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guy scutellaro Oct 2019
The rain ****** through a darkening sky.

The man's eyes grow bright and he smiles. Softly, he whispers, " Man, you're the biggest, whitest, what hell are you anyway?"

The pup sits up and Jack Delleto caresses her neck, but much to the mutt's chagrin the man stands up and walks away.

Jack has his hand on the door about to go into the bar. The pup issues an interrogatory, "Woof?"

The rain turns to snow.

The man's eyes grow bright and he smiles, "My grandma used to say that when it snows the angels are sweeping heaven. I'll be back for you, Snowflake."

Jack shivers. His smile fading, the night jumps back into his eyes.

Snowflake chuffs once, twice.

The man is gone.



The room would have been a cold ,dark place except the bodies who sit on the barstools or stand on the ***** linoleum floor produce heat. The cigarette smoke burns his eyes. Jack Delleto looks down the length of the bar to the boarded shut fire place and although the faces are shadows, he knows them all.

The old man who always sits at the second barstool from the dart board is sitting at the second bar stool. His fist clenched tightly around the beer mug, he stares at his own reflection in the mirror.

The aging barmaid, who often weeps from her apartment window on a hot summer night or a cold winter evening, is coming on to a man half her age. She is going to slip her arm around his bicep at any moment.

"Yeah," Jack smiles, "there she goes."

Jack Delleto knows where the regulars sit night after night clutching the bar with desperation, the wood rail is worn smooth.

In the mirror that runs the length of the bar Jack Delleto sees himself with clarity. Brown hair and brown eyes. Just an ordinary 29 year old man.

"Old Fred is right," he thinks to himself, "If you stare at shadows long enough, they stare back." Jack smiles and the red head returns his smile crossing her long legs that protrude beneath a too short skirt.

The bartender recognizes the man smiling at the redhead.

"Well,  Jack Delleto, Dell, I heard you were dead. " The six foot, two hundred pound bartender tells him as Dell is walking over to the bar.

"Who told you that?"

"Crazy George, while he was swinging from the wagon wheel lamp." Bob O'Malley says as he points to the wagon wheel lamp hanging from the ceiling.

"George, I heard, HE was dead."

The bartender reaches over the bar resting the palms of his big hands on the edge of the bar and flashes a smile of white, uneven teeth. Bob extends his hand. "Where the hell have you been?"

They shake hands.

Dell looks up at the Irishman. "I ve been at Harry's Bar in Venice drinking ****** Marys with Elvis and Ernest."

Bob O'Malley grins, puts two shot glasses on the bar, and reaches under the bar to grab a bottle of bourbon. After filling the glasses with Wild Turkey, he hands one glass to Dell. They touch glasses and throw down the shots.

"Gobble, gobble," O Malley smiles.


The front door of the bar swings open and a cold wind drifts through the bar. Paul Keater takes off his Giants baseball cap and with the back of his hand wipes the snow off of his face.

"Keater," Bob O'Malley calls to the Blackman standing in the doorway.

Keater freezes, his eyes moving side to side in short, quick movements. He points a long slim finger at O'Malley, "I don't owe you any money," Paul Keater shouts.

The people sitting the barstools do not turn to look.

"You're always pulling that **** on me." Keater rushes to the bar, "I PPPAID YOU."

As Delleto watches Keater arguing with O'Malley, the anger grows into the loathing Dell feels for Keater. The sauve, sophisticated Paul Keater living in a room above the bar. The man is disgusting. His belly hangs pregnant over his belt. His jeans have fallen exposing the crack of his ***, and Keater just doesn't give a ****. And that ragged, faded, baseball cap, ****, he never takes it off.

When Keater glances down, he realizes he is standing next to Jack Delleto. Usually, Paul Keater would have at least considered punching Delleto in his face. "The **** wasn't any good," Paul feining anger tells O'Malley. "Everybody said it was, ****."

The bartender finishes rinsing a glass in the soapy sink water and then places it on a towel. "*******."

Keater slides the Giant baseball cap back and forth across his flat forehead. "**** it," he turns and storms out of the bar.

"Can I get a beer?" Dell asks but O"Malley is already reaching into the beer box. Twisting the cap off, he puts it on the bar. "It's not that Keater owes me a few bucks, "he tells Dell, "if I didn't cut him off he'd do the stuff until he died." Bob grabs a towel and dries his hands.

"But the smartest rats always get out of the maze first," Jack tells Bob.


Cigarette butts, candy wrappers, and losing lottery tickets litter the linoleum floor. Jack Delleto grabs the bottle of beer off the bar and crosses the specter of unfilled wishes.

In the adjacent room he sits at a table next to the pinball machine to watch a disfigured man with an anorexic women shoot pool. Sometimes he listens to them talk, whisper, laugh. Sometimes he just stares at the wall.

"We have a winner, "the pinball machine announces, "come ride the ferris wheel."



"I'm part Indian. "

Jack looks up from his beer. The Indian has straight black hair that hangs a few inches above her shoulders, a thin face, a cigarette dangling from her too red lips.

"My Mom was one third Souix, " the drunken women tells Jack Delleto.

The Indian exhales smoke from her petite nose waiting for a come on from the man with the sad face. And he just stares, stares at the wall.

Her bushy eyebrows come together forming a delicate frown.

Jack turns to watch a brunette shoot pool. The woman leans over the pool table about to shoot the nine ball into the side pocket. It is an easy shot.

The brunette looks across the pool table at Jack Delleto, "What the **** are you starin at?" She jams the pool stick and miscues. The cue ball runs along the rail and taps the eight ball into the corner pocket. "AH ****," she says.

And Jack smiles.

The Indian thinks Jack is smiling at her, so she sits down.

"In the shadows I couldn't see your eyes," he tells her, "but when you leaned forward to light that cigarette, you have the prettiest green eyes."

She smiles.

" I'm Kathleen," her eyes sparkling like broken glass in an alley.

Delleto tries to speak.

"I don't want to know your name," she tells Jack Delleto, the smile disappearing from her face. "I just want to talk for a few minutes like we're friends," she takes a drag off the cigarette, exhales the smoke across the room.

Jack recognizes the look on her face. Bad dreams.

"I'll be your friend," he tells her.

"We're not going to have ***." The Indian slowly grinds out the cigarette into the ashtray, looks up at the man with the sad face.

I met my older sister in Baltimore yesterday. Hadn't seen her since I was nine, since Mom died. I wanted to know why Dad put me in foster homes. Why? I had so many questions and you know what?
I didn't ask one."

Jack is finishing his beer.

"Maybe if you knew the reasons, now, it wouldn't matter anyway."

The man with the black eye just doesn't get it. She lived with them long enough. Long enough to love them.

She stands up, stares at Jack Delleto.

And walks away.


It's the fat blondes turn to shoot pool. She leans her great body ever so gently across the green felt of the pool table, shoots and misses. When she tries to raise herself up off the pool table, the tip of the pool cue hits the Miller Lite sign above the pool table sending the lamb rocking violently back and forth. In flashes of light like the frames from and old Chaplin movie the sad and grotesque appear and disappear.

"What the **** are you starin at?" The skinny brunette asks.

Jack pretends to think for a moment. "An unhappy childhood."

Suddenly, she stands up, looking like death wearing a Harley Davidson T-shirt.

"Dove sta amore," Jack Delleto asks.

Death is angry, steps closer.

"Must be that time of the month, huh," Jack grins.

With her two tiny fists clenched tightly at her side, the brunette stares down into Delleto's eyes. Suddenly, she punches Jack in the eye.

Jack stands up bringing his forearm up to protect his face. At the same time Death steps closer. His forearm catches her under the chin. The bony ***** goes down.

Women rush from the shadows. They pull Jack to the ***** floor, punch and kick him.

In the blinking of the Miller Light Jack Delleto exclaims," I'm being smother by fat lesbians in soft satin pants."  But then someone is pulling the women off of him.

The Miller Lite gently rocks and then it stops.

Jack stands up, shakes his head and smiles.

"Nice punch Dell," Bob O' Malley says, "I saw from the bar."

Jack hits the dust off of his pants, grabs the beer bottle off of the table, takes a swallow. Smiling, he says, "I box a little."

"I can tell by your black eye." O'Malley puts his hand on his friends shoulder. "Come on I'll buy you a shot. What caused this spontaneous expression of love?"

"They thought I was a ******."


2 a.m.

Jack Delleto walks out the door of the bar into the wind swept gloom. The gray desolation of boarded shut downtown is gone.

The rain has finally turn to snow.

His eyes follow the blue rope from the parking meter pole to its frayed end in the plowed hill of snow at the corner of Cookman Avenue.

The dog, Snowflake, dead, Jack thinks.


The snow covers everything. It covers the abandon cars and the abandon buildings, the sidewalk and its cracks. The city, Delleto imagines, is and adjectiveless word, a book of white pages. He steps off the curb into the gutter and the street is empty for as far as he can see. He starts walking.

Jack disappears into empty pages.


Chapter 2


Paul Keater has a room above Wagon Wheel Bar where the loud rock music shakes the rats in the walls til 2a.m. The vibrations travel through the concrete floor, up the bed posts, and into the matress.

Slowly Paul's eyes open. Who the hell is he fooling. Even without the loud music, he would not be able to sleep, anyway.

Soft red neon from the Wagon Wheel Bar sign blinks into his room.

Paul Keater sits up, sighs, resigns himself to another sleepless night, swings his legs off the bed. His x-wife. He thinks about her frequently. He went to a phycologist because he loved her.

Dump the *****, the doctor said.

"I paid him eighty bucks and all he had to say was dump the *****." He laughs, shakes his head.

Paul thinks about *******, looks around the tiny room, and spots a clear plastic case containing the baseball cards he had collected when he was a boy.

He walks to the dresser and puts on his Giant's baseball cap. Paul sits down on the wooden chair by the sink. Turns on the lamp. The card on top is ***** Mays. Holding it in his hand, it is perfect. The edges are not worn like the other cards.

It was his tenth birthday and his dad had taken to his first baseball game and his father had bought the card from a dealer.

Oblivious to the loud rock music filtering into his room, he stares at the card.

Fondly, he remembers.

Dad.


                                     *     

It arrives unobtrusively. His heart begins to race faster.
Jack Delleto rolls away from the cracked wall. He sits up and drops his legs off the bed.

Jack Delleto thinks about mountains.

When he cannot sleep he thinks about climbing up through the fog that makes the day obscure, passing where the stunted spruce and fir tees are twisted by the wind, into cold brilliant light. Once as he climbed through the fog he saw his shadow stretching a half a mile across a cloud and the world was small. Far down to the east laid cliffs and gullies, glaciated mountains and to the west were the plains and cities of everyday life.

The army coat is draped over the back of the chair. In the pocket is his notebook. Jack stands and takes the notebook from the pocket. When he sits in the wooden chair he opens the book and slides the pen from the binder.

When he finishes his story he makes the end into the beginning.



                                           Chapter 3


"I want a captain in a truck." The 10 year old boy with the brown hair tells his mom. "I want it NOW."

His blonde haired mom wearing the gold diamond bracelet nods her head at Jack Delleto. Jack looks up at the clock on the wall. It is only 9a.m. After four years of college Jack has a part time job at K.B. Toy store. "We're all out of them," he tells her for the second time.

"Honey," Blondie tells the boy, they're all out of them."

"YOU PROMISED."

"How about a sargeant in a jeep?

"OK, but I want a missile firing truck , too."

Delleto turns to the display case behind the counter. Briefly, he studies his black eye in the display case mirror and then begins searching the four shelves and twenty rows of 3 inch plastic toys. He finds the truck. His head is aching. He finds the truck and puts it on the counter in front of the boy.

"Sorry, we're all out of the sargeant," Jack tells the pretty lady. The aching in his head just won't go away.

"Mommy, mommy, I want an ATTACK HELIOCOPTER, MOMMMEEE, I WANTAH TTTAAANNNK..."

Jack Delleto leans over the counter resting his elbows on the glass top. The boy is staring at the man with the black eye, at his bruised unshaven face.

"Well, we haven't got any, GODDAMED TANKS. How about a , KICKINTHE ***."

Finally the boy and his mother are quiet.

"My husband will have you fired."

She grabs the boy by the hand. Turns to rush out of the store.

Jack mutters something.

"MMOOOMEEE,  what does..."

"Oh, shut the hell up," the pretty lady tells her son


                              
     

The assistant manager takes a deep drag on her cigarette, exhales, and crosses her arms to hold the cigarette in front of her. Susan looks down at Jack sitting on the stool behind the counter. He stands up. "Did you tell some lady to blow you?" She crushes the cigarette out in the ashtray on the shelf below the counter. "Maybe you don't need this job but I do."

"Sue, there's no smoking in the mall."

"Jack, you look tired," the cubby teenager tells him, "and your eye. Another black eye."

"I was attacked by five women."

'Oh, I see, in your dreams maybe. I see, it's one of those male fantasies I'm always reading about in Cosmo. You re not boxing again, are you Dell?" Sue likes to call him Dell.

"I go down to the gym to work out. Felix says I've got something."

"Yeah, a black eye." Susan laughs, opens the big vanilla envelope, and hands Jack his check.

She turns and takes a pair of sunglasses from the display stand. "You 're scaring the children, Dell ." Susan steps closer looks into Dell's brown eyes and the slips the sunglasses on his face. "Why don't you go to lunch."

                                        
     

It's noon and the mall is crowded at the food court area. Jack gets a 20oz cup of coffee, finds a table and sits down.

"Go over and talk to him. " Susan says. Jack turns his head , looks back, sees the Indian walking towards his table.

"Hello, Kathrine," says Jack Delleto.

"My names not Kathrine, it's Kathleen."

Jack pulls the chair away from the table, "Have a seat Kate."

Her eyebrows form that delicate frown. "My names Kathleen." As soon as she sits down she takes a cigarette from the pack sticking out of her pocketbook. "I had to leave. I told the baby sitter I'd only be gone an hour. Anyway you weren't much help."

"So why did you come over to talk to me?"

"You were alone, always alone."

"You've seen me there before?"

"Yeah, sitting by the pin ball machine staring at the wall, and sometimes, you'd take out your little blue note pad and write in it.
"What are you writing? Are you goin to write about me..."

"How many kids do you have?"

"Just one. A boy, and believe me one is enough. He'll be four in June," Kathleen smiles but then she remembers and abruptly the smile disappears from her face. "Sometimes I see Anthony's father in the mall and I ask him if he'd like to meet his son, but he doesn't.

Kathleen draws the cigarette smoke deep into her lungs, tilts her head back, and blows the smoke towards the skylight. Suddenly caught in the sunlight the smoke becomes a gray cloud. " I didn't want to marry him anyway, I don't know why he thought that."

She hears the scars as Delleto talks, something sad about the man, something like old newspapers blowing across a deserted street. She hears the scars and knows never, never ask where the scars came from.


                              
     

As Jack walks towards the bank to cash his check, he glances out the front entrance to the mall. It is a bright, cold day and the snowplows are finishing up the parking lot plowing the snow into big white hills. That is the fate of the big white pup plowed to the corner of Cookman and Main buried deep in ***** snow. At that street corner when the school is over the children will play on the hill never realizing what lay beneath there feet.

The snow must melt; spring is inevitable.

His pup will be back.



                                           Chapter 4


The 19 year old light heavyweight leans his muscular body forward to rest his gloved hands on the tope rope of the ring. He bows his head waiting to regain his breath as his lungs fight to force air deep into his chest. Bill Wain has finished boxing 4 rounds with Red.

Harry the trainer, gently pulls the untied boxing gloves from Red's hands. "Good fight, he says, patting Red on the back as the fighter climbs through the ropes and heads to the showers. Harry hands the sweat soaked gloves to Felix who puts one glove under his arm while he loosens the laces on the other 12ounce glove. He makes the sleeve wider.

"Do you want the head gear?" Felix asks.

Jack Delleto shakes his head and pushes his taped hand deep into the glove.

The old man takes the other glove from under his arm, pulls the laces out, and holds it open. Without turning his head to look at him, Felix tells Harry, "Make sure Bill doesn't cool down. Tell him to shadow box. Harry walks over to Bill and Bill starts shadow boxing.

Jack pushes his hand into the glove. "Make a fist." Jack does. Felix pulls the laces and ties it into a bow.

Felix looks intently into Delleto's eyes. "How does that feel?"

"About right."

"You look tired."

"I am a little."

"Are you sick or is it a woman."

"I'm not sick."

A big smile forms across the face of the former welterweight champion of Nevada. The face of the 68 year old Blackman is lined and cracked like the old boxing gloves that Jack is wearing but his tall body is youthful and athletic in appearance. Above Felix's eyebrows Jack sees the effect of 20 years as a professional fighter. He sees the thick scar tissue and the thin white lines where the old man's skin has been stitched and restitched many times. As he gives instructions to Jack, Felix's brown eyes seem to be staring at something distant and jack wonders if Felix has chased around the ring one time too often his dream.

"And get off first. Don't stop punching until he goes down. You've got it kid and not every fighter does."

Jack and Felix start walking over to the ring.

"What is it I've got?" Jack Deletto wonders.

"Felix puts his foot on the fourth strand of the rings rope and with his hand pulls up the top strand and as Jack steps into the ring, "You've got HEART."

In the opposite corner Bill Wain waits.

"Will he be alright?" Harry asks.

"Bill's tired, " Felix replies, then he tries to explain. "It's not about money. I'm almost 70 and I want to go out a winner." Felix pauses and the offers, he can hit hard with either hand."

"Yeah, but at best he's a small middleweight and he only moves in one direction, straight ahead."

"Harry, I love the guy," Felix puts his hand on Harry's shoulder, he's like Tyson at the end of his career. He'd fight you to the death but he's not fighting to win anymore."

Harry puts his hands in his pocket and stares at the floor. "Do you want me to tell him to go easy." Harry looks up at Felix waiting for an answer.

"I'm tired of sweeping dirt from behind the boxes of wax beans and tuna fish. I'm sick of collecting shopping carts in the rain. A half way decent white heavyweight can make a lot of money. It's stupid for a fighter to practice holding back. Bill's a winner. Jack'll be alright."

Felix hands the pocket watch to Harry so he can time the rounds.

Bill Wain comes out of his corner circling left.

Jack rushes straight ahead.

Felix winks at Jack Delleto and whispers, "The Jack of hearts."



                                           Chapter 5


The front door of the Wagon Wheel bar explodes open to Ziggy Pop's, "YOU'VE GOT A LUST FOR LIFE." Jack Delleto steps over the curb and vanishes into the dark doorway.

"HEY, JACK, JACK DELLETO," The lanky bartender shouts over the din.

Delleto makes his way through the crowd over to bar. How the hell have you been Snake?" Jack asks.

"Just great," says Snake. "You're lookin pretty ****** good for a dead man."

"Who told you that? Crazy George?"

The bartender points across the room to where a man in a pin stripe suit is swinging to and fro from a wagon wheel lamp attached to the ceiling.

"Yeah, I thought so. Haven't seen Crazy George in a year and he's been telling everyone I'm dead. I'm gonna have to have a long talk with that man."

Snake hands Jack a shot of tequila. The men touch glasses and throw down the shots.

How's the other George? Dell asks.

"AA."

"How's Tommy? You see him anymore?"

"Rehab."

"What about Robbie?"

Snake refills the glasses. "He's livin in a nudist colony in Florida, he has two wives and 6 children."


Jack looks across the room and sees Bob O'Malley trying to adjust the rose in the lapel of his tuxedo. Satisfied it won't fall out O'Malley looks up at the man swinging from the lamp. "Quick, name man's three greatest inventions."

"Alcohol, tobacco, and the wheel," Crazy George shoots back.

O'Malley smiles and then jumps up on the top of the bar and although he is over six feet and weighs two hundred pounds, he has the dexterity and grace of a ballerina as he pirouttes around and jumps over the shot glasses and beer bottles that litter the bar.

Wedding guests lean back in their chairs as strangers fearful of his gyrations ****** their drinks off the bar. Bob fakes a slip as he prances along but he is always in control and never falters. Forty three year old Bob O'Malley is Jim Brown who dodges danger to score the winning touch down.

When is reaches the end of the bar he jumps to the floor, pulls two aluminum lids from the beer box, and with one in each hand he smacks them together like cymbals.

Some guests clap. The bemused just stare.

In the back of the room sitting at the wedding table the father of the bride leans over, whispers into the ear of his crying wife, "If I had a gun I'd shoot Bob."

The bride raises a glass of champagne into the smoke filled air and Bob takes a bow but then heads towards the kitchen at the other end of the room.

" Hey, Bob," Jack Delleto shouts to the groom.

O'Malley stops under the wagon wheel lamp and turns as Delleto steps into the  circle of light cast onto the floor.

"Congratulations, I know Theresa and you are goin to be happy. I mean that." Delleto offers his hand and they shake hands.

"Thanks, Mr. Cool."

Jack takes off the sunglasses.

"TWO black eyes. Your nose is bleeding. What happened?"

Dell takes the handkerchief from his back pocket, wipes the blood dripping down his face. "It's broken."

"What happened?" O'Malley asks again.

"Bill Wain."

"He turned pro."

"Yeah, but he's nothing special. Hell, he couldn't even knock me down."

O'Malley shakes his head. "Put the sunglasses back on, you look like a friggin raccoon."

Dell smiles. The blood running down his lips."Thersa's beautiful, Bob, you're a lucky guy."

"Thanks Dell." O'Malley puts his hand on Dell's shoulder and sqeezes affectionately. Bob looks across the room at Teresa. "Yeah, she is beautiful." Theresa mother has stopped crying. Her father just stares at the wall.

O'Malley looks away from his bride and passed the archway that divides the poolroom from the bar and into the corner. With the lamp light above his head gleaming in his eyes Bob seems to see a ghost fleeting in the far distant, dark corner. Slowly, a peculiar half smile forms uneven, white, tombstone teeth.  A pensive smile.

Curious, Dell turns his head to look into the darkness of the poolroom, too.

At night in July the moths were everywhere. When Dell was a boy he would sit on his porch and try to count them. The moths appeared as faint splashes of whiteness scattered throughout the night, odd circles of white that moved haphazardly, forward and then sideways, sometimes up and down.

Sometimes the patches of moths flew higher and higher and Dell imagined the lights those creatures were seeking were the stars themselves; Orion, the Big Dipper and even the milky hue of the Milkyway.

One night as the moths pursued starlight he saw shadows dropping one by one from the tops of the trees. The swallows were soundless and when he caught a glimpse of sudden darkness, blacker than the night, the shadows erased the dreamer and its dream.

His imagination gave definition to form. There was a sound to the shadows of the swallows in his thoughts, the melody and the song played over and over. Perhaps he saw his reflection in the night. Perhaps there are shadows where nothing exists to cast them.

"Do you hear them, Bob?"

"Hear what?" Bob asks.

"All of them."

"All of what?"

"Nothin," Delleto tells his friend, "Nothin."

O'Malley doesn't understand but it does not matter. The two men have shared the same corner of darkness.

Bob calls to Paul Keater. Keater smiles broadly, slides the brim of his Giant baseball cap to the side of his forehead. The two men disappear through the swinging kitchen door.


                                          Chapter 6


"Hello Kate." Jack Delleto says and sits down. She has a blue bow in her hair and make up on.

"My names Kathleen."

She fondles the whiskey glass in her slim fingers. "Hello, Dell, Sue thinks Dell is such a **** name. Kathleen takes a last drag on her cigarette, rubs it out in the ashtray, looks up at him, what should I call you."

"How about, Darlin?"

"Hello, Jack, DARLIN," her soft, deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. Kate is drunk and Dell does not care. He leans closer, "Do you wanna dance?"

"But no one else is dancing."

"Well, we can go down to the beach, take a walk along the sand."

"It's twenty degrees out there."

"I'll keep you warm."

"All right, lets dance."

Jack stands up takes her by the hand. As Kathleen rises Jack draws her close to him. Her ******* flatten against his chest. He feels her heart thumping.

The Elvis impersonator that almost played Las Vegas; the hairdresser that wanted to be a race car driver; the insurance salesman with a Porche and a wife.  Her men talked about what they owned or what they could do.

Kathleen had never meant anyone quite like Dell.

She rests her head on his shoulder. "What do you what more than anything? What do you dream about at night?"

"Nothing."

"Come on," she says," what do you want more than anything? Tell me your dreams."

Jack smiles, "Just to make it through another day."  He smiles that sad smile that she saw the first time they met. "Tell me what you want."

Kate lifts her head off of his shoulder and looks into his eyes."I don't want to be on welfare the rest of my life and I want to be able to send my son to college." She rests her cheek against his, "I've lived in foster homes all my life and every time I knew one day I'd have to leave, what I want most is a home. Do you know the difference between a house and a home?"

"No."

Her voice is a roaring whisper in his ear, "LOVE."

The song comes to an end and they leave the circle of light and sit down. Kate takes a cigarette from the pack.

Dell strikes a match, "Maybe someday you'll have your home."

"Do you want me to?"

"Yeah."

Kate blows out the match.


                                  
     


"Can you take me home?" Kate asks slurring her words.

Kathleen and Jack walk over to where the bride and groom are standing near the big glass refrigerator door with Paul Keater. When Paul realizes he is standing next to Jack Delleto he rocks back and forth on the heals of his worn shoes, slides his Giants baseball cap back and forth  across his forehead and walks away.

O'Malley bends down and kisses Kathleen on the cheek and turns to shake hands with Dell. "Good luck," says Dell. Kathleen embraces the bride.

Outside the bar the sun is setting behind the boarded shut Delleto store.

"That was my Dad's store, " Jack tells Kate and then Jack whispers to to himself as he reads the graffiti spray painted on the front wall.
"TELL YOUR DREAMS TO ME, TELL ME YOU LOVE ME, IF YOU LOVE ME TELL ALL YOUR DREAMS TO ME."


                                         Chapter 7


An old man comes shuffling down the street, "Hello Mr. Martin, " Jack says, "How are you?"

"I'm an old man Jack, how could I be," and then he smiles, "ah, I can't complain. How are you?"

"Still alive and well."

"Who is this pretty young lady?"

"This Kate."

Joesph Martin takes Kathleen by the arm and  gently squeezes, "Hello Kate, such a pretty women, ah if I was only sixty," and the old man smiles.

Kathleen forces a smile.

The thick eyeglasses that Mr. Martin wears magnifys his eyes as he looks from Kathleen to Jack, "Have fun now because when you are dead you are going to be dead a long, long time."

"How long?  Delleto inquires.

The old man smirks and waves as he continues up the street to the door leading to the rooms above the bar. He turns to face the door. The small window is broken and the shards of glass catch the twilight.

Joesph Martin turns back looking at the man and young woman who are about to get into the car. He is not certain what he wants to say to them. Perhaps he wants to tell them that it ***** being an old man and the upstairs hallway always smells of ****.

Joesph Martin wants to tell someone that although Anna died seven years ago his love endures and he misses her everyday. Joesph recalls that Plato in Tamaeus believed that the soul is a stranger to the Earth and has fallen into matter because of sin.

A faint smile appears on the wrinkled face of the old man as he heeds the resignation he hears in his own thoughts.

Jack waves to Mr. Martin.  Joesph waves back. The mustang drives off.

Earth, O island Earth.


                                               Chapter 8


Joseph pushes open the door and goes into the hallway. The fragments of glass scattered across the foyer crunch and clink under his shoes. The cold wind blowing through the broken window touches his warm neck. He shivers and walks up the stairs. There is only enough light to see the wall and his own warm breathing. There is just enough light like when he has awaken from a  bad dream, enough to remember who he is and to separate the horror of what is real from the horror of what is dreamt.

The old man continues climbing the stairs following the familiar shadow of the wall cast onto the stairs. If he crosses the vague line of shadow and light he will disappear like a brown trout in the deepest hole in a creek.

By the time he reaches the second floor he is out of breath. Joseph pauses and with the handkerchief he has taken from his back pocket he wipes the fog from the lenses of his eyeglasses and the sweat from his forehead.

A couple of doors are standing open and the old man looks cautiously into each room as he hurries passed. One forty watt bulb hangs from a frayed wire in the center of the hallway. The wiring is old and the bulb in the white porcelain socket flickers like the blinking of an eye or the fearful beating of the heart of an old man.

When he opens the door to his room it sags on ruined hinges.

Joesph searches with his hand for the light switch.  Several seconds linger. Can't find it.

Finds it and quickly pushes the door shut. He sits down on the bed, doesn't take his coat off, reaches for the radio. It is gone

Joseph looks around the room. A small dresser, the sink with a mirror above it. He takes off his coat and above the mirror hangs the coat on the nail he has put there.

Hard soled boots echo hollowly off the hallway walls. The echoes are overlapping and he can not determine if the footsteps are leaving or approaching. Joseph grabs the crow bar he keeps under his pillow. Holds it until there is silence.

He lays back on the bed. Another night without sleep. Joseph rolls onto his side and faces the wall.

Earth, O island Earth.



                                           Chapter 9


Tangled in the tree tops a rising moon hangs above the roofs of identical Cape Cod houses.

Jack pulls the red mustang behind a station wagon. Kathleen is looking at Dell. His face is a faint shadow on the other side of the car. "Do you want to come up?" she asks.

Kathleen steps out of the car, breathes the cold air deep into her lungs. It is fresh and sweet. Jack comes around the side of the car just as she knew he would. He takes her into his arms and kisses her and they walk beneath the old oak tree and the roots have raised and crack the sidewalk and in the spring tiny blue flowers will bloom. The flowers remind Jack of the columbines that bloom in high mountain meadows above treeline heralding a brief season of sun and warmth.

"Did you win?" Kathleen asks as she fits the key into the upstairs apartment door. The door swings open into the kitchen.

Dell, standing in the doorway looking like the Jack of Hearts. "It doesn't matter."

"You lost?"

"Yeah."

Crossing the room she takes off her coat and places it on the back of the kitchen chair. When Kate leans across the kitchen table to turn on the radio the mini dress rides up her thigh, tugs tightly around her buttocks.

The radio plays softly.

Jack stands and as Kathleen turns he slips his arms around her waist and she is staring into his eyes like a cat into a fire. His body gently presses against the table and when he lifts her onto the table her legs wrap around his waist.

Kathleen sighs.

Jack kisses her. Her lips are cold like the rain. His hand reaches. There is a faint click. The room slips into darkness. It is Eddie Money on the radio, now, with Ronnie Spectre singing the back up vocals. Eddie belts out, "TAKE ME HOME TONIGHT, I WON"T LET YOU LEAVE TIL..."

When Jack withdraws from the kiss her eyes are shining like diamonds in moonlight.

The buttons of her dress are unfastened.  Her arms circle his neck and pull him to her *******. "Don't Jack. You mustn't. I just want a friend." His hands slide up her thighs. "I'll be your friend, " says Jack.

"*** always ruins every thing," Her voice is a roaring whisper in his ear. He pulls her to the edge of the table as Ronnie sings, "O DARLIN, O MY DARLIN, WON'T YOU BE MY LITTLE BAABBBY NOOWWW."


Now that they have gotten *** out of the way, maybe they can talk. Sliding her hands around his face she pulls him closer.

"Jack, what do you dream about? You know what I mean, tell your dreams to me."



                                             Chapter 10



All the windows in the apartment are open. The cool breeze flows through her brown hair. "You're getting too serious, Jack, and I don't want to need you."

"That's because I care for you." Jack Delleto sits down on the bed, caresses her shoulder and Kate pulls away.

"Well I don't need anyone."

"People need people."

There is silence, then, "I only care about my son and Father Anthony."

"What is it with you and the priest?" You named your son Anthony is that because he's the father."

"Your an *******. Get out of here. I don't love you." And then, "I've been hurt by people and you'll get over it."

The lingering silence. Jack gets up from the bed, stares at her dark form facing the wall. "Isn't this how it always ends for you?"

The room is quiet and grows hot. When the silence numbs his racing heart, he goes into the kitchen, opens the front door and walks down the steps into the cold rain.


"Anthony," Kathleen calls to her son to come to her from the other bedroom and he climbs into the bed and she holds him close. The ghost of relationships past haunt her and although they are all sad, she has she clings to them.


On the sidewalk below the apartment window Jack stops. He thinks he hears his name being called but whatever he has heard is carried off by the wind. He continues up the  dark street to his Harley.

High in reachless branches of the old oak tree a mockingbird is singing. The leaves twist in the wind and  the singing goes on and on.



                                            
     



The ringing phone.

"Who the hell is this?" The clock on the dresser says 5a.m.

"Jack, I'm scared."

"Kate?"

"Someone broke into my apartment."

"Is he still there?"

"No, He ran out the door when I screamed."

"I'll be right over."



                                         Chapter11


"How hot is it?" Kathleen asks.

The bar is empty except for O'Malley, Keater, a man and a woman.

"98.6,"Says jack The sweat rolls down his cheeks.

"Let's go to the boardwalk."

"When it's hot like this, it's hot all over."

"We could go on the rides."

"I've got the next pool game, then we'll go."

"It's my birthday."

"I bought you flowers."

"Yeah, carnations."

Laughing, Paul Keater slides the brim of his baseball cap back and forth across his forehead.

Jack starts for Keater, Katheen steps in front of Jack, puts her hands on his shoulders. She looks into his eyes.

"What is it with you , two? But as always you'll say nothing, nothing." As Jack tries to speak she walks over to the bar and sits on the barstool.

"It's my birthday," she tells O'Malley.

When Bob turns from the horse races on he T.V., he notices her long legs and the short skirt. "Hey, happy birthday, Kate, Jack Daniels?"

"Fine."

Filling the glasses O'Malley hands one to Kathleen, "You look great," he tells her.

"Jack doesn't think so. Thanks, at least someone thinks so."

"Hope Jack won't mind," and he leans over the bar and kisses her.

Kathleen looks over her shoulder at Delleto. Jack is playing pool with a woman wearing a black tight halter top. The woman comes over to Jack, stands close, smiles, and Jack smiles back.

The boyfriend stares angrily at Jack.

When Kathleen turns back O'Malley is filling her shot glass.

Jack wins that game, too.



                                                 Chapter 12



"Daddy,"the little girl her hands folded in her lap is looking up at her father. "When will the ride stop? I want to go on."

"Soon, Darling, "her father assures her.

"I don't think it will ever stop."

"The ride always stops, Sweetie." Daddy takes her by the hand, gently squeezes.


When the carousel begins to slow down but has not quite stopped Kathleen steps onto the platform , grabs the brass support pole. The momentum of the machine grabs her with a **** onto the ride, into a white horse with big blue eyes. Dropping her cigarette she takes hold of the pole that goes through the center of the horse. She struggles to put her foot in the stirrup, finds it, and throws her leg over the horse. The carousel music begins to play. With a tremble and a jolt, the ride starts.

Sitting on the pony has made her skirt ride well up her legs. The ticket man is staring at her but she is too drunk to care. She hands him the ticket, gives him the finger.

The ticket man goes over to the little girl and her father who are sitting in a golden chariot pulled by to black horses.

"Ooooh, Daddy, I love this."

"So do I," The father smiles and strokes his daughters hair.

The heat makes the dizziness grow and as the ride picks up speed she sees two of everything. There are two rows of pin ball machines, eight flashing signs, six prize machines. All the red, blue and green lights from the ride blend together like when a car drives at night down a rain soaked street.

Kathleen feels the impulse to *****.

"Can we go on again?" The little girl asks.

"But the ride isn't over, yet."


Kathleen concentrates on the rain soaked street and the dizziness and nausea lessens. She perceives the images as a montage like the elements that make up a painting or a life. She has become accustom to the machine and its movement. The circling ride creates a cooling breeze that becomes a tranquil, flowing waterfall.

The ponies in front are always becoming the ponies in the back and the ponies in back are becoming the ponies in the front. Around and around. All the ponies galloping. Settling back into the saddle she rides the pony into the ever present waterfall.

You can lose all sense of the clock staring into the waterfall of blue, red and green. Kathleen leans forward to embrace the ride for a long as it lasts.

Just as suddenly as it started, the ride starts slowy, the music stops playing.

Coming down off the pony she does not wait for the ride to stop, stumbles off the platform and out the  Casino amusement park door."****, *******," she yells careening into the railing almost falling into Wesley Lake.

She staggers a few steps, sits down on the grass by the curb, hears the carousel music playing and knows the ride is beginning again, and all the her dreams crawls into her like a dying animal from its hidden place.

And it all comes up from her throat taking her breath away. A distant yet familiar wind so she lies down on the grass facing the  street of broken buildings filled with broken people. From the empting lot of scattered thoughts the mockingbird is singing and the images shoot off into a darkening landscape, exploding, illuminating for a brief moment, only to grow dimmer, light and warmth fading into cold and darkness.




                                      
     

"Your girlfriend is flirting with me," Jack Delleto tells the man. "It's my game."

The man stands up, takes a pool stick from the rack, as he comes towards Jack Delleto the man turns the pool stick around holding the heavy part with two hands.

There is an explosion of light inside his head, Delleto sees two spinning lizards playing trumpets, 3 dwarfs with purple hair running to and fro, intuitively he knows he has to get up off the floor, and when he does he catches the bigger man with a left hook, throws the overhand right. The man stumbles back.

His girlfriend in the tight  black halter top is jumping up and down, screaming at, screaming at Jack Delleto to stop, but Jack does not. Stepping forward, a left hook to the midsection, hook to the head, spins right, throws the overhand right.

The man does down.

Jack wins.



                                                  CHAPTE­R 13

"It's too much," and Jack looks up from the two lines of white powder at Bob O'Malley. "I'll never be able to fall asleep and I hate not being able to sleep."

" Here," Bob takes a big white pill from his shirt pocket.

Jack drops the pill into his shirt pocket and says, "No more." He hands the rolled up dollar bill to Bob who bends over the powder.

"Tom sold the house so you're upstairs? O Malley asks, and like a magician the two lines of white powder disappear. Straightening up, he looks at Dell, "I know you 're hurting Dell , I'm sorry, I'm sad about Kate, too."

Jack becomes quiet, walks through the darkened room over to the bar. Leaning over the bar he grabs two shot glasses and a bottle of Wild Turkey, walks back into the poolroom. He puts the shot glasses on top of the pin ball machine. "We have a winner, "the pin ball machine announces. Dell fills the glasses.

"Felix came in the other day, he's taken it hard. Bill Wain knock down four times in the sixth round, lost consciousness in the dressing room, and died at the hospital."

"What's the longest you went without sleep? Jack asks.

"Oooohhh, five, six days, who knows, after awhile you loose all track of the clock."

They take the shots and throw them down.

"I wonder if animals dream," Jack wants to know. "I wonder if dogs dream."

"Sure they do, " O'Malley asures him, nodding his head up and down, "dogs, cats, squirrels, birds."

"Probably not insects."

"Why not? Sure they do, june bugs, fleas, even moths, it's all biochemical, dreams are biochemical, mix the right combination of certain chemicals, electric impulses, and you'll produce love and dreams."

                                          
     

Jack Delleto goes into the room, studies it. The light from the unshaded lamp on the night stand casts a huge shadow of him onto the adjacent wall. Not much to the room, a sink with a mirror above it next to a dresser, a bed against the wall, a wooden chair in front of a narrow window.

The rain pounds the roof.

The apprehension grows. The panic turns into anger. Jack rushes the white wall, meets his shadow, explodes with a left hook. He throws the right uppercut, the over hand right, three left hooks. He punches the wall and his knucles bleed. He punches and kicks the blood stained wall.

At last he is exhausted, collapses into the chair in front of the open window. Fist sized holes in the plaster revel the bones of the building. The room has been punched and kicked without mercy. The austere room has won.

The yellow note pad, he needs the yellow note pad, finds it, takes the pencil from the binder but no words will come so he writes, "insomnia, the absence of dream." He reaches for the lamp on the night stand, finds it, and turns off the light. Red and blue, blue and red, the neon from the Wagon Wheel Bar sign blinks soft neon into his room. The sign seems to pulsate to the cadence of the rock music coming from the bar.

Taking the big white pill from his shirt pocket, he swallows it, leans back into the chair watching the shadows of rain bleed down the wall. The darkness intensifys. Jack slides into the night.



                                           Chapter 14


The rain turns to snow.

With each step he takes the pain throbs in his arm and shoulder socket. His raw throat aches from the drafts of cold air he is ******* through his gaping mouth and although his legs ache he does not turn to look back. Jack must keep punching holes with his ice axe, probing the snow to avoid a fall into an abyss.

The pole of the ice axe falls effortlessly into the snow, "**** it, another one."

Moonlight coats the glacier in an irridecent glow and the mountain looms over him. It is four in the mourning and Jack knows he needs to be high on the mountain before the  mourning sun softens the snow. He moves carefully, quietly, humbly to avoid a fall into a crevasse. When he reaches the top of the couloir the wind begins to howl.

"Da DA DUN, DA DA DUN, HEY PURPLE HAZE ALL AROUND  MY BRAIN..."

Jack thinks the song is in his head but the electric guitar notes float down through the huge blocks of ice that litter the glacier and there standing on the arête is Jimi, his long dexterous fingers flying over the guitar strings at 741 mph.

"Wait a minute, " Jack wonders, stopping dead in his tracks. The sun is hitting the distant wind blown peaks. "Ah, what the hell," and Jack jumps in strumming his ice axe like an air guitar, singing, shouting, "LATELY THINGS DON'T SEEM THE SAME, IS THIS A DREAM,  WHATEVER IT IS THAT GIRL PUT A SPELL ON MEEEE, PURRPPLLE HAZZEEE."


                                        
     


Slowly the door moans open.

"Jack, are you awake?" her voice startles him.

"Yeah, I'm awake."

"What's the matter, can't sleep?"

Jack sifts position on the chair. "Oh, I can sleep all right." He recognizes the voice of the shadow. "I want to climb to a high mountain through ice and snow and never be found."

"A heart that's empty hurts, I miss you Jack Delleto."

"I'm glad someone does, I miss you ,too."

There is silence for several minutes and the voice comes out of the darkness again.

"Jack, you forgot something that night."

"What?" The dark shape moves towards him. When it is in front of him, Jack stands, slips his arms around her waist.

"You didn't kiss me goodbye."

Her lips are soft and warm. Her arms tighten around his neck and the warmth of her body comes to him through the cold night.

"Jack, what's the matter?" She raises her head to look at him, "Why, you're crying."

"Yeah, I'm crying."

"Don't cry Darlin," her lips are soft against his ear. "I can't bare to see you unhappy, if you love me, tell me you love me."

"I love you, I do," he whispers softly.

"Hold me, Jack, hold me tighter."

"I'll never let you go." He tries to hug the shadow.


                                          
      *


The dread grows into an explosion of consciousness. Suddenly, he sits up ******* in the cold drafts of air coming into the room from the open window. Jack Delleto gets up off the chair and walks over to the sink. He turns on the cold water and bending forward splashes water onto his face. Water dripping, he leans against the sink, staring into the mirror, into his eyes that lately seem alien to him.



                                            Chapter 15


Someone approaches, Jacks turns, looks out the open door, sees Joesph Martin go shuffling by wearing a faded bathrobe and one red slipper. Jack hears Martin 's door slam shut and the for thirty seconds the old man screams, "AAHHH, AAAHHH, AAAHH."
Then the building is silent and Jack listens to his own labored breathing.

A glance at the clock. It is a few minutes to 7 a.m. Jack hurries from his room into the hallway.  They pass each other on the stairs. The big man is coming up the stairs and Jack is going down to see O'Malley.

Jack has committed a trespass.

When the big man reaches the top of the stairs, the red exit light flickers like a votive candle above his head. The man slides the brim of his Giants baseball cap back and forth across his forehead, he turns and looks down, "Hello, Jack, brother. Dad loved you, too, you know." An instant later the sound of a door closing echoes down the hallway steps.

Jack Delleto is standing in the doorway at the bottom of the steps looking out onto the wet, bright street.

"Hey, Jack, man it's good to see you, glad to see you're still alive."

Jack turns, looks over his shoulder, "Felix, how the hell are you."
The two men shake hands, then embrace momentarily.

"Ah, things don't get any better and they don't get any worse," shrugs the old man and then he smiles but his brown eyes are dull and Jack can smell the cheap wine on the breath of the old boxer. "When are comin back? Man, you've got something, Kid, and we're going places."

"Yeah, Felix, I'll be coming back."  Jack extends his hand. The old fighter smiles and they shake hands. Suddenly, Felix takes off down Main Street towards Foodtown as if he has some important place to go.

Jack is curious. He sees the rope when he starts walking towards the Wagon Wheel Bar. One end of the rope is tied around the parking meter pole. The rest of the rope extends across the sidewalk disappearing into the entrance to the bar. The rattling of a chain catches his attention and when the huge white head of the dog pops out of the doorway Jack is  startled. He stops dead in his tracks and as he spins around to run, he slips falling to the wet pavement.

The big, white mutt growls, woofs once and comes charging down the sidewalk at him. The rope is quickly growing shorter, stretches till it meets it end, tightens, and then snaps. Now, unimpeded by the tension of the rope the mutt comes charging down the sidewalk at Delleto. Jack's body grows tense anticipating the attack. He tries to stand up, makes it to his knees just as the dog bowls into him knocking him to the cement. The dog has him pinned down, goes for his face.

And begins licking him.

Jack Delleto struggles to his knees, hugs her tightly to him. Looking over her shoulder, across Main Street to the graffiti painted on the boarded shut Delleto Market...

                               FANTASY WILL SET YOU FREE

                                                 The End

To Tommy, Crazy George and Snake, we all enjoyed a little madness for awhile.
valencia May 2019
September

from dust and broken glass, from silver and stone, an army arises from their shallow graves. and to this day, no one can remember that this is how it all began.

demons run when a good man goes to war.
that’s what they have always told me. there haven’t been any good men here for a while then, because I can still see demons lurking around corners like shadows.


there have always been things in my life I have learned not to question. you do not doubt the stars in the sky, the ground beneath your feet, or the strength of the northernland. we do not question the northernland.

i like to ask myself questions-
after the sky fell, who gathered it all up and put it back in the sky?
they won’t tell us in school.
when the sky fell, what did the stars taste like?
i think it would taste like fire and pain and sugar, like drinking lighting hot lemonade in the summer.
we don’t ask in school.

thursday



there has never been enough. money, food, water. in school, they teach us about the war. the war has no name, it is just the war. maybe it will someday. no one dares to name it. you do not name the devil.

we bow to the throne of the northernland, unaware that is was born of lies. the cameras are our leader now. they are all we have ever known.

on Sundays we go to church and pray. the crosses will never hang right and are always turning upside down and the priest is always looking pale. we all look pale, now. the cloud of dust from northernland blocks out the sun most days.


friday
I went to Lou's house today. she has a red front gate and ivy growing in her garden. we kicked a deflated kickball around for a bit, but she kept looking over her shoulder. she pretended to drop the ball behind her but couldn't bend down to grab it because her arm is broken, so I went over. tears were hiding beneath her eyes, but she did not say anything. then her dad came out and watched us play. i didn’t like his smile, it was too wide.




when i wanted to go home, he offered to walk me home. i said i could do it by myself. wouldn’t want you to get into trouble he said, somehow smiling wider. lou made herself laugh and smiled too, but it wasn’t a real smile. as we walked home, he didn’t turn his head away from me, even to cross the street. i looked deep into his pupils, which were so wide they covered the colored part. i swore i could see someone behind them, watching. i didn’t say anything. after i went into my house,
he stood out front for a long time, watching. then i heard. shout from the basement but the door was locked as always so i got scared about that instead and when i looked out front again he was gone.

saturday

today in school i fell and skinned my knuckles. the blood that came was strange, reddish-orange. teacher grabbed my hand and bandaged it right away before i could get a good look at it. she said you mustn’t tell your mother.


teacher doesn’t know that mother went to go live in the White Building, a place for people who hear voices and don’t like the government and have to be restrained so they don’t hurt people. i don’t say any of this, i just nod my head ok.

sometimes i worry, about alistair. he’s a gravedigger and everyday when he comes home he looks so empty. he won’t tell me why he’s so sad but once i heard him tell canary that the graves just get bigger everyday and then after a long time he said but there are always to many bodies

i tried to listen more but he found me behind the wall and when i asked him why there were so many bodies he said there’s a sickness, that’s all
then after that teacher made us all wear cottons masks that are itchy and make it hard to breathe.


sunday

on the telly today the man in the suit announcer we had another victory but i don’t understand how we can have victories without winning the war. the man in the suit tried to show a picture but all we saw was a blurry mess because alistair said sometimes things can’t be shown on the telly but i don’t know why. i doesn’t make sense why they would restrict anything anymore. we now what it looks like. a flat landscape paved with bodiesaccented with blood.
we aren’t supposed to know about that though.

in school, teacher tells us there have been no casualties of the war. but only when principal is watching. when he’s not she’s stuffs our coats beneath the crack and the door and tunes the telly to a different station- one that’s fuzzy that she has to hold a hanger to in order for us to see anything. and she’ll flip back and forth between leader of the northernland and say this is propagandam  and then turn the **** back to the man in the suit, and then say this is the truth

i don’t know why teacher tells us these things.

monday

listen- do you hear it? i can hear planes buzzing overhead. teacher says to ignore it. teacher says we aren’t supposed to hear.
alistair never lets me go in the basement. he keys the key round his neck, even when he’s sleeping. he says it’s dangerous down there. but i’ve always been too curious- that’s what principal says. he looks at me with those stern different colored eyes and says curiosity killed the cat every time ms. hoth brings me to his office for doodling. i still have no idea what a cat is. cardeully, he erases my drawings and put the paper neatly into his desk. we waste nothing here. go home is all he says. but i know what he means. walk home in silence and do not ask questions, do not look behind curtains and do not wander off.

today mari has her birthday party. her mum wasn’t there. i can tell lou noticed because her eyes were scanning the room all strange, but she didn’t say anything. i didn’t ask. mari looked all scared and the camera of the ceiling fan hadn’t moved from her in a long time. i wondered who was watching her.

later, mari pulled me beneath her bed. i tried to say something but she covered my mouth with her hand. they’ll take me for telling you
was all she said.
but i have to tell someone.

i knew the feeling.
after a long time she took her hand off of my mouth and said mums in the garden








while she opened her presents, the mandatory ones from the northernland that are no fun, i tried to look out the window to see her mum. the only thing i could see in the garden was a pile of freshly turned earth. lou caught me looking and grabbed my wrist. she said you mustn’t look.


tuesday
when i come home there is a woman sitting at the kitchen table, and with her there are four ravens. she is royal, i can feel it in the way she sits and breathes and just exists. she looks at her hands and then at me. but this lady is not a guardian angel, like the kind canary says is always looking out for us. i am not an angel. she says. she is not from the northernland, but not from here either. i know is all i say, because i am not alarmed that she is here and that there are cameras and that she does not belong. i know she is not real. and she says i am a godess. i do not doubt her. she sits up, and puts the ravens about her in her hair and on her shoulders and the like. this is an omen. i nod, because why else would a goddess be at my kitchen table? and then she is gone because she was never really there, and i wash my face and make sure i am no longer seeing people that are not there, because i don’t want to go live in the White Building like mum.


wednesday

they are always watching us at recess- we mustn’t stand or walk anymore. we have never been allowed to run. there are cameras everywhere now, too. they see everything like a great waking monster that never sleeps. i thought i would feel safe with the cameras, but the back of my neck feels prickly like there’s somebody standing behind me and when i spin around and look the mushroom is empty except for me.

the only place there aren’t cameras is under alistair bed. i go and hide there sometimes, just to forget the feeling of being watched. that’s where i read the stories that alistair’s written. in them, he talks about a sky as blue as the ocean.
i have never been to the ocean. i remember the sky used to be blue, but never really. now it is a sickly grey.
canary caught me looking at the sky once and pushed my head down. she said don’t let them catch you looking or they’ll put cameras in your eyes.
i believe her.

wednesday

today we went to mandatory meeting, where they passed out rations. there is always less and less then there was last time. while we were there they made us watch a video where the leader of the northernland talked about how well we were doing in the war and how this would almost be over soon. he also reminded us that if we were past curfew there would be serious punishments.
for rations we got a red powder called kool-aid that you mix with water to make juice. we also got a loaf of white bread, a browned banana, circular crackers and a warm jacket. alistair took the jacket and left for work.

canary always looks worried. ever since mom went bonkers i haven’t seen her not wearing her worry lines. i can’t believe she’s only six years older than me. to alistair that doesn’t seem like a long time. to me, six years is an eternity. as long as a war.

canary watched alistair go at the window for a long time, long after he disappeared into the fog. then, all of a sudden, she turned around and said i’ll help you with your homework. i didn’t tell her that i knew how to multiply fractions. mom always used to say that if you were busy you weren’t worried. canary made me a cup of red juice and her hands shook so much she dropped the glass.
pity, that was our last one. it seemed to shatter in slow motion, and i could see every piece break slower and slower.

the day seemed to go by slowly, the cold sleeping into my bones and making me sleepy. i wa so thirsty, so thirsty. i wasn’t allowed anymore water till friday though. if you drink to much of it at once you get sick. i begged canary to let me drink from the stream in the garden but she wouldn’t. it’s black and thick, and smells like nail polish.

the last time i punted my nails was for dads funeral. i remember canary used her last bottle of nail polish to paint my fingers black, so as not to have anybody see the dirt under my fingernails. it didn’t matter, in the end. we were the only ones who attended.

canary is flying together the pieces of the glass with tacky glue. i can’t bear to tell her that all the glue in the world would never be enough. the shards are too small. she’s fills it back up with red juice and fora moment all is well, but then the glass can’t take it anymore and collapses with force into her hands. kool-aid runs down her fingers like blood. intermixed is real blood, from the cuts the glass left. she looked at it for a long time, letting the blood run down her fingers like that.

then she said what a waste

november

alistair is sick. principal gave us ibuprofen but all it does it make him feel empty. he begs us not to give him more but it’s the only things that will take his fever down. he thrashes in bed and screams ****** ****** and i worry he is going to be like mom, always seeing things and hearing things. maybe he can go live with mom in the White Building. mom would like that, if she could remember alistair.

i have been sleeping at school, because canary doesn’t want me to get sick. the dorms are cold and empty and heavily sanitized. i miss canary and i miss alistair but canary won’t let me come home. i don’t know what she would do if i was sick. so i stay. and every night, i say to myself i hate the northernland i hate the northernland i hate
but i say it in my head,  because i am worried they will come for me.
sometimes i worry about canary getting sick. she says promise i wont, sunshine but i know she never worries about herself. teacher gave me flowers to send to alistair. the card says “get well soon” it has been a long time since i have seen real flowers. most are fake, like the ones teacher sent alistair. i don’t mind. it’s the sentiment that is important.





sunday

today at church preacher said and let us pray for our sick
they have stopped re adjusting the crosses. the remain upside down and no one looks. except me. i was looking, while we were supposed to be praying, but canary pushed my head down and said  pretend you can’t see them.
that’s  when i knew she sees things too.

saturday
i remember when i came home from school and found mum. there was paper all over the house, because she’s been doing her drawings. it was on the walls and floor and crinkled up under the boxes, all pictures of the northernland and the pastor and everything. and she said there is no god. there is no god. there is no god. alistair covered her mouth but it was too late, the northernland men were already here. she drew here pictures more violently scribbling and slashing with my art pencils. she drew alistair and canary and father, but not me or her. there was lump in my throat. she picked a new piece of paper and drew god, above us all, but she kept saying there are no gods there are no gods there are no gods, and she slashed and scribbled at the paper, and the northernland men were knocking, watching us through the cameras, and mum pulled me down next to her. i could see blood beneath my skin she held me so tight, and she had. a thousand stars in her eyes that were all spinning, saliva dripped down her chin and  she did not look my my mum anymore. she looked lost. she said the gods have abandoned us.


after the northernland men took her to live in the White Building, her drawings were left on the floor. alistair gathered them all up and threw them in the basement and locked the door. then he put the key around his neck. at least, i think that’s what’s in the basement. i have never told alistair, but i took the last drawing she did, of me and her and a boy. i stuck it with glue to the very back of my dresser drawer, so no one will ever find it. in the picture, my lips looks like there are sewn together with greenish yarn. this has always scared me. mums mouth is open and she is screaming, but there is no tounge inside her mouth. the boy looks normal, and he is holding my hand. this boy is not alistair. this has always scared me. this has always scared me. this has always scared me. it’s only a picture.



monday

i keep finding myself in that moment-
when canary broke the glass and cut her hands, spilling red juice and blood like lines on her hands. she sat there for a long time, just looking. maybe it’s stuck with me because she was just looking, when we’re never supposed to look.

the clocks tick slower and slower everyday.


tuesday

teacher wasn’t at school today. instead we have a woman with blinding hair and an accent from the northernland. nobody asked where teacher went.
we don’t want to know. the hanger and the telly were gone, too.

when i got home i was feeling really sick with tears. i told alistair they’ve taken teacher. his eyes widened and he ****** his head toward the camera. canary dig her fingernails into my arm. of course they haven’t was all he said. that’s silly.

then he looked off into nothing for a long time. i just looked straight into the camera.


wednesday

at recess the northernland woman was acting real strange. she sat with us on the pavement and when the camera tune we it’s invasive x-ray eyes away she whispered your teacher has been taken by the northernland.

nobody said anything. nobody says anything, anymore. i think if we even spoke to many of us would cry. and then the cameras would look at us. so we just stared into space.
in our hearts, we already knew. but i still wanted to scream.


thursday

today was idyllic. sun came through the smoke and lit the sidewalk up orange. the woman from the northernland asked us what we would want if we could have any powers. almost everyone said healing. i said flying. maybe it’s because i’m selfish, all i want to do is fly away. but maybe it’s because i’m honest. i’m getting tired of not hearing the truth.

just to see if i could do it i ran all the way home. my feet seemed to leave the ground, its was as if i was actually flying every time i took a step. but then i landed and took off again.
i hadn’t run in a long time.
my chest seemed to hurt with a good  pain, if pain can be good.
i wanted to tell alistair but canary wouldn’t let me see him. i just need to you to get warm was all she said. over and over. but i’m boiling he said. it was quiet for a long time. it’s going to be alright. she said it again. twice. three times.

you know that feeling when you feel sick to your stomach, not because of disease but of fear. and mixed up in that sickness are tears and realization and you feel weak and helpless.  that’s how i felt when they took mum. that’s how i feel now.

i don’t know why, but a sudden hatred for the northernland boils up in my stomach. i think i am going to be sick. i turn around and run, run as fast as i can until i am at a strange gravel alleyway hidden behind some trees. i rest there for a long time, looking into the darkness after the cliff face. i know where i am. i am in the abyss, a place forbidden so long ago by alistair i had never thought to come here. i don’t break rules, i just ask questions. but i am here. at the abyss. where nobody should ever be.

friday
death is a sense. just like touch or smell, death is a feeling. i could feel it in my heart. in my bones and in my veins. it crowded about our house like fog in the summer. and all i wanted in the world was for it to go away.

teacher today told us about the northernland, how it was kind and safe and loved it’s people. the lie seemed to cuddle in her throat. nobody has ever gotten kindness from the northernland. the northernland started the war and has starved and survieled us to no avail. i know there was a time before, but i do not understand how that could have been. but i still haven’t  made peace with the cameras.


the abyss is where people go to go crazy. your screams bounce off the walls of the hole, but you cannot see them because it does not have edges. you cannot see the bottom or the sides of anything, just darkness. then the northernland men in the gas masks come in their yellow trolley and take you away. the abyss is where the devil lives, in a bottomless hole to the middle of the world.







saturday

i met a boy who lives in the abyss. he is made of sunshine and glitter, and plastic and paint and peace and everything that is beautiful.

but he is not really there. instead, he is almost see through. sometimes he is there and sometimes he is not. i know he isn’t real, just an imaginary friend. i am not like mum, who saw imaginary people and thought they were becoming real.

i did not say much to enyo, instead i said the only thing i was thinking. saying it made me feel sick.

i think alistair is going to die.













as i said it, it echoed off the walls of the cliff.
suddenly it was all too much. i was all too much. my heart started beating fast and my mouth felt dry and i stood up. i didn’t mean to cry but i did, big wet tears the dried my skin. i don’t want him to die. i said over and over.
my words echoed against the cliffs, i didn’t  sound like me.
HE CANT DIE
i shouted. HE CANT DIE HE CANT DIE HE CANT DIE HE CANT DIE HE CANT DIE HE  CANT


i woke up a long time later next to enyo. i looked into the void that filled the space between the cliffs and the beyond. i wonder of that’s where heaven is i said. i pointed into the nothingness that felt all consuming. enyo said nothing. he looked as empty as i felt.
a long silence later i said he’s not going to die is he? enyo looked me in the eyes for the first time and i realized his were a beautiful black, layer upon layer of black and brown. he said what do you fear more, the echo or the answer

but enyo was not there at all. he is only imaginary.




sunday

preacher came again to the house and said that alistair is better. that his fever had broken. i didn’t know fevers could break. i asked him about what being sick feels like, and he took me outside to the garden and we sat on the piles of rubble that used to be the neighbors. he said that your brain gets confused, and everything seems fuzzy and mixed up. i can’t help but think that must be awful for alistair, he was always orderly.

monday
today mari has her birthday party. her mum wasn’t there. i can tell lou noticed because her eyes were scanning the room all strange, but she didn’t say anything. i didn’t ask. mari looked all scared and the camera of the ceiling fan hadn’t moved from her in a long time. i wondered who was watching her. i know who was watching her.


tuesday

i go down to the cliffs, but enyo isn’t there. schools closed for sanitization, so i have nothing to do.  i swing my legs off the edge for a long time. i don’t dare say anything, i hate how it echoes back. i look deep into the bottom but i can see nothing.  it is only darkness. something at the bottom feels like is calling to me, tugging at me to come. i turn my back.
was this before or after the preacher came? i am trying to remeber in order, tell you this story radially like teacher says.

i go home and canary’s there waiting at the window. she says here i’ll help you with your homework. no, no, no NO NO NO NO NO NO. that did not happen after, that happened before.

i can hear the ticking of the clock in my ears, slowing down.
maybe i’m going crazy.


wednesday
i’m sitting on a bench, but i cannot remember where. enyo is beside me and he is talking. in my chest i feel something strange, like it is moving and jumping. i feel queasy but it also feels nice.
i look over and he’s bleeding, golden blood from his eyes and mouth running down his chest. i want to scream but it stops in my throat. enyo puts a finger to my lips and the scream goes away.

he isn’t bleeding anymore. we’re holding hands. are we holding hands? teacher tells us not too, it will make us sick. but enyo is different. enyo doesn’t go to school. i feel as if my hands are sweating but it doesn’t matter, he doesn’t say anything.





i wake up cold. it felt so real, it all felt so real. my arms feel heavy.
i’m alone on a bench by the abyss. smoke fills the air and makes it hard to breathe.

friday
mari wansnt at school today. i know the northernland took her, broken bones and all. i remebemer becaus lou told me while alistair was sick. but that was days ago. i am sorry, it’s just so hard to tell the story in the proper order. my head hurts.

tuesday
i’m sorry if i cross out bits, it’s just that as i understand more i change the words. doctor says to stop doing this, but i want you to know the truth. the clocks are going slower and slower lately. alistair can’t work anymore, the preacher said so. i was going to tell him about enyo, how he is real now, not imaginary, but i didn’t know how. there aren’t words to describe him. looking at him makes crows beat their wings beneath my ribs, but i don’t know why. I sit with alistair after class but i can’t think of much to say. he doesn’t seem like my brother anymore, just a body lying on the floor.



thursday
doctor says i am defamilirazing myself, telling the story like it did not happen to me. telling it in all the wrong bits. i will try and tell it in the right order, but my head hurts. my head hurts so much. doctor won’t tell me why i need to explain, what the tape recorders are for or the make i have to wear the mask or why i’m here, what happened to my family. he won’t tell me why every time i say it like it was in the past and not happening right now he checks me for a fever. all he tells me is to start at the begging.

friday
the blonde woman from the northernland has a ring in her nose, but i do not know why. when i ask her she doesn’t seem to understand. she doesn’t talk anymore, either. just points at things on the board. i dreamt that she had her tounge cut off, but that was just a dream. the northernland would never do that to someone.

saturday
alistair is dead.
preacher says the disease took him, but i do not know which. the real sickness or the brain washing of the northernland. i think it was both, because the sickness made his brain weak so the mind-poisoners could break in. it’s okay, he wasn’t my brother anymore. doctor says that i never loved him.

sunday
church has ended and we are walking home, just arrived when our door opens. i wonder who would w at to come to this house, where the walls smell like death. the northernland woman is at our door, standing in the place the cameras cannot see her. she is smart. canary opens it and the northernland woman opens her mouth. there is no tounge or teeth, and the sides of her throat are black. i scream, so loud and shrill that i cannot believe that i am making this noise. my heart is in the center of the earth, fear running through my brain and i am screaming. canary covers my mouth. it doesn’t matter, the cameras were already looking.

canary pushed me to the floor and dragged me under the bed. i could feel the cameras following us the entire way. when she sat up, her pupils looked strange, the ways moms did when she ways seeing the people in the walls. anger seemed to hide in her voice, she was trying not to be loud but to me it felt like she was screaming, she had never thrown words that hit me like knives before. she told me never to scream or else the men behind the spying eyes of the camera would come for me. what would i do without you she yelled, but it wasn’t yelling it was crying. she help me close to her chest and i could feel her breathing and her heart beating, sparratic and short. she cried into my hair, until it was soaking wet with tears. this was when i knew canary was lost.

tuesday
enyo is in the void, just there. he is very pale today, and he doesn’t say anything for a long time. we have gotten to holding hands now. i have never held hands with anyone, and my fingers feel strange and clumsy. tecaher used to say that touching was against the rules, but i am so sick of rules that i am now glad to break them.
all at once, it occurs to me that there could be cameras here. there are cameras everywhere. i don’t know why this has never occurred to me before. suddenly i dont care, i want them to see. i stand up and scream as loud as i can.


thursday
after i screamed, no one came for me. even when i go back, i don’t feel safe anymore. i ruined the only place i felt safe.


saturday
enyo is gone. i go everyday and yell for him, but he left when i screamed. he is still missing. i’m worried for him, but at least i know the northernland has not taken him. a sick feeling in my stomach asks me if enyo was ever real. i know he was. but it is still there, pulling at my head. of course he was. i felt his skin, rough and broken. imagination can’t conjure up real people.
but then i think of mom. how her fever got so high she started to see people that weren’t there. my head hurts so much, like someone is trying to break out of jail in my skull. i am angry, for the first time in my life. enyo was my only friend, the only one who could see through the blanket of the northernland skies. i scream for him ENYO ENYO ENYO ENYO ENYO ENYO, but i am not mad, i am crying and crying so much and loud that someone puts their hand over my mouth, but there is no one there. i am suffocating. i turn around and i can’t breathe, my vision is tunneling into the abyss.
i am sick.



someone is holding my body, but their skin is cold. i open my eyes but i can only see shapes. i am on the gravel and the sun is orange, just like always. i am alone. but can feel someone’s tears, touching my cheeks. i sit up as fast as i can, and i am seeing stars but i just need to look. we are never supposed to look but i am going to see.


the northernland is punishing me.
enyo is making me sick.


enyo is there beside me, crying. i have never seen him cry and something rises inside me, and all i want to do is put my arms around him, so i do. slowly he gets warmer and feels more solid. let the cameras watch, let them see.


sunday
im running, running by the tips of my feet and pushing me off the ground, i’m flying. i have to get home.  i think of the first time i ran, letvthe cameras watch, talked to enyo. all the times i’ve broken the rules. i has always hated the northernland, but i had witnessed something better. i had talked to enyo, heard stories of what it was like before. a hatred so strong curcdled beneath my ribs and made me want to punch someone. i ran and ran and ran and ran, shouting HE CANT DIE
i shouted. HE CANT DIE HE CANT DIE HE CANT DIE HE CANT DIE HE CANT DIE HE  CANT.     he is going to die.






monday
i saw a raven in the wire pole today. it was big against the grey sky and he watched me as i walked into the house. i hadn’t seen a raven in a long time, so i turn to enyo to tell him he looks like a raven. he smiles, but he is. if there. enyo was never there.

wednesday
alistair has gone back to work, though i think he shouldn’t have. he tells me the symptoms of the disease when he gets home. headache,seeing things, bleeding from your insides. i play with the ring on my finger, trying not to ask if that’s what happened to mom. i open my mouth but a rock lives there, and i cannot move it without crying.


sunday
doctor tells me to get off the floor, that i can stand now. i stand up and he puts me on the table. he is old and pale, with shiny grayish eyes. tell me what happened to alistair he says. i do not understand. what happened to alistair?

friday
mari wansnt at school today. i know the northernland took her, broken bones and all. i remebemer becaus lou told me while alistair was sick. i go home alone, and cold. i feel like there is a little green man in my lungs running a garden hose. i think back to the time when i ran, the first time i broke the rules. nobody came for me.
i can’t run anymore, my arms feel heavy and when i cough thick red bloods comes out of my mouth. it must be the smoke. I go home, and canary is at the window. she is crying in reckless abandon, shamshing on the door with her fists. two men from the northernland are holding her back, and one hits over the head with a black stick. alistair is being carried out on a stretcher.
look what the northernland has done to my family. all for the sake of this stupid war. i can’t remember who we’re fighting and yet my sister and my brother have died for the cause.
enyo says they are not dead. but enyo is not there, he was never there.

wednesday
i screamed again. i know canary told me not to, that cameras would look into my eyes and into my head. but i saw the northernland man coming up the street in his yellow trolley, straight for lou’s house. when the door opens she is wheeled out on a stretcher. so i screamed, because lou is dead and the war with no name had killed her. the devil had killed her.

canary grabbed me as the camera looked at me, as every camera in the house was trained on me. there was a disturbance in her eyes i had never seen before, like she was not all there. she grabs my arms and is much stinger than she should be. she opens the basement door and i scream again, because now i know what’s in the basement.








more northernland men than i have ever seen are in the basement, and when the door opens they look up. somebody take sme from canary and i scream and writhe and kick, but they pull at my body until my skin tears.





when i wake up, i am holding very still, and i cannot move if i want too. doctor says this is called  paralysis. there is a very bright light and a searing pain, it’s hurts so much my body is burning. cascades of blood come down into my mouth, and someone is sticking my lips with pins. this hurts more than anything that  has ever happened to me. it hurts in a deep ache, not just on the surface, and my entire body wants to shudder. my lungs are filling up with blood, because it hurts to much to breathe.





saturday
when i wake up i am in my bed, in my house. more relief than i have ever felt washed over me, because it was just a nightmare.

i used to have nightmares where there was a man in my room, saying numbers out of order. but then preacher says that if i talk to god before bed and make sure my blood is pure of doubt for the northernland, then i will not have nightmares. this is why i have had this nightmare, because i was disbelief the northernland. i do not care, because it was only a dream. i will never hail the northernland.


my lips hurt, and i wonder if in the night i bit my lips because of the dream. that happens sometimes. i dress and get ready for school, and catch myself in the mirror before i go. i turn fully toward it to make sure i am not hallucinating. in the great horror of it all, i try to scream, but it stays in my throat. i cannot scream, or make any sound at all.

my lips are sewn shut with green thread.


friday
everyone at school is quiet. anna covers her mouth and big wet tears fall on the ground. mrs. hoth takes her to the office, and the cameras follow them all the way there. we say our pledge and do our arithmetic, but i cannot say anything. i hate the northernland.
i hate it, i hate it. and i realize this is why they have silenced me.
the northernland woman is gone, and a man in a yellow coat teaches us arthimatic.
the clock on the wall is barley ticking now.
lou sits at the desk in front of me, her hair greasy and skin pale blue. she turns round, just like the old days, but isstead of telling me what the answer is or who’s the cutest or any of the normal things, all she says is run. her mouth makes an o and she closes her eyes and rests her head on the desk.

when i blink, she is not there. i am alone in the classroom.


sunday
i go to church by myself, because i havent seen canary since she sewed my mouth shut. she is not my sister anymore, and i pretend i don’t care what happens to her in that basement.

when i get there preacher is not there, there is nobody there except the northernland woman. she comes and sits next to me and runs her fingers across the stitches. we pray together, even though we can’t say anything and there is no sermon. when we walk outside there is an officers car, and she is handcuffed an put in the back. the man who has taken her gives me a sticker, with a little white cloud on it. it says trust in the northernland. i do not trust the northernland. i do not trust anyone.
i run away as fast as i can and throw the sticker into the ground, but it still seems to follow me inside my head. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland.



monday
enyo is at the abyss, waiting. he says i am killing you. and i understand, it all makes sense now. but he is all i have now. if the only thing worth living for is killing me, that is what doctor would call dramatic irony. i do not feel dramatic, i feel used. the northernland has used me and used my family.


saturday
doctor says that when telling a story i need to define who is the antagonist and the protagonist. the antagonist is someone who antagonizes people. doctor says this means evil. this is hard for me to understand, because everyone is evil. this is not a story, and it does not have characters. the peoples i have met in my life are all complex and strange, evil and good and unpredictable. doctor says ok and that we will try again tomarrow.

thursday
mari wansnt at school today. i know the northernland took her, broken bones and all.
mari wansnt at school today. i know the northernland took her, broken bones and all.
mari wansnt at school today. i know the northernland took her, broken bones and all.

friday

enyo is at the abyss, waiting. he says i am killing you. and i understand, it all makes sense now. but he is all i have now. if the only thing worth living for is killing me, that is what doctor would call dramatic irony. i do not feel dramatic, i feel used. the northernland has used me and used my family. doctor says to be thankful of the northernland, that they did not use me. i turn away from enyo because even though i love him, i am loyal to the northernland.
i am thankful to the northernland.
i am thankful to the northernland.
all hail, all hail.






love alistair
fire element
exposing government secrets
cult
enyo gets more real as he is dying.
preacher dies.
alistair goes crazy, then dies.
something in basement.
Very low IQ but the only one smart enough to see
enyo is a ghost
canary goes crazy and sews our mouth shut.
fall in love with enyo.
not told radially
told in sgememgs like cross cross
deep symboling
FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99
Added today to commemorate the birthday of Carl Sandburg
You're nervous
A bit of a wreck
But you never fail to smile at yourself when you mess up
As you always do

You're damaged
That much is clear
But your smooth laugh puts the whole room at ease
No matter how scarcely it surfaces

You've been hurt by everyone
Yourself included
But you'd rather die
Than put someone down
Because you truly believe every achievement is worth all the stars in the sky

You're quiet
Sometimes it's a little annoying
But who can blame you
You mean no harm

You're self conscious
I mean arent we all
But you put everyone else back together so they cant resist to love themselves a little more
No matter how much
You
This stupid
Stupid
Boy

Hate yourself
Terry Collett Dec 2013
Della walks
with her father
onto the beach.
Sand, sun,

sea going out.
Sea,
she says
love it.

Her father looks at her,
takes in her smile,
her well kempt hair,
the tip of her tongue

resting there
on her lower lip.
Did your mother
pack your swim gear?

Packed it in my bag.
Where's the bag?
She looks back
towards the car

parked by the road.
You must try
to remember
these things.

I did, then I forgot.
It doesn’t help.
Angry sounds.
He sighs.

Stay here, don't move,
he says
and walks back
towards the car,

over the sand,
hands in the pockets
of his black jeans.
She watches him walk.

Angry walk,
she thinks.
She sees him
most Saturdays,  

sometimes Sundays,
since
the divorce.
He gets to the car

and takes out
her pink bag,
locks the car
and treads back

towards her,
his face dark
and unsmiling.
Like smiling faces.

There you are,
he says.
She takes the bag
and they

walk down
towards the sea.
He gets out
a large beach towel

and lays it down
on the sand.
Here we are.
Sea smells salty.

It does.
If you sniff it
it gets up your nose.
He nods,

gets out a book
and begins to read.
Makes your nose feel salty.
She looks at her father,

he stares at the page
of his book.
Can I go into the sea?
Be careful.

She stare sat him.
Shall I get on
my swimming
costume here?

Yes,
he says,
turning a page.
People will see me.

They do.
Mum holds the towel
up around me.
He sighs and gets up

and gets out
a large coloured towel.
OK then,
get your gear on.

She takes out
her swimming costume
from her bag
and drops the bag

on the sand.
She looks at him.
Mum puts the towel
around

me so people
can't see me.
He sighs
and puts the towel

around her,
stares out
at the beach.
She takes off

her cat patterned top
and drops it down.
Then she removes
her skirt and underwear

and quickly,
but awkwardly
puts on her costume.
He looks at ships

on the horizon.
Seagulls,
bathers,
families and lovers.

She pulls at the costume
to get it comfortable.
Done it.
Good.

He folds the towel,
puts it beside him
and begins to read again.
She stands looking at the waves.

Mum walks me to the waves.
Why?
In case I slip.
You're a big girl now.

What if I slip?
He lifts his eyes
from the page.
You won't.

Mum holds my hand in case.
Your mum does
a lot of things
I don't.

He reads on.
She stares at him
for a few moments,
then unhappily

walks down
towards the waves.
She has her hands out
like a tightrope walker,

to balance herself
over the sharp stones,
here and there.
She reaches the area

where the waves rush in.
She stands there looking out.
She sniffs the air. Salty.
People around her stare.

A child laughs.
Two boys whisper.
She walks into the water.
The sea is warm,

rushes over her feet.
She clutches her hands together,
looks at the boys.
Warm water.

Wet, too.
The boy grins.
She's a Mongol,
the other boy says.

Funny features,
the other says,
big lips, and tongue.
She looks back at her father

reading up on the beach.
She paddles deeper.
Leaves the boys behind.
The waves rush against her knees.

She claps her hands,
hugs herself,
feels hers small *******.
The sea is crowded

with bathers.
Noise, laughter
and shouts fill the air.
She stands still.

A boy splashes her.
She puts her hands
over her face
to keep the water

from her eyes.
He rushes back
towards the beach,
laughing.

The water rushes
to her thighs.
Best not get out too far, deary,
a woman says nearby.

I'm Della,
not Deary,
she says.
The woman nods and smiles,

well be careful, Della.
The sea can be  dangerous.
Mum says
be careful.

Yes, you must.
Mum's not here.
Who's with you?
My dad's with me.

Where is he?
Della points towards the sand
where her father
is reading his book.

Be careful, Della,
the woman says.
Be careful, mum says.
Yes, be careful,

the woman repeats.
The woman gazes at Della.
Sees her vacant expression.
Her daughter died

the year before.
Drowned.
Della  looks back
at her father

sitting reading.
Mum watches me.
So she should.
Dangerous place the sea.

Della stares
at the incoming
rush of waves,
loud shush of the sea.

Your dad should watch you, too,
the woman says.
He reads.
He should watch you.

Della hugs herself tighter.
Best not get in
much deeper, Della dear,
the woman says.

Deep.
Gets to my thighs.
Yes, higher
than you ought to go.

Frightened.
Let's go back,
the woman says.
Della clutches

her arms tighter.
I fell last time,
and got salty water
in my mouth.  

Sickly.
Was sick after.
In the car.
The woman smiles.

Let's walk back  
to your dad.
The woman holds out
a hand.

Della hesitates.
Her father
is reading his book.
She puts out her hand

and holds
the woman's hand
and they walk up
towards the beach.

The warm hand holds her.
Far from
her father's sight
and the deep sea's reach.
David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
jeremy maxwell Apr 2012
‘Puts Me to Work’ echoes through the house,
Cate Le Bon’s voice bouncing off the walls.
I can almost see it, storming down the hallway,
Barging out of the bathroom.

This floor is ******* freezing.

I can see my reflection in the shiny wood;
A circle of condensation that grows and shrinks
As I breathe in and out.

‘But I know that you’re there,
‘cause you’re making it hurt.’

Entire galaxies are swirling in the shaft of setting sunlight
Streaming through the broken blinds
At right angles, sharp and sudden.
Solar systems shift and spiral,
Exploding every
Time I take a breath.

A lake is forming by my chin.
I wonder if it is clear and wet
Like swimming,
Or white with froth and paste
Like winter.

I stop wondering when the shivering becomes me.

‘It puts me to work . . . puts me to work.
It puts me to work . . . it puts me to work.’

The song has been repeating for an hour now.
I used to really like the end.
Something like forty-five-minutes-ago.

I wonder if the battery will die soon.

I wonder not if I will die soon.
Preoccupied with galaxies and spirals and the little spot of condensation
Forming and unforming as I breathe.
With the frozen lake I feel cold enough to be skating across
In these baggy shorts and this tattered t-shirt
From a Nirvana show last century.  

The battery doesn’t die, and Cate Le Bon comes racing around the house again.

I close my eyes and sigh.
Scurry hurry
Shaking hands shaped by worry
tie the knot of plastic
A bubble home for the hard green cup
where brown and white
mixed lay married.

Wash rush
Dainty legs in dark blue denim
hasn't time to be romantic
A worn out sister played by hope
shuts the door panting.

  It clings to a robust tree
  head hidden under rosy pink    
  protective shield
  edged in yellow

  The fireflies

  
Sticky webs of empty lies packaged in boxes of deception by the wizard that doesn't work
sit dead on the small bedside table
like the results they provide.

Boxes and boxes of cozy containers
and cards of capsules
47 I counted them
current and extras
They choke my sight
then I am groped by the smooth blue robes worn by the youthful shepherd
posing aside a grey rock looking yonder
into the distance as insta-natural as possible in a pastel painted picture framed in wood against the wall.
  
  Unstable molecules in tiny airtubes,  
  many, breakdown and explode
  like little landmines
  A bio-luminescent lit ***** assaults a  
  dense night flashing brilliant
  to find a mate
  Six strong neon-green throbbing blinks
  Six slow seconds of unimaginable
  wordless dreamless dark.

  are bright.

  
I turn my head
The whole unsettling mass of reality
is torn apart into vibrant colorful morsels,
then reassembled
as my eyes  
settle
on

Her

"Oh God, if you're here, heal her now
and you'll have me. Show me what those confident tongues so eagerly confess.
Please!"

NOTHING
Another sticky empty square
covered in thick black-strap molasses
slapped to the face of the fool
who likes sweet things.

BUT

What happened to the omni-this, omni-that CEO of God enterprises?
"Go on Death" is what that means
"Go on Death do your job" is what it does

"It's your time.
It's to test your faith.
Gods plan."
All slogans for the man
who believes and dies.
  Culture creates the fool
  Hope keeps the fool
  Belief kills the fool
Thanks for doing what all those boxes
and all the pictures
on all the walls of the world do

FOOL

Her face,
a gaunt kind of skin-to-bone sight
a bad flavor
like a meal with no taste

Her mouth,
crack-lipped, framed by dry
delivers deadly blows to a heaving chest
that says; "Give me air"
yet lungs say no

Anguish,
is ****** from the pit of my cold stomach
then up through the spirit of a warm heart
I plaster the feeling in the shape of water.
My eyes puddle

I weep

It sticks

Love,

Falls

Fluttering as a twinkle
through soft beams of sunlight,
the drop glistens
plops
then dies
on the pink and blue checkered blanket.

All I have to offer are busky palms
to soothe this battered body
before you are torn apart by what
puts things like us together.

I swallow her frame

Her calf - bone

Squeeze and move

Her thigh,
my hand wraps completely
pinching a sausage sized piece of muscle
not big enough to walk
between plump thumb
and meaty middle

Squeeze and move

Her hip bone is angular
It fits flush in my hand
like the hard front peak of a cricket cap
when held above the grid

Squeeze and move

My chunky tentacles massage over
wire-thin barely blue throbless veins
that decorate her meatless paws
and twig-like fingers.

Squeeze and move
  
  It's after midnight
  Thick curds of desperation push
  again, through a splendid backside
  a special toosh
  slogging a dancing night-fever
  to beat the two-to-four,
  a beam as bright as a green day
  cuts through the black pitch of night

  

I hold her hand
A thin filling between two slices of mine
I look at her eyes and turn away

Have you ever been pulled from the center of  your heart, ripped head first through the narrow crack of your own chest, tossed aside like a skin-sheet onto a concrete glass-covered floor then squashed beneath the majesty of a billion dancing floor-clapping feet attached to a shapeless void shapeshifting as slideshows  between all things gone, here, and still to come, stopping on the body of a small blue boy that sings in ghostly echo;
"Don't turn away from this.
Look till you see me through the eyes of another because this too
will happen to you
Clap clap clap clap!
I'm coming for you.

Trapped in a square tunnel made of brick, walls wide enough for one bus no brakes to speed through, no escape,
I accept what will squash me
I Face it
I Stand before it

I stare at her eyes staring back at me
A deep dagger stare
Two parts steel
meshed
until there is only steel
It melts

I simmer the room in soft whisper;
"It's okay. It's okay. It's okay."
I hold her hand,
patting the top as I warm the bottom
I smile for her, at me
I smile back, as me
  
  A skillful mimic
  Here I come
  I have light and breath
  I see yours
  I come at night
  Not for genes or ***
  I hunt and gut
  Hawking down I come as death

  
The gaps between her labored breaths become bigger and for a second I drift at the sight reappearing on the sandy dunes of an empty dessert space pushed by a dying wind I can barely feel.

A sharp salty tang toils the tip of my tongue and brings me back to her.

Her eyes

They have changed

Open

But

Soul

   less

     Soulless

     Desolate

   Like

That dessert

And that place where


*The Fireflies Lose their Light
1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
We had wanted to leave our homes before six in the morning
but left late and lazy at ten or ten-thirty with hurried smirks
and heads turned to the road, West
driving out against the noonward horizon
and visions before us of the great up-and-over

and tired we were already of stiff-armed driving neurotics in Montreal
and monstrous foreheaded yellow bus drivers
ugly children with long middle fingers
and tired we were of breaking and being yelled at by beardless bums
but thought about the beards at home we loved
and gave a smile and a wave nonetheless

Who were sick and tired of driving by nine
but then had four more hours still
with half a tank
then a third of a tank
then a quarter of a tank
then no tank at all
except for the great artillery halt and discovery
of our tyre having only three quarters of its bolts

Saved by the local sobriety
and the mystic conscious kindness of the wise and the elderly
and the strangers: Autoshop Gale with her discount familiar kindness;
Hilda making ready supper and Ray like I’ve known you for years
that offered me tools whose functions I’ve never known
and a handshake goodbye

     and "yes we will say hello to your son in Alberta"
     and "yes we will continue safely"
     and "no you won’t see us in tomorrow’s paper"
     and tired I was of hearing about us in tomorrow’s paper

Who ended up on a road laughing deliverance
in Ralphton, a small town hunting lodge
full of flapjacks and a choir of chainsaws
with cheap tomato juice and eggs
but the four of us ended up paying for eight anyway

and these wooden alley cats were nothing but hounds
and the backwoods is where you’d find a cheap child's banjo
and cheap leather shoes and bear traps and rat traps
and the kinds of things you’d fall into face first

Who sauntered into a cafe in Massey
that just opened up two weeks previous
where the food was warm and made from home
and the owner who swore to high heaven
and piled her Sci-Fi collection to the ceiling
in forms of books and VHS

but Massey herself was drowned in a small town
where there was little history and heavy mist
and the museum was closed for renovations
and the stores were run by diplomats
or sleezebag no-cats
and there was one man who wouldn’t show us a room
because his baby sitter hadn’t come yet
but the babysitter showed up through the backdoor within seconds
though I hadn't seen another face

        and the room was a landfill
        and smelled of stale cat **** anyhow
        and the lobby stacked to the ceiling with empty beer box cans bottles
        and the taps ran cold yellow and hot black through spigots

but we would be staying down the street
at the inn of an East-Indian couple

who’s eyes were not dilated 
and the room smelled
lemon-scented

and kept on driving lovingly without a care in the world
but only one of us had his arms around a girl
and how lonely I felt driving with Jacob
in the fog of the Agawa pass;

following twin red eyes down a steep void mass
where the birch trees have no heads
and the marshes pool under the jagged foothills
that climb from the water above their necks

that form great behemoths
with great voices bellowing and faces chiselled hard looking down
and my own face turned upward toward the rain

Wheels turning on a black asphalt river running uphill around great Superior
that is the ocean that isn’t the ocean but is as big as the sea
and the cloud banks dig deep and terrible walls

and the sky ends five times before night truly falls
and the sun sets slower here than anywhere
but the sky was only two miles high and ten long anyway

The empty train tracks that seldom run
and some rails have been lifted out
with a handful of spikes that now lay dormant

and the hill sides start to resemble *******
or faces or the slow curving back of some great whale

-and those, who were finally stranded at four pumps
with none but the professional Jacob reading great biblical instructions at the nozzle
nowhere at midnight in a town surrounded

by moose roads
                             moose lanes
                                                     moose rivers
and everything mooses

ending up sleeping in the maw of a great white wolf inn
run by Julf or Wolf or John but was German nonetheless

and woke up with radios armed
and arms full
and coffee up to the teeth
with teeth chattering
and I swear to God I saw snowy peaks
but those came to me in waking dream:

"Mountains dressed in white canvas
gowns and me who placed
my hands upon their *******
that filled the sky"

Passing through a buffet of inns and motels
and spending our time unpacking and repacking
and talking about drinking and cheap sandwiches
but me not having a drink in eight days

and in one professional inn we received a professional scamming
and no we would not be staying here again
and what would a trip across the country be like
if there wasn’t one final royal scamming to be had

and dreams start to return to me from years of dreamless sleep:

and I dream of hers back home
and ribbons in a raven black lattice of hair
and Cassadaic exploits with soft but honest words

and being on time with the trains across the plains  
and the moon with a shower of prairie blonde
and one of my father with kind words
and my mother on a bicycle reassuring my every decision

Passing eventually through great plains of vast nothingness
but was disappointed in seeing that I could see
and that the rumours were false
and that nothingness really had a population
and that the great flat land has bumps and curves and etchings and textures too

beautiful bright golden yellow like sprawling fingers
white knuckled ablaze reaching up toward the sun
that in this world had only one sky that lasted a thousand years

and prairie driving lasts no more than a mountain peak
and points of ember that softly sigh with the one breath
of our cars windows that rushes by with gratitude for your smile

And who was caught up with the madness in the air
with big foaming cigarettes in mouths
who dragged and stuffed down those rolling fumes endlessly
while St. Jacob sang at the way stations and billboards and the radio
which was turned off

and me myself and I running our mouth like the coughing engine
chasing a highway babe known as the Lady Valkyrie out from Winnipeg
all the way to Saskatoon driving all day without ever slowing down
and eating up all our gas like pez and finally catching her;

      Valkyrie who taught me to drive fast
      and hovering 175 in slipstreams
      and flowing behind her like a great ghost Cassady ******* in dreamland Nebraska
      only 10 highway crossings counted from home.

Lady Valkyrie who took me West.
Lady Valkyrie who burst my wings into flame as I drew a close with the sun.
Lady Valkyrie who had me howl at slender moon;

     who formed as a snowflake
     in the light on the street
     and was gone by morning
     before I asked her name

and how are we?
and how many?

Even with old Tom devil singing stereo
and riding shotgun the entire trip from day one
singing about his pony, and his own personal flophouse circus,
and what was he building in there?

There is a fair amount of us here in these cars.
Finally at light’s end finding acquiescence in all things
and meeting with her eye one last time; flashed her a wink and there I was, gone.
Down the final highway crossing blowing wind and fancy and mouth puttering off
roaring laughter into the distance like some tremendous Phoenix.

Goodnight Lady Valkyrie.

The evening descends and turns into a sandwich hysteria
as we find ourselves riding between cities of transports
and that one mad man that passed us speeding crazy
and almost hit head-on with Him flowing East

and passed more and more until he was head of the line
but me driving mad lunacy followed his tail to the bumper
passing fifteen trucks total to find our other car
and felt the great turbine pull of acceleration that was not mine

mad-stacked behind two great beasts
and everyone thought us moon-crazy; Biblical Jake
and Mad Hair Me driving a thousand
eschewing great gusts of wind speed flying

Smashing into the great ephedrine sunset haze of Saskatoon
and hungry for food stuffed with the thoughts of bedsheets
off the highway immediately into the rotting liver of dark downtown
but was greeted by an open Hertz garage
with a five-piece fanfare brass barrage
William Tell and a Debussy Reverie
and found our way to bedsheets most comfortably

Driving out of Saskatoon feeling distance behind me.
Finding nothing but the dead and hollow corpses of roadside ventures;

more carcasses than cars
and one as big as a moose
and one as big as a bear
and no hairier

and driving out of sunshine plain reading comic book strip billboards
and trees start to build up momentum
and remembering our secret fungi in the glove compartment
that we drove three thousand kilometres without remembering

and we had a "Jesus Jacob, put it away brother"
and went screaming blinded by smoke and paranoia
and three swerves got us right
and we hugged the holy white line until twilight

And driving until the night again takes me foremast
and knows my secret fear in her *****
as the road turns into a lucid *** black and makes me dizzy
and every shadow is a moose and a wildcat and a billy goat
and some other car

and I find myself driving faster up this great slanderous waterfall until I meet eye
with another at a thousand feet horizontal

then two eyes

then a thousand wide-eyed peaks stretching faces upturned to the celestial black
with clouds laid flat as if some angel were sleeping ******* on a smokestack
and the mountains make themselves clear to me after waiting a lifetime for a glimpse
then they shy away behind some old lamppost and I don’t see them until tomorrow

and even tomorrow brings a greater distance with the sunlight dividing stone like 'The Ancient of Days'
and moving forward puts all into perspective

while false cabins give way
and the gas stations give way
and the last lamppost gives way
and its only distance now that will make you true
and make your peaks come alive

Like a bullrush, great grey slopes leap forth as if branded by fire
then the first peaks take me by surprise
and I’m told that these are nothing but children to their parents
and the roads curve into a gentle valley
and we’re in the feeding zone

behind the gates of some great geological zoo
watching these lumbering beasts
finishing up some great tribal *******
because tomorrow they will be shrunk
and tomorrow ever-after smaller

Nonetheless, breathless in turn I became
it began snowing and the pines took on a different shape
and the mountains became covered white
and great glaciers could be seen creeping
and tourists seen gawking at waterfalls and waterfowls
and fowl play between two stones a thousand miles high

climbing these Jasper slopes flying against wind and stone
and every creak lets out its gentle tone and soft moans
as these tyres rub flat against your back
your ancient skin your rock-hard bones

and this peak is that peak and it’s this one too
and that’s Temple, and that’s Whistler
and that’s Glasgow and that’s Whistler again
and those are the Three Sisters with ******* ablaze

and soft glowing haze your sun sets again among your peaks
and we wonder how all these caves formed
and marvelled at what the flood brought to your feet
as roads lay wasted by the roadside

in the epiphany of 3:00am realizing
that great Alta's straights and highway crossings
are formed in torturous mess from mines of 'Mt. Bleed'
and broken ribs and liver of crushed mountain passes
and the grey stones taxidermied and peeled off
and laid flat painted black and yellow;
the highways built from the insides
of the mountain shells

Who gave a “What now. New-Brunswick?”

and a “What now, Quebec, and Ontario, and Manitoba, and Saskatchewan";
**** fools clumsily dancing in the valleys; then the rolling hills; then the sea that was a lake
then the prairies and not yet the mountains;

running naked in formation with me at the lead
and running naked giving the finger to the moon
and the contrails, and every passing blur on the highway
dodging rocks, and sandbars
and the watchful eye of Mr. and Mrs. Law
and holes dug-up by prairie dogs
and watching with no music
as the family caravans drove on by

but drove off laughing every time until two got anxious for bed and slowed behind
while the rambling Jacob and I had to wait in the half-moon spectacle
of a black-tongue asphalt side-road hacking darts and watching for grizzlies
for the other two to finish up with their birthday *** exploits
though it was nobodies birthday

and then a timezone was between us
 and they were in the distant future
and nobodies birthday was in an hour from now

then everything was good
and everyone was satiated
then everything was a different time again
and I was running on no sleep or a lot of it
leaping backward in time every so often
like gaining a new day but losing space on the surface of your eye

but I stared up through curtains of starlight to mother moon
and wondered if you also stared
and was dumbfounded by the majesty of it all

and only one Caribou was seen the entire trip
and only one live animal, and some forsaken deer
and only a snake or a lonesome caterpillar could be seen crossing such highway straights
but the water more refreshing and brighter than steel
and glittered as if it were hiding some celestial gem
and great ravines and valleys flowed between everything
and I saw in my own eye prehistoric beasts roaming catastrophe upon these plains
but the peaks grew ever higher and I left the ground behind
EFFECTS OF CHILD ABUSE ON PERFORMANCE OF PRIMARY SCHOOL IN KAPYEMIT WARD, TURBO CONSTITUENCY, UASIN-GISHU COUNTY.





BY
ERICK NYAKUNDI
KIS/03013/14




A RESEARCH PROJECTSUBMITED TO THE SCHOOL OF ARTS AND SOCIAL SCIENCES, DEPARTMENT OF SOCIOLOGY AND PSYCHOLOGY IN THE PARTIAL FULFILMENT FOR THE AWARD OF THE DEGREE OF BACHELOR OF SOCIOLOGY



MAY, 2014

DECLARATION

I, the undersigned, declare that this project is my original work and that it has not been presented in any other university or institution for academic credit.

Signature...............................................­..... Date...................................
ERICK NYAKUNDI
KIS/03013/14






SUPERVISOR
This project has been submitted for examination with my approval as university supervisor
DR. W. O. ABUYA
Signature..................................................­.. Date....................................




DEDICATION
I dedicate this work to my Dad, Mom, my sister Lydia and my lovely brother Dun who contributed in one way or another to make this project to be successful.


















ACKNOWLEDGEMENT
I would like to thank all individuals who contributed and sacrificed their time towards completion of this project.
To my supervisor, for the guidance and support in the development of this research project, His advice and criticism made this project what it is.
Thanks to colleagues and friends for their suggestions, advice and encouragement. To all of you may God bless you abundantly for your tireless effort.

TABLE OF CONTENTS
Contents Page
DECLARATION i
DEDICATION ii
ACKNOWLEDGEMENT iii
TABLE OF CONTENTS iv
LIST OF TABLES vii
LIST OF FIGURE viii
ABSTRACT ix
CHAPTER ONE 10
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM 10
1.1 Background of the Study 10
1.2 Research Questions 13
1.3 Research Objectives 13
1.4 Justification of the Study 13
1.5 Significance of the Study 14
1.6 Scope of the Study 15
1.6.1Assumptions of the Study 16
CHAPTER TWO 17
LITERATURE REVIEW 17
2.1 Introduction 17
2.2 Common Forms of Child Abuse 17
2.2.1 Child ****** Abuse 17
2.2.2 Physiological or Emotional Abuse 17
2.2.3 Physical Abuse 18
2.2.4 Child Neglect or Abandonment 18
2.2.4.1 Physical Neglect 19
2.2.4.2 Educational Neglect 19
2.2.4.3 Medical Neglect 19
2.2.5 Child Fatalities 20
2.3 How Child Abuse Affects Academic Performance 20
2.3.1 Child Abuse and Academic Performance 20
2.3.2 Child Abuse and School Image 23
2.3.3 Child Abuse and Dropout Rate 25
2.4 Strategies that Schools can Employ to Curb Child Abuse 26
2.4.1 Role of Public Regulation 26
2.4.1.1 Nurturing and Attachment 27
2.4.1.2 Social Connections 27
2.5 Theoretical Framework 27
2.5.1 Learning Theory 28
2.5.1.1 Relationship with the Study 28
2.5.2 Family Dysfunction Theory 29
2.5.2.1 Relationship with the Study 29
CHAPTER THREE 30
RESEARCH DESIGN AND METHODOLOGY 30
3.0 Introduction 30
3.1 Site Description 30
3.2 Research Design 30
3.3.1 Target Population 30
3.3.2 Sample Size and Sampling Procedure 31
3.4 Description of Research Instruments 32
3.4.1 Research Instrument 32
3.4.1.1 Questionnaire 32
3.5 Data Collection Procedure 32
3.5.1 Validity and Reliability of Research Instruments 33
3.5.1.1 Reliability of Research Instruments 33
3.5.1.2 Validity 33
3.6 Data Analysis and Presentation 33
CHAPTER FOUR 35
DATA PRESENTATION AND ANALYSIS 35
4.0 Introduction 35
4.1 Background Information 35
4.1.1 Age of the Respondents 35
4.1.2 *** of the Respondents 35
4.1.3 Education Level of the Respondents 36
4.1.4 Marital Status 36
4.2 Specific Information 37
4.2.1 Effects of Child Abuse on Academic Performance 37
4.2.2 How Child Abuse Affects Dropout Rate of Students in School 38
4.2.3 Proposed Strategies that Schools can Employ to Curb Child Abuse 41
CHAPTER FIVE 43
SUMMARY, CONCLUSION AND RECOMMENDATIONS 43
5.0 Introduction 43
5.1 Summary of the findings 43
5.2 Discussion of the Findings 44
5.3 Conclusion 45
5.4 Recommendations 46
REFERENCES 47

LIST OF TABLES & FIGURES
Table 3.1 Target population 32
Table 3.1 Sample size 33
Table 4.1 Age of the Respondents 36
Table 4.2 *** of the Respondents 37
Table 4.3 Education Level of the Respondents 37
Table 4.4 Marital Status 38
Table 4.5 Effects of Child Abuse on Academic Performance 38
Table 4.6 How Child Abuse Affects Dropout Rate of Students in School 40
Figure 4.1 Views of the Pupils on Abuse 41
Table 4.7 Proposed Strategies that Schools can Employ to Curb Child Abuse 42





















ABSTRACT
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The purpose of the study was to investigate the effect of child abuse on school performance in Primary Schools in Kapyemit ward, Uasin-Gishu County. The objectives of the study were: To assess the impacts of child abuse on academic performance; to determine the effects of child abuse on schools image, to identify the impacts of child abuse on pupil drop out rate, to investigate the effects of child abuse on pupil transition rate. The study employed a survey study design. The study targeted 160 respondents which includes; 5 Head Teachers, 40 Teachers, 70 Pupils and 35 parents of which a sample size of 48 was obtained from using 30%. Purposive sampling technique was used in selecting the head teachers while simple random sampling technique will be used to select the teachers, Pupils and parents who formed the respondents of the study. Questionnaires and interview schedules were used as data collection instruments. Data was analyzed quantitatively and qualitatively and presented in form of tables, percentages and frequency. The study helped in the understanding of the effects of child abuse on the school performance, the realization of the roles parents and teachers play in the curbing of child abuse among pupils and raising awareness on the same.

CHAPTER ONE
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM
1.1 Background of the Study
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The effects can appear in childhood, adolescence, or adulthood, and may affect various aspects of an individual's development (e.g., physical, cognitive, psychological, and behavioral). These effects range in consequence from minor physical injuries, low self-esteem, attention disorders, and poor peer relations to severe brain damage, extremely violent behavior, and death. In extreme cases, child abuse affects the performance of schools in the affected region (Daniel, 1978).
Performance refers to how students deal with their academic studies and how they cope with or accomplish different tasks given to them by their teachers. Performance is also the ability of a school to portray a good image which can influence the public (Decastro, 1978). There are several factors that influence the performance of a school at large, however, there is a critical factor that most researchers have avoided to discuss, and child abuse has been a crucial factor that has contributed to children’s dismal performance. Apart from children’s personal intelligence, child abuse is among then key factors contributing to poor performance of learners. Child abuse can lead to school dropping, emotional trauma or can even be fatal, hence destructing or even terminating the educational ambitions of a child. (Harris, 2005)
Worldwide, according to World Health Organization (WHO, 2000) approximately 40 million children are subjected to child abuse each year. According to Human Rights Watch (2001) about 30% of all severely disabled children relegated to special homes in the Ukraine died before they reached 18 years of age. UNICEF estimates that two million children died as a result of armed conflict during a recent 10-year period and that another six million were injured or disabled. In Canada, the U.S. and Mexico, over 6.5 million children annually are exposed to unwanted ****** materials over the internet; over 1.7 million of these report distress over exposure to these materials. In the United States, the Centers for Disease Control and Prevention (CDC) and the Department for Children and Families (DCF) define child maltreatment as any act or series of acts of commission or omission by a parent or other caregiver that results in harm, potential for harm, or threat of harm to a child. Child abuse can occur in a child's home, or in the organizations, schools or communities the child interacts with. Each year, approximately one million children around the world are introduced into commercial ****** exploitation despite this problem; these developed countries have put measures to curb the vice. Rehabilitation schools have been formed and introduction of counseling centers as well. Despite the prevalence of child abuse in this developed nations they narrowly affect the academic performance since there are organizations put in place to curb the situation e.g. child associations, guidance and counseling institutions, and school based counseling programs (Giles, 2001)
Concern for victims of child abuse in Africa expressed by the African network of the International Society for The Prevention of Child Abuse and Neglect (ISPCAN) which gave five main presentations of child abuse: child labor, street wandering, ****** abuse, child battering and abandonment (Elma, 1977). Child labor according to the international labor organization (ILO), about 10 million children less than 15years in Africa are in formal employment, working long hours with poor pay and are exposed to substantial health hazards. Wandering of children refers to children, usually unkempt and with delinquent propensities, living rough in town. The reasons for children taking to the street remain poorly understood particularly in relation to factors in the child rather than parental hostility and economic (Dubowitz, 2002)
****** abuse is another. For example, arranged under-age marriages are common in some parts of the continent and doubt was often expressed as to whether a young girl fully gave consent to being betrothed (Galdsone, 1965). Prevalence rates in Africa are very difficult to ascertain because of the fear of disclosure by victims and lack of proper documentation. Most of the girls by reasons of shame fear or surprisingly respect for their usually older perpetrators. Physical battering is also eminent. Physical abuse of children is widely claimed to berate in the third world; however, there are anecdotes from east Africa skeletal frame or localized body areas of all first attendees aged 0-12 years at this hospital during the four-year period 1 January 1987 to 31 December 1990 (Garbarino, 1975). Sixty-nine of these reports reveals evidence of multiple bone fractures wither without evidence of rib or skull fracture. Abandonment of children to roam around the streets in what we call street children is also eminent in Africa, though valid and adequate information on abandonment are difficult to obtain due mainly to failure of offending parents to show up out of guilt, shame, judicial repercussions or a combination of these. However, some euro-American missionaries identified inter alia breech birth. (Erickson, 2003)
Child protection measures in Kenya are currently not implemented effectively and fully (Galdstone, 1965). Compliance with such legislation would increase if the magnitude of the problem and better knowledge about the factors that put children at risk was available. Additionally, involving stakeholders, especially agencies charged with protection, as well as involving affected children, will highlight the issues and thereby promote adherence to protection policies. Kenyan children, child activists and children organizations are pinning their hopes on the implementation of the Children’s Act to improve the lot of the nation’s youth. The Act, which came into effect on 1 March 2002, puts in place full safeguards for the rights of the child. Its passage was a giant stride in harmonizing the national laws with international agreements which Kenya has signed such as the UN Conventions on the Rights of the Child (CRC, 2002)
There is hope that the new legislation will dramatically change the inattention, neglect and abuse towards child rights. The Act outlaws any form discrimination of children, and forbids Female Genital Mutilation (FGM), child prostitution, and child labor, among other forms of abuse. The Children’s Act has immensely improved the lives of many Kenyan children plagued with high illiteracy levels, frequent **** cases and child labor since it guarantees children the right to health and medical care, provision of which is the responsibility of the parents, the extended family and the government (Erickson, 2005).
Cases of child abuse in Uasin-Gishu region have been so eminent in the recent years ((Kenya Media Report, 2004). In the year 2010 and the year 2011, there was a program started to rehabilitate this behavior. This problem is clearly evident when you first arrive in Eldoret town, it is among the towns in the country with the highest number of abandoned children who keep on moving from one Centre to another seeking help from passersby. Parents have developed behaviors of abandoning their children and deliberately sending them to the town so that they can benefit from their borrowing. So to say this has led to child labor in this region. High profile cases of school dropouts have been recorded regarding the environs of this region. Young school children from different locations in Eldoret converge in town to persuade people to offer them financial assistance. Some attend school in numbered days and decide to spend some good number of days out of school.
The communities and societies around tend to assume this situation and term it as norm. A few who might seem concerned lack cooperation from the rest. This has adversely affected the performance of most of schools, hence leading to poor living standards of the people and a poisoned future of a young citizen. The problem has affected learners in regions like many areas in Uasin-Gishu County. It has really affected child development and affected their attendance and performance in school. Little intervention measures has been taken to advocate the holistic development of the children. It was to this reason that the researcher conducted the research in the named above region
1.2 Research Questions
The study was guided by the following questions;
1) What is the effect of child abuse on the academic performance of students in Kapyemit Ward?  
2) What are some of the proposed strategies that schools can employ to curb child abuse?
1.3 Research Objectives
The study was guided by the following research objectives;
1) To identify the effect of child abuse on the academic performance of students in Kapyemit Ward.
2) To identify proposed strategies that can be employed to help curb child abuse.
1.4 Justification of the Study
It is becoming increasingly difficult to separate child abuse prevention into separate categories. For instance, strategies on the societal level include increasing the “value” of children, increasing the economic self-sufficiency of families, discouraging corporal punishment and other forms of violence, making health care more accessible and affordable, expanding and improving coordination of social services, improving the identification and treatment of psychological problems and alcohol and drug abuse, providing more affordable child care and preventing the birth of unwanted children.
Very little analysis has been done to estimate the total cost of preventing child abuse and neglect or the long-term social costs of not preventing it. There is now a move to situate child abuse and neglect within the continuum of intervention which addresses multiple aspects of family behaviors. The efficacy of tackling portions of the problem of child abuse apart from broader societal needs is not known. And, perhaps prevention can only come in tandem with efforts to reduce poverty, improve health care and make children’s issues a national priority. However, despite these constraints, evaluations of prevention programs can be improved by coming to terms with definitions of key varia
1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

2
Houses and rooms are full of perfumes, the shelves are crowded with
perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and
vine,
My respiration and inspiration, the beating of my heart, the passing
of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and
dark-color’d sea-rocks, and of hay in the barn,

The sound of the belch’d words of my voice loos’d to the eddies of
the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising
from bed and meeting the sun.

Have you reckon’d a thousand acres much? have you reckon’d the
earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look
through the eyes of the dead, nor feed on the spectres in
books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

3
I have heard what the talkers were talking, the talk of the
beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and
increase, always ***,
Always a knit of identity, always distinction, always a breed of
life.
To elaborate is no avail, learn’d and unlearn’d feel that it is so.

Sure as the most certain sure, plumb in the uprights, well
entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not
my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they
discuss I am silent, and go bathe and admire myself.

Welcome is every ***** and attribute of me, and of any man hearty
and clean,
Not an inch nor a particle of an inch is vile, and none shall be
less familiar than the rest.

I am satisfied - I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the
night, and withdraws at the peep of the day with stealthy
tread,
Leaving me baskets cover’d with white towels swelling the house with
their plenty,
Shall I postpone my acceptation and realization and scream at my
eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which is
ahead?

4
Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is *****, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.

5
I believe in you my soul, the other I am must not abase itself to
you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not
even the best,
Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn’d over
upon me,
And parted the shirt from my *****-bone, and plunged your tongue
to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my
feet.

Swiftly arose and spread around me the peace and knowledge that pass
all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women
my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap’d stones, elder, mullein and
poke-****.

6
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.

I guess it must be the flag of my disposition, out of hopeful green
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner’s name someway in the corners, that we may see
and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the
vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the ******* of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers’ laps,
And here you are the mothers’ laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.

I wish I could translate the hints about the dead young men and
women,
And the hints about old men and mothers, and the offspring taken
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

7
Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know
it.

I pass death with the dying and birth with the new-wash’d babe, and
am not contain’d between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be slighted,
For me the sweet-heart and the old maid, for me mothers and the
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be
shaken away.

8
The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies
with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the ****** floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol
has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of
the promenaders,
The heavy omnibus, the driver with his interrogating thumb, the
clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-*****,
The hurrahs for popular favorites, the fury of rous’d mobs,
The flap of the curtain’d litter, a sick man inside borne to the
hospital,
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his
passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv’d who fall sunstruck or in
fits,
What exclamations of women taken suddenly who hurry home and
give birth to babes,
What living and buried speech is always vibrating here, what howls
restrain’d by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances,
rejections with convex lips,
I mind them or the show or resonance of them-I come and I depart.

9
The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack’d to the sagging mow.

I am there, I help, I came stretch’d atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps.

10
Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-****’d game,
Falling asleep on the gather’d leaves with my dog and gun by my
side.

The Yankee clipper is under her sky-sails, she cuts the sparkle
and scud,
My eyes settle the land, I bend at her prow or shout joyously from
the deck.

The boatmen and clam-diggers arose early and stopt for me,
I tuck’d my trowser-ends in my boots and went and had a good time;
You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west,
the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking,
they had moccasins to their feet and large thick blankets
hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his
luxuriant beard and curls protected his neck, he held his bride
by the hand,
She had long eyelashes, her head was bare, her coarse straight locks
descended upon her voluptuous limbs and reach’d to her
feet.

The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him limpsy and
weak,
And went where he sat on a log and led him in and assured him,
And brought water and fill’d a tub for his sweated body and bruis’d
feet,
And gave him a room that enter’d from my own, and gave him some
coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting piasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north,
I had him sit next me at table, my fire-lock lean’d in the corner.

11
Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth
bather,
The rest did not see her, but she saw them and loved them.

The beards of the young men glisten’d with wet, it ran from their
long hair,
Little streams pass’d all over their bodies.

An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the
sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and bending
arch,
They do not think whom they ***** with spray.

12
The butcher-boy puts off his killing-clothes, or sharpens his knife
at the stall in the market,
I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out, there is a great heat in
the fire.

From the cinder-strew’d threshold I follow their movements,
The lithe sheer of their waists plays even with their massive arms,
Overhand the hammers swing, overhand so slow, overhand so sure,
They do not hasten, each man hits in his place.

13
The ***** holds firmly the reins of his four horses, the block swags
underneath on its tied-over chain,
The ***** that drives the long dray of the stone-yard, steady and
tall he stands pois’d on one leg on the string-piece,
His blue shirt exposes his ample neck and breast and loosens over
his hip-band,
His glance is calm and commanding, he tosses the slouch of his hat
away from his forehead,
The sun falls on his crispy hair and mustache, falls on the black of
his polish’d and perfect limbs.

I behold the picturesque giant and love him, and I do not stop
there,
I go with the team also.

In me the caresser of life wherever moving, backward as well as
forward sluing,
To niches aside and junior bending, not a person or object missing,
Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what
is that you express in your eyes?
It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and
day-long ramble,
They rise together, they slowly circle around.

I believe in those wing’d purposes,
And acknowledge red, yellow, white, playing within me,
And consider green and violet and the tufted crown i
Terry Collett Jun 2015
Sophia sorts through
her parents' room;
they're out for the day,
some Polish old comrades

meeting of her father's,
old war pals. She opens up
the old wardrobe, sorts
through things, takes out

her mother's old dresses
and some new ones, puts
them on the bed. She likes
a red one, old but well kept.

She ponders, she decides
to try it on. She undresses
from her own jeans and top
and puts on the old red dress

and looks at herself in the
wardrobe mirror. Her mother
must have been her size back
then, it fits like it was made

for her. She does a twirl, looks
back at her ***, her thighs,
turns to the front and stares
at her *******. She doesn't

remember her mother wearing
the dress, not a dress she recalls
her mother wearing at all. She
looks down, it comes just below

the knees, although she's taller
than her mother, so it would
come lower on her mother.
She embraces herself as if

Benedict were there behind her
putting his arms around her
and breathing on her neck.
She stares at herself in the mirror;

stares at her full length. She
smells the material. It smells
of stale perfume, but not horrible
or clammy. She walks around

the room in it; looks at herself
in the mirror across the room.
She'd ask her mother if she could
borrow it, but then she'd have to

say she'd been in her mother's wardrobe
and that would cause hell with her
father and she didn't want that. She
take off the dress and stands there

in her bra and *******, and puts the
dress back on the hanger, and puts
it back with the other dresses where
she found it the wardrobe, in the right

place, and pushes the clothes back as
far as shes can recall in the order they
were, and closes the wardrobe door.
She dresses back in her jeans and top.

She pauses by the bed. The crucifix over
the bed. The Crucified staring down
pityingly. She touches the bed with her
fingers. She'd like to bring Benedict here;

make love here. But not after last time
in her room and her parents came back
after and that was too close. And some
neighbour had split on her and said

they'd seen young man and her come
here while her parents were out and her
father gave her the third degree over it.
Her father said she can only bring the

boy when they were home. Couldn't bring
Benedict back for *** while they were
downstairs sitting watching TV and
drinking their wine and such, and not

in her parent's bed, not beneath the
Crucified, except in her blonde haired head.
A GIRL PUTS ON HER MOTHER'S OLD RED DRESS IN 1969.
Colm Apr 2018
The universe puts her headphones on
And plays her favorite track
The raindrops in the meadow burst
And soak the earth
And with her feet up on the world
She smiles from ear to ear
And plays it back
What songs does the universe listen to? Is there a more beautiful sound than the rain falling in the secluded meadow. Truthfully, I don't know. But I do love the sound of these words as they roll off the tongue. YUPP!

BIG THANKS to everyone who liked, commented, and helped make this verse the Poem of the day (on 05/18/18). I really appreciate it! You can listen to me read this poem live on SoundCloud. Just follow the link and have an awesome day!  

https://soundcloud.com/user-433755196/her-favorite-song-1
first step

when he looks at a woman he searches for qualities that attract him because he wants to desire her yet this tendency creates an imbalance or disadvantage he is rendered weak to a woman’s beauty or whatever traits he idealizes self-realizing this propensity he looks away from women years of disappointment neglect change him he becomes afraid of women gynophobic

2

when she looks at a man she searches for qualities she is critical of because she wants to be impervious to his power she is suspicious of all men their upper body strength penchant to be in control misperception of women as property misogyny emotional immaturity neediness to be mommyed selfishness insensitivity or over-sensitivity depending she wants to be treated with equal respect a loving nurturing relationship she is suspicious of all people their alternate realities passive aggressive behavior co-dependence craziness

3

he sees her then looks away she suspiciously notices nothing happens they go back to their separate homes alone always home alone grown calm in resignation yet disbelieving of this destiny saddened by this fate both worry about future she looks at her face naked body in mirror her stomach churns feels sad sickening remembers time when she was more carefree he puts one foot in front of other then walks tries to remember who taught him to walk how many times did he fall who taught him to laugh where did his sense of humor go

4

he sees her thinks she is lovely resists the urge to turn away he smiles says hello she notices nervously smiles her shaky voice articulates louder than a whisper hi

Tucson 2-step

they are standing in line at a café on 4th avenue he is directly behind her she is lanky wearing white background faded colors patterned summer dress thin straps over bare shoulders long brown hair few gray strands small unfinished tattoo on left calf leather slip-ons 1 inch heals he is at a complete loss for words thinks to make remark about the weather decides not to overhead fan stirs hot humid July air barista girl asks what she would like her eyes scan blackboard menu behind counter she hesitates remarks help him i need an extra moment to decide he steps up to counter money in hand orders small to go Arnold Palmer half black current lays $3 on counter mentions change goes in tip jar thank you barista girl moves fast he lifts cup from counter glances at woman still deciding then at barista girl says have a wonderful day turns walks out door dawns on him woman grows hair under her arms his 2nd most compelling female physique adornment fetish oh god he thinks to himself should i wait for her to make up her mind then approach try to craft conversation at least find out her name no i’m too weak in this moment she is so lovely let her go

2

she orders double Americana in small cup to go room for soy milk thinks to herself he did greet her perhaps their paths will cross on street why did he run off so fast she glances toward front of café notices window seat changes her mind instructs barista ******* 2nd thought make it for here digs through purse realizes she left wallet in truck explains to barista girl she needs to run out to her vehicle to retrieve wallet forgotten under front seat the air on the street is heavy dense she smells her own perspiration looks north then south does not see him walks to truck feels exhausted appetiteless almost nauseous wishes she did not order a drink thinks to get behind wheel drive home go to sleep

Tucson 3-step tango

she feels disappointment by her recent writings as if she is reaching a more sophisticated audience and setting a higher standard for her work yet she is not living up to her ambitions her recent writings smell of her past writings too emotional the damaged woman wounded child she wants to write more introspectively with detached humor that only comes from keener intelligence she slams her laptop shut decides to go to Club Congress for a ****** mary or margarita but Club Congress is haunted with small town cretins losers wannabes she considers Maynard’s decides Maynard’s is too safe suburban yuppyish finally gives in to thought of glass of pinot noir at Plush next comes what to wear jeans in mid-July desert heat is unacceptable perhaps loose fitting thin cotton white summer dress thin leather belt ankle high indian moccasins hair in ponytail no pigtail braids no ponytail no makeup maybe little ylang ylang oil no she thinks about her recent writings

2

i am one breath away from crying in every moment one breath away from flying m.i.a. in every moment one breath away from destroying everything there is beauty in ugliness beauty in decrepitude disease beauty in harm hurt suffering beauty in greed injustice betrayal beauty in corruption contamination pollution beauty in hate cruelty ignorance beauty in death we spend our whole lives searching for a good death we spend our whole lives searching for eternal love this modern world is too much for me over my head the horrors of this place are beyond words unspeakable voice inside maybe mom yells quit your whining or dad hollers stop complaining i am trying to smile through tears one breath away from giving in one breath away from becoming stranger to myself winter spring winter spring there is beauty in nothingness we spend our whole lives searching for ourselves learning who we are not finding grasping secrets from dark paths light trails winter spring winter spring i am one breath away

3

she sits alone at bar at Plush glass of pinot noir glass of ice water in front of her 2 bearded older men eye her from other end of bar she ignores them glances at her wristwatch tries to look like she is waiting for someone music from speakers antiquated rock standard it is early friday hours from dusk moderate middle aged crowd mingle wait for local jazz trio to begin she thinks about her recent writings wonders is it too late for love considers lesbian affair from 5 different perspectives 5 woman’s voices each describing same lesbian affair in 5 opposing accounts hmmm she sips dark red wine from glass chases it with ice water she considers a story about a gang of female bikers who ride south to Mexico

4

the Americans came through here last night crossing border illegally climbing over our fences digging tunnels beneath our barrier walls littering along their trail they travel in packs of every skin color carry guns knives explosives wear leather boots some are shirtless tattoos dyed hair mischievously smiling conceitedly stealing when in question murdering they rob our homes slaughter our chickens ransack gardens loot our harvest you can still smell the stink of their fast food breaths

5

she swallows the last dark red wine from glass chases it with ice water local jazz trio begins to play as bar fills with more people she decides to walk home one foot in front of other wonders who taught her how to walk how many times did she fall she laughs to herself

Tucson square dance

TPD 10-18 unconfirmed data report

7 post-University of Arizona female graduates go to Cactus Moon for several drinks and dancing then drive to Bashful Bandit for more drinks and dancing 2 women get into scuffle victim Brittany Garner female 23 years of age race #5 (Native American, Eskimo, Middle -Eastern, Other) 5’ 2” long black hair cut-off blue jean shorts clingy light blue top falls hits head on side of bar dies of fatal blow to skull forensics report crushed occipital lobe assailant Stacy Won female 31 years of age race #4 (Asian) 5’6” black jeans black leather jacket red helmet Honda motorcycle still at large

witness accounts

Jess Delaney female 33 years of age race #2 (White) 6’ tight black pencil skirt white sleeveless undershirt no bra 3” heels blond ponytail “that squirting little **** deserves everything she got she lied told Stacy i’m a ***** i never cheated on Brittany i don’t understand we were all having a good time getting buzzed and dancing we should never have left Cactus Moon **** Kerrie thought some biker dude might be hanging around the Bandit hell maybe the Bandit was a biker bar once but now it’s just a college sink hole full of drunken frat boys when Monique flashed a little *** they went crazy cheering and buying us shots it just got out of hand never should have happened the way it happened Stacy didn’t mean to **** Brittany it’s ****** up i want to go home please let me go home”

Sabrina Starn female 29 years of age race #2 (White) 5’8” trendy corporate gray suit black pumps red shoulder length hair “i have to be at work at 8 AM Stacy was drunk out of control she gets crazy when she drinks Brittany was trash talking pushing all Stacy’s buttons then Stacy accused Brittany of sleeping with Monique and all hell broke loose i didn’t see what happened i was in the powder room it’s a terrible tragedy unfortunate accident can i please be released i need to sleep this is madness”

Kerrie Angeles female 27 years of age race #1 (Hispanic) 5’ 6” black pants white shirt black hair cut stylishly short silver crucifix around neck red fingernails “when we got to the Bashful Bandit i was ***** soaking between my legs thinking about a cowgirl at Cactus Moon ready to **** anyone i saw fantasized pulling a train with those frat boys Monique had been kind of quiet at Cactus Moon but when we got to the Bashful Bandit she lit up dancing wild unbuttoning her top jacket Sabrina went to the ladies room to snort coke with biker dude Kerrie wanted but he wasn’t into her then Brittany started saying crazy stuff accusing Stacy of stealing Monique from Jess Jessie goes through women heartlessly she doesn’t give a **** about Monique Jessie knows if she wants Monique back she can simply fiddle a finger my guess is Stacy is half way to Argentina she never meant to **** Brittany i’m going to miss her real bad she was a good kid”

Ann Skyler female 28 years of age race  #2 (White) 4’ 11’’ green white red Mexican peasant skirt black t-shirt black high-tops hair in messy bun “i’m confused i saw them dancing laughing grinding up against each other Rage Against the Machine came on then Nine Inch Nails the room felt quaking dizzy claustrophobic then they were pushing each other shoving yelling frat boys cheering the next thing i knew Brittany was supine on the floor blood pouring out maybe she just slipped hit her head i don’t know what to think i feel real sad confused sick to my stomach scared”

Monique Smithson female 24 years of age race # 3 (Black) 5’ 9” blue jeans jean jacket cowboy boots nose ring braided pigtails “Stacy had it in for Brittany from the start i saw it in her eyes at Cactus Moon she made several clever toxic remarks they snapped at each other i never thought it would escalate to ****** poor sweet Brittany was always so susceptible i was looking down adjusting my jeans over my boots when it happened i heard felt a big thump glanced up Brittany was lying there lifeless blood spilling everywhere Stacy ran out fast i heard her bike engine take off in a hurry”

Rodeo Drive Tucson

matt’s hats tom’s tools & tobacco lou’s liquors fred’s beds frank’s planks bill’s drills jane’s drains & panes chuck’s check cashing cheryl’s barrels hank’s tanks tina’s trucks & tractors walt’s asphalt sean’s pawn rick’s rifles mom’s guns terry’s tires charlie’s harleys rhonda’s hondas jim’s rims art’s parts gus’s gasoline mike’s bikes frank’s feed gwen’s pens ann’s cans nancy’s nursery joes‘s clothes jess’s dresses bert’s skirts steve’s sleeves paul’s shawls michelle’s shells & bells al’s pails & snails sam’s hams & jams patty’s pancakes phil’s chili don’s donuts betty’s spaghetti bob’s burgers alycia’s quiches jean’s beans jerry’s berries anna’s bananas andy’s candies cathy’s taffies tony’s ponies roy’s toys kim’s whims marty’s parties jill’s pills rick’s tricks alice’s palace debbie’s disposal dave’s graves

Quinta Waltz de Tucson

she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do whacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary attempts “Tucson square dance” (self-referential) ****** bit about Americans came through here last night in “Tucson 3-step” ****** "Rodeo Drive" tepid perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love she worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful chatty breakfast afterwards she dreams aches of deeper discourse higher insight with detached humor that only comes from keener intelligence more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing

Tucson 666

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl says he looks like Charlie Chaplin downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in long brown hair she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole ide
JayceeJellies Feb 2016
He feels the same pain that she does
Which makes her feel sad because...
The mask she wears,
he takes off and puts on,
But she sees the cuts behind the sleeve
Along with the smile that everyone believes.
Emily Larrabee Jan 2014
Bundled under her black and white comforter knowing her alarm will ring any second. Wraps the blanket around herself and rocks herself out of bed. Right as she does the alarm starts to ring. She tells it to shut up as she turns the switch to off. She goes out into the kitchen no one is up yet. Grabs herself a packet of oatmeal (Always strawberries and cream) She likes it thick and lukewarm with a glass of milk. While shes out there her dad comes out makes his coffee then leaves.After she eats her breakfast she slowly makes her way to her bedroom. The night before she lied out an outfit. Skinny Jeans and a purple button down shirt. She looks at herself in the body mirror by her dresser and pinches the fat around her hips and stomach. She takes off her fleece shirt and pants. She puts deodorant on and sprays herself with "Our moment" she put her shirt then her pants on. Goes into the bathroom. And brushes her red hair back into a messy bun. She applies her favorite makeup on her freckled face and her favorite lip balm on her small lips. She brushes her teeth with one of her eight toothbrushes and Colgate toothpaste. She runs into her room and puts her black flats on. Puts on her red jacket with the fur trim and walks out the door.  "Oh ****" she thinks "I forgot my back pack" She runs inside and grabs it. She makes her way to the bus stop. By the time she gets there everyone is there. About five minutes later the bus shows up. The bus is freeeezzzinnggg because the bus driver doesn't heat the bus. She sits in the seat still bundled up. A little later Aaron and Lori get on the bus. Aaron pushes her over and lies on top of her. Soon after the baybridge kids get on and it gets extremely loud. She talks to Brandie Logan Hannah and Aaron until the bus comes to her highschool. She walks off the bus and into the school. She walks to the cafeteria and puts her stuff down. She sees her best friend and walks around the school for what seemed like an hour. She sees her crush by his locker and tries to hide but he sees her and waves. She smiles and waves back shily. Soon after her class starts. Then she has lunch with him. She sits on her friends lap because there are no seats left. She checks her pockets for a dollar for a bagel but has none. One more class left. She finishes her school day and gets on the bus. (Pretty much the same thing but this time They have to pick the Jr high kids up) She gets to the bus stop and gets off of the bus. HOLY CRAP its freezing she thinks as she starts to walk home. Once she gets to her house she opens the door. She throws her stuff down and runs to the bathroom because she really has to go. Once shes done that she watches t.v. for a few hours. While procrastinating doing any homework or chores.  Finally at about 5 she decides to get some **** done... After dinner she washes the dishes and this one day asks to go on facebook. Her dad says yes so she goes on. She continuously sees Jessica's picture on facebook and tries to hold the tears in. After awhile she can't anymore. She asks her dad to take a shower but the real reason she wants to take a shower is so she can sob without people hearing her. Her dad says no though. She goes into her room and tries to find a razor.... nothing. She grabs a rock that for some reason appeared on her night stand.She srapes her arms over and over. She scratches fat into her stomach. she outlines the word Jess into her arm then crosses it out. Jess is gone she thought. She lies on her bed under the covers and silently cries until she falls asleep.
jake aller Mar 2019
World According to Cosmos Updates March 3, 2019

Note: I am taking a two week trip to Vietnam and will update my blog when I return with my reflections on my trip, updated publications etc.

Cosmic Dreams and Nightmares

I don't dream dreams.  I dream movies complete with action, music, food, smells everything.  In this one I had a vision of  a possible future. it was so vivid, almost as if I were watching the hearing take place.

Three stories

Dream Girl (true story)
General Zod (flash fiction
Sam Adams Vs. the Social Cleansing Board
Six Poems
Morphing Images from Hellish Nightmare
Endless Movie
Worlds within Worlds Lost in Hell
Rafting to Hell
Satanic Torture
Micro Stories

Don’t Go Jogging in the Middle of the Night
Don’t touch this button!
Don’t open the door
Don’t go to the theater tonight stay home with me
Don’t go to Dallas I have a bad feeling about the trip


Dream Girl
Cheating Death 100 Times
Guardian Angel
Medical Mystery
SLA Hit List

Dream Girl – A true Story – reprinted from Dreams and the Unexplainable
You know you’re in love when you can’t fall asleep because reality is finally better than your dreams.

Author Unknown

The dreams started when I was a senior at Berkeley High School in 1974. About a month before I graduated, I fell asleep in a physics class after lunch and had the first dream:

A beautiful Asian woman was standing next to me, talking in a strange language. She was stunning—the most beautiful girl I had ever seen. She was in her early twenties, with long black hair, and piercing black eyes. She had the look of royalty. She looked at me and then disappeared, beamed out of my dream like in Star Trek. I fell out of my chair screaming, “Who are you?” She did not answer.

About a month went by, and then I started having the dream repeatedly. Always the same pattern.

Early morning, she would stand next to me talking. I would ask who she was, and she would disappear. She was the most beautiful, alluring woman I had ever seen.

I was struck speechless every time I had the dream.

I had the dream every month during the eight years during which I went to college and served in the Peace Corps. In fact, when I joined the Peace Corps, I had to decide whether to go Korea or Thailand. The night before I had to submit my decision, I had the dream again and it made me sure that she was in Korea waiting for me.

After the Peace Corps, I still hadn’t met my dream woman. I got a job working for the U.S. Army as an instructor and stayed in Korea. I kept having the dream, until I had the very last one:
She was standing next to me, speaking to me in Korean, but I finally understood her. She said, “Don’t worry, we will be together soon.”

Why was that the last time I had the dream? Because the very next night, the girl in my dream got off the bus in front of me. She went on to the base with an acquaintance of mine, a fellow teacher, and they went to see a movie. I saw her and found the courage to speak with her.

We exchanged phone numbers and agreed to meet that weekend.

The next night, she was waiting for me as I entered the Army base to teach a class. She told me she was a college senior and she had something to tell me. I signed her on to the base and left her at the library to study while I taught, and then we went out for coffee after class. She told me she was madly in love with me, and that I was the man for her. I told her not to worry as I felt the same.

That weekend, we met Saturday and Sunday and hung out all day. On Sunday night, I proposed to her. It was only three days after we had met, but for me it felt like we had met eight years ago. I had been waiting all my life for her to walk out of my dreams and into my life, and here she was.

Her mother did not want her to marry a foreigner. One day, about a month after we met, she invited me to meet her parents. I brought a bottle of Jack Daniels for her father and drank the entire bottle with him. He approved of me, but her mother still had reservations. After a Buddhist priest told her my future wife and I were a perfect astrological combination, she agreed, and we planned our wedding.

The wedding was a media sensation in South Korea. My wife explained it to me years later. At the time, I was overwhelmed just by the fact that we were getting married and I didn’t fully understand how unusual this was. My wife was of the old royal clan, distant relatives to the former kings of Korea. In the clan’s history, only two people had ever married foreigners: my wife, and Rhee Syngman, who was the first President of South Korea. My father, who was a former Undersecretary of Labor, came out for the wedding, which fueled even more media interest. Our marriage defied the stereotypical Korean-foreign marriage where the women married some hapless GI just to escape poverty and immigrate to the U.S. We were the first foreign/Korean couple to get married at a Korean Army base. Over 1,000 people came to the wedding, and my father was interviewed on the morning news programs.

This all happened thirty-seven years ago, (45 years since the first dream) and I am still married to the girl in my dreams. Now in my dreams she watches over me when we are apart.

General Zod Conquers the World
SETI and the search for extraterrestrial life goes on overdrive when scientists report what appears to be radio and television broadcasts from a planet eight light years from earth, the same planet as the Vulcans came from in the Star Trek universe.  The programs show a world where dinosaur-like creatures are running the world and there appears to be a civil war.  Over the next six months, the world is transfixed watching the alien broadcasts which are translated in English via a supercomputer program.  In the broadcast, a nuclear war has occurred. The surviving party regains absolute control and announces the formation of the Galactic Empire.  General Zod is the First Emperor.  They have discovered Earth as well. The aliens launch a crash project to develop interstellar travel so they can come to earth and conquer the earth.

The revelations that there is an external threat to the planet causes the United Nations to get together with the help of the United States and Russia another space powers, they put together Space defense International organization and also invigorates efforts to make the UN a real Planetary government including finally conquering climate change.

But it was too late. General Zod’s son arrives to take over the earth. He makes a broadcast saying that they were liberating Earth in the name of the Galactic Empire and that resistance would be futile.

They land at the White House and when President Trump comes out to greet them,

General Zod cuts off his head, and then cuts off the heads of all the staffers as they come out White House. After an hour of unimaginable horrors, including mass rapes, blowing up the Pentagon and the CIA,  General Zod announces that he had taken over the world.

Life will continue as before as long as people behave and follow the rules they would be fine Resistance to the new empire will be met with instant death.  Life in the Empire is not a democracy. They would not tolerate Freedom of speech, and Freedom of Press, and Freedom of Assembly And the freedom to oppose the State. The state is everything.  As long as humans remember that they would be just fine. They took over the United States because it was the biggest country in the world. And that his forces will take over the rest of the world but in the next couple weeks. If people on earth accept the new order, their safety would be guaranteed. Companies would be taken over by Galactic Empire companies, and everybody would have to learn Galactic standard. Within one year older languages will be banned.

Sam Adams Vs. the Social Cleansing Board

the summons
Sam Adams was worried. He could not sleep. He got up at 4 am and wrote in his journal and tried to cope with the dread that was overwhelming him. He had received the summons yesterday that he was to report to the social cleansing board for a review on whether he would allow to continue to be on the automatic permit list or would be referred for final status determination. Sam was a retired Federal worker trying to live on dwindling savings.

Sam had Alzheimer’s and was rapidly depleting his life’s savings. Two years before he had been released from prison, one of millions of ex political prisoners. His crime? Authoring anti-government poems just before the beginning of the Christian States of America, right after the second civil war. Unfortunately for him and his millions of ex-prisoners, his side lost the war. He wanted to flee to the United Provinces and settle down in California but lacked money to move. And getting a job at his age, with Alzheimer’s and his political rating was proving difficult at best.

All of which added up to a 90 percent probability his last days were approaching.

Under the new rules imposed by the Christian republican party in the newly established Christian states, all citizens over the age of 18 were on the permitted list if they met all of the following criteria. He tried to think why he was being referred to the board. Perhaps it was because of the recent crackdown on social deviancy. Millions of homosexuals, transgenered people, atheists, drug users, alcoholics, and non-religious people had been rounded up and eliminated according to the rumors. Perhaps someone had fingered him as a possible deviant. He fit the stereotype, no children, known drug user, known alcohol user, suspect politically, atheist and now Alzheimer’s patient. And he was not racially pure having some black blood, some Asian blood and some Jewish blood. And he had married across the racial divide which was now illegal.

The story was that if you flipped and named names you would sometimes be spared for now, and if your info was correct, you could be rewarded. Of course, those whom you flipped were not too fortunate. That was probably the story or someone could have heard that he was an ex political prisoner, or simply that he had Alzheimer’s’.

He had no children. And he was a secret atheist and had been involved with the dissent movement and had spent five years as a political prisoner at the start of the Christian Revolution. He was determined to make a stand and denounce the whole rotten system before the board although that would probably seal his fate.

As an Alzheimer’s patient he could no longer work. His wife had died the year before while he was in prison after she had been deported to her native Korea. She left him some assets but he had little idea how to manage his finances and he was behind in his rent and had received an eviction notice which had probably triggered the visit by the social cleansing staff who recommend a final status determination. But it was just as likely he was on the list because someone flipped on him.

He also did not make it last time when they came for him at midnight. Always at midnight the story goes.

The soldiers came took him away from his wife and locked him up for two years. They deported his wife whom he heard had died shortly afterwards. He spend two years at hard labor in the dessert near Las Vegas and was released into Las Vegas.

Las Vegas was a different town now that the casinos had left town. All that was left were back office operations, and underground ***** and *** operations and underground casinos. It was a hot bed of political dissent and there was an underground railroad to California, which was not part of the Christian states. Sam had been preparing to leave which was a crime and perhaps that is why he was on the list.

The hearing would be at 10 am. He was meeting his lawyer at the hearing board but his lawyer was not too optimistic.
the Permit Criteria
The basic criteria for being on the permit list were:

For Males

Age 18 to age 70
White race
Married to a white woman with children
Must be either working, in school full time, serving in military duty, or working in prison if convicted of a crime.

Homelessness was not allowed. If unemployed and or homeless, would be referred to social cleansing department unless one had a relative who was willing to take care of your needs.

Since there were no pensions or social security anymore and no government provided health care, one must have sufficient assets through one’s work, or savings or through one’s relatives to provide for one ‘s needs. If not you would be sent to the social cleansing board for final status determination.

For Females

Same basic rules applied but if one were married, and had children one would be on the permitted list, if children are older, if spouse’s income is sufficient one would be on the list.
If single or divorced, and homeless one would also be subject to social cleansing unless one’s relatives would willing to sponsor you. Since there were no pensions or social security anymore and no government provided health care, one must have sufficient assets through one’s work, or savings or through one’s relatives to provide for one ‘s needs. If not you would be sent to the social cleansing board for final status determination.

For Aged People

Additional requirements for the age you were expected to take care of your basic needs through employment and savings and the help of relatives. If you were evicted for non-payment of rent, or judged to not have sufficient assets left to sustain your basic needs including medical care, you would be referred for final status determination.

For all people additional requirements applied.

****** deviancy, drug use, alcohol use, gambling, *** outside of marriage, homosexuality would result in immediate referral to the social cleansing board as all were banned conduct that could result in final termination.   Being a member of a prohibited religious class could also be grounds for referral as would a pattern of not attending Christian services. Finally, if one had been arrested for political crimes one would be marked forever.
<h2>Sam's Rating</h2>
One had a government social rating. Sam knew that his rating was a D meaning that the government would be watching him all the time, and it would be difficult to get a job. Only the A’s and B’s were guaranteed to be on the permit list.

To be a A you had be to a true believer, had to be white, had to attend church on a regular basis, and had to be employed naturally.

To be a B same thing but you could be a B if you were a minority, or had engaged in alcohol or drug use under the old rules.

C meant that there was something wrong with your background, you were an atheist, you were a minority etc.

D mean that you were a serious threat to the regime.

E meant that you would be terminated.

F met you were terminated as it met Failure to survive, and family members of F were also labeled F as they were usually terminated at the same time.

Being associated with banned political movements, including reading banned materials could also lead one to being referred to the social cleansing board as all were grounds for either termination or criminal prosecution if under the age of 70.

The board has three choices - granted temporary status extension, referral for termination, or referral to criminal prosecution.

The termination would be carried out quickly. There would be an optional funeral at your Church, then the execution through the method of your choice - firing squad, beheading, electric chair, or gas. The default was gas where you were put in a room with up to ten other people and put to sleep.

Afterwards your body would be cremated in an electricity generating plant with the ashes turned into fertilizer products. There were no burials allowed unless one was rich enough and connected enough to request a burial exception. Most people did not qualify.
the Hearing
The hearing started. The presiding Judge, Judge Miller was a stern face white man in his 70’s and a true believer. He was sent to Las Vegas to clean it up as Las Vegas was the wild west, a hot bed of dissent, illegal drug use, illegal prostitution and illegal casinos. It was also near several political prisons so many ex cons lived there.

The Judge was the chairman of the Nevada state committee that did not exist and was a senior official in the Federal committee that did not exist that brought together government, business and church leaders to coordinate government policies and that secretly ran the Christian States of America.

Probably a score of A thought Sam.

The judge announced that he had reviewed Sam’s file and was shocked that Sam had escaped final termination. He said that the previous board had erred in simply sending him to prison. He should have been eradicated as a social evil, as a cancer that needs to be removed from the pure body politics. Sam and his ilk sickened him. Sam was a free thinker, an atheist, a mix race mongrel, married to a non-white and was therefore guilty of crimes against the white race which was a crime. The Judge was determined to see justice done.

He asked Sam a series of questions. Sam’s answers sealed his fate.

Sam, what is your occupation?

None for now.

You realize that under the law you must be working, in service, in school or in prison?

I can’t find a job due to my age, my Alzheimer’s; and my political record.

That’s irrelevant. You are just a lousy atheist *******. You deserve no sympathy. And have none from me.

Are you white?

No, I am mixed race, part native, part Asian, part black.

I see you were married to a non-white and had no children. Good for you we would not want to see more mongrel children. Such children should be eliminated at birth in my opinion and will be starting next month when we begin enforcing the racial purity laws.

What was your crime? Let’s see reading prohibited writings, keeping a journal, publishing an anti-government blog, authoring anti-government poems and stories. You served two years at hard labor?

Yes

Do you still write?

Yes, everyday but I no longer publish on line.

Good. No one would want to read that trash anyway.

Do you go to church?

No

Do you believe in God?

No, I do not believe in an imaginary man in the sky.

One more anti-religious statement from you will result in an immediate ruling of termination.

Do you drink?

If I can find it yes

Do you gamble

Yes, when I can

Do you support the Christian Republican Party and the Christian States of America?

No, I do not.

Okay, I have enough for a ruling. Sam Adams, you are hereby sentence to termination. Tomorrow morning at 7 am you will be turned into electricity and fertilizer. Take him away.

Next please.

At midnight there was a knock at the door. A black man appeared and said he was a friend and he was being smuggled to California. Sam rejoiced and went with his new friend and reached SF in the morning, escaping death for the 23rd time in his life.

the End

Poetic Nightmares

Morphing Images from a Hellish Nightmare
Note: From a real nightmare End Note

I am in a room
Drinking at a party
And smoking ****

Watching people all around me

Change into hideous creatures
Monsters from the deepest depths of hell

Everyone in the room
Has been transformed except me

The Chief of them all
Wears a Trumpian mask

Complete with orange hair

Half human half pig

His deputy
Wears the face of Putin
But his body
Half human, half horse: if

The other creatures wear masks
Many of them wear
Green Pepe the alt-right
Symbolic frog masks

And have T-shirts
Bearing alt right slogans
And **** symbols

And as they prance about
They chant alt. Right slogans
And neo-**** chants

Jews will not Replace us

And the rest of these creatures
Are hideous ugly beasts
With only a vestige of humanity left

And these monsters are engaged
In all sorts of foul evil deeds
****** violence death

All around
And non-stop
violent drug-fueled ******

As these creatures
Half human half monsters
Half male, half female creatures

Snort coke, *******, speed
Smoke **** and drink ***** shots
Scotch, bourbon and beer

The Trumpian Pig leads the charge
Starts engaging in ****** with Putin
Who chases after people

Cutting off their heads with his sword
They turn on to their fellow creatures
****** and killing each other
and eating their fellow creatures

All night long

Then they attack me
Screaming

Jews will not replace us
And I wake up
Screaming

As the sun comes up
Just another nightmare


The Endless Movie

Watching the TV coverage
Of the great government shut down
Of 2018-2019

I am reminded of a movie
As I fall asleep
Listening to the TV

Blather on and on
About what it all means

Mr. Natural pops up
And screams

"It don’t mean s….

“Dude, the endless movie
Is about to begin”!

A middle-aged white man
Down on his proverbial luck
Just been fired

Replaced by a foreign worker
Or a robot

Or just fired
Because he was no longer
Deemed useful
To the masters of the universe

If he was lucky
He'd  be given a watch
And an IOU worthless pension

And the man wanders into a restaurant
Pulls out a gun

Eats his breakfast
After the official breakfast hour

Puts on a Pepe the green frog mask
Drops acid, Snorts speed
Drinks a shot of *****
And coffee smokes a joint

Snorts ******* for good measure
and smokes a cigarette

And walks outside
steals a bus at gun point
Filled with passengers

He tells them
They are hostages

And he puts on his vest
With the dead man switch
Next to the bomb

He announces
Via tweet

He is going to take the bus
To the proverbial *** of gold

Hidden deep in a cave
And when he got there

He would release the hostages
And disappear into the mine
And never be found again

And as the bus careens around the mountain
At 100 miles an hour
The dude sprouts out

Conspiracy after conspiracy theory
About Obama the Muslim communist

secret gay working with George Soros
the Jewish money people
in league with the shapeshifting lizards

and Mueller is one of them
they are all after him
because he knows the deal

And the passengers are transfixed
Half hoping, he would make it
Half hoping, he would be blown away

And as the bus careens out of control
With the wheels falling off

And the cliff looming ahead
You realize we are all doomed


Worlds Within Worlds Lost in Inner Space
A man woke up one day
Lost in inner space
Went so far down
The proverbial rabbit hole

That he did not know
Where he was
Nor what time it was
Nor when it was

As he stared out
At a bewildering world
A world lost in inner space
Deep down in his dreams

Filled with nightmarishly real
Monsters, demons and ghostly apparitions
He saw them and began running
Running running running

With the hell hounds behind him
Leading him to the edge
of the pits of hell itself

abandon all hope
ye who enter here
the sign read
above the entrance to the pit

and there was a devil standing there
armed with a clipboard
and a computer spreadsheet
Satan was the ultimate bureaucrat

Name barked the devil
Date of Birth ?
Date of Death?
Don’t know? That won’t do at all
Hmm

Car accident due to drunk driving
And you killed a child
Bad on you

But here in hell
The punishment fits the crime
And the devil laughed
Joined in by the hell hounds
And other nightmare creatures

A bell ran out
In the purple crystalline sky
And slowly the worlds receded
And he found himself alive

In his room
And vowed
That today
Was the day

He would quit drinking
Quit taking drugs
And quit chasing strange woman
And having wild libertine ***

He picked up the phone
It was Satan’s aid
Be careful what you vow
We are listening

If you fulfil your vows
You might find yourself
Escaping life in Hell
It is up to you to choose

And the man got dressed
Went to work
Thinking deep thoughts

And drove off a cliff
And back down the endless
Worlds within worlds

Satanic Torture

I find myself
In a dark room
Strapped to a bed

The light turns on
The large TV comes on

A smiling image
Of Satan fills the TV
He is dressed
In a conservative business suit

Looks like he came
Out of a corporate
board meeting

surrounded by demonic aides
who constantly shove papers
at him

He looks up from his lap top
And smiles
A deadly so insincere smile

His voice booms out

Welcome to Hell
My satanic slaves

I am Satan
Your new master

Each of you
Has been sentenced
To an eternity of torture

And the punishment
Must fit the crime

So, for you
Mr. Jake Cosmos Aller
Failed aspiring poet
And novelist

Your torture
Is to be strapped
To that bed

Unable to move
As you are filled
With the need
To **** and ****

But you cannot move
And your skin
Is crawling with bugs

And itchy
as Hell so to speak
and you are so sleepy

but you cannot sleep

the TV will play
endless repeats

Of some of the worst TV
and movie shows
ever produced

Starting with my favorite
A Series of Unfortunate Events

Featuring your favor annoying little girl
Carmetta! Singing for you forever
As you are the ultimate cake sniffer

Welcome to Hell


Rafting Towards Hell
I woke up
To find myself
Rafting down a river

I looked up
At the cliffs
Towering above
the roaring torrent

and see the dark demons
of my terrible nightmares
chasing the boat
firing flaming arrows

and I see werewolves
goblins, ghosts and monsters
running along the river bed
screaming obscenities

as they chase me
to my doom

and I see the waterfall ahead
and see my pending doom

as I rush over the edge
of reason



Micro Stories
53 word stories regarding unheeded warnings
Don’t Go Jogging in the Middle of the Night
It all started with a jog in the middle of the night. Despite my wife’s warning don’t go jogging in the middle of the night.  Broke me heal in a million pieces, 14 operations ensured, mutant MDR Staff almost killed me, almost lost the leg. . should have listened to her warning.

Don’t touch this button!
Don’t touch this button the former President said.  I said, what this button? And that led to the launching of nuclear weapons, going to defon three, and world war 3 with millions of people dead end of civilization moment. Should not have touched the red button.
Don’t open the door
When you find yourself running for your life chased by demons from hell and backed into a corner in a burning house filled with flames and are about to die in a million horrible ways you remembered that they warned you not to open door number three in this crazy reality TV show.
Don’t go to the theater tonight stay home with me
Mary Todd Lincoln had a vicious headache and was not in the mood to go out.  The President though ignored her wishes and told her that he had to go to the theater that night to show the world everything was okay now the war was ending.  Should have listened to her.
Don’t go to Dallas I have a bad feeling about the trip
Jackie was known for her moods and her premonitions. Something the President found both amusing an annoying. She told him that she a vision of death waiting for him in Dallas that day.  The President dismissed her foolishness as he put it and went to Dallas to meet his fate.
true love story.
In 1974 I had the first dream. While sleeping in a boring class, I saw a beautiful Asian woman standing at me speaking a foreign language. I fell out of chair yelling who are you?   I began having the same dream month after month for eight years.  One day I realized she was in Korea so I went there in the Peace Corps to meet her. In 1982 I had the last dream.  She said don’t worry we meet soon. That night she walked off a bus, out of the dream and into my life.  We’ve been married 37 years.
Cheating Death 22 Times
Also, a true story.
I have cheated death 22 times in my life.  I was born a preemie, almost died at birth, and had all the childhood illness at once.  In 1979 I came down with Typhoid  fever in Korea in the Peace Corps.  In 1991 almost got hit by a train. In 1996-1997 had 14 operations due to a mutant drug resistant staph infection, almost died several times.  In 1997 I had an acute stomach ailment that almost killed me, due to excessive antibiotic usage, if I had waited 30 minutes more would have been dead.  And had dengue in 2010.
Guardian Angel Saves My Life
Another true story
In 1990, I was teaching ESL in Korea.  My wife and I drove to the East Coast of Korea for a weekend away. She was in the US Army then.  As we drove towards Sorak mountain, I was filled with the need to get off the road right then. I had a premonition of doom, so did my wife. We got off to drive around another park returned a few minutes later and saw a 25 car pileup. We would have been dead if we had not listened to that inner voice telling us get off now.

Medical Mystery
Another true story
Back in 1996, when I was in the hospital fighting a mutant staph infection after a disastrous jogging accident that led to 14 operations, the internal medicine doctor said that there was something else going on. He finally discovered that I had a rare parasite, a tape worm of sorts that remained inert, its only becomes active if you take steroids then it blows up like a basketball killing you instantly. Six months later I had to take steroids due to frozen shoulder syndrome, and if I had not gotten rid of it, I would have died a medical mystery.

SLA Hit List
True story

Back in 1974 my father was a local politician in Berkeley, California who was on the SLA’***** list as “an enemy of the people, a fascist insect that needed to be killed”.  His crime?  As President of the community college district, he began requiring IDS for students and staff to combat campus crime at the local community colleges.  We had 24/7 police coverage for a while. One morning I saluted my father, “good morning fascist insect”.  My father, being of Germanic stock did not like the joke as jokes are alien to the German DNA.


the End
based on dreams and nightmares
have you ever paid attention to the sky?
i sure have
every car ride
every walk outside
everytime im sad
i look to the clouds above.

the clouds have feelings
they, just like us, get sad
angry,
and frustrated at times
but they are kind to us down below
they reward us with their beauty

they are similar to us with one more thing
they too, like most of us, have a best friend
i bet they share secrets
and stories
right as they're going to bed behind the city skyline
together they make the perfect team to bring smiles all around

when the colors of the sun
and the grace of the clouds
bleed together
it puts our hearts at ease
next time,
just look up.
Fear, Is a battle.
Fear is a Disease.
My disease.

Fear, puts me in places,
That I know I shouldn't be in.
Like I woke up in a dark attic, not knowing how I got there, or why.

See, it's not...things...I'm afraid of.
It's not people, or pain, or injury, or death.

Fear puts thoughts in you, that are totally and completely out of character, until they begin changing how you define yourself.

I am,
The fearful.
I am,
The untrusting.

Trust and fear come hand in hand, but purvey the opposite effects of one another.
Trust, puts fear to sleep. A silent, peaceful slumber. A place fear would rather be anyway. Trust allows you to see what is hopefully the truth in others.

Ah...you see. "Hopefully." There is that little seed of doubt.

Fear is the abusive sibling of the relationship. Always hanging over trust's shoulder, whispering worst-case scenarios in his ear.
In mine, it takes trust's confidence and gently, throws it into the nearest garbage can.

Trust is powerful.
But fear cuts deep.

When trust, faith, in someone is broken...
Well...we've all been there at some point.
When trust is broken, he half-heartedly stumbles to his bed, and stays there. Not asleep. Just, broken.

At this point fear doesn't have to do a thing.
Anytime you look inside yourself, since trust is gone, the only thing left is fear, just...sitting there.

Normally trust...gets up and brushes himself off to try again, especially with the help of friends.

But, in a few of us...


In a few of us, trust falls asleep, and disappears.
Hope, the half-sibling tries and tries to wake him up, to no avail.
Trust is gone.
Fear just sits there. Doing nothing, but doing everything.

Hope is a stubborn one, and pushes, and pushes, and pushes.
Sometimes it works.
Sometimes, it doesn't.

Fear. Trust.
They walk, hand in hand.
Toe, to toe.

I am,
The fearful.
I am,
The untrusting.

Hope, through valiant effort, keeps on trying.
Her energy is not limitless.

At times like these...
Hope, is not enough.

Trust has died.
The only way, to restore the balance,
Is for another's heart to come forth, and share their trust.

It's not fair, asking your trust to keep my fear in check, as well as yours, It just isn't.
At times like these,

I need the trust of someone,
Who is willing to share,
With one, who trusts no one.
I encourage this to provoke thought. Is there someone in your life that matches this story? Are you willing to share your trust?
1

Monday Night Football on a Thursday.
Preseason. Johnny Manziel, running.
The nurse is a signal caller, too.
She flicks the wrist like Rodgers,
puts spin on it like Manning.
Once a rookie, now a seasoned vet.

2

Monday Night Football on a Thursday.
Network glitch? John Gruden, talking.
Anxiety lurks in the tall grass
still licking its paws. My head's out the game.
I've become an easy meal.

3

Monday Night Football on a Thursday.
If I had another John he'd go right here.
I miss my mother, and how she smiles
like my illness only increases my value,
puts gold in my veins instead of chemo.
Rex throws his clipboard, I lose my appetite.

4

Monday Night Football On A Thursday.
No more John's. Get over it.
Game's almost over. My head fresh from
the toilet, pieces of everything falling out
of me. Broken. Stumbling. At this moment,
football is enough.
A Castillo Apr 2014
The bag exhales its emptiness.
It has run out of things to give,
only a few husks.

I prop my hand under my chin.

My darling puts her kit on the table
and strings the kernels through.
There were all shades of yellow #5.

America's #1 Finest!

She puts them round her neck,
glistening in tv-light,
that nacreous shell of a necklace.

The white noise plays on.

They start to burst, each one of them,
into a different kind of flower—
daffodils, dandelions, daisies—
it was quite a piece.

My hands are so close now, trembling,
and I am hungry.

The white noise plays on.

Quickly I ****** at them, ****** into her,
And my hand comes out empty,
only a few husks.

The petals scatter slowly around us.

The bright, yellow sun is crashing,
And so, too, does that crumpled bag
Into the trash, above which hung

My heavy heart, my sweet
And her finest around her neck.

I prop my hand under my chin again.
Jo Jun 2016
I'm wild somedays, but I'm loyal. I know you think I'm coming undone, but there's no need, no need to be afraid.
  'Cause when the night falls, your love puts me back on the wall. Puts me back on the wall.
   You're intoxicating, but you're so **** complicated. I want to see coming undone; After all this time that I've been waiting.
  So just let it go for a minute. If you're feeling cold, let it hit ya, we want to feel emotion so let's feel it.
  When darkness comes to you, you don't have to worry, imma be the one to stay. When darkness comes to you, you don't have to worry. Imma be the one to stay.
  'Cause when the night falls, your love puts me back on the wall. 'Cause your love puts me back on the wall.
  So just let it go for a minute. If you're feeling cold, let it hit ya. We want to feel emotion so let's feel it; Puts me back on the wall.
Puts me back on the wall...
shyann raulerson Jul 2013
I heard faint noises downstairs, and I decided to investigate. I pulled on a pair of cut-off jeans and grabbed the old pump shotgun that had served me so well in Viet-Nam from under my bed and crept downstairs to check. My Ranger training came into play, and I moved soundlessly, down the stairs and into the living room. An air of vague shadowy figures were searching through the cabinet that housed my collection of antique silver. I announced my presence in a sudden and intimidating manner: I merely pumped the action of the shotgun, then immediately moved to the right so if anyone shot, he would shoot where I had been, not where I was now. That sound was a language that everyone understood, including the two figures before me. They froze, and were still motionless.

"Mr. Steve?" one of the figures quavered. "Please don't shoot!"

I recognized the voice as belonging to Lisa, the twenty-year-old daughter of my nearest neighbor. I didn't know who the other person was or who else may be in the house, so I kept the shotgun pointed in their direction and hit the light switch with my free hand. Immediately a car cranked up in my driveway, and tires squealing, raced out to the road and away. I looked at my midnight visitors. I recognized Lisa and Julie, who was a close friend of Lisa's and a frequent overnight visitor of hers. They were holding between them a laundry bag containing most of my silver collection. I lowered the muzzle of the cut down shotgun.

"You sure know how to get yourselves killed," I stated. "Mind telling me who was in the car? You don't want to take the rap all by yourselves."

"Please don't shoot! That was Mike, it was all his idea! He made us do it! He said he would put us out and make us walk home if we didn't do it! Are you going to call the Cops?"

Now I could understand why the girls tried to burglarize my home. It was a fifteen-mile walk home in pitch darkness on a moon-less night for the two frightened girls. It was just what a worthless **** like Mike would pull. Knowing what I did about Lisa's boyfriend, I knew what he probably needed the money for. He was nineteen; the only job he had ever had was selling drugs, and I don't mean at the pharmacy. He was a charmer though. Girls fell for his good looks and his charm, and would do anything for him, and he of course chose the best looking one of the bunch, Lisa. She never realized what a slime-ball he really was. The problem was that Lisa didn't have a father to threaten to put a bullet in Mike's behind, and her mother was just as deceived as she was.

"You broke into my house and attempted to steal my belongings. Why shouldn't I?" I said with false sternness. I wouldn't really turn them in, now that I knew the situation. I would give the girls a good scare, then a ride home. Maybe then Lisa would see through Mike's veneer.

"Because we'll do anything you want," Julie offered, speaking for the first time. "Anything at all!"

Julie stepped over and ran her hand up my leg, pausing to tweak the head of my ****, which was hanging out of the leg of my cutoffs. I hadn't bothered to pull on any underwear. Julie was almost as good looking as Lisa was. Both girls had fabulous bodies, large firm ****, and smooth well-rounded *****. Julie had a cute face, whereas Lisa was absolutely beautiful.

"Yes, anything you want to do!" Lisa agreed.

The girls weren't wanton *****, but scared out of their wits and taking the only way out that they could think of. Of course they weren't virgins. It hadn't occurred to me to take advantage of the girls like this, and I would have declined Julie's offer if she hadn't fooled with my **** like that. You see, I was developing an outrageous *******, and with my **** hanging down the leg of some fairly tight shorts, the situation was rapidly becoming painful and serious. I had to get those pants off fast! Also, I hadn't been laid in quite a while. I decided to lay my cards on the line.

"You kids know me. I never had any intention of calling the Cops. I was going to give you a scare to teach you a lesson, then drive you home. Does that mean the offer is withdrawn?"

The girls looked at each other and both breathed a sigh of relief, big smiles on their faces. Lisa winked at Julie. "Nope," Julie said, smiling, "It still stands. Lets go upstairs."

I escorted the girls to my bedroom, pressed the magazine block on the shotgun, pumped out the shell that was still in the chamber, then put it back in the magazine. I tossed it onto the dresser with a loud thump.

I turned around and both girls were stark naked. Lisa came over, dropped to her knees, and planted a wet kiss on the head of my painfully throbbing ****. My ******* became harder still. I had to get out of those cutoffs! Julie solved that problem. She unzipped and unbuttoned them and gently worked them down around my rock-hard ****, allowing it to spring up to freedom.

"Lets get on the bed first," I suggested, "Then we have fun."

"Lay down on your back," Lisa insisted. "Have we got something for you!"

I complied, and Lisa leaned over and put my **** in her hot mouth. Her tongue swirled over the head, ran up and down the shaft, and started over again. I looked over at Julie and she was watching avidly. Not having anything better to do with my hands, I reached between her legs and caressed her ****. Julie gasped with surprise, then spread her legs. Her **** was already hot and wet, so I slid my ******* in all the way, then started finger ******* her and massaging her **** with my thumb. Her **** hardened and grew. Julie had her eyes closed and was erotically tweaking her ***** *******. She was slowly lowering her body, deepening the ******* of my finger, and rocking her hips back and forth, intensifying the stroking of her ****. Julie's hot ***** juices ran down my hand while Lisa's mouth was still working on my throbbing ****.

I began to draw my hand from Julie's sopping wet ****, but she grabbed it and held it tightly to her crotch. I pulled my hand now, and she came with it. I grabbed her thigh and swung her leg over me, so she was now sitting on my chest. I pulled my finger from her hungry ****, grabbed her ***, and pulled her ****** right up to my face. As soon as I flicked her **** with the tip of my tongue, she went wild, ******* my face, filling my nostrils with the sweet aroma of her **** juices. I thought I would give her all the licking she could handle. I rammed my tongue into her ****-hole with all my might, then gently nibbled on her ****. Apparently she had a low threshold, as this was all she could stand.

"Oh God, I'm coming!" she screamed, ground her **** into my face one more time, quivered, then collapsed sideways onto the bed.

One down, one to go. I looked at Lisa, still ******* my **** for all she was worth. I was nearing the end of my endurance, and I still hadn't had my **** in any hot **** yet. I grabbed Lisa's shoulders and pulled her mouth from my ****. I turned her around and held her up, her blonde ***** triangle just inches over my waiting tool.

"Give it to her! Now!" Julie whispered.

Lisa's **** didn't look wet or ready to take anything in it yet, but my **** was ready to take some *****. Julie reached over and spread the lips to Lisa's still dry *****, and began tweaking her ****. Lisa gasped her surprise at her most private place being touched by another chick. Within seconds though, her **** and inner ***** lips began to swell, and her juices started flowing. I slowly lowered Lisa to my rod, admiring her glistening pinkness. Julie guided my throbbing rod into Lisa's wet love hole.

"Please, be careful! Ah-h-h-h! Go slow, I'm so tight!"

I lowered Lisa very carefully, for her hot ****-hole was indeed the tightest ***** I had ever felt. With that in mind, I fought the urge to slam her down on my eager ****. As soon as she was down, I grabbed her *** and began sliding her back and forth. Lisa bit her lip as a tear trickled down from one eye.

"Stop, Mr. Steve! It's hurting her!" Julie commanded. Then to Lisa, "You haven't done it much, have you?"

"Just once, with Mike, and he isn't this big. It hurt then, too!" Lisa sobbed. "I wanted so bad to do it with Mr. Steve because he's been so nice to me, and I was so scared when I saw how big he was. Oh, it hurts!"

"You'd better get up then." I reassured, "I don't want to do anything to you that you don't want me to do."

"I want to go on, really I do! But don't you have anything I could use to make it easier?"

"Yeah, any Vaseline, or KY jelly, or something like that?" Julie asked.

"I have some KY jelly in the bathroom." I answered.

Julie jumped up and padded into the bathroom. I watched her naked *** jiggle as she left.

"You're gonna have to get up." I told Lisa. I gently lifted her ***. She bit her lip again and moaned as my **** slowly withdrew from her tortured hole. With a pop from her *****, a shriek burst from her lips as my **** sprung from her nearly dry ****-hole. She knelt on the bed next to me, softly crying, clutching herself where it hurt. I realized that she had been wrong in pretending to be so eager. A more gentle approach was needed.

I reached over, pulled her to me, and kissed her lips passionately. She ****** once in surprise, then melted into my arms, returning my kiss, forgetting the pain in her ****. I ran my hand around to her firm **** and gently stroked her *******, feeling them harden under my touch. I pulled my mouth from hers and kissed the point of each hard ******. She moaned and gasped with each touch of my lips, but from pleasure this time, not from pain. While I had her aroused, I lightly traced circles on her tummy with my finger, each circle going lower and lower, until I finally reached the blonde **** of her ***** hair. Slowly, I reached down and cupped her ***** with my hand, being careful not to press too hard or insert my finger. I would know when she was ready for *******. She responded with a **** and a gasp. I pressed again, and she gasped again. I kissed each firm ****** one last time, then started kissing down her tummy to her love nest, which was now warming and starting to respond to my touch.

I spread her legs and gently ran the tip of my tongue the full length of her slit. When I reached the vicinity of her ****, she reacted as though she had been shocked. She arched her back, pressing her **** against my face. Maybe she was ready. I probed again with my tongue, harder this time, hard enough to separate her ****-lips and tickle her ****. She went mad again, jerking and twitching in response to the touch of my tongue, moaning and panting. Then I felt her **** harden, her inner lips swell and spread, and her delicious juices start to flow. Now she was definitely ready for more. I probed her ****-hole with my tongue, licked all the way up to her ****, swirled it around, bit it gently, and then probed her hole again. When I started doing all this, she went even wilder. She spread her legs, ****** and reared against my face, and pulled my head tight against her hot cooze.

"Oh-h-h-h-h, **** me," she moaned, "I can't stand it any more! I don't care if it does hurt! Please, please **** me!"

I put her throbbing **** between my lips and gave it one hard ****, drawing it completely into my mouth, and pulled my head back sharply, causing her **** to pop back. She screamed, ****** her hips at me, and grabbed her sweating *******.

When she had subsided, her legs still spread, I mounted her in the traditional position. I started to position my throbbing pole for a gentle entry, but Lisa released her **** and spread her ****-lips with one hand and guided my tool to her sopping wet ****-hole with the other. She was much wetter now than when Julie diddled her ****, wet enough to ****.

"Please do it now!" Lisa pleaded.

I began to insert my **** cautiously, and found that due to her juices, entry was no problem. Lisa groaned like a ****** as I slid into her hot wetness. When she had taken as much of my ten-inch tool as she could, I still wasn't all the way in. But she began pumping her hips, causing the swollen head of my **** to ram against the back of her *****. She was as deliciously tight as before, but she must have been stretching, for with just a few strokes, my ***** were slapping against her ***, and I was in to the hilt. My tenderness and foreplay had paid off.

"Oh-h-h-h, that's good!" she purred when I began pumping to meet her rhythm. She wrapped her legs around my waist, and was pumping as hard as I was. With each stroke, I would completely withdraw from her hot, tight wetness, then shove my eager tool back in to the hilt, never missing her voracious target, always sliding easily in, jamming against the back of her *****.

Her pumping increased in tempo, and I sped up to match. Each pump became harder and more frantic than the one before. Lisa's breathing became harder and faster. She was about to come, and I wanted to come with her. I raised her legs over my shoulders so that I had a better angle at the depths of her tight hole, and started ramming as hard as I could.

"Don't stop! I think I'm gonna come! Oh-h-h, its so good! Come in me! Oh, please, I want to feel your load in me!" Lisa screamed. She bucked and reared and screamed incoherently, then went limp. I continued to pump. In just a few seconds, she began to pump anew. For more times than I could count, she orgasmed.

Once I felt my ****** approaching, I gave her one last hard ram and drove my weapon in as far as I could. I came at this point, spurting her sweet, tender Steve **** full of my hot sticky come, like an erupting volcano. She gasped, trembled, and fell back to the bed. I pulled out my softening ****. Our ****** energies were spent for the moment.

I glanced down at the foot of the bed, and saw Julie, whom I had forgotten. She sat in the chair at the foot of the bed, her legs spread, working a coke bottle in and out of her *****. She had found the KY jelly, then found us ******* away. Feeling left out but excited by the ****** sight of her best friend getting a good *******, she slicked up the coke bottle and began using it as a *****.

I saw that Lisa also was seeing something she had never seen before, her best friend's ****, gaping open, a coke bottle almost disappearing inside it. "Look how far in she puts it! And see how big it is to go in her like that. How does she do it?" Lisa asked, amazed.

"Why don't you get a closer look," I suggested. "Ask her." Lisa crawled down to the foot of the bed and sat on the end, astounded, watching Julie *******.

Julie finally looked down, under heavy-lidded eyes and saw Lisa so close. "Why don't you do this for me?" Julie asked.

"How?" Lisa queried.

"Just do what I'm doing now," came Julie's reply. Lisa watched for a few seconds more, then pushed Julie's hand aside and grasped the slippery end of the bottle. "In and out, and twist it a little bit. Oh, yes-s-s, oh, yes-s-s. Do it good, oh, that's so good!" Julie purred.

My **** was hardening again at the sight of one female ******* another.

I had an idea. If Julie was as promiscuous as she seemed, she might not object to what I had in mind. While Lisa continued to work the bottle in Julie's stretched ****, I helped Julie out of the chair and down to the floor, her heaving **** on the floor, her *** up in the air. She stayed in the position, crooning wordlessly, **** juice dribbling down her thighs, Lisa still ******* her.

I picked up the tube of KY jelly that Julie had used, and liberally covered my ***** rod with it. Then I stood behind Julie, straddling Lisa.

"What are you going to do?" Lisa asked.

"Watch and see!" I responded. With that I grasped Julie's hips and aimed my **** at the delicate rosette of Julie's ***. Using my **** like a weapon, I suddenly shoved my tool in as far as I could. Julie let out a scream, tearing out fistfuls of carpet.

"Oh God, **** my ***! That hurts so good! **** me harder, give me all you've got! Make it hurt! Give me more of that bottle!"

"I'm ***-******* Julie!" I informed Lisa, who was now completely mind-blown.

I needed no invitation, and neither did Lisa. Both of us gave Julie all we could, Lisa with the bottle in Julie's ****, me with my **** far up Julie's clenching ***. Julie rocked back to take us both in, then forward, then back for more. I couldn't see
Lyn-Purcell Aug 2018
~ ⚘ ⚪ ⚘ ~
And so the Pu'erh and Jasmine Lily
pearls are covered, my attention on
the Phoenix Eye pearls, and I peel back
the foil of a small handful. Ainhana had
carefully remove the infuser and I pour
in the pearls, listening as they gently
hit the glass.

~ ⚘ ⚪ ⚘ ~
As soon as Ainhana places the infuser
back in the tea ***, I turn the sand-dial
and watch the cream sands run, and the
pearls steep. I dare not let it run for the
full five minutes - I find the perfect brew is
made in three. The pearls now unfurl, the
green leaves now floating. The clear water
turns into the colour of the finest champagne.

~ ⚘ ⚪ ⚘ ~
After three minutes, Ainhara pours me a cup,
the aroma itself puts me more at ease.
'Do not waste it,' I tell her, holding the
handle and saucer. 'Such fine pearls can
be steeped twice, and I will make sure that
I treasure every single cup.'
'Yes, My Lady,' She says with a curtsy.

~ ⚘ ⚪ ⚘ ~
With my eyes closed, I blow away some
steam and proceed to sip short and brief.
It is a pleasure that is most welcome, indeed!
Teeming with the fires of the Phoenix itself
and caressing my tongue with floral sweetness.
A delicious moan escapes me as I relax in
my Summer Throne.

~ ⚘ ⚪ ⚘ ~
My breathing is calmed as I look at
the horizon with redolent eyes.
The choirs sing as I drink such fine
ambrosia! By a cup of Pearls, mine
own eyes feel inspired, as I think of
the lovely vision that is the Phoenix
that is born of the lotus.
Adieu, stresses of Court!
Adieu, plagues of doubt and anger!
Thy Queen is now jocund dove.

~ ⚘ ⚪ ⚘ ~
'Truly the finest Jasmine Pearls I've
had in years!' I beam. 'Be sure to share
this with my fellow Kings and Queens.
Especially Queen Kim. In such a golden
hour, we shall become Dream Children,
to be lost in gardens of distant China.'
'Yes, My Queen.' Ainhara waves her hand,
Semui and Ilazi now resume play.

~ ⚘ ⚪ ⚘ ~
As I sip once again, the summer
showers come. Lo! My gazebo
glistens! Cleansed by the light,
and life for my fields of my
fair gardens.

~ ⚘ ⚪ ⚘ ~
This blend cleanses the fire of my heart.
This blend casts out sorrows for me to
drink beauty.

~ ⚘ ⚪ ⚘ ~
A  liquor the shade of champagne with
the flames of life budding from a
delicate flavour.

~ ⚘ ⚪ ⚘ ~
The Phoenix merges with me, for I
am the star of the morn that graces
my Aurelinaea!

~ ⚘ ⚪ ⚘ ~
Such a blend of elegance in my tongue,
a heavenly euphony. How I'm forever in
awe of the power of
my Jasmine Pearls.
~ ⚘ ⚪ ⚘ ~
Final part of my Jasmine Pearls free verse!
Thank you so much for reading! I really hope you enjoyed it! ^-^
Lyn ***
Corey Oct 2017
.1. Life is going to throw the most unexpected curveballs at you and there isn’t a thing you can do about it. You can accept that you’ll never overcome them, or you can learn how to take them and run. You won’t start out hitting home runs off of them, but maybe just bunt a couple and go from there.
2. Life is far too short for what if’s. It’s too short to care about how others think of you. Too short to worry about making everybody happy and way too short to give the wrong people your precious time. And for Gods sake, if you love somebody, tell them! If they already know, tell them often.
3. You have no idea when you might lose somebody you care about. Unfortunately, sometimes you don’t realize how much you cared until they’re gone. Death comes at unexpected times and in unforgiving ways. However, it opens your eyes to so many things about life that you may know, but you don’t live by. Don’t let it go by the first time. Take those lessons and embrace them and live differently.
4. Alcohol is a beautiful poison. Don’t abuse it, enjoy it. If you need six, seven, eight drinks to feel something then you aren’t drinking correctly. Drink less often, have stronger drinks, and don’t drink to blackout.
5. You can do anything for ten seconds. You can do anything for a minute. You can do anything for an hour. You can do anything for a day. You can do anything for a month. You can do anything for a year. You might have to take it a month, a day, an hour, or a minute at a time; but you can do it. Sometimes you need to prove to yourself that you can do something small for a month so that you can do the big thing you need to do for three months.
6. Nothing comes easily forever. You can do something your entire life; something that you don’t need to practice, train, or work too hard for not matter what. Eventually, there will be something harder than you’ve ever done before, and it will not come easily. Don’t be discouraged. What others worked for years to do, you could do in days with little effort. Even like this you will have weaknesses. Work them, even if you don’t need to. That way the day that something is too difficult, it won’t take as much work to get. If you wait, the work will be too much.
7. Nobody cares if you’re sad or having a bad day. They will always expect 100% from you in every regard. You should always be happy. Always be social. Always perform correctly. As impossible as it sounds, the people expecting 100% are satisfied with you faking it.
8. If somebody doesn’t like you; hold your head up high, be polite, engage them in meaningful conversation, and treat them with the utmost respect. Either their minds will change or they’ll be so confused they won’t know what to do. Accept that it will be awkward.
9. Love is funny. Love is sad. Love is perfect. Love is so many things. But it should not be abusive. Abuse comes in way more forms than one. Be on the look out for it. Even the smallest abusive actions have their consequences. Typically they simply build and build.
10. Supportive friends are the friends you want to keep around. The ones that come to your events and cheer you on. The ones that make sure you’re doing okay periodically. The ones that ask you what’s wrong before you even know yourself that something is. Low maintenance friends aren’t bad friends.
11. To do anything other than your passion is absurd. Find it, study it, dive deep into it as best you can. Live for it. And do it for the rest of your life. Hobbies are important. Do those as well, but even those should be filled with passion. It is the one true ineffable feeling.
12. Say yes to opportunities small and large. Anything that puts you outside of your comfort zone, that gives you anxiety just thinking about, is well worth doing. If you don’t do it, you may just regret it for a very long time. Say no only to distractions that prevent you from doing what needs to be done.
13. You cannot re-write the past. No matter how many times you remember something you’ve messed up, you cannot fix it. You also cannot take back spoken words. Be careful what you say at all times. It is far better to wait and think about a response rather than saying what comes to mind first. And do not speak poorly of others behind their backs. It only ends in pain.
14. Make friends wherever you go. Especially if you are uncomfortable with doing so. Talk to strangers on vacations, in the grocery store, and especially at you school or work. One day they might be looking for somebody specific to fill a role that you are perfect for. A simple hello today could be your dream job in the future.
15. Be explorative. How can you have opinions on things you like and dislike if you don’t try everything out in front of you. How can you be cultured if you don’t take the time to learn all cultures. How can you be artistic if you haven’t seen anything worth making into art.
16. The world is changing and you need to change with it. Gender doesn’t mean what it used to mean, and people’s names are changing left and right. Please keep up. It’s offensive to call someone by an old name they had or by the wrong pronoun.
17. It is okay to be deeply sentimental. To hold onto objects that remind you of someone or something. But don’t get wrapped up in these things. Not all of them are important to keep; like messages from four years ago to a person you no longer talk to, or a broken bracelet you used to wear that will never get fixed. Only keep the important things. But do know that what is important to you may not be important to others and visa versa.
18. There is no singular word for all emotions. Though you can find them in other languages; like the French term L’Apple du vide, translated, “the call of the void,” which described the split second phenomenon of wanting to jump off a cliff or pull the steering wheel and crash. You can find these examples, but it’s worth it to sit with a blank page and try and write about what you are feeling in your own words. You learn a lot about yourself and the world.
19. Nature is your best friend. When you’re in a bad mood, go for a walk in the woods. When you’re in the car, roll down the windows and feel the air on your skin. Grow plants that help either yourself, or other animals. Help the bees and the butterflies.
20. Time is scarce when you need it the most. Do not procrastinate anything. Manage your time wisely. Something could be completed in hours; other things need months. This is the idea of hourly time vs. calendar time. But both need to be done spread out, and not all at once.
21. You learn a lot as you grow. When I was eight, I learned that Santa wasn’t real. When I was twelve, I learned how easy it is to break hearts. When I was fifteen, I learned what loss is. When I was eighteen, I learned the difference between love and lust. When I was twenty, I learned what fear is, and since then I have learned how fragile life is. Everything I’ve learned has been preparing me for my future. Eight prepared me for fifteen which prepared me for twenty. Twelve prepared me for eighteen which has prepared me for the present. Every event is a lesson worth learning whether you want it or not. It prepares you for an unknown future. It may take years for the lesson to reveal itself, but it is worth the struggle. Everybody learns something everyday but it is imperative that you remember these things, or at least remember the lesson learned so that in the future you won’t make the same mistake, won’t be in the same type of pain for as long, and won’t have to be taught a second time.
Unedited
Just Smile, Smile, Smile

Listen to these words I say
I swear they are the truth
There's a love I feel deep inside
And its because if you

I wanted you to know my love
Each and every day
So each morning just as you wake up
It puts a smile there on your face

Just smile, smile, smile
Every single day
Smile, smile, smile
You make my world a better place
Smile, smile, smile
A love that is so true
Smile, smile, smile
I smile because of you

You make my life more beautiful
Just being who you are
Never let that go away
Keep a smile there in your heart

A love that fills your inner soul
Its what I give to you
I hope you truly understand
How you fill my heart too

Just smile, smile, smile
Every single day
Smile, smile, smile
You make my world a better place
Smile, smile, smile
A love that is so true
Smile, smile, smile

I smile because of you

Poem by: Carl Joseph Roberts (Joe)
It can be a wife, a true love, a child or a even a loved friend. Let them know that they make you smile.
Out here there are no hearthstones,
Hot grains, simply.  It is dry, dry.
And the air dangerous.  Noonday acts queerly
On the mind's eye erecting a line
Of poplars in the middle distance, the only
Object beside the mad, straight road
One can remember men and houses by.
A cool wind should inhabit these leaves
And a dew collect on them, dearer than money,
In the blue hour before sunup.
Yet they recede, untouchable as tomorrow,
Or those glittery fictions of spilt water
That glide ahead of the very thirsty.

I think of the lizards airing their tongues
In the crevice of an extremely small shadow
And the toad guarding his heart's droplet.
The desert is white as a blind man's eye,
Comfortless as salt.  Snake and bird
Doze behind the old maskss of fury.
We swelter like firedogs in the wind.
The sun puts its cinder out.  Where we lie
The heat-cracked crickets congregate
In their black armorplate and cry.
The day-moon lights up like a sorry mother,
And the crickets come creeping into our hair
To fiddle the short night away.
William Eberlein Feb 2013
Look upon him with ice
their thoughts must say.

Speak to him with fire
their thoughts must say.

Run from him with lightning,
their thoughts must say.

Yet the simple boy does not go.
Because he knows
who puts words to their heads.

Who puts ice to their stares.

Who puts fire to their lips.

Who puts lightning to their stride.

Because he knows,
one day they will be gone.

And so will he.
punk rock hippy Jul 2014
I want to hit it hard, not romanticize about the blood ya feel me?
As you read that first line,
when you cross over to the second,
your nose will start to bleed just before my fist connects with your face.
I often dream about it, being feared.
The only reason that you're on the ground is because I put you there.
Quite frankly I'm fearful of myself.
My throat still holds the ache of the alcohol going down.
I swear to you I'm doing better.
I swear.

I can't swear in this house hold so I will talk so quickly creating run on sentences without punctuation or breath because I'm panicking over nothing in particular.

******.

Add some shakes to your vocabulary and you've got it right.
My medication puts stray dogs under my finger nails, that's ok because dogs are happiness.
That's supposed to mean I'm happy.

I made myself write this, its horrifyingly scattered just like my head.

That's not right.
That's wrong.
Something is terribly wrong so I must fix it.

That's what I do,
I fix.
I'll just look at this as art.
Some persons trash is another ones treasure.

I'm too scared to write anymore.


This is garbage.
louis rams Oct 2014
The word bipolar can put fear in your heart
Because you’ll never know when it will start.
Also known as manic depression and it can become
A lifelong obsession.
Wondering when the next bout of fear will enter you
And if you know just what to do.
It is like the devil trying to take your soul
And it becomes a battle of control.
Most times in order for you to live
You must take the meds that they give.
If your child is bipolar or autistic, will you love them any less?
I don’t think so is my guess!
The LORD puts a child where he / she belongs
With a person he knows is strong.
The strength of the parents helps them to cope
With the problems old and new, and that is
Something that they do.
Let us be a little realistic, not many crimes
Are committed by bipolar or autistic
So how can they use words like crazy, retarted or handicapped
When against us the cards are stacked,
When this becomes a challenge close to home
Remember that you’re not alone.
Umi Apr 2018
Silicate, emotionless sedimentary,
Darling, it is cold, doesn't care wheter it breaks or if it is swept away in a stream, cut into small pieces by the sharp rush of flowing water,
While it may hold no emotions, it can be the bringer of hope, bliss, happiness, sadness but also spite and envy, or a simple fulfilment,
Look at the wedding-rings, their stones on top to embellish beauty such as the insurance to be with the other through thick and thin,
Some diamonds are rough, but they are stronger than stones, if that is enough, harder and almost unbreakable, sorted in line moliculary,
When the kiss of death puts us to rest, a tombstone is the sad, cruel remembrence of a former life, sprouting blossoming and blooming, before returning to the soil it once had found its origin, its beginning,
I will try to be your wishing one, your shooting star, racing through the glory of the starlit nightsky to catch a moment of your passion,
Burning up within the atmosphere of your warm embrace, dearest.
Drawn by your gravitational impact on me, I will be your comet, returning to you each day without burning away as rapid as a meteor.
Darling, alike a blazing Sun you make me melt.

~ Umi
I am sorry for these love poems, I can't help it sometimes <3
Translated into English in 1859 by Edward FitzGerald

I.
Awake! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

II.
Dreaming when Dawn's Left Hand was in the Sky
I heard a voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

III.
And, as the **** crew, those who stood before
The Tavern shouted -- "Open then the Door!
You know how little while we have to stay,
And, once departed, may return no more."

IV.
Now the New Year reviving old Desires,
The thoughtful Soul to Solitude retires,
Where the White Hand of Moses on the Bough
Puts out, and Jesus from the Ground suspires.

V.
Iram indeed is gone with all its Rose,
And Jamshyd's Sev'n-ring'd Cup where no one Knows;
But still the Vine her ancient ruby yields,
And still a Garden by the Water blows.

VI.
And David's Lips are lock't; but in divine
High piping Pehlevi, with "Wine! Wine! Wine!
Red Wine!" -- the Nightingale cries to the Rose
That yellow Cheek of hers to incarnadine.

VII.
Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
The Bird of Time has but a little way
To fly -- and Lo! the Bird is on the Wing.

VIII.
Whether at Naishapur or Babylon,
Whether the Cup with sweet or bitter run,
The Wine of Life keeps oozing drop by drop,
The Leaves of Life kep falling one by one.

IX.
Morning a thousand Roses brings, you say;
Yes, but where leaves the Rose of Yesterday?
And this first Summer month that brings the Rose
Shall take Jamshyd and Kaikobad away.

X.
But come with old Khayyam, and leave the Lot
Of Kaikobad and Kaikhosru forgot:
Let Rustum lay about him as he will,
Or Hatim Tai cry Supper -- heed them not.

XI.
With me along the strip of Herbage strown
That just divides the desert from the sown,
Where name of Slave and Sultan is forgot --
And Peace is Mahmud on his Golden Throne!

XII.
A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread, -- and Thou
Beside me singing in the Wilderness --
Oh, Wilderness were Paradise enow!

XIII.
Some for the Glories of This World; and some
Sigh for the Prophet's Paradise to come;
Ah, take the Cash, and let the Promise go,
Nor heed the rumble of a distant Drum!

XIV.
Were it not Folly, Spider-like to spin
The Thread of present Life away to win --
What? for ourselves, who know not if we shall
Breathe out the very Breath we now breathe in!

XV.
Look to the Rose that blows about us -- "Lo,
Laughing," she says, "into the World I blow:
At once the silken Tassel of my Purse
Tear, and its Treasure on the Garden throw."

XVI.
The Worldly Hope men set their Hearts upon
Turns Ashes -- or it prospers; and anon,
Like Snow upon the Desert's dusty Face
Lighting a little Hour or two -- is gone.

XVII.
And those who husbanded the Golden Grain,
And those who flung it to the Winds like Rain,
Alike to no such aureate Earth are turn'd
As, buried once, Men want dug up again.

XVIII.
Think, in this batter'd Caravanserai
Whose Doorways are alternate Night and Day,
How Sultan after Sultan with his Pomp
Abode his Hour or two and went his way.

XIX.
They say the Lion and the Lizard keep
The Courts where Jamshyd gloried and drank deep:
And Bahram, that great Hunter -- the Wild ***
Stamps o'er his Head, but cannot break his Sleep.

**.
I sometimes think that never blows so red
The Rose as where some buried Caesar bled;
That every Hyacinth the Garden wears
Dropt in its Lap from some once lovely Head.

XXI.
And this delightful Herb whose tender Green
Fledges the River's Lip on which we lean --
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!

XXII.
Ah, my Beloved, fill the Cup that clears
To-day of past Regrets and future Fears --
To-morrow? -- Why, To-morrow I may be
Myself with Yesterday's Sev'n Thousand Years.

XXIII.
Lo! some we loved, the loveliest and best
That Time and Fate of all their Vintage prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to Rest.

XXIV.
And we, that now make merry in the Room
They left, and Summer dresses in new Bloom,
Ourselves must we beneath the Couch of Earth
Descend, ourselves to make a Couch -- for whom?

XXV.
Ah, make the most of what we may yet spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust, to lie;
Sans Wine, sans Song, sans Singer, and -- sans End!

XXVI.
Alike for those who for To-day prepare,
And those that after some To-morrow stare,
A Muezzin from the Tower of Darkness cries
"Fools! Your Reward is neither Here nor There!"

XXVII.
Why, all the Saints and Sages who discuss'd
Of the Two Worlds so learnedly, are ******
Like foolish Prophets forth; their Works to Scorn
Are scatter'd, and their Mouths are stopt with Dust.

XXVIII.
Oh, come with old Khayyam, and leave the Wise
To talk; one thing is certain, that Life flies;
One thing is certain, and the Rest is Lies;
The Flower that once has blown forever dies.

XXIX.
Myself when young did eagerly frequent
Doctor and Saint, and heard great Argument
About it and about; but evermore
Came out by the same Door as in I went.

***.
With them the Seed of Wisdom did I sow,
And with my own hand labour'd it to grow:
And this was all the Harvest that I reap'd --
"I came like Water and like Wind I go."

XXXI.
Into this Universe, and Why not knowing,
Nor Whence, like Water *****-nilly flowing:
And out of it, as Wind along the Waste,
I know not Whither, *****-nilly blowing.

XXXII.
Up from Earth's Centre through the Seventh Gate
I rose, and on the Throne of Saturn sate,
And many Knots unravel'd by the Road;
But not the Master-Knot of Human Fate.

XXXIII.
There was the Door to which I found no Key:
There was the Veil through which I could not see:
Some little talk awhile of Me and Thee
There was -- and then no more of Thee and Me.

XXXIV.
Then to the rolling Heav'n itself I cried,
Asking, "What Lamp had Destiny to guide
Her little Children stumbling in the Dark?"
And -- "A blind Understanding!" Heav'n replied.

XXXV.
Then to the Lip of this poor earthen Urn
I lean'd, the secret Well of Life to learn:
And Lip to Lip it murmur'd -- "While you live,
Drink! -- for, once dead, you never shall return."

XXXVI.
I think the Vessel, that with fugitive
Articulation answer'd, once did live,
And merry-make, and the cold Lip I kiss'd,
How many Kisses might it take -- and give!

XXXVII.
For in the Market-place, one Dusk of Day,
I watch'd the Potter thumping his wet Clay:
And with its all obliterated Tongue
It murmur'd -- "Gently, Brother, gently, pray!"

XXXVIII.
And has not such a Story from of Old
Down Man's successive generations roll'd
Of such a clod of saturated Earth
Cast by the Maker into Human mould?

XXXIX.
Ah, fill the Cup: -- what boots it to repeat
How Time is slipping underneath our Feet:
Unborn To-morrow, and dead Yesterday,
Why fret about them if To-day be sweet!

XL.
A Moment's Halt -- a momentary taste
Of Being from the Well amid the Waste --
And Lo! the phantom Caravan has reach'd
The Nothing it set out from -- Oh, make haste!

XLI.
Oh, plagued no more with Human or Divine,
To-morrow's tangle to itself resign,
And lose your fingers in the tresses of
The Cypress-slender Minister of Wine.

XLII.
Waste not your Hour, nor in the vain pursuit
Of This and That endeavor and dispute;
Better be merry with the fruitful Grape
Than sadden after none, or bitter, fruit.

XLIII.
You know, my Friends, with what a brave Carouse
I made a Second Marriage in my house;
Divorced old barren Reason from my Bed,
And took the Daughter of the Vine to Spouse.

XLIV.
And lately, by the Tavern Door agape,
Came stealing through the Dusk an Angel Shape
Bearing a Vessel on his Shoulder; and
He bid me taste of it; and 'twas -- the Grape!

XLV.
The Grape that can with Logic absolute
The Two-and-Seventy jarring Sects confute:
The subtle Alchemest that in a Trice
Life's leaden Metal into Gold transmute.

XLVI.
Why, be this Juice the growth of God, who dare
Blaspheme the twisted tendril as Snare?
A Blessing, we should use it, should we not?
And if a Curse -- why, then, Who set it there?

XLVII.
But leave the Wise to wrangle, and with me
The Quarrel of the Universe let be:
And, in some corner of the Hubbub couch'd,
Make Game of that which makes as much of Thee.

XLVIII.
For in and out, above, about, below,
'Tis nothing but a Magic Shadow-show,
Play'd in a Box whose Candle is the Sun,
Round which we Phantom Figures come and go.

XLIX.
Strange, is it not? that of the myriads who
Before us pass'd the door of Darkness through
Not one returns to tell us of the Road,
Which to discover we must travel too.

L.
The Revelations of Devout and Learn'd
Who rose before us, and as Prophets burn'd,
Are all but Stories, which, awoke from Sleep,
They told their fellows, and to Sleep return'd.

LI.
Why, if the Soul can fling the Dust aside,
And naked on the Air of Heaven ride,
Is't not a shame -- Is't not a shame for him
So long in this Clay suburb to abide?

LII.
But that is but a Tent wherein may rest
A Sultan to the realm of Death addrest;
The Sultan rises, and the dark Ferrash
Strikes, and prepares it for another guest.

LIII.
I sent my Soul through the Invisible,
Some letter of that After-life to spell:
And after many days my Soul return'd
And said, "Behold, Myself am Heav'n and Hell."

LIV.
Heav'n but the Vision of fulfill'd Desire,
And Hell the Shadow of a Soul on fire,
Cast on the Darkness into which Ourselves,
So late emerg'd from, shall so soon expire.

LV.
While the Rose blows along the River Brink,
With old Khayyam and ruby vintage drink:
And when the Angel with his darker Draught
Draws up to Thee -- take that, and do not shrink.

LVI.
And fear not lest Existence closing your
Account, should lose, or know the type no more;
The Eternal Saki from the Bowl has pour'd
Millions of Bubbls like us, and will pour.

LVII.
When You and I behind the Veil are past,
Oh but the long long while the World shall last,
Which of our Coming and Departure heeds
As much as Ocean of a pebble-cast.

LVIII.
'Tis all a Chequer-board of Nights and Days
Where Destiny with Men for Pieces plays:
Hither and thither moves, and mates, and slays,
And one by one back in the Closet lays.

LIX.
The Ball no Question makes of Ayes and Noes,
But Right or Left, as strikes the Player goes;
And he that toss'd Thee down into the Field,
He knows about it all -- He knows -- HE knows!

LX.
The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.

LXI.
For let Philosopher and Doctor preach
Of what they will, and what they will not -- each
Is but one Link in an eternal Chain
That none can slip, nor break, nor over-reach.

LXII.
And that inverted Bowl we call The Sky,
Whereunder crawling coop't we live and die,
Lift not thy hands to it for help -- for It
Rolls impotently on as Thou or I.

LXIII.
With Earth's first Clay They did the Last Man knead,
And then of the Last Harvest sow'd the Seed:
Yea, the first Morning of Creation wrote
What the Last Dawn of Reckoning shall read.

LXIV.
Yesterday This Day's Madness did prepare;
To-morrow's Silence, Triumph, or Despair:
Drink! for you know not whence you came, nor why:
Drink! for you know not why you go, nor where.

LXV.
I tell You this -- When, starting from the Goal,
Over the shoulders of the flaming Foal
Of Heav'n Parwin and Mushtari they flung,
In my predestin'd Plot of Dust and Soul.

LXVI.
The Vine has struck a fiber: which about
If clings my Being -- let the Dervish flout;
Of my Base metal may be filed a Key,
That shall unlock the Door he howls without.

LXVII.
And this I know: whether the one True Light,
Kindle to Love, or Wrath -- consume me quite,
One Glimpse of It within the Tavern caught
Better than in the Temple lost outright.

LXVIII.
What! out of senseless Nothing to provoke
A conscious Something to resent the yoke
Of unpermitted Pleasure, under pain
Of Everlasting Penalties, if broke!

LXIX.
What! from his helpless Creature be repaid
Pure Gold for what he lent us dross-allay'd --
Sue for a Debt we never did contract,
And cannot answer -- Oh the sorry trade!

LXX.
Nay, but for terror of his wrathful Face,
I swear I will not call Injustice Grace;
Not one Good Fellow of the Tavern but
Would kick so poor a Coward from the place.

LXXI.
Oh Thou, who didst with pitfall and with gin
Beset the Road I was to wander in,
Thou will not with Predestin'd Evil round
Enmesh me, and impute my Fall to Sin?

LXXII.
Oh, Thou, who Man of baser Earth didst make,
And who with Eden didst devise the Snake;
For all the Sin wherewith the Face of Man
Is blacken'd, Man's Forgiveness give -- and take!

LXXIII.
Listen again. One Evening at the Close
Of Ramazan, ere the better Moon arose,
In that old Potter's Shop I stood alone
With the clay Population round in Rows.

LXXIV.
And, strange to tell, among that Earthen Lot
Some could articulate, while others not:
And suddenly one more impatient cried --
"Who is the Potter, pray, and who the ***?"

LXXV.
Then said another -- "Surely not in vain
My Substance from the common Earth was ta'en,
That He who subtly wrought me into Shape
Should stamp me back to common Earth again."

LXXVI.
Another said -- "Why, ne'er a peevish Boy,
Would break the Bowl from which he drank in Joy;
Shall He that made the vessel in pure Love
And Fancy, in an after Rage destroy?"

LXXVII.
None answer'd this; but after Silence spake
A Vessel of a more ungainly Make:
"They sneer at me for leaning all awry;
What! did the Hand then of the Potter shake?"

LXXVIII:
"Why," said another, "Some there are who tell
Of one who threatens he will toss to Hell
The luckless Pots he marred in making -- Pish!
He's a Good Fellow, and 'twill all be well."

LXXIX.
Then said another with a long-drawn Sigh,
"My Clay with long oblivion is gone dry:
But, fill me with the old familiar Juice,
Methinks I might recover by-and-by!"

LXXX.
So while the Vessels one by one were speaking,
The Little Moon look'd in that all were seeking:
And then they jogg'd each other, "Brother! Brother!
Now for the Porter's shoulder-knot a-creaking!"

LXXXI.
Ah, with the Grape my fading Life provide,
And wash my Body whence the Life has died,
And in a Windingsheet of Vine-leaf wrapt,
So bury me by some sweet Garden-side.

LXXXII.
That ev'n my buried Ashes such a Snare
Of Perfume shall fling up into the Air,
As not a True Believer passing by
But shall be overtaken unaware.

LXXXIII.
Indeed the Idols I have loved so long
Have done my Credit in Men's Eye much wrong:
Have drown'd my Honour in a shallow Cup,
And sold my Reputation for a Song.

LXXXIV.
Indeed, indeed, Repentance oft before
I swore -- but was I sober when I swore?
And then, and then came Spring, and Rose-in-hand
My thread-bare Penitence apieces tore.

LXXXV.
And much as Wine has play'd the Infidel,
And robb'd me of my Robe of Honor -- well,
I often wonder what the Vintners buy
One half so precious as the Goods they sell.

LXXXVI.
Alas, that Spring should vanish with the Rose!
That Youth's sweet-scented Manuscript should close!
The Nightingale that in the Branches sang,
Ah, whence, and whither flown again, who knows!

LXXXVII.
Would but the Desert of the Fountain yield
One glimpse -- If dimly, yet indeed, reveal'd
To which the fainting Traveller might spring,
As springs the trampled herbage of the field!

LXXXVIII.
Ah Love! could thou and I with Fate conspire
To grasp this sorry Scheme of Things entire,
Would not we shatter it to bits -- and then
Re-mould it nearer to the Heart's Desire!

LXXXIX.
Ah, Moon of my Delight who know'st no wane,
The Moon of Heav'n is rising once again:
How oft hereafter rising shall she look
Through this same Garden after me -- in vain!

XC.
And when like her, oh Saki, you shall pass
Among the Guests star-scatter'd on the Grass,
And in your joyous errand reach the spot
Where I made one -- turn down an empty Glass!
guy scutellaro Aug 2018
She has make up on and her face looks pretty. Kathleen blows out the match and looks up.

"Hello Kate," Jack says and sits down.

"My name isn't Kate. It's Kathleen." The bourbon makes Kathleen feel confident. "Hello, Dell," She says mockingly. "You know Sue worships your ***. She just loves to call you, Dell. She thinks Dell is such a **** name." Kathleen takes a last drag on her cigarette and rubs it out in the ash tray. What should I call you?"

"How about, Darling?"

She looks up from the whiskey glass she is fondling in her slim hands. "Hello, Jack, Darling." Her soft, deep voice whispers accenting his name and the word, Darlin.

Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. She is drunk, but Dell does not care. He leans forward. "Do you wanna dance?"

"But no one else is dancing."

"Well, we could go to the beach and walk along the sand."

"It's 20 degrees out there." She takes the the glass and swallows the last of the whiskey. "We'll freeze."

"I'll keep you warm."

In the other room the kitchen door swings open as Paul Keater and Bob O'Malley come rushing out, talking, laughing and rubbing their noses.

"Come let's dance." says Kathleen.

Jack stands up and takes her hand. She rises and as he draws her close her ******* flatten out against his chest. Jack feels her heart thumping.

Across the smoke filled crowded room, the bride is cutting the wedding cake. "That's a beautiful wedding gown." Kathleen tells Jack as he moves her around the ***** floor in and out of the circles of light cast by the overhead lamps. " Theresa looks beautiful."

"So do you." Jack holds her tighter.

"Do you really think so?" Kathleen is flattered. She is perpetually surprised if some one thinks she is pretty.

"I do," He says with sincerity.

She rests her head on Delleto's shoulder. The man with the bruised face disturbs Kathleen.

Most men like to talk about themselves. They have a need to tell what they own or what they can do well. They need to impress and when Kathleen is with one of her men he genuinely awes her.

Lifting her head off of his shoulder, "Does your face hurt?"

"Only when I laugh or cry," he says as he moves Kathleen in and out of the circles of light.

"Jack Delleto has anyone ever told you, your a strange man?"

"Just my mother."

"Did you win?"

"What does it matter? Sometimes tryin is more important. Not giving up. "

"you lost."

"Yeah."

" Kate, what's important to you?"

Kathleen raises her head off of his shoulder to look up at him. "I don't want to depend on welfare and other people and I want to send my son to college. But most of all I want a home." She rests her cheek against his. I lived in foster homes all my life and I always knew one day I'd have to leave.

"Do you know the difference between a house and a home."

Jack thinks for a moment, "No, I' don't."

And her voice is a roaring whisper in his ear.

"LOVE."

The song comes to an end. Kathleen takes a cigarette from the pack on the table and puts it to her lips.

Jack strikes a match and the light flickers in her eyes. "Maybe, sometimes you'll tell me about your home."

"Do you want me too?" She leans forward and puts the cigarette to the flame.

"Yeah." Jack shakes out the match.

(to be continued)

— The End —