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"radius" poems
I'll be eaten alive one day: one day, i see it in my mind so close to closure along an empty street late at night (owls just retired and birds not yet up), orbs of light tethered to tall electric poles cast dappled circles on cracked pavement; illumination and safety (for that two metre radius). Stepping between them like a girl child on stones across a garden, I anticipate each missed step as sinking into sand or frightful waves. Singing drunk back-alley lullabies i'll soothe the skelebabies in their sleep, their poor crusted noses snuffled against a cold shift of air (their private torment plastered over billboards with corporate logos and dim colours, suggesting the city's lights have gone out and the local government is in frantics. That is, after all, what you'd focus on) Girl child games were so tipsy and magic (and so close to real coldness); between two orbs of light i'll slip through the cracks in the pavement. THE END. (eat me alive, eat me alive, eaten alive by the wolf at the door)
0
Sep 25, 2014
Sep 25, 2014 at 6:36 PM UTC
Cautionary Tale
You- you have a lot on your plate and me- I am just pushed in next to the others that weigh you down while you're trying to carry a thanksgiving meal of responsibility and at the same time not be crushed by it- You don't like it when your food touches. So there I am waiting at the edge of all the chaos trying not to step over boundaries or cross the line I am just another thing thrown onto your plate of responsibilities. I am a shadow. A walking disaster. And I try to avoid all the things that are so ferociously trying to bring you back down- but all I do is end up making it worse making all your **** end up touching so it becomes a mountain upon your shoulders that eventually turns into a chip upon it- you have gone concave- you became acute when you were once so obtuse so full of life so 180 degrees out of everyone else's ******* box and I closed you in. Made you realize what you needed to make yourself small so you could eventually fit the plate just right on your shoulders. I try to take the weight- try to pick it all up myself and do something to help you get through but I just end up touching everything- You don't like it when your food touches. You- you are concave in my convex world always looking inside yourself- always hiding away inside of the parts of yourself I will never see because I'm too busy looking outward to find something I can do for you. We are trigonometry- which is the only type of math I was ever good at in school but I can't seem to find the right angle anymore you are too scalene and not enough isosceles there's no symmetry in the way you look at me- there's too many different sides to you. I'd like to think I've seen them all I'd like to think I've solved what degree every angle you feed me turns out to be- but it seems that the angles aren't what I should be finding. You're just a circle- I can find your radius but I don't have enough of you anymore to find your circumference. We will always be abstract.
0
Apr 22, 2015
Apr 22, 2015 at 1:16 PM UTC
I have all these problems, but I was never really good at Math.
You- you have a lot on your plate and me- I am just pushed in next to the others that weigh you down while you're trying to carry a thanksgiving meal of responsibility and at the same time not be crushed by it- You don't like it when your food touches. So there I am waiting at the edge of all the chaos trying not to step over boundaries or cross the line I am just another thing thrown onto your plate of responsibilities. I am a shadow. A walking disaster. And I try to avoid all the things that are so ferociously trying to bring you back down- but all I do is end up making it worse making all your **** end up touching so it becomes a mountain upon your shoulders that eventually turns into a chip upon it- you have gone concave- you became acute when you were once so obtuse so full of life so 180 degrees out of everyone else's ******* box and I closed you in. Made you realize what you needed to make yourself small so you could eventually fit the plate just right on your shoulders. I try to take the weight- try to pick it all up myself and do something to help you get through but I just end up touching everything- You don't like it when your food touches. You- you are concave in my convex world always looking inside yourself- always hiding away inside of the parts of yourself I will never see because I'm too busy looking outward to find something I can do for you. We are trigonometry- which is the only type of math I was ever good at in school but I can't seem to find the right angle anymore you are too scalene and not enough isosceles there's no symmetry in the way you look at me- there's too many different sides to you. I'd like to think I've seen them all I'd like to think I've solved what degree every angle you feed me turns out to be- but it seems that the angles aren't what I should be finding. You're just a circle- I can find your radius but I don't have enough of you anymore to find your circumference. We will always be abstract.
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52
Morality isolates and fenders bend. Circumference learns, “half-way” but fails to take the name “Radius,” And when she lay a meter nigh With child, my child; I still and will feel horribly alone. Curse my iron fist and rusts the middle knuckle, When another weeps, not for I, not for you but the gods assumed, “Heaven,” And 3 floors above my own; Tucked lies the pain, regret fills fetal; I still and will feel horribly alone. So comes the autumn, the fire prior, “Styx,” Upon borders that could only separate, “fatherhood,” so partitioned, “Winter,” And 3 floors below her own – A pillar wrought persistence and abandoned, my hedonism; I still and will feel horribly alone.
0
Aug 11, 2015
Aug 11, 2015 at 8:22 AM UTC
Pillar of autumn
O, mosquito for taste of blood you seek, For miles and miles you fly, within radius, To earn a warm and idle skin to ***** By day in cravice dark by night with us. O, mosquito you small but deadly thief; On wings of silence came you trespasser, A drop of blood you've stolen whilst to leave Me unawares that I'm being the loser. Alas, you left behind a virus strange, Of potent evil concoction which spread, And corrupted my veins by this exchange: My good liquid for diseases I dread. Like being bitten by a winged vampire, My body shaking my soul is on fire!
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Aug 7, 2018
Aug 7, 2018 at 8:03 PM UTC
The Exchange; Sonnet #11
Ku terlelap seperti lalu lintas jakarta, berjalan dan berhenti, dari padat menjadi kosong. Yang tak tahu pergi kemana. Gambar-gambar yang lewat begitu saja seperti cepatnya kereta. Lampu-lampu jalan yang menerangi aspal hitam. penjual-penjual yang menjual minuman di lampu merah. Pengamen yang bermimpi membuat kemacetan menjadi hal musikal. Keringat-keringat dibalik helm dan jaket kulit. Tawa-canda dibaluti pendingin didalam mobil. Bis-bis kota dengan kepenuhan penumpang. Orang-orang yang mengumpat jika kau dengar dengan seksama, umpatan mereka begitu indah, tak ada seorangpun di bagian dunia lain mampu menirunya. para pedestrian yang semakin tergeser eksistensinya karena tak ada lagi ruang bagi mereka. Stasiun-stasiun yang nampak menakjubkan ketika sepi. Spanduk-spanduk keagamaan yang dipasang sembarangan sama layaknya dengan iklan-iklan yang berteriak ke telingamu tiap radius 10 meter. aku terlelap bagaikan lalu lintas jakarta. Aku tak tahu kemana.
0
Nov 17, 2013
Nov 17, 2013 at 1:55 AM UTC
Elegi Jakarta
Guys with long hair have agendas. And if they don't, they're stoners and 'agenda' a really long word, man. Guys with long hair are the poetic types with acoustic guitars and incense in their dorm room and they hold their hair back with a pen behind their ear and they use it to write in a leather-bound journal about girls who smoke too much and have soft ***** so they can pick up more girls who smoke too much and have soft ***** Guys with long hair are the metalheads who sit in the back of class and use their hair to distract from the fact that they're wearing poor-quality ironic headphones that project Alice in Chains to everyone within a four-desk radius but no one's going to say anything because hey, that guy's a creep. Guys with long hair are the classical types that play expensive instruments and have beautiful eyes that you can't see very often and have to keep ponytail elastics on their wrists, their wrists that never stop moving, conducting, tapping, curling, because Chopin slows for no man, no matter how long his locks. And if you poured all these guys with long hair in a test tube and melted them until the agendas broke and forged and changed colors, you'd have him. I found him in a smoky sweet basement in a house where everyone belongs but no one should actually live. I braided his shoulder-brushing hair without asking and saw his smile like a chunk of snow the size of your high school falling off a mountain, fast and white, huge and more important than anything else around. I found him again in a different basement where only musicians belong. He invited me into the closet with the piano and it's like he asked me to crawl inside his head and hang out for a while. He casually mentioned his favorite angry bands while his fingers brushed keys in an order they seemed to know on their own, tendons and strings. He says things that deserve to be handwritten in leather-bound journals. He holds your wrist with one hand when you shake the other because people have become desensitized to handshakes and don't feel the human contact of it anymore. He hugs to the right because you're supposed to hug heart-to-heart. "People are going to judge based on what they see anyway. Might as well make sure they're right, sort of."
0
Feb 18, 2013
Feb 18, 2013 at 6:15 PM UTC
guys with long hair
Guys with long hair have agendas. And if they don't, they're stoners and 'agenda' a really long word, man. Guys with long hair are the poetic types with acoustic guitars and incense in their dorm room and they hold their hair back with a pen behind their ear and they use it to write in a leather-bound journal about girls who smoke too much and have soft ***** so they can pick up more girls who smoke too much and have soft ***** Guys with long hair are the metalheads who sit in the back of class and use their hair to distract from the fact that they're wearing poor-quality ironic headphones that project Alice in Chains to everyone within a four-desk radius but no one's going to say anything because hey, that guy's a creep. Guys with long hair are the classical types that play expensive instruments and have beautiful eyes that you can't see very often and have to keep ponytail elastics on their wrists, their wrists that never stop moving, conducting, tapping, curling, because Chopin slows for no man, no matter how long his locks. And if you poured all these guys with long hair in a test tube and melted them until the agendas broke and forged and changed colors, you'd have him. I found him in a smoky sweet basement in a house where everyone belongs but no one should actually live. I braided his shoulder-brushing hair without asking and saw his smile like a chunk of snow the size of your high school falling off a mountain, fast and white, huge and more important than anything else around. I found him again in a different basement where only musicians belong. He invited me into the closet with the piano and it's like he asked me to crawl inside his head and hang out for a while. He casually mentioned his favorite angry bands while his fingers brushed keys in an order they seemed to know on their own, tendons and strings. He says things that deserve to be handwritten in leather-bound journals. He holds your wrist with one hand when you shake the other because people have become desensitized to handshakes and don't feel the human contact of it anymore. He hugs to the right because you're supposed to hug heart-to-heart. "People are going to judge based on what they see anyway. Might as well make sure they're right, sort of."
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9
“Put pressure on it, it needs more pressure” Holding your wounds shut That senseless force is what took you away Pressure- to be... whilst not desiring to be You saw the clouds moving in greyscale I saw the hills below scattered in shades of green, Cavernous, shadowed, cryptic, familiar- We were advised to go as the crow flies I cried to a nameless God that your crow’s feet Were from insurmountable happiness, not the pressures endured I’ve forgotten much since the storm some-178 weeks ago Though my body remembers yours over and over again My skin has yours imprinted, correlated Forged into one point on the axis between here and there You the X, I the Y The Earth crept between the crevices, curling Through the distance between the Right radius and ulna Elbows breaking knuckles, blood remains to be spilt Blood doesn’t connect, if anything it merely separates Scarecrows don’t help much when the crops won’t grow this year Ants crawled out of the barrel of a shotgun Observing the process of cleaning bones after tragedy Follow the moss to find your way North with no direction- Sometimes on the other side it’s not greener, It’s more terrifying than ever before Terrain untouched, unspoiled, sacred- Climb up the trees with me, find your quiet We won’t carve our names but we’ll find our niche You’ll have quills and I’ll have armor Not even the thought of stolen arrows, Lost time through distance, Or perhaps a slew of chemical imbalances Can reach us up here I chose to glue your pieces back together with mud and straw Taken from the fallen, the loved and now distant memories You may be an abandoned military base offshore What was once used by many- Witnesses life again, life of a different kind The vegetation will ease its way into the cracks Constructed when the foundation began to decay It has a beauty of its own, one of self-sustainment An everlasting beauty that connects itself To the surrounding extravagance, often times ignored, Death isn’t the only way to be forged into nature, remembered Fear doesn’t always win, nor death do us part so soon I hope your skin and bones remember before the end
0
Sep 14, 2015
Sep 14, 2015 at 1:34 AM UTC
The Fields Spoke of Futility
“Put pressure on it, it needs more pressure” Holding your wounds shut That senseless force is what took you away Pressure- to be... whilst not desiring to be You saw the clouds moving in greyscale I saw the hills below scattered in shades of green, Cavernous, shadowed, cryptic, familiar- We were advised to go as the crow flies I cried to a nameless God that your crow’s feet Were from insurmountable happiness, not the pressures endured I’ve forgotten much since the storm some-178 weeks ago Though my body remembers yours over and over again My skin has yours imprinted, correlated Forged into one point on the axis between here and there You the X, I the Y The Earth crept between the crevices, curling Through the distance between the Right radius and ulna Elbows breaking knuckles, blood remains to be spilt Blood doesn’t connect, if anything it merely separates Scarecrows don’t help much when the crops won’t grow this year Ants crawled out of the barrel of a shotgun Observing the process of cleaning bones after tragedy Follow the moss to find your way North with no direction- Sometimes on the other side it’s not greener, It’s more terrifying than ever before Terrain untouched, unspoiled, sacred- Climb up the trees with me, find your quiet We won’t carve our names but we’ll find our niche You’ll have quills and I’ll have armor Not even the thought of stolen arrows, Lost time through distance, Or perhaps a slew of chemical imbalances Can reach us up here I chose to glue your pieces back together with mud and straw Taken from the fallen, the loved and now distant memories You may be an abandoned military base offshore What was once used by many- Witnesses life again, life of a different kind The vegetation will ease its way into the cracks Constructed when the foundation began to decay It has a beauty of its own, one of self-sustainment An everlasting beauty that connects itself To the surrounding extravagance, often times ignored, Death isn’t the only way to be forged into nature, remembered Fear doesn’t always win, nor death do us part so soon I hope your skin and bones remember before the end
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46
i tried to overlook but like seedlings, you germinated roots around my phalanges (like a dandelion) from where we last touched. over time and frigid winter weather, the roots spread. around my metacarpals, intertwined between my ulna and radius, all the way up to my humerus and scapula. by the spring, flowers sprouted just above my collarbones, embracing my mandible. little wilted blue petals surrounding me in my bed each sunrise, but by noon, new petals already have attached themselves to the receptacle. by summer, i pluck their petals for amusement. as they drift away in the breeze i can't help but to remember you. us. we. and another thing i haven't determined is whether you have forgotten me or not.
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Aug 28, 2012
Aug 28, 2012 at 7:39 PM UTC
Forget Me Nots
The wobbly love bits woke up when the morning is still fogged by cold purple-hued freshness She covers her face but reveals those baby eyes to follow you with mirthful wonder and she flails her wobbly fingers and wobbly arms with playful waves and her mother takes away her blankie And she is dressed in blue, and that sort of beauty all crammed inside that little brand new human being can be quite overwhelming Her few feather hairs and happiness-crinkling eyes and mouth in a laughing sort of circle and her invisible neck and super puff-loved cheeks And love-hearts fill the air and spread joy though your bones and nerves like warm sunshine that melts yesterday's despair and dissipates all the tiny agonies within her radius. -To Alice Jan 7, 2016
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Feb 15, 2016
Feb 15, 2016 at 10:25 PM UTC
To Alice
professor Burke and professor Lee two mathematicians who could not agree loudly voiced their differences at half past noon having daily lunch at the Greasy Spoon the subject on the fateful day was Pi and they could not see eye to eye a disagreement on the thousandth digit had Burke turn red and caused Lee to fidget said Burke “No you are off by one!” spat Lee “Your math is poorly done!” Burke shouted, “Lee, you have gone too far!” reached toward the counter for a candy jar but his hand instead encountered pie a hideous gleam sprang to his eye he flung the pie with all his might hit Lee full face, eyes wide with fright but Lee recovered and found more pies Boston Creme took Burke between the eyes apple, custard, lemon, berry pecan, pumpkin, key lime, cherry pies of every kind were thrown plates' radius squared remained unknown the police arrived to break up the fray took the two meringued men away many hours later in the quiet cell with pie for ink and tempers quelled the two stood looking at the wall upon which lay their equation scrawled said Burke, with both their faces long “Well, what do you know. We both were wrong.”
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Mar 14, 2019
Mar 14, 2019 at 11:20 PM UTC
The Great Pi(e) Fight
if silence is the gateway to the highest truth, animals glimpse this truth far better than humans do.... that inherent tranquility embedded in the radius of their own silence, be it a lion or a dog! after all, “dog” written backwards is indeed “god” © 2019
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Jul 26, 2019
Jul 26, 2019 at 10:46 AM UTC
silence
If I moved a muscle right now a window would break. If I took a solitary step the tiles beneath me would crack. Submerged in the oscuridad save for a small pulse of luz called optimism because that’s just how I was raised. I know I can’t pretend to make an oasis Because how well did that work out for me last time The lightbulbs can yell and scream and punch the air But nothing will make them turn on without a power source. I can’t be breathing hard or else the candle stub I have left will blow out I have to Guard it but keep looking for my next step using its meager light trusting That the beacon I look for is not further than the reaches of my Light that I will with the remaining shards of my life to keep on Reining now is uncertainty that is diametrically opposed to the concept that the sun is gonna rise tomorrow I promise so let me stroke your hair and shroud you until it does. I exist in this limbo of heeding the hours that come. The ticking of the clock drudges yet I gulp every last second as it arrives. I voraciously **** the teaspoon of trust I have left that the Audience is just watching the plot arc to progress and that The dramatic irony of  some surety is just beyond the radius of the hardly illuminated path beneath my shuddering feet. Maybe someday I will stumble upon the next candlestick or something. Maybe someday I’ll find a working light bulb buried in the snow or something. But here I progress or something. Un día a la vez or something. Grappling foot by foot for something. Something.
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Dec 11, 2021
Dec 11, 2021 at 5:37 PM UTC
oscuridad
If I moved a muscle right now a window would break. If I took a solitary step the tiles beneath me would crack. Submerged in the oscuridad save for a small pulse of luz called optimism because that’s just how I was raised. I know I can’t pretend to make an oasis Because how well did that work out for me last time The lightbulbs can yell and scream and punch the air But nothing will make them turn on without a power source. I can’t be breathing hard or else the candle stub I have left will blow out I have to Guard it but keep looking for my next step using its meager light trusting That the beacon I look for is not further than the reaches of my Light that I will with the remaining shards of my life to keep on Reining now is uncertainty that is diametrically opposed to the concept that the sun is gonna rise tomorrow I promise so let me stroke your hair and shroud you until it does. I exist in this limbo of heeding the hours that come. The ticking of the clock drudges yet I gulp every last second as it arrives. I voraciously **** the teaspoon of trust I have left that the Audience is just watching the plot arc to progress and that The dramatic irony of  some surety is just beyond the radius of the hardly illuminated path beneath my shuddering feet. Maybe someday I will stumble upon the next candlestick or something. Maybe someday I’ll find a working light bulb buried in the snow or something. But here I progress or something. Un día a la vez or something. Grappling foot by foot for something. Something.
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23
when I dream I dream in the colors of the being yet unformed wide eyes shut a pseudo-dormant parasite feeding off of my mother, still. I dream of oily ashes, still staining the arms- ulna, radius reaching towards the empty sky. For what did they burn? black on white. shades of gray. the man in the turban stepping from my closet— the bees swarming from his mouth. Before my body was ten years old I knew sadness— it seeped into my soul and I could not speak. For what did I ache?
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Jun 24, 2010
Jun 24, 2010 at 4:21 PM UTC
blindness
Don’t put me in a box, I am my own teacher I don’t worship TV idols, I have other preachers I don't toss a poem to come across as known friends crossed me, don’t know my own home I don't speak for an arrogant cause Or do self-righteous acts just to merit applause I don’t make scenes to be seen as a person of God What you see as a skill, I see as a character flaw I don't use a hype man sell grams to buy fans I don't scream to get attention other ways for lungs to expand I don't ********** my talent for people that bystand Or try to trick innocent people more desperate than I am Sell a line, sell a book Sell a dream, sell a scheme Sell a brother false hope you control his self-esteem Let a brother talk **** I won’t get mad at all I’ll just throw a couple stabs like my cousin at the mall So please tell me what’s worse being broke or broken? but before you answer that let me ask you this first In the place you live, can you quench your thirst? Do you have enough time to finish a verse? Remember our time here was borrowed, can’t reimburse Parasitic a chemic I been it I pen it, I penetrate my a pen all day To descend and mate My inner state is in the state to keep on straight, administrate and illustrate What people haul with haste till it's in his face So in the case where i’m in my space my focus is to chase Yeshua’s face is faced with the waste of people sending hate Intimidating to people claiming contention ostensibly incoherent was air for my ascension It's plucking a hair ain't it? who painted the P.I.C cell in pixels, the pig sells the witch who picks spells, got hell Tie a boar to a tree transmitting this free him a year later he'll stay in the same radius Maybe it's in the tears Maybe it's just kinetics Maybe I do love attention and writing is how I get it encapsulated beneath the surface the desire is unknown You think this a joke Get shot in your funny bone!
0
Jan 21, 2015
Jan 21, 2015 at 2:41 AM UTC
Who's King Bacon?
Don’t put me in a box, I am my own teacher I don’t worship TV idols, I have other preachers I don't toss a poem to come across as known friends crossed me, don’t know my own home I don't speak for an arrogant cause Or do self-righteous acts just to merit applause I don’t make scenes to be seen as a person of God What you see as a skill, I see as a character flaw I don't use a hype man sell grams to buy fans I don't scream to get attention other ways for lungs to expand I don't ********** my talent for people that bystand Or try to trick innocent people more desperate than I am Sell a line, sell a book Sell a dream, sell a scheme Sell a brother false hope you control his self-esteem Let a brother talk **** I won’t get mad at all I’ll just throw a couple stabs like my cousin at the mall So please tell me what’s worse being broke or broken? but before you answer that let me ask you this first In the place you live, can you quench your thirst? Do you have enough time to finish a verse? Remember our time here was borrowed, can’t reimburse Parasitic a chemic I been it I pen it, I penetrate my a pen all day To descend and mate My inner state is in the state to keep on straight, administrate and illustrate What people haul with haste till it's in his face So in the case where i’m in my space my focus is to chase Yeshua’s face is faced with the waste of people sending hate Intimidating to people claiming contention ostensibly incoherent was air for my ascension It's plucking a hair ain't it? who painted the P.I.C cell in pixels, the pig sells the witch who picks spells, got hell Tie a boar to a tree transmitting this free him a year later he'll stay in the same radius Maybe it's in the tears Maybe it's just kinetics Maybe I do love attention and writing is how I get it encapsulated beneath the surface the desire is unknown You think this a joke Get shot in your funny bone!
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49
I felt the world at a finger tip, It tingled And radiated, Radius. Sedated, I am medicated on absence And excess. You are the mirror to me, My existential mess, Superiority and minority thought. Superficial and fictitiously bought, Buyer from the sold, Silver to the raindrop, Water to your gold. It drips Fingertips, Touched the world at a lark, Till light fled, Leaving the dark. I bid farewell to new, And hello to you.
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Aug 12, 2010
Aug 12, 2010 at 1:31 AM UTC
Existential Mess
You took a scalpel to me, my dear Skillfully working your way through the layers Epidermis to lipids to muscular tissue until The bone You carved your name on my radius Lovers' initials on a tree Marrow leaked across your hand A gift of the broken You tried to sew me up, my dear Realising you had gone far deeper than first thought Surgeons hands you have not A hack job, bound to leave scars You've left me with bumps Burns Itches inside my very being Refraining from scratching In fear of what might come pouring out
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Oct 14, 2013
Oct 14, 2013 at 5:03 AM UTC
This is for you
The Dying Romantic Mathematician “Your trapezoid is vectored to a sphere” She sighed, “and parallels are polygon.” “All, all is perpendicular,” he coughed, “And arcs are so rectangle to sad Pi Equiangular in the radius And rhombus has gone Pythagorean. O canst thou concave the isosceles?” “Yes!” she coplanared. “Yes!” he gasped in pain, “Oh, yes, our love is solved for X!" He died, Quadratic equations upon his lips
0
Jan 12, 2017
Jan 12, 2017 at 12:01 PM UTC
The Dying Romantic Mathematician
My minotaur has mad cow's disease. The FDA is rounding up each one in a forty mile radius for slaughter. They're incinerating the bodies at the trash-to-steam factory. I hear gunfire and wailing children. Sharon next door is in shock. She's been on her knees down on the lawn mumbling, "please, please, please," for the last two hours. Crimson clouds bleed into sunrise. How will we escape the seepage? I'll stop at the Getty for a car wash before I pick you up. Have some sandwiches packed. O for the love of God, the moos, the moos.
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Nov 14, 2015
Nov 14, 2015 at 9:25 PM UTC
Early Phone Call
Union and Grand I moved into this house less than a year ago and already three gun related murders have occurred within a three block radius; two of them involving children. I'm not making this **** up. Those numbers wouldn't be anything exciting for a population hitting upwards of the millions, but this is not a big city. This is the heartland. - The city paid for a series of strategically placed dead ends, forced turns, and surveillance equipment to be installed in the area of about a mile surrounding my house. No wonder they call this place "The Trap". They keep changing the maze, and studying us like rats. - They had a make-do memorial for the little girl who got shot. They attached her stuffed animals, cards, and photos to a utility pole on the corner of Union and Grand. The city had it taken down. Some kind of city ordinance from some dusty tome at the town hall. Kids killing kids, and the shots keep firing. - Now don't get me wrong, I'm not what'd you call an activist. But when bloodshed occurs within eye shot of where you sleep, you start to get a little irked. These kids have as much potential as me, and twice as much grit. Their teachers barely even know their names, let alone what it's like to be deprived of privilege. - I'll stomp this concrete until my feet break. This labyrinth is my constant reminder and reality check. I am here, and you are there. This connection is suspended on silver threads and I am your puppet. Mold me into your angst driven dreamboat. Because tomorrow, I'm just going to wake up here. Tyler. - This soul has been folded seven times and I grow tired of this reality. There was a time when I could scream loud enough to wake the dead. I guess I'm showing the symptoms of an accidental child with a tongue that only tastes art as bitter protest. - I'd tear my face off to know if this is really getting through to you. The face in the photo is that of the goat; the false idol and deceiver. A Knight of Pentacles, selling you gold plated garbage. Odin-kin. You always feel like I have a secret to keep; my fist is in the air.
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Jun 14, 2014
Jun 14, 2014 at 3:05 AM UTC
Decatur, A Kingdom in Six Parts, Part III: Union and Grand
Union and Grand I moved into this house less than a year ago and already three gun related murders have occurred within a three block radius; two of them involving children. I'm not making this **** up. Those numbers wouldn't be anything exciting for a population hitting upwards of the millions, but this is not a big city. This is the heartland. - The city paid for a series of strategically placed dead ends, forced turns, and surveillance equipment to be installed in the area of about a mile surrounding my house. No wonder they call this place "The Trap". They keep changing the maze, and studying us like rats. - They had a make-do memorial for the little girl who got shot. They attached her stuffed animals, cards, and photos to a utility pole on the corner of Union and Grand. The city had it taken down. Some kind of city ordinance from some dusty tome at the town hall. Kids killing kids, and the shots keep firing. - Now don't get me wrong, I'm not what'd you call an activist. But when bloodshed occurs within eye shot of where you sleep, you start to get a little irked. These kids have as much potential as me, and twice as much grit. Their teachers barely even know their names, let alone what it's like to be deprived of privilege. - I'll stomp this concrete until my feet break. This labyrinth is my constant reminder and reality check. I am here, and you are there. This connection is suspended on silver threads and I am your puppet. Mold me into your angst driven dreamboat. Because tomorrow, I'm just going to wake up here. Tyler. - This soul has been folded seven times and I grow tired of this reality. There was a time when I could scream loud enough to wake the dead. I guess I'm showing the symptoms of an accidental child with a tongue that only tastes art as bitter protest. - I'd tear my face off to know if this is really getting through to you. The face in the photo is that of the goat; the false idol and deceiver. A Knight of Pentacles, selling you gold plated garbage. Odin-kin. You always feel like I have a secret to keep; my fist is in the air.
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51
I am grounded by my own ignorance, he thought, and here, by the sheer complexity of things. This pebble at my feet seems the very centre of a radius  - of marks and pathways. Possibilities. It is a thing that connects itself with me. It is very early, before the sun has touched the horizon’s sky. I recall a poem telling of the perfection of pebbles, their being equal to themselves, mindful of their limits, filled exactly with a pebbly meaning, with a scent which does not remind one of anything, does not frighten anything away, does not arouse desire, its ardour and coldness full of dignity. I now remember another poem, portraying a pebble placed in a child’s hand, picked up on a pebble ridge. A pebble to place in the pocket where we finger it until it becomes warm. Its shape and certainty is firm and sure. It consoles us. And, as we change and decay, it remains lodged with us: a thing that contains nothing save the mystery of life. And there is a long prose poem devoted to the pebble. It starts at the beginning of time itself with a condensed cosmogony, describing the formation of the first rock as an allegory of The Fall. It ventures through the expulsion of life, to cooling, to those large tectonic plates, and all the way down to the pebble itself, or, as the poet says, the "kind of stone that I can pick it up and turn it over in my hand". Time is everywhere in this poem: Stone as Time, where the great wheel of stone rolls ever on as plant life, animals, gases and liquids revolve quite rapidly in their cycles of dying. Take this as the poet’s view of humanity: to consider all things as unknown, and to begin again right from the beginning. We need to take the side of things, he thought. Here, this pebble is time, and where this pebble lies, with its radii of marks, seems at the very centre of things. It was brought anonymously by the tide one stormy night to lie at our feet, and looks at us with a calm and very clear eye.
0
Jul 7, 2013
Jul 7, 2013 at 1:49 AM UTC
Tide Marks #4
I am grounded by my own ignorance, he thought, and here, by the sheer complexity of things. This pebble at my feet seems the very centre of a radius  - of marks and pathways. Possibilities. It is a thing that connects itself with me. It is very early, before the sun has touched the horizon’s sky. I recall a poem telling of the perfection of pebbles, their being equal to themselves, mindful of their limits, filled exactly with a pebbly meaning, with a scent which does not remind one of anything, does not frighten anything away, does not arouse desire, its ardour and coldness full of dignity. I now remember another poem, portraying a pebble placed in a child’s hand, picked up on a pebble ridge. A pebble to place in the pocket where we finger it until it becomes warm. Its shape and certainty is firm and sure. It consoles us. And, as we change and decay, it remains lodged with us: a thing that contains nothing save the mystery of life. And there is a long prose poem devoted to the pebble. It starts at the beginning of time itself with a condensed cosmogony, describing the formation of the first rock as an allegory of The Fall. It ventures through the expulsion of life, to cooling, to those large tectonic plates, and all the way down to the pebble itself, or, as the poet says, the "kind of stone that I can pick it up and turn it over in my hand". Time is everywhere in this poem: Stone as Time, where the great wheel of stone rolls ever on as plant life, animals, gases and liquids revolve quite rapidly in their cycles of dying. Take this as the poet’s view of humanity: to consider all things as unknown, and to begin again right from the beginning. We need to take the side of things, he thought. Here, this pebble is time, and where this pebble lies, with its radii of marks, seems at the very centre of things. It was brought anonymously by the tide one stormy night to lie at our feet, and looks at us with a calm and very clear eye.
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5
I'm toxic, And you're too close. You're closing in, On a dangerous thing. Bring a shield, Or some protective gear, Because my radiation Has a radius of countless miles. You're diving in, To the deepest parts of me. And I'm scared you'll leave. Everyone runs, When they see that I'm ****** up. But I'm hoping you'll stay, If only for just one more day. You've heard the distant shots Of war. But I'm hesitant To show you my wounds. The scars I collected, They're a terrible sight. But I'm addicted to war, Like a traumatically stressed warrior. To be scared, It keeps me alive. To fear my own mind. To worry I might die. This is how I survive. What a way to live, On the edge of falling words. But I need to feel the burn, The stinging sensation. Keeping quiet, Keeps me busy. Fire keeps me on my feet. Running in circles, The tiring race Is better than defeat.
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May 7, 2015
May 7, 2015 at 12:16 AM UTC
Scared stiff
Trinkets little collected emblems voodoo figurines gypsy gold Blankets small symbolic weapons ancient memories stories untold Gather find myself naked caressing unforgiving ground but the moonlight warms me even in the rain as I lay Imperfect center to my holy ring my treasures guarding but passive Crawling crooked radius Finger space my soldiers to align with the stars now gone from your forest green jewels Zodiac calendar Perception overruled outcome The wind blows I start again
0
Jul 9, 2013
Jul 9, 2013 at 5:54 PM UTC
Chop Stick Defenses
my mother was born a gardener and my father became one through patient snap peas and angry red tomatoes he seeded and watered and waited while my mother grew hibiscus in the mountains and plums in the shade i was born a painter but its tank me years to pick up a paintbrush and my brother was born a poet but i sincerely doubt that he’ll ever show it i mix my paints on my palette of flowers and my brother goes to meetings at banks My other attended the only Agricultural High School available to her within a 40 mile radius of her South Philadelphia home. This was not a coincidence. My father attended the best athletic conference in his affluent suburban community. This was. She started out watering plants in fast food joints, arranging flowers for junior proms in the poorest neighborhoods of the city. When my father met her, she only ate lettuce and seeds because that was all she could manage to put in her body. My father kneeled to the ground, saw the soil beneath her fingernails, and fell in love. I can only love men who garden. I can only be a daughter of the earth because of them. I don’t like terrariums because they frustrate me. Life trapped behind glass, that I cannot touch, or feel, or smell. I cannot water, I cannot fathom to even slightly disturb their existence, no matter how desperately I want to. I’m getting my hands ***** touching old soil. I wipe it on my skirt before I touch the sweat on the back of my neck. I’m planting forget-me-nots and basil. I don’t even know if those go together. But I am putting them deep in the ground and it occurs to me that in a few weeks, I might not even remember them. They might die and become some stupid memory, a part of my dinner party story vernacular, Or maybe waiting for them will change me, will allow me to commit as a meditation on earthen peace.
0
Jul 10, 2014
Jul 10, 2014 at 11:06 PM UTC
I Grow, or I'm a Card-Carrying Member of the New England Carnivorous Plant Society, but I Don't Live In New England or Own a Carnivorous Plant
my mother was born a gardener and my father became one through patient snap peas and angry red tomatoes he seeded and watered and waited while my mother grew hibiscus in the mountains and plums in the shade i was born a painter but its tank me years to pick up a paintbrush and my brother was born a poet but i sincerely doubt that he’ll ever show it i mix my paints on my palette of flowers and my brother goes to meetings at banks My other attended the only Agricultural High School available to her within a 40 mile radius of her South Philadelphia home. This was not a coincidence. My father attended the best athletic conference in his affluent suburban community. This was. She started out watering plants in fast food joints, arranging flowers for junior proms in the poorest neighborhoods of the city. When my father met her, she only ate lettuce and seeds because that was all she could manage to put in her body. My father kneeled to the ground, saw the soil beneath her fingernails, and fell in love. I can only love men who garden. I can only be a daughter of the earth because of them. I don’t like terrariums because they frustrate me. Life trapped behind glass, that I cannot touch, or feel, or smell. I cannot water, I cannot fathom to even slightly disturb their existence, no matter how desperately I want to. I’m getting my hands ***** touching old soil. I wipe it on my skirt before I touch the sweat on the back of my neck. I’m planting forget-me-nots and basil. I don’t even know if those go together. But I am putting them deep in the ground and it occurs to me that in a few weeks, I might not even remember them. They might die and become some stupid memory, a part of my dinner party story vernacular, Or maybe waiting for them will change me, will allow me to commit as a meditation on earthen peace.
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20
Romantically speaking, I am not very romantic at all. My spine curves and sprouts forth a humerus that holds to a radius and an ulna with metacarpal bones dangling downward reaching for something to anchor themselves to. I am not very romantic at all, it's just that my bones have flourished curling around you.
0
Apr 20, 2016
Apr 20, 2016 at 12:50 PM UTC
bones growing