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"questioningly" poems
look at all the pretty horses they go around and around adorned with silk ribbons in colors of the rainbow weaved through their manes their painted hooves in gold leaf shimmer careful not to touch the ground riding up and down in complete synergy with the jeweled poles. the children squealing with joy who has the prettiest horse couples in a world of their own she sits delicately like a lady riding sideways the gent’s heart going pitter patter looks questioningly into her eyes that speak of mystery is she the one who will come back with his children to ride the pretty horses life goes around and around. all the pretty horses have seen the same story in a time capsule but with different faces. life is a merry go round with its sparkling lights shining upon the stage.~~lorilynn copyright*lorilynn 2010
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Sep 27, 2010
Sep 27, 2010 at 8:20 AM UTC
ALL THE PRETTY HORSES
I’m in a relationship with the man working behind the counter at the post office though I have yet to determine the nature of our pairing he asks me how I am as if fumbling for words on a first date i reply quickly fine fine and you? he nods disappointed by my urgency and half-hearted smile moments pass in silence as we chew on our respective entrees he looks at me questioningly i stare down at my phone a slip of paper is issued I sign it he counts out the money I stare at his chest hair instead of placing it on the counter he carefully slips the notes and coins into my outstretched hand for that singular tactile experience before our time is up his soft blue eyes always expectant impatiently drink of me without my acquiescence until I leave there awkwardly drained knowing that he’s watching me go
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Mar 16, 2013
Mar 16, 2013 at 11:13 AM UTC
Dinner
0:00 I fly through the front doors racing upstairs like hunted prey praying she didn't see me 1:00 I tear open the make remover and feverishly rip off the overpowering jet black eyeliner 2:00 I steal a glance in the bedroom mirror and throw on a hoodie over my black shirt quickly swapping out the black pants for jeans in a crude attempt to look normal 3:00 I hear her steps ringing off the stairs as my heart beats sounding together like a drum kit I pull off my spiked black bracelets and trinkets hands shaking palms sweating as I hide them away 4:00 I feel the door opening before it does and hope i covered up the look, the spikes hidden the eyeliner gone i glance in the mirror and see a pale empty girl looking back terrified of being caught 5:00 she asks how my day was while casually looking around the room her ever seeing eyes falling on my undoing my small black spiked gothic bracelet hanging off the desk sticking out like a sore thumb 6:00 she asks what it is and looks at me questioningly talking about how she deposes the style hates the look as I fumble for an excuse of the unusual possession 7:00 I lie, its easy now i do it all the time. But this was different. I tell her that its a stupid birthday gift a throwaway I keep because friends like to see me wear what they bought but as I utter the words I feel like Im stabbing my soul twisting a knife calling a part of my identity garbage telling myself that part of myself is simply a throw away and despite the fact that I use a fake knife The sting still feels real because I know that part of what I say is true
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Feb 16, 2015
Feb 16, 2015 at 2:10 AM UTC
7 Minutes That Stabbed My Soul
0:00 I fly through the front doors racing upstairs like hunted prey praying she didn't see me 1:00 I tear open the make remover and feverishly rip off the overpowering jet black eyeliner 2:00 I steal a glance in the bedroom mirror and throw on a hoodie over my black shirt quickly swapping out the black pants for jeans in a crude attempt to look normal 3:00 I hear her steps ringing off the stairs as my heart beats sounding together like a drum kit I pull off my spiked black bracelets and trinkets hands shaking palms sweating as I hide them away 4:00 I feel the door opening before it does and hope i covered up the look, the spikes hidden the eyeliner gone i glance in the mirror and see a pale empty girl looking back terrified of being caught 5:00 she asks how my day was while casually looking around the room her ever seeing eyes falling on my undoing my small black spiked gothic bracelet hanging off the desk sticking out like a sore thumb 6:00 she asks what it is and looks at me questioningly talking about how she deposes the style hates the look as I fumble for an excuse of the unusual possession 7:00 I lie, its easy now i do it all the time. But this was different. I tell her that its a stupid birthday gift a throwaway I keep because friends like to see me wear what they bought but as I utter the words I feel like Im stabbing my soul twisting a knife calling a part of my identity garbage telling myself that part of myself is simply a throw away and despite the fact that I use a fake knife The sting still feels real because I know that part of what I say is true
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The nurse, whom George's parents hired, begins to settle him down in his room, after his parents and Polly had left. Where is she? George says. Where is whom? the nurse asks. Polly, where is she? The nurse is unsure who Polly is, so sits him in a chair by the window, which looks out on the grounds and drive. Is she your wife? the nurse asks. George looks at her: I don't know, maybe she is, he says, looking at the nurse puzzled: who are you? I am Nurse Willows, sent you look after you, she says. Where's Polly? he says. I'll find out, you relax and sit quiet, the nurse says, and leaves the room. He stares out of the window; it is still, no bombs are blowing up, no bodies are out there in trenches, the trees are whole, not splintered and blown down. He looks into the room: Wilkes's head lies on the floor by the bed, the eyes gazing at him questioningly. An explosion in his head stirs him to jump from the chair, and run to the wall where he stands shaking, staring at the head. Be careful Wilkes, be careful, he says. He looks at his writing desk large eyed, a hand lies there, palm upwards, a finger bloodied points towards him. No no, I can't, he says. He turns, and the door opens, and he shouts: GET DOWN! ****** The nurse and Polly stare at him, then go to him. Calm down, the nurse says. Polly takes his hand and holds it: it's all right George, no one will harm you here. He looks at her childlike: Polly, you are here. he says, and holds her close to him. The nurse looks at them uncertain what to say or do. Has he a wife? she asks. No not yet, Polly says, looking at the nurse over George's shoulder, as he hugs her tight to him. The door opens and George's mother enters in: what is the noise? He is unsettled, the nurse says, and called for Polly, so I got her not knowing who she was. The mother goes to George and Polly: settle him Polly, then get back to your work. Polly nods. Come on, George, his mother says, you are home now, time to rest. George looks at his mother over Polly's shoulder: who are you? he asks. I'm Mama, she says. He looks at Polly: is she? he says. Polly nods: yes George, she is, Polly says. George turns away from his mother, and stares at Wilkes's head on the floor by the bed, the eyes gazing at him. Get Wilkes's head off the floor, it can't stay there, George says pointing by the bed, unable to get the eyes gazing, out of his mind and head.
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Jul 12, 2016
Jul 12, 2016 at 2:27 AM UTC
GEORGE UNSETTLED 1916.
The nurse, whom George's parents hired, begins to settle him down in his room, after his parents and Polly had left. Where is she? George says. Where is whom? the nurse asks. Polly, where is she? The nurse is unsure who Polly is, so sits him in a chair by the window, which looks out on the grounds and drive. Is she your wife? the nurse asks. George looks at her: I don't know, maybe she is, he says, looking at the nurse puzzled: who are you? I am Nurse Willows, sent you look after you, she says. Where's Polly? he says. I'll find out, you relax and sit quiet, the nurse says, and leaves the room. He stares out of the window; it is still, no bombs are blowing up, no bodies are out there in trenches, the trees are whole, not splintered and blown down. He looks into the room: Wilkes's head lies on the floor by the bed, the eyes gazing at him questioningly. An explosion in his head stirs him to jump from the chair, and run to the wall where he stands shaking, staring at the head. Be careful Wilkes, be careful, he says. He looks at his writing desk large eyed, a hand lies there, palm upwards, a finger bloodied points towards him. No no, I can't, he says. He turns, and the door opens, and he shouts: GET DOWN! ****** The nurse and Polly stare at him, then go to him. Calm down, the nurse says. Polly takes his hand and holds it: it's all right George, no one will harm you here. He looks at her childlike: Polly, you are here. he says, and holds her close to him. The nurse looks at them uncertain what to say or do. Has he a wife? she asks. No not yet, Polly says, looking at the nurse over George's shoulder, as he hugs her tight to him. The door opens and George's mother enters in: what is the noise? He is unsettled, the nurse says, and called for Polly, so I got her not knowing who she was. The mother goes to George and Polly: settle him Polly, then get back to your work. Polly nods. Come on, George, his mother says, you are home now, time to rest. George looks at his mother over Polly's shoulder: who are you? he asks. I'm Mama, she says. He looks at Polly: is she? he says. Polly nods: yes George, she is, Polly says. George turns away from his mother, and stares at Wilkes's head on the floor by the bed, the eyes gazing at him. Get Wilkes's head off the floor, it can't stay there, George says pointing by the bed, unable to get the eyes gazing, out of his mind and head.
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He seems distracted, his lips tight. Is everything okay, I ask. He smiles and says it's just fine, Then hurries off to the other room to grab his things. Sitting on the bed, I got to thinking, And the more I thought about it, The more I realized that everything was going perfectly. It was all going as it should, It certainly couldn't be any better. I smiled softly, a powerful peace filling my core. He looked at me questioningly when he returned, Quickly distracted by the task at hand. He pulled the needle from my arm, Replacing it with another IV. Are you ready for your next round of chemotherapy Tiffany? My heart flutters for a moment. Yes, I am ready.
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Nov 11, 2013
Nov 11, 2013 at 7:47 AM UTC
Perfectly
Wildly clanging bells, soundless-- housed worship withdrawing senses...your button black pupils struck dead. Alarmingly alive, wearing ******* vengeance in pure. Both Christ and high priest tearing open your skin, to shed a blasphemous tour. Exemplar energy transference, popped cellophane wrap round mileages of barbwire. Eavesdropper, peace-fingered tongue thru fangs...plunged in red rondure, swell fruit. Salival juice, moonlit seafoam -- hard jazz tripping your wire. Asked to Come again--questioningly striking, you always come again on the flip side, straight up. That notched spine: O sole mio. Bite till darkness takes cover in me.
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Mar 26, 2017
Mar 26, 2017 at 1:28 AM UTC
Serpens No.3
I lay in bed in a dark, dark, imagery As a cold deep shadow watches me Monitoring--questioningly--menacingly And I feel myself grow lonelier and lonlier After a day in sunny foyers and populous piers I stay shriveled in fear That the day was a dream And this isn't a nightmare
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Jan 16, 2015
Jan 16, 2015 at 12:22 AM UTC
Night
Do my tired eyes tell the tale of a love lost? I don't mean to say its gone away, I just can't seem to find it I've looked for days I've tried it all Found the highest mountain and I climbed it Still it evades me, this love, this life, that used to guide me I'm confused on what to do, I could always see it shining But I gaze in your eyes questioningly, and see a dull shade of gray I'm afraid if I go down that road, i'll never find my way. So I trace trails down your spine In hopes i'll find a familiar road But on my way I only find A river of contempt that wasn't there before I search in the heart That once harbored my home The smell of a stale fire I stand with unspoken words, alone This doesn't feel like home anymore The fingers that once intertwined with mine Now hold a barrier between our souls Riddled with wrinkles of guilt Sweating drop of secrets left untold And your pulse, my pulse I just can't be sure which one it is Once thriving with passion Cold, waning, and dim. That face that once fed me endless comfort Now it only brings me pain Of memories of a love once had That may never be the same again
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Oct 15, 2014
Oct 15, 2014 at 10:23 PM UTC
A love Lost?
Cut from a moment's charge, legion with motion... the sound of a knell held full sway. Receiving ends of sound cried what they could never qualify. In answer, and in answer-- adjoined questioningly... to nonentity.
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Dec 19, 2016
Dec 19, 2016 at 12:42 AM UTC
Legion With Motion
He was a boy, she was a girl, Do you see where this is going? Sometimes she was a girl and sometimes he was sweet, and sometimes they would smile at each other, and sometimes one would smile and the other would miss it, and sometimes neither smiled at all. Sometimes there were others and sometimes there were not and sometimes the others got too close, and sometimes she got rather internally possessive, and sometimes he raised an eyebrow questioningly but got no answer Sometimes there was music and sometimes there was dancing, and sometimes they danced and sometimes they didn't, and sometimes he watched her and sometimes she giggled, and sometimes she watched him and had to look away Sometimes she thought in terms of forever, and sometimes she thought in terms of 'never', and sometimes she thought in terms of 'maybe', and sometimes she thought in terms of 'enough', (because sometimes she didn't feel good enough) (and sometimes she worried about not being loved enough) (and sometimes she stressed about not being pretty enough) (and most times she didn't feel like she was enough) But sometimes that didn't matter, because sometimes he smiled and talked enough and sometimes his stories were funny enough and sometimes he showed her he cared enough And sometime she'll realize enough is enough and that being attractive isn't always a measure of scruff and that when you love someone you've gotta say that stuff because leaving is easy when you don't know enough
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Apr 11, 2016
Apr 11, 2016 at 3:14 PM UTC
Sometimes Enough
| | -------------- | | | So There I was Hangin from the cross • Watchin the crowd Everybody boo - hooin & Mopin around Feelin sorry for themselves •• All except for this one guy walkin thru The crowd With a big box yelling "Peanuts !   Crackerjack ! Peanuts !   Crackerjack !" •• He smiled up at me questioningly I glanced at my hands! "Ah!" ---- he  understands! •• He moves on •• I rejoice! AT LEAST SOMEONE GETS IT! I think And rise out of my body into the peace
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Mar 16, 2014
Mar 16, 2014 at 7:48 PM UTC
oh say can you see .... (?)
Heartbeat quickening, I weight each decision in my head. **** it", my head responds. I gently hold your head between my hands. I let you stare into my eyes questioningly before I bring our mouths unto eachother. Finding your lips is one of the single hardest and easiest things ive ever done.
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Jun 29, 2018
Jun 29, 2018 at 1:00 AM UTC
Things that have just about happened in real life (1)
No faintest ray of light Shines in Or finds it can Divine a grin Above my chin As darkness seeps into my skin Wherein the fading joy persists To fein another day amidst So many glances skeptically And questioningly scowering me Or some don’t seem to care I’m here Don’t meet my eyes, nor dare I there’s A stranger in some stranger land And every night the rains again Crash down upon this muddy shack Until my dreams all fade to black
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Sep 15, 2018
Sep 15, 2018 at 12:47 PM UTC
Destitute
I colored her into a canvas and called it my greatest art piece, letting them know that only the hands of a(n) artist is capable of making something that has always been beautiful, Into beauty that is now defined. The brush strokes speak of heartbreak and anger, Of love and pleasure, They mimic the energy vibrating throughout her body and begin to imprint a different story within those who stand before her and ponder. One, thinks that her movements are portrayed as tough, yet the world is slowly weighing down on her, crushing every sense of hope The other, believes that she sways to the beats of Love. She stares, questioningly, at how the canvas embodied Love. Little did she know, The contents of the art piece is in fact, Love. A man and a woman stand before my significant piece, Their hands interlocking, eyes wide open, mesmerized This is what the art work stands for — Lips interlocking, eyes gleaming, hungry minds, desperate hands, drum-like hearts. A family walks by, the kids unaware of the beauty surrounding them. The mother stands in the center and clasps her hands. Her thoughts buzz. This is how she feels. These swirls of color, Mixing and staining the white, is a representation of all that is within her — A mess that continues to haunt her. Is this what she wanted? But of course, she is madly in love, Is it with her husband? The father stares at his wife in awe. Regardless of all the litter in the world, she remains the only sensible thing of beauty. As more people begin to file in, A sense of accomplishment washes over me. The painting connected to so many people, that they’re most probably going to think of it over the next couple of days, weeks, maybe even months or years. I take the painting down. I storm out of the gallery. I project the painting onto a larger canvas, a larger wall. The people realize that there are seatings, in which they each begin to take one. I yell out, ‘what do you see?’ ‘What does she speak to you?’ ‘What are you filled with?’ ‘What thoughts creep out of the shadows and talk to you, when you look at her?’ The audience stares at me with disbelief, as if I have become a madman, losing my sanity. But I’ve already lost it to her. ‘Comfort’, one yells. ‘Loneliness’, follows. ‘Patience’ ‘intelligence’ ‘abandonment’ ‘happiness’ ‘carefree’ ‘anger’ ‘pain’ ‘suffering’ There are no words to describe the person I love, But she embodies everything I see. I tried containing her within a painting, But she lived in every person that was granted a look by her. And I am, Forever, Grateful That I get to see beauty, in everything she is and everything she does.
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Jan 15, 2018
Jan 15, 2018 at 7:10 AM UTC
A Galleria of Beauty
I colored her into a canvas and called it my greatest art piece, letting them know that only the hands of a(n) artist is capable of making something that has always been beautiful, Into beauty that is now defined. The brush strokes speak of heartbreak and anger, Of love and pleasure, They mimic the energy vibrating throughout her body and begin to imprint a different story within those who stand before her and ponder. One, thinks that her movements are portrayed as tough, yet the world is slowly weighing down on her, crushing every sense of hope The other, believes that she sways to the beats of Love. She stares, questioningly, at how the canvas embodied Love. Little did she know, The contents of the art piece is in fact, Love. A man and a woman stand before my significant piece, Their hands interlocking, eyes wide open, mesmerized This is what the art work stands for — Lips interlocking, eyes gleaming, hungry minds, desperate hands, drum-like hearts. A family walks by, the kids unaware of the beauty surrounding them. The mother stands in the center and clasps her hands. Her thoughts buzz. This is how she feels. These swirls of color, Mixing and staining the white, is a representation of all that is within her — A mess that continues to haunt her. Is this what she wanted? But of course, she is madly in love, Is it with her husband? The father stares at his wife in awe. Regardless of all the litter in the world, she remains the only sensible thing of beauty. As more people begin to file in, A sense of accomplishment washes over me. The painting connected to so many people, that they’re most probably going to think of it over the next couple of days, weeks, maybe even months or years. I take the painting down. I storm out of the gallery. I project the painting onto a larger canvas, a larger wall. The people realize that there are seatings, in which they each begin to take one. I yell out, ‘what do you see?’ ‘What does she speak to you?’ ‘What are you filled with?’ ‘What thoughts creep out of the shadows and talk to you, when you look at her?’ The audience stares at me with disbelief, as if I have become a madman, losing my sanity. But I’ve already lost it to her. ‘Comfort’, one yells. ‘Loneliness’, follows. ‘Patience’ ‘intelligence’ ‘abandonment’ ‘happiness’ ‘carefree’ ‘anger’ ‘pain’ ‘suffering’ There are no words to describe the person I love, But she embodies everything I see. I tried containing her within a painting, But she lived in every person that was granted a look by her. And I am, Forever, Grateful That I get to see beauty, in everything she is and everything she does.
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