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"quarters" poems
Lovers entered a forbidden forest bower, And as they stalked that range, with eyes glazed, She offered up her hind. Now, with doe eyes, Deep as his, deep in arousal's sleep, heels fell,  As he knocked and pulled her dark honey hair  And whispered, surrender, into wanting ears,  Softly he drove his hunting command, homing  To his huntress. Her body braced, yet bade, with heat and vibrance. Ruthlessly, he ****** his arrow deeper and then  Once more and then again.  She bucked fiercely  And defiant, goading his prodding lance ever more Ever longer, and parting the pink lines of her white Rose, he was, and once again, Prince to the dark Dominion of her quarters. In the middle of this carnal match they paused. And looking into the forest beyond they saw A yearling fawn, a feral Goddess, grazing still,  Bathing in a vale, virginal, wholly unmoved  By their act of venery, lustfully playing, in the innocent  Leaves.  It was as if they were among her kin, a gentle  Doe and a noble stag. From that moment on  The human hunters did not speak. Falling, again, rolling eyes were deep in arousal's sleep. Her back was a crescent moon pocked and wet with dew. He could feel her heart beating in time with his piercing  Prong, her arching back glistened in the suns spittle As it broke through the dark and vernal ceiling wood. In the final shot her quivering buck lowered and broke And a sound not heard, made a scene, a sweet murmuring Shuddered and sank onto the floor of the forest leaves  With her tale, taken and told, her breathless breath,  Her nostrils cold and her heated and lanced openings  Dripping, draining; here was a New World’s beginning. Sated, solemn and softly quaking, his woman sweetly laid, And now, doomed with her doe eyes, two lovers, fated, made; She glowed, divine, like the rolling brook that mellowed Slow, in the vine-dark and golden forest stable, In Artemis’s wood.
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Jun 15, 2012
Jun 15, 2012 at 1:33 PM UTC
In Artemis’s Wood
Lovers entered a forbidden forest bower, And as they stalked that range, with eyes glazed, She offered up her hind. Now, with doe eyes, Deep as his, deep in arousal's sleep, heels fell,  As he knocked and pulled her dark honey hair  And whispered, surrender, into wanting ears,  Softly he drove his hunting command, homing  To his huntress. Her body braced, yet bade, with heat and vibrance. Ruthlessly, he ****** his arrow deeper and then  Once more and then again.  She bucked fiercely  And defiant, goading his prodding lance ever more Ever longer, and parting the pink lines of her white Rose, he was, and once again, Prince to the dark Dominion of her quarters. In the middle of this carnal match they paused. And looking into the forest beyond they saw A yearling fawn, a feral Goddess, grazing still,  Bathing in a vale, virginal, wholly unmoved  By their act of venery, lustfully playing, in the innocent  Leaves.  It was as if they were among her kin, a gentle  Doe and a noble stag. From that moment on  The human hunters did not speak. Falling, again, rolling eyes were deep in arousal's sleep. Her back was a crescent moon pocked and wet with dew. He could feel her heart beating in time with his piercing  Prong, her arching back glistened in the suns spittle As it broke through the dark and vernal ceiling wood. In the final shot her quivering buck lowered and broke And a sound not heard, made a scene, a sweet murmuring Shuddered and sank onto the floor of the forest leaves  With her tale, taken and told, her breathless breath,  Her nostrils cold and her heated and lanced openings  Dripping, draining; here was a New World’s beginning. Sated, solemn and softly quaking, his woman sweetly laid, And now, doomed with her doe eyes, two lovers, fated, made; She glowed, divine, like the rolling brook that mellowed Slow, in the vine-dark and golden forest stable, In Artemis’s wood.
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39
He was born in 1924 And at 17 went to war. Parachuted over Sicily, Wounded, sent home to live in civility. One day he met a Ryder, Tall and elegant and regal. Married her and made a home, Though the front lawn lacked a gnome. He died before I could really know him. But what I remember is this: His heart was good and full of love, Tender, strong and not at all rough. He pulled quarters from my ears Whenever I saw him. He and Shadow walked the beach For miles before a swim. He smoked cigars and drank beer While playing cribbage. And he was my favorite person When I was four years old.
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May 31, 2014
May 31, 2014 at 3:46 PM UTC
Uncle Wally
it happened once upon a time a place with a piano    much wine   & cozy talk they left late    tied in an amiable hug heading for their separate quarters    each knew    the other shared    with someone else passing through the old library she gently pulled him down     upon a persian rug     and lifted her skirts     quite irresistibly they melted in bliss knowing it would happen    only once in their time          * * *
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Mar 18, 2015
Mar 18, 2015 at 3:14 PM UTC
one night ...
school starts soon smoking joints on the weekday afternoon in a sidelined shady freight car, property of Norfolk Southern debating if this car will be northbound or southbound and ************ our fantasy where we want to be taken knowing full well maybe one of us - (and they all looking at me) will get out of this car and live to see foreign places without having to return in a body bag we argue lazy who should go get the beer, collect the quarters and sweaty dollar bills and **** if I am not reappointed leader of the beer fetching besides it’s my tan lab panting needing water so it’s my responsibility and the nasty liquor store owner don’t hate me that much as the others so he’ll sell me beer without too much **** talk (some for sure) asking where I’m laying low on a **** hot day like this one tell him i’m getting on a train getting out of this two bit town which makes him reminisce and ask which direction could be northbound could be southbound hell could be west but for sure won’t be going eastbound cause I seen the Atlantic and didn’t like it too **** big and too **** cold, too **** mean
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Aug 26, 2018
Aug 26, 2018 at 1:16 PM UTC
The Southern Sounds (inside us born and bound)
The girl with purple hair is sitting at my bar again. I think she is beautiful. And not in a way that I wanna have awesome *** with her but in a way that I want to drink chocolate martinis with her and go shopping for christmas vests that have tinkly bells and possibly polar bears with hats on them. She is having a full-body cry. I am the worst bartender, simply because I don't know how to counsel people without crying back at them. She is crying about the state of women. I know that we come from the same rotting wood, so all I do is nod. "How is it that three quarters of the women I know have been ***** or molested? What does that say about the men that I know? **** is not a man behind a bush with a knife, she laughs It's kissing you on the mouth like whiskey at a nice bar." The girl with purple hair and I are holding hands now, "I only wanted an apology, an acknowledgement of what occurred." Grappling as artists, as girls, as ships in bottles, how do we change any of it? I tell her I am going to write a poem. She says no one wants to hear a **** poem. And I know she's right. Have you ever seen a stampede of horses? Do you wonder what the hooves look like from underneath? Have you ever tasted the blood from biting your own lips because you couldn't say no enough? "I never fought back. I kept my thighs tight and closed, but once he's inside you, you wish you were the streetlamp, the store clerk, a street lamp, a bed of calla lilies- anything but a woman. In that moment, our eyes glaze over, and they stay that way for years. That's when you've lost.
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Apr 6, 2014
Apr 6, 2014 at 5:45 PM UTC
Epidemic (by Mary Lambert)
The girl with purple hair is sitting at my bar again. I think she is beautiful. And not in a way that I wanna have awesome *** with her but in a way that I want to drink chocolate martinis with her and go shopping for christmas vests that have tinkly bells and possibly polar bears with hats on them. She is having a full-body cry. I am the worst bartender, simply because I don't know how to counsel people without crying back at them. She is crying about the state of women. I know that we come from the same rotting wood, so all I do is nod. "How is it that three quarters of the women I know have been ***** or molested? What does that say about the men that I know? **** is not a man behind a bush with a knife, she laughs It's kissing you on the mouth like whiskey at a nice bar." The girl with purple hair and I are holding hands now, "I only wanted an apology, an acknowledgement of what occurred." Grappling as artists, as girls, as ships in bottles, how do we change any of it? I tell her I am going to write a poem. She says no one wants to hear a **** poem. And I know she's right. Have you ever seen a stampede of horses? Do you wonder what the hooves look like from underneath? Have you ever tasted the blood from biting your own lips because you couldn't say no enough? "I never fought back. I kept my thighs tight and closed, but once he's inside you, you wish you were the streetlamp, the store clerk, a street lamp, a bed of calla lilies- anything but a woman. In that moment, our eyes glaze over, and they stay that way for years. That's when you've lost.
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28
it's cold and dark and calm outside so you make sure that i'm tucked up tight but i need fresh air so the window is open ajar whilst there in the corner lays a battered guitar i'm high as hell so you carried me home and wrapped me up into a bed of your own you throw a lumpy mattress by the guitar on your floor and apologise in advance for the fact that you snore because i can't even remember my name may give the green light to most, to see me as 'fair game' my hair is a mess and my clothes are askew but that doesn't seem to matter to you i'm taken aback as you toss me a shirt you try to stifle your laugh but i catch you smirk as i try to escape from the clutch of my dress i hear a laugh which you fail to suppress i wrestle your shirt with my limbs in a tangle you yank it over my head, for which i am thankful i wriggle free from the blanket and sit up cross legged as you fling yourself down at the foot of your bed you tell me you've just got a text from my mother who says she trusts me with you and no other and that you are under very strict instructions to keep me away from all teenage destruction it's 1.30am and my thoughts are cotton wool but our bottle of ***** is still three quarters full my eyes spy the battered guitar in the room and i beg you to play me my favourite tune an undeniably slow start as you mess up the chords and ramble on about how i'm probably bored but my eyes fix on yours with an encouraging grin and as you continue to play, goosebumps rise on my skin and as you place the battered guitar back down you sarcastically ask whether i'm happy now the buzz of my body and the smile on my face shows that here, happiness is truly the case
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May 31, 2014
May 31, 2014 at 6:17 PM UTC
a case of happiness
it's cold and dark and calm outside so you make sure that i'm tucked up tight but i need fresh air so the window is open ajar whilst there in the corner lays a battered guitar i'm high as hell so you carried me home and wrapped me up into a bed of your own you throw a lumpy mattress by the guitar on your floor and apologise in advance for the fact that you snore because i can't even remember my name may give the green light to most, to see me as 'fair game' my hair is a mess and my clothes are askew but that doesn't seem to matter to you i'm taken aback as you toss me a shirt you try to stifle your laugh but i catch you smirk as i try to escape from the clutch of my dress i hear a laugh which you fail to suppress i wrestle your shirt with my limbs in a tangle you yank it over my head, for which i am thankful i wriggle free from the blanket and sit up cross legged as you fling yourself down at the foot of your bed you tell me you've just got a text from my mother who says she trusts me with you and no other and that you are under very strict instructions to keep me away from all teenage destruction it's 1.30am and my thoughts are cotton wool but our bottle of ***** is still three quarters full my eyes spy the battered guitar in the room and i beg you to play me my favourite tune an undeniably slow start as you mess up the chords and ramble on about how i'm probably bored but my eyes fix on yours with an encouraging grin and as you continue to play, goosebumps rise on my skin and as you place the battered guitar back down you sarcastically ask whether i'm happy now the buzz of my body and the smile on my face shows that here, happiness is truly the case
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36
please be impatient with me for I am Female, Age 19   Please be impatient with me.  Three quarters woman in a body, a quartered quartet.  The crying viola, off tempo, present but unavailable.  The boys want me. The men, more, more.  The women most of all.  The American Girl dolls on the shelf dusty, witnesses to all my demander’s impatience to take, to own, possess & desire my poses all to pleasure them, wanting  many morsos (small bites).   Then, when discarded, my body reeks of con-f u s i o n.  A perfect conjugation,  an imperfect conjunction;  Conning my mind into letting my body be-fused.   The dolls weep real tears in the city of my mind;  flipping out, they too, are impatient with me, and flip me off for they have no good words to express their utter chagrin.
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May 16, 2018
May 16, 2018 at 11:27 AM UTC
(F, 19) please be impatient with me
Ah, the season of gifting. Antagonist of year-long thrifting. Tradition sadistic, Materialistic, Four quarters in pockets worth sifting. This year I hereby proclaim I shan’t be consumed by the game. Cycle of curse Purpose perverse The namesake, an oversight became. Christ’s birth did in fact begin, Holiday distracted by sin. Misguided it be To forget idly The sacrifice He made for all men. We naively regard generosity As holiday’s behavioral piosity. But if dollars and cents Are the tools of offense Over shadow favor luminosity. Water in Africa is ***** American child in poverty. Politics aside, Convenient homicide, To enable the ills of society. In the global economy we flaunt Wealth by comparison, bitter taunt. First world problems abound Pass the turkey around Central heating and air, what a jaunt! What if this season we decide To extend two palms open wide? Sacrificing ourselves Rather than stocking our shelves Dying whispers echo true: “we tried.” Don’t spend your money on me this year. Not iPhones, not tickets, not Blu-ray or beer. Instead know you can Distribute more than A snort, a lie, and a tear. (optional conclusion to assist interpretation of last line) Snort of derision, Lies of provision, Tears, even true, Hardly subdue Anguish deprived of tradition’s revision.
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Dec 26, 2012
Dec 26, 2012 at 5:25 PM UTC
Stewardship (a series of limericks)
It's within the grown out roots where the Garden Owl still hoots Sings the melancholy song Of how the blue eyed girl was wrong. It's within the thatching of the dwelling And a failed attempt at fortune telling. Beyond the garden of the bugs Beyond the magpies and the slugs A moon was folded into quarters Grind it with pestle and mortar Strip it down to crater powder Feel it till the song sounds louder The Garden Owl sings his song Of how the blue eyed girl was wrong And under the brown thatched roof The girl detests her blue eyed youth
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Dec 4, 2014
Dec 4, 2014 at 5:43 PM UTC
The Garden Owl
who knew you were filled with gold! when I stuffed the dynamite down your throat and ran you through the casino I wasn’t expecting a jackpot maybe a princess piñata or a party popper but a corner leather and a fresh haircut? no, we’re not in the 50’s anymore but your vault was guarded like mob headquarters when you head started sputtering quarters you the light-skinned pin action movie star looking highly alien you my diamond studded chain
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Oct 13, 2015
Oct 13, 2015 at 12:56 PM UTC
broken pinball
This was just published so it is copyright 2015 by Holy Cow Press ~ mce Poverty is the fence around your life. Poverty wakes you up at 4 AM only to whisper meaningless slogans in your ear. It is the school of Piranha nibbling at the back of your brain. It is two hours waiting in the anteroom of despair for $22 worth of food stamps and being glad to be there. It is changing your phone number frequently because bill collectors are such boring conversationalists. It is the empty space your heels used to fill. It is letting your hair grow long and scraggly and your grizzled beard sprout because you know that although you sleep in rented rooms tonight, the street is not far off, and you want to fit in when you arrive. Poverty scalds the lint from your pockets. It is your private Treblinka within which you rage but are crushed. It is desperate prayers against dental catastrophes, blown tires, surprises of any sort. Poverty is when everything you own is frayed including your nerves from sleepless moments spent trying to solve the equation that will make X number of dollars cover X + ? number of bills, knowing that such math would defeat Newton or Einstein. Poverty is eying the cat's kibble imagining that with a bit of sugar and a splash of milk it might be fine and then eyeballing the cat himself thinking of protein of last resort and trying not to measure him against the microwave door. You ration your cigarettes; whiskey is a fading memory. Passing a diner on the street, you catch a whiff of burgers too expensive to consider and experience a Pavlovian moment. Poverty is trying to keep your head up and then remembering you pawned your neck. Poverty is watching the needle eat your last few gallons of gas. Poverty is the archeology of despair. It portends the death of irony. There is nothing ironic about a car with 217,000 miles and no insurance on it. Facts are facts in the world of poverty. Poverty is the last quarter reclaimed from beneath the cushions. It is too much time and not enough quarters. It is the specious logic of the self-righteous proclaiming that you deserve to be poor because you are, which in Amerika passes for wisdom. Poverty makes each day like the next because nothing does not vary. It is who you are and where you are going, although you won't get far. It is the life you lead inside the fence. It is the sum of what you lack. It just is. - mce
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Apr 6, 2015
Apr 6, 2015 at 7:54 PM UTC
Poverty At Sixty
This was just published so it is copyright 2015 by Holy Cow Press ~ mce Poverty is the fence around your life. Poverty wakes you up at 4 AM only to whisper meaningless slogans in your ear. It is the school of Piranha nibbling at the back of your brain. It is two hours waiting in the anteroom of despair for $22 worth of food stamps and being glad to be there. It is changing your phone number frequently because bill collectors are such boring conversationalists. It is the empty space your heels used to fill. It is letting your hair grow long and scraggly and your grizzled beard sprout because you know that although you sleep in rented rooms tonight, the street is not far off, and you want to fit in when you arrive. Poverty scalds the lint from your pockets. It is your private Treblinka within which you rage but are crushed. It is desperate prayers against dental catastrophes, blown tires, surprises of any sort. Poverty is when everything you own is frayed including your nerves from sleepless moments spent trying to solve the equation that will make X number of dollars cover X + ? number of bills, knowing that such math would defeat Newton or Einstein. Poverty is eying the cat's kibble imagining that with a bit of sugar and a splash of milk it might be fine and then eyeballing the cat himself thinking of protein of last resort and trying not to measure him against the microwave door. You ration your cigarettes; whiskey is a fading memory. Passing a diner on the street, you catch a whiff of burgers too expensive to consider and experience a Pavlovian moment. Poverty is trying to keep your head up and then remembering you pawned your neck. Poverty is watching the needle eat your last few gallons of gas. Poverty is the archeology of despair. It portends the death of irony. There is nothing ironic about a car with 217,000 miles and no insurance on it. Facts are facts in the world of poverty. Poverty is the last quarter reclaimed from beneath the cushions. It is too much time and not enough quarters. It is the specious logic of the self-righteous proclaiming that you deserve to be poor because you are, which in Amerika passes for wisdom. Poverty makes each day like the next because nothing does not vary. It is who you are and where you are going, although you won't get far. It is the life you lead inside the fence. It is the sum of what you lack. It just is. - mce
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3
A beer can, phone book, a grapefruit and an Advent wreath with four candles in its nest of greens Two weeks Two lit Third one's the Pink a life three quarters spent? Next weekend Saturday-- The Sabbath falls in Hanukkah “Blessed art thou, Lord our God King of the universe who dost create lights of fire...” I'll light that third-- the pink one like a barbarian wise woman who traveled too far along life's way to find a Jewish baby, wrapped in rags ...or, was it the old guy that night lying in the street outside a New England bar “Oh Christ! Ya gotta be kidding me!” Nope, He was there alright Wallowing in the freezing slush amid his helpless drunken cries No cell phones then Scrapped my pizza plans On foot alone waving in frustration   in the passing headlights a turquoise, wind-crazed scarecrow ______ “Someone's gotta stop? Someone has to help us, don't they?” ______ Now there are two beer cans a grapefruit, and a phone book beside the advent wreath Third candle lit and leaning out for hope along the way
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Dec 15, 2017
Dec 15, 2017 at 3:05 PM UTC
Advent Still Life
she held me close and cooed and preened me and held me safe from the night from the large and troubling world that my tiny brain could not comprehend. those ancient hands had seen many decades, the raging waters sought the liverspotted skin like a flame seeks a moth to burn by shining so **** bright. She gave me dinosaurs and quarters and nickels and dimes, she told me stories and memories and the dusty images of long abandoned time. I sat and sat and listened and sat and retreated into the shelter of those far too weathered hands. though the world was largely storm clouds and the incessant shouting of the thunder, she held me closer, covered me in her mass and held me quickly against the oncoming storm of time. those ancient weathered hands
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Sep 27, 2013
Sep 27, 2013 at 3:48 PM UTC
weathered hands
My eyes Have seen in these fifteen years of mine More horrors than many in a hundred see. I have seen grief, and bitterness, and pain. You have given that to me. That has been your gift. My heart Beats at ten thousand times its normal pace For fear when I see you walk into the room I know what’s coming next- Onto the streets, And into a stranger’s unforgiving arms. My skin, Littered with bruises you left, Is a canvas for the horrifying picture You wish to paint me into- One where you are the puppet master And I your marionette. But I am only a child, Not a vehicle for your twisted pleasure. My body Will not pay your bills. Not after you left me with a child. I wear loose clothes to hide her- it’s a girl, I think. And I won’t let you take her away. My feet Will carry me far away from here, As soon as I’ve scrounged up Enough spare quarters, caught on the ***** concrete You force me into walking every night, I'll catch a bus or two away from here. My dreams Will not be broken. I am strong. On Thursday night, I’ll fly away from here. And you’ll forget me I mean nothing to you. My captor, Puppet master, Force of evil, You’ll find another. I wish her fast escape. I will be free.
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Dec 10, 2013
Dec 10, 2013 at 11:58 AM UTC
untitled- child *** trafficking perspective poem
The wheel of the quivering meat conception Turns in the void expelling human beings, Pigs, turtles, frogs, insects, nits, Mice, lice, lizards, rats, roan Racinghorses, poxy bucolic pigtics, Horrible unnameable lice of vultures, Murderous attacking dog-armies Of Africa, Rhinos roaming in the jungle, Vast boars and huge gigantic bull Elephants, rams, eagles, condors, Pones and Porcupines and Pills- All the endless conception of living beings Gnashing everywhere in Consciousness Throughout the ten directions of space Occupying all the quarters in & out, From supermicroscopic no-bug To huge Galaxy Lightyear Bowell Illuminating the sky of one Mind- Poor! I wish I was free of that slaving meat wheel and safe in heaven dead.
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7k
211th Chorus
Well what can I say, he says I'm an **** I just told him he was just full of air.. But we were the closest of friends and were always found close together like pees in a pod. *"So what's the plan for today windy, "We just going to gas? or we just breathing in silence?* **"I thought you were pulling the other cheek, But all that comes out of you is crap Hahaha.....** They were always getting each other in trouble with one thing or another, if it wasn't **** holding wind in, it was **** whispering in a lift. But not so silently, more like a  tiny trumpet going off for moments at a time. There was one time were **** was letting off as usual, but he let just a little too much out, and in that moment he told **** *"That was close, I was one **** away from a poo,* **** couldn't  contain himself and amusement turned to horror as laughter had loosened both there grips. And now Mr Poo who usually went diving in the porcelain pools was now frequenting  upon both. I think I'm going to be sick said **** **** laughted and then another friend of Poo's joined the party, cleanliness was obsolete, now as it was like a food fight in close quarters. Poo slipped out to freedom down the trouser leg and "SPLAT, **** and **** stunned by poo's lack of grace. *"Could have stayed for a while,* But **** conceded that he would have just talked crap, like he did every time he popped out to see his friends. Well what could be said, a wet wipe, and **** forgot poo had even been there. But his odour still lingered gently on. **** was gassing on and **** clenched so not to expel to much laughter.. especially in enclosed areas. **** was just gassing, this duo were always going be the closest of friends.
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Sep 8, 2017
Sep 8, 2017 at 11:36 AM UTC
**** & **** Together
Well what can I say, he says I'm an **** I just told him he was just full of air.. But we were the closest of friends and were always found close together like pees in a pod. *"So what's the plan for today windy, "We just going to gas? or we just breathing in silence?* **"I thought you were pulling the other cheek, But all that comes out of you is crap Hahaha.....** They were always getting each other in trouble with one thing or another, if it wasn't **** holding wind in, it was **** whispering in a lift. But not so silently, more like a  tiny trumpet going off for moments at a time. There was one time were **** was letting off as usual, but he let just a little too much out, and in that moment he told **** *"That was close, I was one **** away from a poo,* **** couldn't  contain himself and amusement turned to horror as laughter had loosened both there grips. And now Mr Poo who usually went diving in the porcelain pools was now frequenting  upon both. I think I'm going to be sick said **** **** laughted and then another friend of Poo's joined the party, cleanliness was obsolete, now as it was like a food fight in close quarters. Poo slipped out to freedom down the trouser leg and "SPLAT, **** and **** stunned by poo's lack of grace. *"Could have stayed for a while,* But **** conceded that he would have just talked crap, like he did every time he popped out to see his friends. Well what could be said, a wet wipe, and **** forgot poo had even been there. But his odour still lingered gently on. **** was gassing on and **** clenched so not to expel to much laughter.. especially in enclosed areas. **** was just gassing, this duo were always going be the closest of friends.
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34
Ridding the Dark Shadows that lie, Deep adumbrations of the past; That lurk within close quarters Is an ever present cynical task. By this, I mean, the scoundrels will always be near. But not to live within us, nor to cause us fear. Their presence simply affirms that we're living in the light; Because Shadows are never visible in the dark of night.
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Mar 28, 2014
Mar 28, 2014 at 5:12 PM UTC
Shadows
EVERYBODY got ‘em a cell phone pissant with not a nickel to pay his rent got him one i ain’t got one or the quarter to use this pay phone sittin’ there behind me waitin' for me to feed it and hear that jingle like some slot machine that always pays out temptin’ me like some shiny new toy but i got two pennies and i ain’t even rubbin' them together back then, back when nobody had no cell phone i filed pennies down on the street to make them the size of dimes when one of them dimes could by me a marshmallow pie from a vendin’ machine at the bowlin’ alley that ain’t there no more but some cell phone store is but that don’t matter i don’t want no cell phone i would like me one of them marshmallow pies and an extra quarter to give this hungry phone yesterday, some lady give me three quarters and i give two of them to Jose to call his mama and sister he gave me two smiles i kept that other quarter to make a call but couldn’t think of no number or no soul want to hear my voice so i give that quarter to a little boy who was all alone and didn’t have no cell phone
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Nov 7, 2011
Nov 7, 2011 at 8:33 PM UTC
the pay phone for the weary and cell-less**
Samhain's Eve With Friends The Lady's light is ripe and full and orange so heavy the sky can scarce bear her up as I tread slowly tap tap my staff clicks my feet in their hurry crush sweet maple and acrid fir underfoot and the early evening mist grasps at bare tree limbs like heart broken suiters It's an early celabration Samhain Eve No Matter tis me alone and of course The Lady Slowly I find my stone grove and rest a bit ... price of a Crone No musicians tonight Ah the tape will do well enough No Sisters tonight too far to come obligations trick or treat ... No Matter Circle swept and Caste,Quarters called next all in turn music soft but building insence sweet shrouds me Fire my element crackles and spits with blessed heat Time to steppe the Circle This Dance I know so well This Dance I have taught and danced and dreamt it always Eyes Closed Cleansing Breathe Bells on wrist and ankles chime Now swaying stepping Luna's great course across the sky once this way next reverse slowly gently all recedes there is nothing now but me and She She Morghanna Isis Gaia Mother Maiden Crone My Lady The flute is faint and hard to hear now but the drum is strong heartbeat strong slow and deep suddenly there are voices far yet whysper close so soft full of laughter and secrets ..ghostly hands Sisters past, lost to me and spirits new entwine with mine and voices long forgotten soar So Sweet and my feet so clumsy and slow seem to fly and I hear the flute in the chime of Her laughter She Has Come Welcome My Lady I hear nothing now but the drum and the rush of the wind through my hair The Drum The Sisters The Fire and My Lady Suddenly my step slows no longer is it sure aware of the stones beaneath and my hand blest but a moment ago now feels the loss of my Sisters grasp but we are never far from one another no matter the side of the veil I tire and stop the night has waned the tape has stopped..when I cant recall Never Mind Close the quarters with thanks Sever the Circle Douse the smudge and Thank The Lady for a Samhain's Eve , with friends Solita Arcanes ShadoeWalker 31/10/10
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Jan 23, 2011
Jan 23, 2011 at 2:50 PM UTC
A Samhain Night With Friends
Samhain's Eve With Friends The Lady's light is ripe and full and orange so heavy the sky can scarce bear her up as I tread slowly tap tap my staff clicks my feet in their hurry crush sweet maple and acrid fir underfoot and the early evening mist grasps at bare tree limbs like heart broken suiters It's an early celabration Samhain Eve No Matter tis me alone and of course The Lady Slowly I find my stone grove and rest a bit ... price of a Crone No musicians tonight Ah the tape will do well enough No Sisters tonight too far to come obligations trick or treat ... No Matter Circle swept and Caste,Quarters called next all in turn music soft but building insence sweet shrouds me Fire my element crackles and spits with blessed heat Time to steppe the Circle This Dance I know so well This Dance I have taught and danced and dreamt it always Eyes Closed Cleansing Breathe Bells on wrist and ankles chime Now swaying stepping Luna's great course across the sky once this way next reverse slowly gently all recedes there is nothing now but me and She She Morghanna Isis Gaia Mother Maiden Crone My Lady The flute is faint and hard to hear now but the drum is strong heartbeat strong slow and deep suddenly there are voices far yet whysper close so soft full of laughter and secrets ..ghostly hands Sisters past, lost to me and spirits new entwine with mine and voices long forgotten soar So Sweet and my feet so clumsy and slow seem to fly and I hear the flute in the chime of Her laughter She Has Come Welcome My Lady I hear nothing now but the drum and the rush of the wind through my hair The Drum The Sisters The Fire and My Lady Suddenly my step slows no longer is it sure aware of the stones beaneath and my hand blest but a moment ago now feels the loss of my Sisters grasp but we are never far from one another no matter the side of the veil I tire and stop the night has waned the tape has stopped..when I cant recall Never Mind Close the quarters with thanks Sever the Circle Douse the smudge and Thank The Lady for a Samhain's Eve , with friends Solita Arcanes ShadoeWalker 31/10/10
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My First Day at Hogwarts On a Saturday morning, I woke up in pain. Perched on top of my head, Was an owl shaking its mane. As I focused my glance, the owl got clearer. There was something clutched in its beak; a pale yellow letter. When I opened it, words started to bloom, Mr Y. Vartak, The inner bedroom. ‘You have a place in Hogwarts School of Witchcraft and Wizardry, Points will be taken for wrong, and awarded for bravery.’ I showed it to my parents, Who were not at all surprised. They were in fact very happy, I am a wizard I realized! We took a plane to London, Visit Diagon Alley. In a hurry to buy my first wand, robes and stationery. It was the first of September, so we hurried to Kings Cross. We got to platform nine and three quarters, after struggling through the chaos. I had everything in my trunk, I had nothing more to get. My parents surprised me, by giving me an owl as a pet. I got a seat in the Hogwarts Express, and put my robes, There was a boy opposite me, he was juggling bewitched globes. We got off the train, At Hogsmeade Station. There was an amazing castle, that was beyond my imagination. We rowed across the lake, sitting on boats, It was getting colder, so we pulled on our coats We entered the hall, Full of eyes. There was a roof above us, that represented the vast skies. There was a dusty hat, in the middle of a stage, It had a rip near the brim, so it looked older than its age. A professor named Minerva, Put that hat on my head. The rip opened like a mouth, Interesting is what it said. The Sorting Hat as it was called, said that he had to think some more, After a while it yelled: ‘He’ll go in GRYFFINDOR!’ I joined the Gryffindor, at the Start-Of-Term Feast. We were so involved I talking, we cared for our sleep the least. After the feast, we departed, for Gryffindor Common Room, Outside the portrait hole, there was, a shiny black broom. I changed from my robes to my nightdress, lay down watching the dying ember. My eyelids were getting heavy, I walked into a deep slumber. This poem is written by me, Yash Singh. Specially written for my favourite, Joanne Kathleen Rowling.
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Sep 8, 2019
Sep 8, 2019 at 7:20 AM UTC
My First Day at Hogwarts
My First Day at Hogwarts On a Saturday morning, I woke up in pain. Perched on top of my head, Was an owl shaking its mane. As I focused my glance, the owl got clearer. There was something clutched in its beak; a pale yellow letter. When I opened it, words started to bloom, Mr Y. Vartak, The inner bedroom. ‘You have a place in Hogwarts School of Witchcraft and Wizardry, Points will be taken for wrong, and awarded for bravery.’ I showed it to my parents, Who were not at all surprised. They were in fact very happy, I am a wizard I realized! We took a plane to London, Visit Diagon Alley. In a hurry to buy my first wand, robes and stationery. It was the first of September, so we hurried to Kings Cross. We got to platform nine and three quarters, after struggling through the chaos. I had everything in my trunk, I had nothing more to get. My parents surprised me, by giving me an owl as a pet. I got a seat in the Hogwarts Express, and put my robes, There was a boy opposite me, he was juggling bewitched globes. We got off the train, At Hogsmeade Station. There was an amazing castle, that was beyond my imagination. We rowed across the lake, sitting on boats, It was getting colder, so we pulled on our coats We entered the hall, Full of eyes. There was a roof above us, that represented the vast skies. There was a dusty hat, in the middle of a stage, It had a rip near the brim, so it looked older than its age. A professor named Minerva, Put that hat on my head. The rip opened like a mouth, Interesting is what it said. The Sorting Hat as it was called, said that he had to think some more, After a while it yelled: ‘He’ll go in GRYFFINDOR!’ I joined the Gryffindor, at the Start-Of-Term Feast. We were so involved I talking, we cared for our sleep the least. After the feast, we departed, for Gryffindor Common Room, Outside the portrait hole, there was, a shiny black broom. I changed from my robes to my nightdress, lay down watching the dying ember. My eyelids were getting heavy, I walked into a deep slumber. This poem is written by me, Yash Singh. Specially written for my favourite, Joanne Kathleen Rowling.
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“Good afternoon” Light kisses on the cheek Walk gracefully to your seat Cross your legs at the ankles                     Never the knees! “May I have a cup of tea, please?” A porcelain teapot pours With grace, three quarters full And, as not to cross the paths of love                     Milk is always last A silver spoon in glistening pride An inverted reflection Of your well-bred smile Stir, ever so carefully, from 6 to 12                        Never ***** the sides! Take a sip, looking into, never over The cup. Laugh, smile, and converse Indulge in a skon (not scone) With clotted cream and raspberry jam                          Always parted in two As you say your farewells, praise yourself You have made Queen Catherine proud With your lady-like poise and elegant charm At afternoon tea
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Nov 9, 2015
Nov 9, 2015 at 6:51 PM UTC
The Tea Party
Andi Balise combined a half page of a short story, “Thanks Going Without Saying” by Liz Balise, with half a page of an essay by Klee, “On Modern Art”, from a book called Modern Artists on Art, 10 Unabridged Essays, edited by Robert L. Herbert. With some small edits and line-breaks comes this miracle of a poem: Painting a Function Different I peek out over the railing of reality’s magic Beyond the porch-floor Minerva hangs her wash making the invisible visible Eighty two and three quarters deaf she doesn’t notice   But this is, in fact, reality Has always been this way— Bent and bird-like existence   Balanced on two twigs—always busy— Her task, is the *********** of space   Cutting coupons, crushing aluminum cans, ironing The three phenomena which I must.... Things no one notices— climbing on the abstract surface of a picture Switching the curtains   God! I wish from the infinity of space..she wouldn’t…! It figures that— Rusty, her cat, is weaving in fortune or misfortune   I try to fix them— Her ankles now And she curses at accidental quality from the corner of her mouth which has only one form Clothespin or cigarette?   Long johns and animals and men in heaven and bureau scarf and sheets—all, non-infinite deities surround us translucent, contained    I decide what to get for her birthday— We are good friends through painting a function different For me? Predestined necessity. Minerva? forgets her manners and eats like a survivor— Thanks going without saying.
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Oct 7, 2017
Oct 7, 2017 at 2:12 PM UTC
Painting a Function Different
Andi Balise combined a half page of a short story, “Thanks Going Without Saying” by Liz Balise, with half a page of an essay by Klee, “On Modern Art”, from a book called Modern Artists on Art, 10 Unabridged Essays, edited by Robert L. Herbert. With some small edits and line-breaks comes this miracle of a poem: Painting a Function Different I peek out over the railing of reality’s magic Beyond the porch-floor Minerva hangs her wash making the invisible visible Eighty two and three quarters deaf she doesn’t notice   But this is, in fact, reality Has always been this way— Bent and bird-like existence   Balanced on two twigs—always busy— Her task, is the *********** of space   Cutting coupons, crushing aluminum cans, ironing The three phenomena which I must.... Things no one notices— climbing on the abstract surface of a picture Switching the curtains   God! I wish from the infinity of space..she wouldn’t…! It figures that— Rusty, her cat, is weaving in fortune or misfortune   I try to fix them— Her ankles now And she curses at accidental quality from the corner of her mouth which has only one form Clothespin or cigarette?   Long johns and animals and men in heaven and bureau scarf and sheets—all, non-infinite deities surround us translucent, contained    I decide what to get for her birthday— We are good friends through painting a function different For me? Predestined necessity. Minerva? forgets her manners and eats like a survivor— Thanks going without saying.
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39
My black hole theory is not profound I just want what is lost to someday be found I have a theory there are many series of black holes somehow linked to the big one They all have there own gravitational pull They seem to have an innate hunger for whatever is shiny or new They seem to **** it in like of vacuum taking it away from me maybe even from you There used to be some sort of portal through my couch , to try to stop it I removed the couch from my house A strange thing happened it is all true, stuff started disappearing from my purse especially anything shiny or new That can be very problematic if you are at the store and reach in your purse to pay the teller and all your change is gone, no more to be seen It made me feel like crying, or maybe scream The logical person that I try to be thought their must be an explanation, so I emptied out the contents of my purse in the stores bathroom, I carefully checked the purse lining for any holes I found no holes and none of my change too, I just had picked up a new roll of quarters from the bank and that was gone too I pondered the situation later that day and thought of my little black hole theory , the little black holes somehow linked to The Big Black Hole and ******* my stuff in, I know I am no scientist, but if someday The Black Hole lost it's gravitational pull, and my stuff and maybe someone else's stuff too started raining down, perhaps my theory will take hold in the scientific community and hold some ground, or maybe Inquiring Minds will want to know of my theory, but most of all what matters to me theory or no theory, I just want my lost stuff to be found
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Jan 14, 2015
Jan 14, 2015 at 3:29 PM UTC
My Black Hole Theory
My black hole theory is not profound I just want what is lost to someday be found I have a theory there are many series of black holes somehow linked to the big one They all have there own gravitational pull They seem to have an innate hunger for whatever is shiny or new They seem to **** it in like of vacuum taking it away from me maybe even from you There used to be some sort of portal through my couch , to try to stop it I removed the couch from my house A strange thing happened it is all true, stuff started disappearing from my purse especially anything shiny or new That can be very problematic if you are at the store and reach in your purse to pay the teller and all your change is gone, no more to be seen It made me feel like crying, or maybe scream The logical person that I try to be thought their must be an explanation, so I emptied out the contents of my purse in the stores bathroom, I carefully checked the purse lining for any holes I found no holes and none of my change too, I just had picked up a new roll of quarters from the bank and that was gone too I pondered the situation later that day and thought of my little black hole theory , the little black holes somehow linked to The Big Black Hole and ******* my stuff in, I know I am no scientist, but if someday The Black Hole lost it's gravitational pull, and my stuff and maybe someone else's stuff too started raining down, perhaps my theory will take hold in the scientific community and hold some ground, or maybe Inquiring Minds will want to know of my theory, but most of all what matters to me theory or no theory, I just want my lost stuff to be found
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guilt me like a cancer manipulate me like a taurus if i was the first verse, you’d skip to the chorus i tape glue and sew but you’re the one who tore us ripped me into pieces and i made myself something new i recognized myself you’re lost not knowing what to do play dumb like a pisces and lash out like a scorpio if you’d give me up for anything it would be half an oreo maybe four quarters or a dollar but you could never change had a heart for everyone but i was never in your range impulsive like an aires confusing like a gemini you my day 1 and i love you turns into there cant be a you and i you “never wanna make me cry” but can never keep your **** dry eyes red like im high you “never want to say goodbye” but the second things dont go your way you fly but you could never be the bad guy? act out like a capricorn stubborn like a leo how you beat yourself up but wanna be everyones hero? your double life is really a triple i should call you trio if ‘paid in full’ was my life you would be rico how my own girl crossed me? then made it my fault that she lost me? then told everyone she tossed me? don’t care like aquarius outted me like a libra you beat around the bush when i made it black and white like a zebra how i told you tell me the truth and you made up a story you cant lie on someone who loves you and bask in glory i paved the way for you and you act lost like dory and i still found you careless like sagittarius critic like a virgo how you tell me to “never leave” but you go? how you use the water you drained me of to grow you’re not who your instagram shows i see through you, commando you cant flex on me if you know what i know
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May 5, 2019
May 5, 2019 at 12:51 AM UTC
z0d1ac
guilt me like a cancer manipulate me like a taurus if i was the first verse, you’d skip to the chorus i tape glue and sew but you’re the one who tore us ripped me into pieces and i made myself something new i recognized myself you’re lost not knowing what to do play dumb like a pisces and lash out like a scorpio if you’d give me up for anything it would be half an oreo maybe four quarters or a dollar but you could never change had a heart for everyone but i was never in your range impulsive like an aires confusing like a gemini you my day 1 and i love you turns into there cant be a you and i you “never wanna make me cry” but can never keep your **** dry eyes red like im high you “never want to say goodbye” but the second things dont go your way you fly but you could never be the bad guy? act out like a capricorn stubborn like a leo how you beat yourself up but wanna be everyones hero? your double life is really a triple i should call you trio if ‘paid in full’ was my life you would be rico how my own girl crossed me? then made it my fault that she lost me? then told everyone she tossed me? don’t care like aquarius outted me like a libra you beat around the bush when i made it black and white like a zebra how i told you tell me the truth and you made up a story you cant lie on someone who loves you and bask in glory i paved the way for you and you act lost like dory and i still found you careless like sagittarius critic like a virgo how you tell me to “never leave” but you go? how you use the water you drained me of to grow you’re not who your instagram shows i see through you, commando you cant flex on me if you know what i know
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41
The clock gets me. It comes to me in the middle of the night Pulls back the sheets and says, "Hey fucko." Then it lifts open my sobby wet sand-encrusted lids, It knows when I'm trying at sleep, pumping quarters Like I was swallowing yawns, sometimes I try to squint Harder and take a dream to the next level, whatever The next level is. It's like Friday night when I wanted to go Out to do something, whatever something is. Because I know that if I don't I'll miss that thing that's so Important that if I were to miss it the clock wouldn't come for me Again. And on Tuesday's when I'm knotting a dream around 2 o' clock In the morning, my web-footed adventure, say, killing your Boyfriend, say Fighting the Nazis, say, Rediscovering that you sent nudie pics to That rando guy we met in that club that lives in Prague- I throw the clock at the ******* wall. Because who knows, I make the bed wrong Or maybe I don't cook right, or look right, or Smile the right way at the right Time. And you start thinking that I have to die. The bane of my existence is an imagined feat in your Walnut-sized brain, slowly numbing us while we're Supposed to be, say Listening to the rich, Oxford voice of David Attenborough. Instead you're thumbing through that index of CVS cashiers, just trying to find a scruffy face To flip your digits to, your homemade justification. It becomes A feat, an unjust cause of mine to Get it right, that imaginative and artificial bit you've Been sewing up Monday twilight. That's when I go out and jaw your sister, somewhere between A smirk on your face and a bit of anger at the end of your sentences.
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May 2, 2014
May 2, 2014 at 3:19 PM UTC
F**k Jaw
The clock gets me. It comes to me in the middle of the night Pulls back the sheets and says, "Hey fucko." Then it lifts open my sobby wet sand-encrusted lids, It knows when I'm trying at sleep, pumping quarters Like I was swallowing yawns, sometimes I try to squint Harder and take a dream to the next level, whatever The next level is. It's like Friday night when I wanted to go Out to do something, whatever something is. Because I know that if I don't I'll miss that thing that's so Important that if I were to miss it the clock wouldn't come for me Again. And on Tuesday's when I'm knotting a dream around 2 o' clock In the morning, my web-footed adventure, say, killing your Boyfriend, say Fighting the Nazis, say, Rediscovering that you sent nudie pics to That rando guy we met in that club that lives in Prague- I throw the clock at the ******* wall. Because who knows, I make the bed wrong Or maybe I don't cook right, or look right, or Smile the right way at the right Time. And you start thinking that I have to die. The bane of my existence is an imagined feat in your Walnut-sized brain, slowly numbing us while we're Supposed to be, say Listening to the rich, Oxford voice of David Attenborough. Instead you're thumbing through that index of CVS cashiers, just trying to find a scruffy face To flip your digits to, your homemade justification. It becomes A feat, an unjust cause of mine to Get it right, that imaginative and artificial bit you've Been sewing up Monday twilight. That's when I go out and jaw your sister, somewhere between A smirk on your face and a bit of anger at the end of your sentences.
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