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ryn Feb 2015
    It's here again...
   Heavy downpour...
   I inhaled the rain,
    cloying with petrichor.

      Standing at my window,
     looking out...
    Street lamps struggled aglow.
   People with brollies walking about.

   My eyes reached out to the heavens,
    tracing these glassy beads
      as they'd free fall...
        Falling by the sheets,
       the pattering hastens,
      periodically punctuated
     by the thunder's call.

     Mind is drifting and floating,
       intently listening to a
          million love wishes...
             Liquid beauty...melding, sketching...
           In light entrapped splashes.

         Raindrops descend and come,
         into my still life tonight...
          Won't you will me numb,
             with your chilly bite...

             Wide-eyed enamour...
            Catching a stray droplet or two.
             Riding the tail of a zephyr,
              finding a place where
                no trouble could ensue.

            An errant gust blew
           to meet with me.
          The refreshing moist
         meets my parted lips...
        Inhaling deep in this reverie...
       Into a sea of tranquillity,
        my mind slowly dips...

      Sigh... If the droplets were kisses...
      I would savour each and every one.
      If the moist wind came and caresses
     I would meet it in a tight embrace
   till the break of sun.

  What a sight...
   Almost surreal it seems...
      As the light from the surrounding
         lamps dances playfully...
        Dispersing and exploding into a
     barrage of shattered beams.
    Before it gets subdued in the drops
   caught by the leaves on a nearby tree...

   The drops would trickle
     and fall before merging,
      forming stranded puddles
       unable to flow...
        Rippling... Splashing... Reflecting...
      An image...
     Borne out of a fantastic show.

    An image of beating hearts,
     overlapping one another...
       Speaking of consequential love
          and feelings so true
     in the promise of forever...
  Slowly retrieving itself into an...

  image of you...
Bus Poet Stop May 2015
Thedermatologist demands a pre-summer scan of my visual delights fully magnified.

Peering into places where no one else has ever peered, even me, reminds me that this is a potentially "disruptive" process.

Eye don't know what his eyes have seen.  

He works in silence pin punctuated by the occasional mmmm or throat clearing rumble.

Snappy removal of neutrally colored gloves signify conclusion, he opines as follows:

"Were you aware," he inquires, "that the lines, the furrows on a your forehead correspond to the life your have lead?"

"You have three, deep deep tracks, and that's a fact."

Yes, eye know,
and each one is a tree ring notation
of my existence.

Each a different year,
each a different moment fearful,
a death and a birth,
a passing, a regaining.

No, not children or parents,

Markers of our lives are the
birth and death of our illusionary,
our revelation minutes, that measure and scribe
what dug those furrows is now officially,
no more.

Until we start anew,
a different Pretense,
a channel commenced to commemorate.

Living the dream, they say,
aren't we all, eye think, and so inform him.

The doctor did not bill for this
Pat Broadbent Apr 2018
It’s possible to speak too much to remember what your words mean.
And so is the two-fold danger faced by writers.
Danger is to pace a hole in the floor.
Danger is to stand until you can’t move anymore
like when shallow waves **** your feet into the sand.

So I try not to stand when I write.

I keep a narrow tack
without too many big words
which pedants use to dig great holes in the ground
–moats to keep others out–
or make you think they think big.

But anyone who reads knows about Icarus
and anyone with aims must beware:
to shoot directly upwards is to strike your own head
when like fate the arrow
returns to source.

You’re only as good as your mind,
your characters only as strong as you are.
—at least, this is true in so far as you know.
True in so far as they speak.
For to test them you must torque them
and twist at their cores,
and make opposing forces meet–
but only
as hard as you can.

This makes writing a hill slick with oil.
Insecure. Potential energy.
Potential failure
in all of that grime
that cakes your toes like grease that coats
the teeth of great industrial gears.

So I try not to stand when I write.

But whether the better take comes when you plunge
and you slide and dissolve like so much ice,
I must say I don’t know,
the thought
seems nice.
But the same
It seems like those who let go
Are the ones
with the least to say.

I can't decide
either which way.

All I know about writing is
most sentences are punctuated wrongly.
The period is certain,
but writing is undecided.
It is the figuring-out, a quest-bound troop
that moves with all its own fanfare.
Question marks curl up—
invisible smoke on a summer coal fire:
heat twisting the air like irons in stoke
giving sign of the transformations there withheld.
For fire mediates matter,
so writing stands ever-between.

But I’ve spoken too much and I don’t know what these words mean.
And so I fold like there’s danger in writing,
while danger is imagined like borders on a continent.
Danger is thinking
I'm dangerous enough to keep silent.
Like shallow waves,
given way to sand.
So avoid letting voids form
where the mind dismisses confrontation to more capable smiths.
Writing is –at best– an attempt.
Even with shallow structures
in rhythmic din,
the silent breaks by force of pen,
and all because of the simple fact
that quiet refuses to bend.

All I can hope is my writing upholds these unknowns
while I try not to stand.

But you ask about writing?
Keith W Fletcher Apr 2018
All along that grey draped zig-zagging shoreline
The men sat or stood in resolute silence
Each trying to reach back into minds
Scrambled like eggs by the fear of impending violence

Soon the hard faced men will open the gates
As the race will start as hearts will change pace
Then by push and twist they load like cattle
Into great grey hulking hearse's barely floating
Plunging through grey roiling seas toward thunder
Echoing across the channel quotation marks of the battle

That rages ,engages not turning ÷ripping out pages of history
When the water turns red punctuated by the floating dead....
........The question marks and periods
Exclamation marks in the book thats still being written ... what end?
That is what makes any plot a vagrant thought
With a premise being an unresolved mystery
Such are .....
The vagaries of the ever repeating chapters of human history!
Evan Stephens Oct 2018
Detroit dropped away
after the big band wedding,
where The Sheik of Araby
climbed the hot pine hall
& the two of us killed
a bottle of Laphroaig
that we bought by the church
from the bulletproof glass man.

The next day,
she got the call -
he had died
in her room.
The marriage
began to sag
at that exact moment -
something failed,
something failed,
something closed
that never reopened.
I was alone
her desperate air,
her secrets almost
off the tongue,
almost vulnerable,
but left unshared,
carried alone,
held away from me -
I found it out the hard way.

I still feel it,
the green empire
of the reception night
punctuated by her
lipsticked cigarettes,
& the trumpets calling
both of us back inside
for last call.
Steve Page Aug 20
We each sit in silence,
punctuated by the scrape of canvas,
and while it takes a while for me to hear you,
to taste the essence of you,
- slowly your aroma filters through
your curves,
your creases
and I cease to see your flesh and instead
I see the palette of you,
embedded in the greying of you,
waiting for this, this view,
this interpretation of you,
while you sit in your steady state
of quiet undress
Each September comes BEAT Borough of Ealing Art Trail - Art shown in artists homes. And each August poets are invited to write an accompanying poem to a piece of art. This is one of my BEAT poems.
Amanda Jane Feb 16
our conversation
was punctuated by
the screech of my
windshield wiper blades
and we talked about
how if you were
the thunder, then I
was the rain
Inspired by Looking for Alaska
Meredith Ann Feb 23
Somewhere along the line, I decided
that losing hours of rest was better
then lying in silence and thinking of you.
So I lie here drifting in and out of consciousness,
as spinning images confuse my tired eye,
and gunshots are punctuated by familiar laughter.

Yet even in the pauses,
your essence comes creeping in.
Ken Pepiton Sep 2018
Slotting into geological time

"As a man thinks, so is he", ferillergood ye may
as well add as subtract.

Am i right or am I wrong?
Dexter, yeh, that'n
or Sinister.
Being left or right,

That's jest sided-ness, a sort,
a me-trick-able stackable thing,
with an in
side and an out
side and a top outside and a bottom outside
and a front inside and a front backside
and a back frontside with its own inside.
Like you.

Value pends 'pon sorts of things
into similarities of singularities,
if I got that message un occluded or
unveiled of sacred meanings.

There seemed to be no code
"if a man (voice) says a thing that is true, but
I did not say it: does that make it untrue?"

I answered, "Lord, you are truth."

Wow. Look what I said. truth you are lord.

Punctuated equilibrium humm white noise of wonder
can it be?
'Think so.
BTW **** sapiens sapiens = man who thinks who knows he thinks.
William D Hearns May 2018
One glossy raven perched, stately,
atop a snowy hill, on the face of which,
were interposed two glacial ponds of blue.
Between these pools ran a simple strip of sloped marble,
But at the base of this was the most gentle depression in the snow.
In disbelief I observed two rows of strawberries, blossoming,
heavy laden with the richest red.
Each gentle bite of these more delicious than the last.
I continued my survey,
down to a long narrow hill of the freshest snow.
Here I came upon a wide expanse, a plain,
two long, slender berms extended at opposite sides.
But this was no true plain, and all the better for that,
For two equal mounds of snow enchanted the landscape.
The setting sun cast a pink light at the peak of each pale globe,
So beautiful I wept.
As I passed between their valley the snowy distance continued.
I observed an infinitesimal sloping on the Western and Eastern edges.
This expanse, perfect of any true blemish, was punctuated by the shallowest little empty pond at its narrowest width; which only served to enhance the beauty.
The length of this snowed plain was far greater than its width, the edges slowly creeping into the narrowest part before flaring out to a wide expanse.
And there in the lowlands was The Delta,
to the side of which extended two of the longest and most shapely tapering ridges I had ever observed;
each ending with graceful peaks.
But that Delta!
Though snowy, the darkest , shortest scrub had capped its mound.
At the apex of The Delta was a precipice,
on its face a cavern, pink walls glistening with wetness,
at the caverns base, a cave.
Its tunnel, with walls ribbed, was warm and humid despite the landscape of snow.
This is the landscape I cherish most.
My hubsy and I went for a moonlit stroll
graceful billowy branches gently ripple above us
Black swans sailing in the moonlight

Squawking sounds of katydids, crickets, frogs
sawing zzz's and occasional loud drone of
rap music cut through, punctuated the
brisk night air

As we meandered our shadows
grew taller, towering temple steeples
stretching across patchy luminescent streets

We even caught a fleeting glimpse of our
silver sillhouettes superimposed
like Milky Way gods over the heavens

I looked at my darling spouse, heart palpitating
my hand tucked cozily into his

"We are Vast Beings David," I whispered tenderly
"So much more that we realize."
Kewayne Wadley Dec 2018
In an instance,
I felt a calmness sweep across my body.
My body free of any restriction.
Her being my release.
Sweet liberties
Utilized by the touch of lips.
A period punctuated by perched lips.
Released in ounces of color.
The way she loved.
My tongue swirled around hers.
Fingers wrapped around her waist.
Brown peach flavored skin.
My addiction a place for her to stay,
Her bag broken down; piece by piece.
A home away from home.
Until the day she left.
I consulted family, I reached out to friends.
They say that she's no good
They say leave her be.
Truth be told
My vacancy left colorless.
My tree grown fruitless
Revealed to me in bitter hunger.
The realization of perception.
Nothing left to fill my hands.
This vacancy punishable by death.
A ****** filled by her alone.
My fingers around her waist.
Her love sticky, sweet.
Swirling around my tongue.
My eyes left low
Anticipating her return.
They say that she's no good
They say leave her be.
Truth be told
I haven't spoken to them since
Belly laughs
punctuated with sparkly chiclet grins

Soft purple velvet Crown Royal bags
jingle with bright coins

Clean scarlet red Cadillac hoods
peeping through a dust glazed windshield

Sun warmed crunchy white leather bucket seats
hold tiny tan legs dangling to the jazz beat

Thick chocolate arms lay in the wind stretch out
fingers feathering happy jiggly Marlboro Reds

Grumples and mumbled old man wisdoms
Between jokes and tickles and jolly teasing
Just a few memories of my Pops on our drive to school everyday.

Written 9/11/2019
Andrew Dec 2017
They either say "We'll spend some time"
Or they say "Well, never mind"
Is it the apostrophe
That makes us we?
Or is it a mentality
That sets us free
To changes
And ranges
Of open thoughts and feelings
That bring us together
Until negativity starts stealing
And our connections we sever

We'll feel well
After escaping the hell
That is the difference between well and we'll
But they will not be the hands that heal
When they act like adding the apostrophe
Is tantamount to apostasy
So they wield sabres
Of different flavors
Like the shallow gravers
And the glow stick ravers
That look good on paper
Until they are erased
When I need their embrace
I'm left hanging
Like an apostrophe
Putting me down
Into a comma coma
Leaving holes in me
Like a drama stoma
Like a mama boa

You're your apostrophe
When you take away being
And turn something into a possession
You channeled my overt obsession
Then punctuated with aggression
The end of our sentence

I can't survive this period of my life
When savages cause serious strife
By adding small marks to me
Until it becomes too dark to see
In the shadow of their apostrophe
annh May 26
Beyond the shanty town of Midtendrift, where the moneylenders ply their trade among the aimless and avaristic, lie the ice prairies of Ensomfelt. The region is a barren wasteland whose boundaries are flanked to the west by the bottomless crevasse of Issorg and to the east by Lake Hjertestorm.

Those who come to wander this no-man’s-land may find that they disappear from the earth for a time - from themselves, and from the memory of others. Relying only on inspiration to guide them, they pass this way unseen, their weary feet making shallow graves in the freshly fallen snow.

The rocky outcrop at Engeldrøm marks the gateway to the in-countries. Nestled beneath the foothills of Mount Håp, this is the place to which souls lost to the world of ego and ambition return to take up their torch and remember.

During the long northern winter, the sky above Håp is an expanse of indigo ocean punctuated with an infinity of lamplights. Among these lanterns which float free of the earth, the North Star shines the brightest. It is here that you will find your journey’s end and a treasure trove of truth, forged in fire and sealed in ice.

Apologies for the bastardised Norwegian:
Midtendrift - Middle Drift
Ensomfelt - Lonely Field
Issorg - Ice Sorrow
Hjertestorm - Heart Storm
Engeldrøm - Angel Dream
Håp - Hope
Wk kortas Sep 2018
The casket was coming up, swaying and wobbling
Like a novice skater’s layover spin,
The workings proceeding apace,
The stillness of the August heat
Punctuated by disinterested growl of the backhoe,
The occasional out-of-place jocularity by the excavators
The creaky jingle of the chains holding the muddied box
As it proceeded skyward in its clumsy poor-man’s Resurrection.
The affair was being observed by an elderly couple,
Old enough to be of no particular age.  
Their car had Carolina plates,
But their inflections, their casually-tossed idioms
They noted that ruefully The grass needs mowed)
Marked them as natives.
They’d returned (Last time, most likely,
The wife uttered mournfully)
To take their son with them; he’d drowned when was five? six?
(The years will do that to a body, apparently)
In Kinzua Creek some half-century ago,
Back when little boys weren’t under a mandate
To be safe from themselves, as it were.  
He was our boy! We’ve never forgotten him!
The old man said, the words snapping off
In a manner that spoke of something else altogether,
How the whistle at the Montmorenci
Went off at three and eleven for second shift,
And your *** had better be there,
As those were good jobs that didn’t wait for bereavement leave,
Because there was always someone
Just itching to take your spot on the line,
And anyway life went on,
At least in the sense that television screens went all to snow
And tires went flat and fuses blew
And eventually a dead child
Is not always in the forefront of your thoughts,
Only tiptoeing in when the Press ran a picture
Of the Montmorenci Area Class of whenever,
Or there was an item about some other family
Who opened their front door
To a grim sheriff’s deputy with his hat in his hand.  
Eventually, after some time
And in defiance of both the odds and gravity,
The casket was settled into the back
Of the undertaker’s huge old black Caddy,
And the couple cane-toddled back to their car,
Following out the through the old spider-like gates
And onto the main road.
The brief procession fading from sight,
Until there was nothing left to see
Save the hillsides covered in old growth pine.
when i was ten years old and we were moving
i recall those sessions with the real estate agent
i was suffering and she was happy
i was watching my world disintegrate
leaving my friends, my school, my home
my sister and i would never feel comfortable again
and this real estate woman was having a ball
enjoying the transaction, making a few bucks
digging life
i remember wishing we could make an even switch
i could be her, happy and whole
she could be me, losing so much

now i work in a hospital
and as i treat the weak, wheezing and dying
spending time with them and their families
and their desperation, resignation and grief
while for me it’s just another workday
punctuated with lunch and coffee
i see they too wish for an even switch
they’d leave me languishing in the bed or waiting room
while they hop on my bike listening to the beastie boys
on their blissful way back home
Iskra Aug 2018
Laying outside on a creaky old balcony,
On our backs, tangled up together in heavy blankets,
Rubbing our hands and ears
Because they’re getting numb
Thankful for the summer’s gentle night

I drew my eyes away
From the graceful Venus in the South,
A lone golden light shining wistfully
And I finally found the shape of the Big Dipper.
I stare at its lowest corners’ bright star,
An unfathomable size, and even greater distance away
Making me feel infinitely small
Infinitely calm
I trace with my gaze its tail
As icy white sparks fly lightning fast
Through the dripping-ink sky
And burn out faster than a blink,
Barely caught by our drifting eyes

The three of us talk, I sing, maybe to stay awake or maybe to pass the time
Bohemian Rhapsody’s bittersweet melody never sounded so pleasing to me as at 2 in the morning.
Our chatter of secrets is punctuated by gasps
Of us pointing out those bright streaks

We all make wishes,
For love, for luck, for answers
As celestial raindrops keep reaching across the sky
One bright orange jewel with a lavender tail
Burns beautifully by

I wonder why people make wishes upon something that’s dying,
Though spectacular, at the end of its life
“People wish upon things of the heavens”
Is your beautiful reply.
Inspired by a night spent stargazing with some close friends.
Nat Lipstadt Aug 7
for you, of you: you’ve been between my ears

close enough to being on my mind,
almost the same thing,
though that’s unfairly inequitable, we both agree,
for when in an ear one opines, too oft it escapes
out the other side, only a tree ring mark left,
someone was here, present

as for the Confucius confusion in

ok, who’s writing this poem to whom,

cause it’s never clear between us
who is
asking the questions,
since the answers come
demanded and undemanding,
fomenting newer questions and follow through,
before, as well as,
‘please sir, may I have some more?’

the mutualizing game tasking begin-began-begun,
for this, our lovely crazy teasing of our-thing, ago began,
don’t recall who or how intimated-initiated
this oil drilling exploration,
who is the annointer and who is the annointed,
who seeds the plants, picks the fruit, and who
gets paid with cloves of poems, by the bushel

you say I’ve been on your mind,
which we now have both pointed out
is somewhat extraordinary since,
the sight lines are drawn through
long distance cloudscapes that travel
through underground cables,
making everything said,
fallow and rich-ending, deeply frustrating,
impossible to see the outcome

clouds usually imaginary, (not like now),
making visibility normative poor,
unlike the real ones I’m flying at the moment through,
ensconced in front row seat 1F, heading northwest passage,
passing by so ridiculously close to where
you are minding the soil,
as I am
mining your soul’s soil, tilling it between the ears,
of you, by me, for us, and the excited sadness
makes me happy and yes, inequitably, again,

because your breadcrumbs and dark Swiss chocolate bars are
scattered and defaced, bitten and chewed, lovingly licked melting,
we who cover our tracks too well;
but what I do have, makes me ravenous,
having read all your poems,
in random order and then one more time,

I see your history, near escapes and resurrections,
in fine grained moody minutiae punctuated by huge gaps in between,
that we must cream fill with clouds of wondrous loving curiosity,
a torture so exquisite, only the gods could have invented it like
Sunday Night Football,
and crazy sayings,
like I love you too...

been on my mind and I imagine you
hot and sweaty,
bent over, aching tired, from
picking weeds (gotcha),
when sudden one of us stands up straight, back aching,
screaming out loud
this is crazy, and follows up with
a *** Darius type proclamation,
who’s writing this poem to whom
issued to the upwards-skywards,
but addressed to ourselves,
the poets

as we search clouds by the thousands,
is that you in that cloud, in that poem,
I look down thinking that, that must be,
the plot of green and dusted light brown ground
where she has gone into hidey-hole hiding,
disappearing for months at a time,
before arising for the sticking of me
in the sticking place,
wounding me fresh with brand new poems
scandalous and imaginous,
and our imaginations are both
too skilled

so here I close, overwritten, overridden, too long,
overshot my imaginary bounds, so one
pulls down the shade over the oval window
through which too many great stories have commenced,
and ended

the thick cumulus shouting
as we look up
as we look down,
saying “enough, you crazy people,
your poems tell too much,”

perhaps, find me in that
next bite of herbs buttered,
and then ask (of course)

who’s writing this poem to whom?

then breathe out, exhaling me a
breath-poem up above, to where I’m hiding
just as I, am sending one to you,
earth falling from thirty thousand feet,
coming to rest on your mind,
in between your ears,


somewhere in the sky, clueless, heading north by northwest
Sophia I Nov 2018
He took me for a lover whilst I was on holiday in Italy. He was Italian- the married man who owned our villa.
Every night after twelve, I would creep out of the house in white lingerie and a silk slip that glowed in the moonlight. My lips became a dark, sticky flower of cherry gloss.
I knocked on the downstairs bedroom door. He would open it, and as he stood there he was silhouetted in the dim golden light of the bedside lamps.
He would be in the middle of shaving, or holding a toothbrush, to make it seem like he’d forgotten I was coming- but every night I heard him hurriedly making the bed, shouting at his wife, and pacing up and down on the leopard rug. He called me his “dolce angelo” (sweet angel) and I called him my “belo diavolo”(handsome devil). His fervent lust was punctuated by whispered vowel sounds and a dark, vampiric beauty.
In silence, we shared cigarettes and ignored his black and white wedding photograph on the dresser.
In the morning, as dawn lit the mountains and his chickens began to crow, I straddled his chest for a last stolen kiss, and knew he would watch me bathe in his pool that afternoon.
A short story
Paul Butters Jun 26
Beautiful Sylvain valleys and grassy savannas sooth my soul,
As here within my compact brain-cave
My mind wanders
Though a Multiverse
Of Realms.

From unfathomable gorges and deep down oceans
Up to soaring skies,
My inner eyes take in
Vistas of Infinity.

Imagination has no limits
Being a blessing and a curse.
Endless dreams of gold and honey
Opposed by fears of monstrous evils
Too horrific to ponder here.

My Id keeps churning up all manner of memories
And creations of the brain,
While in the background
Music plays
Punctuated only
By my Inner Voice.

Words, words keep welling up
From subliminal springs
Deep within my head.
Words, images, sounds
Feelings, tastes and smells,
Reality processed and reformed.

Reality recreated indeed
In finest detail,
A confusion of sights and sounds.
Give me those balmy days,
High in the hills
And low on the plains.
Let me bask in glorious sunshine,
Take a slumberous siesta
Then quaff that golden nectar:
Any brew will do.

Lets be kings and queens
Of the poetic landscape
Enjoying all
That The Muses
Will sing.

Paul Butters
© PB 26\6\2019.
Sing, Muses, Sing!!!
chickens still wait for corn
by the door of my granny's kitchen,
where sun once rose with a daughter
in skin of gold, and set with a son,
with silvery dreams

little girls still dance in twilight,
clad in the nakedness of innocence,
their chests bare, where ******* ought to be,
their scarves wild, flowing in the wind
and their voices climb palm trees,
in a bid to beat the boys to their dreams.

little boys form a group of toughlings
flooring the other in smart fast moves,
wrestling for fun, and raising dead dusts,
dusts of their forebears, who warred,
and set boundaries they'd grow up to meet:
and then forget unwritten bro codes,
forge new laws and grow cold,
act brave and grow old...
watch dreams fade into the dark

and the song of wasted years
punctuated with short sighs
shall form a new language
that tumble down our throats, tasting strange,
yet worth the dirge after all

adieu is the song, and
the circle goes on,

Emily Jane Jul 2018
A patchwork of glittering metal and red brick.
Punctuated by the lapis lazuli coloured swimming pools dotting the veritable map below
Somewhere in the urban labrynth
Is you
Laughing, loving, scowling, sleeping, breathing, being.
And I am here, hurtling above you,
Wrapped in steel and aluminum, and encased by a hazed sky.
Do you hear me? The thrum and rush of a Faraway engine, an ever gliding bird that casts the briefest of shadows. Do you stop and note the rumbling sound, in amidst the orchestra of the everyday?
You lie beneath me and I move over you.
And yet, and yet,
you are unaware, unknowing, nonchalant,
and then I am gone,
Swallowed up by the all encompassing blue.
The flight back.
Graff1980 Mar 24
The morning makes
me come to wake
and take
the same

On the road
I follow those
who rush into
a blurry flurry
of winter weather
that moves
water across the sky.

In their wake
white wisps
of snow smoke
move across the highway,
like cold specters
with nowhere to go.

Heater fogging up
my driver side window,
as a white wasteland
which is partially punctuated
by small protruding
black rocks
become jagged streaks
then nothing but
poetic etching to me.

On time to work
though I wish
I had stayed home
hugging my warm
electric blanket
as I read some eclectic
Jul. 18th - 2:45 PM

i. (one) -
How do I explain (to you) the art of foreplay?
it begins with a stare,
a lingering of eyes
an invitation.

ii. (two) -
Your eyes
(often) speak louder
than you do.

iii. (three) –
A cold touch lingering,
searching for warm skin.
a tender contract
firmly pressed and packed tight
in hesitant hands
awaiting a signature.

iv. (four) -
I listen to your body
telling me how to respond,
speaking with my hands
in case
my tongue and lips

v. (five) –
My mouth begins to recite
a series of sins
against your skin.  
vi. (six) -
and then it stops.

vii. (seven) -
An intimate wound
scrapes at the hollow parts of
your heart.
viii. (eight) -
we’ve learned to talk,
why won’t your lips move an inch?

xi. (nine) -
Some nights i still remember
the ringing of still-bells;
silent sounds of precious silver.
clinging to the flush of a cheek.
the soft sobs of her soul,
sinking into
my dreams.

x. (ten) -
Consent is communicating
your intent before
acting on it
and getting permission.

xi. (eleven) -
Portrait of honey-tongued boy,
with glass in his eyes
girl of calacatta marble
from her.

xii. (twelve) -
I want you
the way artworks
want to be

xiii. (thirteen) -  
“I know that isn’t convenient”
careful, lover.
(i must be)
so so careful.

xiv. (fourteen) -  
She turns to glass — (before me)
a push too hard could break her.
I’m ashamed to admit
I am tempted.

(to try it.)
xv. (fifteen) -
“Nothing about you
is inconvenient
for me”

xvi. (sixteen) -
It's the gentlest of ultimatums.
not (love me) or (leave me)
but I want you, however, I can have you —
it's up to you to choose
how we proceed.

xvii. (seventeen) -
I would have done anything
to wipe the insecurity
from your face.

xviii. (eighteen) -
The kiss would come
as easily as breathing.
every movement reassuring,
her lips brushing
(please be careful with me)
and my tongue
dipping back
(of course.)

xix. (nineteen) -
(I know) I need to be so sure
that it's notarized and signed in triplicate
I need pictographs and simple instructions
in small words.

**. (twenty) -
I learn to become an expert in transfiguration
— loud and demanding,
(one minute.)
soft near-silent,
(the next.)

xxi. (twenty-one.) -
I hope when my tongue
meets your skin
that your ******* are like
snowflakes; no two ever

xxii. (twenty-two) -
“I’m not capable of cheating on you
whether you believe me
or not.”

xxiii. (twenty-three) -
because I don’t.

xxiv. (twenty-four) -
Your absence is the most

xxv. (twenty-five) -
I wish you would
talk to me.

xxvi. (twenty-six) -
(I believe)
there is no perfect time
for truth,
but my heart
speaks to my mind
(so clearly.)

xxvii. (twenty-seven) -
I learn to become an expert in revelations - I confess.
(and write in sin)
every feeling I have (ever) had.
(yet still)
my words cannot provide
the volume of
my heart.

xxviii. (twenty-eight) -
Vowels and consonants fall off
my tired tongue, with such
****** (grace)
I feel like my sentence(s)
should be punctuated
with an apology.
xxix. (twenty-nine) -
My candor makes her
her quiet heart
inwardly cry
(please forgive my silence.)

***. (thirty) -
unspoken words have never
suited me (very well)
the sadness and so-softness
of my heart’s
(i’m here if
you need me.)

xxxi. (thirty-one) -
I think (maybe)
I just care
(about you)
too much.
to my lover.

— The End —