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Mermaid Jul 2013
In the second part of my thoughts about Purity,  would like to observe the different stages and levels of Purity. I accept the statement, that here "in this world" we can't be "perfectly pure", but also we should clarify what to understand under term "pure". We can't aim something impossible to achieve, but we can observe simple rules and make definition of "pure". Of course anyone can be "pure" person, if he want that, and it's not hard to be achieved.  Purity does not mean to be "perfect". The fact that we are all in our human body and "here" means automatically that we are not perfect. It doesn't mean we can't be pure. Now I'll determine what i mean with that. First of all, all people are born "pure" or as some kind of "tabula raza" (clear table) and the different circumstances, the different social level and the different connection with God/ or with self-consciousness make them go to a different path. We know very well that children are "innocent" and pure, they are not guilty as far as they are not able to show and express their real "self". they are in stage of innocence, but not of wisdom - which is the choice of will. (Swedenborg *). They are example of purity of heart - they talk and act from inside without any hidden intentions, or if they seem to have any, it's just by "outside" character. They have strong intuition an ability to feel the others heart. That all qualities of children we try to achieve again in our parts of life. What we have to learn and achieve is "how" to be pure. Even it's easy, it requires qualities and patience, and on the first place "will".

I. - Purity of heart :
How to achieve purity of heart? There are several rules you should observe, if you want to have pure heart. First of all the heart is center of the body, it's connected with our emotions, feelings and provides blood to all body. The heart represents actually:
1. truth (to be connected to the truth. Try to always speak out your real mind, show your real self)
2. love (have pure love to others - as first christian principle!) love others and love God
3. believe (when you believe without to want proof, that is the true faith) Believe in yourself and others.
4. God (connection with God, represented by prayer)
5. forgiveness (learn how to forgive and do not seek for revenge! that makes your heart pure of evil feelings) We can conclude the 5 principles inside the understanding of "purity of heart". They are well known and widely spread in all religious principles of Christianity, Islam, Buddhism. First of all, never conceal the truth, which you know, means do not tell lies, no matter if that will harm others or not. Truth is the first step to purity. If you feel very hard to say the truth, as you feel you are harming another, you should first heal your heart, and see that truth never can harm. You should say the truth about others too, if anyone has their "own truth", be aware that the truth of God is one, and he can see any moment your spiritual body. If you know something, which is harmful for anyone, so you don't want to say it, that will cause problems later in your life, for your health -your heart or your throat will suffer, or to the same person you wanted to "protect". In all religions the truth is one of the basis for good life. Do not hide your real face, as that is also equal to lie.
2. Love to others means - do not harm others, do not ****, do not make suicide, do not harm anyone's body or soul -by words or physically. Any human has right and it's here because of God's willing! If you take life for anyone on the planet -no matter the reasons, you play like "God", and that will send you to the bad end and out of spirit. It will remove from you all power. That is one of the biggest sin. You can not play to be God, and all his power will return to you, as there is justice but in "Spiritual" world. Don't seek complete justice on earth. There is not how it works - as all we are in the test, while we live. Can the teacher give all answers for the students, while they are in exam? of course no, but teacher can help for some willing students with clues. So the second principle for pure heart is "love the other - your fellow as yourself. - (as Jesus said) It's really hard to achieve, but if you do, you will be rewarded , because that is the real love. and not egoistic love. When you love your fellow, you allow all negative feelings to "him" and connected to world to flow away from your heart, do not allow anger to possess you, or any negative feeling, as they make your heart "unclean" for a long time. Also it's not good to hide your bad feelings inside, as they will harm you again and again. Release them forever.
3. Believe in God, trust others, and don't be very doubtful, because that will also harm your heart only. The one who really believe- as the most simple and ignorant people - so he is really pure in heart. So try to not be suspicious too much, and doubt in case that is the normal reaction. Of course it doesnt mean to believe in "any craziness' or fantasy, it means simply to choose to "believe" if you have this choice! for example there are many stories of jealousy, burning the heart of someone, when he reach to this point to **** or harm his beloved, and after that the truth reveal he didn't have reason to doubt. But so he lost all!
4. God = faith in God. that is a basis in any religion, and that is how people, who believe get strength from the source. Prayer is the most beneficial and fast way to God, and the only practice to purify your heart. If you do not believe in any God, that doesnt mean you can't pray inside yourself, or to find way to heal your heart. Anyone can find the way for himself. The prayer is the most intimate relation of human with God. - and also with the higher-self and with his pure heart. that how the prayer makes you pure. (if you want to achieve results pray at least 3 times a day, it maybe short prayers inside you, but from heart.)
5. Forgiveness - it includes all above elements of the "pure heart" - truth, love, believe, faith, but also allow your heart to pour out the bad feeling of "revenge", anger, sorrow, impatience, egoism. We should avoid all this feelings and claim them as source of bad energy. If you are "in fire" or in argument with someone, if you have different views, opinions and directions in life, dont allow anger to possess you, as then you are the one who fall in trap. If you are sad from anything, dont allow your heart to be fully in sorrow ,as that is harming you. If you need something fast and your desire is good, dont allow yourself to be impatient, as that will harm your heart. All these feelings are mentioned because of forgiveness. No matter what, you have to forgive others, if they ask for that! if they dont ask, so forgive them inside yourself, because that how your heart will be clean from the evil. If they don't want to forgive you, then their heart will suffer, and it's unfortunate.

observe all this principles, and you'll have the first basic step for "pure heart". Speak always the truth, that will make you happy and confident, don't hide your real face, will release you from the fear, Love your fellow, will make you more open-minded, believe and have faith in God, the prayer will strengthen your heart connection and make you free of bad feelings, be forgiving, don't keep the bad emotions inside you, pour out of your heart anything not necessary for it. In this way you will be very near to be pure!

-nour-
July-013

Copyright © Nina Nour
not a poem ~
Mermaid Jun 2013
All I want to determine, to think out, is your perception about Purity and cleanness.
You could find so little written about them, even they should be most important part in someones life. Purity has many levels of existence :

- Purity of heart
- Purity of mind
- Purity of body
- purity of spirit
- Pure aura/ energy

As we can see they are all connected. Nowadays everyone want to be "pure" in one of these levels, but rarely someone think about all of them, as constant essence. You can't have so high level of purity of mind, heart and spirit, if you allow yourself to have any kind of "uncleanness" of body. That doesn't mean to not "take shower", even that is something too simple, missing from some part of humans...But it means - realize what harms your body and avoid it! For example smoking and alcohol and drugs, they all harm your entire body energy, that why if you want to be pure from outside, be pure also from inside! The sinful thoughts are also included, they can be avoid by participating in right and good activities, which decline your mind of them...For example, we cant expect from one smoker, or alcohol addicted person, to have full image of "good and bad" means "right and wrong" actions. What we see many times, is not what is the essence. We can see a beautiful woman, but she is nothing, if she is not pure inside. The energy of harm affect all parts, and one day she will wake up as a little monster...If she allows the evil to grow inside her. It's about all kind of restrictions - from harmful action.

- nour-
June-013
my thoughts
Purity is not just about virginity,
It's also about dignity,

Purity is not restricted to femininity,
but requires the protection of chivalry,
and regard for responsibility.

Purity is not innocence out of ignorance,
It's making a choice that's different.
Even when facing a challenge.

Purity is not just about hiding behind a white veil,
Or donning a white spotless gown.
It's about going through a season of waiting,
even if it can be tough.

Purity is not just a state of being,
It's a state of knowing,
valuing and protecting...

The sacredness of a marriage.
The loyalty to one's spouse.
The unity of two to form one flesh.

Not giving up one's body to all the rest,
but leaving it for God's best.
Based on my stance on purity as a Christian.  It's not meant to be offensive to people who have other beliefs.  I am just expressing what I believe in.
Umi Apr 2018
A crimson day unfolds with sunshine,
Horrid, the creature of hatred creeps around and blocks the sun off gruesome dark rainclouds summon up from the east, counciling,
The mother of purity, caught in endless fury as her child was taken from her, before her very eyes, an eternal spring dream, shatters now,
By her own mistake, she invited prohibited emotions for this creature, The angel of hers she wanted to take under her wing and raise, was now gone, as if it was all an illusion which is lost due time, due evil,
A sea of flowers is blooming, a warmer season has arrived finally, but for her misfortune, her inside remains cold and distant to her grief,
Raging storms within her clouded her mind, she can't even think straigh but to believe, of what a bad mother she must have been to let this happen to her most precious treasure, ah demons of ones past,
Repressing her true feelings gave her headaches, but it was alright because the pain would surely fade, then she could be pure again,
But deep inside she knew that for this child she had given up a part of herself, so maybe things would be different, even if everything returns to its old shape, or rather if everything appeared that way,
Mother Purity would never be the same again, as her daughter faded,
After all, even she is only human.

~ Umi
Destiny Apr 2015
Blissful the wind feels my skin
Touching it smoothly, blows against it, ruffling
More and more, I find a sense of calmness.
A purity overturned, and made pure again.

Stars shine, but as they age they turn different colors.
Compacted, these aged stars of life become beautiful jewels.
But moreover, the persons mean more to us,
Because of their heart, and their character.
The love purifies our impurity somehow.

Not long ago, I was so miserable.
I wanted to take back all of those years.
I thought the pain I caused made me the most evil thing on earth.
I felt like I was nothing worth anything.
The fact that you didn't seem to care when others would've..
That made it worse.

But I have no regrets.
Everything has woven together beautifully.
And through love, purity is now pure again.
Purity in a richer form.

In the midst of gloom,
No one sees the immense pain I carry.
Fearing the worst, I always died before the actuality.
I was so immune to feeling.

This purity I feel I now have -
No it is not innocent, but it is beautiful,
Blissful, unforgettable, unimaginable.
Poetic T Jan 2015
I need to cleanse it, free myself
Of this burden  tainted upon
My being. Cinders are drenched on
Flesh
Spirit
Expunge
That which writhes is not burnt away,
So I must eradicate its stench
It violates upon my being
I unburden the pressures so released,
Pyroclastic flows breath exfoliation on my
Soul,
Pealed,
Freed
Of that stench scorched into oblivion
I relish in the torment of those below
Freshly parched earth as lungs burn breath,
"Fallen misery descends in singed flesh"
I release the Feathers weighted down
Haemorrhaging as crimson flows to the
Stems,  expanding into the beauty
Of death, I am
Released,
Liberated,
Redeemed
Upon the fallen as I step upon ash
"Bones, death, rebirth"
As no longer afflicted,
I am once again blanched as purest darkness
Is Neither black or grey
"But lucid white"
"As purity is only clean"
"I am purity of darkness"
And the taints of humanity are flakes upon
Silent statues upon the ground, I am **malevolent incarnate..
Alyssa Underwood Dec 2016
O morning sky of endless blue
Tinged with purply-pinky hue
You tell me of His mercies new
Whose heart pursues my own

O geese in wingèd winter's flight
Your honking cries arouse delight
And lift my gaze to seek thy sight
As wooing from His hand

O softest breeze which skims my face
And stirs with such mysterious grace
My soul to reach for Love’s embrace
You brush me with His kiss

O snowflakes falling to the ground
You pierce my heart without a sound
To crave a purity only found
Beneath a bloodied cross

O setting sun in half-light glowing
Waning day’s last glorious blush showing
You paint with fire my spirit’s own knowing—
This life is fading fast

O stars of midnight’s blackest sky
Paraded forth, you pull my eye
Toward One Who speaks this ceaseless cry:
“I’m coming back for you.”

O creeping fog to dawn’s light clinging
You whisper, Love’s veiled message bringing,
With haunting echoes faintly singing,
“Lose all of you in Him.”
~~~

"The heavens declare the glory of God; the skies proclaim the work of His hands. Day after day they pour forth speech; night after night they reveal knowledge. They have no speech, they use no words; no sound is heard from them. Yet their voice goes out into all the earth, their words to the ends of the world."  ~ Psalm 19:1-4a

~~~
RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
Sophia Granada Nov 2012
Sweet-lipped Psyche's pale white skin
All the men in Greece dragged in.
And the poor girl's dark brown eyes
Led Aphrodite her to despise.
For Psyche truly was a beauty,
Reputed as brighter than Aphrodite.
If Aphrodite was a dark red rose,
Of which we've written poetry and prose,
Psyche was a pure-white Aganisia
For which they wrote a deep-sea saga.
But she knew it was sore unwise
To find herself level with a Goddess' eyes.
The only proof needed for Psyche
Was the sad fate of the maiden Arachne,
Who challenged Athena to a weaving contest,
And though her tapestry was judged the best,
It was she that ended as the melancholy loser,
For Athena punished her with the life of a spider.
And so it was that Psyche knew
Aphrodite wold claim her life too.
So Aphrodite sent her son,
The lovely, winged, holy one,
Whose golden arrows fly at night
And relieve bored lovers of their plights.
She sent Eros to shoot his arrow
And pierce it through to Psyche's marrow,
Then set before her a crocodile,
The scaly terror of the Nile,
With which she'd fall in love straightway,
And then she'd come to rue the day.
For crocodiles have no love to give,
So it would eat her, and she'd cease to live.
On the sleeping Psyche Eros descended,
Long before the night had ended,
In whose dainty breast to shove
A golden arrow poisoned with love.
He prepared to bury it to the hilt,
But a drop of love on him was spilt,
At the moment he saw her eyes, dark brown,
Look to him and stare him down.
Then Eros went back to his mother
And told her he could not wed another
Who did not shine quite so brightly
As his sweet-lipped brown-eyed Psyche.
So spiteful Aphrodite cursed
Psyche through her red lips pursed,
That the girl would find no husband
Among God, animal, or man.
And Eros this so greatly angered
He could no more with arrows linger
At the foot of lovers' beds
To foster love in their young heads.
The entire world then ceased to love
Whether it walked on foot or hoof.
Whether it swam or flew on wing
It could not love nor gain others' loving.
When love no longer circulated,
Aphrodite it aggravated
To see her temple lying bare
And to feel the gray growing in her hair.
She told Eros he'd have what he desired
If only he would kindle love's fires.
So at the mountain, Psyche's family offered her
And she was borne away on the back of Zephyr
To Eros' golden gay abode
That he and his ghostly servants called home.
In the golden rooms she wandered by daylight,
But she lay with Eros in the dark when came night.
She knew not who her darling was,
But called her ignorance a test of trust.
Never to look upon him by day,
She continued in this way,
Until she longed to visit her family,
Which her husband granted her gladly.
But he held her, and he warned her
Not to let her sisters persuade her.
"They may try to tear you away
By telling you gruesome stories." he'd say.
Then, trippingly, from Olympus she jumped down
To walk the streets of her hometown.
She told her sisters her whole story
And they turned it into something gory.
"He could be a serpent," they'd say,
"Fattening you up for the day
When he can pop you in his mouth and eat you"
Unfortunately, she took their words as true.
"So, when he comes to you at night,
Just gaze on him by candlelight!
If he's a serpent, use this knife,
And you'll no longer be his wife.
But make sure not to spill the oil,
Or his waking will cause great turmoil!
We'll find out about that young buck!
Use the candle, the knife, don't spill, and good luck!"
She walked back to the palace at their behest,
Butterflies banging within her chest.
Could the faceless man with whom she'd spent her nights
Be revealed as a serpent by candlelight?
She did not have to wait for long
To prove her treacherous sisters wrong.
As she lay in the great soft bed,
The instructions tangled inside her head,
And lighting the candle, she almost fumbled,
But when she saw his face, she truly stumbled!
Eros' beauty knocked her senseless,
Leaving mortal Psyche defenseless,
And causing her to spill the oil, which smoldered
On Eros' godly golden shoulder.
He, awaking with a start
Was disappointed to his heart
That Psyche cold be so unfaithful
And make a decision so egregiously fatal.
Then, jumping from the casing, he flew
Out of Psyche's lustful view.
And she, for her part, suddenly found
That from the palace she'd been cast down
To a field of which she had no memory,
Or very dim, if she had any.
In despair, she began to flounder,
Then resigned herself to wander
Until she came to a temple edifice,
Which was, on Earth, Aphrodite's face,
And begged the unseen Goddess hear her out,
Trying her patience with childish whining shouts.
Aphrodite, trying only to divert,
Cast a basket of grains down to the dirt,
And told the weeping lovely malcontent
That if she sorted the grains 'fore day was spent,
She just may see her sweetheart once again.
All she had to do was sort the grain.
But Psyche, though her fingers were dainty and thin,
To separate the grains could not begin,
And sobbing, lay upon the stony floor
That was as cold as the Goddess had acted before.
The ants, which had been drawn to the golden grain,
Bore her load and relieved her of her pain.
In their famously sure and straight black line,
They each picked up a piece of grain so fine
That it might with ease pass through a needle,
And into order they the sweet grain wheedled.
Then at the very setting of the sun,
Aphrodite found the task was done,
And though she praised the poor girl outwardly,
Inside she felt the bloom of hate for Psyche.
So she set her down on one side of a stream,
Where on the other was a field of green,
In which lived Helios' golden sheep
From which she was to obtain some shining fleece.
Then Aphrodite left her there to play,
And flew to Mount Olympus far away.
But Flumen, God of Rivers, raised his head
To warn sweet Psyche from his riverbed
That the sheep were so fierce, if she but pulled one hair,
They'd all turn on her and eat her then and there.
It was better if she waited 'til midday
When the sheep lay down to sleep the heat away.
Then she could cross where the river rushes,
And pick the wool that had got caught in the bushes.
So Psyche followed Flumen's good advice,
And for Aphrodite's cruelty she paid no price.
Aphrodite's blood boiled when she saw
That Psyche had survived it after all.
Again, she tried to send her to her death
And charged her to collect water from a cleft
Which mortal humans could not enter,
And in which serpents would surely spend her.
But now it was an eagle came to her aid,
Who stormed inside and flew between the snakes,
Then picked a pouch of water in its beak,
And back out of the cleft to Psyche it sneaked.
Aphrodite, at her dastardly wit's end,
Devised a horrible place for her to Psyche send.
"Psyche, caring for my ailing son
Has drained each drop of beauty, every one,
From my former glory of a face.
Therefore, I command you to that place
Where Persephone dwells. Then you must beg
For some of her beauty, just a tiny dreg.
Then you may have my son, I give my promise,
As holding him from you has marred my face."
Then Psyche, with tears streaming from her eyes,
Decided the only way there was to die.
In what she had appointed her fatal hour,
She climbed up to the top of a high tower,
But her melancholy was so disturbingly great,
All the Universe moved to it abate,
So that the very tower she climbed upon,
Awoke and spoke to her as if a person.
"Psyche, there is a way to the Underworld alive,
So that you need not from my roofing dive."
And to the Underworld the tower gave her
A route and some directions just to save her,
Then it sternly warned her that not of meat,
Nor of anything but bread in Hades could she eat.
So she followed the Tower's path back down
And disappeared into the heaving ground.
And when she found herself before Persephone's throne
She asked to take a parcel of her beauty home,
Which the emotionless Queen of the Screaming ******
Without word placed in Psyche's quivering hand.
The hardest part of the impossible task being done,
Psyche headed back up toward the sun,
And, reasoning that she was to see her beloved before nightfall,
Decided to use some beauty from the parcel.
Inside she found not beauty, but a stifling sleep,
Which forever in its clutches would she keep
If Eros had not chancely happened by,
And wiped Persephone's sleep from Psyche's eye.
Then, carrying her on his back, he barged
Into the Hall of the Olympian Gods.
He bade them let him wed himself and Psyche
And disregard the protests of Aphrodite.
Then Jupiter, indeed, allowed it obligingly,
For he was a man who greatly enjoyed a party.
Ambrosia she was given so to seal
Her immortality and place her among the surreal.
Then after many years of love and laughter,
Psyche bore Hedone, their lovely daughter.
This is how the beauty of the Human Soul,
Triumphed over the beauty of lust and gold.
All this Eros and Psyche had to take.
All this they endured for their love's sake.
They demonstrate the purity of love,
That is admired by Gods above.
In the end, it is the pure Mariposa
Who is more deserving of ambrosia.
Poetic T Apr 2016
She never spoke but words where embellished upon
her features. Her distressed ink smudged on her white
features marking on ever word painted upon her.

Her purity was now blemished not as it was, but with
ever word discarded on her she became not once before.
voices became stains on every part of her anatomy.

Features were darkened but her visage was scared never
to be as what was before. Words can hurt even become
part of us, but others can stain our purity with just words.
Alin Jun 2015
They say something is truly computerized
yes or no? yes or no ?
which one? which one?

BETTER throw a dice if you wanna know
but no
it is a BIG YES of course!
that’s what they should be saying - truly

THEY.

WE -
however -

we don’t have a proof
that it truly is so
and we never may have
and actually we don’t even need to spend our time to find out
if they are right or wrong
It is more important to understand why we discuss this matter here now
and we can explain the reasons in two basic steps:

1- believe not  and do not become a blind believer  -
to whoever - to whatever- no matter who - no matter what -
there is no one who can tell you the truth
but you -
you may not need to like it all - but
that’s always for a good reason -
if you make it good

2- understand what is of essence now - thus  - the thing- maybe a poem- maybe a result of a competition - maybe this - maybe that -
why that specific thing comes to my/your attention now

So
it does not matter
if it is computerized or not -
what matters is
I see it and it communicates with me
and with my senses
and is at my attention

it manifests itself to me  here now where I truly am

does not matter how it manifests - but it matters that it manifests

and the answer to why
is by my experience creating an action -

Only what I can neutrally and  non-judgmentally witness I can purely experience  -

and purity
has surpassed frights
and purity
has no addictions
and purity
does not swing from moon to sun
but remains centralized-
and purity
needs no temporary replacement that serves to escape from one pain- discomfort to another
but purity is ultimate self - is itself by itself
therefore what is presented to me here now is not other than what my consciousness is manifesting as -

it is not a test -because  we have passed all the tests -
there is no teacher other than the self-
it is such that we are moving on -
on a path of knowing of our own true nature

And now
that ‘s why!
that’s why!

There is a dove
in love with me

comes to see me daily
and listens to my songs

it ain’t matter if it’s not the same dove
although I know it is
not because it looks alike
but because I know it is
and still it ain’t matter
if it’s not the same dove

because there is a dove
in love with me
comes to see me daily
and listens to my songs
adoringly
Ozioma Ogbaji Apr 2015
As beautiful as the famed city of Atlantis
Gloriously flourishing in her perfection
There is a place where my soul and heart is
A perfect place without grief or deception

Where my heart is always merry
And peace blossoms like the cherry
The sun smiles at me gently caressing
My body as the birds sing melodies-
So beautiful they keep me guessing-
The beauty of future melodic memories

Like the Cedars of Lebanon
Beautifying the palaces of Ethiopia
Purity, love and perfection adorn her every season.
This place is within me; this place is Utopia
Von White Mar 2019
Crystal tears in beams of the ethereal triangle. (Moth)
Leave gleams of cosmic rays of colors new from all angles
Crying trying to hug a moth.  
As Crystal tears fall on sacred cloths.
Benighted Bug embraced in hugs
Wings are spread to hold one snug:
Deepens the sorrow,
smiles be smug
Deeply sad
happy songs sung
Deep so deep in altered states fun
Deep like your hole that was never dug.
For this is why thy is sobbing yet numb.
So missed, so loved
this head in dread hung.
Hysteric screams loud left ears that rung.
Mourning love on lavish lush.
Perhaps hard drugs
gleam in this rug.
Like Twinkle stars in eyes of lights bug.
Flutter now precious one.  
That moment has come.
For that cosmic lights in the night sky has shun.
Fly off now and thrive
Through Blessed skies twilight.  
Omega trifecta disjecta in white.
Disregard all  life’s ill lies
Project Past false folly worlds not wise.
Omega trifecta eternal cant die.  
Clothed in robes on moths back we ride
  Purple eyes On wings spread so wide.  
Protected With swords
worn on there sides
Giants enlightened
with violet sash tied
Guide these rides like blades on arm right
through chaos harmonized untwined.
be three inside when doors thy find.
Under cat pelt black mat
Crystal white key sleeps and  hides.  
Unlock bone carved door,
to obscure and pure life.
Flesh cold on *** gold,
Twist it like Pyrex pipes.  
Arived
Arived
Looks dead
Though alive
Triangle portals for immortals to rise.
  In bliss gnostic gifts of the purest of kind.
alive in parallel paths that have died.
Blind not the light,
as black sun in sky rise.
Omega trifecta disjecta drenched white.  

Insanity
123
Triangle eyes  
Upon moths wings.  
Insanity
123
How nice was it for you visiting.
Insanity
123
Lovely wings now wave to thee
Insanity
123
Love has come
Love will not leave.
Insanity
123
Of three
Triangles dance like seas.
Insanity
123
White it be
of love
of 3.

Burn forever has this flame.
Insane deranged the mental state.
Delirium comes
And is here to stay.
Now in the dark filthy room,
the schizoid hides away.
In Torment
in dormant
Destroy rituals save.
Healed by the hand
Upon masters embraced.
Purify soul
Preserve culture and race.
Clean blood the last goodness
left in this wretched place.
Yet still in stillness
stagnant turns blue in veins
Bloodletting not upsetting
Blades sway without pain.
As well as chop lines
Upon mirrors for days.
Twisting Pyrex orbs like a game
As well as starve self in sacred ways.
As well as smoke finest of *** never laced.
As well as this huffing to **** cells In brain.
The alcohol be it the final Intake.  
Rituals so official for healing in this hate.
Destroy
Create
Destroy
Create
Sleep deprived
for up to thee days.
Final hours
bring forth meat and champagne.
Replenish the ugly shell carbon based
Starved for many days
Sacrifices made done safe
Acts watering spirit
Sacred like this self inflicted pain
Be it in ethereal place
Where insane becomes sane.
Clean the mirrors like spirits slate.
Awaken here to rise.
Eyes alive appearing crazed
laughs upon the sad estates.
Fear all clear has disappeared
Nearly forgot the name
again please come play
like the sun does in may
Cloaked with veils soaked,
like the bed lovers lay.
Cloaked in veils soaked
With inhuman healing rain
Cloaked in veils soaked
Through shadows in thick smoke.
Abstract absurd croaks,
hang from yellow ropes.
Oh strange these roads
magicians go.
Zero fear crystal clear
With senses unknown
It is upon the humans where Paranoid confused madness cripples all life.
Where the eyes of the rubber skinned demons flutter like fast as hummingbird wings.
No logic or sense
reality has shattered.
Machanical animals glitch out like brains splattered
Oh the inner urge to stab synthetic creatures
Oh to destroy Gears and chips inside that “raccoon”
Oh to have oil drop off this sharpened knife
How the **** can one ****
That which is not even alive
Malevolent smiles on people on all sides
These are the things
these eyes have seen
Enough now on obsessing
on that which is now cleansed.
These are the reasons this obscure life be led.
These be the reasons these practices one tends.
These be the reasons for the drs meds
These be the reasons one ***** up this head.
These be the reasons that one is not dead
For these sacred acts in fact have fed spirit and flesh  

Dancing and laughing now through storming waves of chaos seas
Immortal threes ride storms through dark nights.

Until Timelessness be kind with bliss.
These moments will be missed
For the horror be done.
For the flesh be at rest.
Silk was a voice that little wings said.
For fabulous readings
Whispers to heart In chest.
Last lovingly gesture
face gently corresed
Kissing soft wings as the honored guest left.
Gracious be glorious gifts that were sent.
For a  radiant cosmic ray is shun
A Glowing beam bright as the sun.  
Open ethereal triangle windows up.
Fly far now back to lands you are from.
to gaze into ethereal triangular windows.
Free forever eternal have fun
be a triangular window.  
Oh how now to frolic.  
Within Crystal palace.
Oh how to drink from the purest of chalice.
Oh how now to frolic  
Do not stop it
Obnoxious
be not this calling.
Laugh and prans  
as if you have lost it
sheen as if polished.
Which  gleams like gold lockets
Soft the Royal purple carpets.  
Dance in trancemusic of inhuman artists
Terror tamed and disregarded.
of black and laced scarlet
Parallel white
Blackness falls.
Gone unto the sacred arts.
Beaming rays in callused  hearts.

Hard telepathic readings.
The physical health was releasing.
Now physical health is at full regeneration.
Regression
Regression
Regression
In threes
In these
Darkest light in vibrant scenes.
Walk the chaos fields
Laugh at this disease.
In threes
Your triangle
Your embrace please.
Speaking through the cosmic seas.
yes blood as flesh are with thee.
All moments of timeless times.
We both dismantled time and logic.
Witnesses of chronic tauntings.
Together cold hands at hops frolic.
Disability in the humans life
Keeping wits as sharp as knifes.
Laugh with thee
In three
Hahaha
Hahaha
Hahaha
Far to gone
Walking along with zero fear at all.
Within you now all distress is regressed.
You are immortal and free.
You speak through moths and trees.
Transcend the logic of all human beings.  
Beyond the sane and tamed.
Oh severely was such un heard of pain.
humans of hate and horror in black corners.
Chaos in eternal be harmony.
Through delusions
Through evil illusions.
Still immortals storm the insane vespers.
In m
Aquarius being of untouchable boundaries.
Virgo being of untouchable boundaries.
These moons

**** trying to word or logically read.
We’re born of the purest lights.
found in the darkest of seems.
Insane
In pain
In collapsed yet precious veins.
Insane
In pain
Happiness on earth not aloud.
Happiness in far away bliss.
Oh how the dread impails when such is missed.
Eternal
In white
In ligh in black
Laugh with thee as the wretched attack.
In purity
With purple sash on white robes
In light in darkness harness you will be loved and whole.
Still shovels crave to dig six foot holes.
Still death appears in the faces of the cold.
Love fortold in the hopelessness like mold.
Oh telepathic wanderer of true purity.
Eternaly
Your purity and loving being
Eternal shall your light be strong.
Your love in lungs as one rips bongs.
Of three you and thee
Of night
Of light
No more fright
For blackness has led them to might that is white.  
For love from the purest has held out inhuman hands.
Forever infinite beyond imagination of man.
Forever gnostic callings in not so human lands.
Crystal tears beam in ethereal triangle (moth)
Nicole Corea May 2015
I was a caterpillar ,
before I became a butterfly .
The pain I had to endure in order to transform into the beauty I am today .
This is my tale .

In the forest there was,
My cocoon wrapped in the finest silk,
With a power to live in a colorful world.
To dream and conquer goals.
A Vivacious soul spinning in the purest silk
Growing and maturing as I spun.
Wishing for freedom with my beautiful wings,
Counting the days to be free and soar
as a lively butterfly
until
You winded into my community
Lured my queen and her uneven monarch.
Tempted to sabotage my purity.
For that you,
Lured yourself into my vulernable cocoon
with that trust,
you decided to disrupt my process.
How can one man ruin my nesting site?
And I had faith in you ,
to be a figure
I never had.
I wanted.
My heart ached for it.
I needed it.
To be loved .
To be nurtured.
To never be like those stray dogs
looking for a home.
This was the moment .
Where....
Innocence stripped, heart captured.
My Freedom gone.
You were naive to comprehend
On what you were doing...
You would stab my cocoon
with your sickening poison .
Over and over you stabbed .
Ruptured the veins of my innocence .
To break my finest silk .
Purity banished.
Stabbing your poison was
Making my cocoon
useless ,
worthless ,
unwanted,
colorless,
I tried to run and I tried to scream
but I was devoured by this poison
It was the love I deserve.
Couldn't escape , numb to the pain
For every poison injected, I began to
Question God?
Where was he ?
when I shed out a tear of help.
Where was he?
when my cocoon was destroyed.
Was I loved God?
when I muffled help in your name.
I hated myself ,
I stay in my cocoon
afraid to see my future.
I wasn't going to be a beautiful butterfly
Battered Butterfly
My life seemed to be colorless
No one wants a battered butterfly
My life....
It seemed it had ended
when poison sunk onto my helpless body .
No one wants a battered butterfly
Imprisoned to these chains.
Being poisoned every night by different
Predators.
Oh God....
Those predators ...
Battered lifeless little butterfly
Was I ever loved in my nesting site?
But then again nobody loves a battered butterfly
How can I reach to heaven when
I was worthless.
Believed I was a vile *****.
Tricked into a poison of hell.
Battered Ugly Butterfly
***** Little butterfly.
There was no light in tunnel
There was no holes in my silk
To escape this poisonous nest.
Why?
Because I believe nobody wants save a battered butterfly
How can the man I trusted ruined me.
I thought you could be the one to complete my lovely monarch .
To complete the missing piece.
But you continued to misuse me.
To haunt me.
To barricade my heart
To own my soul
But one thing I can truly say
You never once won over me.
You never imprinted my change.
I endured your pain
That was a sign of God
To show me what strength I am capable of.
That was the light that I found,
You had no control to inflict pain anymore.
Because I became impervious to your pain.


I am a beautiful butterfly
reigning over my monarch
with no thought of you.
**That is my freedom
Speaking out on my ****** abuse
Shruti Dadhich Oct 2018
Hey guys!!!
How will you feel,
If you are stopped from entering in kitchen for next five days???
What will you do,
If you are ordered to sleep on mat leaving your comfortable bed for next five days???
Will you not have a fight, if they stop you from entering in a temple saying you are impure for next five days???
How will you feel if you have two big  fights every month,
The fight with bleeding pain,
& the fight with society...
I can easily defy the pain,
But tell me how to fight with this society,
How to answer this question on my purity???????
Cause if this is impurity,
Then the one who made these rules is himself impure!!!
& you all are also impure!!!
If it's impure then God is also impure!!!
The problem that we face is thought to be pain, but actually the main problem is the poor mentality of people...
Cause girls have enough strength to fight with this pain, but how to fight this fight with society, the one who didn't know this pain made the rules mentioned above, & my anger is for the ladies who followed them blindly, without asking "Why?" , but I'm not blind & also won't follow anything blindly, so now I'm asking "Why?"
Mateuš Conrad Sep 2018
well... feminism has had its three waves
of revisionism -

    and there i'm sitting on
the windowsill,
   smoking out of my window -

watching the moon sloth the sky like
an demonic snail -

in the misty haze of a large patch
of cumulonimbus -
    right up there at around 50,000 feet...

thinking to myself?
   why are there two orbs of varying
light concentration
penetrating the sky
   and embedding the moon
in an eerie aura?

never mind -
   i still don't know what the chemical
formula for timber is,
or what sort of material is on
the moon that allows it to reflect
light from the other side
of the Greenwich Mean Time...

last time i heard: can a rock surface
reflect light?

          well then... ah... never mind...

but feminism has had its three waves
of instigation and two subsequent
waves of revisionism -

so it made me think:
   why not a second wave of fascism?
a revisionist wave...
    well... as far as i am concerned
the Italians were much paler -
   in their intentions than the Germans...

fascism 2.0 -
and the sort of fascism that would allow
me to be men...
    drunks, foul mouthed, you name it...
athletic, not-giving-a-**** losers of
sorts, among the glam of whatever else
it is that a man is...

working on the idea,
i had to think of a list -

   hmm...

          who then?
ah!

      Stanley Kowalski
   (from a streetcar named desire)...
John Wayne
  (notably from true grit)
    Charlton Heston
(from the planet of the apes)
   Tony Curtis...
              Hemingway,
Bukowski,
               Ezra Pound...
     Clark Gable
    Gregory Peck
                   the list is seemingly
endless -
   at least in the portrayal of
said characters...
ah... ****!
   Kevin Spacey as
Lester Burnham to boot!
            ah... double ****:
Denzel Washington as
Troy Maxson...
    because apparently "being"
a "poet" is little more than
the lesser stature
of a garbage man...
             unless of course:
you fiddle into a cosmopolitan
fixture.

    oh... and certainly an appreciation
for a traditional Turkish barber
shop...

something very much akin / borrowed
from America circa 1950s...
   and an unabashed sensibility
concerning good tailoring -
   but then also the prophetic
vagabond look from time to time...

just a vague idea -
    but something along these lines -
but then again, what a silly idea -
what is racial purity in
21st century England?
   some sort of vague notion
       of an even vaguer dream?

but i guess the notion of
individualistic purity:
   the purity of the individual is related
more to: who can and who won't
be swayed by alien opinions -
2nd or 3rd party -

        which includes this opinion...

i'd subscribe to put the idea on
the following zenith:

              grammatical cleanliness -
linguistic order -
            a literary tact -
   something along these lines -

after all: the 20th century is not the end
of a theory -
given 20th century communism this,
while 21st century socialism that...
ideas prevail...
   evolve - or devolve - regress
or make alternative progress -

               also given:
    there already is a fascist movement
elsewhere, other than in England -
where: it would be completely
impractical -
                  
                       prime tenet would also
be, what it already shows:
   non-expansionism of a culture
or a people -
                           more akin to
American isolationism under
                                                  F.D.R.:
i­ have a strange sentiment
for that president.
Elizabeth Ann Oct 2013
Innocence isn't just a
Thought
Theory
Feeling
State of Mind
Age
Lack of Knowledge
Purity
Cleanliness
Innocence is more
So much more
Than I ever believed it was
Or could be

I grew up
Maybe a little too fast
And all at once
And where I once was
Innocent
Innocent
Innocent
My mind grew
And expanded
And now I know
Of many many things
I wish I didn't
And no longer am I
Innocent
Innocent
Innocent
But I lack the
Thought
Theory
Feeling
State of Mind
Age
Lack of Knowledge
Purity
Cleanliness
Of
Innocence
That I yearn to have once again
But will never have again
Because once Innocence is lost
It cannot be found
Ever
Again
And you are forced
To sit
And see
And observe
The innocence around you
And mourn over
Your very own
Innocence
Which
Is
Long long
Gone.
The skies grow dark,
Clouds gathering,
Obscuring the sun in an instant.
The last stand,
One final protest,
As defences break,
Screams,
Pain,
Blood,
Death,
Fills my head,
And all becomes clear,
Di Ffrin, Di Sstrek,
Is my reality,
A sweet melody,
Unsettling,
But sweet,
Oh yes!
It consumes me,
The light leaves,
All becomes dark,
And all makes perfect sense,
They could not help me,
There was no way they could,
But now I have it,
What I need,
The realisation,
In the darkness,
The Purity of Lies.
Poem adaptation of my unfinished book 'Purity of Lies'
RAJ NANDY Apr 2015
Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,

are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(
’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(
’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(
Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(
Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(
Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an
Nat Lipstadt Jan 2014
I am circumcised, therefore, I enunciate...

circumcised: to purify spiritually

On the eighth day,
from my nativity,
circumcised,
as is the custom of my
wandering tribe.

marked thusly,
perma-identity carded,
thusly begins the path,
a pink-bricked road this one,
not to the Mighty Oz,
no phony curtain pulled aside,
where anyone goes to get
spiritual purification
for a price

Ah, you suspected something else,
something explicit,
not me~style,
give you honey,
road provisions,
come along for the observing his
clickety clackty clock

Ready?

For where we venture there is only
one exit,
And you are so not ready - I am who I am and I am
not ready too...

every line an enunciation,
every stanza an annunciation,
Angel Gabriel, a solo duo, unlike
Beyoncé and Jesus
we be on our way to any kind of purity,
poetry can buy

who knows what awaits us,
could be catholic, universal,
even the uncircumcised
get a chance to enunciate.

let me offer a clarification.

proclamations and sensations,
conditions and exploitations,
brown eyed girls, and surfer boys,
functions and malfunctions too,
abbreviations or adjudications,
conjugations in the congregation,
exhumation, the final excommunication,
I shun none,

I enunciate this:
false starts and junction boxes,
too many so so tired,
when can I lay down my shovel
and cease the decreasing deceasing of the body

this day nears complete,
and soon to eat
the last meal,
and still I ask

when can I lay down my shovel,
when will purity be mine,
my spirit's circumstances
repeat the commercial,
I am circumcised, therefore, I enunciate...

forgive my abstrusion,
my metaphors always offer perfect laxity,
choose the interpretation that pleases most
and my drift is toward the end of days,
when will my brow be a motif of
anointment and crowning head birth?

This is my Enunciation.

I cannot yet lay down the shovel,
and this writ is as of yet, still uncircumcised -
completely incomplete, it will be finished
when the spirit says
you are the purity,
the trinity of two hands holding two others holding two others holding two others and the chain is perfect because
it is broken perfectly, a forever repetitive respective handle with care
process

Forgive my visionary words that
give little clarity,
so summary due you,
This is my
Pronoun citation
I am
I am circumcised, therefore, I enunciate
on my way to the purity of spirit.
It just happened  on the way to sitting down to supper.
On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful
Autumn Shayse Nov 2012
Take my hand
Let's get away from here;
Let us escape the intensity,
That is reality.
Let us wander:
Into the realms of imagination,
The spectacles of fantasy,
Stopping not once.
To reach the light, we must travel through the dark
Past the broken hearts
Past the sorrowed days
The dark is immense.
Past the antecedent
We walk through the perils of life
Of love, if it exists,
This is an uncertain time.

At last, the light approaches,
We reach the area of escapism,
But alas it's tampered
With the remnants of solace.
Her Feb 2018
My name is Erin
and i was *****
at the age of 7

it has taken me
14 years of my life
for those 13 words to escape
my hollow mouth

the only questions i come to now
is why
why lock me in that room
why take everything from me
my innocence
my purity
my childhood

in that room
where my family trusted you
where i trusted you
the night terrors i have to this day
still haunt my mind

like a never ending
drive in movie that plays
over
and
over
only the moon in the night sky
isnt made to be found here
there is no light in these terrors

i cant sleep this time of year
because every time i do
its you
in that room
locking the door
shutting the windows
******* me
yelling at me
every single night
i close my eyes

it has taken me 14 years
to accept the fact that i was taken by you
i have been numb ever since
left in the dust
rotting away at the core
thinking i was nothing
thinking i deserved nothing
because you took everything

but not anymore
i will recover from this
i am strong enough
i believe in myself
i believe in my own happiness
and i promsie
that when i have children one day
i will never ever let them rot at the core
i will find happiness
the darkness will not take over this time
BLESSED be this place,
More blessed still this tower;
A ******, arrogant power
Rose out of the race
Uttering, mastering it,
Rose like these walls from these
Storm-beaten cottages --
In mockery I have set
A powerful emblem up,
And sing it rhyme upon rhyme
In mockery of a time
HaIf dead at the top.
Alexandria's was a beacon tower, and Babylon's
An image of the moving heavens, a log-book of the
sun's journey and the moon's;
And Shelley had his towers, thought's crowned powers
he called them once.
I declare this tower is my symbol; I declare
This winding, gyring, spiring treadmill of a stair is my
ancestral stair;
That Goldsmith and the Dean, Berkeley and Burke
have travelled there.
Swift beating on his breast in sibylline frenzy blind
Because the heart in his blood-sodden breast had
dragged him down into mankind,
Goldsmith deliberately sipping at the honey-*** of his
mind,
And haughtier-headed Burke that proved the State a
tree,
That this unconquerable labyrinth of the birds, cen-
tury after century,
Cast but dead leaves to mathematical equality;
And God-appointed Berkeley that proved all things a
dream,
That this pragmatical, preposterous pig of a world, its
farrow that so solid seem,
Must vanish on the instant if the mind but change its
theme;
Saeva Indignatio and the labourer's hire,
The strength that gives our blood and state magnani-
mity of its own desire;
Everything that is not God consumed with intellectual
fire.
III
The purity of the unclouded moon
Has flung its atrowy shaft upon the floor.
Seven centuries have passed and it is pure,
The blood of innocence has left no stain.
There, on blood-saturated ground, have stood
Soldier, assassin, executioner.
Whether for daily pittance or in blind fear
Or out of abstract hatred, and shed blood,
But could not cast a single jet thereon.
Odour of blood on the ancestral stair!
And we that have shed none must gather there
And clamour in drunken frenzy for the moon.

IV
Upon the dusty, glittering windows cling,
And seem to cling upon the moonlit skies,
Tortoiseshell butterflies, peacock butterflies,
A couple of night-moths are on the wing.
Is every modern nation like the tower,
Half dead at the top? No matter what I said,
For wisdom is the property of the dead,
A something incompatible with life; and power,
Like everything that has the stain of blood,
A property of the living; but no stain
Can come upon the visage of the moon
When it has looked in glory from a cloud.
Jeffrey Robin Jun 2016
.



Of

Broken circumstance


)(


Sells her ... FLOWER


)(

But not her righteousness



((((


FLOWER GIRL !

""


hippie boy

What do you say


Are you gonna keep your honor

And preserve the purity ?

Flower child !



Earth mother


To be


///


Nurturer and healer


For all to see


.
My fifth just destroyed the stronghold
thank you children of Eve
I lost none of my own fifth
but god was they dripping with Angel blood

My sweet fighters after this war
my loves will turn their eyes on you
for we want all the maggots and parasites
out of our sweet loving world

For we want purity again
like it was in the beginning
when stars did burst
and God did smile on us

Mine have just crippled your hope
for there will be no redemption
the purity of my elite
will destroy all of you

The call to arms was given
for someone bit the fruit
and we now war
to be the absolute

By Christos Andreas Kourtis aka NeonSolaris
Marlo Jun 2014
I do not have a ****** heart..
It's been ****** with,
And torn apart..
My heart is a *******,
Getting payed with love-filled lies.
My ****** body isn't yet caught up.
I gave all that was inside of me,
Trying to protect what I was born with,
My cleanliness, my virginity,
My purity..
My ****** body is white, pure, clean.
But my heart is black, broken, dead..
Waiting to be revived.
So please, revive my heart..
But don't take my body..
. *** .
Lady Misfortune Aug 2018
My toxic mind is my escape
These days,
I confuse pain for anger

Anger for pain

I invest, but never earn
I ask myself: will I learn?
I already know.

My hopes turn to dust,
When death whispers no.
I wish... I become optomistic...
I tell myself don't.

Sometimes I feel as though I want to live
I can not hold on,
When there is no rope.

I have fallen down the wishing well...
I have fallen in a hole.

Vitriolics follow me and I,
Can not see my life through a bigger scope.

I look at all the stars and know
I am the daughter of the sun itself
I am not the center just the product
Of perfect hell.

I ask myself: will I always be afraid?

I look through my clear tears
They burn my eyes
I forgot about the oil & salt.

Soap could clean it up.
Yet I wonder, who cleans the soap when it is filth?

I want the dirt to disappear
I want to swipe away the dust
I want to rid myself of disgust,
For whatever I broke inside, me.

How can I forgive when you're the reason I do not want to live?

I have been dying

I would give in
I would crumple
At this point I am not even sure how,

I wallow and swallow down my pain.
I drain myself of all mistakes.
I still drown.

Right when I am on the brink of peace
My mind reminds me:
There is nothing I can do to escape
I am still in myself, at the end of the day.
Written: 8.28.18

Everything that allows me to be free and to imagine holds me captive. Everything that was pure is still my mind, just coated in black ink. I am myself but I am unclean. My inner self is my only purity. And even she was ****** away in a tornado.
Tolani Aug 2018
We were both love. I was a rose and you were a snowflake. Both beautiful and gentle but unable to coexist effectively because flowers can’t blossom in the cold.

Yet when it ended, the truth became misconstrued.
Suddenly I was a thorn that pricked you till you bled.
And you were frostbite that nipped away at my skin.

We created false portrayals of each other to make this all a bit easier to deal with.

But the truth will always stay.

We were both beauty, purity, fragility, love.
We just weren’t meant to give our love to each other.

And now we both bleed, because the hardest part is accepting we were never meant to be.
We were never meant for each other..
Vampyre Kato May 2016
I Am The Sunshine
Upon This Land
I Am The Pure Love
Of Woman & Man
Creatures Of Sea
Creature Of Sand
Creatures Obove Trees
I Am Sunshine
Im Feeling The Heat
I Am Sunshine
Love Shining In Me
Through My Eyes
Timeless Sweets
I Am Purity
Healing All That Need
A Calling Of Leap
The Falling Of Leaves
That Tracends To Beauty When
Waters Affection Harvest The Neat
Harvest The Trees
Harvest The Fruits & Vegetables
For All Us To Eat
God Were Sunshine
I Am You & You Are Me
Realms Of Angels
Elves Mermaid Reefs
Purity
Illumniated With A Sphere In Me
Its Clear To See
I'm Near The Sea
Abundance Prosperity
Inside Manifested Through Charity
Expand Consious Clairty
Increase Awarness
Perception Cherry Trees
Beautiful Judgment Free
Free To Be We So Let's Just Breathe
I Love You , You Love Me
Meditation Vibratatin At The Peak Of My Frequency
Elvish Whispers In The Breeze
Angels Untangle The Tangled
I Angle Dreams
The Frequency Of Jesus
Is Needed
Let It Seep Through
You May Not See Him
But He Sees You
Bianry Ritual 3 Help Darknes Nailed
I'm From An Elvish Realm
Where Fairy's Bleed Blue
Its Easy To Relate
Escape The Hate With Aatral Gates
Be True
Be You Sunshine Light Bright
Right Through Ooh
I Feel It In My Soul
From Outer Space
Down My Face Waist & Shoes
Normal Is So Distant
Weird Is JDifferent
& Difrent  Is Just So Cool
Sune Shine Amazon Fine
Island Side
Frequency High
Twin Soul Flame Is Feeling My Vibe
Pure Dear Come Here
Feel The Kundalini Rise
Eye To Eye
Hands On Back Of Thighs
Hearts Hugging So Tight
Protected By The Eye
Private Meeting Souls Singing Ocean Side
Stars Cry Body's Weaving Greeting
Gentle Screaming Oh My
Dna Embedded With Electric Healing Rhymes
Were Amazing Gazeing Sunshine
Breathe Release The Beast
No Need To Find
All Is Within So Grin Ya Chin
Your In Ya Win
Sunshine Sunshine Fill My Fins
Swimming Through
Realms Of Elevish Kin
Affection Covers My Skin
I Am Sunshine
Sing It Again
Sunshine
Emma Feb 2017
A small clearing surrounded by trees,
Everything is bright and vibrant.
A crisp breeze blowing,
Swaying the grass.

The ground is covered by rocks
Of various shapes, colors, and sizes.
Bladed grass and ivy-like plants
Growing in the cracks of the stones.

A small white butterfly fluttering about,
So full of beauty and life:
Like the sweet-smelling flowers,
So simple with a fragrance of purity.

A soft breeze blows rustling the leaves,
Seeming to shush the world.
All is still, obeying the command,
And all around is at peace.
Written June 2016
Hong Denice Oct 2015
Love is of God; lust is from the world

Love is selfless; lust is selfish

Love can wait; lust is got to have it now

Love is giving; lust is taking

Love is purity; lust is sin

Love develops; lust destroys

Love is peaceful
and
Lust is full of anxiety


-Charles Stanley
Raj Arumugam Jan 2012
Where Purity is the Covering of All Flesh
and no private part of the human body
may be shown
and thus where the lack of Purity is Dishonesty
and therefore are Dishonest Paintings
wherein are depicted female ******* and such
buttocks and navel
and where genitalia female or male
asleep or awake
and such are shown
and crotches and such flesh and curvatures
may arouse
such being Dishonest Paintings
the Eminent Guardians of Purity
announce multiple positions vacant
of Reviewer of Dishonest Paintings
and so to cover up with black paint any signs of *******
and so of any other part of images in such paintings
as buttocks cover up with black paint
and so on each Dishonest part of human anatomy
to be covered with black paint
and in this task one always to use a firm, long brush -
the longer and firmer the better for the Soul -
so that
one may not come too close to such obscenities
as coming close one may be aroused to ***** desires
in male
(Females need not apply for said position
for such lascivious creatures are always
in a state of wet desires)
and so in covering with black paint
the Sanctity and the Will of Heaven prevails
and human souls transported to Divine Ecstasy
at the sight of paintings with black holes
corrected by expert Reviewer of Dishonest Paintings
and such positions to be filled
by honest men firm in their resolve
and long in stamina and determination
they should arrange their own transport
for various locations in the Holy Empire
for indeed Various Positions are available
and while the renumeration is handsome
derived from confiscation of properties and means
of the Perpetrators
of those Works of Perfidy and Damnation
those Artists who produce and who engender
Dishonest Paintings and such Works
and far more too included in Renumeration
is the Seat of Purity in Heaven -
O the pay shall be Eternal Heaven
Apply directly and in person
at the South Wall of the Grand House of Divinity -
put your scrolls in the holes
At the age of fourteen Goya was sent to study drawing under the guidance of a man who was employed by the Inquisition as their Reviewer of Dishonest Paintings, which meant his job was to conceal human nakedness in the work of the Old Masters, using a carefully added swirl of cloth, a shadow or the floating presence of a leaf.

- page 20, Old Man Goya by Julia Blackburn
(ISBN 0-224-06279-4) Jonathan Cape, London 2002
lauren Nov 2016
i have slept restlessly for  nights now, reliving the events that have conjured within the past 72 hours. i think to myself, how would anyone want to bring another into this world knowing the pain they will endure? yes. you will feel pain, indescribable, chest filling, body aching pain from your head to your toes. i wont try to paint a perfect picture of this world and let you down. hating me every moment for the things i never said. you will be beaten down by others, torn away from the connection you thought you had. you will sit in a coffee shop alone, biting your lip with anxiety, and he will call you in the dead of night pleading for you to keep him company once more. you will miss the way you looked at the world, with innocence and purity, reliving every moment of suffering and rewriting its pages. you will invest your heart in people, things that will only let you down. but sweet child this suffering that you feel will be soon over. it is how you overcome these situations of awkward confrontation and scandalous betrayal. because one day a bee will buzz past you and you will jump up and down like a child again, tugging on the end of your own dress, smiling. you will laugh once again because the perpetual love you feel from those who surround you with positive energy will fill the gaping hole of disappointment that the world has so willingly handed you. like i said, i will not paint a perfect picture for you, because every artist has their flaws, but they cover them oh so well. and you should never have to carry that kind of burden.

love always,
me
Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
Cné May 2017
Her shadow
Washed in sin, covered in blood
Oh, what a sad little dove
Festering secrets, slathered in shame
Purity poisoned, life to blame
Born unwanted, a mother denies
Behind the shadow of our eyes

His shadow
In dynamics
Of dysfunctional dismay
Lost in secret family shame
These emotional contacts delay
That we carry 'til the end of our days
Cast in stone, in foundation of lies
All these shadows behind our eyes

Her pain
Painful memories of long ago
Though, I know, I must let go
Triggers upon the aching scars
That burns within an injured heart
Full of fear, in the wake of lies
All behind the shadow of our eyes

His pain
An unending twitch
The fast fading smile
The ever bleeding heart
Of a broken lost child
Carrying stones up endless hills
All these issue we're forced to feel
And stuff them down, way down inside
Behind the shadow of our eyes

Her darkness
Hidden is a blacken variant
Attached with unbreakable sealant
Of life's destiny, from the gods
Concealed amid, evolved facades
A mind, compartmentalized
Behind the shadow of our eyes

His darkness**
Desensitized to life, empathy left poor
Bottomless abyss where my spirit now soars
Love is a dream in my abandoned role
The pieces won't fit my wandering soul....

The window to a soul hides
Behind the Shadow of our Eyes
Sharing shadows with Traveler
Hal Loyd Denton Apr 2013
Not funny but this was written on 4-15-12 exactly a year to the day


I re-post this for our last battel field Boston these words are nothing but as you read you will find the one who lives in them and He is everything all the comfort and hope we can ever want


Sorry if this seems at first confusing all my friends on facebook and Redbubble will get it right away as
I asked them to use their love and caring to pray for my hurting distraught friend at her time of great
Loss if you are hurting it will help to at least a degree or it will help at times of future loss

Well dear sweet precious Addy this brutal day is at an end I hope you sleep well I prayed for you and
Kathleen’s son way into the night at first I was terrified you weren’t going to get my post and you would
Enter as I told my wife you would enter the lion’s den the lions all have familiar names pain sorrow
Grief and many others and they maul with cruelty without pity I didn’t want either of you to take those
Fatal steps without your armor not to be to descriptive but reality waited with a blast I tried to diffuse the
Coffin the grave and headstone never could I do it immeasurably my fight for you could only be in the
Smallest victories comfort mined at times like these is like uranium white silver metallic with almost
A power that can’t be harnessed the same as loss of a love one what blow back again the same as a
Nuclear test one problem you don’t get the protection of a bunker no just suffer the blast in your
Body mind and heart you are stepping into the shoes the same as young woman who lost her father
That as she described him he was the light of her life our paths crossed on line when I thought she
Was a classmate’s wife her story of her dad touched me deeply I’m going to add that piece here plus
The comfort I tried to write for my friend that was more like my brother when his mother died I will
Include a small background so it wail make more sense let me add those here the first was Fathers story
What you read here is her hearts knowing and the undying love that it created and that continues.
His precious hands were removed from earthly things. A great and gentle man his greatest possessions his family. I only knew him from his business and the fact that one of his beautiful daughters married a classmate of mine. Then much later by error I made acquaintance with another of his daughters you can tell a lot about a person from the actions of his children. She told me that he passed away and that he was the light of her life. With God’s help I would like to pay tribute to him.
A light did shine it was magnified by the eyes of a daughters love. He took his journey he went above his ship was the care they shared he the captain made the course straight and true he didn’t slow her run until heaven was in plain view they would have cheered but it hard to see through eyes filled with tears. All the wonderful years seemed to be eclipsed by the sickness that came it seemed an angry wind from their lives this stalwart precious soul it did rend. It left the greatest empty hole it took the longest time to fill and then with the sweetest cooing the grand babies made the hole enlivened not the terrible twisted knot that had the family bound but without being able to speak a word grampaw was found. If you looked in their faces his smile is bound to bundles only heaven can design. I’m not saying they asked him how to work these miracles yet this is true he watched with intense interest and was happiest since his departure he knew that back through time and space healing was for all time secured. Their stoic acceptance could now be laid aside the family could run in softer climes know the sweetest of times that were thought to be forever gone.
Love spills down from heights distance is only on a map in peoples heart its no farther than the end of your finger tips. Images are so strong not because we have great minds it’s easy to make these rich finds when your love and its power shake the foundation of the universe is it not said that love is the greatest power. Oh how so many in dark shadows cower when they possess the power to ignite the world on fire. From heart to heart it does dart the wildness of the spirit is told blotting out all of the cold. Yes there is winter but also the spring. The light spoken of is no longer beholden to earth and so the family is free by love he joins his light to the Christ the all glowing light
Life force by haldenton
To all who have lost heroes
This was written to Eva’s son Bill to help him at her passing. With this writing I took him back thirty years when he was in the truck wreck that killed his dad his recovery saved his mother I hoped by him being reminded of that now it would help him the same way.
Tribute to Eva Wafford Life force
For all who lost heroes
In your soul freshly the wind of death did blow.
Cold eerie shadows marched against your tender broken heart.
What defense could this onslaught repel agony’s volcanic flow.
Ominous well filled with grief from this weight no relief.
The child the grim reaper did spare.
Only after leaving the body bruised and in despair.
From this broken body drops of mercy started to make the mother well.
I held your trembling frame today this memory rings sweet as a bell.
Streets and houses without number fill the land.
I can’t help when I look to recall memories grand.
Now they are but dreams that ache in the night.
Images that over ride the present in their glory I take flight.
Brush aside caution raise your voice as a trumpet.
They live only in yesterdays even so indelibly they wrote their stories.
We hold our children we cling only a moment as mist on the summit.
Your life Eva continues to build the next generation.
Your voice is heard in the breath of your grandchildren.
Wonders they spin from golden thread, now that you have gone ahead.
Your spirit glows in the fire that warms the house against winter.
Summer’s cool breeze not sent by chance she doe’s tenderly incite.
Death silently said what I already knew.
To me you were always immortal you were bigger than life
Many were the days when the wind of storms blew
those who know us feel the calm; this is only your life on review

One more
Simply Jim
Old Abe said it right ‘It is right and fitting that we speak these words here to honor these lives so honorably lived. I can say that about Jim and this also he was a prince among men if I do this right the words will convince you.
He had a gentle way and nature he spoke softly but a softness that flowed to you like ribbons that bounced in a little girl’s hair how delightful. He should have been a doctor his hands his mannerism was ideal for that job. I guess thats what made him stand out so strongly like a gentle calm breeze if you came in a panic his soul would float down around you like a parachute first it safely brings you from great anxiety and exaltation to a graceful landing then gently envelops you in its silken embrace. I had this privilege of watching him inter act with his wife as I said and truly he was a prince and I was the beggar that benefitted richly from the sidelines God knew my needs.
He was called from this life but all the days he filled before his home going are the sustaining force noticeably seen felt with keen awareness you know that a gentleman passed this way. In the lives left behind there is a blend of sadness and astonishment you realize you are looking at the work of a master workman who left behind a tightly and perfectly fitted family this unfortunately is sadly rare in this society that boast of its accomplishments.
As a friend his breadth and depth was sufficient you weren’t a burden he had a way of dispelling trouble making you understand with wisdom and unerring judgment then with ease you could extricate yourself from the problem. His heavenly father filled him with tenderness it stood him and others well in a somewhat crabby world. If you’re pressed and anxious about life take from this life expressed. A portion of the good will you need use it as a defense Jim couldn’t be everywhere but God saw fit to make an original that you can duplicate benefit from and be a part of his ongoing legacy. Thanks friend for a life lived well

Well hurting one in the earlier part of a writing I said I am God’s battle field reporter and medic
These writings are my bandages and gauze God gave me great big hands and I fill them with
Salve with all the love I know I gently apply it to your broken hurting wounds mingle it with
Tears that are not always mine alone but His mixes with mine one day He will abolish all tears
Until then this is our duty your heart we hear and we can do no other God bless you Addy and
Your nephew and all others who find this helpful

Mirrored Pool


Wonder for all the hurts

First I knelt just to see my reflection then the depths started to reveal first the flowing thoughts were
Restrained and then a bubbling seemed to dislodge from greater depths hard truths churned with
Violent twisting but the motion made it impossible to turn away there were great large white clouds
From depths then even above the pool they rose fourteen stories high the sensation was you were
Standing outside clear air intoxicating views the pulse of many were throbbing in your ears their
Thoughts and dreams were known and their sorrows were weights that pulled you from the heights
It was a colossal game of tag and you were it first reaction fear then the appearance of bundled gifts
Broke down the fear it was promise in different sizes that met the required needs it was like a divine
Warehouse had just made a delivery there were cards with names and writing gave clarification tears
And smiles intermingled then the outer knowing postulated the difficulty the puzzle an enormous
Streaming that was now congested and it was beginning a vortex all was understood now human thought
With doubts was pulling the answer into this destructive hole where was one to find the lever to stop
This action that would disallow was the answer to touch the water bring the finger to my lips possibly
A blazing thought would occur that would strike the mind no all that brought was words that had the
Letters jumbled they made no sense unless there is a special book that is alive in it the letters and words
Are already set but they cover every act in the human condition the broken can pour over the pages
You won’t find thorns to repel your efforts there are thorns but they will speak and assuage your hurts
At the most basic and needed levels the points of your hurts will begin to dissolve from your eyes to
Your mind this inward rush and power will dislodge even spears driven deep by enemies carried for
Years you searched in vain over sad and lonely paths and days now you journey is at an end thorns of
Suffering for another produces profound power and mercy go in peace beloved one another bears your
Burden now maybe words cut you at depths you can’t even identify what if there is an antidote in a
Book you pick it up with trembling hands your body tingles from the knowledge that this is ancient texts
It will have a revival of appreciation in this world of texting but with gentle fingers and eyes that glow
With respect as you see the wisdom and the love cannot be denied you leave the world you know and
With total abandonment you swim in this sea of words until the your tears spill on this rich world of
Words those cruel barbed words that pierced tender skin and have bled internally all of these years
Begin to dissolve with stories and accounts of betrayals then the swells love and mercy you read about
Restoration not always found after apologies are given but the teaching of forgiveness strikes a cord
You have been made free from your prison the tangles of life are great as a great black cloud it hangs
Over head many are its troubles this isn’t mild but the disruptive made to strike and pierce deep the
Hidden that steals the morning blessing while other feast your hunger and unrest only enlarges a
Tormenting unquenchable fire a slow burn this is a forest being burned at the thermal level the hidden
Roots a slow process destructive but not so visible agony torture I have seen men crawl in war or fire
Fighting that where all else is lost you will know greater thrills than any other living soul with the
Desperate and those heavy burdened unable to stand a word will flow it puts out fires and gives
The luxurious buoyancy heaviness changed to joy the bouncy laughter every outward blast attack
The enemy launches is within its pages they are repelled overwhelmed by love you suffer unduly
If you don’t hold this fortress this informative book of stratagems that have made everyone a victor
Who has ever found themselves at their wits end no place on earth has a contingency plan though it
Will make the greatest claims all is just empty air when life as it too often does ***** the very air of life
Out we practically are unconscious but this help this rescue is activated by one name it’s not just a book
But the word is a person what a pool you will find what a reflection will engage you beyond your hope
To imagine just say Jesus all will be total peace your heart will know no more sorrow peace will surpass
Sorrow love will disallow the specter that was once a constant it will disappear it will return to the
Darkness from which it came stand in this newness totally free abide by still waters as the good
Sheppard stands by bless you



Disgrace

This land void of devotion gone is the church steeples.
Replaced by voices and shadows of drug dealers on each corner.
Now they are the keepers, lost cities, death stalks its peoples.
Nothing is sacred in this polluted and diffused land.

No longer hallowed be thy name, it’s as if he never came.
Forgotten is any standard of moral excellence.
The once high ideals only represent a fool’s parlance.
Man declares I throw off these restraints only to find darker chains.

The book that once guided this great land.
We now betray with each waking day.
Our hearts and mind it did ignite, now it’s word we can’t stand.
Powerless and feeble we stumble, anxious ever moment.

Just to remember is not enough, best confess our pride.
Make sacrifice with our lips, to burn on altars on high.
There is a short season for all to make amends to regain our stride.
March on to glory with it burning on the inside.

You don’t have to be astute in business to see the sound investment.
Bring your poverty of spirit leave with the riches of his last testament.
It offers the greatest rate of exchange.
Light for darkness, life for death, selfless love for selfishness.


Streaks of Jefferson


In freedom’s blessed glorified sky through streaks of immortal gold his visage we behold
He looks upon the fields of liberty that he and the founding fathers sowed he sees the

Richness America has become he also beheld her struggles catastrophic wars abroad
And the most painful the one that divided the nation marred it with southern and northern

Blood saw the affable the sad giant Lincoln take the reins of discontent hold them by
Shear will and with uncommon sagacity guided it back in line to fulfill its destiny as the

Powerful fount that would always pour forth waters of freedom for all of earths peoples
Total unconditional acceptance of liberty and all the fruit it bears to establish a

Government like no other this golden grain has waved under bluest skies and brightest
Sun light its rich harvest has gone to darkest prison cells Mandela was sustained by it

For twenty nine years and by its moral purity it fed the lives of those that over threw
Apartied and Mandela finally freed by principals it avows rose from prison clothes

To wear the mantle of president of his country and the honor of the man instilled
Quality that transcended political office Jefferson not to be disrespectful to his progeny

Whispers today’s politicians could do well to look on this African model of good
Stewardship of public trust with that Jefferson faded back into the mist pray that’s
Not the fate of this country






--------------------------------------------------------------­------------------
You know who Oct 2012
Darkness comes into me
But I should not frighten
For I am more pure then the light
The day may bring joy and delight
Night brings purity
Washing away the frantic lives
Silence washes through once busy roads
All is still and as one in the night when the darkness comes

— The End —