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Connor Sullivan Oct 2012
A new face

new name

new friend

and heartbeat quickens

deep breaths

shaky hands

sweaty palms

and heartbeat quickens

a quick hello

conversation follows

and heartbeat quickens

the question

and yes.

Heartbeat slows.
Styles May 2017
As night falls, the air thickens
her pulse races and his pulse quickens
the depths of their thoughts rise to the surface
her body language speaking tongues
their eyes contact and the translation is done
his soul listens
heart beating fast
flesh burning like a furnace
flame lasting longer than they last
lust coursing through her body's viens
like lava melting a porous surface
her window panes with purpose
as their bodies join like cursive
bulging with awareness
his presence is her nearness
their bareness
flipping her world
altering her state of mind
impulse triggerin pulse
a his embrace
Thia Jones Apr 2014
This is how it goes
your hands will be proxy for mine
my hands will be proxy for yours
your fingers my fingers
and my fingers yours
what I describe, you enact
told in detail so exact

Just to begin
I squeeze your *******
knead and pinch
tweak a ******
give it a tug

Stroke your tummy
work over your thighs
move up the inner
where skin is smooth
circle around, moving in
till soft contours are caressed
through pants that burn
to be removed
that pain you to wear
and I see in my mind
as you describe
the spreading, darkening patch
that fills the gusset

Now they're pulled down
removed quickly, completely
and you are revealed
spread, opened, shameless

Gentle fingertips tease
dance in circles, barely touching
yet the fire within grows
back and forth, round and round
dance the fingertips
as both reciprocate
with growing pace
and firmer touch

I hear you gasp down the line
and your breathing quickens
as you hear mine
as your excitement fuels mine
as mine fuels yours
in our feedback loop of lust

And I tell you how
my fingertip would give way
to tonguetip if I could
that I can taste you
in my imagination
fragrant, salty sweetness
with musky undertones
the tip of my tongue now circling
then flicking back and forth
beating out the rhythm
that you best harmonise with
bringing forth your moans

Then darting down, back
between wet, glistening folds
exploring each ridge and valley
working remorselessly

Breathing faster now
with animal grunts and moans
directions of pleasure gasped
breathless down the phone

As fingers again
take the lead
find the opening
slip readily within
probe, explore, ****
find that place
on your front wall
yes, just that spot
that's a little rougher
and feels sooo goood

Add a second finger
working and *******
licking and rubbing
moaning and gasping
barely intelligible now
are all that have meaning

Finger three joins one and two
then the pressure builds
demanding release
and shaking and thrusting
grows to shuddering
and...yes...yesss...sooo clooose

******* faster furiously
till we both explode
hearing each other's
voicing of our ecstasy
in language intelligible
only in this one context

Brains and voices return
as we bask in the afterglow
and what passes between us then
in those moments
is the deepest intimacy of all

Cynthia Pauline Jones 01/02/2014

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man’s gift and that man’s scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
  nothing again

Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice

And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.

Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.


Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the ****** in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying

Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.

Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.


At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.

At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man’s mouth drivelling, beyond repair,
Or the toothed gullet of an agèd shark.

At the first turning of the third stair
Was a slotted window bellied like the figs’s fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair,
Fading, fading; strength beyond hope and despair
Climbing the third stair.

Lord, I am not worthy
Lord, I am not worthy

                              but speak the word only.


Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary’s colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs

Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary’s colour,
Sovegna vos

Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing

White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.

The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
  no word

But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken

Till the wind shake a thousand whispers from the yew

And after this our exile


If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

    O my people, what have I done unto thee.

Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and
  deny the voice

Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
  time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose

    O my people, what have I done unto thee.

Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.

    O my people.


Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn

Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings

And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth

This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.

Blessèd sister, holy mother, spirit of the fountain, spirit
  of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated

And let my cry come unto Thee.
Poetic Artiste Feb 2015
Her eyes spoke to me;
The deadliest story,
A burden of trust in true loves mourning.
When two hearts meet,
A beating vessel will rhyme,
A chime for two at loves first time,
A pump that quickens,
A panic arise,
How cruel can Love be—when at first sight?
Do you believe in Love at first site? Is love at first site its own demise?
By this, sad Hero, with love unacquainted,
Viewing Leander’s face, fell down and fainted.
He kissed her and breathed life into her lips,
Wherewith as one displeased away she trips.
Yet, as she went, full often looked behind,
And many poor excuses did she find
To linger by the way, and once she stayed,
And would have turned again, but was afraid,
In offering parley, to be counted light.
So on she goes and in her idle flight
Her painted fan of curled plumes let fall,
Thinking to train Leander therewithal.
He, being a novice, knew not what she meant
But stayed, and after her a letter sent,
Which joyful Hero answered in such sort,
As he had hope to scale the beauteous fort
Wherein the liberal Graces locked their wealth,
And therefore to her tower he got by stealth.
Wide open stood the door, he need not climb,
And she herself before the pointed time
Had spread the board, with roses strowed the room,
And oft looked out, and mused he did not come.
At last he came.

O who can tell the greeting
These greedy lovers had at their first meeting.
He asked, she gave, and nothing was denied.
Both to each other quickly were affied.
Look how their hands, so were their hearts united,
And what he did she willingly requited.
(Sweet are the kisses, the embracements sweet,
When like desires and affections meet,
For from the earth to heaven is Cupid raised,
Where fancy is in equal balance peised.)
Yet she this rashness suddenly repented
And turned aside, and to herself lamented
As if her name and honour had been wronged
By being possessed of him for whom she longed.
Ay, and she wished, albeit not from her heart
That he would leave her turret and depart.
The mirthful god of amorous pleasure smiled
To see how he this captive nymph beguiled.
For hitherto he did but fan the fire,
And kept it down that it might mount the higher.
Now waxed she jealous lest his love abated,
Fearing her own thoughts made her to be hated.
Therefore unto him hastily she goes
And, like light Salmacis, her body throws
Upon his ***** where with yielding eyes
She offers up herself a sacrifice
To slake his anger if he were displeased.
O, what god would not therewith be appeased?
Like Aesop’s **** this jewel he enjoyed
And as a brother with his sister toyed
Supposing nothing else was to be done,
Now he her favour and good will had won.
But know you not that creatures wanting sense
By nature have a mutual appetence,
And, wanting organs to advance a step,
Moved by love’s force unto each other lep?
Much more in subjects having intellect
Some hidden influence breeds like effect.
Albeit Leander rude in love and raw,
Long dallying with Hero, nothing saw
That might delight him more, yet he suspected
Some amorous rites or other were neglected.
Therefore unto his body hers he clung.
She, fearing on the rushes to be flung,
Strived with redoubled strength; the more she strived
The more a gentle pleasing heat revived,
Which taught him all that elder lovers know.
And now the same gan so to scorch and glow
As in plain terms (yet cunningly) he craved it.
Love always makes those eloquent that have it.
She, with a kind of granting, put him by it
And ever, as he thought himself most nigh it,
Like to the tree of Tantalus, she fled
And, seeming lavish, saved her maidenhead.
Ne’er king more sought to keep his diadem,
Than Hero this inestimable gem.
Above our life we love a steadfast friend,
Yet when a token of great worth we send,
We often kiss it, often look thereon,
And stay the messenger that would be gone.
No marvel then, though Hero would not yield
So soon to part from that she dearly held.
Jewels being lost are found again, this never;
’Tis lost but once, and once lost, lost forever.

Now had the morn espied her lover’s steeds,
Whereat she starts, puts on her purple weeds,
And red for anger that he stayed so long
All headlong throws herself the clouds among.
And now Leander, fearing to be missed,
Embraced her suddenly, took leave, and kissed.
Long was he taking leave, and loath to go,
And kissed again as lovers use to do.
Sad Hero wrung him by the hand and wept
Saying, “Let your vows and promises be kept.”
Then standing at the door she turned about
As loath to see Leander going out.
And now the sun that through th’ horizon peeps,
As pitying these lovers, downward creeps,
So that in silence of the cloudy night,
Though it was morning, did he take his flight.
But what the secret trusty night concealed
Leander’s amorous habit soon revealed.
With Cupid’s myrtle was his bonnet crowned,
About his arms the purple riband wound
Wherewith she wreathed her largely spreading hair.
Nor could the youth abstain, but he must wear
The sacred ring wherewith she was endowed
When first religious chastity she vowed.
Which made his love through Sestos to be known,
And thence unto Abydos sooner blown
Than he could sail; for incorporeal fame
Whose weight consists in nothing but her name,
Is swifter than the wind, whose tardy plumes
Are reeking water and dull earthly fumes.
Home when he came, he seemed not to be there,
But, like exiled air ****** from his sphere,
Set in a foreign place; and straight from thence,
Alcides like, by mighty violence
He would have chased away the swelling main
That him from her unjustly did detain.
Like as the sun in a diameter
Fires and inflames objects removed far,
And heateth kindly, shining laterally,
So beauty sweetly quickens when ’tis nigh,
But being separated and removed,
Burns where it cherished, murders where it loved.
Therefore even as an index to a book,
So to his mind was young Leander’s look.
O, none but gods have power their love to hide,
Affection by the countenance is descried.
The light of hidden fire itself discovers,
And love that is concealed betrays poor lovers,
His secret flame apparently was seen.
Leander’s father knew where he had been
And for the same mildly rebuked his son,
Thinking to quench the sparkles new begun.
But love resisted once grows passionate,
And nothing more than counsel lovers hate.
For as a hot proud horse highly disdains
To have his head controlled, but breaks the reins,
Spits forth the ringled bit, and with his hooves
Checks the submissive ground; so he that loves,
The more he is restrained, the worse he fares.
What is it now, but mad Leander dares?
“O Hero, Hero!” thus he cried full oft;
And then he got him to a rock aloft,
Where having spied her tower, long stared he on’t,
And prayed the narrow toiling Hellespont
To part in twain, that he might come and go;
But still the rising billows answered, “No.”
With that he stripped him to the ivory skin
And, crying “Love, I come,” leaped lively in.
Whereat the sapphire visaged god grew proud,
And made his capering Triton sound aloud,
Imagining that Ganymede, displeased,
Had left the heavens; therefore on him he seized.
Leander strived; the waves about him wound,
And pulled him to the bottom, where the ground
Was strewed with pearl, and in low coral groves
Sweet singing mermaids sported with their loves
On heaps of heavy gold, and took great pleasure
To spurn in careless sort the shipwrack treasure.
For here the stately azure palace stood
Where kingly Neptune and his train abode.
The ***** god embraced him, called him “Love,”
And swore he never should return to Jove.
But when he knew it was not Ganymede,
For under water he was almost dead,
He heaved him up and, looking on his face,
Beat down the bold waves with his triple mace,
Which mounted up, intending to have kissed him,
And fell in drops like tears because they missed him.
Leander, being up, began to swim
And, looking back, saw Neptune follow him,
Whereat aghast, the poor soul ‘gan to cry
“O, let me visit Hero ere I die!”
The god put Helle’s bracelet on his arm,
And swore the sea should never do him harm.
He clapped his plump cheeks, with his tresses played
And, smiling wantonly, his love bewrayed.
He watched his arms and, as they opened wide
At every stroke, betwixt them would he slide
And steal a kiss, and then run out and dance,
And, as he turned, cast many a lustful glance,
And threw him gaudy toys to please his eye,
And dive into the water, and there pry
Upon his breast, his thighs, and every limb,
And up again, and close beside him swim,
And talk of love.

Leander made reply,
“You are deceived; I am no woman, I.”
Thereat smiled Neptune, and then told a tale,
How that a shepherd, sitting in a vale,
Played with a boy so fair and kind,
As for his love both earth and heaven pined;
That of the cooling river durst not drink,
Lest water nymphs should pull him from the brink.
And when he sported in the fragrant lawns,
Goat footed satyrs and upstaring fauns
Would steal him thence. Ere half this tale was done,
“Ay me,” Leander cried, “th’ enamoured sun
That now should shine on Thetis’ glassy bower,
Descends upon my radiant Hero’s tower.
O, that these tardy arms of mine were wings!”
And, as he spake, upon the waves he springs.
Neptune was angry that he gave no ear,
And in his heart revenging malice bare.
He flung at him his mace but, as it went,
He called it in, for love made him repent.
The mace, returning back, his own hand hit
As meaning to be venged for darting it.
When this fresh bleeding wound Leander viewed,
His colour went and came, as if he rued
The grief which Neptune felt. In gentle *******
Relenting thoughts, remorse, and pity rests.
And who have hard hearts and obdurate minds,
But vicious, harebrained, and illiterate hinds?
The god, seeing him with pity to be moved,
Thereon concluded that he was beloved.
(Love is too full of faith, too credulous,
With folly and false hope deluding us.)
Wherefore, Leander’s fancy to surprise,
To the rich Ocean for gifts he flies.
’tis wisdom to give much; a gift prevails
When deep persuading oratory fails.

By this Leander, being near the land,
Cast down his weary feet and felt the sand.
Breathless albeit he were he rested not
Till to the solitary tower he got,
And knocked and called. At which celestial noise
The longing heart of Hero much more joys
Than nymphs and shepherds when the timbrel rings,
Or crooked dolphin when the sailor sings.
She stayed not for her robes but straight arose
And, drunk with gladness, to the door she goes,
Where seeing a naked man, she screeched for fear
(Such sights as this to tender maids are rare)
And ran into the dark herself to hide.
(Rich jewels in the dark are soonest spied).
Unto her was he led, or rather drawn
By those white limbs which sparkled through the lawn.
The nearer that he came, the more she fled,
And, seeking refuge, slipped into her bed.
Whereon Leander sitting thus began,
Through numbing cold, all feeble, faint, and wan.
“If not for love, yet, love, for pity sake,
Me in thy bed and maiden ***** take.
At least vouchsafe these arms some little room,
Who, hoping to embrace thee, cheerly swum.
This head was beat with many a churlish billow,
And therefore let it rest upon thy pillow.”
Herewith affrighted, Hero shrunk away,
And in her lukewarm place Leander lay,
Whose lively heat, like fire from heaven fet,
Would animate gross clay and higher set
The drooping thoughts of base declining souls
Than dreary Mars carousing nectar bowls.
His hands he cast upon her like a snare.
She, overcome with shame and sallow fear,
Like chaste Diana when Actaeon spied her,
Being suddenly betrayed, dived down to hide her.
And, as her silver body downward went,
With both her hands she made the bed a tent,
And in her own mind thought herself secure,
O’ercast with dim and darksome coverture.
And now she lets him whisper in her ear,
Flatter, entreat, promise, protest and swear;
Yet ever, as he greedily assayed
To touch those dainties, she the harpy played,
And every limb did, as a soldier stout,
Defend the fort, and keep the foeman out.
For though the rising ivory mount he scaled,
Which is with azure circling lines empaled,
Much like a globe (a globe may I term this,
By which love sails to regions full of bliss)
Yet there with Sisyphus he toiled in vain,
Till gentle parley did the truce obtain.
Wherein Leander on her quivering breast
Breathless spoke something, and sighed out the rest;
Which so prevailed, as he with small ado
Enclosed her in his arms and kissed her too.
And every kiss to her was as a charm,
And to Leander as a fresh alarm,
So that the truce was broke and she, alas,
(Poor silly maiden) at his mercy was.
Love is not full of pity (as men say)
But deaf and cruel where he means to prey.
Even as a bird, which in our hands we wring,
Forth plungeth and oft flutters with her wing,
She trembling strove.

This strife of hers (like that
Which made the world) another world begat
Of unknown joy. Treason was in her thought,
And cunningly to yield herself she sought.
Seeming not won, yet won she was at length.
In such wars women use but half their strength.
Leander now, like Theban Hercules,
Entered the orchard of th’ Hesperides;
Whose fruit none rightly can describe but he
That pulls or shakes it from the golden tree.
And now she wished this night were never done,
And sighed to think upon th’ approaching sun;
For much it grieved her that the bright daylight
Should know the pleasure of this blessed night,
And them, like Mars and Erycine, display
Both in each other’s arms chained as they lay.
Again, she knew not how to frame her look,
Or speak to him, who in a moment took
That which so long so charily she kept,
And fain by stealth away she would have crept,
And to some corner secretly have gone,
Leaving Leander in the bed alone.
But as her naked feet were whipping out,
He on the sudden clinged her so about,
That, mermaid-like, unto the floor she slid.
One half appeared, the other half was hid.
Thus near the bed she blushing stood upright,
And from her countenance behold ye might
A kind of twilight break, which through the hair,
As from an orient cloud, glimpsed here and there,
And round about the chamber this false morn
Brought forth the day before the day was born.
So Hero’s ruddy cheek Hero betrayed,
And her all naked to his sight displayed,
Whence his admiring eyes more pleasure took
Than Dis, on heaps of gold fixing his look.
By this, Apollo’s golden harp began
To sound forth music to the ocean,
Which watchful Hesperus no sooner heard
But he the bright day-bearing car prepared
And ran before, as harbinger of light,
And with his flaring beams mocked ugly night,
Till she, o’ercome with anguish, shame, and rage,
Danged down to hell her loathsome carriage.
Ellen Joyce Oct 2013
A pregnant pause
Breath bated at thirteen
No line, check again, no line, check again, no line
And breathe
Just breathe through your nose it’s all fine
And seethe
***** rising, eyes streaming, toilet splatter splash back
Lack of self-worth self-respect at the end of a fist smack
My mouth bled from the depths of my womanhood
Then stopped.

And I was only thirteen
And then the doctor tells me I'm only sixteen
Then only eighteen, twenty one, twenty five, twenty eight
And the weight of dismissal in the onlys
Is the heaviness of my shameful heart.

A pregnant pause
Breath – shallow, quickens
as the doctor, in his superior tongue tells me I have a shot in hell
Hell – that’s what this is
A pit of horrors where a man who spread me wide, looked inside and saw nothing
Dried his hands, and sent me on my way
to drown in a sea of bumps and gurgling infants to see a man who tells me
fertility treatments have improved.

A pregnant pause
Swallowing Clomid to the tune of the patter of stomach cramps
And the dampening of hot flashes searing through my empty *******.
Then came two laparoscopies - and a new suction of hope from my heart
Teeth bared to the penetrating needle of the appropriately named Pregnyl
Poured into my body till I ache and bloat.
Nothing positive to note so he takes the Follistim and pushes it in
Till the weight of reality anchors in to my hips and spreads
Taking hold of my lungs, rasping my breath
And I call time.

A pregnant pause
tears abruptly erupt whilst singing nursery rhymes to my nephew
I hand him to my mother and pour out the truth.
She says nothing.
She then tells me she has a friend whose niece’s best friend was infertile
And then one day BAM pregnant.
And there was no discussion only false hope.
As friend after friend tells me of some distant hopeless case that came good.
And my (insert obscure relation here) couldn’t have children but then
BAM a boy
BAM a girl
BAM twins
BAM triplets
BAM a ******* maternity ward filled with unlikely sprogs.
And still

A pregnant pause
A crushing aching longing that beats in rhythm with my heart
A longing that cannot be told as it is, for what it is
Because what it is, is what it is.
Oxytocin Aug 2015
Shaky breathing
Jelly legs
As I watch you from across the room
Laughter echoing
Your face lighting up like the sun

Oh the way you smile
Makes me go crazy
Eyes crinkling
Dimples showing
Tugging a string in my chest

You stop talking and turn your head
Our eyes meet
I hold my breath
Heart beat quickens
Hands start to get sweaty
You smile
Corners of my mouth start to twitch
I smile back
This is so cheesy and bad. I'm so sorry. I wrote it because this how every crush feels like, I think.
The readers of the Boston Evening Transcript
Sway in the wind like a field of ripe corn.

When evening quickens faintly in the street,
Wakening the appetites of life in some
And to others bringing the Boston Evening Transcript,
I mount the steps and ring the bell, turning
Wearily, as one would turn to nod good-bye to Rochefoucauld,
If the street were time and he at the end of the street,
And I say, ‘Cousin Harriet, here is the Boston Evening Transcript.’
Helen Nov 2013
(best read in order)

He blankets her with a mist that is fine and as pure as his postpartum soul is able to manifest. He’s sorry that she is sobbing on the dirt floor. He can’t think past the hunger that is beating upon her, which beats upon him. He is angry that his ancient predatory instincts are gaping to the fore.

   For the ancient being now gently weeping on a cold dirt floor.

Why did he not recognize her? How did he get so lax in the thinking that cattle could disguise it self?  A Wolf in Sheep’s clothing? Well... it’s not like he has not donned the same costume!

   He had been a Protector for so long. Rising each Sunset with the challenges that bring on the most predatory beasts that hunger for pain. He, alone, has stood beside Humanity to bring the world a semblance of normality, morality, a passing moment when they thought they were King of the world… but their inflated egos were never touched by doubt.
Because of him.

But she brings him down to the basest level.

   He feels…
    For her
     For her hunger
      For her emptiness
       For her utter contemptuousness

   She is the creature that he has been birthed to fight. The utter savageness that she brings forth when it becomes night.

He alone, in eternity, wanders the earth to make Mortal life the one thing that is right.

   She lifts her head from the cold dirt floor to stare at him. He materializes as a persona that should scare her, one that heralds Death, but his emotions are fraught with peril. She is important to him. He may have been birthed to bring Death but he was never denied that one could become his Life.

His pulse quickens, her eyes widen, her pulse quickens, he is afraid of the sight that lays bare in front of him. His fangs are buried deep in his bottom lip, he can not say a word even if his immortal soul depends on it.

   She licks her lips in hesitation, maybe anticipation; she could be licking her lips because of the small droplet of blood that lingers in the corner of her mouth. He wants to touch his tongue to said lips and cheek and ear and throat and, well HELL, he’s happy to continue south… as long as his tongue is touching skin…

   She looks away, briefly, and cries again. She is unable to fight past her hunger even though she has recognized the Protector.

She needs protecting too!

She’s so hungry!

But from the swelling of his body, *so is he…
and this is where the story ended, all those years ago... is there a future? Who knows?
Omnis Atrum Aug 2012
Many artists create for approval, to translate the beauty they find in the world so that others can feel what they feel (which is second hand at best), or to try to better understand the world that they are in and communicate their findings with the rest of the world. I would stand here today and say that is all meaningless to me. If one cannot find their own truths, then they do not deserve the truths that they find. Everyone can see 'the beauty of the world' that surrounds them, and far too many people try to turn their senses into tangible words on a page. What difference does it make, better yet, what difference should it make to a person if others view the world in the same light that they do? It is for this purpose that I do not view the world in any light. When I create I view the world without light. Feeling my way through the darkness trying to find something that I can hold on to. I am a horrible and pitiful creature when I search for ideas, but when I can wrap my hands around these ideas with no light shed from an outside source there is no greater sense of accomplishment. I write not about the beauty of the world, not about fantastic imageries that could be on an inspirational poster, nothing of the heavens and angels, because when I write my demons take over. Every doubt that sits in the back of my mind unanswered. Every amount of corruption that I have seen in the world. Every hope that has been shot down to crash as a fallen spaceship. Every desire that I will never see fulfilled. These are the things that give me the passion and inspiration to create. Perhaps it is for the balance of the world that I write with such things in mind. As I watch so many writers fail to create what it is that they pictured in their creative vision simply because their minds are cluttered with preconceived notions of love, of good, and of this great being that will provide them with their every desire (deliverable on death, as I have been told); I know that most will surely continue to fail. The world does not have a perfect clockwork structure that they would have everyone else see. I hope that in controlling my demons I will be able to create something that is more authentic. More pure.

Art is struggle.
Creations are covered with our sacrifices.
Without the grotesque, beauty cannot truly be seen.
Without darkness, we cannot understand light.
My cup runneth over.

Seven great inspirations
I remember being young and thinking that there was no greater goal to seek than the goal of love. I had told myself countless times that my greatest goal in life was to find someone and make them the happiest person in the world. I know now that the naivety of that statement is enough to make even the most romantic shake their heads. It was from this naivety and hope that a young man fell in love. As all things that are destined to horribly fail, it failed horribly. The joy in this young man's eyes dissipated and he was left horribly confused. How could my greatest inspiration and the goals that I had set for myself fall apart so swiftly? It was around this time that I slowly started seeing the world for what it truly was. There was great sorrow in this time, but it was a time of more beauty than I had ever known. Years that I thought were wasted were resurrected as emotions and perceptions that slowly found their way from my hand to paper. I learned from a very young age that it was proper to hide emotion, and so many of these creations were destroyed after I had pushed them from my mind. It was not until I let a few close friends read some of what I had written that I realized the value that words held. I used these words to bring happiness to others and evoke emotion where there was none before. All of the ideals and emotions that I held in high regard for so long slowly withered away. It was in this time that I slowly learned that because there was so much good that came from something so devastating, that those things I once thought were so evil may have something good to be found in them. There were great inspirations to be found in those things I had once discarded as sinful and without worth. I found beauty and inspiration in what most would call corruption and imperfect. These things, which were taught to me as sins, gave me more inspiration than any rules or restriction would ever be able to. For the first time in my life I actually felt free. It was with this newfound freedom that I was finally able to express what I truly felt without fear of guilt or punishment. My outward appearance stayed approximately the same (as I was taught that appearances were always important and some habits were hard to break), but I realized that I was a completely different person. It is these differentiations from what I considered to be the norm that allowed me to grow as a person instead of as a machine that was built by those around me. It is this facade of normality that I will forever wear as a defense mechanism to keep those as closed minded as I once was from prying. It is the sins that I once fought so hard against that would help me realize the person that I truly was. This is not merely a documentation of the things that inspire me, this is a tribute to the realizations that allowed me to grow as a person. A great deal of my writing tends to come out as metaphors, but in what will follow I will do my best to write clearly and without riddles. These are the thoughts that bring my creations to life. This is the fuel that drives a man down a road comfortably, no longer worried about speed limits or street signs. Now I will explain how these seven deadly sins breathed life into an otherwise lonely and discarded man.

Are we all not more important than everyone else in our own universe? Is there some secret kept within the recesses of our mind that perverts this self preservation into something that is frowned upon? Are we not supposed to be proud of our accomplishments? Where are the lines between what is appropriate and a horrid vanity drawn? Would we not become Lucifer if the feeble minds trapped in these mortal shells were placed in a shell more beautiful and eternal than anything we have ever seen? Are we so quick to judge those guilty of our same crimes? Tell me that if you were given the chance you would not change places with a god, and I will never believe another word that pushes its way past your lips. We are wired to attempt to gain higher standing wherever we are. When I have created something that I believe holds truth I am proud, and I am proud that I am proud. If it were not for pride where would that sense of accomplishment come from? Should I allow my pride to turn to shame, and **** a driving force to create something even better next time? I think not. In the universe of our art, we are the gods. We manipulate every word, every pixel, every stroke of the brush. We have ultimate control of the characters, the situations, the emotions, the outcomes, and do not have to provide an explanation to anyone unless we decide to. When we are done with our creations we stand back and say that they are good. A faulty attempt to turn the artist into a god, but the intentions are thinly veiled. To create and to have others look upon your creation with wonder and awe, is that not the intentions of almost all artists? What purpose does this serve other than the creation of pride? I would say that there are none. My writing is the universe where I am god, and there are none other as powerful or that have as much say as I do.

Call me cynical for not seeing the absolute beauty of the world around me. Sloth, the great sin of sadness and despair. I look at the world and am dissatisfied with what I see. I have always been fond of Poe, because he wrote about this more than anything else. Why should I be any different than this? The only love I have ever known was ripped from my hands, and I was left with nothing but a feeling of wanting. I watch people walk by with their masks of happiness and content, and when the day is done I see these same people left shaking and world weary. How much rain should fall from my eyes before they become as black as the clouds they do their best impressions of? With every attempt to better the world thwarted on each turn, it seems as if things are not going to change. The problem with writing on the subject of sorrow is that many view it as unhealthy or look down upon it. It is only after putting words to the things that bother me that I have control over them, and can manipulate them as I wish. Sorrow and pain are less of a threat when they can be controlled. Where is it that this sorrow and despair comes from? Perhaps I read too many fairy tales as a child. Perhaps I have yet to get to the end of the story of life where the moral will be revealed to me. Perhaps it is this surreal world that I could never persuade myself to live in. A world where I am to put on a mask of happiness and pretend that everything is going just the way that it should. A world full of everything that I could ever desire. It is because I cannot alter my senses that give my perception of the world that this demon resides within me. My writing is the realization that the world is not what I was led to believe it to be. My creations are the sorrow and despair of living in an imperfect world, and wishing that it was perfect.

Do not overindulge in anything, not even those things which bring pleasure and have no consequence. I think this is a flawed statement at best. In my writing I discuss extraordinary circumstances or situations that I have been involved in. Many of these situations happened only in my own mind, but a number of them occurred when I overindulged in certain things and saw the world in a completely different perspective. If we all lived in perfect moderation, would the world not be boring and uninspiring? I choose to do those things that bring pleasure, and if I do them too often then the result is simply more pleasure. Gluttony is the cause of many interesting nights that allowed me to step outside of my protective shell and experience things that I would have never experienced otherwise. How could I not pay homage to such a thing? How could I desire to cease doing something that only opened my eyes? Gluttons will be looked down upon and called drunkards and addicts, but I have never met a being that has not committed gluttony at one point or another. I was once told to overindulge in moderation. Where does the line between an altered state of mind that we can learn from and a sin stand? In my creations there is no line, because there is no sin. My writings are guilt-free and full of overindulgence of thought. My words are my minds altered vision grasping for truth.

These **** words will not flow from my mind, through my hand, and onto this god forsaken medium. What is it that I need to do to express my emotions so that others can understand them? If my words are too abstract it is only because of the thoughts and emotions that they follow. If people cannot follow my metaphors and hidden meanings then it is of no concern to me. The fact that they will not try to stimulate their intellectual ***** in order to understand something more complex than they are used to drives me insane. My pulse quickens with each thought of the issue. It is impossible that I left my metaphors too veiled or did not give enough surrounding exposition. These creations make perfect sense. Then I step back and look at the gibberish that I have created and hurl it across the room as harshly as possible. The thoughts and ideas are all here, it all makes sense in my mind, so WHY WILL THE WORDS NOT COME OUT RIGHT? The inability to explain senses or perceptions in a concrete manner that the audience will understand creates more anger in me than I will ever understand. An anger that refuses to subside. With a clenched fist the pens and pencils are broken, the keyboard is shattered, and the words are broken down into the letters that sit in a pile on my floor. My creations inspire nothing more than they inspire my hatred for ignorance. My creations are an angry conglomeration of letters wishing that they could show the emotions that inspired them. My words are children beaten for insubordination.

Greed is the greatest inspiration that most will ever know. To bathe in golden bullion and never have another care in the world. Greed not for the sake of greed, but for the sake of freedom. I am inspired by greed of a different sort. The desire to gather every idea that I can find and horde it as my own. The greed of knowledge and experience. When I was younger it was interesting to be the most mature person my age, and now that I am older it is not knowledge that is sought, but wisdom. I horde this knowledge and wisdom in my own personal compressor and squeeze them until they are in the purest possible form. It is this ink that I dip my quill into hoping that my faulty hands can transfer such a perfect concoction onto the parchment without ruining it. Without poking a hole through the parchment. Without deciding after I am finished that the words do not hold the meaning that they carry, and having to destroy everything and start over. I would gladly give all the wealth that I have to be able to sate my greed for the expression of perceptions and knowledge. These are the pains that I have endured, and they are mine and mine alone to claim. There is no greater value on this Earth in my eyes. People can have their tubs of golden bullion, and I will help them with generous contributions when able, but if they ever decide they want my words there will be war. A war of greed. A war of necessity. My creations are my glorious mansion that holds the treasures of experience and knowledge. My words are the golden bullion that so many men have fought and died for, and I will horde them until some greater force can pry them from the hands that created them.

Love is an illusion that was created for your confusion. Those that speak of love are disillusioned into believing in some extrasensory emotion that they allow to consume them. Love is the most abstract emotion or idea that anyone could ever base a creation on. I tire of reading of love at first sight, love found upon a spring morning, or love that has been discarded. These things are boring, and as long as people persist in writing on these things I will always have kindling for my fires. Tell me about something that I know. Lust is the most pure form of the idea of love that is kept in circulation for no apparent purpose, besides creating sorrow for those that cannot find something so perfect as it has been described. Lust does not mislead and has no ulterior motives. The warmth of another being pressed tightly against you in a shared ecstasy. That is all. There are no complications, there is no confusion, there are no forced rituals that you have to fake your way through to get to another goal. Has the world become so confused that it forgets its instincts. They tell me that lust is a sin, but I know very well that it has created more pleasure than any restriction I will ever be given. I have heard many times to wait for love and it will come in time, but never have I heard anyone told to wait for lust. There is something unexplainable about finding oneself in a passionate situation that they had never even thought about before the moment that it happened. It is the same way with my writing. My writing is the beautiful girl whose name I do not know, as she is leading me across the house to a more secluded place.

I was taught never to keep up with the Joneses, and I will never attempt to. I had planned to accomplish such great deeds that the Joneses would be found as a wreck of green helplessness. In my great plan I had no intention of ever envying another person. It was not until I fell in love with words that my great plan fell apart. It was these words that would be my downfall. Writers, publishers, artists, and editors all held titles that I wanted for my own. Those that were far more lucky whose works were published. We use the same letters and words, but I could never convince people to see the appeal in truth. It was when I realized this fact that I became envious. I was not envious of the titles, or of the money
Janette Aug 2012
Born to the night in the cry of wolves,
We are….inked lovers spilling secrets, under velvet skies,
Shrouding the night in silver spools;
The season of silver silence, hangs upon shades of silken soul,
This midnight offering, a white entice;
My hair shimmers brightly, a wet fleece of gold, of shadow and starlight,
And shimmering hues, emerald and sapphire breathe kindred embers into the bellows of passion;
Challenging the flame that burns; entwined....

Whispered intrigue lays in the crescent of moon,
In an eminent blaze of sweetest surrender
Unborn whispers lie entwined with heated petals, silken;
We shiver....I shiver,
I am warm arms embraced;
Your lips hard yet soft against my side,
The feel of flesh warmed to a rising flame...

The long moon steps into midnight;
My *******, full of your hands as candles, pour hard against the ebon fall,

Luscious to the hush of soft smiles
Steeled eloquence flows in ribbon ripples;
Winter sown, blood quilled, in midnights cast;
Cloaked in beautiful, shadow's bed a bouquet of lacy foxglove...

Eyes closed and deep of breath,
Moistness seeps the sugared flower,  and longing surges deep;
Shudder me wicked, drench me quick;
The wildness swirls inside as he moves like a shadow over my heart
His tongue eager to swim the gushing urge;
Touching, slick-slide, the soothe of smooth fingers slip past softness;
Lips cross, moist to moan me quick, sliding to quivers.
Thigh's whispering and heart pounding ,
Soft, the wind blows, tapping walls, fingers dancing
And shadow sways to moonlight...

Velvet-soft, the  sweet of tongue's mesh,
Fire burning,
The tips of breast's aroused by the touch of a slow hand lover;
Your tongue gently rolls, wet and burning hot,
Hungrily, it feeds diving deep, and sandalwood spires upon the malachite air,
And burning murmurs the silent song, pleasures
Your flame to touch me hot, softly hard,
Against the darting quivering rose, stokes sweet, the flame of conjure....

I weep as you strain to slay this huntress of indolent submission;
Descending into darkness, I squirm upon your touch, lifting my altar upon your hunger,
Eyes lost to ecstasy, the flow quickens from abyssal moans;
Overflowing with need, release bound by gold shattered stars
Suckling whispered thoughts;
With us, for us, in us, in dreams, in thoughts, in love
....And in....time my love..................
His rain, has become my decadent addiction.........where my thoughts manifest into tangible words, written slowly over his flesh........laced with twilights absolute surrender drowning, in the renewal of his liquid seduction....grasping, frantic starless wishes in hand....chasing shadows...I curl to myself, longing for your darkness...falling into a cradle of need finding myself ...rocked alone..... J
WHERE suns chase suns in rhythmic dance,
Where seeds are springing from the dust,
Where mind sways mind with spirit-glance,
High court is held, and law is just.

No hill alone, a sovereign bar;
Through space the fiery sparks are whirled
That draw and cling, and shape a star, -
That burn and cool, and form a world

Whose hidden forces hear a voice
That leads them by a perfect plan:
'Obey,' it cries, 'with steadfast choice,
Law shall complete what law began.

'Refuse, - behold the broken arc,
The sky of all its stars despoiled;
The new germ smothered in the dark,
The snow-pure soul with sin assailed.'

The voice still saith, 'While atoms weave
Both world and soul for utmost joy,
Who sins must suffer, - no reprieve;
The law that quickens must destroy.'
Terry O'Leary Nov 2013
Ah Consuela! Invoking vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then,
                 as we kissed when she parted, my friend.
Through those ruins I tread towards the footlights, now dead,
                 where I’ll muse as her shadows ascend.

Ah Consuela! I’m watching, she teases the mirror with green Spanish eyes;
her serape entangles her brooches and bangles
                 like lace on the sorcerer’s looms,
and her cape of the night, she drapes tight to excite,
                 and her fan is embellished with plumes.

Ah Consuela! I’m watching as spectators savour her green Spanish eyes;
taming wild concertinas, the dark ballerina
                 performs on the music hall stage,
but she shies from the sound of ovation unbound
                 like a timorous bird in a cage.

Ah Consuela! I’m watching, she quickens the pit with her green Spanish eyes;
as the cymbals shake, clashing, the floodlights wake, flashing,
                 igniting the wild fireflies,
and the piccolo piper’s inviting the vipers
                 to coil neath the cold caldron skies.

Ah Consuela! I’m watching the shimmering shadows in green Spanish eyes
as I rise from my chair and proceed to the stair
                 with a hesitant sip of my wine.
Though she doesn’t deny me, she wanders right by me
                 with neither a look nor a sign.

Ah Consuela! I’m watching, she looks to the stage with her green Spanish eyes,
(for her senses scoff, scorning the biblical warning
                 of kisses of Judas that sting,
with her pierced ears defeating the echoes repeating)
                 and smiles at the magpie that sings.

Ah Consuela! I’m watching faint embers a’ stir in her green Spanish eyes,
for a soft spoken stranger enveloping danger
                 has captured the rhyme in the room
as he slips into sight through a crack in the night
                 midst the breath of her heavy perfume.

Ah Consuela! I’m watching, she gauges his guise through her green Spanish eyes
– from his gypsy-like mane, to his diamond stud cane,
                 to the raven engraved on his vest –
for a faraway form, a tempestuous storm,
                 lurks and heaves neath the cleav’e of her *******.

Ah Consuela! I’m watching the caravels cruising her green Spanish eyes;
with the castanets clacking like ancient masts cracking
                 he whips ’round his cloak with a ****
and without sacrificing, at mien so enticing,
                 she floats with her face facing his.

Ah Consuela! I’m watching the vertigo veiling her green Spanish eyes,
while the drumbeat pounds, droning, the rhythm sounds, moaning,
                 of jungles Jamaican entwined
in the valleys concealing the vineyards revealing
                 the vaults in the caves of her mind.

Ah Consuela! I’m watching life’s carnivals call to her green Spanish eyes,
and with paused palpitations the tom-tom temptations
                 come taunting her tremulous feet
with her toe tips a’ tingle while jute boxes jingle
                 for jesters that jive on the street.

Ah Consuela! I’m watching, she rides ocean tides in her green Spanish eyes,
and her silhouette’s travelling on ripples unravelling
                 and shaking the shipwracking shores,
as she strides from the light to the black cauldron night
                 through the candlelit cabaret doors.

Ah Consuela! I’m watching, she dances till dawn flashing green Spanish eyes,
with her movements adorning a trickle of morning
                 as sipped by the mouth of the moon,
while her tresses twirl, shaming the filaments flaming
                 that flow from the sun’s oval spoon.

Ah Consuela! I’m watching, she masks for a moment her green Spanish eyes.
Then the magpie that sings ceases preening her wings
                 and descends as a lean bird of prey –
as she flutters her ’lashes and laughs in broad splashes,
                 his narrowing eyes start to stray.

Ah Consuela! I’m watching fey carousels spin in her green Spanish eyes,
and the porcelain ponies and leprechaun cronies
                 race, reaching for gold and such things,
even being reminded that only the blinded
                 are fooled by the brass in the rings.

Ah Consuela! I’m watching, she shepherds the shadows with green Spanish eyes,
but as evening sinks, ebbing, the skyline climbs, webbing,
                 and weaves through the temples of stone,
while the nightingales sing of a kiss on the wing
                 in the depths of the dunes all alone.

Ah Consuela! I’m watching the music and magic in green Spanish eyes,
as she dances enchanted, while firmly implanted
                 in tugs of his turbulent arms,
till he cuts through the strings, tames the magpie that sings,
                 and seduces once more with his charms.

Ah Consuela! I’m watching, the citadel steams in her green Spanish eyes,
but behind the dark curtain the savants seem certain
                 that nothing and no one exists,
and though vapours look vacant, the vagabond vagrants
                 remain within mythical mists.

Ah Consuela! I’m watching as lightning at midnight in green Spanish eyes
kindles cracks within crystals like flashes from pistols
                 residing inside of the gloom
as it hovers above us betraying a dove as
                 she flees from the fountain of doom.

Ah Consuela! I’m watching, distilling despair in her green Spanish eyes,
and the bitterness stings like the snap of the strings
                 when a mystical  mandolin sighs
as the vampire shades **** the life from charades
                 neath the resinous residue skies.

Ah Consuela! I’m watching, she looks to the ledge with her green Spanish eyes,
for the terrace hangs high and she’s thinking to fly
                 and abandon fate’s merry-go-round.
At the edge I perceive her and rush to retrieve her –
                 she stumbles, falls far to the ground.

Ah Consuela! I’m watching the sparkles a’ spilling from green Spanish eyes.
As I peer from the railing, with evening exhaling,
                 I cry out a lover’s lament –
there she lies midst the crowd with her spirit unbowed,
                 but her body’s all broken and bent.

Ah Consuela! I’m watching, she beckons me hither with green Spanish eyes,
and I’m slightly amazed being snared in her gaze
                 and a’ swirl in a hurricane way,
but the seconds are slipping, my courage is dripping,
                 the moment is bleeding away.

Ah Consuela! I touch her - she weeps tender tears from her green Spanish eyes;
as the breezes cease blowing, her essence leaves, flowing,
                 in streams neath the ambient light,
and the droplets drip swarming, so silent, yet warming,
                 like rain in a midsummer night.

Ah Consuela! I hold her, am hushed by the hints in her green Spanish eyes,
while her whispers are breathing the breaths of the seething
                 electrical skeletal winds,
and the words paint the poems that rivers a’ slowin’
                 reveal where the waterfall ends.

Ah Consuela! I’m fading in fires a’ flicker in green Spanish eyes,
as she plays back the past, she abandons and casts
                 away matters that no longer mend.
And she reached out instead, as she lifted her head,
                 and we kissed as she parted, my friend.
Ah Consuela! I’m tangled, entombed, trapped in tales of your green Spanish eyes,
in forsaken cantinas beyond the arenas
                 where night-time illusions once flowed,
for the ash neath my shoulder still throbs as it smoulders
                 some place near the end of the road.
Heather Moon Feb 2014
So my father,
he goes into the store to buy his $10 a pack for cancer
while he still attempts to hide his addictions from my sister and I.
Now I don't think it would bother me oh so much
but his frugal attempts to sweep the dust under the rug is like using a mop instead of a broom...
We see the crumbs leading to your door from the cookie jar.
Yes, we all have flaws, but you,
weave shamefully through the under layers of darkness, devoid of any resemblance to a heavenly nature, you fall like a night creature weaseling through crooked creaky cement alleyways, your gremlin spirit set ablaze.

LIFE, I revel and roll within the taste of each second, I run the grain of life across my tongue until saliva fills the creases and far reached corners of my mouth. I tap my finger to my lips like a true virtuoso, a connoisseur of life. Life.

My father's addictions completely derail me,
not even so the notion itself, I mean yes, but his blatantly obvious ways of avoiding confrontation not only from us, but also from himself.
Like Pinocchio's nose, my fathers back gets hunched more and more, his breath quickens when we draw close.
Father you are not prey, in fact if there be a predator, it is you unto yourself. I can no longer help but to roll my eyes when you tell me for the fourth time in the day that you must take out the trash so as to have a smoke.
I am fed up, excuse me sir, the trash will still be there no matter how many times you take out the "trash" .
The only "thing" that won't be left after you're repeated offenses of the benign chore will be you're dignity because you are so naive and ignorant in the way you dodge truth. How can you live respectfully when you don't respect yourself? Nor do you value what you are spitting out to your own daughters.
I am addicted to life,
I breathe it in with passion,
I embrace the truth within me
and have an eagerness to expand my wisdom.
How come father you do something that you know is a betrayal to yourself? How come you hide away in that old bar, the one with the flashing(flickering) light on the outside, dingy worn out red leather(plastic)booths on the inside, the bar located in some musty  little hole in you're brain and a blind spot on you're heart.
You sit in the back in a lonesome booth slumped like some chump, stuck in a stump, you ooze and wheeze not even grasping for air, no fight left within, you are like mucus, a toad melting into the ground. Sinister and swindling in the greed of you're gut. Your ***** mopey yellow eyes and the shameful acceptance as you indulge in the baths of life's luxuries whilst you poison your body, trash what you hold dear and continue to block out that little annoying voice.
The voice with the cracks in it,
worn out from you're games, the voice that nags and pleads. The one that catches you before you order another round, take another smoke break, the one that pulls you, tantalizes you with it's simple sweet natural charm in hopes of distracting you from your self harming ways.
The voice that chimes in the second you raise your fist to punch me. The voice that is screaming at you when you lock eyes with mine and can see my fear.
Yeah that voice, the little punk one that returns even after the crime of your actions has been committed.
After the music stops and it's just you and the world.
but even then
I don't think you will hear it.
You're living on the edge of the pavement father.
No you wont hear that voice, not when you're twisted and contorted into the sideways way of things. You killed that voice long ago, when you wound yourself deeper and deeper like a clock in time,
when you twirled yourself into that little empty pub, with a quiet pool table, with no hope, a sanctum of greed.
Yes, you're guilty, yes it was you.
It was you who killed the voice inside of yourself.
You killed it when you traded
your dignity and your truth
for yet another
$10 dollar pack of
and forfiet.
Arke May 2018
a single column around
my favourite part,
the inside of your wrists
I brush the fibers against porcelain
wanting to leave a mark
let me create a map of red lines
and bruises on your skin
this way I'll know where to
lightly caress or
run my tongue along or
dig my fingers into

breath you into me
and sync our breaths
slow and calm
I run the bight along your arms
tug it across your chest
it is meticulous as the rope runs tandem
and I go slow
savouring each ******* fold
over, under, through, tighter, harder

your smile commands me
so I ask you to beg
tell me you want it
I want to hear it
tell me you want me
of course I'll give in
we both know you're in charge

I maintain tension with the rope
it's a language I've become fluent in
I maintain tension through eye contact
though I pray you won't see through me
I maintain control
of myself and keep to the task at hand
wrapping you like a gift, like my gift

subspace is a land I've never been to
but I know the face you make
when you get there
your eyes flit and I can sense your arousal
our breathing quickens
as you contract against my lips
you are unbound and released
as I pull the rope tighter

I'll bind you free
Deana Luna Oct 2012
Fresh laundry
***** combat boots
Grey ripped jeans
Dark honey eyes
You got a tattoo?? That's so cool
Looking up to you
Listening to every word
Your girlfriend?? Oh… your girlfriend… well, kind of… you know how that goes...
No chance
all alone
You call
Heart beats
Veins jump
I miss you
Pulse quickens
You… you do?
My introduction.
My undoing.
My torture.
But… but you're a girl…
Can't tell mom.
soft brown eyes
like dark honey
what are you?
who are you?
what are you doing to me?
wake up
soaking wet
you do strange things to my head
I reach down
feels sticky
and brown eyed
doe eyed
hands moving faster
***** combat boots
ripped jeans
fresh laundry
feel it building
waves through me
pushing into me
fingers lost
scream too loud
thank god no one's home
lying there for hours
heavy breathing
About an infatuation from a long time ago...
Madisen Kuhn May 2013
this feeling of ecstasy,
it blooms inside of me

sparks like fireworks
spread throughout my limbs
my hands quiver
and my heart quickens

i want to run
through endless fields
and shout into the emptiness

because all of the sudden,
i am not invisible
Joel A Doetsch Jul 2012
I arrived at the church at 5:30.
It took me a bit to find the place

  there were only a couple half-inflated baloons
  to mark the occasion.
  Those, and a small sign with an arrow, which led
      down some stairs and into a cafeteria.  An
      older lady greeted me.  She had a calm smile
      on her face.  The kind that comes with age, that
      says that you've been there, done that.

"Are you here to give?"

           Of course.  Why else would I be here?


She leads me to a table that has a number of tall dividers
set up on it to prevent people from peeking at someone
else's personal life.  Like I care if you've had syphilis in
the last year...well I might if it weren't all men in here.

I start filling out the form.
No, I don't have an STD
No, I haven't spent a time totaling more than 5 years in the UK before 1996
No, I don't use drugs
No, I haven't had a fever in the last 24 hours

I do admit that I have been out of the country recently.

I hand my sheet to another lady.  "Where did you travel to?"

    "Japan, mostly Tokyo and a few places just outside"

    "Carol, could you check Japan on the list?"

She turns to me.  "I'm almost certain that's OK, but I have to check".  Another contented smile.

I sit down to be interviewed, we go over the questions once more.

    "Alright, I just need a small sample before we begin"

She takes the sample with a small contraption that
fits over my finger and jabs a small hole.  She runs
a quick test with the blood, letting a droplet fall
in a test tube filled with a blue liquid.  

The droplet sinks to the bottom.  She checks a box.

Apparently we're good to go.

  I'm given an empty blood bag and a number of rubber-banded vials
and pointed towards a circle of beds in the middle of the room.

I walk up and a portly gentleman takes my bag and asks me
which arm I'd like it in.


I pause.  

I want to be able to check my phone while I'm doing this.

"Actually, let's do left"

He gives a grin.  "Here, hold both your arms out"

I comply.  I immediately notice that my right arm
has a very accessible vein.  We're doing the right arm.

Oh well.

   "Let's go with the Right"

I smile and sit on the plastic seat

He swabs my arm with that wonderful orange/yellow dye
and gives me a stress-ball to squeeze, to help the process go
quicker.  He comes back with the needle.

I look away as I feel the uncomfortable breach of my skin.
It's a small pinch followed by a dull sensation, my body
telling me "That isn't supposed to be there, get it out".

         I hate needles.

I feel a light sweat break and my breathing quickens
ever so slightly.  It's ok because the hard part is over
I squeeze the stress ball every few seconds and I chat
with the man.

His name is Nick, and he's been doing this for a few years.  
He used to work in a restaurant, and then he worked for a
flooring company.  
He remarks
    on the fake grouting that the floor in this room has.  

You  can tell that he loves his job, that he's satisfied with life.

He comments on the t-shirt that I will receive for doing this

(because who would do it if they didn't get a t-shirt, right?)

He says it looks like a blueberry snowcone and tells me a
rather entertaining story from his youth about blueberry

I pipe in with my memories of the Tropical Sno  shop we had
when I was a kid.  

The bag is filled, the needle is removed.  A bandaid is placed,
and then my arm is wrapped with a smily-face bandage.

I give him a left-hand shake and go sit at the refreshments table

I drink a Pepsi.  I hate trail mix.

After about 10min or so, I get in my car and drive home.
I put on the blueberry snow-cone colored t-shirt and sit
down to read a book.  I think about the people working
at the blood drive, and I think about how happy they

I wonder to myself what the difference is between someone
who gives blood and someone who gives time.  I have friends
that travel the world for the Peace Corps, living in third world
countries with no running water, no niceties.  I think of friends
who could sit in blistering heat, helping to build a house for
someone they don't even know.  I think of myself, who thinks
that donating money to the Leukemia foundation and donating
blood to the Red Cross is somehow equivalent to donating sweat
and an able body.

I should really do more
maybe then I'll earn that smile
that those folks wear so proudly
For Katharine R. Cole

If gormless is as gormless does unite
That past of him and present me, I’ll turn
His other cheek against his waning sight;
I’ll **** his Hamlet soul to cringe and burn.

But dripping cannot thick or think in depth.
Blobs like blackened bulbous beads of eyes
Persist on shrinking into transits swept,
And down through dullard pools of choking fire.
Yet treacle binds my bole wood vocal chords
In rapture from such silence to withdraw
From sand that quickens, thickens, and distorts.
Can earth and water’s union mask my flaws?
The answer dares to dream but I refrain.
My name is Mud. Dear God, that is my name.

The foot: an endlessly dull point
Breathing technique, perfected by Roman Bill,
And a tall, sinewy, fine china ***** heel,
Cheap to most and worthless when submerged, submerges.
The tough Elephant hide surface
Of a swamp-like state and state.

Q. How does one become embroiled in such a located province of mind?
A. Alcohol’s venomous beauty and cheap living costs.
     The South.
An Elephant on a scooter stares blindly
At its own reflection circling the limb,
Shrugging dew drop eyes at what man had forgotten.
Not once, but twice.
The foot becomes a divulging calf of information
Sputtering in this bubbling torment of beige,
And pulsating around like an African tunnel
Waiting to be filled – fulfilled – ******.

The knee complies,
                                          Not painlessly,
                                                             Not quick.

     The mercy of a lethal injection’s lie becomes
Absurd when one’s limb is the needle;
One’s brain the plunger of acceptance.
His gasp, a roar of silent fruit ripening in a
Mode too fast, cutting life and laundering
Expectancy whilst hanged from a
Whined whimper of Penance.
Purgatory’s whistle blows for time.  


A small red car clenched tightly
In the hands of a tightly tiny black boy,
His eyes huge and deep, but white; untouched by
Time’s clock or the weight of granite black that
He leans upon. Plastic tires screech horizontally along the
Structure of a Library’s historic insight.
Below, the ground is dry.
Beneath him, the ground is solid.
        Meanwhile, molten muck pulsates around
Our swirling antipathy of soul crushing
Nullness, with a lack of guilt unimaginable.
It bubbles, it bubbles: it toils in boiling rubbles
Of the past’s present and All I Could Have Been.
And I have never, could never
Sink lower in reality;
Blow harder against punishment’s wind;
Cry for this other as a **** filled wound weeps down her face.
The swirl of liquefied dirt and sand bags me,
Drags me, as if some *** lover of Hades is not done
With what is left of me. Disease to spread: just a little, just
A little more, like the detrimental bottle that
Knew me.

      As the hip is engulfed, an angle of almost perfect
Ninety creates  itself against the horizontal extremity
And puny ballsacksquash entails. Useless yet overused;
Timeless yet impressionable, pensionable. Gone.
Nothing knows me but this thickness’ quickness.
          That wants too much
From nothing               but existence
And the scab that fastens with time.


Turn the bottle back and find strength to
Outpour the clock and grant eternity.
Non compliant strength paid a fiver
For a soul worth two at the most.
A penny for the worthless: For the sickened lame.
Empty time feeds rays of golden from the sun fuelled
Encrusted *******, mudfast on heat.
This somehow seems like action.
Firm firmness but cracked with ease and
Non-returnable once inflated;
Non-negotiable on the bloodorgans of salt.
Weakness and powerlessness: *****.
*** for tat, for ***, ***, ***. For tat.
     The Elephant rises.
You brought this upon yourself, this rain of mud;
This treacle that will dry when you are dirt.
You would not let it ******* lie.
All of your ******* life: this strife, that wife.
     Your second leg (the grasper) tries,
     At length, to shield your heart:
     The only thing that cries.
     That does not want to die.
     Cartoonish bubbles of brown pop to the tune
     Of Loonies; of your shoebox brain that screams in vain.
What is your name? What is your want?
There is no blame you ******* maniac.
Everyone knows. Sink awake. Sink.
     Rest: do not sleep. Freezetimeframe.
     There is one more timeless point to make.

The sun and moon meet brief: the seconds count,
But die shy of one minute. Clear the road.
‘Tis dusk, I fear they named it. Raise the mount
And sacrifice another drowned sot load.
The moment thence: Anonymous descent.
The digger meets the dead in buried time.
The wish is washed in mud, the liver spent.
The blood-stained hands of Glasgow dodge the crime.
Make speed my sick sad Miller, grind the grain
Of Galloway, Gibb, Neave, Dunlop and Cole.
Your ghost will haunt your tag if not your brain.
Your heart should part this city river’s soul.
The sunjoke frozen, captured, stumped, and framed.
My name is Mud. Dear God, that is my name.
Monica Chaloupka Sep 2010
Beauty crowds me till I die.

Look there, across the street.
Do you see her? Do you see how they gaze at her?

My blood boils. My breath quickens.

One slice. One piece.
Her breath escapes. Her beauty gone.

Death claims me again this night.

Look there, next to the horror books.
Do you see her? Do you see how they gaze at her?

My blood boils. My breath quickens.

One slice. Two piece.
Her face pales. Her beauty gone.

Death claims me again this night.

Look there, across from that old ***.
Do you see her? Do you see how they gaze at her?

My blood boils. My breath quickens.

One Slice. Three piece.
Her body slackens. Her beauty gone.

Death claims me once and forever more this night.
Beauty no longer suffocating.
Can we just play *****, you and i?
I mean give me looks across the table, that you are disgusted with me, for taking my ******* off and dropping them in your crotch. I mean like you talk to another girl and glance at me, as if to say '******* *****', knowing you will **** me; Later.
Let's play *****, come on, i will welcome you in to my house, in stockings and leather, and push you against the wall; grab your hand and bend it back whilst i bite your neck. Push my knee between yours, and hold your chest in my hand whilst i make you watch me unbuckle you. Let me drag you on the floor, whilst you try to get up and say 'not here'.
Why can't we play *****?
I don't want no ******* bedroom. I want the doorway, i want the hall, i want the kitchen counter, i want the living room floor and the shower. I want the couch, where i will straddle you and make you watch me as i undress myself for you, slowly, pulling, my, stocking down, so my knee is between your legs and i lean over you, so my ****** points out to your mouth, and i can hear you breathing, and every time you move towards me, i pull away.
Why can't we just play *****?
Why can't you get me mad, and we argue so bad that i want to smash my fist in to your skull til you bleed all over my kitchen floor, brains on the washer...then pick me up, throw me on the bed, slap my face about, slap open my legs and grab my throat and the other hand on my chest as you push deep into me? Hear me gasp, watch my pupils widen, groan at you, watch as you come close to my ear, and say, 'this is what i *******, wanted'.
Why can't we?
Why can't we be deviants?
Why can't we go play in the forest?
Why can't we do like animals do?
Why can't we make two barebacked beasts in the moonlight?
Why can't we play *****?
I touch your leg as you drive, playing the piano up and down your thigh, biting my lip, running my fingers up and down your thigh, nails pushing deeper, up and down, up and down, until you pull the car over, slam the brakes on, pull off your seatbelt and grab me, push the seat back, as  i smile a secret smile as you breathe deeply in my ear as you pull off my wet knickers, and begin to take me on a journey through the stars.
Why can't we play *****?
Shut your eyes. Shut your mouth. Shut everything, the, ****, up. Listen to the beat of my heart, as it quickens and i place your hand over my chest, and i look in your eyes. Stop you talking about me, about what i am like, and who i am, and what it should be, and this and ******* that.
I don't want no tv before bed, i don't want no book, i don't want no midnight stargazing.
**** that ****. ****, me.
I want to play *****, with you.
Saudia R Aug 2013
The friend zone; A place I truly detest.
I've never been here before, it’s hard.
I laugh at your jokes until tears fall from my eyes!
I want to know,
do you share my feelings?
I graze your arm and my heartbeat quickens;
The electricity takes me so high!
I look into your eyes and feel the ground shift,
I want to know,
do you share my feelings?
You make me feel like you do,
and then you change the way you act!
But the very next day we are back at the start,
tell me!
Do you share my feelings!?
An endless circle we weave,
I just can’t catch my breath.
do you share my feelings?
Katelyn Rew Jun 2014
Nothing is as beautiful as the transformation of the human face.
The journey of a smile as it licks at the lips and dances into the eyes.
The adventure of laughter as it opens the mouth and tickles the throat.
The reclusiveness of sadness as it travels down the cheeks and wets them with tears.
The intensity of concentration as it furrows the brow and quickens the breath.
The turmoil of fear as it flares the nostrils and grinds the teeth.
The restfulness of sleep as it closes the eyelids and brings relief.
Chantell Wild Mar 2019
Your eyes lit up the skies
Dark curtains
Torn open
by the light of you
Shining so brightly
Oh, what you mean to me.
Heart quickens
When you smile at me.
Fenix Flight Feb 2015
.               "Peter Look at me." Lexi whispers moving closer to him, The hot spray from the shower head scalding her back. Peter had his back flushed against the back of the shower, his eyes, the red of an Alpha wolf, wild with pure animistic rage. He's lost his humanity, she thinks, I have to bring it back, Peter Snarls and lunges for her. Lexi just holds out her palm and water tentacles from the streaming water behind her snake out and wrap themselves around his wrists and ankles, locking him in places, vicious snarls escaping him, his eyes burning red. Anger wells up in her chest making her own eyes Flash violet, her powers rising inside her. She closes her palms and the water restraints tighten cruelly against him, a small whimper coming from him. She looks him in the eyes and steps even closer, leaving the comfort of the water. "Peter please, come back to me my love." She whispers moving closer still until she was standing right in front of him, his breathing echoing off the shower tiles. She stretches her hand out and touches the hard muscles of his stomach, making him flinch violently, struggling against his restraints as he tries to move away. Lexi thinks back to the time when he would have done anything just to feel her touch, now with his humanity lost,  and the wherewolf taking hold he couldn't bare it. She splays her hand across his abs, tracing the hard muscles, trying not to wince as sounds of pure distress came from him. Looking back up into his eyes she searches for the Peter she had fallen in love with, imprinted with, and found nothing but a cruel cold hearted Animal staring back at her. She takes her hands away and sees the distress turn quickly back into a murderous glare as he pulls against the restraints trying grab her, his claws glistening with spray from the water. With a flick of her wrist the tentacles pull at his arms until they are spread out, far from touching her, another viscous growl, more tugging against them. "Peter I know you can hear me,try to fight this I know you can." She says pleading to any shred of humanity that might still be lurking within his soul. For a split second his eyes lose some of the bloodlust as her words penetrate the wolf that was rising, his face twists in concentration

               "Lexi- I can't Save yourself" He gasps through clenched teeth, His eyes begging her to run before he closes them. She steps near, her heart soaring with hope that she might be able to save him. When he opens his eyes again though all hope she just had shatters as the cruel animal returns. With renewed strength He lets out a harsh howl and yanks his arms, the water tentacles turning to puddles, slipping down the drain with the rest of the water, in the small space of the shower he lunges toward her. Fear ripples through her but she quickly shakes it off and once again lifts her palm stronger tentacles obeying her command wrap themselves around him just in time, as his sharpened fangs came three inches from her face. His body is slammed back against the shower wall, his head bouncing painfully off the tiles. As he trashes and pulls at the restraints Lexi moves back close to him, shutting her eyes in concentration. "His ego cuffs concatenata bestiam, relaxare scintillis humanitas seen, With these cuffs I chain the beast, only loosen with sparks of Humanity seen." The Latin words falling easily from her lips as she casts her spell on the water, knowing they would hold and only lessen their grip when the Peter she knew and loved came back. Her strength leaves her as the spell takes hold and she sags against the other wall, seeking its help to keep her upright. She leans her forehead onto the water slicked tiles and breaths in the steamy air, her eyes drift close. Knowing she was safe from anymore escape tempts she turns her back toward the beast that wore Peters face and steps back into the scalding water of the shower, letting the heat seep into her cold riddled body, and washing away any remaining fear as she lifts her face to the spray. Anger toward herself bubbles up inside her, how can she be afraid of the man she loves? whimpers fro behind her make her sigh and step out of the comforting spray. Turning around, she opens her eyes which were flashing Violet with her rejuvenated powers, she once again faces the love of her life. Hope once against swells inside her as she faces her task of Being Back Peter's humanity.

               "Peter I know you are still in there, I'm going to touch you now." She says with confidence as she steps closer once more. Hot spittle flies from his mouth as a deadly snarl comes from deep within, his fangs fully elongated, his claws at full length, clawing wilding at the air trying to tear her apart. She ignores the snarls and the beast and focuses souly on her task, She reaches out and touches his chest, right above his pounding heart. Moving her hand upward she runs her hands up his muscled well toned arms and with her left hand she places it carefully on his cheek, keeping away from his deadly venom coated fangs, knowing that one bite would have her transforming into a werewolf like him. The terrified whimpers he made makes her heart squeeze, knowing that the touch of a human in his wolf fill brain was torture for him. She looks in his eyes and silently pleads for this to work, knowing that with each touch the Peter she loved would have a fighting chance to break through and once again take hold of his body. She steps closer and kicking his feet apart she presses flush against him, the roughness of his soaked jeans rubbing against her naked body, his shirtless upper half smooth against her own chest. A strangled growl leaves him as he tries to shrink away from the closeness. She takes her hands and places them on either side of his face yanking it back to look at her. "Peter come on love FIGHT THIS!" She hisses pressing herself closer to him. The blood lust fades slightly, his arms sagging slightly as the restrains register a spark of his humanity. Her eyes shine with joy when she realizes it was working. She takes her hands away from his face and wraps them around his neck, stretching up on her toes to reach his mouth with hers. She kisses his mouth, not afraid of the snapping teeth, and feels the growls dissipating in his throat, as his arms continue to sag with the loosing cuffs. She watches as his eyes close and feels his lips returning the pressure to hers. A small gasps escapes her as she feels his arms finally wrapping around her body crushing her to him.

               "Lexi Stop, I can't fight this for long," he pleads against her lips, and on Que his arms are softly yanked from around her as the restraints sense the animal rising again. Going against her intuition she lifts her hand and the spell is broken letting his arms sag fully to his sides, giving him full use of them. He growls "That was a mistake, Lexi AH" He chokes out shutting his eyes and shrinking away from her half turning his body, trying to keep himself from slipping away. She moves, easily deflecting his feeble attempts to push her away, she takes hold of his arm and turns him to face her again and softly pushes him up against the wall which they had started to stray from, pressing herself firmly against him.

               "You can fight this Peter," She whispers in his ear before claiming his mouth again. It was her mistake. He kisses her with desperation trying to fight back the Wolf that was clawing it way through him. IN a split second He looses control and the beast takes hold. Giving off a murderous howl he sinks his claws deep within her back, Her scream tears through her, echoing off the tiles. She sags against his claws, making them sink in deeper as whimpers of agony spill from her kiss swollen lips.  With a grunt he rips his claws out and watches as she crumples to the ground, her strength deserting her. She splashes in the water built up in the tub , barely noticing the sting as her knees and hands hit the porcelain. Her arms wobble as she tries to keep herself up, her eyes cast down as she stares at his bare feet, the hem of his jeans dark with the water sloshing around him. "Pe-Peter Fight, pl-please" she mumbles as a fog starts to creep into her mind. Her arms fail her and she splashes face first into the ***** water. The water was tinged red and tasted like cooper with her life's blood as it oozed out of the ten claw marks on her back. Her breath quickens as it become shallow, the fog creeper faster, her vision starting to unfocused. Tears spill down her face and mix with the ****** water as she realizes she was going to die, and without saving Peter.

               "I failed you Peter, I'm sorry, Forgive me," She whispers unable to lift her head to look at the beast that claimed him. " I- I love You" She manages to sputter out before the fog took hold of her, rendering her unconscious.

               Those three words reached the beast, traveling down to Peter who was growing weaker by the minute LEXI! he screams mentally and pushes past the beast. He throws his head back, letting out a tortuous howl, as his eyes go from blood red to the Ice blue some Beta wherewolves posses, his original state. The beast retreats, never fully gone, just hibernating until the next best moment to strike. Peter looks down at the naked girl at his feet, and he drops to his knees in the red waters.

               "Lexi My love" He whispers his voice full of agony. He lifts her limp body out of the water and cradles her in his arms, He wipes away the hair that was plastered to her face and rests his hand against her cheek. "Open your eyes my love, you didn't fail me, you saved me, I'm right here, just open your eyes." He says, his voice choked with unshed tears. When she doesn't respond he cries out , placing his head on her chest, taking his hand away to wrap around her body in a tight grief stricken embrace, his blond hair making a curtain around his face as his grief pours out of him unchecked. A strangled Gasp makes her chest rise and he wipes his head up to find her eyes fluttering open, focusing weakly on him.

               "Peter, you're-" her words fade away as her strength seeps out of her. she lifts her hand and he quickly grasps it in his lifting it to his mouth kissing the fragile pale skin before putting his face in her hand, trapping it between his face and his hand.

               "Yes Lexi I'm me, I'm here, Don't give up" He says smiling through his tears. A faint smile spreads across her bloodless lips as she closes her eyes, her breathing was struggled but she clinged to the last bites of life in her as she pulls her power in, drawing strength from the water around them, the air that fought it's way to her lungs, the Fire from the small candle she had lit in the bathroom earlier for strength, the minuet grands of dirt that always managed to find their way in the house. But most of all she Draws on the Spiritual world the one that swirled around every living creature. She draws all this power inside her and wills her body to heal itself, Fighting for her life. Her power pulls and a soft warm glow fills her body as the wounds slowly pull themselves closed healing themselves. Her breathing becomes easier and she gulps huge mouth fulls, coughing as she takes too much in. Peter tighten's his hold on her and stares at her in wonder as she pulls her broken battered body together. "Oh Lexi," he gushes as color returns to her body, making it flush a pale pink, her eyes going from their crystal green to the purple as she works her magic. Finally the wounds were sealed shut, and her eyes return to their crystal green, her body sagging in exhaustion in his arms.

               "You're you, you're really you." She whispers, happiness ringing in her soft sleepy voice. Peter smiles at her and strokes her cheek, his fangs had vanishes and his claws had retracted.

               "Yes Lexi I'm really me."

               "I thought you're humanity was lost,"

               Peter just shakes his head at her, tightening his hold on her he stands up, carrying her bride style he steps out of the shower, not bothering to shut off the water. Holding her close to his body she rests her head against his bare chest and sighs as she hears his heart thumping at a normal pace. Leaving the bathroom he pads down the hall to their room. Once inside, with one hand he pulls back the covers on their king sized bed and gently deposit her onto it. going to his side of the bed he quickly strips out of his wet clothing and slides under the covers with her, drawing her close to his body, skin to skin. Lifting her eyes to his he smiles at her.

               "NO Lexi, I don't think I can ever lose my humanity again, want to know why?" He says, his eyes hypnotizing her. She snuggles closer to him, her legs tangling with his,


               "Because YOU are my humanity." He says as his lips crush her in a passion filled kiss.
This was A Dream I had. I have no other back story or anything This was jsut my dream and I was Lexi. Peter was Peter Hale From TV show Teen Wolf. ( IDK why but my dreams awalys end up staring someone from that **** show)
A LIGHT is laughing thro' the scattered rain,
A color quickens in the meadow;
Drops are still, upon the window-pane--
They cast a silver shadow.
Rob M May 2014
Blinders descend beside my eyes
I must focus only ahead
Staring at me as I lie in bed
I am held down firmly, hands tied

My spirit groaning with the weight
Small fear grows larger, amplified
Can't look away no matter how I try
From this demon I cannot sate

Heartbeats quickens; I stand, pace the floor
I watch moments like hours gradually pass
Breathe, try and calm, pray for no more!
Limbs seize, surely I stand at death's door!
Until with time comes reason at last
And I sleep like a soldier come home from war
Wrote while in the midst of an panic attack.
Kayla McDermott Dec 2013
You sit in your chair, crazy lenses on your eyes
As you perfect your perfect human disguise,
Poking and prodding inside of my skull
With ice picks and drills, never anything dull.
My jaw is locked, and my tongue is now tied.
“This won’t hurt a bit,” you tell me. You lied.
I lay here, strapped down, for what feels like hours,
As your assistant sits in the corner and glowers,
And you slip me some music as if it’s all okay
As blood rushes and gushes out, clear as day.
The buzzing and shaking is all just too much,
And I can’t stop my body from quaking at your touch.
Quaking in fear that this will go horribly wrong,
For I have already been trapped here far too long.
A smile grows on your face as my heartbeat quickens,
And you laugh as it gets louder, and as my body stiffens.
Finally, days later, I’m released from your experiment,
Only to find out, in six months, I’ll be back again.
Morgan Hillhouse Jan 2013
Everyone who knows me
Thinks you ******* up for what you did to me.
Even your friends think you ******* up
     By breaking up with me.
I put up with all your issues,
     Didn't push you to do anything,
          Handled everything you threw at me.
Only to be met with "I can't stand to be around you anymore"
That's what I get
     For trying to be my best...for you.
After you said what you did I only asked why?
I'll never get a true answer,
     So I stopped asking.
You asked me after if I'd ever get back together with you...
     One day...down the road...I said yes.
Some people asked me why I would.
     It's because you've been with me through everything;
           Not exactly a hearts desire.
Now if asked the same question my answer would be
     Absolutely, with all my heart, forever and always...
I'm done with all the crap you put me through
All the words you said that hurt
     And the one's you didn't say...those were worse.
I'm 100% over you
     Mind body and soul.
I'm in love again
This time with someone who feels the same
He makes me feel more happy than you ever did...,
     Ever could...and ever will.
You and I had our good times
I'll never take that away from you
There was a time when you made me smile...that's gone.
It's been replaced, upgraded if you will
For where you made me smile...
     My new man does that and more.
My heart flutters, eyes brighten, knees go weak,
     breath quickens and body warms
At just the sound of his voice.
He makes me feel more than you ever did,
     His touch like heven on earth,
          His "I love you" more sweet than honey.
Goodbye, so long, farewell to my past with you.
For I have found a future with him
     That I'll much more enjoy.
Blair Griffith May 2012

A Genesis! The Exodus, the Exodus!
A departure from all terrestiality
Always immoral and depraved, bathed in filth, in self-loathing
Abattoir of our souls, it entrenches us

Also, we too must be of the same make
And bear with our corpses the same proceedings, the same caliber
Allowed to their subversive candor,
All that broke the Carthaginians upon their own passage
Across the peninsular pathways

S'il in our conquest we find, however, that the pachyderms have run aground,
Vous must aggregate our conscious thought
Plaitcate the ravenousness within the heart of victory.


Bring victory, the winged harbinger of the conquest,
Beg for tyrannical proclamations: the end of man, the end of men,
By now, the greater of the concepts is lost to its own devices, devices,
Belching out smoke, that bend the corpses upon their backs.
By wrenching from their life a sense of purpose,
Byproductively, they feed heroic romanticisms of combat.

Brought yet upon these fields, there lies no stranger enemy
But that of the tide
Being self-effacing, masochistic,
Belittling, She breaks herself upon the shore, ravaging the bodies of
Both, Playing as ******* and as subservient


Come! Wave upon Wave upon Frothing
Crest, to shores of golden enfrenzied ******
Calmed by the liquid of our ***** *****
Charging forth as we
Charge forth armies upon the field of slaughter
Callously, for you, our gilded monarch
Can you see? They cannot see, and we hope to elucidate your presence, they
Cannot comprehend or fathom what they
Cannot see.


Ceaseless now the charges
Come further upon the front
Crashing 'gainst the openings of each
Clangor and madness
Coalesce to form death

Dripping anew with sanguine libations
Drawn fresh from naked lambs, freshly cut for their country
Dionysian warriors return,
Desire forming their mental undulations

Effortlessly they overtake their feminine fortunes
Effacing their identities, removing from them with their clothing, the
Entirety of their selves.


From carnal conquest they rejoice,
Flaunting the destruction they wrought
Flinging husks of women about the room,
Foisting these shells on other patriarchs

Given no choice, they return to fields of battle
Godspeed, gods' will, and god-granted
Gaian soil is retreaded by their sodden flesh.


Hellish, infernal is their presence
Having lost no measure to revelry or rest, neither
Halting nor slowed, the march quickens in time with their lustful bellows
Hastened to madness by infinity
Harkened back to prisons of mental anguish by their creators
How proud they are, the Old Gods,
Hacking away the pounds of flesh to reveal the
Haphazard construction to their instruments of torture.


Into the bloodshed, into the fiery cavernous opening of the crusade
Ignited by righteous scraps of cloth and metal
Ignobly formed into crudely significant, textured shapes
Iconoclasts to their own ideals
Idyllic in their self-mockery.

Jabbering like hellbeasts, the warriors drive into the flesh of the conflict
Jettisoning armaments in the process, their
Joie de vivre having been lessened by mechanical limits.
Jocular slaughter synthesized with demonic cries.

Kapellmeisters to the symphony of death,
Keeping in the rhythm of mutilation, counterpoints of steel clashing against breastplates, giving shape to a
Kleptocracy of life.


Languishing now in the refuse of the struggle,
Laden with corpses, the warriors remain restrained by fatigue
Lurching through the mud, calling out feebly with voices
Long since bellowed to pulpy masses of throat tissue.

Masses of flesh crawling across the fields of strife,
Macerated ground, weak and shifting, struggles to support the
Multitude of half-corpses now in eternal respite upon the bloodied pasture.


Now broken with regret and shame they collapse
Nestled into the marrow of the fallow earth,
Needing only rest in the cooling tendrils of dirt and blood that trickle across them.
Né de nouveau, their trek leads them towards the grave
Necrosis having taken hold in their limbs,
Nascent corpses, they subside with grave finality into a dead collective.


Opaque irises await those who uncover the un-burial mound
Oafish sockets containing them like marbles
Open to the elements, decaying with their corporeal encasement, shaded by
Oaken leaves that remain unfallen, while
Obsequious maggots go about their task of cleansing the remains

Paralyzed in the final moments of their mortal coil, the bodies lay stagnant,
Pacified only by the removal of sentience.
Pagan rituals surround such corpses, and the intrepid discovers
Patiently await the arrival of some necromantic spirit.

Quasi-instinctively, the pioneers of the superterranean mausoleum
Quell their fears and remove the bodies from their conclusive locale,
Quantifying their deaths by the armaments and metal carapaces upon them.


Reeling across the path, weighted by the bodies,
Returning, the archaeological presence brings a pall over society, which
Remained reticent despite the presence of such suffocating solemnity
Repressed by its own intent

Solitude is given no quarter, and the bodies
Strung up like scattered marionettes
Silently serenade the town with a deafening cacophony.


To Hell their souls desperately charge, frothing about the shackles of undeath
Torn from corporeal existence, yet unable to
Transgress the mortal plane
Torturous paradox!
Torment the fallen of Carthage's vestigal might no more
Traducer of the human condition
Tragedy is loosed at thy whim
Try not the patience of demi-gods of wrath and bloodshed.


Undulating by the beckoning of the wind,
Un-beautiful, un-ironed, the shrouds of the coffins
Under grey sky hang softly like leaden sheets
Unaware of the gravity beneath the few inches of oak
Un-aesthetically masking the dead warriors' forms

Visceral is the movement of the procession,
Vermicular, they wind a course to the peak of the foothill
Vehemently the priest urges them onwards, although he is
Visibly ill on this occasion of the anti-hero.

Warlike, the battle up the ***** claims the lives of those already claimed
Wastrels left to rot in the carcass of a long-dead conflict,
Wanting nothing more than solace eternal.


Xenophobes of the Inferno fear the inevitable presence of these
Xoana, false representations of humanity.
Xanthic is their fear, for inside the malebolges themselves
Xanadu is sought for those of the fallen soldiery.

Yet funerary proceedings dictate descent for these souls, and the coffins
Yaw slightly in the wind, disturbed by the
Yanks of the ****** rabble who bear their weight.


Zeus himself presides over the ferrying of these souls,
Zion awaits them, their final collective fate at hand,

Yet slowly it turns its back upon them,
Xenophanes mocks from his post,
Wailing, they fall
Velocity increasing infinitely,
Until they see no more the lustrous light
Trapped eternally in dark
Stabbed with betrayal and fear, their souls
Run amok, fleeing from the source of their anguish
Questioning existence.
Periodically in the abyss, the helpless aggregate conscious is
Overwhelmed with memory of Paradise
Now to them denied for eternity.
Mephisto remains, their only companion,
Leeching from them the final vestiges of hope now left within, once
Kept hidden to protect the warriors, now
Jabbed and pummeled to death.
In this state of perpetual umbra
Heaven so distant, now only faded, as if on parchment,
Gained by the souls is a sense of locality, once
Forgotten but now reattained, and
En masse, the group instantly
Derives that they have returned from beyond the mortal plane, the terra once again
Collates beneath their soles, and the collective decides they must return
Before the open sun, to bear themselves
Against the gods, against sanctity itself, and thus they cry:
elle jaxsun Apr 2019
sometimes my
voice escapes me

my chest so tight
like being stabbed with a knife

throat dry
heart racing
breath quickens

for what reason?
NaPoWriMo day 4 - 040419
Janette Aug 2012
Touch me...
Beyond the blue silhouette of still shadows,
Press against this body, that shivers
Beneath your journey
To find me...

Shadows sleep beneath dream,
Where darkness surrenders to wind plows
That pulse and surge, purl-binding; moon gold
Upon midnight's breeze...his name
whispered in silk, hushed;
Hollow and waiting...

See me...

Whispers wrap satin strands across heartbeats
Flowing to islands found within his sepia pools,
Where my soul's veil falls,
And shadows splinter shards of ebony, banking
The creek of my desire;
Breath escapes, a slow push past lips that bite back a whimper;
A voice under my tongue; tastes release...Swallowing his darkness
In liquid heat, taking him deep, body, to body, raw into the recess of moan...

Touch me...

Falling ****** on  goose-bumped flesh;
His deep mocha voice,
Suckles sweet, words flow
And the flesh of his tongue,
Lingers on the breath scent of a rose,
Pulling petals,
Painting my flesh blush-traced...
I breathe ache,  exhale his name, breathe, his taste, as
Pulse quickens tasting the storm of embrace
Beneath fingers, painting subtle brushstrokes
Upon a pool of liquid moonbeams, his tongue,
Hotly insistent, lathes upon waiting skin, where
Veins pulsate isolated desires;
Flesh upon flesh, whisper wetness to oblivion....

Reach for me...

Desire resounds from lips that ache to taste
His love against my heated skin;
My tongue remembers the flavour of his ***,
The familiar of it's heat,
The Smoothness of its slide;
My pout mouth sounds, beg with woman/child sighs,
Laying whispers of my confession, softly
Against his skin, drowning his face where
He is bent to taste;
The glistened spell,
Provoking, unceasingly...lacing through
Soft down to the blossom plundered;
The trickle, of trailing beads devoured, like the restless wind, rendering me breathless without pause,
Stroking tempest against skin, lingering, claiming....

Find me...

The moist of fingertips glide,
The meridian between here and ecstasy,
Lending the pulse of grasp, as I am
Held down hard to
Curve where pearled puddles moan incessantly..
"More! More!" my silent scream;
Melding tight, the succulent berry stirs;
Lifted high above lust, to where the moon sleeps,
And passion's breath dwells,
Lost in a slow dance, surrendered to untamed tides...

Awaken me..

A sharp exhale of breath
Precludes the pleasure-pain
Arcing down swiftly,
My flesh between his lips;
"Oh touch me, kiss me, stroke me,
Keep me here beneath these masterful hands,
While I succumb
To moans within the slide of tongue;
Sipping my mounting desire"...
Arched across the canopy of my offering,
Sighs, etch, beneath the surface of hushed colour
Bleeding need, through cascading hair,
Scarlet passion lit between thighs,
Greeting his touch, lavishing the breath of want....

Spill me...

Oh the heated cry that rushes past these
Trembling lips; the
Tremor trail beneath touches...lingering
For just a moment to capture heart sighs
Awaiting the soft gel of weeping submission,
Brushstrokes, excite, incite, the
Moist rivulets, where musk lies indolent;
Arching beneath sumptuous urgency;
His softly scented slow kiss, wet with my taste....

Bleed me...

I am, outstretched in a questing mark against the moon,
Tumultuous desires
Slaked....oblivious to this milky harvest,
Slipping the crimson unlit depths
Of wet petals;
I embrace and tremble amidst the melt of limbs tossed and spent,
Unveiling whispers and whimpers, as we love in ways that breach the starving soul;

This night is for you..........
Should lanterns shine, the holy face,
Caught in an octagon of unaccustomed light,
Would wither up, an any boy of love
Look twice before he fell from grace.
The features in their private dark
Are formed of flesh, but let the false day come
And from her lips the faded pigments fall,
The mummy cloths expose an ancient breast.

I have been told to reason by the heart,
But heart, like head, leads helplessly;
I have been told to reason by the pulse,
And, when it quickens, alter the actions' pace
Till field and roof lie level and the same
So fast I move defying time, the quiet gentleman
Whose beard wags in Egyptian wind.

I have heard may years of telling,
And many years should see some change.

The ball I threw while playing in the park
Has not yet reached the ground.
jeremy wyatt Feb 2011
Phelisa was a fairy child
of bluebell stock so meek and mild
but in her heart burned flames and fire
fly into danger her desire

once old enough to learn her trade
an uneasy truce with her queen was made
ten years of duty then she is free
to choose her own true destiny

Phelisa born with eyes of fire
outflies the wind no bird flies higher
bravest of all none can compare
Phelisa you must have a care

Be careful watch your little ones
take every day just as it comes
one day the call will come to you
till then protect as we all do

Sweet human children in their beds
hover at their little heads
watching waiting keep them safe
every little human waif

What dreams a Fairy keeps within her flower-soul
and when a warrior small but splendid fair
does not hold watching weans a noble goal
spends hours adding feathers to her hair
so when she flies to battle forces grim
her visage such a terrifying sight
her countenance conveys the chances slim
that any evil will survive the fight

Phelisa where do you go?

Dreams on noble strife and deeds
draw you away to the woods,
but the child you watch is threatened
by a man who means no good

Phelisa drifted to the nursery window, tired from swinging her wee silver sword all day.
Practising her craft with the agile birds and fencing with her friends the falcons.
She was puzzled at the windows edge, she could not understand why the cot was tumbled to the floor, and why the dog howled so.
Then she smelled them, baby cries in the air, hot and sweet and frightened.
And something else Mother was cold afraid.
She cast desperately around the cottage, no sight or sound, but the smell led into the summer evening, mixed with car-smell.
Follow then, if you can little one and help you wee charge.

"I get what I want, or the baby gets hurt..."
Evil swine, all these years hiding and he found her still,
dragged them to the little Austin Seven and drove them to the middle of nowhere.
A quiet wood where noone will disturb them.
Stood there now, screaming baby in his foul fists, eyes full of lust and excitement.
He pulled them towards a small cliff, do what He wants and the child may live, all she could think off, don't and he throws the baby over the edge.
He runs on with them, but frowning, what is this at his feet,the  brown of animals, small warm things keeping pace?
As they run they crush in, making him stumble, making him afraid.
He quickens his pace, strikes out, God they are everywhere get away!
He drops the child and throws the mother to the ground.
Running for his life now, running as  hares and rabbits and foxes swarm around his legs and make him fall over the drop, to his death.

Phelisa comes as the Austin drives  away
Too late to help her features pale and grey
She understands the debt she owes this wood
And makes a vow for its eternal good

Whatever good you did today
I will a thousand times repay
nothing will enter in this wood
that does not come with dreams of good

No beasts each other here will slay
tooth and claw you each will stay
within the confines of these trees
all will live in care and ease

And I will stay with you all here
keep you free from strife and fear
to guard you for the deed of grace
when I was slow and failed the chase

In the rocks at the foot of the drop
evil dwelt
torn faced weasel, twisted and old
Mad man's spirit drawn inside
growing together in their poisoned hate
the loathing of life and love pure
biding its time

For nigh-on thirty years or more
peace reigned upon the woodland floor
beasts walked in fearless glades and rides
no need from tooth and claw to hide
but on one spring day all was fear
Phelisa why are you not near?
Flying out too far this day
following falcons she wants to play
The evil weasel it takes its chance
will lead phelisa a hellish dance

Running into the wood so sweet
pattering horde of weasel feet
heading to hunt and drag away
something small and sweet today
a baby hare they corner at last
he tries to run but cant get past
The Beast with relish starts to whet
his appetite on this leveret
Carry him back then to your lair
frightened meat will taste so fair
down with us among the stones
all we leave will be his bones

Our fairy comes and sees the scene
the fright and fear where they have been
Her vow she has to still uphold
or die as she tries it to uphold

Racing to the weasel's den
at the dark place of the glen
sees the last one running in
sees the hatred and their sin

But at the entrance of the burrow
her fire eyes dim and smooth brows furrow
the weasel entrance is so slim
her Fairy wings won't let her in
But in her burns a fire so bright
nothing will deter her fight
so kneeling in pain she softly sings
as mother -hare bits off her wings

In the deep dark dread is there
terror of the little hare
evil circles all around
forcing it down to the ground
but as the teeth are reaching out
hear the smallest hero shout

"No blood will spill of this sweet thing
my spear and sword and heart I bring
I gladly give my life today
to see this young hare run away"

srtiking silver blade of light
held with all her strength and might
Arthur himself or Great Glyndwr
would not have swung their blades the truer
battles hard and battles dread
blood and bites and screeching dead
all the time she fights them back
not one gets past with its attack
then only one is waiting still
the evil spirit hard to ****
her fairy blood runs down her hair
blurs the fairy face so fair
" You tire and I will **** you soon,"
the weasel spoke an evil tune
But fairy strength is hard judge
and this wee one did bear a grudge
"You took my baby in the past
I failed to reach him flying fast
was not enough but creatures here
they rescued him from pain and fear.
Now I repay them with this life
and cut you with my silver knife
my spear of dandelion form
I plunge into your deadly form
my wings I lost to pay this debt
the ****** back I feel the wet
The pain I carry will all pale
as your foul heart I do impale!"

Her deed was done her battle won
returned the frightened hare's wee son
so proud and fierce a Fairy Queen
The bravest one the world has seen


The terrier and the Rotteweiler were in a frenzy
running wild, tearing at the sheep in a passion of hate
Then the scent of fresh young blood a child
racing over towards the sleeping parents and the wandering baby
the terrier got ahead straining for first blood
Then whispering voices
Tumbling sky flowers pain and blood stillness
Puzzled as it died fairies small and winged crowded its corpse
Blood dripped from their spears.
The Rottweiler drew close, ready to tear them all apart.
Behind them was a hare, armoured with wood and gold, spikes of silver armour, a Fairy Queens gift.
Astride it, scarred-faced and wingless, the old wise fairy sat smiling.
" Stand aside ladies, this one is mine...."
i love to write poetry with food
the clickety-clack of the knife on the dining board is my metre
the veggies going choppity-chop are the words
the masalas are the embellishments
that lift them to another level altogether
the pressure cooker whistles,
something in the frying pan sizzles
the flavours rise and fill my home
with the smell of cooking
the gravy thickens
the pulse quickens
in anticipation of the tasting
the aromas tease as i’m tempering
a little coriander for the topping
and I’m done!
- Vijayalakshmi Harish

Copyright © Vijayalakshmi Harish
"There is no sincerer love than the love of food." - George Bernard Shaw.
Just realized that a foodie like me hasn't written any poems about food! Had to set that right!
Dans le fond des forêts votre image me suit.

There is a panther stalks me down:
One day I'll have my death of him;
His greed has set the woods aflame,
He prowls more lordly than the sun.
Most soft, most suavely glides that step,
Advancing always at my back;
From gaunt hemlock, rooks croak havoc:
The hunt is on, and sprung the trap.
Flayed by thorns I trek the rocks,
Haggard through the hot white noon.
Along red network of his veins
What fires run, what craving wakes?

Insatiate, he ransacks the land
Condemned by our ancestral fault,
Crying:  blood, let blood be spilt;
Meat must glut his mouth's raw wound.
Keen the rending teeth and sweet
The singeing fury of his fur;
His kisses parch, each paw's a briar,
Doom consummates that appetite.
In the wake of this fierce cat,
Kindled like torches for his joy,
Charred and ravened women lie,
Become his starving body's bait.

Now hills hatch menace, spawning shade;
Midnight cloaks the sultry grove;
The black marauder, hauled by love
On fluent haunches, keeps my speed.
Behind snarled thickets of my eyes
Lurks the lithe one; in dreams' ambush
Bright those claws that mar the flesh
And hungry, hungry, those taut thighs.
His ardor snares me, lights the trees,
And I run flaring in my skin;
What lull, what cool can lap me in
When burns and brands that yellow gaze?

I hurl my heart to halt his pace,
To quench his thirst I squander blook;
He eats, and still his need seeks food,
Compels a total sacrifice.
His voice waylays me, spells a trance,
The gutted forest falls to ash;
Appalled by secret want, I rush
From such assault of radiance.
Entering the tower of my fears,
I shut my doors on that dark guilt,
I bolt the door, each door I bolt.
Blood quickens, gonging in my ears:

The panther's tread is on the stairs,
Coming up and up the stairs.
Purcy Flaherty Jul 2017
Your eyes sparkle,
Your lips smooth like silk,
Pink peaks,
Your body speaks,
Anticipation swells,
Delicate to the touch.

The pulse quickens,
You smell so good
Little sounds,
Our hearts pound
Fold me in your arms,
It’s not just a poem.

It’s love.
It’s not just a poem it's infatuation

— The End —