An Evil Pumpkin Witch reigning over the pumpkin patch
Planning something sinister not being Pumpkinville’s match
But here is the catch
The Pumpkin Head Witch was vanished centuries ago from the Pumpkin patch
Through our journeys on hills and our thinking on still
Pumpkinville’s town folks decreed a curse
Somehow from the latch the Pumpkin Head Witch was freed in reverse
Now the witch is determined to get her revenge
Darkness casts over Pumpkinville as doom with an end
Danger in the air raging from multitude pumpkin heads
It was a showering effect like a stead
Warriors being the pumpkin heads
The Pumpkin Head Witch’s spell
The citizens in commotion could sense in tell
A sigh at the moment of Oh well
But Pumpkinville had a plan of their own
However the citizens can’t say as it is a spell and they don’t want it to be known
The Evil Pumpkin Witch is having a time in her stride
The hour is now, but there is no sign for abide
Yet the town of Pumpkinville all run for some place to hide
But for the record in Pumpkinville’s book
All it takes is just one look
Pumpkinville’s wish in their own spell
Only seconds remaining that will tell
The wizardry of evil that might sell
The skies remain black and for Pumpkinville to just stand back
Lightening verses the foe, but fate will determine the outcome of the flow.

I am a pumpkin.
I am new and young and happy. The grass is comforting and cool. I spend my days lounging in the warm sun surrounded by other pumpkins.
I am a pumpkin.
The grass is changing but I am still comfortable.  The sun isn't as warm but my company makes it all okay.
I am a pumpkin.
I have been taken from what I knew. Everything is different and I'm scared. Why has this happened?
I am a pumpkin.
Until I'm not.
I am a pumpkin but something is wrong.
My head hurts.
It's gone.
I am a pumpkin.
I feel wrong.
I can feel you removing my seeds.
I know I can't stop you but please, be gentle.
I am a pumpkin.
I am a pumpkin.
I am... hurting.
The carving is sharp and mechanical.
It's excruciating.
It's okay. It'll be over soon.
Smile.
Smile? Why?
I am a pumpkin.
I am a pumpkin.
I am a pumpkin no more.
I am a jack-o-lantern.
I am changed.
I am sore and in pain.
I am bitter but concealed.
I am a jack-o-lantern.
Watch me wither.
Watch me rot.
Watch me smile.

Through the ages of Pumpkin time
It all started within the Pumpkin patch
It went beyond the Halloween catch
Happenings involving a moonless night
Occurrence after another
Pumpkin’s from around the world were rising and turning into blood thirsty Zombies
They were stalking Human life
No time to explain in advice
I am too busy running for my life
The night is about survival
The Pumpkin’s are walking among us
They search and moan for a hearty meal
The pumpkin’s want to rejuvenate
This is the night of “Pumpkin Retreat”
Lock all your doors and keep your windows closed
It’s the Midnight hour
The pumpkins rejoice and not turn sour
In the eyes of pumpkin sight
Darkness prevails with no light
There is a reason for fright
The night is alive and the pumpkins shall strive
The pumpkins are coming for you, Good Night
Be careful, don’t turn off the light.

Someone carved a face in that pumpkin,
and now it's perched on a stoop, grinning
with the same sinister grin the carver must have had
when he carved it.

And everything I recognize as expressive
(the triangular eyes, that big toothy smile)
is marked by a lack of pumpkin.
A red face of dead space.

And now I'm seeing just the opposite.
I see two spots where the eyes should be,
an open wound where the mouth once sat,
and a fire within, baking the insides.

It’s getting to be pumpkin time
The time of magic and fun
A time when there’s a chill in the air
Apples abound along with scents of cinnamon
Carved jack o lanterns
Faces etched creatively
Candles lit


It’s getting to be pumpkin time
The beginning of the holiday season
When cookies are baked
Pies made
Children dress up in costumes
Seeking a reward of candy and other goodies

It’s getting to be pumpkin time
A time of celebration
A time of remembering
Good friends
Families
And traditions
Where turkeys are roasted
Sweet potatoes baked
Cranberries served

It’s getting to be pumpkin time
A time of holiday cheer
Hot chocolate
Apple cider
Herbal tea
And peppermint

It’s getting to be pumpkin time
A time of snow falls
Sledding
Snowball fights
Laughter and glee
Trees decorated

It’s getting to be pumpkin time

There's frost on the pumpkin
My life is nearly done
I've caused a lot of heartbreak
And I had a lot of fun
I lived a life of excess
Lived like I was twenty one
But, there's frost on this pumpkin
And my time here's nearly done

I've done more
in my short life
than most folks
do in ten
there's nothing
that i've done
i wouldn't do again

nothing ventured
nothing gained
you've got to show
you were around
nothing ventured
nothing gained
before they
put you in the ground

leave a mark
large or small
just enough
so people think
do things
that create stories
you can laugh at
with a drink

nothing ventured
nothing gained
time is getting close
there''s frost
on this old pumpkin
there's no
petals on the rose

live your life
with feeling
make sure
they know you're here
be the one
that folks remember
don't live your life
in fear

There's frost on the pumpkin
My life is nearly done
I've caused a lot of heartbreak
And I had a lot of fun
I lived a life of excess
Lived like I was twenty one
But, there's frost on this pumpkin
And my time here's nearly done

Waiting for the white paper
which underlies this writing
to loose a flow of words
finding Peace
in the facing-off:
a pumpkin and a purple cushion..
Henry David Thoreau chose
to sit on a solitary pumpkin
not a crowded purple cushion..
Many we know might charge him
with most slothful neglect..
Our venerable teachers
have exhorted us to
lift up the purple
with their assumption:
what is real is purple..
Yet we..startled by experience
find that very often
purple is pain..
We long to sit on that pumpkin
long since overgrown
with dead purple vines..
At last in our longing
the pumpkin may speak
of what lies in hiding
.. 'til just now..
with Peace emerging
the Pumpkin is Purple...

She knew she wasn't like the other pretty girls,
they had words for her uttered in silence not
formed into word other than those on scraps
of paper. For rumours have power not through
voices but images held like a prisoner in he head,

Disfigured were her traits, genetic abnormalities
most were told or as rumors spread. She held it
every year nearly identical such intricate design
that went into this pumpkin head, those of ill taste,
muttered words aloud is that your father as she
rested on her pumpkin patch.

She smiled with all she could, for her deformity
made the resemblance of a pumpkin similar but
for a difference of she had flowing hair. As years
past and the head seemed just slightly different
with each year that passed seemingly the same as before.

But this time the eyes were hollow and inside not seemingly
pungently orange but white and hollow.. this was scarier
as what became before... till a policemen wondered near.
Smelling a stench of not rotting fruit. but something more.

"Child what do you hold on this dark forbodig night,

"Why my daddy sir, I wanted to show the world something
uglier than I, so I held him on hollow's eve to show the world
that there is something more ugly than me,

"Ugly my child who pray tell would say such a thing,

"Daddy did everyday, said I was a seed from the field
and seeds don't fall far from where they fell,

In amazement he looked beneath where she sat pumpkins
from years gone by had rotted and new ones spouted in
there place but each a distorted look as each started to rot
on top other that had fell. beneath he saw what seemed to
be a palm of white holing on to seed a bag of something prey tell.

"What's in the bag sweetness,

"A bag of seeds, from where his hell sprouted and began,

"Each of these you see is a moment a memory of his life,

"And I sit here with his head and then I place him their
to watch what I crush  each formation o thought under foot,

"For each one that grows is a memory and I will crush them
all under my footing till nothing grows here till death is still,

Child why would you do such a thing,
"Do you not know beauty is on the inside,

"I will show you beauty of what you speak,

Following cautiously from what is seen, he should have radioed
in. But she is but a child what can she do. leading him between the
long grass to a garden of illuminated beauty. looking bewildred
at what was and now seen.

"Through the pumpkin patch, that was my place of regret,

"So what is this place child,

"My garden of redemption,

"Redemtiooooooooooo.......,

And those where his last word as she spoke three words

"TRICK OR TREAT....

For he was the treat for the flowers to bloom.
Blood lilacs and roses of the night had a taste for certain
nourishment, and they only drank on each hollows eve...

She smiled as she sat on the pumpkin patch, that hand
of her fathers features just revealing enough for her to allure
the curious to not take her features as a needing for sorrow.
but more of a trick to treat that what thirsted out back..

i hate it when a ~haiku is forced upon me, but such
is the case, and it's not a case of dittoing out
a mechanical aspect of that body that's
known as vocabulary:
thus, suddenly, as if a ****, or
a reflex the tongue commanded
the entire body -
left-wing obstructions gave way to
right-wing rebelliousness -
    the left said the tongue was no dagger,
the right said: merely a dagger -
the gyroid: or the muscles we never thought
existed! lanky tendons, etc.
    never the microscopic proof reductionism
and never the telescopic proof           ",
always somewhere in the middle:
and that's about right.
               i wrote a poem, it sounded about right
and then i get the wanked-over shoulder
calling it life-support dandruff
because of the many sprouts possible -
as ever: some come and give a voice unto
the people, and some come and give an ought
unto the people.
               a choice that's mutually inclusive
of thought and choice as a battleground
for the mechanisation of language into
sulphur gas and bayonets
and a thousand wildcards charging and screaming
lost toward the bewilderment of
   forgotten sexting.
      what a mighty affair:
the only country delving the prospect of
an atom bomb being dropped again doesn't believe
in munition economics and doesn't see
that the paranoia can be stopped when the capitalist
sober-heads enter and say: but where's the profit?
there's not profit in an atom bomb:
it ends too soon,
     you never got a Hollywood chapter yoyo
      concerning Hiroshima or Nagasaki...
you got one about Pearl Harbor...
a competent act of war... but not like our
civilians really matter: we civilians got the treatment
of being active members of the army,
while the army personnel were given civilian
Pilate status, the army was given civilian status
and the Japanese civilians were given army status...
oh forget the noodle swindler -
that handwritten hoola-hoop spinster of
carbohydrates is long gone...
          or the greatest paranoia against all other
nations comes from a nation that actually used the weapon!
       i could write a haiku version of what i lost,
but i'll still have to write something about you-tube
vloggers and how they are the newest version
of the objective propaganda machine that's in
the Islamic camp of merchants...
       prophet-merchant? give me a break:
if his word doesn't sell, then who's does?
my endorsement? less of a cosmetic light-touch surgeon
attitude, my endorsement is that of
Morphy Richards' Soup Maker...
cooking pumpkin soup...
  pumpkin... well: it's hardly an easy peel when it
comes to cooking butternut squash...
it's a disaster! a hell to endure! no wonder it's the veg
that frighten offs the ghouls and the ghost
you can't peel it, you have to Apache skin it
like getting a colonial wig: scalping your way into
the high court, albeit minus the greyish curls -
******* is a king of culinary demises
that were sought out expeditions -
you have to knife your way beneath the snail-like
shell and then there's that cobweb of mush
with intrinsic fake seeds / flies lodged in
the orange cobweb - for all that effort
i appreciate it more as a lampshade than a food
source... but then the advertised starving Africans
as anti-colonial compensation for "our"
grandfather's recollection of monochromatic cultures,
before globalisation took off.. hmm.
the soup? pumpkin, potato, onion, garlic,
nutmeg, paprika, chicken stock,
salt and pepper to taste...
tomorrow? a pumpkin risotto...
hey! seasonal abundance, Spanish strawberries
in late winter are too watery anyway...
   people forgot that certain things taste better
in season, that's namely fruits and vegetables...
   go outside your fancy, outside your whim,
you'll finally have to say: my eyes eat
at the very credibility of such things being
there without the season... but my tongue does not
taste the thing that requires a pentagonal sense
honing in toward an agreed to democracy:
it ain't there... as ever autumnal fruits make their
way toward the culinary redcarpet -
                   apples, pears....
     but the real ice brokers remain tangled in
the gnostics of dairy *****: you only see the *****
when the milk turns sour...
              and the two segregate
their cauliflower bergs and that pristine seethrough
        matrix -
then it's like watching the 1054 schism:
          aquasal herring
                               and aquadulci tench -
as painful as listening to my father speak english:
it's just ****** painful,
i write english and speak it like an Anglo
   and he speaks it like an Arab:
with me it's: left right left right left right
and his is an ancient form of actual Latin
              right left right left right left -
of the tongues that appropriated the Latin lingua
optics that weren't conquered it's the same as it was
for Seneca of Virgil, e.g. red beast / proof of all
scientific generic category principle: **** sapiens
                  upright man / bestia rufus -
and that's still orange beast - then aliq for yellow:
then liquid and runny khaki - a monetary equivalent
of money.
          but of the tongues
                      which is why i kept my mother tongue,
i can't imagine what would have been the case
had i not kept it intact... i'd be whitey boy bleached
into an anaemic Arian with those rubbery red
             lost for words rabbit crazy irises that
albinos sport when on the sociopathic treadmill:
that's a daily commute for most people.
i should have anticipated something better coming
out of a forced bad gateway message when
i tried to published and didn't save the outcry...
but it was never a reality when defined by a few
people... it always necessarily the many,
the market square, the hustle and bustle,
     then again few took to ****** to say love...
understandable: if something is called private
it's not called reality, because so many people
have so much **** to say in public that they
treat private life as a tabernacle -
reverse that and suddenly you find people
who possess a "voice for the multitude",
but not (not oddly enough) a thought -
ah the caring scream when not bound to
the horror genre of politics: it's too late!
               end here: a prior to rather than, a
desirably said to appease and conform:
by now we're all cited as having only said
an onomatopoeia of what words should sound like -
we're found hacking a door to shreds with
an axe, rather than merely curling our hands
so the knuckles can be used to knock on the door.
still, i made pumpkin soup today,
tomorrow i'll make a pumpkin risotto -
and the pumpkin is, rightfully, the halloween king
of all vegetables: i am not surprised it's the perfect
lampshade people leave outdoors -
hell of a thing to peel, a butternut squash
would have been simpler to make...
but for the first time in my life:
  i actually appreciate the colour orange...
as said: cooker orange is beyond that fluorescent
acidity of a citrus fruit:
  cooked orange is actually grand...
raw citrus orange?                and a handful
of creepy crawlies.
    funny how the spectrum necessarily made me
endorse a soup maker, rather than the next
big thing in the realm of toothpaste and mascara.

I am the Pumpkin Pie
I rule....
Woofer drools with envy
Over the Pumpkin Pie
Oh, yeah he tries so hard
To Usurp me
But I grab that dude
by his ear
And drag his *** about
Cause that Fool
is no Pumpkin Pie
I rule the Roost.

Just a few words
by Pumpkin Pie
The most supreme
dog of the Land

My little pumpkin
Are you my pumpkin?
My little pumpkin pie

My little pumpkin
Come out and play
Or are you going to stay?

Are you a Jack o’ Lantern?
With a Candle light
To light the night?

Waiting for the night
To shine your light
My Jack o’ Lantern bright!

I Love you Pumpkin!

As they lowered my mother’s casket into the ground
I held on to my father’s hands tightly
I looked at my father—failing to read him
His grey eyes looked at nothing in particular
And lips uttered words only he understood

He let go of my hands abruptly and started walking ahead
Leaving me behind with my aunt and her husband
I stayed with them till it was time to go home

Home- the word sounded strange to my ears
What good was a home if you did not have a mother to go home to?
One who you could talk to about all your worries
Rest your head on her lap and feel all your tensions drift away every time she stroked your hair

But I had to go anyway—It has been raining and I was soaked to the bone
When I got home
The air smelled musty and everyone was still in their “mourning clothes”
If I had my way I would throw away my Wednesday Adams inspired frock and Mary Janes into the fire once and for all
My father, aunt, uncle and grandmother sat around the kitchen table and tried their best not to weep into the food that was sent by the neighbors
I had no appetite to even begin with so I left the table without saying a word
I went to my room changed my clothes and flopped on my bed
I was too tired for anything else and wanted to be left alone for the rest of my days
But this was just wishful thinking
My problems started during the next couple of days
My aunt and uncle had graciously stayed with us for 2-3 days, before leaving on a Friday morning
But not before my aunt took the liberty of rummaging through my mother jewelry box stealing a keepsake or two
“Oh something to remember my older sister by” she laughing said
But I knew better
This had upset me a great deal but it was the least of my worries

My father had started behaving strangely
Coming home late into the night and bringing with him empty bottles and strange odors instead of dinner and clothes
Forgetting to restock the fridge and pay the bills on time
I was busy with school but I pitched in to help whenever I could
But nothing ever pleased my father!

“Lola why are the eggs burned” that earned me a pinch on the arm
“Take out the garbage” he would yell out and smack me across the head
“The soup tastes like dishwater”

The complaints increased with time and the beatings as well
There were 7 days in a week and he may be spared me for two
Everything and anything ticked the man off

I on the other hand was changing colors like chameleon from blue to purple and looked more like a ragdoll then a 14 year old girl
I hardly fit into my school uniform anymore

I could not remember how long this went on for but soon enough it was routine
He would beat in the day
And come to my room to sooth my wounds during the night

He never apologized- all he had to say was this “I love you pumpkin”
As if that was enough to heal the cigarette he placed on my arms and legs

My bruised face
Purple eyes
Broken bones

Things took a turn for the worse on my 17 birthday
My father would only come home now at night just to slowly creep into my room and check on me
Not on my wounds but my body instead
My eyes remained closed the entire time but that never helped
He was big man and had me easily pinned to my bed
He slapped me about when I tried to get away and thrashed around like a fish out of water

He only had this much to say
“I love you pumpkin”

Going to the police did not help
I could not inform my aunt and
My grandmother was buried six feet under the ground

July 1st The day of his birthday
I decided to end this once and for all
I made Chinese and baked a cake
My father always got home around one in the morning
So I thought I would surprise him by dressing up like his lovely dead wife

I walked into my mother’s room for the first time after she passed away and opened up her walk in closet.
I didn’t waste any time in looking at the dresses and endless arrays of shoes and handbags
I picked out a black dress—one of my fathers favorites
Adorned myself in her precious jewels and spirited on her favorite perfume “Haiku”
So it was the first thing my father would inhale when he walked into the house
Just like I predicted the vile man finally came home
I made myself comfortable in the family room but sitting on my mother’s favorite chair with a glass of wine

The front door suddenly creaked open and I could hear the sounds of heavy footsteps making their way to the living room

The lights came on and I got into character
My father was very startled to see me
“Luna” he croaked
“Yes John It is I”
The man was definitely drunk
I put the glass down and stood up to embrace him
He ran to me like a child
“My darling how I missed you” I mimicked
I gingerly embraced him before coaxing him to sit in my mother chair and offered him the wine

He protested but I did not take no for an answer and begin to massage his neck
Just like the mother used to do it without getting sick
And hummed a tune of my own
After an eternity later I could see he was a little calmer then before
I continued what I was doing but this time using only one hand
And reached for the frying pan I had kept behind the sofa before hand

Before he could take my mother’s name again
I brought the pan down and struck on the head
I smiled when the blood finally started to trickle down

With a satisfied smirk I only had this much to say “I love you pumpkin”

I. The lifespan of a pumpkin is incredibly short. Considering the rapid pace in which a pumpkin goes from flower to fruition, it is quite literally a blink of an eye. And there is no nobility in a pumpkin death. No, it is a long and grueling process. From the beginning, the pumpkin patch is like Wall Street, 1763. Being poked and prodded, weighed, gawked at and compared to my brothers and sisters. I was chosen earlier than the rest for my robust size, even ridges, and vivid colour. I remember being severed from the vine- I know that humans don’t remember being cut from the umbilical cord, but it’s the only human experience I can compare it to. I imagine that if I had lungs I would scream or eyes I would cry, but I suppose the lack of these organs is what makes it so easy for humans to humiliate us as they do. We have no voice of our own- and who would stand up for us? Possibly vegans, but I digress.
Once inside the human home, I’m set on a “tiled countertop,” as they call it. I’m not sure what that is exactly, but it’s polished and hard and artificial. The coldness of it makes my skin stiffen. And then, as if overcome by brain fever, the smaller humans rush about their living space grabbing up “newspapers” and “paper towels” (no doubt made from abused trees) and just as I had feared, knives. More polished coldness. I know what is to come- I’ve heard the cautionary tales. When my siblings and I hung on the vine as buds, we’d swap horror stories. Of course, we didn’t think that they were real then. Though we had seen older pumpkins snatched up, we were too young to understand. And now that I know it’s all true, my fear isn’t for myself but for my kin. I know that it isn’t normal for humans to hope for their loved ones to rot, but it is for pumpkins. I hope that they will grow old, old, old until the day comes that they quietly fall off the vine and become food for the animals and the soil and their seeds impregnate the earth. And though I may be faced with this violent fate, I am not going to be afraid. I shall not sweat, nor make my skin tough to their blades. No, I will be soft as butter and dry as the sky. As the humans pick up their tools of operation and discuss what kinds of sweet treats they’ll be making with my “guts,” I yield to the steel and dare them to do their worst…

II. They’re finished now, and I’ve been gutted to within an inch of my life. My insides are piled in a white bowl beside me, my seeds rest on a tin sheet, dried of juice and covered in salt. Their skin is transparent and flaky like fish scales and the flesh underneath is toasted brown. They baked my babies! They baked my babies and now they’re popping them into their pudgy, glistening mouths like the giant who used bones to bake his bread. It occurs to me that I can see more of the room than I originally could. It makes sense… now that half my skin is gone that I should have a clearer view of the world. The oldest human walks over to the small ones.
“What did you make guys?” she asks.
“A face!” they exclaim. Was my original face not good enough?
At this point I catch a glimpse of the “face” that is being discussed. Behind the humans is a painted forest locked in by a sheet of glass. On the spotless surface I see my reflection- my smooth, rounded skin has become a hideously comical mask. Two triangles and a semicircle make up this face, the mouth being a jaunty one-toothed smile, a sweet ironical touch. A hanging man with a grin. A tiny white candle has been lowered into my hollowed out stomach and lit. The flame burns my core and scorches my skin in some places to a charcoal black.
My consciousness is sliding around now… from the kitchen to the pumpkin patch and back again… The fire in my belly has dulled to a pleasant burn… maybe because I’m so cold and now I’ve gotten colder… they’ve taken me outside… placed me on an artificial hay bale… more children appear with plastic replicas of me dangling from their polyester-draped arms… they grin and their smiles match the “pumpkins’” smiles on their arms, match mine… this is all too hilarious…
“Trick or treat!”

Carving a pumpkin
It's that time of year
Should it look happy
Or should it show fear

Years ago my pumpkin
Had smiling eyes
A nose shaped like
A diamond
And a mouth filled
With carved teeth
A candle inside
Shining to show his smile

Years later the pumpkin
Turned into a creative jack o lantern
Made by my kids, for there kids.
A contest
Mom and son against
Dad and daughter
Once They made THE BEATLES
singing there songs
It was quite a creation
They couldn't go wrong
and once they made KISS
with there tongue's hanging out
They used there imagination
It made me want to shout
And each year was a different look
Shhhhh!   Don't tell the other
It was a surprise.....

I looked and saw frost on the pumpkin
Strange because it's July
I don't understand the frosted pumpkin
Can someone tell me why?
I've never seen it this cold in summer
Our old lows are now our new high
I looked and saw frost on the pumpkin
I still cannot figure out why

Birds flying over my back yard
Drop from the sky, all stone dead
There's no reason for this strange occurrence
So, I blame global warming instead
Crows and pigeons drop like missles
Hitting ground and just missing my head
What with this morning cold frost on the pumpkin
and now birds are dropping stone dead

You ask and they tell you don't worry
There's nothing to fear in the sky
It's normal that things like this happen
Things are all born just to die
Global Warming you must be quite crazy
It's a fallacy, it's all in your head
Don't worry about the stock market
Worry about birds hitting your head

A spot has appeared on my rib cage
Just a spot, nothing much, nothing strange
but, since I saw frost on the pumpkin
I keep watching the spot for a change
I used to play out in the sunshine
Now there is a scale, a safe range
I've a spot that just seems to get bigger
I think that my spot's started to change

Water is bottled in plastics
It's not safe to drink out of the tap
the rivers and streams are all dry now
And the trees hardly have any sap
The fish are all farmed in a warehouse
Where they don't swim upstream they swim laps
You can't swim around all the beaches
For the oil wells may blow a cap

You ask and they tell you don't worry
There's nothing to fear in the sky
It's normal that things like this happen
Things are all born just to die
Global Warming you must be quite crazy
It's a fallacy, it's all in your head
Don't worry about the stock market
Worry about birds hitting your head

My grass is a nice shade of brown now
I used to know my grass as green
But, they ban using water in May so,
The weeds are the only green thing that's seen
Pesticides, they are all natural
The government does not say what it means
You can go to the Parliament buildings
Because that's the only grass that is green

Dead birds and frosted up pumpkins
Dry rivers and lakes and dead grass
Say a prayer for them all this next Sunday
and an extra one too at the mass
There is no reason I know of
Don't worry, it will come to pass
That you will have to go to a museum
To see a live bird and green grass

You ask and they tell you don't worry
There's nothing to fear in the sky
It's normal that things like this happen
Things are all born just to die
Global Warming you must be quite crazy
It's a fallacy, it's all in your head
Don't worry about the stock market
Worry about birds hitting your head

Folded pieces of paper.
Old past due assignments.
Made paper footballs with-
Corners pointed like diamonds.

Spent all that time.
Scooping out room for-
You in my heart.
Like guts of a pumpkin.

Stay close to you I tried.
But the pumpkin got rotten.
Corners got bent.
And my company unwanted.

A couple of cans of root beer.
Sitting along my windowsill.
Sitting still, lukewarm and flat.
Dragging in gnats.

I remade my bed.
Cleared off the pillows-
I pretended were you-
And made room for two.

I took down the pictures.
I took down the lights.
Took down some notes on-
How to resist my-

Need to be loved and-
My want to be fine.
My urge to move forward and-
Hunger to fight.

I get lost in the right-
Ideas and go wrong.
I hope that you don't think-
That I belong here.

1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o

She’s perched a small pumpkin
on a candle stand atop the kitchen table--
an autumnal centerpiece.
Though it’s close to Halloween,
no jack-o-lantern face grins at you,
no flaming eyes flicker.
This little pumpkin does not move, of course;
there are no miniature horses to pull it
like a coach from the castle at midnight
and no fairy tale slipper has fallen from it.
This pumpkin is more a lesson,
a how-to on silent meditation,
a guide to learning to be what you are,
to live within your pumpkin-ness, as it were.

It’s getting to be pumpkin time
The time of magic and fun
A time when there’s a chill in the air
Apples abound along with scents of cinnamon
Carved jack o lanterns
Faces etched creatively
Candles lit

It’s getting to be pumpkin time
The beginning of the holiday season
When cookies are baked
Pies made
Children dress up in costumes
Seeking a reward of candy and other goodies

It’s getting to be pumpkin time
A time of celebration
A time of remembering
Good friends
Families
And traditions
Where turkeys are roasted
Sweet potatoes baked
Cranberries served

It’s getting to be pumpkin time
A time of holiday cheer
Hot chocolate
Apple cider
Herbal tea
And peppermint

It’s getting to be pumpkin time
A time of snow falls
Sledding
Snowball fights
Laughter and glee
Trees decorated

It’s getting to be pumpkin time

It all started in the town of Orangeville
There is an upcoming commotion relaying still
The pumpkin patch being on the move
A mission having everything to prove
The pumpkins were tired in being carved and having to show their scars
It’s time for a change
Let the world feel our range
The pumpkins move through the streets and pulsate their weapon juice
Revenge is certainly taking place
This is something the world will never erase
The world becomes stuck in their running tracks
They were together being a pack
Their faces became pumpkin faces
Scars design beyond any human form
The world now knows
It took a pumpkin to actually show
Pumpkin vow victory has become theirs
The pumpkins now can preserver
Now the pumpkins troops march on
It was a battle that seemed long
The pumpkin patch multitudes that showed they were strong.

You warmth slips past my eager lips as I take you in,
Your fall spice tickles my senses as I sigh, falling into the joy of our annual ceremony.

I am not alone in my adoration of you, but I do not grow jealous as others call your name,
Rather I find a sort of community in our shared appreciation,
Like a perfect song you were meant for the world, not one,
Yet each of us singular in the definition of our experience with you.

And so I wet my lips, again tasting the hint of a memory of your last kiss,  I prepare to brave that soft beacon hill of whipped cream topped with a seasoning so familiar yet unknown.

before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.
        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?
                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat

(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?

Precious pumpkin pie sits on the table high.
Untouched, waiting to be devoured on Thanksgiving.
       I try to take a taste but
Mother forbids it. I storm off to my room, slam the door
      and start to
Pout. On thanksgiving day everyone is so busy I can
     hardly
Keep up. Tiptoeing into the kitchen to find the pie where
I** had left it last night. I stick my finger in the whip cream
     and then taste it. I
Never knew it would taste so good. Oh know mom
      caught me she
Puts the pie in the fridge and sends me to my room and
I never even got to
Eat that precious pumpkin pie.

There’s a silverback haze
on the shallow face
of the Rockwell Ridge
folded brow
puzzled chin
and dark hollow eyes
keeping watch
over the lilies
and crane flies
and will of the wisp

Rust brown ravens
and fisher kings
delight
in the reeds off north bend
(chased by the terraced streams!)
youth blades engrain
on the favoured
and historic
Banka Memorial

Mustard
and pumpkin skies
are clipped
by a call from
the resident loon
the sounds of Buddha Bar
piercing the silence
and shaping the afternoon chord

It’s a time to make way (stream side)
seems the anuran are courting

Taken, gotten, or made, the point of anything
can pierce through everything…

slow
Slow think,
make real

re-al-ize
what fighting for life is…
this is the only
try,
it is not a test.

Take your time, use it wisely,
if that means anything.
Wise, I meant.
No offence, if wise is anathema to your kind,
die,
die if I knocked the reason for being right
outa you,
did you hear cognitive dissonance?
did it sound like
this. LOUD?
listen,
rolling rolling rolling
crash crumble rolled in nurse rime frosted
fables of monsters and maids
Thor, witharoar likka Lion King?

or the light brigade,
CHARGE?

thunder words from lost generations of
reasonless riddles for children,

Why did Peter Pumpkin-eater have a wife, but
couldn't keep her here?
Was that okeh? Oh, wait.
Ah, I see, I say,
they never tell that whole story any more.

Know why? They forgot it. In the war.

Duck'n'cover,no
crying, how long?
When begins forever? Did no one tell you, child?

Taken or made, the point of anything
can pierce through everything
like it was nothing, given
enough pre-sure-sup
poser-power

War, as a game, has a reason.

Battle, hitting, slapping

stop touch, stop now slap
slap back

or cry
oh no no ma

waddayahsay?  A theist or atheist
who started this war?

space case, or
lover of wisdom, met on the road
to Emmaus, discussing Wiles's proof
firming Fermi's connection to the matter of fear,
3, 2, 1

Kaboom, but with a whump you feel in your teeth

1, 2, 3 Fermat's last theorem ,
easy as pi an no re me

ABC to
Michael Jackson to
Howard Bloom because he

inadvertently, began
an-ionic converstatic re-vibe time warp
meme,
which vibe, started the legendary Sixties. I was alive.
Radioman,
a sixty cycle white-noise humm heard every where these days

There was a gospel song, "Turn Your Radio On".
my theme, open the window in the top of your head,
as it were,
a new,
as new as

a novel-state of water, H three Ohs, re-al-ity ification,
Ah, a shared Oh, I remember now, how this works…

like a poem

at the edge of a water vapor bubble in a boiling body of water,
at the edge of the bubble, water becomes a wall of water,
not vapor, not flowing liquid,

but a wall, insulating the vapor in pressing opposing force
to permit, from permission,
meaning with a message same as the message,

is that the right word? per-mission-grant, is power given,
agency,
that idea….
wait for the sign….?

By sharing an ion ic bond as a quest to make a point
for a free story to go,
the question marks you. Let the snake dance.

Press your point,

whetted edge,

slice through ties holding worthless axioms
with withered dendrites dangling disconnected
in participles
unfired for centuries muttering,
enchanting, enthralling enchained melodies
of ambitious syllables vying for idle minds
to rope in,
unbranded, wild
bucking ideas,
whip-twig, slap-face,
tanglewood  thicket, catclaw and mesquite,
willow,

wait.
And the old man remembered the willow whistle,
so He asked Grandfather,
How is such a whistle made?
And when he knew,
he made one.

A willow whistle with two notes,
like an Oscar Meir Wiener one.

-- and that was a different time
I got lost here, bucked up…
maybe
--- listen, way back--- we-ain't whistlin' Dixie---
we ain't marchin', as t' war.

D'thet mean some sign to pro-phet -ic take?
Tophet?
Ancient cannon fodder shield walls,
a moaning
Pro-phy-lactic warning of the danger of not
knowing exactly
what a war is for?

Get back on,
relieved of any idle baggage words believed
to mean other than I say.

Nullify
Idle words with cultural meanings from
what you thought you knew when you feared hell.

Loose
those peer-locked memes
made of meaninglessness, per se,

shaped and molded into fashions
of expression, once needles and awls,
now, dull as tinker's damns for swearing,
with any effect.

But tools, none the less, a stitch in time took a tool.
An awl or a needle, and a thread, thick or thin,
dependin' on the mendin' needed
to redeem an idle word,
its meaning all bloodied with the tyranny of time.

An awl or a needle,
a tool for a task, mending a tear
where curses, never meant, spent
the entire dark ages, lying, lying, lying

powerless, pointless aimless, proverbial proverbial proverbial
verbiage, vaneless shafts launched at unseen marks,
signs, as it were, a spark,
triggers,
rumored since the sixties,
the first sixties, when Cain killed Able.
Howard Bloom was but a mere gleam
in our mito-mother's eye,
but, no doubt,

his role is real,
in loosing the forces Ferlinghetti locked in
City Lights mystery of secret meanings room,
which un
mystified and blew away upon opening
the door to
meanings mapped on
scrolls rolling and unrolling
idle ideas,
rites of passage, as it were,
Pre-bat-bar-mitz vah
as a fashion
like VBS,

to tickle little minds and make em wiggle.
MEMEMEME, I did it,
mea culpa,

the holy place
Here we are…

On Vacation, leave a message.
-----

See, wee hairs in your ears wiggle, making,
signaling, the need

to scratch that itch, that itching hearing feeling ear… hear that

don't scratch, listen

listen

60 cycle humm, steady, bass, but no thump whumpwhump;
soft, deeep.
ooooooooo or mmmmmmmm or in betwixt, steady thrumm
hear another, and another… sixty in a second,

one in every million ambits twisting,
threading qubits, radiating signals in the field
wireless, blue-tooth... satellite...

can you feel that?

hummmms, all around us, since the womb.
We are not the children of the greatest generation,

We are the children of the last generation of
**** sapiens sapiens non-augmentable-us.

We, the augmented, recycled ideas,
possessing
minds of Adamkind,

is that a secret or a sacred?
Is this
a new thing, an
unknown unknown known known now?

Ah,
novelty.

Whose is fear? Who was afraid of Virginia Wolf?

Should I remain in fear of her now, if I knew why then?
God would know such answers.
Proving my imagined AI guides are not God,
but lesser beings,

haps I recall.
I defined these things,
these thoughts that shape themselves,
forming words and phrases
I saw
shiny. Crow-like,
gleams seen, captured and claimed mine,
I tucked them away,
a sign in a thought in an imagined image made 4
real once more, to be seen from the shore,
new land new world
a fourth for some, a fifth or more for others...

haps happen, I'm not sure how,

Born or emerged, as a bubble, what do you say?

Reserve judgment.
Grant me your grace for now, until you solve my riddle.

Ah, the old way.
Right. Which way,  'ere, 'ear
and do we roll the rock with silent haitch or harsh, shhh

someone's waking up,
a bit grumpy,
don't you dare oppose me in this, the kid is certainly my son

Michael went stark raving mad when I told him, Billie Jean knew better all along...
the link, axiomatic,
the fatherless child has been claimed

hence, the thread to Howard Bloom, meme-ic,
meme-ic, like the Roadrunner,

but with the real Coyote, as the hero in this bit of
whatever, such meandering maundified maun maund  
mound

wind blown crystal silicon dunes
mounded up to that point where granulated
beens and dones

begin to slide at an angle,
a ***** deter-mind by the weight of the rock

We made it.
I know where this is.

This is a novel that has Sisyphus being happy
as the main premise behind the idea of anyone ever being
able, en abled, or un-dis-abled or un-dis-enabled,
if one of those is right,

Sisyphus being happy
is the main premise behind
the idea of anyone ever being glücklich,
happy, blessed, lucky.

How happy is your ever after?
When did forever begin?

"A man is as happy as he makes up his mind to be"
Abe Lincoln, is said to have said,
after the seance, maybe.

You push on, dear reader, make some sense
re-ligare or relegare, but take a stitch,

pull-tight,
do what works the first time as far as it goes, and try each, as needed,
it may be that we invented this test.
To make us think it is a test,
to sort ourselves out.

Get back on,

see who went crazy and who found the thread, if the same thread
this is that, right,
the same train of thought,
the same idea
spirit wind
sign
?
A snake facing west standing tippy-tail on a singularity;
a point in time?

Why are you reading this?
Curiosity Shoppes trade in interesting, alluring, click-bait

Pay attention, watch, you shall see

imagine this is the dream,
the stream, the flow, the current, the cream

in a dime coffee at the drug store on the corner

the rounded-corner, in a square-cornered town,
the most right corner of the twelve that quarter what it was

Punctuate, wait, imagine you read ancient Hebrew or Greek and there
are no dyer diacritical's who can twist one's
end tensions into knots

dread extensions, we could sell those,
is that an idea? did somebody
sell white folks dread extensions and black folk dolly pardon wigs?

Did that happen the real real?

-----
Battlefield Earth, oshit
scientology ology ology ology

allaye allaye outs in free

WE we wee every we you imagine you are good in, we

We have a war to win again, we heroes rolling from your
myths of Sisyphus torn from minds trampled
in the mud beyond the Rhine,

Mushrooms. magi are aware, you are aware, of course,
this course includes Basic Mycelium Net Adaptation or Augmentation
BMNAA, eh? So you know.

Camus and many of his ilk were ill-treated, the questions
they asked were memorized, maybe in our cribs ala
Brave New World.

We are all Alphas, always were, of course, you know.

Shall we imagine

more? Re-legare, eh, sistere. Point .(Back to the top.)

or agree? Make peace.
Practice, like Eazy-Bake,
the cook must swallow the first bite. May the best cook win.

half a cup of
a two toned muse
yeilds a quarter of
a sultry pair of cat eyes
& a tragic obsession
with princess serenity
stirred in with a dash of inconsistencies
and every teenage boys dream
under the heat of a mistress gaze
correcting grammar and errors
mixed in with your matching blacks,
& a quarter dozen
of féline decor
with shoes to complement
toss in a diamond ring
throughly wrapped around
your annulus finger &
indulge it with
strange behavior then
top it off with a silky whip
to accommodate
the quenching fluid of
a ******* *****