The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane

If I ruled the world, I would be,
Not a benevolent leader, nor,
Would I be a tyrannical leader.

I would be something much unexpected and, hopefully, humble.

You see, I would be a quilt maker. Not of fabric and thread, though.
I would stitch the different cultures together, leaving each individual one unique, yet united by a common thread.

I would sit with my diplomatic needle and peaceful stitching and lead those whom hold contempt for one another see the other's perspective.

I would show them that,
The world isn't in black and white,
It's in full, high-definition color.
So let's celebrate unity,
Equality,
Individuality,
And uniqueness.

Because in the final chapter,
We all already rule the world.
It's up to us to thread ourselves to each other,
Or pull ourselves apart by the seams.

During the winter
flowers wash over with snow-
quilting in numbness.

May be I’ll start writing, today.  
The story of Zen Zero.

I realized that all good things come to an end.  The tears, the affairs, and even the faintest revelation about my relationship to the Emperor of Japan.  I’ll need help and... well, the truth can be tolled.  It can be that the faintest belief, that we as free people are subject to the king, our God.
A king stands in truth as our kin.  The love that has existed for a thousand years, about justice, permanence, and legend are here.
It all started 7 years ago.  According to the book of John, the 3rd book.  The face of his majesty does have an Imperial Guardian.  In any colour, red, black, blue, white, and even green.  Each color resembles the color of trust.  
I started training in the Emperor's garden at the age of negative 6.  Before my mother can conceive her unborn child in a marriage.  Like the burning of Shin Cho' Palace.  
"Oh, how they forget so quickly, the truth?" says my mother.
They forget so quickly the majesty and power of the Emperor's memory of Mother Japan.  In his Majesty's eyes, how many lovers stir the colors of benevolence.  Where and when does it exist and stop for us as an American patriot sold to slavery for spy’s.  All of his subjects do will and listen to the cry of patience in his family’s quarters.  
My father at the time of his marriage did not know the Emperor's name, I had asked my mother in her heart if she knew the king.  They are no longer married.  They had tried to burn down the Emperor's Palace with a marriage.  But I had already existed, in the love of my family at a wedding joining men and women.  I remember some singing, all though in my mother’s ears, really bad singing. In her head or mine at the wedding, whichever is greater.  Maybe the song was worthless or was the singer already lifting her fingers to strike matches on the bamboo fortress of the young emperor.  
They have had many statesmen destroy the dream that Japan has.  Through lies, corruption, and *******.  Each of the last three I had to conquer to be his Majesty's Justice.  I did not earn the right to judge any such subject or people, it was given freely at that time to children.  I had learned to love the Emperor, even in my own desire to please him and her.  
The lies were towering revelations about the coming of man in God's kingdom, and how the will of imperial veils never existed for the properties of mankind.  The corruption was the setting of dowers or dowries for the subject of lost families, in the forbearance of lucher escaped only by the luck of liars.  And then the dreams of revelry, owned by the ungodly and chaste men of the burning palace, whether sediscious, or whether the fables absolving time in the palace to a judgment had already met the Emperor.  
All of the priests (pre-ests) had to pray; for the remaining time of eternity, for the true judgment of his Majesty's subjects. It was to be taken from the subject of srys to the Emperor's Knight.  
To many were lost in the munitions of war.  Laws that govern and sanction truths were not available to those of absolute corruption.  Stalwarts, stonewallers, and stoners were becoming of the anti-gentry.  The laws were never to be discouraged by zeal, or by trial.  The laws had to represent the ability of love to change time even if the object of factions destroyed the old way.  They had taken the truth to prepare Neoteny for where the first Imperial Guard had placed his head.  The first Imperial Guard, that I became before birth had taken his own head with a weapon made by treason.  
My mother’s dress was made out of spider silk.  A giant spider played Chinese checkers with the Imperial Guard for my head also.  Never the less, the palace, this time was not burned.  The dress was made out of falling stars and spiders silk.  She had found the Emperor's tailor and traded my soul for the wedding.  The pictures that were retrieved from the wedding of my mother and father have ruminated in antiquity since the time until by birth my life.  The seers and srys wanted my head to take up the Emperor's chalice.  His cup, filled with my blood, Simian blood.  
I did not want to go through with it, birth and death before becoming subject to royalty.  Seeing the world before consummation, as I had was never thought of, it was seen as impossible unless by treason we had chided a woman of royalty.  
I have seen the last major asteroid go through our galaxy before it had ever had been a present particle of mutiny.   It proved to the child (myself) in gestation, between man woman at the wedding that time will pass just as quickly before my mind’s eye as it had at the day of Pentecost.   More than 500 billon people were to be saved by God rather than by a humble dismantling of a defense lawyer.
I had seen how flowers are made by tiny Zen Zero bumble bees going to and leaving from daisies and roses, and orchids.  How each seed takes roots and as do the munitions for treason and tears; how each man whom chooses to change their name because of treason begins to understand change when his wife chooses his name.  (The reference is to Zero attacks, suicide attacks.)  How the time and life and essence of life begins in literacy as a language of love.  Every old man on earth can help me write the scripts, but can the country of old men help me change the prophet?
As long as there is war in the palace there will be treason?
The spirit of the samurai was trying the youth in the palace.  From the first born male to the last lady in quixic geisha.  All uniques were to be placed before the Lord for appointment.  Any dreams of or visions of truth were a breach of solemnity lost by the virginity of the family.  The parents of each state were subjects to the Emperor's people, and to the chosen for freedom and slavery.  How many shining knights were to remain in the Emperor's house?  The uniqueness was subject only to the reason of the generation of the age.  Not many of my men had anything left after the life of the quill or pen of the Knight Meteyi had begun to take its place with the heads of loyalists.  His sword remains in the hand of the Majesty of Japan.  No knowledge, no lore, no president, no kin, or liars can stop his reign.  As if the last days of our youth were spent dismantling the bombs we had made during the last few battles over crude extravagance.  Oil, crops, metals, space, as space became a way to admire men in statehood was the example of treason to the following.  Democrats and Republicans began to try as is a trail of laws to and from changes for the people without a loyal subject to observe in service to a Nation.  Freed men became a bureau of Federally Bureaucratic Investigative subjections.  Whether the phone would sense its use and had no service.  Men tried by srys had needed no way to communicate, they were objects, objections, and objective to democracies.  Any and all of the western knowledge of good or evil was not earned in monasteries, it was as it were seen in-between a marriage of a man and a woman and the consummation of the first born to be the king in his own mind. Centrally, intelligence and agency became a lost paradox.  The palace could be burned through neoteny, the truly lost man or woman had to be part of the worm.  The earthworm had to dig up the lost and the prophet from its own humanly death.  

Chapter 2
The dress as simple as it was, was taken off and laid in a box for saving.  It was to travel through time in the Emperor's Palace to serve has a mold, a pattern for quilting lovers of the family tree through the history of love.  After the child was conceived in love, the dress is worn and then placed back into the box for time travel. From a generation of mothers to another generation of lovers. No man was to wear the dress as an idea, thought or wisdom.  The reproach, the dress, and the marriage is virtue encoded into a structure of life   The wisest man let the Emperor dream life into the belly of prophets through the dress.  The smartest scientist understood the impeccable reason of lust and gave all to his bride for the grave that the earthworm had trusted.  The publican had the dress made as a dowry to the tribe of Roman man.  And the Emperor breathed life into the woman with a few breaths at the wedding.  The subjects, the publicans had tried the Emperor for their bride, by making the flowers lean toward their lovers.  They had tried to tell the knight of the Emperor's Palace that the sun had also retired due to mutiny in the ranks and castes of statesmen.  The son will bend light into the palace of wisdom, and the subjects do grieve the stories from prophets.  
At exactly 10:03 central eastern standard time, the states men forgave themselves of suicide and left to burn the palace.  
Each dressed as royalists.  The burning of Chinju Palace is the last thing I remember before giving up to the sound of a 3 or 4 year old woman singing.  The next thing I remember is being dropped on the floor in the delivery room to a rattle and brattle of childish whims.  Like, the sound of laughter, but only as a fury of deceit, the singer was hurt when I had asked her to join the wedding ceremony.  She excused herself of the ceremony as was or were not subjects to the birth of the kings men in harmony.  

She tried, and wanted to steal the dress.  

Chapter 3
There was mostly nothing in the womb. Except Dogma.  My father, as dogma.  He would whisper to her in bed and they would giggle about never understanding anything ever again.  I excepted NAME for my name.  They didn’t know if a boy or a girl were to be born.  I could know the difference at the time of their conversation.  I then realized that the 3 years prior to conception were perfect.  And I, the Emperor's Knight, was tolled.  Tolled the way bells sound and the way people love to hear the news.  The way light has no existence in the womb, I was tolled the way Sandalphon treaded upon the tribe of Israel.  
Lying was not invented yet, well,... while in the womb, but I had heard some whispers in the darkness.  The camera couldn't fit in, I called and tolled the camera from the womb, in between to friends.  I called the camera, Dragon.  The dragon is the trust moving in-between true and time.  The Dragon, Meteyi had told me that we were going to write everything.  From the believe that martial arts were stronger than prayer, and to the reason that it was not true.  Factually, there was nothing but prayer and no martial artist had a sword bigger than the lie of the Emperor's dragon.  The dragon said, to my father,..."The world is to die for, and not enough."  The dragon also said to my mother,..."The purpose is in your belly as a rainbow in disgust."  He, the dragon almost couldn’t believe that I had mentioned to hymn that there was no way out of this without a dream so relax and let me fit in.  The doctor had to have heard of the loyalist dream of a birth right.  Basically, I didn’t want him to slap me for the first breath.  I hurt bad, like out of a sarcastic Scotlandish parody.  Many, many, many, men quit trying to go through the sry after that.  My mother creeped up to me after my kin had asked the doctor to pick me up off of the floor.  She smiled and handed the birth certificate to the nurse and read my social security number to my father on the phone, he was on duty at the Air Force Base.  My ears were still clogged with seminal fluid, but I could feel her dream a name into my soul.  She can know the Emperor's knight.  After a few moments, my cry as chide by the Emperor, into being a whisper of life.  From that moment on in my life, I could not cry ever, as a child cries.  Otherwise I could be a whisper.

Chapter 4
Every chance at change that had gotten to us was used by running from the dragon.  He liked Batman and hated Robin but new to fathers, knew that hatred kept something’s safe from the palace. The palace could never get filled by whispers.  The whispers only object to democracy and help the camera.  The daguerreotype was possibly the only thing that couldn’t lie.  It was considered lye to gossip worshipers.  Gossip may have started the war on bugs.  Like bugs in ceaseless noise are prayer or whispers, like gossip.  When bugs stop whispering, some seemingly are bad with superstition and others are horrible with bugs.  
The next few years, were also perfect.  I had no idea who else, I could be.  Absolutely perfect, the Emperor subjected us to love.  I could **** all day, eat as much as I wanted and was warned when they thought, like a whisper.  When it was time to eat, when it was time to bath and when it was time to be quiet and sleep were similar to whispers.  Diapers were not invented yet, I had to invent them.  My mother used to get sick from the pain of laundry and sleeping with me.  When the diapers were *****, she wash them and place them back on my ****.  Like a good, palace guardian, I used them up.  The new diapers had an air of mutiny to them, the disposable ones.  We never kept trash in the house.  The signs that we have had a king for dinner were never to be seen, but everyone had the right to change pants.  
Many of the ideas in life shared before birth were not existent after birth.  It was not until my family had meet the Emperor that... we needed to love God by learning to pray.  

Chapter 5
When we met the Emperor, it was easy to say that no whispers were used.  Other things were.  A memory, not a book was here.  There was no time, the palace he made for me was from God and a lot of people wanted in.  The Royal subject was the Emperor's first knight, my father's.  I had to memorize time, which in turn was not mine.  The actual Emperor thought, that I, am a poet of sorts.  We spelled the word memory in the sky together without words, whispers, or gossip.  The next few years were spent dyeing as tap or a drill bit would being to make a hole for fastening life to the surface of my families.  Called a tap and die, the whole of life must be treaded through time without a spry attempt to vacancy.  After the Emperor, my mother and father did not know that meeting the pope was bad.   The Emperor is good.  

Chapter 6
Mainly my ability to learn, had started to fail.  There was not need to have ability.  But walking was hard.  When I stood, I was pushed through, walking.  Like a battle of balance and superstition.  Crawling had no sense, being picked up made things silly.  When wanting to be here, and not knowing how to get there through crawling, here I was a a chubby fat knight.  Father used lemons on my taste buds and cracked when he knew not how I loved them.  He had to make work to pay bills and I learned that without a whisper.  So we would sh

The Checkout Line

I wish to speak with you
ten years from now, you'll be ten years behind.

The words and meanings you carry in your pants, the pick-pocket steals your hopes from time.
and the visions of empty trash receptacles
with their late evening drunken lovers' bouts, at restless end tables. And the bums with their ******* attitudes **** covered clothes, and soiled minds

the clarity of the curbside drunk, picking up shades of filtered cigarettes of twilight scandalous
pickup lovers in their evening best.

And to talk with you ten years from now, you'll be ten years behind.

They're Green Beret head ornaments
detailing the porcelain platforms of Delft
Lining up for one last line to carry them into another faded sunrise at dawn's forgotten memory of yester night
and they walk their gallows holding pride fully their flags of exalted countrymen.

The republic of teacups of literary proficiency.
Wearing the necklaces of paid tolls to an afterlife they find in the miniscule car crashes of engagement with a grinless driving mate in a neighboring car in its pass into the forethought of turned corners.
Where they befell the great disappointment of failure in the frosted eyes of their fathers' expectations.

Who carried the shame of their mother's incessant discontent through short skirts, and high heels.

Who disapproved of the **** whom wore the sneak-out-of-the-house-wear clothing line, and traveled by night over turbulent asphalt by way of sidecar through turn and turnabout hand-over-hand contracts of lover's affection, and slept in tall grasses of wet nightfall with views of San Francisco, and were trapped in the inescapable Alcatraz and Statesville of unconsenting parents and their curfews,

through trials and trails of Skittles leading to after school Doctor visits in the basement of a doting mother, whilst she sits quietly in her exclusive quilting parties with noble equities of partners in knowledge, listening to Edith Piaf and the like,

All the while condemned to time, trapped in the second hand, hand me downs of the 21st century, decades of decadent introverts with their table top unread notebooks, and old forgotten score cards, and the numbers of scholars of years past,

and to talk with you ten years from now will be my greatest pleasure, for you will be....ten year's behind.


They push the sterile elevator buttons, and descend upon the floor of scents flourishing from their crowded family rooms, only aware of distinctive flavors, in their middle eastern shades of desert gumbo,

Who speak ribbit and alfalfa until midnight of the afternoon, sharing fables of slaughtered giraffes and camels that walked from Kiev to Baghdad in a fortnight,

Who are aware the power is out, but continue to scour for candles in a dark room where candles once burned, where candle wax seals the drawers of where candles can be found. Where once sat gluttonous kings and queens in Sunday attire waiting for words of freedom from the North.

of Florence, Sochi,Shanghai
of Dempster, Foster, Lincoln
of Dodge, Ford, Shelby

Of concrete fortune tellers in 2nd story tenement blocks with hairy legs, and head lice, wearing beautiful sachets of India speaking ribbit and alfalfa.

On their unbirthdays they walk the fish tanks wearing their birthday suits to remind them who serves the food on the floors of the family room fish mongers tactics.

The old men wear gargoyles on their shoulders.

Lo! Fear has crept the glass marbles of their wisdom and fortune, blearing rocket ships and kazoos on the sidewalks of their Portuguese forefathers.

Where ancestry burns cigarette holes in the short-haired blue carpet, where Hoover breaks flood waters of insignificance across hard headed Evangelical trinities.

Who share construction techniques one early morning at four, where questions of Hammer and **** build intelligence in secondary faces of nameless twilight lovers, who possess bear blankets, and upheavals, finely wired bushes of ***** maturity. Eating *** and check, tongue and pen.

Where police caress emergency flame retardants over the fire between their legs, wielding the chauvinistic blade of comfort in the backseat of a Yellow faced driving patron.

With their innocent daughters with their nubile thighs, and malleable personalities, which require elite words and jewelry. Wearing wheat buns, Longfellow, and squire.

Holding postmarked cellular structure within their mobile anguish.

Who go curling in their showers, pushing afternoon naps and pretentious frou-frou hats over tainted friendships with their girlfriend's brothers with minimum paychecks'.

Through their narcissus and narcosis, their mirrored perceptions of medicinal scripture of Methamphetamine and elegant five-star meat.

Who amend their words with constitutional forgiveness, in their fascist cloth rampages through groves of learning strategies. And the closets, cupboards, and coins
with rubber hearts, steel *****, and gold *****,

Tall-tales of sock puppet hands with friendly sharing ******* techniques, dry with envy, colorful scabs, and coagulation of eccentric ****** endeavors, With their social lubricants and their tile feet wardrobes with B-quality Adidas and Reeboks gods of the souls of us. Who possess piceous syndromes of Ouiji boards in their parent’s basements.

When will fire burn another Bush? Spread the fire walls of Chicago, and part grocery store fields of food. Wrapping towels under the doors of smoke filled lungs, on the fingernails of a sleepover between business executives with the neoprene finish of their sons and daughters who attend finishing school, with resumes of oak furnishings,

And I long to talk with you ten years from now,
For you'll be talking ten years behind.

Who profligate their padded inventories breaking Mohammed and Hearst,
laying the pillows of cirrus minor
waiting for the rain to paint the eyes of the scriptures which waft through concrete corridors,
and scent the air with their exalted personas,

With the different channels of confusions, watching dimple past freckle, eating the palms of our tropical mental vocations to achieve purity from the indignation of those whom are contemptuous for lack of innocence in America,
this America, of lack of peace,
of America hold me,
Let me be.

Whom read the letters off music, blearing Sinatra and Krall, Manson where is your contempt?

Manson where is your manipulation of place settings?, you deserve fork and knife, the wounded commandments that regretfully fall like timber in an abandoned sanctuary of Yellowstone,
Manson, with your claws of the heart.
Manson, with your sheik vulgarity of **** cloaks exposing your ladies undercarriage,

Those who take their pets to walk the aisles of famished eyes,
allowing the dorsals of their backsides to wonder aimlessly through Vietnam and Chinaman,
holding peace of mind aware of their chemical leashes and fifteen calorie mental meals, holding hands, unaware of repercussion,

With their vivid recollections of sprinkler and slide, through dew and beyond,
Holding citrus drinks to themselves, apart from pleasure, trapped with excite from sunsets, and in-between.

Withholding reservation of tongue to lung.
Flowing ribbit and alfalfa, in the corridors of expected fragrance.

and to speak with you of ten years from now, will be a pleasure all my own, for you will be talking ten years behind.

They walked outside climbing over mountains of shrapnel, popped collars
and endless buffets of emotion,
driving Claremont all the way to art gallery premiers
and forever waited for plane crash landings
and the phone calls that never came

Glowing black and white cameras
giving modelesque perceptions to all-you-can-eat eyes
giving cigarettes endless chasms of light

Colored pavement trenches and divots
cliff note alibis
and surgery that lasted until the seamstress had gone into an
endless rest
and
empty cupboards

Classic stools painted with sleepless white smoke and bleached canvas rolling tobacco with the stained yellow window panes of feral tapestry and overindulgent vernacular

Like a satiated cheeseburger weeping smile simple emotion
on November the 18th celebrations
and Wisconsin out of business sales

Too much comfort, stealing switchboards from the the elderly, constantly putting gibberish into
effortless conversation.

Dormant doormats, with the greetings that never
reached as far as coffee table favelas,
arriving to homes of famished
furniture, awaiting temperate lifestyles and the window sill arguments from pedantic literacy

Silver shillings and corporate discovery clogged the persuasive
push and shove
to and from

Killing enterprise
loquacious attempt at too soon
much too soon
too soon for forever

Wall to wall post-card collages
happy reminders of the places never visited by drinks in the hands of
those received

Registered to the clouded skies of clip board artists
this arthritis of envy
of bathtub old age
wrinkled matted faces
logged with quick-fixes, anemia, and heart-break

disposed of off the streets
of youth, wheeling and wailing
rolling down striped stairs
of shock and arraignment
holding the hand rails of a wheelchair
suitcase
packed away in a life

Down I-37
into the ochre autumn fallen down leaves
and left memories behind
their green Syphilis eyeglasses

weeping tumuli
recalcitrant
mulish, furrow of beast and beyond

yelling, screaming, howling
at the prurient puerile tilling
of sheets

****** the voices of words
and vomiting the mind into the pockets of the turbulent perambulations
expelled from meat-packing
whispering condescension
and coercing adolescent obsessions
with fame, glamour, and *****

Creeping out into the naked
light of the Darger scale janitorial
closets, carrying the notorious gowns
of red wine spells, backpacks, and pins

henchmen, plaintiff, and youth

All the while
ripping at the incantations of the soul
whispering ribbit and alfalfa
in the guard-rail scars
of the dawns decadent forgotten

i did wrong by you
too many times
to count
and now
when i want so much to do right
you want nothing to do with me
i am sorry for sewing you a patchwork heart

These lost years of loneliness and social depravity
Have left me with nothing except this written tragedy
I sat and watched as the walls of my life crumbled away
Into this contorted sensation twisting through dismay
These ceaseless rememberance sessions screaming inside
A dead fixed stare on old friends taking cyanide

These bonds have come together in such a swift motion
And, just as fast they've came to their abrubt destruction
Dispersing any tint of mutual belonging from view
Molding a sad landscape of sighs and failing virtue
Watching as the remnants of my relationships loiter
The catacombs of these stockpiled confession letters

If only I could say anything my empathy had to tell me
My skeletal pose might have perched upright in a higher degree
And I would of have grown to a more formidable size
A clear cut aspiration that I never came to realize
Until all that I held grew too big for me to carry
and left me to stumble and sleep at the cemetary

Scratching dead love songs on century old gravestones
Where the forgotten have slept for generations alone
Hoping the crude penmanship might grace a weary heart
Or help a looming ghost feel a taste of love and depart
From the fog filled graveyard parade that it dwells
A final ringing from the synapsis of the greif bells

Sparking the ruin of a memory that doesn't seem real
A fading echo of a brotherhood I wish I could still feel
Detached from a reality that lurks in a decrepit imagery
Reshaping my empty cognition through a fake neuro surgery
I've reached the point where I have no reason to find
A replacement for all these buried pictures astray in my mind

The house is now silent,
as if always it was this calm -
all asleep, all tidily done -
and in a thoughtful gesture
she reaches for the quilt,
grabbling for the needle minder.

In her mind, a coloured trickle
of threads draws upon the
inlaid tree branch - oh, the blossom
would happen before us,
would we look it trough her eyes
- as she picks a flaming orange
for the feather stich
and an ocean blue one
for a stich of satin feeling

and - there!, it starts showing,
the bird she nested for so long,
that bird bursting into songs
- now and forever catching your eye
here, molded by her hands.

It is so late, now.
Slowly, the unfinished quilt
is folded, threads and needle kept away.
The bird in esquisse flutters in her heart,
watching her stepping down
into the dark frown of the bedroom.

a shadow blue beam of dust
encases me;
they weave through me,
embroidering
gloomy brocades of
steel dullness.

.
"That there Is'belle's house stinks wunderful turr'ble,"croaked Emma Beiler at their quilting bee.
"Jah...vell," sighed Rosanna Yoder. "All them there katzes , ain't so?"
Accordingly the two ladies set out to pay Travis and Isabella Salter a visit, only to be politely told that they had were in the process of taking some cats to a local shelter.
Two weeks passed and to the Amish folks' disgust the odour had merely intensified.
"Them there Englisch are chust liars!" Potato Sam spat the words out along with a *** of chewing tobacco.
" Ach, vell," sighed  his wife Rosanna, unaware of her heavily sweating underarms. The Ordnung  strictly forbade deodorant as well as perfume. "Reckon I best  mosey over and see fur myself."
Travis opened the door with a tired sigh.
'Chust thought I'de ask vhat fur stinks yer house up so vonderful tur'ble...Izzy tells us youse gettin' rid of them but-"
A puzzled look crossed Travis weary face as he glanced toward the kitchen. Irritation gripped him, not lessened as Rosanna glowered at Tabby washing her face on the couch. Then a waft of a familiar scent, overpowering, drifted toward him from the kitchen. Brussel sprouts enhanced by -.
With all the stress, Isabelle was increasing her calming herbs, mixing the powders.... Valerian?
"Good evening, Mrs. Yoder." He motioned her toward the door, locking it firmly behind her. For a long time after she was gone he stood staring out the window.

Sometimes there's a seamstress sewing in my head
Quilting batted blankets of existential dread
Comforters and covers cover all of our cold dead
They're neatly surged and finished in copper linen thread

there are no more turtles in turtle bay.

the last one packed up his ****
and moved out just recently.
i think he was quoted in the paper
as saying, well this place
sure went straight to hell
… soon as those **** toads
started moving in here.

luckily, there wasn’t even 5 miles
until the next bay where
that turtle from before
could go to live with some
other people like him, resoundingly
intolerant of toads in any shapes
or
sizes.

he built a house for himself,
that turtle from before,
and found a wife who
was going through a rough patch,
employment-wise.
he gave her some good advice:
follow your heart because life is short.
[he was full of good slogans.]
they thought about having kids
[and tried]
but decided in the end
that they were better off
just the two of them.

one night she put a cigarette out
on his shell while he was asleep
and he woke up and screamed
what the hell did you do that for?!
and she fell over, passed out drunk.
[might as well be a toad, right?]
he coughed up a bit of slime,
but didn’t pursue the matter further.
he just laid her down on the bed,
and left without saying goodbye.

the road to tucson was quite long
and he was an amazingly slow walker.
and a few days later he hadn’t even
really gone anywhere because he
decided to stay for like two weeks
at his buddy’s across the street from High Dive,
some bar they always went to
if it was after 1 am.
[no special reason- just proximity.]

but there’s only so many
times someone can watch
“fear and loathing in las vegas”
before anyone is going to feel
like he spent that last twenty years
on acid and wasting every second.
so he begrudgingly moved out,
and bumped into his wife at the grocery store.

hey
i thought you were gone.
i was at Tino’s, but his wife is back now.
where was she?
her mother’s.
what was she doing there
house sitting- you remember her mom does that quilting contest every year?
oh.
do you remember that?
yea… listen why didn’t you tell me you tried to **** yourself?
what
mary saw you…
oh jesus
... through the window sitting in the garage with your car running a while.
no- what? i can’t believe we’re even talking about this
well, did you or didn’t you?
didn’t i what?
try to.
yes i tried to, but i didn’t expect mary to be watching or anything.
why
no reason
why
i did it- i was just, tired
[...]
don’t you think it’s funny the way we eat out on wednesdays? every wednesday we always eat out
i have to go, actually
i didn’t mean anything
goodbye


eventually, the turtles moved back to turtle bay,
when a pet shop moved in there
around seventeen years later.
[you know, turtles do live very long]
and that turtle from before
solitarily revisited his homeland.

In Shediac
The sidewalk threads up Main,
Past Church and hospital
To a yellow-frame;
Where wishes and the real world meet
Near Leger Street.

Here,
Quiet evening stairs leave cares,
And blueberries, dahlias and Parley's foam,
Like Sirens call our thoughts to home.
A quilt work of faces,
Some young, some grown,
Looked through windows to a time unknown,
Past the ledger of Grand-mere,
Past Hector's chair.

Though
Emilie was consumed with cooking,
Quilting, cleaning and sometimes singing,
She fed the dreams of her dear born,
And sheltered concerns of a heart well-worn,
Like a wrap-a-round porch in a Northumberland storm,
On Main Street.

These
Porch steps led to worldly affairs,
Finance, healthcare, CN, shopwares.
Each step, each child bore Emilie's breath,
Et dans l'eglise St. Joseph.

But
Bricks are brittle and paint will wane,
A picture or poem will fade and stain,
Yet Sirens still call out your name
In Shediac.

May I write a Shakespearian sonnet on
the square inches of skin
between your thumb joint and elbow?
I’m a pretty good storyteller,
I can narrate in blank verse if you wish.
Can I write poetry on your spine?
Up and down in broken haikus,
tankas quilting along the curve of your sides.
Perhaps a sestina?
So be it.
I can work bay leaves into tea cakes.
May I write alliterations across your toes,
over finger bones and broken knuckles?
I have enough form poems to
paint my walls a matte black.
Gloppy ink blobs,
carnation stamps,
over raised red lines of a villanelle.3
Can I write poetry on your stomach?
I have soft ballad-dipped brushes
that leak cinnamon sugar.
Acrostic biographies written to a jazz tune,
papier-mâchéd into a handmade piñata.
Spider web hair pins
left in the bathroom sink spell out
another useless cinquain.
May I write a rondeau on your calves,
rising up into your knees?
Epitaphs in your running shoes
make limericks out of the hail in your back yard.
Don’t try super gluing petals back onto stems,
they’ll fall apart eventually.
Poetry is written on you like paper.

we are bystanders at heart.
you always thought fools gold was beautiful
and we knew how to reach for highlighted
books in tattered low lighted bookstores
where people used to show compassion for
the little things.
old men croaked in these heavy feathered seats
but that didn't matter much.
it gave the place some history it never really had.
we would read each other excerpts that had no
significance and you would think of me as
kind of beautiful.
some nights we would drink wine, but then switch
to spiced *** to try and knock out the
thoughts that left bad tastes on our
swollen tongues.
i'd end up too drunk, and you'd find your
fingers woven in my hair that was too soft to
hold on.
sometimes you wished it was like wool,
keeping your hands from rigor mortis and
keeping me close to your bee hive body case,
busy with engulfing my bystander heart.
wool quilting to your shoulders,
you wouldn't give this up.
we may be patch work and hungover,
but at least we can keep each other warm.

I took you backwoods
Twilight went backwards
We crossed dimensions
Then Ian played flute
I told you what I want
You took a twist with your drink
We agreed to make it work
Babies made without actually having
I made you mine without thinking
You made me yours with a smile
Then you took your opposition
Gender reversal made math in your favor
Came out the way we both devised
Lord alien’s plan to metaphor control
As each other’s shade defense for lording
Partners in the grimy way we win over others
Your command heightens my experience
As we sway to the beat of concurrent hearts
Strumming stringed theories of dimensional bliss
Musical spheres sewn in the altogether
Quilting our shared communal experience
Grandmother, network our connections
Through mirth, myth, and siren’s long song
Superlative man-beast ushers your dancing words

God is not the cotton seedling that grows tall within manmade furrows  , coloring the land as the first snow of Winter .. Jehovah is the quilting thread binding all of creation , suturing the thoughts of men in their moment of frailty and despair , tethering the covenant between Heaven and Earth* ...

i wish i could tell you why i am this way,
why i see you and love you and still want to rip you to shreds

i look inward and backwards and beyond
and i see a young woman, a little girl, a grandma -
all of them intertwining fear and love,
sewing the edges together with stitches as they
sit by a fire and watch the quilts of their lives converge

each one beautiful, each one tragic, each one alone -
always wondering whether any outside eyes will ever
look past all of the complexities to see the simple truth -
we're all just looking for love without toxicity,
for love without contingency, for love without jealousy

i want you to look me in the eyes and see my faults
and love me regardless of the blood that drips from
my fingertips from pricking myself time and time again
with the quilting needle that's pieced together my sad story

i want you to know that my insides have been stolen
from me since before i can remember, and i may be
nothing if not afraid but i've learned that bravery is the
best mask out there, and that sometimes people are
worth trusting, and that maybe if i don't rip you to shreds
i might look into your eyes for awhile and find home

I can’t see my face
As it is drowned out
By obsidian mirrors.
The torch is passed on
By gold hooded monks
Illuminating curtains.
The moon's seven eyes
Blazing emerald,
Steal the iris of the sun
Hide the squalid tree
‘Neath the Kevlar cloth.
Infinity spins on tip
Of quilting needles
Knitted by the words
Of the god of the Raven.
The river divides
To the left and right
Ivory towers o’erlook
The cat tail junction.
Soundless chords echoed
Echoed
Echoed, echoed
Echoed
Into whiskey soaked sponges.

renowned accidental mean by no means whistling *** runner cannon meridian\
Wow Puerto Rican summer pirate sum Now whale wishing Iberian Blow Conan\
well out westward smell reach beached faking it subsiding solar stream itch diving\
****** fish polar automatic systa\
genix endurance foul global once upon a judgement winter way dope scissors linger tinker\
niAgArA\
dolls bell Apollo Falls impulsivity crawl inciting seasons HALL spring mite coating WATER\
cheer Full luty nebhel stud revise Hallelujah still fill Lord Rama Ring rock paper fling racket\
eering Ludacris rocketeer inscribe Buddhas pencil\
                               fizzles shaman lystic violins fiddle\
                                                         ­  In Hyper mode acorns Nirvana\
                                                        ­           reefs repulsing adorned indulgence\
transistor Tesla quilting Albert schizophrenic blizZZZzard Kings entity bliss enter\
fabricating human being in sin you waiting weave abraham leaves waving goodbye arrive\
destitute mammal blessed less infinity kingdom class order family species genus gene googol\
genius plex praying on language needless speaking to say the least seven married majik three\
cumbersome PI Ed. 3 point 1 door to forestal four tall August Lot Giants consuming gunk\
festival hums incoming lust becoming dust muffs spending ungodly honey dismounts chariot\
dismantling wives involving hives manhandling dead ends revolving lives reclusive evolutions\     revolutions dharma ballistic infusion in spite of invites bellows profusion of the Trinity Beast Hulk\
                hallowed Hindu Titans beauty leak unleashed eight neat legs hands and deeds endowed\
loving kindness freaks on a leach Highland yang ying Bruce V ying yang Lee\
for Vendetta breach Central Intelligence Agent econometric Lake Taekwondo\
belching kajukenbo Yelp confidence dojo defix six triple sister trix un matching\
     style styx\ flex inflict flicK biC hatch imprisoned box batch dix dimension hix\

I exhale my thoughts across the page.
My pen bleeds them into being.
The paper victim of open wounds to describe a hidden hurt.
This vicious dance of pain.
Breathing life to this war of love.
A mosaic of broken hearts.
Sharp edges of loneliness hidden in the mortar of hopefulness.
Is it fair to make believe a whole out of pieces?
To take these glass hearts and shatter them to make a masterpiece.
Taking the ruins of a life,
Puzzling them together.
A cobbled set of emotions.
Flashes of light against the surface of what once was.
Reflections of color, seeing beauty in the aftermath.
Perhaps hearts were never meant to remain whole.
Collecting parts of others
Quilting the fabric into a blanket
Warm enough to forget I am made of parts
Parts of everyone I’ve met.
Surrendering shards of me for the art of others
Taking pieces for myself to fill the gaps.

I speak to you in riddles
A mismatch of half formed inflections and watered down complimentary words
I constantly tailor my speech to try and fix the places you need patched
Attempting stitches to fix the pools of pain lingering in the spaces between the freckles spanning your back,
My fingers try to touch them away but my hands cant block the bruising spread beneath the plane of your skin.

You’ve become one of those heartbeats I have to keep my eye on for fear it will scatter down the screen and never return,
Your clothes are brightly colored, meant to weather the wind, but on your thin frame they trap you like wetted wool
Making it impossible for you to leave the form you possessed in the past.


I try different types of talking these days
Leaving maps for you to find the thinly veiled meaning behind the paper kisses
And the gold-leafed print floating inside the swirls of my lips
The pads of my fingers try to score your jaw with reminders
That the only thing hollow is the space between your neck and your chest
And the words I whisper into your void is heavy with inflected subtext.

I want to place your quilting back around your heart,
Make your veins more insular to keep the warmth inside that instead trickles out through your hands and feet that never feel the sun,
Your body temperature is constant and chills my intonations,
I can’t give what you won’t take and every day its 20 degrees.

I hope that in your desperation to forget the words you will better remember their meanings.

The night is young
new
beautiful
silent
joyous

It holds so many opportunities, and just as the flower who only opens her petals when the moonlight embraces them, so I am parallel.

I thrive in the night. It is my time, my hour, my seconds that only I have dominion over as I rise from the petals of my bed and am lit by the candlelight.

The waves of glow bounce off my nightgown slowly, slowly, and the undulating satin reverberates off my long legs as it dances with the faint breeze flowing through my room. I smile weakly.

Moving to the window, I can see for miles- a stretch of green quilting left there by God and his court, the velvet of the stitching vibrant in the light of the pale moon. It is unfinished.

The candle in the sill below me wanes slightly, and I blink. Reaching down, my fingers touch wax and guide it to my lips.

Fire reflects in my eyes the passion I have for such nights, for the silence that is filled with the deafening meekness of night sounds, for the musky, dark scent of my attic bedroom, from the taste of the faint dust lining the air.

I sigh, and smoke infiltrates my nostrils quietly, without invitation but without respite. The light is gone. My fingers quiver as I hold the wax, cold and lifeless now, and I sigh again. Quieter.

The night is brand new. I have only to light but one more match in order to explore it more fully. There is naught I cannot do when I hold in my hand this sheen that will light the recesses of the dark that haunt my room. My life. My eyes. And my fears.

Dearth of  Budliah
the opacity of death
The Roses flattened
like a calf awaiting slaughter
a mist drugs Winter's Mirth

You need a bone meal to furnish the soil
to amend the trellised Wisteria
and let the Magpie roam around
the worms with their natural habitation
These gifts quilting in their inner abundance

Ive complained about the material this blanket, that I stitched together, is made out of - without realizing it was my choice all along.

Within my bags of quilting stuff
Are lots of little scraps,
The remnants of some projects
Which I saved, thinking perhaps…

I would use them in the future
Like they once did long ago
When they gathered snips of fabric
And a patchwork quilt they’d sew.

It was done then from necessity
So nothing went to waste
And I’m sure that many beds
With scrap-made blankets have been graced.

But realistically I realized,
Without patience or privation,
I should ditch these scraps for my idea
Was just a fabrication.