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Mateuš Conrad Jun 2018
.yiddi yiddi: breakdancing via the yod
to establish the mongrel language of
                                     yiddish in german,

since he always would speak with pronounced
  slavic accents that even, without a kippah...
   payots' worth of the rastafarian dread:

the ethopian connection, that's settled! applause!
what about that spaghetti drying piece?
  the tzitzit... spaghetti drying...
   or a collection of tapeworms...
i grew up above an estate agents
                     overlooking a synagogue...
21b beehive lane gants hills...
i'd notice the rat-imitation come yom kippur...
the orthodox would scuttle for a sly prayer...
in nike sneakers...
being unable to wear any animal leather:
whether shoes or belts or hats...
i watched, and i watched... sha! schtill!
come to think of it...
i like to think of the bastardißation
of hebrew via deutsche... yiddish...
i guess the hebrews began to blossom:
making themselves comfortable!
sha! schtill! as if, "as if" borrowing from pop culture:
ein botschaft von der taufel:
haben sie je getanzt mit ein rabbiner
                              im die blassmondlicht?!

    hobn tog
        zayn oyser aher...

                  that's the beauty of the jews...
nomads... or gypsies...
            casimir III understood this...
lucky parrots...
or parrots in general...
                    but i can't imagine
that much of yiddish survives in modern
hebrew...
israel: he who struggles with god...
of course i would be drawn to judaism
away from christianity...
   why would i succumb to islam if
the only plus is the antithesis of usury?
as a proselyte i'd be treated by the muslims
in the way that the janissaries were,
and the mamluks were treated...
bangladeshi slave labour in the u.a.e.?
        for every rabbi a guardian devil...
  
   un oyb em horav tantz?!
                             ikh tsu veln tentsl!
   (mirtseshem)...

cheap joke:
   a jew a nomad and a gypsy walk
into a bar...
'we're not going anywhere,
anywhere but here,
all that anywhere is is this everywhere
that's already bound to a carousel...
and is less a people,
a people with bureucracy...
a nation... we're here for the folk...
the people can do what
people do when they need to be
people and when
being a people is not enough...'

                        loyt neyn farshribn din...


out of the 2 slaps i received on
                                                           my face:
                       one was justifiable...
at a party, drunk,
        showing the *******
at the host...
  (i remember sharing
music tastes with her only two years
prior...
            big into mortiis,
   and that german guy who
made an abandoned warehouse
                    his home)...
                              fair enough:
that sort of slap you appreciate -
like a coffee in the morning...
but the first slap?
           that was the jealous,
   suspcious one...
                as if i had another woman
on the sly, in a different country...
and there i was thinking:
this is the thanks i get for all
the *******, home-made dinner
                                 and what not?
beside the point...
   so i wanted to tell the two apart...
two nights ago
   i started pounding my face
                              with 20 punches...
only today has a slightly plum eye
emerged... (when you're doing it yourself
there's less velocity) -
    sorry it's not a proper bashing
in a brawl:
                 apparently the hand moving
back with an intention
of a clenched hand is not as effective...
    i wanted a line-them-up
argument...
                        the ******* had to be
found somewhere along the way...
20 punches and a black-eye later?
    the slap that came from:
probably my best ****-and-****-with
anatomy of a woman's body?
   20 punches later:
   the slap still stings...
         like drumming in the rain...
    snappy...
          pulverising with a resonance
that only raindrops and the drummer's
sticks might
                   rekindle, to the effect of:
                       simultaneously.          
nothing's changed...
   in a bowling alley we used to run
into walls...
until one of us pierced the plaster-board
(me)...
                   but how
desperate do you have to be...
to make amends for a slap in the face
   with 20 punches of your own
mea culpa...
                                   circa 11 years later?
not to mention:
you have to ease the knuckles
              into being bruised...
                    before an honest face
mash-up?
                            comes a brick wall...
to level the knuckles...
     meaning that the 4th is slightly bruised.
that one slap, from Eleanor i
can understand...
                  that other slap from Ilona?
hence my 20 punches...
         and, my my:
    how the world is -
      without any "why" -
                              and this mishmash of hows;
hard not to join the queue
            of addressing painting on
                     an already painted canvas!

perhaps with the muslims...
we could explore... like we did with the jews...
we all know what happened to
the muslim population of europe,
once upon a time...
in the Balkans... when the Serbs (sleeping
Nazis) did with the muslims...
but these current mulsims?
  aren't they trying to find the short-cut?
they're going for the short-cut...
the jews never lent themselves to shortcuts...
me learn rigid arabic?
  look how hebrew adapted in german:
it became yiddish...
  maybe i'm blind...
but i don't see arabic bending the knee
to mongrel itself with some
european language...
  all i see are pseudo-arabic speakers...
english accent and one or two words
of arabic...
             if the arabs adapt...
mongrel bastardise themselves like the jews
did to become yids...
and create yiddish...
    no problem!
                       but these puritans won't...
where am i? in england, or saudi arabia?!
hell... might as well be talking to turks,
after all... they were the only muslims who
figured: it's best to adapt the latin script
if we are to control the balkans and greece...

the rest of the camel jockeys
should look into learning some mandarin
to compete for the most complex phonetic
encoding with the most:
   displeasing aesthetic of resulting speech;
arabs and the chinese:
sure... it looks amazing on paper!
until they open their mouths...
the beauty sooner than soon
fizzles out.
David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
onlylovepoetry Mar 2018
Friday night immodesty

theater on East 4th street @ 8:00pm,
so the girlie stuff commences on schedule
90 minuets a-priori and the medley music
(adele+amy+alicia+ pink bach for some zing)
a harbinger, a pioneer Greek heralding of
Friday night immodesty

the clothes laid out upon the bed, the shoes,
pumps selected and already on,
(always a puzzler to me,)
the subdued lower east side jewelry possibilities,
on the dresser drawer,
indifferently hoping for selection, but
casually beaming quietly,
like those kids waiting for interviews in the waiting room
of the college Admissions Dean’s office,
all with serious smiles
and tiny tearing eyes

aside:
helloooooo, I am in a poetry polo with my best jeans ready to go
2 hours before the curtain calls out,
hellooooooo

she sits at the makeup mirrored desk,
clad in only her underneath garments of varying utility,
when I sweep in imperially
and with one hand twist gentle her hair upwards,
betraying
her neck nape which is again
the sujet of a poem aborning

lips,
like a Greek lyre strings, pluck, the tiny hid hairs never seen,
her instant moans at the never fully expected motion poem,
beg more mercy but no quarter given despite repeated cries
of you’ll mess my makeup,
the best defense known to a lady!

god gave men two thumbs to lift up,
simultaneously stimulating,
slide down each of the thin black brasserie strap invitations,
upon each, a writ,
upon her flesh colored shoulders,
stating
“what was she thinking!”

my lips,
now polar explorers, those power (filled) poles side by side,
(east/west for the designer was a smart
bipolar guy-person);
the lips play silent night progressive jazz,
tinkling with higher noted keys,
nape to shoulders moving down to the back’s prefrontal lobe,
the small of her back, the body’s quivering,
a con-federate flag of surrender

her last defense swept aside, we drink honey and milk,
celebrate the week’s mellifluous finish with immodest touching,
the lower east side will belong tonite
to only the hipsters, the millennials,
as our hips are milling and  otherwise
pre-theater and post, occupado

some hours later, watching TV and eating delivered Chinese,
she laterally and literally arm punches my arm
intensely to mark her discontent,
still annoyed,
for I

1) messed up her makeup,
2) best blouse to the dry cleaner and
3) the tickets wasted, and worse,
hits me again!

after I laugh and giggle upon proffering
most modestly, most assuredly,
seconds of
onlylovepoetry

9.21am Saturday
thank you all who liked this tale of
the poetry in the details
of our lives.
olp
we're aboard the bus
me and Gus
me and Gus
we're aboard the bus

we're going to West Avenue
to throw a few punches
in the gym with Stu
we're going to West Avenue
to throw a few punches
in the gym with Stu

Stu is a great puncher
his punches are accurate
his left hook
knocks other dudes
really flat
Stu has them dudes
well ironed out on the mat
Stu has them dudes
well ironed out on the mat

us guys on the rough side of town
have to know how to solidly punch
to knock those gang members down

those gang members
are tough and mean
they are the toughest and meanest
gang members
on the rough side of town

Gus and I
are going to take
those gang members on
take them on
take them on

they aren't going to give
Gus and I
no knock out gong
no knock out gong

Gus and I
will have a retinue of punches
to plant on their noses
they'll be redder
than a bunch of roses

Gus and I
get aboard the bus
to go Stu's gym
we're learning
punching skills
off him
*****


Apr 7, 2012, 6:08:21 PM by ~OmegaWolfOfWinter
Journals / Personal




"Name: Amelia Weissmuler. Date of birth: June 6th, 1920. Test subject number 314-X. Specimen: Tiger." Amy heard all of this through a haze of sedatives that had begun to lose their already poor effect. She turned in the direction of the voice and saw a fearsome **** SS General standing behind a white clad scientist with a heavy accent. The general said nothing but listened and watched as Amy was strapped down to a cold metal table, completely **** with various wires, tubes and needles protruding from her flesh. She groaned painfully, the needles were extensive, and the **** scientists had no care of decency or respect. she was hit with another sedative and before she lost consciousness she heard the scientist, who she guessed was Dr. Heismeiller, say, "Name, Mordecai Dansker, former Major of the Third *****. Date of birth: September 19th, 1919. Test subject 14-W. Specimen: Wolf. As you
can see, Heir General, these are both healthy specimens, as are the test subjects." Amy heard a
rattling of cages. Her vison slowly went dark but not before seeing the doctor's face, uncovered and psychotic.
* *
When Amy woke up again, she was being suspended from the floor, the tubes and wires accompanied by menacing electrodes. there was an unnatural blue and white crackling of electricity around her, illuminating the other suspended tables nearby, the bodies in various grotesque positions and levels of decay. she tried to scream but found a machine unceremoniously shoved in her mouth, stretching deep inside her. she looked and saw nothing but obscene machines and various glass tubes of colored bubbling liquids. she tried sluggishly to break free but to no avail. what little strength she had was useless against the torturous devices emplanted in and around her. "Doctor, begin the experiment."
"Yaboe!" She heard a solid click resound through the room and heard a male scream in another room. the screams echoed for a long while, then nothing. she heard a gasp of releif from
the doctor and, "General! Subject 14-W... he has... Survived!"
"Good. now start on the frauline." there was a large thud from outside the room. "Quickly! this facility is under seige!"
"Yes sir, heir general. Test subject 314-X prepped and ready. Begin phase 1." she cried out silently as the needles burned hot inside her and the tubes boiled her insides. the electrodes soon incapacitated her and she fell unconscious.
*
*
"Phase 1 complete, heir general, subject is ready, proceeding to Phase 2."
Amy felt an intense burning around the needles, and an electric fire through her veins. the machine had been taken from her mouth, but she doubted she could scream any more, as her throat was raw from the silent screams of Phase 1. She felt her body shake uncontrollably as more electric shocks were administered. she was left panting and slumped over. "Sequence complete, the bonding process was a success." there was another thud and sediment from the roof fell to the floor. "Get her down now! They will be through soon!" She was lowered to the ground and unstrapped from the table, picked up, and placed on a stretcher. she raised her hands on front her face and nearly fainted, her hands, or paws, resembled that of a tiger, and as she looked, her whole body was covered in a slick orange, black and white fur. She was put into the backseat of an armored car with a simple blanket draped around
her. Amy felt nauseated
as the car sped off. It hit a bump in the road and she moaned painfully, clutching her furry belly and retching. the **** next to her turned away in disgust. the car ride was long and sickening, and she lost consciousness twice, and finally she tried to lay down in the cramped space. when the armored car finally stopped, she was pulled from the back seat and carried over a soldier's shoulder and into a small bunker. Once inside, amy heard a metal door open and was laid down onto a stiff bed with a single pillow and a single cover. There was a small window in the cell, a drab, grey stream of light shining in her eyes. She propped herself up on her elbow and shielded her eyes from the blinding contrast. Once her eyes adjusted, amy noticed that things had a particular sharpness to them and she had an acute awareness of things based on scent. she stood shakily, and noticed she was almost
six inches taller now, and her new tail swished back and forth along the concrete floor. she stepped
forward and grasped the iron bars and peeked out, seeing a black leather messenger bag and a black uniform lined with white. she couldn't quite reach the uniform, but was able to get a claw around the strap of the messenger bag. she pulled it closer to her and saw that her initials were monogrammed into the leather. she pulled it through the bars and opened the bag, pulling out a small, blank, leather bound journal and a pen. still ****, she sat on the bed and practiced writing, tearing out two pages of scratch paper. She began her journal with, "I am no longer the person i once was. i am something new, something... different."
• * *
The **** captain stepped into the bunker and saw amy, half lying, half dangling on the bed, the leather journal clutched close to her chest. he stormed into the cell and backhanded her awake, snatching up the journal as she cowered in the corner, her tail wrapped around her. the captain flipped through the pages of the journal and then closed iit with a snap. he glanced at it and dropped it on the bed. "it is yours now, Frauline. you are very special to the third *****. the fuhrer himself has asked for you to be placed in the Waffen SS and trained." amy glanced at the uniform on the table outside the cell and he nodded, "specially tailored for you, frauline. he stepped outside the cell and grabbed the uniform, setting it down on the bed. "you may Change into your new uniform and join the rest of us outside." he stepped outside and she was alone. she donned the simple uNdergarments then
slipped into the soft black trousers, after which she put on her military boots. next she put on the black and white jacket signature of the SS. the jacket was sleek and menacing, though it did little to flatten her chest, but that, she supposed, was one of her feminine charms. last was her hat and armband, both adorned with the *******. she gathered the leather messenger bag and stepped outside the cell, where a mirror stood, giving her a chance to see what had been done, the black uniform was a dramatic contrast to her brightly colored fur, and her new black stripes added a fierce look to her. she grinned and flashed menacing white teeth. she turned her body, looking at herself from different points of view. she slipped the **** armband onto her right arm and turned to leave. she stopped when she encountered a high pitch noise right next to the door. for the moment she just walked past, opening the door and adjusting her vision to the outside light. the layout was grey and barren,
as it always was in wartime. the captain was waiting for her along with a small squad of SS troops. a
Few laughed and remarked at her appearance, making cat noises and wolf whistling at her. she glared at them with a bright white snarl carved into her soft face. *they will fear me...

she saluted the captain and said, "heil ******." he returned the gesture, "heil. you are now part of the Waffen SS, frauline Amelia."
"please sir, its amy."
he noted her directness and ferocity, "very well, amy. before we assign you a task, though, you must prove yourself." he addressed the squad, "they are all corporal's and sergeants. you are merely a private. you will gain a rank for each one that you ****. however, they have been told that if they do not force you to submit, they will be killed or sent to the russian front. so you best fight your hardest, private amy."
as he finished, the squad set down their Mauser 98K's and MP-40's and stepped closer to her. her eyes widened in shock, then narrowed in ferocious determination. there were twelve of them.
"Fight!"
• *
Amy took a fighting stance and faced her attackers. she attempted a punch at the nearest one but was kneed in the gut, she was thrown back a few feet. she fell to her knees and clutched her stomach with one hand, holding herself upright with the other. tears sprung to life in her eyes and threatened to roll down her cheeks. she fought the tears back and stood, feeling her claws extend. she swiped at a soldier's throat, catching him right in the throat. blood splattered the ground as he choked on his own fluids. the remaining eleven were taken aback slightly, allowing her to pounce another soldier, punching and tearing at his gut with lethal force. her fur was bloodstained and she waited a moment too late, watching the cavity she created fill with blood. she was barreled over, the wind knocked out of her by a sergeant. she lay on her back, gasping for air as the soldiers closed in,
landing a few punches and sending her reeling back. she staggered back, struggling for breath. she
Bumped up against something and realized it was a bunker wall, she was trapped. she thought quickly and decided for a new course of action, she waited for one of them to gather his bravado and throw a solid punch at her, which was useless, she grabbed his wrist and smashed his head against the wall, filling his helmet with blood and brains. in the same move, she had grabbed his Luger and had downed three more of the remaining ten. in their moment of confusion she kicked the closest one in the fork of his legs and followed up with a pistolwhip. the man went down quickly and died by the heel of her merciless boot. the remaining six charged at her, one falling by her last bullet and another caught a swift kick in the ribcage, shattering the bones to peices. the rest of the men were sergeants, and they began to retreat, running into the open field. she was about to chase after them when she
heard another Luger fire. she turned to see the captain shooting the deserters. each fell, one by
One by the captain's gun to her surprise he let a single man go. "you have done very well, frauline amy. you have killed eight out of twelve men, not bad at all."
she was panting, her uniform dirtied, "why.. did you let.. him go?"
the captain smiled, "someone has to spread you're reputation, heir captain."
she gaped at him. "i am... captain?"
"yaboe, heir frauline. you have proved yourself worthy to serve under the fuhrer."
she saluted him, "thank you, heir captain."
*
amy wrote in her journal as they were driven to one of the Stalags: "my promotion to captain has earned me my choice of weapons, ive chosen a few, two long barrel Luger's, a cavalry saber, and a sixteen foot bullwhip. i also carry an automatic Mauser in my messenger bag. other than a few knives carefully hidden on my body, that should be it. ive become the fuhrer's favorite enforcer, though i feel as if i'm forgetting something..."
amy closed the journal and placed it in her bag with a soft snap.
Amy waited for a **** private to open the car door and let her out, tapping her foot impatiently. when he finally came, she had a luger pointed at his chest. "you're late. she got out of the car and shot him, holstering the pistol as he crumpled to the ground. the colonel in charge rushed towards her, "what is the meaning of this?!"
"your man on watch was late, and now he'll never be late again. and also, colonel, as i am a captain in the SS, i am your superior officer and you WILL adjust yourself accordingly or i will replace you with someone who will."
his expression was that of shock, "y-yes, heir captain, please follow me." he escorted her quickly to the main building. amy glanced around at the peering POWs, glaring at them with distaste as they whistled at her. "who's the kitty?" "what the hell is that?"
her hands fell to her lugers and she was ready to fire when she was beckoned inside by the colonel and she followed behind him reluctantly. "you should control your prisoners.
i find an overall lack of order in this camp. you're lucky i'm in a good mood, or i'd have you strung up for incompetence. lets hope my further evaluation of this... facility... does not make me any more inclined to do so."
the colonel stuttered again and dipped his head, "y-yes heir captain."
she stepped outside unopposed by any. she snapped her fingers and a sergeant rushed to her side and saluted. she handed him a journal logbook and he opened it to the page marked with the Stalag number. she entered the closed off areas of the stalag to inspect the barracks.
*
amy's fists were clenched with rag, a prisoner mocked her from within his confines. his fellow prisoners pleaded with him to stop. "she's lethal!" "she killed eight SS sergeants and corporals singelhandedly her first day!"
the prisoner ignored them and began gesturing at her. she snapped her head up and their eyes met for an instant, she growled through a gritted snarl and was over the fence in mere moments. once over,
the prisoner that mocked her was now on the ground, his throat between her fangs. he cried out once and then gurgled blood as she tore out his throat. she spat the flesh onto the dirt and stood, brushing the dusty particles from her uniform. the men around her backed away when she approached them, and watched her cautiously as she stepped back out of the fenceline. amy picked up her cap from the ground and brushed it off. one of the prisoners called for a doctor, and when one of the guards began to look for one, she merely said, "no, he wont survive. leave him be."
the soldier saluted and went back to his post. she walked up to the colonel and said, "your prisoner annoyed me, as do you, colonel. you have three days to turn this place around or you'll end up worse off then your prisoner over there."
the colonel had turned a pale white and whispered, "understood, captain."
she returned to her quarters and listened for a moment as the colonel shouted orders. "that was fun." she remarked.

Amy was asleep in one of the larger rooms in the main  building, her uniform folded neatly on the table near the bed. she kep one luger on her bedside table and the mauser under her pilllow. her other luger, her sword and her whip were next to her clothes. she was clad only in her fur, as she'd found that the most comfortable way to sleep.
she was woken up by a knock at the door. she blinked her eyes a few times. clutching the mauser handle with one hand and holding the blanket to her chest with the other, she said, "what is it?"
"the colonel wishes to speak to you, heir frauline."
she growled, "grrr... fine. tell him to make it quick." she clutched the blanket closer as he opened the door. she held the mauser aimed at him and said, "turn." he did so without hesitation. she slipped cautiously out of the bed and began to dress. "what is it you wished to speak with me about, colonel?" amy put on her undergarments and then pulled her trousers up to her waist, fastening the belt comfortably.
"there is an important telegram for you, heir captain." she pulled on the jacket over her simple shirt, tugging out any wrinkles. "oh? from who?" next came the holster belts, each hanging slightly lower than her first belt. her sword was another belt, and there was a custom clip there for her whip as well.
"Himler, he has special orders for you." her messenger bag was next to last, slung over her shoulder before she slipped into her boots. ""You can turn now. hand them here." she stepped closer to him and took the envelope with her name scrawled on the front. the colonel excused himself so she could read the orders, "captain amelia weissmuler, once you have completed your assignment at Stalag 14, please make haste to stalingrad as there has been a number of our own turning against the *****. see to it that they cause no more problems. -heinrich himler"
she read it through three more times before folding it and placing it in her bag. she hurried outside, grabbing her hat
From the dresser.
* *
amy went about her inspection, seeing nothing wrong today. "the condition of stalag 16 has improved, heir colonel. well done. now send my car around." the colonel grinned and motioned for the car.
the black car adorned with swastikas roared to life, coming up beside her. the d
The oxygen secreted from the walnut tree,
the snap-pole green beans growing
up the side of the rusty garden fence, and
bags of aluminum cans stored  in the shed
with the old cash registers from the antique store.
These are the golden frames caught and
edited onto organic film, etched into grey matter,
projected from a foggy lens onto reflective marble.

We abandoned the clubhouse because of spiders;
they took the place for themselves after a storm.
Our new abode was the patch of grass between the
walnut tree and the fence in the back corner of the yard;
shady, rough terrain from fallen walnuts, and
the grass always had a slight dew in places.
"The place where the snakes live" is what we called it
when we were sprouts; now we could catch them in both hands.

One night, the wind blew over the shed doors;
flimsy, sliding rail, aluminum thing.
We slinked in and got to play with the old adding machines,
foreign tools, jars full of door hinges, and
rusty hand-crank egg beaters.
Eventually, the roof of the shed collected so many years
of twigs, walnut husks, and foliage fallen that
tiny trees began to pop their heads up from the clutter.

Crickets underneath the gutter guards-
two types; the black singers and the
ones you have to dig for that will draw blood
if they get a hold of one of your fingers.
Sometimes, if bravery was roused and boiling,
we would drift closer to the railroad tracks
in attempts to catch yellow jackets, or even hornets.
One popped their stinger into the back of my neck.
tlp
Sometimes
Life keeps moving when you're trying so hard to hold still.
Roll with the punches, make changes, do something to better yourself
Or *simply fade away.

There's more out there,
There's undiscovered emotions and ideas that could broaden your horizons wider than the most beautiful sunset that you may never even see because you were too set in your ways to go outside your comfortable little box and really SEE the world.

*The choice is yours.
Senteno Oracle Of The Shadows: So Aziel what's your plan with Frank?
Aziel: Well he is going to help me destroy the Order Of The Silver Knights and in return I shall help him get the Witch who cursed the Forest Of Whispers.
Senteno Oracle Of The Shadows: Well I'll give you some valuable information who your looking for is Bethilda N. Lement. She is a very powerful Witch who with her Elemental Plowness is able to obtain what she wants.
Aziel: Well well ...so the Old Hag still holds the grip over the Forest doesn't she
Senteno Oracle Of The Shadows: Indeed she isn't someone to take lightly now she is well rounded and knows how to fight. She controls The Tavern Of Doom Dragons. In her possession are 3 fully grown Dragons. Blair the Oldest Dragon Claire The Mother Dragon and Aurora the youngest one of them three.
Blair the Black Dragon Claire The White Dragon and Aurora the Stone/Lighting Dragon. Many have meet their doom entering in her territory Cyclop Human and Vampire Alike.
Aziel: I don't have anything to fear.

~Meanwhile...~

Bethilda Lement: Adreanna I want you to learn more about my Dragons start training with Aurora but be cautious she may be only three years old but she is powerful and robust. Lement screeches then Aurora hovers over the Mountain Of Shen* where the Tavern Of Doom Dragons is located. Adrianna Develve places a strong spell in the Dragon Aurora she finally succumbs to her authority.
Adrianna and Aurora go take down the Golem Of Steel  in the Hidden Ruins Of Odom.* The Golem stands 15 ft high weighs 2,500 pounds. Holding a crest of an almost impenetrable diamond in the middle of his chest. Emanating from the Crystal comes all his power and it's his only weak spot. Then Aurora and Adrianna make an impressionable entrance to the ruins and attack the Golem head on. Golem Of Steel: Here stands the infamous Adrianna Develve...well isn't  this a surprise.  I see that you have grown some and are able to maintain your powers well to face me. I know what you want you want the Crystal in my chest...that will be over my dead body. Audon's Crystal* is powerful enough to consume 1000 Well Trained Witches therefore young Witch you don't scare me. Now as for that Dragon well ... perhaps you stand a chance after all.  Adrianna Develve: I usually don't pick fights with powerful DemiGods like yourself but I  am in desperate need for your Crystal. Therefore, you will hand it over or I'll take it by force.  Golem Of Steel:  Good Luck.
Aurora shields herself with Stone Armor and goes head on collision with the Golem. He dodges the attack and  counterattacks with a strong fist to the  Dragons body and knocks Aurora down cracking part of her Stone Armor. The young female Dragon counterattacks with a powerful lighting blast hitting The Steel Golem in the right shoulder injuring him. Develve attacks with a powerful mind blast knocking down the Golem Of Steel on it's back. The Golem Of Steel bleeds blue blood out of his shoulder blade and runs full force towards Adrianna Develve.  She  dashes the attack and counterattacks  with a Shadow Ball attack hitting him in the chest and expanding all over its body. It's a possession Ninjutsu technique making him practically paralyzed for about 2 minutes till he breaks free from the technique but sustains a considerable amount of damage. Adrianna Develve seeing that the Golem Of Steel is showing a sign of weakness she takes advantage to try to inflict him with a spear of lighting into the chest impairing him and he bleeds out the mouth but as the last resolution The Golem Of Steel punches the Audon Crystal shattering it into 5 individual pieces him losing his life in the process however what he didn't know is that Adrianna Develve collected all the pieces however there was a violent explosion at the site shattering huge boulders of steel and inflicting Aurora gravely. Adrianna Develve  hurries and performs a powerful healing spell leaving her drained of all power. Adrianna Develve hurries to get out of the ruins because they are crumbling down. She manages to recover Aurora briefly from there they fly to The Tavern Of Doom Dragons Of Doom Dragons right when she pulls in with Aurora who is injured from the boulders hitting her body and face at high velocity even the Rock Armor was perforated. The Dragon lands barely with Adrianna Develve who gets the Wrath of Granny Bethilda N. Lement. Aurora breathing heavily and bleeding out the mouth slipping in and out of consciousness ...Adrianna Develve barely getting off the Dragon.
Bethilda Lement: What the hell  happened to Aurora she is in really bad shape. Adrianna your completely drained I see you did good by healing her however, she must rest for about 3-4 days now and fully recover from that gruesome fight with that **** Golem Of Steel. Adrianna are you Ok darling? Go get some rest I see you used the forbidden technique of Soul Healing Transfer. Well now you'll live 12 years less thanks to your little sharede. Develve I am thankful that you saved my Dragon from dying but hell consequences are quite dire.
Develve: Here Granny Lement I got Audon's Diamond however it's shattered in 5 separate pieces.
Bethilda N. Lement:  Let me guess the Golem Of Steel did not want this to fall under the wrong hands for it is a powerful relic. Smart move buying time however, useless due to the fact that we got the diamond under our possession. Adrianna we are going to search the Master Forger Of Relics* who can aid us recover this valuable relic to it's original state. It's said that he resides in one of the headquarters of the Order however, he has worked with Witches, Pagans and Nacromancers before so am sure that as long as we provide the right monetary value to repair the relic he'll work for us.
Develve: Why don't we just kidnap him and make him do the work or he pays with his life?
Lement:  Good objective it may have to work that way for us.
Develve: Im aware that the Cyclop population in the Village Of Chalekathan are not taking your threats seriously well ElderLord Gromm has not paid his fee from allowing them to live and not be consumed by the curse itself.
Lement: By killing him we can set an example of what can happen to them if they don't cooperate with our cause.
Develve: It dangerous though he is a strong Leader with lots of powerful influences. Plus he is a highly skilled Witch Doctor/Shaman able to manipulate the forces of nature. Known to use 3 Godly Deities Aikune Chalekathan & Eion. Aikune the cherubim of the Northern Side Of Heaven. Chalekathan the Spirit God embodiment of The Forest Of Whispers and last but not least Eion the mythical creature with an Eagle face 6 wings and the body of a Lion. Embuted with heavenly essence making him a very formidable foe.
Develve:  We will take care of our responsibilities soon but our primary mission is to talk Ayeiton Balderoux III* the Master Forger Of Relics.
: Whoa had no idea he was The Kings kin.
Lement: Indeed he is now go and lay your head and recover some energy because we need to practice your magical plowness.
Adrianna heads towards the Guest Room.

~Meanwhile in The Forest Of Whispers~
Frank Deltoro gets introduced to Gromm ElderLord Of Chalekathan by Jhino.  He also introduces Navarro Castleworth who is pleased to meet the famous Elder.
Gromm: Hello young man I am the protector of this village which has sustained numerous attacks by Lement's Dragons. Develve also partook enthusiastically with her Grandmother in attacking innocent hard working Cyclops. Making them slaves of the Curse which drives them mad and homicidal attacking friends brothers and family so we had to do the inevitable put them down.
Nevertheless, I pray to Deynave Dion High Saint/Priestess Queen Of All Shamanism to protect the lost souls of them Cyclops who fought the curse till the very end but unfortunately lost the fight and in turn lost their lives.
Frank: My condolences to your friends ElderLord Gromm.Am sure they in a better place now at least not suffering. However, I have a personal matter to score with Lement. She kidnapped and murdered my only daughter 10 years ago she was a...his voice gets trembly and he lightly clears his throat..at the same time a solid solo tear drops from his only Eye symbolizing a Fathers great pain and suffering from such an atrocious act." Gromm regains his composure. I got a personal score to settle with Mrs.Lement due to the fact that she took a piece of my heart and soul she killed my daughter. Develve played her part in the kidnapping of my baby girl 10 years ago she would be 18 years old today if Shaila Dair Sultran were alive...her appointed time to be brutally killed by my hand is coming...Bethilda N. Lement has been suppressing her powers for the last 300 years I believe she has some sort of powerful anti-chi barrier put up extending tremendous lengths so even if she is active in The Forest Of Whispers we wouldn't know how to tell due to this **** barrier.
Frank: So your bloodline comes from the Ancient times from the powerful Cyclop Of Royal Priests/Witch Doctors family Sultran.
"A gentle wind blows and Aziel telepathically communicates with Frank.  Aziel: Frank, be careful where you thread I been informed that Lement's Grand-Daughter Adrianna Develve recently gathered Audon's Crystal a powerful diamond known to give its user Bending Steel abilities and higher sustainability. Adrianna Develve has plans to use the Crystal to fully cover the Forest Of Whispers covering every inch of Forest with the Curse which drives all living creatures with a conscious mad totally subseptable to their influence.
However, to you those must be terrible news so my question is...you been in Chalekathan Village for 1 hr and a half you have 5.3 hrs till daylight removing the Darkness powers you currently control.
Frank: I am aware of this Aziel don't worry I'll take care of business.
Aziel: Keep an eye out Navarro I don't  trust him I don't know what intentions he has...plus he is part  of that shady Tower Of Frejoird but perhaps you can use his hatred towards the Order Of The Silver Knights. He can maybe be a reliable source. Be careful Frank.

~Meanwhile in Aziel Castle~
Isis: Well...Aziel aren't  you such a concerned individual...I didn't  know you had a soft spot towards mere humans.
Aziel: I usually don't...but Frank is different from the rest. He is courageous trustworthy and he put his life at risk by helping me regain all my vampiric power. I am in much debt to him...am having second thoughts on your plans to **** him after he completes his assignments that we have agreed upon. If he makes it out alive after all this...he at least deserves a reward and to live.
Isis: Chuckles at Aziel Aziel looks at the Empress with great focus.
Isis: C'mon I'll just have some fun with Frank I wasn't planning to ****** him.
Aziel: I'll  think about it now leave me be I got couple of things I need to take care of.
Isis: Fine Darling I'll  leave you be. You know you are the handsomest of all the brothers you have.
Aziel: Well now Isis you flirting with me...I doubt you'll want my erected tool up your stash. Don't you remember am a Vampire?
Isis: I'm aware of that. Adventure sounds fun plus I never had *** with a hot vampire like yourself.
Isis: Well Doll that is going to be some other time I am working against the clock right now.
Isis: Fine you *****...I'll leave. However, keep in mind that Im watching you closely. Plus remember I still keep contact with DarkLord for soon your Father will be back in this plane of reality.
Aziel: So I have heard.
Isis: Well I have found some juicy
Information about Uriels wereabouts he is in a Modern Castle in America. Amelia St and Cross. Residency 106. He is a huge celebrity in Russia and Germany. Keeps his bloodlust at check with fresh blood always for him to self medicate. Looking only 19 years old he is quite the chick magnet though not my taste his Gothic Progressive Horror Rock made him quite famous. Got 5 albums however kept his personal life well hidden from his fans. Many fake and supportive accounts claiming to know the real Uriel Governale. Though no one truly knows he is a vampire for certain. I know because I searched the private records and found out that he belongs to a High Ranking Secret Society known as Maximillion Vampire Clan. Which performs innocent human babies to be given as a sacrifice towards Baphomet and Azmodeus* 2 Of the Demon Lords of Hell. Your brother belongs to this hidden organization that operates in the Shadows but their latest project is to revive your Father the Progenitor most infamous VampireLord of all time. Dracula! Humanity will cease to exist if he were to be revived. All they need is a vial of blood from all of the current 8 saints and they have their eye on Saint Lauren Glennwald from the Eastern Side of Germany from a small rural community town known as Hertzentmort. She currently 25 years old is on a mission to collect Papal papers for the Order for you know they are closely tied to the papalcy. However, she got body guards that are Elite Knights with very powerful Anti-Witch spells and very accurate at pinpointing weak points in any battle with powerful Witches. So going alone isn't very advisable.<br>
Aziel: I greatly appreciate your information I'll take a look on what my little brother is looking to do. I'll take care of him. Don't you worry I'll be seeing you later. <br>
Isis: Alright..."She steps towards Aziel and rubs his chest and says...my reward is waiting for me...and looks down his pants" <br>
Aziel:  Now your tempting me to destroy that *****... but here this is what you'll get "he shows her his ****"<br>
Isis: Mmmm I can't wait baby...well that's a massive apparatus you got in there just hiding.<br>
Aziel: Hahaha...right. Soon enough I'll be all yours to play with. No leave me.<br>
Isis transforms to a cloud of dark myst and leaves the premises of the Castle.<br>
<br>
~Meanwhile in Uriel's Castle~<br>
<br>
The Maximillion Vampire Club had a secret meeting in the Uriel's Castle. There where many prestigious and famous guests there and so was the Highest Ranking Vampire of the Club Maximillion Virgil Vann himself. Inside the Castle where also uninvited guests from The Order Of The Silver Knights pretending to be Vampires. His name Michael Neil Stalwart & his partner Aalyaah Black. Both of them infiltrated the party somehow the Order Of The Silver Knights caught wind of shady operations in the occult club and decided to check it out. Michael & Aalyaah belong to Stealth/Infiltration part of the Order known as The Dark Ones
. Even the last 5 remaining Dark Priests from the Cathedral Of Skylor* where 13 years ago Baphomet was revived and mortalized to walk upon humans granting favors for a price. Ultimately the price Demon Lords require of humans is their souls to consume them and become more powerful. This 5 Dark Priests where very important in the ceremony taking place because tonight at 3 a.m. they will unify their powers to revive Azmodeus. They were successful on bringing back Baphomet back to life so they are trying to revive another Demon Lord. In Baphomet's revival they used 666 unborn fetuses with 6 babies 3 male and 3 female all born under the sign of Capricorn and all must be 3 months premature. With this requirements met...Baphomet was revived to this plane of existence, however since he was violent and still hellbent from transitioning from the hellish plane to a mortal one he killed and consumed 3 Dark Priests in the process of fully coming to his senses and being able to recognize them and thank them for what they done. Baphomet promised that he would aid them 5 Dark Priests revive all 13 Demon Lords and in turn 2 Of the 5 remaining Dark Priests must sacrifice themselves to the Demon Lords for the strongest remaining 3 get a extraordinary reward.
guy scutellaro Oct 2019
The rain ****** through a darkening sky.

The man's eyes grow bright and he smiles. Softly, he whispers, " Man, you're the biggest, whitest, what hell are you anyway?"

The pup sits up and Jack Delleto caresses her neck, but much to the mutt's chagrin the man stands up and walks away.

Jack has his hand on the door about to go into the bar. The pup issues an interrogatory, "Woof?"

The rain turns to snow.

The man's eyes grow bright and he smiles, "My grandma used to say that when it snows the angels are sweeping heaven. I'll be back for you, Snowflake."

Jack shivers. His smile fading, the night jumps back into his eyes.

Snowflake chuffs once, twice.

The man is gone.



The room would have been a cold ,dark place except the bodies who sit on the barstools or stand on the ***** linoleum floor produce heat. The cigarette smoke burns his eyes. Jack Delleto looks down the length of the bar to the boarded shut fire place and although the faces are shadows, he knows them all.

The old man who always sits at the second barstool from the dart board is sitting at the second bar stool. His fist clenched tightly around the beer mug, he stares at his own reflection in the mirror.

The aging barmaid, who often weeps from her apartment window on a hot summer night or a cold winter evening, is coming on to a man half her age. She is going to slip her arm around his bicep at any moment.

"Yeah," Jack smiles, "there she goes."

Jack Delleto knows where the regulars sit night after night clutching the bar with desperation, the wood rail is worn smooth.

In the mirror that runs the length of the bar Jack Delleto sees himself with clarity. Brown hair and brown eyes. Just an ordinary 29 year old man.

"Old Fred is right," he thinks to himself, "If you stare at shadows long enough, they stare back." Jack smiles and the red head returns his smile crossing her long legs that protrude beneath a too short skirt.

The bartender recognizes the man smiling at the redhead.

"Well,  Jack Delleto, Dell, I heard you were dead. " The six foot, two hundred pound bartender tells him as Dell is walking over to the bar.

"Who told you that?"

"Crazy George, while he was swinging from the wagon wheel lamp." Bob O'Malley says as he points to the wagon wheel lamp hanging from the ceiling.

"George, I heard, HE was dead."

The bartender reaches over the bar resting the palms of his big hands on the edge of the bar and flashes a smile of white, uneven teeth. Bob extends his hand. "Where the hell have you been?"

They shake hands.

Dell looks up at the Irishman. "I ve been at Harry's Bar in Venice drinking ****** Marys with Elvis and Ernest."

Bob O'Malley grins, puts two shot glasses on the bar, and reaches under the bar to grab a bottle of bourbon. After filling the glasses with Wild Turkey, he hands one glass to Dell. They touch glasses and throw down the shots.

"Gobble, gobble," O Malley smiles.


The front door of the bar swings open and a cold wind drifts through the bar. Paul Keater takes off his Giants baseball cap and with the back of his hand wipes the snow off of his face.

"Keater," Bob O'Malley calls to the Blackman standing in the doorway.

Keater freezes, his eyes moving side to side in short, quick movements. He points a long slim finger at O'Malley, "I don't owe you any money," Paul Keater shouts.

The people sitting the barstools do not turn to look.

"You're always pulling that **** on me." Keater rushes to the bar, "I PPPAID YOU."

As Delleto watches Keater arguing with O'Malley, the anger grows into the loathing Dell feels for Keater. The sauve, sophisticated Paul Keater living in a room above the bar. The man is disgusting. His belly hangs pregnant over his belt. His jeans have fallen exposing the crack of his ***, and Keater just doesn't give a ****. And that ragged, faded, baseball cap, ****, he never takes it off.

When Keater glances down, he realizes he is standing next to Jack Delleto. Usually, Paul Keater would have at least considered punching Delleto in his face. "The **** wasn't any good," Paul feining anger tells O'Malley. "Everybody said it was, ****."

The bartender finishes rinsing a glass in the soapy sink water and then places it on a towel. "*******."

Keater slides the Giant baseball cap back and forth across his flat forehead. "**** it," he turns and storms out of the bar.

"Can I get a beer?" Dell asks but O"Malley is already reaching into the beer box. Twisting the cap off, he puts it on the bar. "It's not that Keater owes me a few bucks, "he tells Dell, "if I didn't cut him off he'd do the stuff until he died." Bob grabs a towel and dries his hands.

"But the smartest rats always get out of the maze first," Jack tells Bob.


Cigarette butts, candy wrappers, and losing lottery tickets litter the linoleum floor. Jack Delleto grabs the bottle of beer off the bar and crosses the specter of unfilled wishes.

In the adjacent room he sits at a table next to the pinball machine to watch a disfigured man with an anorexic women shoot pool. Sometimes he listens to them talk, whisper, laugh. Sometimes he just stares at the wall.

"We have a winner, "the pinball machine announces, "come ride the ferris wheel."



"I'm part Indian. "

Jack looks up from his beer. The Indian has straight black hair that hangs a few inches above her shoulders, a thin face, a cigarette dangling from her too red lips.

"My Mom was one third Souix, " the drunken women tells Jack Delleto.

The Indian exhales smoke from her petite nose waiting for a come on from the man with the sad face. And he just stares, stares at the wall.

Her bushy eyebrows come together forming a delicate frown.

Jack turns to watch a brunette shoot pool. The woman leans over the pool table about to shoot the nine ball into the side pocket. It is an easy shot.

The brunette looks across the pool table at Jack Delleto, "What the **** are you starin at?" She jams the pool stick and miscues. The cue ball runs along the rail and taps the eight ball into the corner pocket. "AH ****," she says.

And Jack smiles.

The Indian thinks Jack is smiling at her, so she sits down.

"In the shadows I couldn't see your eyes," he tells her, "but when you leaned forward to light that cigarette, you have the prettiest green eyes."

She smiles.

" I'm Kathleen," her eyes sparkling like broken glass in an alley.

Delleto tries to speak.

"I don't want to know your name," she tells Jack Delleto, the smile disappearing from her face. "I just want to talk for a few minutes like we're friends," she takes a drag off the cigarette, exhales the smoke across the room.

Jack recognizes the look on her face. Bad dreams.

"I'll be your friend," he tells her.

"We're not going to have ***." The Indian slowly grinds out the cigarette into the ashtray, looks up at the man with the sad face.

I met my older sister in Baltimore yesterday. Hadn't seen her since I was nine, since Mom died. I wanted to know why Dad put me in foster homes. Why? I had so many questions and you know what?
I didn't ask one."

Jack is finishing his beer.

"Maybe if you knew the reasons, now, it wouldn't matter anyway."

The man with the black eye just doesn't get it. She lived with them long enough. Long enough to love them.

She stands up, stares at Jack Delleto.

And walks away.


It's the fat blondes turn to shoot pool. She leans her great body ever so gently across the green felt of the pool table, shoots and misses. When she tries to raise herself up off the pool table, the tip of the pool cue hits the Miller Lite sign above the pool table sending the lamb rocking violently back and forth. In flashes of light like the frames from and old Chaplin movie the sad and grotesque appear and disappear.

"What the **** are you starin at?" The skinny brunette asks.

Jack pretends to think for a moment. "An unhappy childhood."

Suddenly, she stands up, looking like death wearing a Harley Davidson T-shirt.

"Dove sta amore," Jack Delleto asks.

Death is angry, steps closer.

"Must be that time of the month, huh," Jack grins.

With her two tiny fists clenched tightly at her side, the brunette stares down into Delleto's eyes. Suddenly, she punches Jack in the eye.

Jack stands up bringing his forearm up to protect his face. At the same time Death steps closer. His forearm catches her under the chin. The bony ***** goes down.

Women rush from the shadows. They pull Jack to the ***** floor, punch and kick him.

In the blinking of the Miller Light Jack Delleto exclaims," I'm being smother by fat lesbians in soft satin pants."  But then someone is pulling the women off of him.

The Miller Lite gently rocks and then it stops.

Jack stands up, shakes his head and smiles.

"Nice punch Dell," Bob O' Malley says, "I saw from the bar."

Jack hits the dust off of his pants, grabs the beer bottle off of the table, takes a swallow. Smiling, he says, "I box a little."

"I can tell by your black eye." O'Malley puts his hand on his friends shoulder. "Come on I'll buy you a shot. What caused this spontaneous expression of love?"

"They thought I was a ******."


2 a.m.

Jack Delleto walks out the door of the bar into the wind swept gloom. The gray desolation of boarded shut downtown is gone.

The rain has finally turn to snow.

His eyes follow the blue rope from the parking meter pole to its frayed end in the plowed hill of snow at the corner of Cookman Avenue.

The dog, Snowflake, dead, Jack thinks.


The snow covers everything. It covers the abandon cars and the abandon buildings, the sidewalk and its cracks. The city, Delleto imagines, is and adjectiveless word, a book of white pages. He steps off the curb into the gutter and the street is empty for as far as he can see. He starts walking.

Jack disappears into empty pages.


Chapter 2


Paul Keater has a room above Wagon Wheel Bar where the loud rock music shakes the rats in the walls til 2a.m. The vibrations travel through the concrete floor, up the bed posts, and into the matress.

Slowly Paul's eyes open. Who the hell is he fooling. Even without the loud music, he would not be able to sleep, anyway.

Soft red neon from the Wagon Wheel Bar sign blinks into his room.

Paul Keater sits up, sighs, resigns himself to another sleepless night, swings his legs off the bed. His x-wife. He thinks about her frequently. He went to a phycologist because he loved her.

Dump the *****, the doctor said.

"I paid him eighty bucks and all he had to say was dump the *****." He laughs, shakes his head.

Paul thinks about *******, looks around the tiny room, and spots a clear plastic case containing the baseball cards he had collected when he was a boy.

He walks to the dresser and puts on his Giant's baseball cap. Paul sits down on the wooden chair by the sink. Turns on the lamp. The card on top is ***** Mays. Holding it in his hand, it is perfect. The edges are not worn like the other cards.

It was his tenth birthday and his dad had taken to his first baseball game and his father had bought the card from a dealer.

Oblivious to the loud rock music filtering into his room, he stares at the card.

Fondly, he remembers.

Dad.


                                     *     

It arrives unobtrusively. His heart begins to race faster.
Jack Delleto rolls away from the cracked wall. He sits up and drops his legs off the bed.

Jack Delleto thinks about mountains.

When he cannot sleep he thinks about climbing up through the fog that makes the day obscure, passing where the stunted spruce and fir tees are twisted by the wind, into cold brilliant light. Once as he climbed through the fog he saw his shadow stretching a half a mile across a cloud and the world was small. Far down to the east laid cliffs and gullies, glaciated mountains and to the west were the plains and cities of everyday life.

The army coat is draped over the back of the chair. In the pocket is his notebook. Jack stands and takes the notebook from the pocket. When he sits in the wooden chair he opens the book and slides the pen from the binder.

When he finishes his story he makes the end into the beginning.



                                           Chapter 3


"I want a captain in a truck." The 10 year old boy with the brown hair tells his mom. "I want it NOW."

His blonde haired mom wearing the gold diamond bracelet nods her head at Jack Delleto. Jack looks up at the clock on the wall. It is only 9a.m. After four years of college Jack has a part time job at K.B. Toy store. "We're all out of them," he tells her for the second time.

"Honey," Blondie tells the boy, they're all out of them."

"YOU PROMISED."

"How about a sargeant in a jeep?

"OK, but I want a missile firing truck , too."

Delleto turns to the display case behind the counter. Briefly, he studies his black eye in the display case mirror and then begins searching the four shelves and twenty rows of 3 inch plastic toys. He finds the truck. His head is aching. He finds the truck and puts it on the counter in front of the boy.

"Sorry, we're all out of the sargeant," Jack tells the pretty lady. The aching in his head just won't go away.

"Mommy, mommy, I want an ATTACK HELIOCOPTER, MOMMMEEE, I WANTAH TTTAAANNNK..."

Jack Delleto leans over the counter resting his elbows on the glass top. The boy is staring at the man with the black eye, at his bruised unshaven face.

"Well, we haven't got any, GODDAMED TANKS. How about a , KICKINTHE ***."

Finally the boy and his mother are quiet.

"My husband will have you fired."

She grabs the boy by the hand. Turns to rush out of the store.

Jack mutters something.

"MMOOOMEEE,  what does..."

"Oh, shut the hell up," the pretty lady tells her son


                              
     

The assistant manager takes a deep drag on her cigarette, exhales, and crosses her arms to hold the cigarette in front of her. Susan looks down at Jack sitting on the stool behind the counter. He stands up. "Did you tell some lady to blow you?" She crushes the cigarette out in the ashtray on the shelf below the counter. "Maybe you don't need this job but I do."

"Sue, there's no smoking in the mall."

"Jack, you look tired," the cubby teenager tells him, "and your eye. Another black eye."

"I was attacked by five women."

'Oh, I see, in your dreams maybe. I see, it's one of those male fantasies I'm always reading about in Cosmo. You re not boxing again, are you Dell?" Sue likes to call him Dell.

"I go down to the gym to work out. Felix says I've got something."

"Yeah, a black eye." Susan laughs, opens the big vanilla envelope, and hands Jack his check.

She turns and takes a pair of sunglasses from the display stand. "You 're scaring the children, Dell ." Susan steps closer looks into Dell's brown eyes and the slips the sunglasses on his face. "Why don't you go to lunch."

                                        
     

It's noon and the mall is crowded at the food court area. Jack gets a 20oz cup of coffee, finds a table and sits down.

"Go over and talk to him. " Susan says. Jack turns his head , looks back, sees the Indian walking towards his table.

"Hello, Kathrine," says Jack Delleto.

"My names not Kathrine, it's Kathleen."

Jack pulls the chair away from the table, "Have a seat Kate."

Her eyebrows form that delicate frown. "My names Kathleen." As soon as she sits down she takes a cigarette from the pack sticking out of her pocketbook. "I had to leave. I told the baby sitter I'd only be gone an hour. Anyway you weren't much help."

"So why did you come over to talk to me?"

"You were alone, always alone."

"You've seen me there before?"

"Yeah, sitting by the pin ball machine staring at the wall, and sometimes, you'd take out your little blue note pad and write in it.
"What are you writing? Are you goin to write about me..."

"How many kids do you have?"

"Just one. A boy, and believe me one is enough. He'll be four in June," Kathleen smiles but then she remembers and abruptly the smile disappears from her face. "Sometimes I see Anthony's father in the mall and I ask him if he'd like to meet his son, but he doesn't.

Kathleen draws the cigarette smoke deep into her lungs, tilts her head back, and blows the smoke towards the skylight. Suddenly caught in the sunlight the smoke becomes a gray cloud. " I didn't want to marry him anyway, I don't know why he thought that."

She hears the scars as Delleto talks, something sad about the man, something like old newspapers blowing across a deserted street. She hears the scars and knows never, never ask where the scars came from.


                              
     

As Jack walks towards the bank to cash his check, he glances out the front entrance to the mall. It is a bright, cold day and the snowplows are finishing up the parking lot plowing the snow into big white hills. That is the fate of the big white pup plowed to the corner of Cookman and Main buried deep in ***** snow. At that street corner when the school is over the children will play on the hill never realizing what lay beneath there feet.

The snow must melt; spring is inevitable.

His pup will be back.



                                           Chapter 4


The 19 year old light heavyweight leans his muscular body forward to rest his gloved hands on the tope rope of the ring. He bows his head waiting to regain his breath as his lungs fight to force air deep into his chest. Bill Wain has finished boxing 4 rounds with Red.

Harry the trainer, gently pulls the untied boxing gloves from Red's hands. "Good fight, he says, patting Red on the back as the fighter climbs through the ropes and heads to the showers. Harry hands the sweat soaked gloves to Felix who puts one glove under his arm while he loosens the laces on the other 12ounce glove. He makes the sleeve wider.

"Do you want the head gear?" Felix asks.

Jack Delleto shakes his head and pushes his taped hand deep into the glove.

The old man takes the other glove from under his arm, pulls the laces out, and holds it open. Without turning his head to look at him, Felix tells Harry, "Make sure Bill doesn't cool down. Tell him to shadow box. Harry walks over to Bill and Bill starts shadow boxing.

Jack pushes his hand into the glove. "Make a fist." Jack does. Felix pulls the laces and ties it into a bow.

Felix looks intently into Delleto's eyes. "How does that feel?"

"About right."

"You look tired."

"I am a little."

"Are you sick or is it a woman."

"I'm not sick."

A big smile forms across the face of the former welterweight champion of Nevada. The face of the 68 year old Blackman is lined and cracked like the old boxing gloves that Jack is wearing but his tall body is youthful and athletic in appearance. Above Felix's eyebrows Jack sees the effect of 20 years as a professional fighter. He sees the thick scar tissue and the thin white lines where the old man's skin has been stitched and restitched many times. As he gives instructions to Jack, Felix's brown eyes seem to be staring at something distant and jack wonders if Felix has chased around the ring one time too often his dream.

"And get off first. Don't stop punching until he goes down. You've got it kid and not every fighter does."

Jack and Felix start walking over to the ring.

"What is it I've got?" Jack Deletto wonders.

"Felix puts his foot on the fourth strand of the rings rope and with his hand pulls up the top strand and as Jack steps into the ring, "You've got HEART."

In the opposite corner Bill Wain waits.

"Will he be alright?" Harry asks.

"Bill's tired, " Felix replies, then he tries to explain. "It's not about money. I'm almost 70 and I want to go out a winner." Felix pauses and the offers, he can hit hard with either hand."

"Yeah, but at best he's a small middleweight and he only moves in one direction, straight ahead."

"Harry, I love the guy," Felix puts his hand on Harry's shoulder, he's like Tyson at the end of his career. He'd fight you to the death but he's not fighting to win anymore."

Harry puts his hands in his pocket and stares at the floor. "Do you want me to tell him to go easy." Harry looks up at Felix waiting for an answer.

"I'm tired of sweeping dirt from behind the boxes of wax beans and tuna fish. I'm sick of collecting shopping carts in the rain. A half way decent white heavyweight can make a lot of money. It's stupid for a fighter to practice holding back. Bill's a winner. Jack'll be alright."

Felix hands the pocket watch to Harry so he can time the rounds.

Bill Wain comes out of his corner circling left.

Jack rushes straight ahead.

Felix winks at Jack Delleto and whispers, "The Jack of hearts."



                                           Chapter 5


The front door of the Wagon Wheel bar explodes open to Ziggy Pop's, "YOU'VE GOT A LUST FOR LIFE." Jack Delleto steps over the curb and vanishes into the dark doorway.

"HEY, JACK, JACK DELLETO," The lanky bartender shouts over the din.

Delleto makes his way through the crowd over to bar. How the hell have you been Snake?" Jack asks.

"Just great," says Snake. "You're lookin pretty ****** good for a dead man."

"Who told you that? Crazy George?"

The bartender points across the room to where a man in a pin stripe suit is swinging to and fro from a wagon wheel lamp attached to the ceiling.

"Yeah, I thought so. Haven't seen Crazy George in a year and he's been telling everyone I'm dead. I'm gonna have to have a long talk with that man."

Snake hands Jack a shot of tequila. The men touch glasses and throw down the shots.

How's the other George? Dell asks.

"AA."

"How's Tommy? You see him anymore?"

"Rehab."

"What about Robbie?"

Snake refills the glasses. "He's livin in a nudist colony in Florida, he has two wives and 6 children."


Jack looks across the room and sees Bob O'Malley trying to adjust the rose in the lapel of his tuxedo. Satisfied it won't fall out O'Malley looks up at the man swinging from the lamp. "Quick, name man's three greatest inventions."

"Alcohol, tobacco, and the wheel," Crazy George shoots back.

O'Malley smiles and then jumps up on the top of the bar and although he is over six feet and weighs two hundred pounds, he has the dexterity and grace of a ballerina as he pirouttes around and jumps over the shot glasses and beer bottles that litter the bar.

Wedding guests lean back in their chairs as strangers fearful of his gyrations ****** their drinks off the bar. Bob fakes a slip as he prances along but he is always in control and never falters. Forty three year old Bob O'Malley is Jim Brown who dodges danger to score the winning touch down.

When is reaches the end of the bar he jumps to the floor, pulls two aluminum lids from the beer box, and with one in each hand he smacks them together like cymbals.

Some guests clap. The bemused just stare.

In the back of the room sitting at the wedding table the father of the bride leans over, whispers into the ear of his crying wife, "If I had a gun I'd shoot Bob."

The bride raises a glass of champagne into the smoke filled air and Bob takes a bow but then heads towards the kitchen at the other end of the room.

" Hey, Bob," Jack Delleto shouts to the groom.

O'Malley stops under the wagon wheel lamp and turns as Delleto steps into the  circle of light cast onto the floor.

"Congratulations, I know Theresa and you are goin to be happy. I mean that." Delleto offers his hand and they shake hands.

"Thanks, Mr. Cool."

Jack takes off the sunglasses.

"TWO black eyes. Your nose is bleeding. What happened?"

Dell takes the handkerchief from his back pocket, wipes the blood dripping down his face. "It's broken."

"What happened?" O'Malley asks again.

"Bill Wain."

"He turned pro."

"Yeah, but he's nothing special. Hell, he couldn't even knock me down."

O'Malley shakes his head. "Put the sunglasses back on, you look like a friggin raccoon."

Dell smiles. The blood running down his lips."Thersa's beautiful, Bob, you're a lucky guy."

"Thanks Dell." O'Malley puts his hand on Dell's shoulder and sqeezes affectionately. Bob looks across the room at Teresa. "Yeah, she is beautiful." Theresa mother has stopped crying. Her father just stares at the wall.

O'Malley looks away from his bride and passed the archway that divides the poolroom from the bar and into the corner. With the lamp light above his head gleaming in his eyes Bob seems to see a ghost fleeting in the far distant, dark corner. Slowly, a peculiar half smile forms uneven, white, tombstone teeth.  A pensive smile.

Curious, Dell turns his head to look into the darkness of the poolroom, too.

At night in July the moths were everywhere. When Dell was a boy he would sit on his porch and try to count them. The moths appeared as faint splashes of whiteness scattered throughout the night, odd circles of white that moved haphazardly, forward and then sideways, sometimes up and down.

Sometimes the patches of moths flew higher and higher and Dell imagined the lights those creatures were seeking were the stars themselves; Orion, the Big Dipper and even the milky hue of the Milkyway.

One night as the moths pursued starlight he saw shadows dropping one by one from the tops of the trees. The swallows were soundless and when he caught a glimpse of sudden darkness, blacker than the night, the shadows erased the dreamer and its dream.

His imagination gave definition to form. There was a sound to the shadows of the swallows in his thoughts, the melody and the song played over and over. Perhaps he saw his reflection in the night. Perhaps there are shadows where nothing exists to cast them.

"Do you hear them, Bob?"

"Hear what?" Bob asks.

"All of them."

"All of what?"

"Nothin," Delleto tells his friend, "Nothin."

O'Malley doesn't understand but it does not matter. The two men have shared the same corner of darkness.

Bob calls to Paul Keater. Keater smiles broadly, slides the brim of his Giant baseball cap to the side of his forehead. The two men disappear through the swinging kitchen door.


                                          Chapter 6


"Hello Kate." Jack Delleto says and sits down. She has a blue bow in her hair and make up on.

"My names Kathleen."

She fondles the whiskey glass in her slim fingers. "Hello, Dell, Sue thinks Dell is such a **** name. Kathleen takes a last drag on her cigarette, rubs it out in the ashtray, looks up at him, what should I call you."

"How about, Darlin?"

"Hello, Jack, DARLIN," her soft, deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. Kate is drunk and Dell does not care. He leans closer, "Do you wanna dance?"

"But no one else is dancing."

"Well, we can go down to the beach, take a walk along the sand."

"It's twenty degrees out there."

"I'll keep you warm."

"All right, lets dance."

Jack stands up takes her by the hand. As Kathleen rises Jack draws her close to him. Her ******* flatten against his chest. He feels her heart thumping.

The Elvis impersonator that almost played Las Vegas; the hairdresser that wanted to be a race car driver; the insurance salesman with a Porche and a wife.  Her men talked about what they owned or what they could do.

Kathleen had never meant anyone quite like Dell.

She rests her head on his shoulder. "What do you what more than anything? What do you dream about at night?"

"Nothing."

"Come on," she says," what do you want more than anything? Tell me your dreams."

Jack smiles, "Just to make it through another day."  He smiles that sad smile that she saw the first time they met. "Tell me what you want."

Kate lifts her head off of his shoulder and looks into his eyes."I don't want to be on welfare the rest of my life and I want to be able to send my son to college." She rests her cheek against his, "I've lived in foster homes all my life and every time I knew one day I'd have to leave, what I want most is a home. Do you know the difference between a house and a home?"

"No."

Her voice is a roaring whisper in his ear, "LOVE."

The song comes to an end and they leave the circle of light and sit down. Kate takes a cigarette from the pack.

Dell strikes a match, "Maybe someday you'll have your home."

"Do you want me to?"

"Yeah."

Kate blows out the match.


                                  
     


"Can you take me home?" Kate asks slurring her words.

Kathleen and Jack walk over to where the bride and groom are standing near the big glass refrigerator door with Paul Keater. When Paul realizes he is standing next to Jack Delleto he rocks back and forth on the heals of his worn shoes, slides his Giants baseball cap back and forth  across his forehead and walks away.

O'Malley bends down and kisses Kathleen on the cheek and turns to shake hands with Dell. "Good luck," says Dell. Kathleen embraces the bride.

Outside the bar the sun is setting behind the boarded shut Delleto store.

"That was my Dad's store, " Jack tells Kate and then Jack whispers to to himself as he reads the graffiti spray painted on the front wall.
"TELL YOUR DREAMS TO ME, TELL ME YOU LOVE ME, IF YOU LOVE ME TELL ALL YOUR DREAMS TO ME."


                                         Chapter 7


An old man comes shuffling down the street, "Hello Mr. Martin, " Jack says, "How are you?"

"I'm an old man Jack, how could I be," and then he smiles, "ah, I can't complain. How are you?"

"Still alive and well."

"Who is this pretty young lady?"

"This Kate."

Joesph Martin takes Kathleen by the arm and  gently squeezes, "Hello Kate, such a pretty women, ah if I was only sixty," and the old man smiles.

Kathleen forces a smile.

The thick eyeglasses that Mr. Martin wears magnifys his eyes as he looks from Kathleen to Jack, "Have fun now because when you are dead you are going to be dead a long, long time."

"How long?  Delleto inquires.

The old man smirks and waves as he continues up the street to the door leading to the rooms above the bar. He turns to face the door. The small window is broken and the shards of glass catch the twilight.

Joesph Martin turns back looking at the man and young woman who are about to get into the car. He is not certain what he wants to say to them. Perhaps he wants to tell them that it ***** being an old man and the upstairs hallway always smells of ****.

Joesph Martin wants to tell someone that although Anna died seven years ago his love endures and he misses her everyday. Joesph recalls that Plato in Tamaeus believed that the soul is a stranger to the Earth and has fallen into matter because of sin.

A faint smile appears on the wrinkled face of the old man as he heeds the resignation he hears in his own thoughts.

Jack waves to Mr. Martin.  Joesph waves back. The mustang drives off.

Earth, O island Earth.


                                               Chapter 8


Joseph pushes open the door and goes into the hallway. The fragments of glass scattered across the foyer crunch and clink under his shoes. The cold wind blowing through the broken window touches his warm neck. He shivers and walks up the stairs. There is only enough light to see the wall and his own warm breathing. There is just enough light like when he has awaken from a  bad dream, enough to remember who he is and to separate the horror of what is real from the horror of what is dreamt.

The old man continues climbing the stairs following the familiar shadow of the wall cast onto the stairs. If he crosses the vague line of shadow and light he will disappear like a brown trout in the deepest hole in a creek.

By the time he reaches the second floor he is out of breath. Joseph pauses and with the handkerchief he has taken from his back pocket he wipes the fog from the lenses of his eyeglasses and the sweat from his forehead.

A couple of doors are standing open and the old man looks cautiously into each room as he hurries passed. One forty watt bulb hangs from a frayed wire in the center of the hallway. The wiring is old and the bulb in the white porcelain socket flickers like the blinking of an eye or the fearful beating of the heart of an old man.

When he opens the door to his room it sags on ruined hinges.

Joesph searches with his hand for the light switch.  Several seconds linger. Can't find it.

Finds it and quickly pushes the door shut. He sits down on the bed, doesn't take his coat off, reaches for the radio. It is gone

Joseph looks around the room. A small dresser, the sink with a mirror above it. He takes off his coat and above the mirror hangs the coat on the nail he has put there.

Hard soled boots echo hollowly off the hallway walls. The echoes are overlapping and he can not determine if the footsteps are leaving or approaching. Joseph grabs the crow bar he keeps under his pillow. Holds it until there is silence.

He lays back on the bed. Another night without sleep. Joseph rolls onto his side and faces the wall.

Earth, O island Earth.



                                           Chapter 9


Tangled in the tree tops a rising moon hangs above the roofs of identical Cape Cod houses.

Jack pulls the red mustang behind a station wagon. Kathleen is looking at Dell. His face is a faint shadow on the other side of the car. "Do you want to come up?" she asks.

Kathleen steps out of the car, breathes the cold air deep into her lungs. It is fresh and sweet. Jack comes around the side of the car just as she knew he would. He takes her into his arms and kisses her and they walk beneath the old oak tree and the roots have raised and crack the sidewalk and in the spring tiny blue flowers will bloom. The flowers remind Jack of the columbines that bloom in high mountain meadows above treeline heralding a brief season of sun and warmth.

"Did you win?" Kathleen asks as she fits the key into the upstairs apartment door. The door swings open into the kitchen.

Dell, standing in the doorway looking like the Jack of Hearts. "It doesn't matter."

"You lost?"

"Yeah."

Crossing the room she takes off her coat and places it on the back of the kitchen chair. When Kate leans across the kitchen table to turn on the radio the mini dress rides up her thigh, tugs tightly around her buttocks.

The radio plays softly.

Jack stands and as Kathleen turns he slips his arms around her waist and she is staring into his eyes like a cat into a fire. His body gently presses against the table and when he lifts her onto the table her legs wrap around his waist.

Kathleen sighs.

Jack kisses her. Her lips are cold like the rain. His hand reaches. There is a faint click. The room slips into darkness. It is Eddie Money on the radio, now, with Ronnie Spectre singing the back up vocals. Eddie belts out, "TAKE ME HOME TONIGHT, I WON"T LET YOU LEAVE TIL..."

When Jack withdraws from the kiss her eyes are shining like diamonds in moonlight.

The buttons of her dress are unfastened.  Her arms circle his neck and pull him to her *******. "Don't Jack. You mustn't. I just want a friend." His hands slide up her thighs. "I'll be your friend, " says Jack.

"*** always ruins every thing," Her voice is a roaring whisper in his ear. He pulls her to the edge of the table as Ronnie sings, "O DARLIN, O MY DARLIN, WON'T YOU BE MY LITTLE BAABBBY NOOWWW."


Now that they have gotten *** out of the way, maybe they can talk. Sliding her hands around his face she pulls him closer.

"Jack, what do you dream about? You know what I mean, tell your dreams to me."



                                             Chapter 10



All the windows in the apartment are open. The cool breeze flows through her brown hair. "You're getting too serious, Jack, and I don't want to need you."

"That's because I care for you." Jack Delleto sits down on the bed, caresses her shoulder and Kate pulls away.

"Well I don't need anyone."

"People need people."

There is silence, then, "I only care about my son and Father Anthony."

"What is it with you and the priest?" You named your son Anthony is that because he's the father."

"Your an *******. Get out of here. I don't love you." And then, "I've been hurt by people and you'll get over it."

The lingering silence. Jack gets up from the bed, stares at her dark form facing the wall. "Isn't this how it always ends for you?"

The room is quiet and grows hot. When the silence numbs his racing heart, he goes into the kitchen, opens the front door and walks down the steps into the cold rain.


"Anthony," Kathleen calls to her son to come to her from the other bedroom and he climbs into the bed and she holds him close. The ghost of relationships past haunt her and although they are all sad, she has she clings to them.


On the sidewalk below the apartment window Jack stops. He thinks he hears his name being called but whatever he has heard is carried off by the wind. He continues up the  dark street to his Harley.

High in reachless branches of the old oak tree a mockingbird is singing. The leaves twist in the wind and  the singing goes on and on.



                                            
     



The ringing phone.

"Who the hell is this?" The clock on the dresser says 5a.m.

"Jack, I'm scared."

"Kate?"

"Someone broke into my apartment."

"Is he still there?"

"No, He ran out the door when I screamed."

"I'll be right over."



                                         Chapter11


"How hot is it?" Kathleen asks.

The bar is empty except for O'Malley, Keater, a man and a woman.

"98.6,"Says jack The sweat rolls down his cheeks.

"Let's go to the boardwalk."

"When it's hot like this, it's hot all over."

"We could go on the rides."

"I've got the next pool game, then we'll go."

"It's my birthday."

"I bought you flowers."

"Yeah, carnations."

Laughing, Paul Keater slides the brim of his baseball cap back and forth across his forehead.

Jack starts for Keater, Katheen steps in front of Jack, puts her hands on his shoulders. She looks into his eyes.

"What is it with you , two? But as always you'll say nothing, nothing." As Jack tries to speak she walks over to the bar and sits on the barstool.

"It's my birthday," she tells O'Malley.

When Bob turns from the horse races on he T.V., he notices her long legs and the short skirt. "Hey, happy birthday, Kate, Jack Daniels?"

"Fine."

Filling the glasses O'Malley hands one to Kathleen, "You look great," he tells her.

"Jack doesn't think so. Thanks, at least someone thinks so."

"Hope Jack won't mind," and he leans over the bar and kisses her.

Kathleen looks over her shoulder at Delleto. Jack is playing pool with a woman wearing a black tight halter top. The woman comes over to Jack, stands close, smiles, and Jack smiles back.

The boyfriend stares angrily at Jack.

When Kathleen turns back O'Malley is filling her shot glass.

Jack wins that game, too.



                                                 Chapter 12



"Daddy,"the little girl her hands folded in her lap is looking up at her father. "When will the ride stop? I want to go on."

"Soon, Darling, "her father assures her.

"I don't think it will ever stop."

"The ride always stops, Sweetie." Daddy takes her by the hand, gently squeezes.


When the carousel begins to slow down but has not quite stopped Kathleen steps onto the platform , grabs the brass support pole. The momentum of the machine grabs her with a **** onto the ride, into a white horse with big blue eyes. Dropping her cigarette she takes hold of the pole that goes through the center of the horse. She struggles to put her foot in the stirrup, finds it, and throws her leg over the horse. The carousel music begins to play. With a tremble and a jolt, the ride starts.

Sitting on the pony has made her skirt ride well up her legs. The ticket man is staring at her but she is too drunk to care. She hands him the ticket, gives him the finger.

The ticket man goes over to the little girl and her father who are sitting in a golden chariot pulled by to black horses.

"Ooooh, Daddy, I love this."

"So do I," The father smiles and strokes his daughters hair.

The heat makes the dizziness grow and as the ride picks up speed she sees two of everything. There are two rows of pin ball machines, eight flashing signs, six prize machines. All the red, blue and green lights from the ride blend together like when a car drives at night down a rain soaked street.

Kathleen feels the impulse to *****.

"Can we go on again?" The little girl asks.

"But the ride isn't over, yet."


Kathleen concentrates on the rain soaked street and the dizziness and nausea lessens. She perceives the images as a montage like the elements that make up a painting or a life. She has become accustom to the machine and its movement. The circling ride creates a cooling breeze that becomes a tranquil, flowing waterfall.

The ponies in front are always becoming the ponies in the back and the ponies in back are becoming the ponies in the front. Around and around. All the ponies galloping. Settling back into the saddle she rides the pony into the ever present waterfall.

You can lose all sense of the clock staring into the waterfall of blue, red and green. Kathleen leans forward to embrace the ride for a long as it lasts.

Just as suddenly as it started, the ride starts slowy, the music stops playing.

Coming down off the pony she does not wait for the ride to stop, stumbles off the platform and out the  Casino amusement park door."****, *******," she yells careening into the railing almost falling into Wesley Lake.

She staggers a few steps, sits down on the grass by the curb, hears the carousel music playing and knows the ride is beginning again, and all the her dreams crawls into her like a dying animal from its hidden place.

And it all comes up from her throat taking her breath away. A distant yet familiar wind so she lies down on the grass facing the  street of broken buildings filled with broken people. From the empting lot of scattered thoughts the mockingbird is singing and the images shoot off into a darkening landscape, exploding, illuminating for a brief moment, only to grow dimmer, light and warmth fading into cold and darkness.




                                      
     

"Your girlfriend is flirting with me," Jack Delleto tells the man. "It's my game."

The man stands up, takes a pool stick from the rack, as he comes towards Jack Delleto the man turns the pool stick around holding the heavy part with two hands.

There is an explosion of light inside his head, Delleto sees two spinning lizards playing trumpets, 3 dwarfs with purple hair running to and fro, intuitively he knows he has to get up off the floor, and when he does he catches the bigger man with a left hook, throws the overhand right. The man stumbles back.

His girlfriend in the tight  black halter top is jumping up and down, screaming at, screaming at Jack Delleto to stop, but Jack does not. Stepping forward, a left hook to the midsection, hook to the head, spins right, throws the overhand right.

The man does down.

Jack wins.



                                                  CHAPTE­R 13

"It's too much," and Jack looks up from the two lines of white powder at Bob O'Malley. "I'll never be able to fall asleep and I hate not being able to sleep."

" Here," Bob takes a big white pill from his shirt pocket.

Jack drops the pill into his shirt pocket and says, "No more." He hands the rolled up dollar bill to Bob who bends over the powder.

"Tom sold the house so you're upstairs? O Malley asks, and like a magician the two lines of white powder disappear. Straightening up, he looks at Dell, "I know you 're hurting Dell , I'm sorry, I'm sad about Kate, too."

Jack becomes quiet, walks through the darkened room over to the bar. Leaning over the bar he grabs two shot glasses and a bottle of Wild Turkey, walks back into the poolroom. He puts the shot glasses on top of the pin ball machine. "We have a winner, "the pin ball machine announces. Dell fills the glasses.

"Felix came in the other day, he's taken it hard. Bill Wain knock down four times in the sixth round, lost consciousness in the dressing room, and died at the hospital."

"What's the longest you went without sleep? Jack asks.

"Oooohhh, five, six days, who knows, after awhile you loose all track of the clock."

They take the shots and throw them down.

"I wonder if animals dream," Jack wants to know. "I wonder if dogs dream."

"Sure they do, " O'Malley asures him, nodding his head up and down, "dogs, cats, squirrels, birds."

"Probably not insects."

"Why not? Sure they do, june bugs, fleas, even moths, it's all biochemical, dreams are biochemical, mix the right combination of certain chemicals, electric impulses, and you'll produce love and dreams."

                                          
     

Jack Delleto goes into the room, studies it. The light from the unshaded lamp on the night stand casts a huge shadow of him onto the adjacent wall. Not much to the room, a sink with a mirror above it next to a dresser, a bed against the wall, a wooden chair in front of a narrow window.

The rain pounds the roof.

The apprehension grows. The panic turns into anger. Jack rushes the white wall, meets his shadow, explodes with a left hook. He throws the right uppercut, the over hand right, three left hooks. He punches the wall and his knucles bleed. He punches and kicks the blood stained wall.

At last he is exhausted, collapses into the chair in front of the open window. Fist sized holes in the plaster revel the bones of the building. The room has been punched and kicked without mercy. The austere room has won.

The yellow note pad, he needs the yellow note pad, finds it, takes the pencil from the binder but no words will come so he writes, "insomnia, the absence of dream." He reaches for the lamp on the night stand, finds it, and turns off the light. Red and blue, blue and red, the neon from the Wagon Wheel Bar sign blinks soft neon into his room. The sign seems to pulsate to the cadence of the rock music coming from the bar.

Taking the big white pill from his shirt pocket, he swallows it, leans back into the chair watching the shadows of rain bleed down the wall. The darkness intensifys. Jack slides into the night.



                                           Chapter 14


The rain turns to snow.

With each step he takes the pain throbs in his arm and shoulder socket. His raw throat aches from the drafts of cold air he is ******* through his gaping mouth and although his legs ache he does not turn to look back. Jack must keep punching holes with his ice axe, probing the snow to avoid a fall into an abyss.

The pole of the ice axe falls effortlessly into the snow, "**** it, another one."

Moonlight coats the glacier in an irridecent glow and the mountain looms over him. It is four in the mourning and Jack knows he needs to be high on the mountain before the  mourning sun softens the snow. He moves carefully, quietly, humbly to avoid a fall into a crevasse. When he reaches the top of the couloir the wind begins to howl.

"Da DA DUN, DA DA DUN, HEY PURPLE HAZE ALL AROUND  MY BRAIN..."

Jack thinks the song is in his head but the electric guitar notes float down through the huge blocks of ice that litter the glacier and there standing on the arête is Jimi, his long dexterous fingers flying over the guitar strings at 741 mph.

"Wait a minute, " Jack wonders, stopping dead in his tracks. The sun is hitting the distant wind blown peaks. "Ah, what the hell," and Jack jumps in strumming his ice axe like an air guitar, singing, shouting, "LATELY THINGS DON'T SEEM THE SAME, IS THIS A DREAM,  WHATEVER IT IS THAT GIRL PUT A SPELL ON MEEEE, PURRPPLLE HAZZEEE."


                                        
     


Slowly the door moans open.

"Jack, are you awake?" her voice startles him.

"Yeah, I'm awake."

"What's the matter, can't sleep?"

Jack sifts position on the chair. "Oh, I can sleep all right." He recognizes the voice of the shadow. "I want to climb to a high mountain through ice and snow and never be found."

"A heart that's empty hurts, I miss you Jack Delleto."

"I'm glad someone does, I miss you ,too."

There is silence for several minutes and the voice comes out of the darkness again.

"Jack, you forgot something that night."

"What?" The dark shape moves towards him. When it is in front of him, Jack stands, slips his arms around her waist.

"You didn't kiss me goodbye."

Her lips are soft and warm. Her arms tighten around his neck and the warmth of her body comes to him through the cold night.

"Jack, what's the matter?" She raises her head to look at him, "Why, you're crying."

"Yeah, I'm crying."

"Don't cry Darlin," her lips are soft against his ear. "I can't bare to see you unhappy, if you love me, tell me you love me."

"I love you, I do," he whispers softly.

"Hold me, Jack, hold me tighter."

"I'll never let you go." He tries to hug the shadow.


                                          
      *


The dread grows into an explosion of consciousness. Suddenly, he sits up ******* in the cold drafts of air coming into the room from the open window. Jack Delleto gets up off the chair and walks over to the sink. He turns on the cold water and bending forward splashes water onto his face. Water dripping, he leans against the sink, staring into the mirror, into his eyes that lately seem alien to him.



                                            Chapter 15


Someone approaches, Jacks turns, looks out the open door, sees Joesph Martin go shuffling by wearing a faded bathrobe and one red slipper. Jack hears Martin 's door slam shut and the for thirty seconds the old man screams, "AAHHH, AAAHHH, AAAHH."
Then the building is silent and Jack listens to his own labored breathing.

A glance at the clock. It is a few minutes to 7 a.m. Jack hurries from his room into the hallway.  They pass each other on the stairs. The big man is coming up the stairs and Jack is going down to see O'Malley.

Jack has committed a trespass.

When the big man reaches the top of the stairs, the red exit light flickers like a votive candle above his head. The man slides the brim of his Giants baseball cap back and forth across his forehead, he turns and looks down, "Hello, Jack, brother. Dad loved you, too, you know." An instant later the sound of a door closing echoes down the hallway steps.

Jack Delleto is standing in the doorway at the bottom of the steps looking out onto the wet, bright street.

"Hey, Jack, man it's good to see you, glad to see you're still alive."

Jack turns, looks over his shoulder, "Felix, how the hell are you."
The two men shake hands, then embrace momentarily.

"Ah, things don't get any better and they don't get any worse," shrugs the old man and then he smiles but his brown eyes are dull and Jack can smell the cheap wine on the breath of the old boxer. "When are comin back? Man, you've got something, Kid, and we're going places."

"Yeah, Felix, I'll be coming back."  Jack extends his hand. The old fighter smiles and they shake hands. Suddenly, Felix takes off down Main Street towards Foodtown as if he has some important place to go.

Jack is curious. He sees the rope when he starts walking towards the Wagon Wheel Bar. One end of the rope is tied around the parking meter pole. The rest of the rope extends across the sidewalk disappearing into the entrance to the bar. The rattling of a chain catches his attention and when the huge white head of the dog pops out of the doorway Jack is  startled. He stops dead in his tracks and as he spins around to run, he slips falling to the wet pavement.

The big, white mutt growls, woofs once and comes charging down the sidewalk at him. The rope is quickly growing shorter, stretches till it meets it end, tightens, and then snaps. Now, unimpeded by the tension of the rope the mutt comes charging down the sidewalk at Delleto. Jack's body grows tense anticipating the attack. He tries to stand up, makes it to his knees just as the dog bowls into him knocking him to the cement. The dog has him pinned down, goes for his face.

And begins licking him.

Jack Delleto struggles to his knees, hugs her tightly to him. Looking over her shoulder, across Main Street to the graffiti painted on the boarded shut Delleto Market...

                               FANTASY WILL SET YOU FREE

                                                 The End

To Tommy, Crazy George and Snake, we all enjoyed a little madness for awhile.
Ray Suarez Oct 2015
Up until last night
I would have dreams where
I'd throw a punch at someone
But it hung heavy in the air
As if I was swinging underwater
Pushing slowly through time
And it would connect softly
Only nudging the victim
I never understood what that meant
But last night was different...
First off
I fell asleep sober for a change
My air mattress has a hole in it
So every two hours I'd wake on the floor in the dark
I had a few dreams
One of which I was approached
By some stranger
And I was real cool with him
The way I am with people
But this guy was creepy
Something about his smile
His walk
His eyes
He walked toward me real slow
With this smile...
I could feel the slow punches coming
But instead I outstretched my arms
And strangled the ******* with my bare hands
I could feel the fingers
Really dig into the throat
It felt good
Better than the slow punches
I strangled him
until blood dripped
Out of his mouth
Until the breath was gone
Until he was dead
I wasn't scared the whole time
I drug him back to a house
And leaned the corpse against a wall
Two woman walked out of a room
And screamed
I jumped in my truck
And hit the gas hard
I wasn't even scared...
I woke up on the hard tile again
In the dark
I got up and
threw a few punches
In the mirror
They cracked in the air
like a bull whip
I felt good
ohellobeautiful Jul 2018
these perpetual punches
that life seems to throw
during our darkest
of moments
are much-needed
stepping stones
of pain for reaching
the highest peaks of You
and i promise that when
the storm of falling is over
the growth will create your
most favorite story line
of whoopsie-daisies
YOU BLOOMED
which smell a lot like
the scent of BRAND NEW
& when you drink in the view
i hope you fall as deeply in love
with the punches it threw
as you do with what grew

our souls came to bruise
in galaxies, too

kylie formella Sep 2014
bed
i feel sorry for you
bed
for all the blood
tears
and punches
the shrieks into your pillows
im sorry
bed
for bringing a man there
who you knew would
hurt me
ryn Sep 2014
What's my worth?
Am I worth a second glance?
Till present, from birth
Am I deserving of chance?

What's my value?
Am I worth time spent?
What did I do?
Did I squander the life lent?

What are my virtues?
Do they even shine through?
Do I put them to good use?
Or useless like a pair less shoe?

What defines me?
Is it the words that write?
Or work I do diligently?
Could it be my punches in a fight?

What have I done?
Take your time to think
Did I do it with a loaded gun?
Must've done something; must've missed the link

What am I good for?
Important work or menial labour
Could have I done more?
Achieved alone or together

Do I think differently?
Indulge in fairytale notions
Is it sheer folly?
To believe in magic potions

Am I just silly?
Do I dream too much?
Accept reality
Am I capable of such?

Do I shirk what I carry?
Should I have said no?
Did I delay and tarry?
Have I nothing to show?

Am I wrong to feel?
Is it foolish to want?
When it all is real
Now bearing the brunt

Do I wear you weary?
With my endless stupor
Why can't I bury?
Before we expire

Why do I wallow?
Wading through eye puddles
Should I just burrow?
Deep into these riddles

Why do I falter?
Why can't I heal and rise?
Why do I break and shatter?
How do I stop my eyes?

What is this dense forest?
Must everything be obscure?
Can I not be honest?
Can I not be insecure?

Could I be any more random?
Asking as they come to mind
Have I compromised my decorum?
Have I been blind?

Should I delve even deeper?
May I go on and ask?
Am I worthy of an answer?
Or should I just don my mask?

Gargantuan was my crime
Thick was its girth
Absolution this time?
Of it am I worth?
Don Bouchard Nov 2016
He was five or six when he first challenged her
To play a game of checkers.
Fresh-faced and eager from battles with friends,
Young master of jumping and double-jumping,
Connoisseur of cornering and kinging.
Ready to wreak havoc on his grandmother,
A simple farm wife, unskilled in the battle of the board.

He didn't contemplate that the checker set
In the old farm house was hers....

Their battles raged,
Sometimes every day,
With, "Want to play again?"
His constant question.

I would watch her lose,
Seeing what my little boy,
The often conqueror,
Could not see in victorious glee.

Twenty-five years later,
We sit again at the old farm table,
And the two are pitted in their checkers game;
The same, but wearied box waiting
While the battle rages on the old scarred board.

Her hand, uncertain, moves the pieces slowly
As though she is off somewhere thinking,
And he, now patient, waits in a treasured time,
For her to contemplate and make her moves.

He is twenty-nine, and she is eighty-nine,
And though the opportunities rise,
Through my misty eyes,
I see my son, pulling punches.
Braden and my Mother, in their annual summer games....
Brycical Jul 2012
My mom says "frick"
or "fiddlesticks"
even when kids aren't around.
She's holding in
some of that pure, unfiltered rage
each time a plate is dropped
or toe is stubbed.
If only she'd just shout "OH ****!"
she wouldn't lash out
at grandma or sob uncontrollably later.

Someone once said to me, "*******!"
and I was happy.
It means they won't ****** me in my sleep
because they expressed verbal and not physical rage.
I was happier when someone told me "go **** yourself"
because I went home and did just that.

Speaking of pleasure,
the act of *******
burns between 85-250 calories,
improves sleep & your immune system.
Google it.

I've been ******;
a realization &/or learning experience
having gone broke without a way to pay rent
resulting in the lesson of moving back in with the parents.

We can get ****** up.
A couple too many tokes &/or shots of gin &/or punches to the face.
We learn the perils of excess.
In third grade, I was ****** up by a group of 6-7 kids.
I learned I never want to experience THAT
uncomfortable feeling again.

Why is **** such a bad word again?
Why Me Sep 2013
He says he loves me
But I question him?

Do you?
All I get are punches
He calls this love

How could I love a man like him?
So heartless

When I look at him,
I see a helpless boy

I try to survive,
But I drown

I can’t turn him in.

Is it love,
Or fear?

All I know is that this is
**Abusive Love
just an idea that popped up in my head during my English class!!!!!!!!!
robin Jun 2013
roll with the punches baby try not to shatter while you wait to
feel it
it might take a while for every synapse to come alive but
i promise you'll feel it in the end
light up like a christmas tree with every nerve impulse 100 watts your body
will light up the room.
you cast shadows on the moon and i wonder why
is it so cold?
(this wasn't what i wanted when i picked up a pen,
but it seems
like every poem becomes part of you
your blood runs in these pens and i can't help writing about you and your
talus -
that word means both
jagged rocks when you look down from a cliff and oh is this what you want
and the bone of your heel
that you grind into my chest and ****,
i think
that sums you up
pretty well.)
because your sparks were always the best thing about you,
when you short-circuit and sputter and all your lights flicker your synapses
have more life than they know what to do with
roll with the punches and cradle your cheek and be grateful that
at least you didn't crack
because electricity and water don't mix and you've killed enough sharks
in your lifetime.
you don't need another funeral on the mind
when you're still watching the procession
of your own -
(or maybe it's just a fantasy
which is
more likely than not,
you were never able to face that talus
at the bottom
or your christmas lights sputtering and
stopping) -
you watch your own funeral and breathe and i
pray
to god for a miracle
because your measured breaths are the saddest thing i've ever seen because i know
you're just breathing by eights

[eight protons eight neutrons eight seconds in and out
atomic number eight processes to stay alive]

the periodic table hung on your wall like a map of the world you
breathe by eights and i pray harder and breathe ragged you were always more measured than me like
you're morse code and i'm an earthquake
you're heart rate and i'm arrhythmia
you're chemistry and i'm alchemy and you disprove me with every breath
you the child of bright mathematics i crumble in your gaze
but still you short-circuit and i stroke your hair and breathe ragged while you sputter
your synapses can't hold all your life so i'll conduct the overflow
ground your talus in my chest and i will take all your flickers for my own.
it might take a while
but you'll feel it
i promise
because it's not so cold with your short-circuits in my chest and i bet it's not so numb
with my pens scratching your arms
you light up and i wonder how you can breathe so steady
with all this smoke
in the air
(i was breathing  ragged already but you said asthma suits me and
i guess you're right because
you were always the one with all the elements memorized while i
struggled to remember that air
could be something other than
painful)
you short-circuit and i stroke your hair and pray
for your numbers to add up
this time
and you sigh and disprove me
again
because i only live in your flickers and sputters and my
ragged breath
and i pray you will flare brighter light up stronger because
when you feel that punch
i can't conduct that impulse.
roll with the punches baby you'll feel it i promise it
just takes a while
breathe by eights keep that heart rate steady
you imagine your funeral procession and sputter
i breathe ragged baby i will take all your misfires
and write odes to your sparks
just be ready for that feeling when it hits.
Zero Nine May 2017
Blast off the powder keg
One-two with the punches
Rope over your shoulder
Like I wanna reach the summit
Maybe you let loose before
But, honey, I ain't seen it yet
But, baby, I'm scared to like
Messin your perfect face, displacing
Your innocence and makin
Our blankets wet
I said I don't wanna blast
But you got the controller
Got that hold and doin it right
Got my ***** ****, my Xbone
On lock on this *** throne
Pop your mouth a minute girl
Base to the tip that ****
Is rocket sauce
Blast off the powder keg
One-two with the punches
Rope over your shoulder
Like I wanna reach the summit
Maybe you let loose before
But, honey, I ain't seen it yet
Maybe this night is the best
Night of my life I lick my
***** off your skin, sleep
Tight, tomorrow I'll breathe
***** breath
....
This story is called death of a superhero.

We see the superhero flying at full speed after a getaway vehicle.  A group of armed men just robbed over one million dollars in cash from the bank and are now speeding through the city.  He darts back and forth to dodge the shower of bullets flying at him from the car, which was preventing him from getting any closer.

"I can't let these crooks get away," he grunted to himself as he curved back and forth through the air.

Suddenly he was blind sighted by a large black object coming from the car.  It was a high powered electric tazer.  It hit him in the side and his muscles locked up, he stopped mid air and went crashing down and smacked and bounced on the ground.  This bought the thieves time to escape from his view.  By the time he got out of it and regained control of his muscles enough to fly, the crooks had maneuvered the city like a maze, and he didn't know where to look, they had gotten away.  He looked over several city blocks and couldn't find him, and was forced to give up.

"****" he said to himself.

He flew off to the nearby park and found a secluded spot to meditate and heal.

That was the forth unsuccessful attempt to catch bank robbers this week!



On the news that night

"The Tomerarenai purotto corporation just received over $5 million dollars in donations from an anonymous donor this evening for their new project on Zenchō hill outside city limits.

The project to build a new factory there has been underway for three months now and they've really been moving along thanks to the help of all these private donors that must really believe in their cause, which of coarse is to develop new "greener" technology to help the environment and cut down on pollution.

We have a spokesperson for the organization here with us now how are you?"

"Good and thank you, I'm really honored to be part of this amazing organization and to see such a great turn out of donors for such a good cause.  It's been amazing with over 37 million dollars donated by private, anonymous donors over the last three months, it's amazing..."

About half the city watched that news broadcast stream into their homes on their television sets.



It was about 2am when the superhero came out of his meditative state in the park.  

He got up energized and flew around.

He saw some guy trying to steal some lady's purse, he zipped down and stood right behind the guy without him even noticing.

The guy got the purse turned around and ran right into him and knocked himself down.

"What do you think you're doing?" the superhero said authoritarily.  Then he lunged in grabbed the guy by the shirt at the scruff of the chest.  With his other hand he picked up the lady's purse, handed it to her, and told her to go home and get out of the dangerous night city streets.  Then he flew the criminal to the police station, told them what he had witnessed, and took off.

Suddenly he heard police sirens all over the city they seemed to be closing in on a specific area, the superhero flew to that area to see what was going on.

He found a police sergeant standing next to a cop car, and stopped to ask him what's going on.

"A masked lunatic just killed 19 people and is now trying to escape in a small silver car, we've got every available unit trying to hunt him down."

He wasted no time, taking up in the air leaving a wind in his wake, the superhero started quickly combing the city for a small silver car driving conspicuously.  He found one, and when he flew over it to check it out, all of a sudden he had gunshots being fired at him from inside the car.

"This must be it," he charged the car with full speed but the driver sped up to keep ahead of him.

This isn't going to work, he thought, I should make them think they lost me and follow them secretly and see where they go.

The next time a gunshot was fired the superhero grabbed his chest and purposefully fell down, to make them think he had been shot.  Once their guard was down he followed them in secret.

They drove outside of the city thinking they had lost all tails, down a couple winding roads, then climbed Zenchō hill toward the Tomerarenai purotto corporation's construction spot, then went inside.  

The superhero landed outside the building and contemplated his next plan.  He noticed an open window to an office on the second floor, he carefully peered through the window and saw no one in the office, he flew in and landed on the floor careful not to make a sound above a mouse squeak.  He quietly crept through the empty hallways until he reached the staircase, when he heard voices whispering downstairs, "He's gonna be here any minute/ get everything ready."  

The hero thought he had no time to lose, he took to the air, bolted down stairs and with a loud dramatic voice yelled "Halt!"

"He's here!" they yelled as one of them ran toward a giant device that looked like a satellite dish, and the other one ran and pulled a rope, dropping piles and piles of smoldering coal around the superhero that immediately made him so sick he could barely move.  industrial type smoke was his weakness.  

"We've been planning for you to come here," the guy in the mask said firing up the satellite dish looking weapon and pointing it at him.  

"W-What do you want?" the superhero asked weakened, frail, and short of breath on his hands and knees on the floor.

"To **** you so you won't stand in our way"

The superhero was growing weaker, and weaker, as the giant atomic laser pointed at him started glowing red, I told you this story was called "death of a superhero".

"Death, of a superhero?"  the superhero grunted, "DEATH, of a SUPERHERO!?!" he shouted again, "YOU'VE BEEN ORCHESTRATING MY DEATH!" The superhero yelled at the narrator.  

Yes I have, the narrator said all the people in the room could hear me, I've been planning your death since before you went after that getaway vehicle, I have such omnipotent like power over your world, I'm the reason the taser gave the one's working for these two time to escape, I'm the reason you never checked this place out until everything was ready, and now I get to watch these two **** you, and laugh, knowing that you'll never find me and there's nothing you can do to change events.

Now, the beam was fully charged

"No!" the superhero thought, "up till this point, I thought I had to go along with everything the narrator said, but no!"  He started to slowly manage to get up.

The masked killer hit the button, fired the laser, and killed the superhero instantly.

Wait what?

"You think you can just **** me by saying so," the superhero grunted out louder slowly rising to his feet.  Mentally forcing his body to work even in the presence of his weakness, in reality, contrary to what the narrator said, the beam was still charging.  

"No!" the superhero continued, getting stronger and healthier, "THERE WILL BE NO DEATH OF A SUPER HERO!!!" suddenly the superhero's personal energy was strong enough to clear a bubble around him of fresh air pushing the smoke around it.  He flew through the air at bullet speed and punched the masked killer across the room and out of consciousness.  Then he went for the assistant who was running to the door, in the heat of the moment, the superhero, hitting him up from behind, punched a hole straight through his skull and he fell to the ground head-gored-dead.  The superhero deactivated the laser. and stood and looked around to try and find that supervillian mastermind, the narrator.  

"You will never find me," the narrator said, "I exist in an inexcusable part of your reality."

Then another voice broke through, "I will open up a portal to the narrator for you" the author said, "be wary though, even in his own part of this dimension, he is very frippery and slick, you must not let him break free into you're general reality, lest he end your world."

Suddenly a glowing golden sword appeared in a light before the superhero, he took it and bowed, understanding what he was to do.

A shimmering white and grey portal swirled out of thin air.  He looked at it for a second as it grew outwards until it was big enough for him to walk through.  He slowly marched into it, guard heightened as he did not know what to expect, carrying the glowing golden sword behind his back.

Inside the portal was a large white room where the narrator lived.  there was a large white shelf, four walls and a ceiling, the portal remained open.  

He looked around but didn't see the narrator at first, when he realized the narrator had filled half the room with a thick white fog to mask himself.

"Show yourself you coward!" the hero yelled.  Sudddenly a large fist came out of the fog and punched the superhero right in the face, he stumbled back a few steps, but didn't let it knock him over.  Suddenly a humanoid figure stepped out of the fog, it had a body like a man but a head like a king cobra.

"S--sssss--o" it said, "you found a way to find me," "Hisssssssssssss..."

"I found you and I will destroy you to free my world from your evil," the superhero said.

"Is-s that sssssssssso" the beast said.  "And how do you plan to do that? Hisssssssss".

Then the narrator's eyes widened when he say the glowing gold sword behind his back.

"I will cover myself in armor that that sword can't pierce." He said.

"And an armor appeared around the narrator, except it only appeared to cover his head, and his face was still bare." The narrator said and it happened.

The superhero lunged at the narrator with the sword but the narrator slipped to the right and shot ***** of fire at the superhero, but the superhero dodged.

"And his hand got shaky and it greatly effected his aim," the narrator hissed out.

The superhero swung at the narrator, but missed everytime.

"I've got to steady my aim" the superhero thought to himself, putting most of his energy into his arm to hold it steady.  The narrator backed away from him, hissing and darting back and forth as if antagonizing him, perhaps trying to distract him and his focus.

Suddenly he felt a surge of energy push back from the sword, flow up his arm and flood his body, the sword glowed brighter and he was in control of himself again.

He went after the narrator full force, swinging and jabbing the sword, but the narrator dodged every attack.

"You'll never defeat me!" the narrator hissed.

But while he said that he lost focus, and the superhero swung the sword right into the side of the human part of the body, so deep it hit something metal and stopped.  

"Then he dropped the sword," the narrator said quickly and it happened.  The superhero's hand snapped wide open before his willpower could stop it, and the sword dropped to the ground with a "shink".

Acting super fast, the narrator dropped to the ground and picked up the sword with his teeth, and slithered out of his fake, damaged human body into his true form, a giant king cobra looking snake, covered in a heavy metal armor that was scaly and didn't restrict his movements.  Quickly, he slithered  over to the portal, but the superhero grabbed his lower armor before he got a chance to escape into the hero's world, and used his body to anchor the snake to that spot.

The narrator swung and slithered his body to try to free himself from the hero's hold but he was holding on to well, and the serpent could not escape.  

The hero did not know what to do, he needed to get the sword back and slay the serpent, but he had to keep both hands on him to keep him from getting free.

He had an idea, he used his legs to help anchor the serpent, and climbed him to get to his head to retrieve the sword.  Slowly he worked his way up the snake as he slithered and struggled to get free.  When it seemed inevitable that the hero was gonna get the sword back, the serpent spit it out and it landed next to the door.  Then he shot fireballs out of his mouth at point blank range at the superhero which distracted him enough for him to loose his grasp, and let the serpent break free.  The serpent quickly slithered over to the portal, hissed "goodbye sucker", mouthed the sword once again, and slithered out the portal.

The superhero jumped up and flew after the serpent, and crash landed onto of him on the other side of the now closing portal.  

"The masked murderer woke up and came over to help the narrator," the serpent hissed out.

Suddenly the masked murderer came over and the hero was trying to get him on his side to break the stalemate.

As the snake and the superhero wrestled, the superhero called out to the masked murderer, "Don't help him, if he escapes me now, he'll destroy the world!"

"Don't listen to your enemy," the narrator hissed out, "**** him!"

"Don't listen to him," the superhero tried to reason with him, "he's just manipulating you, everybody, he's the reason you wanted to **** me and do this whole project in the first place, YOU ultimately have free will! and we need to **** him."

The narrator strikes and bit the superhero's arm for telling the masked killer he had free will.  

"What do you need!" the masked ****** shouted when he got over there.  

"**** him" the serpent hissed out!

"The sword!" the hero shouted.

The masked murderer, not knowing what to do, picked up the sword and handed it to the hero.

The superhero used it to pry off a piece of the serpent's armor, poised it into position and struck down.  The narrator shifted his body however so the sword narrowly missed, and curved his tail so the open spot in the armor was underneath him, "Grab him!" the superhero said, hold him steady so I can get a good shot."

The Masked murderer did just that, and the hero drove the sword through the opening and impaled the narrator right there, and actually cut him in two.

"But then the narrator's body sealed at the womb and he slithered free" the serpent said and it happened, and he slithered at full speed toward the same door the masked murderer's assistant tried to escape through, and he was making distance.

"And then a layer of cement formed around the superhero's ankle so he couldn't chase the narrator." and a piece of cement attached to the floor formed around his ankle.

But the superhero made quick work of that, a **** of the leg and it reduced to crumbles and he got up and chased the serpent.

The serpent got outside the door and mumbled something, suddenly the door was a pure steel wall.  Three punches by the superhero weakened the steel and severely dented it, the forth punch and it went flying off and the superhero ran outside and saw the narrator escaping into the brush.  He knew what he had to do, he lunged at him and grabbed him just by the head, and ****** the sword through a hail of fireballs straight into it's mouth, the narrator couldn't speak to reverse that action and he died shortly after.
This is not a poem
Tanner C May 2015
This weight on my chest

This feeling of 100 punches to my gut

The pounding of hammers in my head

The feeling of a blade slip through my fingers

The smell of iron in the air as the thick red water drips and flows

All these pains and yet the worst feeling I've felt was the crushing blows of your words echoing in my ears.

Your words weighing heavily on my heart like an Anvil defying physics.

I feel the pressure and it's caving in...
Alex Feb 2014
I.
I felt it the first time I saw you. My heart stopped its incessant beating upon the sight of you walking down the busy city street, a little windswept and breathless with your cheeks flushed, hair messy and your lips slightly parted as if you were asking for a kiss and I wished I were the only one who could give it. It’s what gave me courage to talk to you. This was the time when I finally understood the likes of poets like Shakespeare, Debussy’s longing and the stuff of silly songs sung by the town drunks with their guitars and slurred perspectives. It was like flying. I was walking on air and floating in bewitched water. I saw it in the color of the crimson hue in the roses I bought you, that dress you wore, the color of your cheeks and the color of your lips when you leaned into whisper in my ear your vow of eight letters, the prospect of a future that no longer promised me loneliness. Each night I heard it when you were in my arms and the whole world decided to quiet down and stand still like a child halting the spin of a wildly spinning top. In the smallest moments when all that pervaded me was the scent of your hair, the hint of your smile, your warmth and the palms of your hands over my beating heart, I have never felt more contented. I have never known people could be happy and elated like this. For once in my life I think I could never tire of seeing someone, of wanting to become part of them, of knowing every flaw and every well-kept secret. In the half-shadows of the lazy afternoons we spent together and the sleepy mornings tangled up in sheets, I saw our dog, perhaps children and then 20 years of marriage.
II.
Perhaps once upon a time, a long long time ago I met it a few times and each with a different face. I saw it in the way a mother held her child as her most valuable possession, the warmth of affection and the smell of home on her skin when she embraced you, kissed you when you stumbled and picked you up when you fell. I saw it in a father’s pride, his secret admiration. I remembered my own mother and my own father and all my bravado left me. Once upon a time, I read it in my mother’s bruises like a map, the ones my father lovingly decorated her with in strikes, punches and eager beatings. I felt it every time she kept her bags unpacked and put away the bitter ****** aftermath of the underlying storms with a forced smile on her lips and the promise that everything would be okay, that I had just been dreaming. Even then I saw it in my father when he came home-- the twisted way he held her close and said his sorries, the way he treated her like a queen and tried his best to keep his promise. In the days he told me to be strong and in the days he really did try hard, I found it difficult to blame him—I could not place the hate I felt for him and why my fortifications threatened to dissipate and crumble. I never noticed this before but it was always present in the way my mother and father laid to rest their hopes and dreams, buried them in a lot of filthy graveyard soil when the wretched curse that was me took away all their aspirations and they selflessly sacrificed their whole young lives ahead of them full of travel and the irresistible seduction and sparkling lure of opportunity to work like dogs on their hands and knees so I could live my own fickle life of wasted hours and silly daydreams. Money did not grow on trees, darling and yet for every mistake you made, every useless rebellious decision that only resulted in heartbreak and derision their forgiveness knew no bounds and they threatened no abject beleaguering, no threat of desolation. By and by, you fail to see their infinite patience, the hope and the investment—the silent prayer for all good things and mighty rising sons and daughters.
III.
Again, one day, I saw a couple in the park holding hands, their faces lined with age that told their story with their depth and their number. I saw their narrations told, young buds and blooming then the bad days that came and the sad days that kept repeating. In their intertwined fingers and the slow steps on rocky beach, bathed in glowing sunset sunlight, the twilight of a remarkable 20 years or so and maybe one, two or twenty sons and daughters, I wondered if you and I would come around like that—battle through decades with our feelings unchanging. I thought about your face and the way you slept, and the first morning that I saw it and decided that yours was the one I wanted to wake up to everyday for the rest of my life. I wondered if you and I, darling, would come out strong and happy, still holding hands after the lagniappe of challenges, the labyrinthine years of madness. I decided I would not die with you in the manner of Romeo and Juliet, the drama of Shakespeare but I wanted to spend every waking moment that I could live and breathe on this desolate earth spending it with you or else thinking of you and going through it for you. Why would I waste our precious time with grand, suicidal gestures when I could just show you in little ways, every day until we grew old and grey together?
IV.
Then I forgot you were only temporarily mine, that I could not keep you. I lost the feeling. It only turned to rot in my hands and I only grew bitter. I forgot that butterflies in mason jars died, and so did the red roses, the bouquets of flowers. It was it how I felt when I saw you in the arms of another man, laughing and smiling. It was not how I felt when my heart threatened to burst and split, along with my knuckles and hanging picture frames now lying shattered on the floor. It was not how I felt when you left, said goodbye and closed the door. It was the hope I felt when I thought you would return but it was not the face I saw when I accepted you weren’t going to. I know not the ugliness it carried, the blackened underside of a two-faced coin but perhaps this was the price paid for such elation, for years of bright colors, laughing and slices of heaven. I realized that when it was all over, when the rivers run dry that it was the emptiness that made the winds cold, the world gray, the streets empty, the people cruel and the cold winds bite and the trees shiver. It’s what turned hearts into rock-hard gemstones and what makes hopeless romantics wither. It was the wind that left me, the feeling I felt when I could pinpoint the exact moment my heart dropped to my knees and bled to the floor when I looked into those eyes, those lovely eyes, for the last time. I would forget your face, but the marks, the scars, the things you taught me and the way you made me ache for beauty and an invisible power would stay in me forever long after you have gone. It was not the feeling I felt when I let you go and didn’t run after you.
V.
In its pursuit, and in the withdrawal stage of emotional drug use and admiration, people struggle to constantly search for the fleeting high, the temporary feeling of wonder. There are girls that walk the street in short skirts, high heels and revealing blouses searching for the right things in all the wrong places in between soiled sheets and pockets full of paper. I see the beggars ply the crowded city streets, some with eyes that know the danger but hunger still and some with just innocent ideas, feigned knowledge and naïve understanding.  They search the faces of people and window shop at bars for their favorite pair of jeans, the man or woman that will fit the hole where the heart had been, heal the wounds and the body that will curve and fit theirs so perfectly into a perfect puzzle. It is not what they find on the silver-tongued strangers with sweet lips and deliberate touches. It is not in his lies that sound so much sweet music; that feels like climbing up ladders. It is not in her games, her daring looks and sweet whispers. It is not out in streets, it is not ours to claim ownership over.
homework assignment from lit class grew epic proportions. a bit of word ***** here and there, but that cannot be helped.
Love Jan 2014
All these kids,
They cry,
Scream,
And *****,
"I WANT FREEDOM FROM MY PARENTS!"

That simple freedom does not concern me.
I want freedom, but not just from my parents so I can stay out late.
I want freedom,
From my peers,
From my family,
From the government,
And from myself.

I want to be free to walk down the halls,
Hand in hand with a girl,
Who I'm in love with.
I want to be able to do that,
With no fear in my heart.
No worries or names called,
Or punches thrown.
I want that freedom.

I want the freedom to be able to bring a girl home,
And show her to my parents,
And tell her how much I love her,
In front of them.
I want to be able to talk to my mom,
About relationship problems,
About the GIRL who broke my heart,
But I cant.

I want the freedom to marry.
To marry any person I choose,
No matter the gender.
Male,
Or female,
It should not matter.
My happiness,
And the way I spend my life,
Is not something that should be voted on,
By those with half a brain.

I want freedom from myself,
To accept me,
And be who I am,
Without any shame.
But I can't do that,
Unless I have the freedom from others,
To be me,
And be happy with that.

I want the freedom to be gay.
Some may complain,
That the gays are already free,
Too much maybe.
But that is not the case.
We're not persecuted,
But we're not free.

All throughout history there has been movements for freedom.

There was one of religious freedom,
When puritans came to the New World from Britain.
A war was started,
And freedom came out with a victory.

There was one of freedom for slaves,
So that they could live the lives they wanted,
And not have to be owned,
And treated like property,
By another human being.
Once again,
A war was started,
And the slaves were freed.

There was one of freedom for women,
So that women could be the same as men,
Equals.
There were marches,
And protests,
And women rights came out on top.

There was one of freedom for those of color,
So that they can mix,
And mingle,
With the race that whites thought was superior.
There were marches,
And sit ins,
Protests,
And brawls,
But guess who won in the end?

We are working towards freedom of LGBTQ,
lesbian, gay, bisexual, transgender, questioning/queer,
And one way or another,
We will eventually get our freedom.

Look at all these past freedom movements,
There were always two sides to it.

Which side are you on?
Is it the right one?

This is not the land of the free and the home of the brave.
This is the land of the *** ******* cowards,
And the home of the "You can be free, if we allow it."

I think its about time we either lived up to our motto,
Or changed it.
More of a speech than a poem.
Madzq Aug 2014
Times are changing
Better role with the punches
Or get out of line.
I think maybe I'll take
Some help this time.
Some say it's greener.
Well, it was greener on the other side.
Fertilized with pride.
With jealousy, contempt, and glamour
Lies and hypocrisy. All without honor.
Spread on those fields so crisp and clean.
But there's so much more
That went unseen.
So cheer up darlin
It's a New day coming.
Lets go on home
Throw that dog her bone
And start over.

Times are changing
Better get out when you still can
Realizing pride is one thing that
Will make you fall harder, but
Can make you stand taller.
Don't be afraid to start again.
Don't give up no matter how wrong you have been.
Diana Garcia Oct 2017
Written by Diana Garcia**
My brain waves are like a storm
I wish i could sit in silence
I wish i wasnt so ******* torn
I tried to understand you but whats the use
it's my turn to talk but will you listen?
When you look at me what do you see
Your daughter, your sister or am I the punching bag that youve been missin'?
let me show you the scars you gave me
those wonderful gifts
that keep me up at night
the reoccurring hate
those angry tears.
All the times i went hungry
cause i refused to come home for years.
Over and over again i was told.
Theres nobody to blame other than myself.
YES! cause it is I who but my well being up on the shelf.
Ive checked out, to this i do admit.
I am numb and I simply exist.
How can I love, hate, or any of those words in the adjective list
when all I know is how to roll with the punches, how to roll with waves in the stormy ocean with all these ******* dusty emotions..
David N Juboor Dec 2015
My mom
Tells me I'm a gift.

She says love
Is what keeps the atoms
In you and I
Is the moment
She caught my
Father's eye
Is the day
My grandfather died
With a candy kiss on his cheek
She had never tasted something so sweet.

When we were little
We played kickball,
The ground is lava
And hide-and-go-seek.
As I grew I knew most days,
It was harder to find myself;
Let alone somebody else.

And I have been around
Enough center city playgrounds
To see the rich
Pump every bit of spare change
In their veins fighting
A cancer that they
Never learned to put in their past.
To see the poor
Wage wars with themselves
Trying to pick up
Way too much,
Way too fast;

Nobody really knows how to make love last.

So put your prism your heart
Beneath the moonlight.
Refract the wavelengths
Of your wonders
Into ROYGB-eautiful like the sea,
It took a lot of jellyfish to let
people see through me.

And even more mirrors
To find a place I was comfortable
Praying in.

Fraying in doorways
Where I learned hope,
Is looking both ways
On a one way street
Cause it can be so easy to thank God
While you still have bread to eat.

I have never prayed
So hard for a healthy meal
Than the days I remember
The heart is a muscle;
And sometimes the only
Thing we need
Is to "work it out."

And I know that some days,
My doubt hangs my
Smile like Jesus Christ
I never quite learned
How to bleed right.

But if there's one thing
I found from cleaning
The crosses out of the
Empty hallway of my character
Is that you haven't experienced loss
Until you've held two outstretched arms
For years waiting for your innocence to come back.
Nothing, weighs more than the guilt of your past
And nothing throws punches
Faster than the ghost of who you used to be.

And I know it's hard
To stop looking for yourself
Under every bed you
Left nightmares in
And I know it's hard
To be comfortable
In your own skin

But sometimes bars
Aren’t the only thing
That builds a cage
And sometimes
The only way to live
With yourself
Is to stop digging
Your own grave.

You can spend years
Listening to morticians
And never get grounded.
Surrounded by the
Square roots we all share,
By the same air,
We've all got to learn to let go.

To learn that
Holding your breath
Has never been how
Living things
Learn to
Grow
"We're all hurtling towards death, yet here we are for the moment, alive. Each of us knowing we're going to die, each of us secretly believing we won't"
Kyle Kulseth Jul 2014
Mid-20 doldrums never really wore off
still slay the summers with smiles
                                            like punches
Still walking wounded through the bad joke lanes,
questions clamped under your tongue,
with an aching brain

Can't believe we thought we'd left a place.
Still rattling 'round inside these tin can
                                                roadways.
Car­rying cards after we fold the game
Poured pretty comforts down our throats--
                      so many candied gas tanks.

And I agree: these couches
                    are feeling more like graves
Will our crutches craft our coffins
'til we bobble routine plays?
Nothing changed before we knew it.
6-year blink, it's all the same.
                                It's just that

Mid-20 doldrums never really wore off.
Still blur the border between wants and needs.
Still **** our thumbs when all the
                                               lights turn off.
Still check our pulses,
then start laughing loud as
                                 knocking knees

Can't believe we thought we'd left a place.
We're still too comfortable with our own kind.
Still fall in love with the same friends
                               for just a few days at a time

And I concur: these routines
                 are looking more like chains
Will these crutches seal our caskets?
Would we notice anyway?
Nothing changed before we knew it
6-year blink, it's still the same.

Mid-20 doldrums never really wore off.
Still chasing sunsets and a 10-cent dream.
Still rattling 'round inside these tin can
                                           roadways
Still placing patches over fraying seams

Still checking pulses, still on quaking knees.
Still too scared to make up our minds
Still turning parties into 3-day headaches
while we pretend like we can take our time

Can't believe we thought we'd left a place
Still slay the summers with smiles
                                            like punches.
Andrew Rueter Jul 2017
We all joined the party as friends
But the moment we were invited
We started being divided
Our agency we lose
To words heard in pews
Or shouted on the news
My once loyal glance
Becomes a soiled trance
As we put pettiness on the pedestal
And yearn to meddle in the petals
Of the roses that were frozen
For the sake of the chosen
By fate
To be the life of the event
But when strife is their intent
I find myself incensed
With problems I invent
My faults won't relent
My incessant repentance
Falls on deaf ears
Contempt it endears
But if we followed those apologies
Discoveries would be made
That'd somehow effect friendships
And their limits would be endless
But this party has a temptress
Wearing shiny things
Like expensive gold rings
We lust for the material
Forgetting the ethereal
Love becomes imperial
As we try to conquer each other
With kisses that feel like punches
And punches that feel like kisses
We want to break out of our solitude attendance
And our validation relies on another's dependence
When the music at the party
Is constant
Creating a craving for company
But the noises of social interaction
Never matched the beauty of the music
As life is weighed down by banality
We look to it's finality
And wonder if the party could've been different
Without the nuisance of the Devil's imprint

Last night I had a dream about you
We were at an event
Kissing passionately
And just as I was about to go down on you
You looked away
And saw other people watching
You pushed me away instinctively
And as you looked down at me
I could see the love of my only friend
Disappear behind an expression between disgust and pity
Right before I witnessed our friendship vanish completely
I woke up
Next to a cell phone
Conveying your invitation to an event
Unaware of the nightmare event I just attended with you
Unaware of all the other slumber parties we've been to
Unaware every moment I spend with you is the event
Neo Aug 2018
The other night
I spent all of my tears & paid all my prayers,
I had hoped it would end it all.

My pillows
cashed in the huge streaming check
from every drop my eyes spilled.
My blanket held me down
while both thought took turns
throwing hard punches & kicks
at every square-inch on my body.

Then
my bones crunched
with every attempt
to fully drain the hope-
-ful air in my lungs.
I could only lay there.
Twitching out breathless cries,
rubbing blood out of my eyes
& taking it all in for the whole night.

The following day
I brought these thugs to work  
but no one else seemed to notice.
My doctor tried to numb me with pills,
& I must admit
although they did work at giving it all the cold shoulder,
it didn't take long
before I struggled to use my shoulder
With their knives & spears steaked into my skin.

Every night now, I sleep to their stories
& their bullying,
eyes-wide,
cut-throat,
focused on breathing all night.
I thought I could fake my way through it all
but now
these noices have started making sense
& I
don't know why I'm breathing anymore.
words flow out of me like the punches of about boxer; each word like a natural series of punches flowing out of a trained boxer.

But of late, I feel more like an old boxer, who has fallen out of step. What once came in a fury takes a force of will to summon out a few words from me. Maybe the well has run dry, but I wouldn't be a poet if I don't keep coming to the Source to once again let the words flow like a fury of creation being unleashed.
zoie marie lynn Dec 2017
i'm broken and you're stolen,
so who do i run to?
you're not here for me,
you're not even here for you.
it used to be just you and i,
in the pulsing headlights,
but really it's just you just you,
and i'm doing anything just to stay alive.
do you see how this goes?
don't you know i treated you like a prose?
your rank was so high in the depths of my mind,
but you blew it all away,
crashing the crown with the times.
now i'm picking up the pieces,
and my kingdom says i'm blind,
but, my lovely lavender queen,
your punches are so kind.
i'm letting you go and you're doing the same,
but it hurts so much more when you pull me in again.
forever lasts a lifetime, right?
wrong, you whisper as you put up a fight,
to keep me to beat me to beg me to stay,
ahh, yes,
the presbyopia of love is leading us astray.
these messy verses are for you, i wrote it down so it must be true
I'm the morning whisper that punches you in the gut
the winning lottery ticket that you didn't buy
an inconvenience with impeccable timing
the drinks you spill on nameless lovers
i'm the giggle when a dog sniffs your hand
i'm a naked water fight in January for no reason
i'm cold pillows shaped like a former lover
your favorite t-shirt when it's lost
and found
the drip drip in the sink when you wanna sleep
the creepy crawlers you can't shake
the colorful wrapper with nothing inside
a no vacancy sign at the end of the road
your vulnerability when you're most tender
i'll call you names when you're not looking
look at you funny when you're not listening
i'm the sense that doesn't make,
the only sense there is
i'm your senses when you want to shut me out
the wrong L-word at just the right time
i'm your second chance when you need a third
the maybe, when you really wanted a yes
i'm what feels your pain
the broken promise that brings you more-
pain
what turns the tide when you're not looking
i'm a moonlit midnight swim
i'm sometimes ****-naked
your favorite shade of lipstick
i am your guardian angel
the absence you hold
i'm the scenic route after a bump in the road
the sunset drive that saves your soul
i'm the texture of wet sand between your toes
the burn in every tear you've cried
i'm the vintage dresser you found on a rainy day
the song you hate, stuck on repeat
i count the palm trees when you're not looking
i forget lovers lost and found
i am the one who messes up your hair,
just to dry your tears
i am the vault of all your deepest darkest secrets
always inconvenient and never around
i'm laughter when you least expect it
the 4 am call you don't wanna take
i'm the mirror that sells you lies
the denim shorts that makes your **** look really cute
i'm the cherry (on your wedding dress)
a joyride and a swing-set all in one
i'm what turns you on
what turns you away
i'm your throne
your downfall
your ecstatic,
uplifting
wonderful
life.
Miss Dan Oct 2013
Like an onion, I had layers.
And you peeled me away, one at a time.

One layer off.
You saw my favorites.
The food and drinks I crave for.
The wall paint I wanted for my room.
The perky dresses, nail polish, knee-high boots.
And the spot I always prefer to be- on the front seat.

One layer off.
You saw my hobbies.
The words I stitched together.
The stars that formed our zodiac sign.
The wallclimbing, badminton, volleyball.
And the guitar strings that strum our lullaby.

One layer off.
You saw my dreams.
The plane ticket to Paris.
The thrill of a bungee jump.
The candlelit dinner, fireworks, dancing fountain.
And the license as a medical physician.

One layer off.
You saw my strengths.
The smile behind the false judgements.
The tears I fought back with pride.
The temperance, confidence, adjustments.
And the self-love I have strongly magnified.

One layer off.
You saw my insecurities.
The missing dimple on my left cheek.
The pimples on my forehead.
The bitchface, fierce stare, strict walk.
And this prominently thin-but-tall body figure.

One layer off.
You saw my regrets.
The kisses I could have refused.
The friends I thought were true.
The false assumptions, unmet expectations.
And the trust I gave to the wrong person.

One layer off.
You saw my secrets.
The punches I had to take.
The bruises I covered with my sleeves.
The lies, frustrations, disappointments.
And the brokenness suppressed in my memory.

The last layer, off.
You saw through me.
The anxiousness escalating slowly.
The exposure feeling uneasy.
I felt stripped, explored, unguarded.
And in my nakedness - you had to choose:

To love or to leave me,
For who I really am.
LDuler Mar 2013
The leeching color from my eyes
My parched mouth puckered
My joints are stiff, stubborn and brittle
Creaking like exhausted floorboards
Wringing my fists, white ands shriveled
Twisting my hands, skinned and raw
I'm ill with desperate thriving
Too weak to carry on, don't have the choice
Veins laden with liqueur, thinning hopes and regret
Pulsing pulsing pulsing
Bones fluttering with birds of bad omen
Scalp rid of hair to make place for the thorny crown of vanquishment
Blood diluted with bitter disappointment,
Sloshing, smearing through my mucked-up system
Aching from the deadly drone of existence
From small victories, large defeats
I'm the mortar, they're the pestle
Clobbering into my hollowed life.

The hammer of that thing
Routine so dull and tedious
Pounding and pounding and pounding
When you can't even scream or weep
Thud thud thud
My temples scream with dank submission
My brain is reeling, hurling from the vertigo of it all.

Morning, noon & night
The dead avenues, the empty buzzing
Beats hammers in my brain
Throb throb throb
I'm quivering with numbness.

I'm mature now, I'm ripe
So ripened and rotten
Adult things, adult preoccupations pulsing around me
It seems like person really only has two choices
Get in on the aimless hustle or be forsaken
I've taken it all up
Rent, coffee, wine, cigarettes and newspaper
Forgotten pills
Unpaid bills
Thump thump thump
Anguish, pain, woe and misery
Turbulence and stress, the banging hammer.

I'm a drunkard, a wanderer
With a beaten, battered suitcase
Days like these, weeks like these, when all the weapons are pointed at me
I'm a ***, an outcast
A pigeon in the pummeling rain
Dribble dribble splash
The ache is a relentless thing.

My job, my rent, my house
My walls limp with memories stuck with rotting glue
Wallpaper torn, curling at the edges
The cold hard floor radiates and screams
The couch, cold & hollow
Incrusted with bits of filthy grime
The dead radiator hisses like an angry snake
The shades down, no sunlight
No life seeping through the venetian blinds
And my clothing sits in the chairs
Like the dead emptied out
The blankets are thin, frayed and tattered
As hope is
The moths, on the other hand, are alive and well
They weave webs of moribund rot
Interlacing me into their strands of decay.

Surrounded by the coldhearted, they snarl
And their laughs abash, dishearten the pure
Bruising me relentlessly
They are so tired, mutilated
either by love or no love
All their bleak and sunken eyes
All their weak and drunken souls
All their meek and shrunken hearts
Vultures with neckties
Weasels in frocks
Collared beasts, that's all they are.

The mournful poet with the shrapnel wound
Was so wrong
I guess he wanted to be lyrical, but his words led astray
Time is not water
It does not flow easy, smooth and transparent
It drags you into dark alleys and batters the hell out of you
Punches you in the ribs, rips your skin,
Jerks you by your hair, stabs you, disfigures you
Leaves you crippled and broken, gasping for air.

Sweating in a rocker
Lanky skeleton hands clasped, praying- for what?
I'm not living, or dying
I'm simply crawling backward
Or no, I'm not crawling, I'm being dragged,
Through nights of lonely perfidy, breathing the beaten dusty air
The dark wind wailing, ebbing through the frail curtains
Laying in bed, too wretched to move
When memories, of heaven and hell,
Droop like broken shades
Across the window of my mind
And ****, I can feel my soul slowly dropping down through the mattress
My stomach is heaving, my teeth clenched and gritted
But not with fear, no, it's too late for dread
And it *****, because we realize we were all so caught up in a life in which we can find no meaning...we end up wrong and graceless and sick
We're born shriveled and alone, we die shriveled and alone
No matter what.
The Hammer by Geneviève Pardoe Macchiarella is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

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