparations for the nights ceremony.
But she would not co-operate,
would not give her jailers pleasure,
as she knows these last few hours
would seem to her like forever …

and Nature weeps with a prelude to grieve,
as the Maiden pulls a dagger from her sleeve.


… deny them their sport she will,
placing the dagger 'neath her breast,
a sharp tug towards her heart,
a thousand nightmares laid to rest.

vii.
A thousand lifetime's away,
smoke coils up and dissipates,
a cackle rents the air like ice,
the time her Woman's Moon anticipates.
And the instant arrives with joy,
as the Seers Sphere is thrown,
shattering and cackling hold hands,
as the glass touches solid stone.
At that moment of contact with rock,
time slips into a reverberating shock.

viii.
The Vale was so beautiful lush and green.
Steep sided, oak trees, clear blue stream.
With fresh grass on which horses grazed,
and smooth rocks where wild fowl lazed.

And the earth heaved and tremored,
shaking the Vales languid peace,
uprooting trees with tremendous urge,
rending the loamy soil from beneath.
Frenzied horses scatter with fright,
and men are thrown up high,
screams and shouts of piercing pain,
and the stream suddenly runs dry.
The quake unsettles the warriors camp,
leaving many broken bones and blood.
Then an ominous deafening roar
heralds the arrival of the coming flood.
And water coursed fast into the Vale,
no longer pretending to be calmer.
All living men drowned and dead,
encumbered by their heavy armour.
But she was much fleeter of foot
and ran hard as the waters rose.
Tripped by a treacherous branch,
head banged, stunned, her eyes closed.

ix.
Sunrise saw many things.
Smoke coiling up and dissipating,
over the ruins of a village,
crows and dogs feasting well.
It saw
the hooded robed figure of a woman,
squatting on top a new grave,
smoke coiling up from her pipe,
cackling …

x.
She awoke in darkness.
It didn't take long to panic and scream.
It took no time to realise,
she was sealed naked in a coffin.
And she screamed and screamed.
Pushing at the sides, the lid.
The air was heavy, stifling, stifling, stifling.
Precious oxygen running out.
The coffin moved, and she screamed,
desperately scratching and scratching.
And in the box she heard … cackling.
Her frantic screams turn to sobs of pleading
to be let out, to breathe, to live.
She felt something touch her inner thigh,
she screamed, as it touched again feint.
Brushing it away as the voice cackled on,
more tickles on her thighs, she screamed.
And something landed on her face.
The feel of a large spider on her mouth,
and she screamed and screamed.
But the cackling persisted
as she scratched at the wood,
her fingernails shredding to pieces,
but the wooden prison gave no quarter,
the skin raw and bloodied,
scratching, scratching, scratching.
And in her tomb she screams,
she screams and screams and screams.

xi.
… sunrise saw many things.
It saw a new river,
wending its way to the sea,
caressing the contoured land,
it saw horses running wild,
across the lush grass on plains.
It saw
the hooded robed figure of a woman,
standing beside a new grave,
as she places the flame dagger
upon the Maiden's final resting place,
it saw
ice blue eyes of fire and malevolence.
Weeping.


© Pagan Paul (02/08/18)
.
3rd poem in Judderwitch series.
https://hellopoetry.com/poem/2076298/judderwitch-the-beginning/
https://hellopoetry.com/poem/1923972/judderwitch/

Today, Aug 2nd, marks two years on hp for me.
Thankyou to all those who have supported and helped me over these last 2 years. You are all greatly appreciated :) PPx xox
Nikita Jun 2015
Its great that you're taking care of yourself
But sometimes I wish you'd just realise that unlike you, I'm not doing so well
Umi May 2018
Do you remember how you stood there ?
When the sun had set and the afterglow started to fade, you stood proud, slightly upon the dusk, brilliantly, majestically yet so tiny,
You looked so lonely and helpless, as light faded into darkness,
Covering the world; a sweet blanket filled with many twinkling stars,
How impossible it seems to turn back, have you realized how you changed so drastically, my little sparkling friend over such little time?
Irrational the things hidden away by the night, no moon comes to rise
If you would realise, how this world really is, or the place you are being led, softly, gently, elegantly to stand would be like, what then ?
Have you changed because, you calmly, without having any knowledge fear the night and it's lingering, loitering darkness ?
The night is stained with illusions, keep your gaze up to the sky and follow another star, then surely you would be able to reach your goal,
When you engage in pure furies, the whereabouts of the heart remain undetermined, you just lose yourself within its wandering fragrance,
Because the world you had taken for granted collapsed into somber,
Collapsed into a dimmer more frightening state of undefined beauty,
Everything is far too late, impossible to return now, it has been decided that it maybe should have been so, a loitering darkness to be,
You are part of this world now, standing where you are don't you think that this sky, slumbering earth is as allure as nothing else ?
If it awakens your wish will become true and you will disappear by the sight of the daybreak, the sun takes over with her golden light,
The world you have forgotten will reappear then everything starts a new and maybe one day you too will understand, my dearest,
That the night is something very beautiful.

~ Umi

— The End —