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Alexander K Opicho
(Eldoret ,Kenya ;aopicho@yahoo.com)

On 13th January 2014 Dr. Wafula Chesoli of Mt Kenya University, at Lodwar campus in the north western part of Kenya published a scathing attack against homosexuality in the Neighbourhood, a daily circulating paper of the River Delta state in Nigeria.Dr Chesoli justified his contumelious position against human homosexuality by basing his stand on the scriptural citations of the Bible. The Bible which  Dr. Chesoli has operationally defined as the word of God in  this article that he entitled Strong holds of Homosexuality ;Biblical Persapectives.Chesoli’s argument has a depth of Biblical groundings, however I beg to differ with him in principle, given the  scientific scintillations on humanity of homosexuality from the recent researches of health education and psychology.
Firstly, I humbly remember that about three years ago I also published an article in the East African standard which harshly condemned social and behavioral position of gay and lesbian marriages. This was when the Anglican archbishop Dr. Eliud Wabukala of Kenya had in a similar tone lambasted the archbishop of Canterbury for suggesting that there was need for the office of the gay Bishop in the Anglican Church. I strongly supported Wabukala in that I even called gay and lesbian behavior as cultic and satanic hence to be condemned with all forms of capital nemesis. Some of the contents of my article in which I condemned homosexuality are here;
Let us support Wabukala stand on gays and morality
(January 13th 2011 at 00:00 GMT; By Alexander Opicho, Eldoret)
Practice of psychology and Christianity operates on a universal principle of unconditional positive regard for all. However, there has been a twist in this convention when media in Kenya at the start of this week carried a story that depicted moral fortitude of Bishop Eliud Wabukala; who has out-rightly dismissed the idea of establishing the office of a gay bishop in the leadership of the Anglican Church. Wabukala has come out boldly on this against the strong currents in support of gay marriages from his superiors in the Church. The efforts by Wabukala befit all manner of felicitation from all of us who believe in morality as a basis of humanity. The basis of gay relationships is legalistic and political. African culture conscientiously discourages a cult of gayism. And in Kenya living as a gay is living in contradiction to the Constitution. These collectively fall in an agreement with basic teachings of Christianity. Gayism, lesbianism, celibacy and trans-species ****** behaviour are admonished by Biblical teachings. Gayism is social deviance that originates from degradation in ****** behavior; it is a state of ****** depravement. Read more at;
http://www.standardmedia.co.ke/?articleID=2000074879&story;_title=-Let-us-support-Wabukala-stand-on-gays-and-morality.­
Little did I know that as I was publishing this article two percent of my friends and my family members are victims of ****** behavioural disability, which we are calling homosexuality in the above juncture. As university teacher in the departments of social sciences where student populations is usually high, I again came to discover sometimes later that ten percent of my students always have disordered ****** or gender conditions. I found these to be substantial revelations that provoked me to carry out both desk research and investigative *** socialization researches into this bamboozling human phenomenon of homosexuality and other related disordered ****** behaviours.
The order of explanation would first require a position which posits that; religions both Christianity and Islam don’t have any intellectual nor social machinery to carry out a socially ameliorative process in relation to disordered gender and ****** behavior in any society. Their approach have been and would still be parochial in the sense that the only outcome to be achieved is prejudice, bigotry and discrimination with full harassment against Christians or Moslems with ****** or gender disability. Thus religion should pave way for other competent social players over this matter.
Dr Chesoli’s Position that the Bible is the word of God and the Quran is the word of Allah and hence those with physiological conditions in contrast to the word of God and Word of Allah are satanic, only to face wrath of God on the judgment day is simply devoid of modern logic. I want to sensitize Dr Chesoli on the fact that not every thing in the Bible is the word of God neither   every thing in the Quran is the word of God otherwise called Allah. To support my position before I just explain scientific position of homosexuality, I want Dr. Chesoli to learn that; 159 psalms in the Bible are poetries of Kind David, Kind David whose leadership was full of Machiavellian tricks just like the current leadership of Yoweri Museven of Uganda. The book of Job is theatrical and poetical literary creation of Moses. But not the word of God. This is so because the land of Uz in which Job lived is pure fiction. All papyrological surveys have never established geographical evidence of this land. The last part of the Bible is made up of 21 epistles or letters of Paul the benjaminite. Paul’s writings display eminence of intellect as a lawyer and a person schooled in the Greek classics of Homer’s Iliad and Odysseus as well as Sophocles’ Oedipus Rex.The idea that the words which Paul wrote was the word of God is not founded ,perhaps the last stage of Jewish casuistry.
Homosexuality has to be understood as lameness or disability like any other animal or human disability. I am aware that Dr. Chesoli belongs to the old school which only appreciated the fact that lameness is limited to physical, mental, eye and hearing impairment.However, this position is now scientifically obsolete. Humanity is now understood to be sometimes a victim of ****** lameness, intellectual lameness, emotional lameness, racial relational lameness and other plethorae of lameness to be uncovered, courtesy of science and research.
Like the condition of ****** disability can be heterosexual disability or homosexual disability. Heterosexual disability can be indicated by misfortunate human ****** conditions like; early *******, erectile disfucntion,oversize *****,undersize *****,frigidity,phobia of opposite ***, oral ***, **** ***,****** appetite for your own child, ****** appetite for your sisters, brothers, uncles or aunts, frigidity, small ******, abnormally big ******,insatiable libido or insatiable appetite for ***.
But on the other  hand  homosexual disability are often indicated in the perverted ****** behavioural positions like male to male *** also known as gay and female to female *** also known as lesbian, or female to male to female to male *** also known as bisexuality. We also have other ****** phenomena like celibacy, voyeurism, *** with non human creatures, *** with inanimate objects, *** with ghosts and *** with spiritual creatures like the one accounted in the Bible between Mary the mother of Jesus and an Angel Known as Gabriel. There is also *** with dead family members. Dear reader just accepts that the list in this line is long.
Now labeling above positions as satanic or ungodly can be misleading in the modern sense. The motivation for all the above behaviours is sensual satisfaction. But the physiological cause of the behaviour is few and far between. Some of these conditions are caused by genetic misprogramming or mutation; some are due to body malformation. Like having female reproductive system in a male human casing or male female reproductive system in a female human casing. But the sorriest part of this human experience is that victims of these conditions always feel that they are right human creatures in the wrong body from which they struggle to jump out but they have never succeed.
This is why the Journal of Pan African Voices known as Pambuzuka news has a platform for anti – homophobic journalism, which actually purport to promote social and intellectual awareness among the Africa societies about matters relating to ****** and gender disabilities. This journal strives to minimize homophobic positions like the one taken by Dr. Chesoli in a smokescreen of Christianity or Islam which will ultimately only end up as heinous violations of human rights.
An empirical position has facts that gender and ****** disability conditions is rampart in urban areas than rural areas and more rampart in industrialized or developed countries than peasant rural based countries. Thus logic will tell you that we have most gays and lesbians in America and United Kingdom than in Kenya or Malawi. This is why President Barrack Obama in an imperial stretch conditioned the govermenent of Uganda to make a legislation that favour gays and lesbians. This was also reflected three years ago in the United kingdom when David Cameroon warned the government of Ghana that if they don’t make a legislation that appreciate homosexuals then United Kingdom would not give economic aid to Ghana.Contextually,both Cameroon and Obama were wrong. We don’t use vents of desperate imperialism to manage a misfortunate social condition. We first of all begin by educating our people, then socializing the idea among our people then we finalize by positioning the idea among our people. Thanks for your audience.
Alexander K Opicho, is a social researcher with sanctuary research agencies in Eldoret, Kenya.He is also a lecturer for Research Methods in Governance and Leadership.
Mitch Nihilist Nov 2016
what does the man behind his desk
at the publishing company deem
worthy of publishing and
how much are his shoes?
I wonder if my words
will entice him enough to begin smoking,
or quit smoking,
or have a drink,
maybe sign a contract
or rather have me one,
will he turn off his Bach  
to understand or
turn up his Bach to understand?
will he analyze my grammar,
or the need of post secondary?
I wonder if he will bring forth
his obsession of
having a finger in his ***
to his wife after reading the erotics,
or will he put a finger in his ***,
will I be read in a
reader’s digest in 25 years
while a man of elder
near ***** his pants,
or will I be dwelled as an elder,
and I bet you they’re over
200 bucks.                                   MJB
sorry for the vulgarity
Miranda Renea Feb 2014
Everyone talks about depression as if they know it.  

But what they don’t know is that depression is a hooded figure standing just outside of a wooden doorway,

it’s feeling the blood dripping down your skin and having the sick thought of  “Oh, look how beautiful the red is” (they always say red is my color).

Depression is lying on your bed for hours on end, salt tracks lining your face like the scars on your ankles, staring at your ceiling tracing patterns in the paint and accepting death in life with this hole in your chest because death is a reward, an escape from this pain you deserve to feel.

Depression is writing sick poetry on skin and publishing it with scars, cutting on ankles, not wrists because you’re scared you’ll get in trouble but you so desperately need to be seen, and never are.

Depression is writing the word “alone” and seeing the word “home”, accepting the pain like a gift because you deserve it.

Depression is admitting suicidal thoughts to paper and not to people, and loving the broken things, hoping to tie them together, thinking maybe things will get better, but knowing that’s just wishful thinking.

Depression is hearing your mother call you monster and disgusting through the too-thin walls of your door when she thinks you can’t hear, and then telling you to your face that you have no right to cry, as if sadness is a privilege and you’re so pathetic that you don’t deserve it.

Depression is shutting yourself up in your room and hearing your family laughing downstairs because you feel like you can’t be a part of them and learning at a young age to love family always but that family isn’t always love

Depression is wanting to take love and your heart and break them into tiny little pieces and throw them into waves, to throw them away

Depression is a foot when the shoe hasn’t been broken in yet, is you when you haven’t broken life in, is seeing happy people and thinking they all look the same, like the front covers of magazines with smiles reaching their eyes when yours can’t.

Depression is wishing you could package your smiles into tiny little piles and hand them to people more deserving of them because you know you’re wasting them with half-assed lines of “I’m fine”

Depression is having to view your past as if it wasn’t yours, because to accept it as reality is to accept finality of your life through suicide.

Depression is a hooded figure standing just outside of a wooden doorway and when you close the door out of fear it keeps pounding, possessive, ******, and when you open the door out of anger you shout, “I’M SCARED” to thin air but your voice comes out as a whisper.
My coach made me rewrite the poem again, and this is the result.
For
              Carl Solomon

                   I

I saw the best minds of my generation destroyed by
      madness, starving hysterical naked,
dragging themselves through the ***** streets at dawn
      looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
      connection to the starry dynamo in the machin-
      ery of night,
who poverty and tatters and hollow-eyed and high sat
      up smoking in the supernatural darkness of
      cold-water flats floating across the tops of cities
      contemplating jazz,
who bared their brains to Heaven under the El and
      saw Mohammedan angels staggering on tene-
      ment roofs illuminated,
who passed through universities with radiant cool eyes
      hallucinating Arkansas and Blake-light tragedy
      among the scholars of war,
who were expelled from the academies for crazy &
      publishing obscene odes on the windows of the
      skull,
who cowered in unshaven rooms in underwear, burn-
      ing their money in wastebaskets and listening
      to the Terror through the wall,
who got busted in their ***** beards returning through
      Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
      Paradise Alley, death, or purgatoried their
      torsos night after night
with dreams, with drugs, with waking nightmares, al-
      cohol and **** and endless *****,
incomparable blind; streets of shuddering cloud and
      lightning in the mind leaping toward poles of
      Canada & Paterson, illuminating all the mo-
      tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
      dawns, wine drunkenness over the rooftops,
      storefront boroughs of teahead joyride neon
      blinking traffic light, sun and moon and tree
      vibrations in the roaring winter dusks of Brook-
      lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
      ride from Battery to holy Bronx on benzedrine
      until the noise of wheels and children brought
      them down shuddering mouth-wracked and
      battered bleak of brain all drained of brilliance
      in the drear light of Zoo,
who sank all night in submarine light of Bickford's
      floated out and sat through the stale beer after
      noon in desolate Fugazzi's, listening to the crack
      of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
      pad to bar to Bellevue to museum to the Brook-
      lyn Bridge,
lost battalion of platonic conversationalists jumping
      down the stoops off fire escapes off windowsills
      off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
      and memories and anecdotes and eyeball kicks
      and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
      and nights with brilliant eyes, meat for the
      Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
      trail of ambiguous picture postcards of Atlantic
      City Hall,
suffering Eastern sweats and Tangerian bone-grind-
      ings and migraines of China under junk-with-
      drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
      railroad yard wondering where to go, and went,
      leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
      through snow toward lonesome farms in grand-
      father night,
who studied Plotinus Poe St. John of the Cross telep-
      athy and bop kabbalah because the cosmos in-
      stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
      ionary indian angels who were visionary indian
      angels,
who thought they were only mad when Baltimore
      gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
      homa on the impulse of winter midnight street
      light smalltown rain,
who lounged hungry and lonesome through Houston
      seeking jazz or *** or soup, and followed the
      brilliant Spaniard to converse about America
      and Eternity, a hopeless task, and so took ship
      to Africa,
who disappeared into the volcanoes of Mexico leaving
      behind nothing but the shadow of dungarees
      and the lava and ash of poetry scattered in fire
      place Chicago,
who reappeared on the West Coast investigating the
      F.B.I. in beards and shorts with big pacifist
      eyes **** in their dark skin passing out incom-
      prehensible leaflets,
who burned cigarette holes in their arms protesting
      the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
      Square weeping and ******* while the sirens
      of Los Alamos wailed them down, and wailed
      down Wall, and the Staten Island ferry also
      wailed,
who broke down crying in white gymnasiums naked
      and trembling before the machinery of other
      skeletons,
who bit detectives in the neck and shrieked with delight
      in policecars for committing no crime but their
      own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
      dragged off the roof waving genitals and manu-
      scripts,
who let themselves be ****** in the *** by saintly
      motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
      the sailors, caresses of Atlantic and Caribbean
      love,
who balled in the morning in the evenings in rose
      gardens and the grass of public parks and
      cemeteries scattering their ***** freely to
      whomever come who may,
who hiccuped endlessly trying to giggle but wound up
      with a sob behind a partition in a Turkish Bath
      when the blond & naked angel came to pierce
      them with a sword,
who lost their loveboys to the three old shrews of fate
      the one eyed shrew of the heterosexual dollar
      the one eyed shrew that winks out of the womb
      and the one eyed shrew that does nothing but
      sit on her *** and snip the intellectual golden
      threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
      beer a sweetheart a package of cigarettes a can-
      dle and fell off the bed, and continued along
      the floor and down the hall and ended fainting
      on the wall with a vision of ultimate **** and
      come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
      in the sunset, and were red eyed in the morning
      but prepared to sweeten the ****** of the sun
      rise, flashing buttocks under barns and naked
      in the lake,
who went out ******* through Colorado in myriad
      stolen night-cars, N.C., secret hero of these
      poems, cocksman and Adonis of Denver--joy
      to the memory of his innumerable lays of girls
      in empty lots & diner backyards, moviehouses'
      rickety rows, on mountaintops in caves or with
      gaunt waitresses in familiar roadside lonely pet-
      ticoat upliftings & especially secret gas-station
      solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
      dreams, woke on a sudden Manhattan, and
      picked themselves up out of basements hung
      over with heartless Tokay and horrors of Third
      Avenue iron dreams & stumbled to unemploy-
      ment offices,
who walked all night with their shoes full of blood on
      the snowbank docks waiting for a door in the
      East River to open to a room full of steamheat
      and *****,
who created great suicidal dramas on the apartment
      cliff-banks of the Hudson under the wartime
      blue floodlight of the moon & their heads shall
      be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
      the crab at the muddy bottom of the rivers of
      Bowery,
who wept at the romance of the streets with their
      pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
      bridge, and rose up to build harpsichords in
      their lofts,
who coughed on the sixth floor of Harlem crowned
      with flame under the tubercular sky surrounded
      by orange crates of theology,
who scribbled all night rocking and rolling over lofty
      incantations which in the yellow morning were
      stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
      & tortillas dreaming of the pure vegetable
      kingdom,
who plunged themselves under meat trucks looking for
      an egg,
who threw their watches off the roof to cast their ballot
      for Eternity outside of Time, & alarm clocks
      fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
      fully, gave up and were forced to open antique
      stores where they thought they were growing
      old and cried,
who were burned alive in their innocent flannel suits
      on Madison Avenue amid blasts of leaden verse
      & the tanked-up clatter of the iron regiments
      of fashion & the nitroglycerine shrieks of the
      fairies of advertising & the mustard gas of sinis-
      ter intelligent editors, or were run down by the
      drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
      pened and walked away unknown and forgotten
      into the ghostly daze of Chinatown soup alley
      ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
      the subway window, jumped in the filthy Pas-
      saic, leaped on negroes, cried all over the street,
      danced on broken wineglasses barefoot smashed
      phonograph records of nostalgic European
      1930s German jazz finished the whiskey and
      threw up groaning into the ****** toilet, moans
      in their ears and the blast of colossal steam
      whistles,
who barreled down the highways of the past journeying
      to each other's hotrod-Golgotha jail-solitude
      watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
      if I had a vision or you had a vision or he had
      a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
      came back to Denver & waited in vain, who
      watched over Denver & brooded & loned in
      Denver and finally went away to find out the
      Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
      for each other's salvation and light and *******,
      until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
      impossible criminals with golden heads and the
      charm of reality in their hearts who sang sweet
      blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
   &nb
Hannah Christina May 2018
Anything can
look like a poem
and sound philosophical
simply by moving
the words on
different lines.

Am I doing it right?
Is this
really
talent?
Art?
Effort?

I think I am trying.
Really, I am
I go back and change the order
and I break lines
where it sounds right
But it does not take me long.
Not at all.

I try to be
intentional
and call it natural rhythm.
Instinct and style taking over
I alternate between
agonizing every detail
like When to Capitalize
and publishing free form poems without looking over them twice.

How is writing supposed to feel?
Should I labor?
or should it flow?
Or do I get to decide?

I think the things I talk of
mean something
at least.

But am I just
pretentious?

fooling myself into thinking that
using common poetry formats
somehow makes my work worthwhile?
Problems only We True Artists face.
jake aller Mar 2019
World According to Cosmos Updates March 3, 2019

Note: I am taking a two week trip to Vietnam and will update my blog when I return with my reflections on my trip, updated publications etc.

Cosmic Dreams and Nightmares

I don't dream dreams.  I dream movies complete with action, music, food, smells everything.  In this one I had a vision of  a possible future. it was so vivid, almost as if I were watching the hearing take place.

Three stories

Dream Girl (true story)
General Zod (flash fiction
Sam Adams Vs. the Social Cleansing Board
Six Poems
Morphing Images from Hellish Nightmare
Endless Movie
Worlds within Worlds Lost in Hell
Rafting to Hell
Satanic Torture
Micro Stories

Don’t Go Jogging in the Middle of the Night
Don’t touch this button!
Don’t open the door
Don’t go to the theater tonight stay home with me
Don’t go to Dallas I have a bad feeling about the trip


Dream Girl
Cheating Death 100 Times
Guardian Angel
Medical Mystery
SLA Hit List

Dream Girl – A true Story – reprinted from Dreams and the Unexplainable
You know you’re in love when you can’t fall asleep because reality is finally better than your dreams.

Author Unknown

The dreams started when I was a senior at Berkeley High School in 1974. About a month before I graduated, I fell asleep in a physics class after lunch and had the first dream:

A beautiful Asian woman was standing next to me, talking in a strange language. She was stunning—the most beautiful girl I had ever seen. She was in her early twenties, with long black hair, and piercing black eyes. She had the look of royalty. She looked at me and then disappeared, beamed out of my dream like in Star Trek. I fell out of my chair screaming, “Who are you?” She did not answer.

About a month went by, and then I started having the dream repeatedly. Always the same pattern.

Early morning, she would stand next to me talking. I would ask who she was, and she would disappear. She was the most beautiful, alluring woman I had ever seen.

I was struck speechless every time I had the dream.

I had the dream every month during the eight years during which I went to college and served in the Peace Corps. In fact, when I joined the Peace Corps, I had to decide whether to go Korea or Thailand. The night before I had to submit my decision, I had the dream again and it made me sure that she was in Korea waiting for me.

After the Peace Corps, I still hadn’t met my dream woman. I got a job working for the U.S. Army as an instructor and stayed in Korea. I kept having the dream, until I had the very last one:
She was standing next to me, speaking to me in Korean, but I finally understood her. She said, “Don’t worry, we will be together soon.”

Why was that the last time I had the dream? Because the very next night, the girl in my dream got off the bus in front of me. She went on to the base with an acquaintance of mine, a fellow teacher, and they went to see a movie. I saw her and found the courage to speak with her.

We exchanged phone numbers and agreed to meet that weekend.

The next night, she was waiting for me as I entered the Army base to teach a class. She told me she was a college senior and she had something to tell me. I signed her on to the base and left her at the library to study while I taught, and then we went out for coffee after class. She told me she was madly in love with me, and that I was the man for her. I told her not to worry as I felt the same.

That weekend, we met Saturday and Sunday and hung out all day. On Sunday night, I proposed to her. It was only three days after we had met, but for me it felt like we had met eight years ago. I had been waiting all my life for her to walk out of my dreams and into my life, and here she was.

Her mother did not want her to marry a foreigner. One day, about a month after we met, she invited me to meet her parents. I brought a bottle of Jack Daniels for her father and drank the entire bottle with him. He approved of me, but her mother still had reservations. After a Buddhist priest told her my future wife and I were a perfect astrological combination, she agreed, and we planned our wedding.

The wedding was a media sensation in South Korea. My wife explained it to me years later. At the time, I was overwhelmed just by the fact that we were getting married and I didn’t fully understand how unusual this was. My wife was of the old royal clan, distant relatives to the former kings of Korea. In the clan’s history, only two people had ever married foreigners: my wife, and Rhee Syngman, who was the first President of South Korea. My father, who was a former Undersecretary of Labor, came out for the wedding, which fueled even more media interest. Our marriage defied the stereotypical Korean-foreign marriage where the women married some hapless GI just to escape poverty and immigrate to the U.S. We were the first foreign/Korean couple to get married at a Korean Army base. Over 1,000 people came to the wedding, and my father was interviewed on the morning news programs.

This all happened thirty-seven years ago, (45 years since the first dream) and I am still married to the girl in my dreams. Now in my dreams she watches over me when we are apart.

General Zod Conquers the World
SETI and the search for extraterrestrial life goes on overdrive when scientists report what appears to be radio and television broadcasts from a planet eight light years from earth, the same planet as the Vulcans came from in the Star Trek universe.  The programs show a world where dinosaur-like creatures are running the world and there appears to be a civil war.  Over the next six months, the world is transfixed watching the alien broadcasts which are translated in English via a supercomputer program.  In the broadcast, a nuclear war has occurred. The surviving party regains absolute control and announces the formation of the Galactic Empire.  General Zod is the First Emperor.  They have discovered Earth as well. The aliens launch a crash project to develop interstellar travel so they can come to earth and conquer the earth.

The revelations that there is an external threat to the planet causes the United Nations to get together with the help of the United States and Russia another space powers, they put together Space defense International organization and also invigorates efforts to make the UN a real Planetary government including finally conquering climate change.

But it was too late. General Zod’s son arrives to take over the earth. He makes a broadcast saying that they were liberating Earth in the name of the Galactic Empire and that resistance would be futile.

They land at the White House and when President Trump comes out to greet them,

General Zod cuts off his head, and then cuts off the heads of all the staffers as they come out White House. After an hour of unimaginable horrors, including mass rapes, blowing up the Pentagon and the CIA,  General Zod announces that he had taken over the world.

Life will continue as before as long as people behave and follow the rules they would be fine Resistance to the new empire will be met with instant death.  Life in the Empire is not a democracy. They would not tolerate Freedom of speech, and Freedom of Press, and Freedom of Assembly And the freedom to oppose the State. The state is everything.  As long as humans remember that they would be just fine. They took over the United States because it was the biggest country in the world. And that his forces will take over the rest of the world but in the next couple weeks. If people on earth accept the new order, their safety would be guaranteed. Companies would be taken over by Galactic Empire companies, and everybody would have to learn Galactic standard. Within one year older languages will be banned.

Sam Adams Vs. the Social Cleansing Board

the summons
Sam Adams was worried. He could not sleep. He got up at 4 am and wrote in his journal and tried to cope with the dread that was overwhelming him. He had received the summons yesterday that he was to report to the social cleansing board for a review on whether he would allow to continue to be on the automatic permit list or would be referred for final status determination. Sam was a retired Federal worker trying to live on dwindling savings.

Sam had Alzheimer’s and was rapidly depleting his life’s savings. Two years before he had been released from prison, one of millions of ex political prisoners. His crime? Authoring anti-government poems just before the beginning of the Christian States of America, right after the second civil war. Unfortunately for him and his millions of ex-prisoners, his side lost the war. He wanted to flee to the United Provinces and settle down in California but lacked money to move. And getting a job at his age, with Alzheimer’s and his political rating was proving difficult at best.

All of which added up to a 90 percent probability his last days were approaching.

Under the new rules imposed by the Christian republican party in the newly established Christian states, all citizens over the age of 18 were on the permitted list if they met all of the following criteria. He tried to think why he was being referred to the board. Perhaps it was because of the recent crackdown on social deviancy. Millions of homosexuals, transgenered people, atheists, drug users, alcoholics, and non-religious people had been rounded up and eliminated according to the rumors. Perhaps someone had fingered him as a possible deviant. He fit the stereotype, no children, known drug user, known alcohol user, suspect politically, atheist and now Alzheimer’s patient. And he was not racially pure having some black blood, some Asian blood and some Jewish blood. And he had married across the racial divide which was now illegal.

The story was that if you flipped and named names you would sometimes be spared for now, and if your info was correct, you could be rewarded. Of course, those whom you flipped were not too fortunate. That was probably the story or someone could have heard that he was an ex political prisoner, or simply that he had Alzheimer’s’.

He had no children. And he was a secret atheist and had been involved with the dissent movement and had spent five years as a political prisoner at the start of the Christian Revolution. He was determined to make a stand and denounce the whole rotten system before the board although that would probably seal his fate.

As an Alzheimer’s patient he could no longer work. His wife had died the year before while he was in prison after she had been deported to her native Korea. She left him some assets but he had little idea how to manage his finances and he was behind in his rent and had received an eviction notice which had probably triggered the visit by the social cleansing staff who recommend a final status determination. But it was just as likely he was on the list because someone flipped on him.

He also did not make it last time when they came for him at midnight. Always at midnight the story goes.

The soldiers came took him away from his wife and locked him up for two years. They deported his wife whom he heard had died shortly afterwards. He spend two years at hard labor in the dessert near Las Vegas and was released into Las Vegas.

Las Vegas was a different town now that the casinos had left town. All that was left were back office operations, and underground ***** and *** operations and underground casinos. It was a hot bed of political dissent and there was an underground railroad to California, which was not part of the Christian states. Sam had been preparing to leave which was a crime and perhaps that is why he was on the list.

The hearing would be at 10 am. He was meeting his lawyer at the hearing board but his lawyer was not too optimistic.
the Permit Criteria
The basic criteria for being on the permit list were:

For Males

Age 18 to age 70
White race
Married to a white woman with children
Must be either working, in school full time, serving in military duty, or working in prison if convicted of a crime.

Homelessness was not allowed. If unemployed and or homeless, would be referred to social cleansing department unless one had a relative who was willing to take care of your needs.

Since there were no pensions or social security anymore and no government provided health care, one must have sufficient assets through one’s work, or savings or through one’s relatives to provide for one ‘s needs. If not you would be sent to the social cleansing board for final status determination.

For Females

Same basic rules applied but if one were married, and had children one would be on the permitted list, if children are older, if spouse’s income is sufficient one would be on the list.
If single or divorced, and homeless one would also be subject to social cleansing unless one’s relatives would willing to sponsor you. Since there were no pensions or social security anymore and no government provided health care, one must have sufficient assets through one’s work, or savings or through one’s relatives to provide for one ‘s needs. If not you would be sent to the social cleansing board for final status determination.

For Aged People

Additional requirements for the age you were expected to take care of your basic needs through employment and savings and the help of relatives. If you were evicted for non-payment of rent, or judged to not have sufficient assets left to sustain your basic needs including medical care, you would be referred for final status determination.

For all people additional requirements applied.

****** deviancy, drug use, alcohol use, gambling, *** outside of marriage, homosexuality would result in immediate referral to the social cleansing board as all were banned conduct that could result in final termination.   Being a member of a prohibited religious class could also be grounds for referral as would a pattern of not attending Christian services. Finally, if one had been arrested for political crimes one would be marked forever.
<h2>Sam's Rating</h2>
One had a government social rating. Sam knew that his rating was a D meaning that the government would be watching him all the time, and it would be difficult to get a job. Only the A’s and B’s were guaranteed to be on the permit list.

To be a A you had be to a true believer, had to be white, had to attend church on a regular basis, and had to be employed naturally.

To be a B same thing but you could be a B if you were a minority, or had engaged in alcohol or drug use under the old rules.

C meant that there was something wrong with your background, you were an atheist, you were a minority etc.

D mean that you were a serious threat to the regime.

E meant that you would be terminated.

F met you were terminated as it met Failure to survive, and family members of F were also labeled F as they were usually terminated at the same time.

Being associated with banned political movements, including reading banned materials could also lead one to being referred to the social cleansing board as all were grounds for either termination or criminal prosecution if under the age of 70.

The board has three choices - granted temporary status extension, referral for termination, or referral to criminal prosecution.

The termination would be carried out quickly. There would be an optional funeral at your Church, then the execution through the method of your choice - firing squad, beheading, electric chair, or gas. The default was gas where you were put in a room with up to ten other people and put to sleep.

Afterwards your body would be cremated in an electricity generating plant with the ashes turned into fertilizer products. There were no burials allowed unless one was rich enough and connected enough to request a burial exception. Most people did not qualify.
the Hearing
The hearing started. The presiding Judge, Judge Miller was a stern face white man in his 70’s and a true believer. He was sent to Las Vegas to clean it up as Las Vegas was the wild west, a hot bed of dissent, illegal drug use, illegal prostitution and illegal casinos. It was also near several political prisons so many ex cons lived there.

The Judge was the chairman of the Nevada state committee that did not exist and was a senior official in the Federal committee that did not exist that brought together government, business and church leaders to coordinate government policies and that secretly ran the Christian States of America.

Probably a score of A thought Sam.

The judge announced that he had reviewed Sam’s file and was shocked that Sam had escaped final termination. He said that the previous board had erred in simply sending him to prison. He should have been eradicated as a social evil, as a cancer that needs to be removed from the pure body politics. Sam and his ilk sickened him. Sam was a free thinker, an atheist, a mix race mongrel, married to a non-white and was therefore guilty of crimes against the white race which was a crime. The Judge was determined to see justice done.

He asked Sam a series of questions. Sam’s answers sealed his fate.

Sam, what is your occupation?

None for now.

You realize that under the law you must be working, in service, in school or in prison?

I can’t find a job due to my age, my Alzheimer’s; and my political record.

That’s irrelevant. You are just a lousy atheist *******. You deserve no sympathy. And have none from me.

Are you white?

No, I am mixed race, part native, part Asian, part black.

I see you were married to a non-white and had no children. Good for you we would not want to see more mongrel children. Such children should be eliminated at birth in my opinion and will be starting next month when we begin enforcing the racial purity laws.

What was your crime? Let’s see reading prohibited writings, keeping a journal, publishing an anti-government blog, authoring anti-government poems and stories. You served two years at hard labor?

Yes

Do you still write?

Yes, everyday but I no longer publish on line.

Good. No one would want to read that trash anyway.

Do you go to church?

No

Do you believe in God?

No, I do not believe in an imaginary man in the sky.

One more anti-religious statement from you will result in an immediate ruling of termination.

Do you drink?

If I can find it yes

Do you gamble

Yes, when I can

Do you support the Christian Republican Party and the Christian States of America?

No, I do not.

Okay, I have enough for a ruling. Sam Adams, you are hereby sentence to termination. Tomorrow morning at 7 am you will be turned into electricity and fertilizer. Take him away.

Next please.

At midnight there was a knock at the door. A black man appeared and said he was a friend and he was being smuggled to California. Sam rejoiced and went with his new friend and reached SF in the morning, escaping death for the 23rd time in his life.

the End

Poetic Nightmares

Morphing Images from a Hellish Nightmare
Note: From a real nightmare End Note

I am in a room
Drinking at a party
And smoking ****

Watching people all around me

Change into hideous creatures
Monsters from the deepest depths of hell

Everyone in the room
Has been transformed except me

The Chief of them all
Wears a Trumpian mask

Complete with orange hair

Half human half pig

His deputy
Wears the face of Putin
But his body
Half human, half horse: if

The other creatures wear masks
Many of them wear
Green Pepe the alt-right
Symbolic frog masks

And have T-shirts
Bearing alt right slogans
And **** symbols

And as they prance about
They chant alt. Right slogans
And neo-**** chants

Jews will not Replace us

And the rest of these creatures
Are hideous ugly beasts
With only a vestige of humanity left

And these monsters are engaged
In all sorts of foul evil deeds
****** violence death

All around
And non-stop
violent drug-fueled ******

As these creatures
Half human half monsters
Half male, half female creatures

Snort coke, *******, speed
Smoke **** and drink ***** shots
Scotch, bourbon and beer

The Trumpian Pig leads the charge
Starts engaging in ****** with Putin
Who chases after people

Cutting off their heads with his sword
They turn on to their fellow creatures
****** and killing each other
and eating their fellow creatures

All night long

Then they attack me
Screaming

Jews will not replace us
And I wake up
Screaming

As the sun comes up
Just another nightmare


The Endless Movie

Watching the TV coverage
Of the great government shut down
Of 2018-2019

I am reminded of a movie
As I fall asleep
Listening to the TV

Blather on and on
About what it all means

Mr. Natural pops up
And screams

"It don’t mean s….

“Dude, the endless movie
Is about to begin”!

A middle-aged white man
Down on his proverbial luck
Just been fired

Replaced by a foreign worker
Or a robot

Or just fired
Because he was no longer
Deemed useful
To the masters of the universe

If he was lucky
He'd  be given a watch
And an IOU worthless pension

And the man wanders into a restaurant
Pulls out a gun

Eats his breakfast
After the official breakfast hour

Puts on a Pepe the green frog mask
Drops acid, Snorts speed
Drinks a shot of *****
And coffee smokes a joint

Snorts ******* for good measure
and smokes a cigarette

And walks outside
steals a bus at gun point
Filled with passengers

He tells them
They are hostages

And he puts on his vest
With the dead man switch
Next to the bomb

He announces
Via tweet

He is going to take the bus
To the proverbial *** of gold

Hidden deep in a cave
And when he got there

He would release the hostages
And disappear into the mine
And never be found again

And as the bus careens around the mountain
At 100 miles an hour
The dude sprouts out

Conspiracy after conspiracy theory
About Obama the Muslim communist

secret gay working with George Soros
the Jewish money people
in league with the shapeshifting lizards

and Mueller is one of them
they are all after him
because he knows the deal

And the passengers are transfixed
Half hoping, he would make it
Half hoping, he would be blown away

And as the bus careens out of control
With the wheels falling off

And the cliff looming ahead
You realize we are all doomed


Worlds Within Worlds Lost in Inner Space
A man woke up one day
Lost in inner space
Went so far down
The proverbial rabbit hole

That he did not know
Where he was
Nor what time it was
Nor when it was

As he stared out
At a bewildering world
A world lost in inner space
Deep down in his dreams

Filled with nightmarishly real
Monsters, demons and ghostly apparitions
He saw them and began running
Running running running

With the hell hounds behind him
Leading him to the edge
of the pits of hell itself

abandon all hope
ye who enter here
the sign read
above the entrance to the pit

and there was a devil standing there
armed with a clipboard
and a computer spreadsheet
Satan was the ultimate bureaucrat

Name barked the devil
Date of Birth ?
Date of Death?
Don’t know? That won’t do at all
Hmm

Car accident due to drunk driving
And you killed a child
Bad on you

But here in hell
The punishment fits the crime
And the devil laughed
Joined in by the hell hounds
And other nightmare creatures

A bell ran out
In the purple crystalline sky
And slowly the worlds receded
And he found himself alive

In his room
And vowed
That today
Was the day

He would quit drinking
Quit taking drugs
And quit chasing strange woman
And having wild libertine ***

He picked up the phone
It was Satan’s aid
Be careful what you vow
We are listening

If you fulfil your vows
You might find yourself
Escaping life in Hell
It is up to you to choose

And the man got dressed
Went to work
Thinking deep thoughts

And drove off a cliff
And back down the endless
Worlds within worlds

Satanic Torture

I find myself
In a dark room
Strapped to a bed

The light turns on
The large TV comes on

A smiling image
Of Satan fills the TV
He is dressed
In a conservative business suit

Looks like he came
Out of a corporate
board meeting

surrounded by demonic aides
who constantly shove papers
at him

He looks up from his lap top
And smiles
A deadly so insincere smile

His voice booms out

Welcome to Hell
My satanic slaves

I am Satan
Your new master

Each of you
Has been sentenced
To an eternity of torture

And the punishment
Must fit the crime

So, for you
Mr. Jake Cosmos Aller
Failed aspiring poet
And novelist

Your torture
Is to be strapped
To that bed

Unable to move
As you are filled
With the need
To **** and ****

But you cannot move
And your skin
Is crawling with bugs

And itchy
as Hell so to speak
and you are so sleepy

but you cannot sleep

the TV will play
endless repeats

Of some of the worst TV
and movie shows
ever produced

Starting with my favorite
A Series of Unfortunate Events

Featuring your favor annoying little girl
Carmetta! Singing for you forever
As you are the ultimate cake sniffer

Welcome to Hell


Rafting Towards Hell
I woke up
To find myself
Rafting down a river

I looked up
At the cliffs
Towering above
the roaring torrent

and see the dark demons
of my terrible nightmares
chasing the boat
firing flaming arrows

and I see werewolves
goblins, ghosts and monsters
running along the river bed
screaming obscenities

as they chase me
to my doom

and I see the waterfall ahead
and see my pending doom

as I rush over the edge
of reason



Micro Stories
53 word stories regarding unheeded warnings
Don’t Go Jogging in the Middle of the Night
It all started with a jog in the middle of the night. Despite my wife’s warning don’t go jogging in the middle of the night.  Broke me heal in a million pieces, 14 operations ensured, mutant MDR Staff almost killed me, almost lost the leg. . should have listened to her warning.

Don’t touch this button!
Don’t touch this button the former President said.  I said, what this button? And that led to the launching of nuclear weapons, going to defon three, and world war 3 with millions of people dead end of civilization moment. Should not have touched the red button.
Don’t open the door
When you find yourself running for your life chased by demons from hell and backed into a corner in a burning house filled with flames and are about to die in a million horrible ways you remembered that they warned you not to open door number three in this crazy reality TV show.
Don’t go to the theater tonight stay home with me
Mary Todd Lincoln had a vicious headache and was not in the mood to go out.  The President though ignored her wishes and told her that he had to go to the theater that night to show the world everything was okay now the war was ending.  Should have listened to her.
Don’t go to Dallas I have a bad feeling about the trip
Jackie was known for her moods and her premonitions. Something the President found both amusing an annoying. She told him that she a vision of death waiting for him in Dallas that day.  The President dismissed her foolishness as he put it and went to Dallas to meet his fate.
true love story.
In 1974 I had the first dream. While sleeping in a boring class, I saw a beautiful Asian woman standing at me speaking a foreign language. I fell out of chair yelling who are you?   I began having the same dream month after month for eight years.  One day I realized she was in Korea so I went there in the Peace Corps to meet her. In 1982 I had the last dream.  She said don’t worry we meet soon. That night she walked off a bus, out of the dream and into my life.  We’ve been married 37 years.
Cheating Death 22 Times
Also, a true story.
I have cheated death 22 times in my life.  I was born a preemie, almost died at birth, and had all the childhood illness at once.  In 1979 I came down with Typhoid  fever in Korea in the Peace Corps.  In 1991 almost got hit by a train. In 1996-1997 had 14 operations due to a mutant drug resistant staph infection, almost died several times.  In 1997 I had an acute stomach ailment that almost killed me, due to excessive antibiotic usage, if I had waited 30 minutes more would have been dead.  And had dengue in 2010.
Guardian Angel Saves My Life
Another true story
In 1990, I was teaching ESL in Korea.  My wife and I drove to the East Coast of Korea for a weekend away. She was in the US Army then.  As we drove towards Sorak mountain, I was filled with the need to get off the road right then. I had a premonition of doom, so did my wife. We got off to drive around another park returned a few minutes later and saw a 25 car pileup. We would have been dead if we had not listened to that inner voice telling us get off now.

Medical Mystery
Another true story
Back in 1996, when I was in the hospital fighting a mutant staph infection after a disastrous jogging accident that led to 14 operations, the internal medicine doctor said that there was something else going on. He finally discovered that I had a rare parasite, a tape worm of sorts that remained inert, its only becomes active if you take steroids then it blows up like a basketball killing you instantly. Six months later I had to take steroids due to frozen shoulder syndrome, and if I had not gotten rid of it, I would have died a medical mystery.

SLA Hit List
True story

Back in 1974 my father was a local politician in Berkeley, California who was on the SLA’***** list as “an enemy of the people, a fascist insect that needed to be killed”.  His crime?  As President of the community college district, he began requiring IDS for students and staff to combat campus crime at the local community colleges.  We had 24/7 police coverage for a while. One morning I saluted my father, “good morning fascist insect”.  My father, being of Germanic stock did not like the joke as jokes are alien to the German DNA.


the End
based on dreams and nightmares
mannley collins Jul 2014
Is such a big and impossible to miss step for a scribbler
of poetry free poems to trip over.
A step that cannot be ignored, except consciously and conscientiously.
Such a person as a scribbler of poetry less poems would be a person who cannot tell the difference between truth and truthfulness.
A person whose sole raison d,etre in pretending to be a poet is their lifelong angst in being unable to escape from being under the control of  their mind and its operating system --the Conditioned Identity.
The Conditioned Identity,which is the facetious and morally dishonest "I am a poet" mask that is the consciously adopted Conditioned Identity--the operating system for the Mind.
In the great scheme of things becoming just another member of the human GroupMind--one who doesn't count--not even on the fingers of one hand-.
One,who,in the grand scheme of things,never has counted and never will count-call them countless.
Shadows that flicker and dim on the walls of the Prison of political, racial,national,familial and religious conformity
And these worthless scribblers of poetry less poems do have an all consuming conditioned habit  of consciously ignoring truthfulness and integrity and substituting pathetic sub-teen lower middle class emo whinging "truth"--about their "art" and "insight"and "vision"and their "truth"--always their worthless "truth".
Sitting and mourning the fulfilling love that always evades them and always will evade them--unless they let go of the conditioned identity and the Mind--consigning them to the dustbin of history--where they rightfully belong.
Angst ridden whingers all--in love with their image in the mirror of Minds oh so believable deception.
Scribbling about a conditional possessive love that would have been a valueless truth but never can be the essence of truthfulness.
A conditional possessive love that never was and never will be unconditional and non-possessive.
Whinging about nothing more than conditional love and a truthfulness that never can be for them--- as we see openly here and there and everywhere there are scribblers of poetry less "poetry" who use sites such as this to scribble their pretentious infantile nonsense.
Poverty of values and integrity,orphaned from the Isness of the Universe, children of worthless technological consumerism and followers of false oligarchic hopes.
With their greedy gobs open for any crumbs falling from the rich peoples tables,like baby chicks in the nest--feed me feed me they screech.
Colluding with like minded betrayers of truthfulness,groupminds of
limp wristed bombastic poseurs.
Deluding themselves by babbling media made inane celebrities
empty insights and twisted conclusions--purveyors of puerile pettiness.
Oligarchic media celebrities noted only for the illusions between their ears,and the beguiling way they collude with each other to delude themselves.
Ludare!
Oh how they love to play mind games
Lives spent colluding with these babbling worthless celebrities who know the price of everything and the value of nothing,
Pompous posturing pretentious pissants of aesthetic poverty.
Bound together into a worldwide consumers Groupmind,
persuaded by perverts of PR into believing in the Illusion of Wealth and Demockery that the Oligarchy sells.
To step over the truthfulness threshold is,indeed, to  leave behind their
security blankets of "truth and beauty and revealed knowledge"
and the concomitment meaningless verbiage about "veracity" and "existence".
Shallow and unrequited attempts to own another that the weak and unwanted call "love".
Stomping through the quagmire of conditional love
up to their necks in the **** of consumer garbage.
The Conditional love of possessing another and grasping at thin air
as they submerge slowly in the seas of righteous stupidity .
poets cling to their misconceptions religiously,
poets cling to their ignorance avidly,
poets cling to their proto-fascist politics squeamishly,
with each word and stanza that they write.
Pouring out such pleasant and elegant and flowery and "deep"
words and verses(rhyming or not) that,at their core,
have only one meaning and aim.
Which is!.
To divert and confuse their readers with the"shallow beauty"
of endless strings of meaningless associated but fine sounding words .
To create a groupmind for their poetry business products.
Admire me--buy my product--join my groupmind--eulogise me,
let me rip off your energy--I need your praise,I need your lifes energy
gimme your money honey!.
The Publishing Oligarchy will bestow rewards and honours,
medals and diplomas--critiques fit only to wipe your **** on.
Book sales and the summer Poetry festival circuit--reciting and signing scribbles of narcissism--casting lecherous eyes over dripping **** or stiff wobbling **** in the adoring crowd of sycophants.
The  Media will fawn and adulate and cast its sly net
to entangle your desires in ---infamy awaits.
Come admire me and my use of other poets stolen words,
my criminality in even daring to think the word "poet" has any value.
These are my words about my inexperience and unknowingness they scream possessively in jaundiced teeny remembrance.
Remembrance of mediocre middle class homes and attitudes
of ingrained ignorance and wilful imagined self victimisation.
Eating societies poisoned dishes--.
Serve me up a burger of roasted babies on toast
from Vietnam--live on Channel Whatever.
Or chargrilled peasants from Afghanistan
with breathless commentary from
our "reporter on the spot".
Or homeless mental wrecks from the streets
of any Amerikan or World city big or small,
trailing acerbic criticism from the immoral majority.
Or dead celebrity  consumer junkies in 5 star hotels
complete with PR handouts and **** licking "friends"
positioning themselves for increased sales.
Or the children of the Oligarchs with their "I" newspapers
and inbuilt fascist attitudes.
Who spend their shallow lives hoping for the kind
of meaningless and worthless Honours and Validation
from those that do not have honour or validity..
Or the not just lame but crippled duck presidents with their finely crafted speeches that say nothing but I am a beard wearing  failure,
looking forward to penning lies and calling it a frank memoir
while holding out my hands  for the Oligarchies pennies.
Can anyone tell me where to get a bucket of truthfulness?.
A glass of honesty?.
A tumbler full of veracity?.
A beaker of back breaking honest labour?.
Can anyone tell me where I can find
a peaceful man or woman,of any of the 5 colours.
Not those merely observing a Cease-Fire
while they rearm their weapons of the lies of beauty and truth.
Oligarchy allowed social commentary.
Is there just one decent truthful man or woman out there?.
Judging by the world Id say not.
No Id say not.
Not.
There Ive said it.

www.thefournobletruthsrevised.co.uk
Bianca Reyes Feb 2016
In my thoughts of poetry you are a prose
Never following any structure I impose

In the ink I press on paper you are a smear
Always making perfect chaos due to your fear

 In the book of us that I am binding
Your unraveling I am finding

In my publishing process you are a misprint
Never meant to be but an everlasting imprint
Shared on Hello Poetry on February 23, 2016
Copywrite under Bianca Reyes
All rights reserved
Blah blah blah
Enjoy!
AD ASTRA  

by

TOD HOWARD HAWKS


Chapter 1

I am Tod Howard Hawks. I was born on May 14, 1944 in Dallas, Texas. My father, Doral, was stationed there. My mother, Antoinette, was with him. When WWII ended, the family, which included my sister, Rae, returned home to Topeka, Kansas.

My father grew up in Oakland, known as the part of Topeka where poor white people lived. His father was a trolley-car conductor and a barber. Uneducated, he would allow only school books into his house. My father, the oldest of six children, had two paper routes--the morning one and the evening one. My father was extremely bright and determined. On his evening route, a wise, kind man had his own library and befriended my father. He loaned my father books that my father stuffed into his bag along with the newspapers. My father and his three brothers shared a single bed together, not vertically, but horizontally; and when everyone was asleep, my father would grab the book the wise and kind man had loaned him, grab a candle and matches, crawled under the bed, lit the candle, and began reading.

Now the bad and sad news:  one evening my father's father discovered his son had been smuggling these non-school books into his home. The two got into a fist-fight on the porch. Can you imagine fist-fighting your father?

A few years later, my father's father abandoned his family and moved to Atchinson. My father was the oldest of the children;  thus, he became the de facto father of the family. My father's mother wept for a day, then the next day she stopped crying and got to the Santa Fe Hospital and applied for a job. The job she got was to fill a bucket with warm, soapy water, grab a big, thick brush, get on her knees and began to brush all the floors clean. She did this for 35 years, never complained, and never cried again. To note, she had married at 15 and owned only one book, the Bible.  My father's mother remains one of my few heroes to this day.


Chapter 2

My parents had separate bedrooms. At the age of 5, I did not realize a married couple usually used one bedroom. It would be 18 years later when I would find out why my mother and my father slept in separate bedrooms.

When I was 5 and wanted to see my father, I would go to his room where he would lie on his bed and read books. My father called me "Captain." As he lay on his bed, he barked out "Hut, two, three, four! Hut, two three, four!" and I would march to his cadence through his room into the upstairs bathroom, through all the other rooms, down the long hallway, until I reentered his bedroom. No conversation, just marching.

As I grew a bit older, I asked my father one Sunday afternoon to go to Gage Park where there were several baseball diamonds. I was hoping he would pitch the ball to me and I would try to hit it. Only once during my childhood did we do this.

I attended Gage Elementary School. Darrell Chandler and I were in the same third-year class. Nobody liked Darrell because he was a bully and had a Mohawk haircut. During all recesses, our class emptied onto the playground. Members of our class regularly formed a group, except Darrell, and when Darrell ran toward the group, all members yelled and ran in different directions to avoid Darrell--everyone except me. I just turned to face Darrell and began walking slowly toward him. I don't know why I did what I did, but, in retrospect, I think I had been born that way. Finally, we were two feet away from each other. After a long pause, I said "Hi, Darrell. How ya doing?" After another long pause, Darrell said "I'm doing OK." "Good," I said. That confrontation began a friendship that lasted until I headed East my junior year in high school to attend Andover.

In fourth grade, I had three important things happen to me. The first important thing was I had one of the best teachers, Ms.Perrin, in my formal education through college.  And in her class, I found my second important  thing:  my first girlfriend, Virginia Bright (what a wonderful last name!). Every school day, we had a reading section. During this section, it became common for the student who had just finished reading to select her/his successor. Virginia and I befriended each other by beginning to choose each other. Moreover, I had a dream in which Virginia and I were sitting together on the steps of the State Capitol. When I woke up, I said to myself:  "Virginia is my girlfriend." What is more, Virginia invited me to go together every Sunday evening to her church to learn how to square dance. My father provided the transportation. This was a lot of fun. The third most important thing was on May Day, my mother cut branches from our lilac bushes and made a bouquet for me to give Virginia. My mother drove me to Virginia's home and I jumped out of our car and ran  up to her door, lay down the bouquet, rang the buzzer, then ran back to the car and took off. I was looking forward to seeing Virginia in the fall, but I found out in September that Virginia and her family had left in the summer to move to another town.

Bruce Patrick, my best friend in 4th grade, was smart. During the math section, the class was learning the multiplication tables. Ms. Perrin stood tn front of the students holding 3 x 5 inch cards with, for example, 6 x 7 shown to the class with the answer on the other side of the card. If any student knew the correct answer (42), she/he raised her/his arm straight into the air. Bruce and I raised our arms at the same time. But during the reading section, when Ms. Perrin handed out the same new book to every student and said "Begin reading," Bruce, who sat immediately to my right, and everyone else began reading the same time on page #1. As I was reading page #1, peripherally I could see he was already turning to page #2, while I was just halfway down page #1. Bruce was reading twice as fast as I was! It was 17 years later that I finally found out how and why this incongruity happened.

Another Bruce, Bruce McCollum, and I started a new game in 5th grade. When Spring's sky became dark, it was time for the game to begin. The campus of the world-renown Menninger Foundation was only a block from Bruce's and my home. Bruce and I met at our special meeting point and the game was on! Simply, our goal was for the two of us to begin our journey at the west end of the Foundation and make our way to the east end without being seen. There were, indeed, some people out for a stroll, so we had to be careful not to be seen. Often, Bruce and I would hide in the bushes to avoid detection. Occasionally, a guard would pass by, but most often we would not be seen. This game was exciting for Bruce and me, but more importantly, it would also be a harbinger for me.


Chapter 3

Mostly, I made straight-A's through grade school and junior high. I slowly began to realize it took me twice the time to finish my reading. First, though, I want to tell you about the first time I ever got scared.

Sometime in the Fifth Grade, I was upstairs at home and decided to come downstairs to watch TV in the living room. I heard voices coming from the adjacent bar, the voices of my father and my mother's father. They could not see me, nor I them;  but they were talking about me, about sending me away to Andover in ninth grade. I had never heard of a prep school, let alone the most prominent one in America. The longer I listened, the more afraid I got. I had listened too long. I turned around and ran upstairs.

My father never mentioned Andover again until I was in eighth grade. He told me next week he had to take me to Kansas City to take a test. He never told me what the test was for. Next week I spent about two hours with this man who posed a lot of questions to me and I answered them as well as I could. Several weeks after having taken those tests, my father pulled me aside and showed me only the last sentence of the letter he had received. The last sentence read:  "Who's pushing this boy?" My father should have known the answer. I certainly thought I knew, but said nothing.

During mid-winter, my father drove with me to see one of his Dallas naval  buddies. After a lovely dinner at my father's friend's home, we gathered in a large, comfortable room to chat, and out of nowhere, my father said, "Tod will be attending Andover next Fall." What?, I thought. I had not heard the word "Andover" since that clandestine conversation between my father and my grandfather when I was in Fifth Grade. I remember filling out no application to Andover. What the hell was going on?, I thought.

(It is at this juncture that I feel it is necessary to share with you pivotal information that changed my life forever. I did not find it out until I was 27.

(Every grade school year, my two sisters and I had an annual eye exam. During my exam, the doctor always said, "Tod, tell me when the ball [seen with my left eye] and the vertical line [seen with my right eye] meet." I'd told the doctor every year they did not meet and every year the doctor did not react. He said nothing. He just moved onto the next part of the exam. His non-response was tantamount to malpractice.

(When I was 27, I had coffee with my friend, Michelle, who had recently become a psychologist at Menninger's. She had just attended a workshop in Tulsa, OK with a nationally renown eye doctor who specialized in the eye dysfunction called "monocular vision." For 20 minutes or so, she spoke enthusiastically about what the doctor had shared with the antendes about monocular vision until I could not wait any longer:  "Michelle, you are talking about me!" I then explained all the symptoms of monocular vision I had had to deal without never knowing what was causing them:  4th grade and Bruce Patrick;  taking an IQ test in Kansas City and my father never telling me what the test was or for;  taking the PSAT twice and doing well on both except the reading sections on each;  my father sending me to Andover summer school twice (1959 and 1960) and doing well both summers thus being accepted for admission for Upper-Middler and Senior years without having to take the PSAT.

(Hearing what I told Michelle, she did not hesitate in telling me immediately to call the doctor in Tulsa and making an appointment to go see him, which I did. The doctor gave me three hours of tests. After the last one, the doctor hesitated and then said to me:  "Tod, I am surprised you can even read a book, let alone get through college." I sat there stunned.

(In retrospect, I feel my father was unconsciously trying to realize vicariously his dreams through me. In turn, I unconsciously and desperately wanted to garner his affection;  therefore, I was unconsciously my father's "good little boy" for the first 22 years of my life. Had I never entered therapy at Menningers, I never would have realized my real self, my greatest achievement.)


Chapter 4

My father had me apply to Andover in 8th grade to attend in 9th grade, but nobody knew then I suffered from monocular vision;  hence, my reading score eye was abysmal and I was not accepted. Without even asking me whether I would like to attend Andover summer school, my father had me apply regardless. My father had me take a three-day Greyhound bus ride from Topeka to Boston where I took a cab to Andover.

Andover (formally Phillips Academy, which is located in the town of Andover, Massachusetts) is the oldest prep school in America founded in 1778, two years after our nation was. George Washington's nephew sent his sons there. Paul Revere made the school's seal. George H. W. Bush and his son, George, a schoolmate of mine, (I voted for neither) went to Andover. The current admit rate is 13 out of every 100 applicants. Andover's campus is beautiful. It's endowment is 1.4 billion dollars. Andover now has a need-blind admission policy.

The first summer session I attended was academically rigorous and eight weeks long. I took four courses, two in English and two in math. One teacher was Alan Gillingham, who had his PhD from Oxford. He was not only brilliant, but also kind. My fondness for etymology I got from Dr. Gillingham. Also, he told me one day as we walked toward the Commons to eat lunch that I could do the work there. I will never forget what he told me.

I'm 80, but I still remember how elated I was after my last exam that summer. I flew down the steps of Samuel Phillips Hall and ran to the Andover Inn where my parents were staying. Finally, I thought, it's over. I'm going back to Topeka where my friends lived. Roosevelt Junior High School, here I come! We drove to Topeka, going through New York City, Gettysburg, Springfield, IL, Hannibal, MO, among other places. I was so happy to be home!

9th ninth grade at Roosevelt Jr. High was great! Our football team had a winning season. Ralph Sandmeyer, a good friend of mine, and I were elected co-captains. Our basketball team won the city junior high championship. John Grantham, the star of the team, and I were elected co-captains. And I had been elected by the whole school to be President of the Student Council.
But most importantly, I remember the Snow Ball, once held every year in winter for all ninth-graders. The dance was held in the gym on the basketball court. The evening of the dance, the group of girls stood in one corner, the boys in another, and in the third corner stood Patty all alone, ostracized, as she had always been every school day of each year.

I was standing in the boys group when I heard the music began to play on the intercom, then looked at Patty. Without thinking, I bolted from the boys group and began walking slowly toward her. No one else had begun to dance. When I was a few feet in front of her, I said, "Patty, would you like to dance?" She paused a moment, then said, "Yes." I then took her hand and escorted her to the center of the court. No one else had begun to dance. Patty and I began dancing. When the music ended, I said to Patty, "Would you like to dance again?" Again, she said, "Yes." Still no one but the two of us were dancing. We danced and danced. When the music was over, I took Patty's hand and escorted her back to where she had been standing alone. I said to her, "Thank you, Patty, for dancing with me." As I walked back across the court, I was saying silently to the rest of the class, "No one deserves to be treated this way, no one."

Without a discussion being had, my father had me again apply to Andover. I guess I was too scared to say anything. Once again, I took the PSAT Exam. Once again, I scored abysmally on the English section.  Once again, I was rejected by Andover. And once again, my father had me return to Andover summer school.

Another 8 weeks of academics. Once again, I did well, but once again, I had to spend twice the time reading. Was it just I who realized again that if I could take twice the time reading, I would score well on the written test? Summer was over. My father came to take me home, but first he wanted to speak to the Dean of Admissions. My father introduced himself. Then I said, "I'm Tod Hawks," at which point the Dean of Admissions said enthusiastically:  "You're already in!" The Dean meant I had already been accepted for the Upper-Year, probably because he had noticed how well I had done the past two summers. I just stood there in silence, though I did shake his hand. Not another application, not another PSAT. I was in.

Chapter 5

Terry Modlin, a friend of mine at Roosevelt, had called me one Sunday afternoon the previous Spring. "Tod," he said, "would you like to run for President of the Sophomore Class at Topeka High if I ran as your running mate?" I thought it over, then said to Terry, "Sure."

There were eight junior high schools in Topeka, and in the fall all graduates of all the junior highs attended Topeka High, making more than 800 new sophomores. All elections occurred in early fall. I had two formidable opponents. Both were highly regarded. I won, becoming president. Terry won and became vice-president. Looking back on my life, I consider this victory to be one of my most satisfying victories. Why do I say this? I do, because when you have 800 classmates deciding which one to vote for, word travels fast. If it gets out one of the candidates has a "blemish" on him, that insinuation is difficult to diminish, let alone erase, especially non-verbally. Whether dark or bright, it can make the deciding difference.

Joel Lawson and his girlfriend spoke to me one day early in the semester. They mentioned a friend of theirs, a 9th grader at Capper Junior High whose name was Sherry. The two thought I might be interested in meeting her, on a blind date, perhaps. I said, "Why not?"

The first date Sherry and I had was a "hay-rack" ride. She was absolutely beautiful. I was 15 at that time, she 14. When the "hay-rack" ride stopped, everybody got off the wagon and stood around a big camp fire. I sensed Sherry was getting cold, so I asked if she might like me to take off my leather jacket and put it over her shoulders. That was when I fell in love with her.

I dated Sherry almost my entire sophomore year. We went to see movies and go to some parties and dances, but generally my mother drove me most every Friday evening to Sherry's home and chatted with her mother for a while, then Sherry and I alone watched "The Twilight Zone." As it got later, we made out (hugs and kisses, nothing more). My mother picked me up no later than 11. Before going over to Sherry's Friday night, I sang in the shower Paul Anka's PUT YOUR HEAD ON MY SHOULDER.

I got A's in most of my classes, and lettered on Topeka High's varsity swim team.

Then in late spring word got out that Tod would be attending some prep school back East next year. I walked into Pizza Hut and saw my friend, John.
"Hey, Tod. I saw Sherry at the drive-in movie, but she wasn't with you." My heart was broken. I drove over to her home the next day and confronted her. She just turned her back to me and wouldn't say a thing. I spent the following month driving from home to town down and back listening to Brenda Lee on the car radio singing I'M SORRY, pretending it was Sherry singing it to me.

I learned something new about beauty. For a woman to be authentically beautiful, both her exterior and interior must be beautiful. Sherry had one, but not the other. It was a most painful lesson for me to learn.

Topeka High started their fall semester early in September. I remember standing alone on the golf course as a dark cloud filled my mind when I looked in the direction of where Topeka High was. I was deeply sad. I had lost my girlfriend. I was losing many of my friends. Most everyone to whom I spoke didn't know a **** thing about Andover. My mind knew about Andover. That's why it was growing dark.


Chapter 6

I worked my *** off for two more years. Frankly, I did not like Andover. There were no girls. I used to lie on my bed and slowly look through the New York Times Magazine gazing at the pretty models in the ads. I hadn't even begun to *******. When I wasn't sleeping, when I wasn't in a class, when I wasn't eating at the Commons, I was in the Oliver Wendell Holmes Library reading twice as long as my classmates. And I lived like this for two years. In a word, I was deeply depressed. When I did graduate, I made a silent and solemn promise that I would never set foot again on Andover's campus during my life.

During my six years of receiving the best formal education in the world, I got three (3) letters from my father with the word "love" typed three times. He signed "Dad" three times.

Attending Columbia was one of the best things I have ever experienced in my life. The Core Curriculum and New York City (a world within a city). I majored in American history. The competition was rigorous.  I met the best friends of my life. I'm 80 now, but Herb Hochman and Bill Roach remain my best friends.

Wonderful things happened to me. At the end of my freshman year, I was one of 15 out of 700 chosen to be a member of the Blue Key Society. That same Spring, I appeared in Esquire Magazine to model clothes. I read, slowly, a ton of books. At the end of my Junior year, I was chosen to be Head of Freshman Orientation in the coming Fall. I was "tapped" by both Nacoms and Sachems, both Senior societies, and chose the first, again one of 15 out of 700. My greatest honor was being elected by my classmates to be one of 15 Class Marshals to lead the graduation procession. I got what I believe was the best liberal arts education in the world.

My father had more dreams for me. He wanted me to attend law school, then get a MBA degree, then work on Wall Street, and then become exceedingly rich. I attended law school, but about mid-way into the first semester, I began having trouble sleeping, which only got worse until I couldn't sleep at all. At 5:30 Saturday morning (Topeka time), two days before finals were to begin, I called my mother and father and, for the first time, told them about my sleeping problems. We talked for several minutes during which I told them I was going to go to the Holiday Inn to try to get some sleep, then hung up. I did go to the motel, but couldn't sleep. At 11a.m., there was someone knocking on my door. I got out of bed and opened the door. There stood my father. He had flown to Chicago via Kansas City. He came into my room and the first thing he said was "Take your finals!" I knew if I took my finals, I would flunk all of them. When you can't sleep for several days, you probably can't function very well. When you increasingly have trouble getting to sleep, then simply you can't sleep at all, you are sick. My father kept saying, "Take your finals! "Take your finals!" He took me to a chicropractor. I didn't have any idea why I couldn't sleep at all, but a chicropractor?, I thought. My father left early that evening. By then, I knew what I was going to do. Monday morning, I was going to walk with my classmates across campus, but not to the building where exams were given, but to the building where the Dean had his office. I entered that building, walked up one flight of stairs, and walked into the Dean's office. The Dean was surprised to see me, but was cordial nonetheless. I introduced myself. The Dean said, "Please, have a seat." I did. Then I explained why I came to see him. "Dean, I have decided to attend Officers Candidate School, either the Navy or Air Force. (The Vietnam War was heating up.) The Dean, not surprisingly, was surprised. He said it would be a good idea for me to take my finals, so when my military duties were over, it would be easy for me to be accepted again. I said he was probably right, but I was resolute about getting my military service over first.
He wished me well and thanked him for his time, then left his office. As I returned to my dorm, I was elated. I did think the pressure would be off me  now and I would begin to sleep again.

Wednesday, I took the train to Topeka. That evening, my father was at the station to pick me up. He didn't say "Hello." He didn't say "How are you?"
He didn't say a word to me. He didn't say a single word to me all the way home.

Within two weeks, having gotten some sleep every night, I took first the Air Force test, which was six hours long, then a few days later, I took the Navy test, which was only an hour longer, but the more difficult of the two. I passed both. The Air Force recruiter told me my score was the highest ever at his recruiting station. The recruiter told me the Air Force wanted me to get a master's degree to become an aeronautical engineer.  He told me I would start school in September.  The Navy said I didn't have to report to Candidate School until September as well. It was now January, 1967. That meant I had eight months before I had to report to either service, but I soon decided on the Navy. Wow!, I thought. I have eight whole months for my sleeping problem to dissipate completely. Wow! That's what I thought, but I was wrong.


Chapter 7

After another week or so, my sleeping problems reappeared. As they reappeared, they grew worse. My father grew increasingly distant from me. One evening in mid-March, I decided to try to talk to my father. After dinner, my father always went into the living room to read the evening paper. I went into the living room, saw my father reading the evening paper in a stuffed chair, positioned myself directly in front of him, then dropped to my knees.
He held the paper wide-open so he could not see me, nor I he. Then I said to my father, "Dad, I'm sick." His wide-open paper didn't even quiver. He said, "If you're sick, go to the State Hospital." This man, my father, the same person who willingly spent a small fortune so I would receive the best education in the world, wouldn't even look at me. The world-famous Menninger Clinic, ironically, was a single block from our home, but he didn't even speak to me about getting help at Menninger's, the best psychiatric hospital in the world. This man, my father, I no longer knew.

About two weeks later in the early afternoon, I sat in another stuffed chair in the living room sobbing. My mother always took an afternoon nap in the afternoon, but on this afternoon as I continued to cry profusely, my mother stepped into the living room and saw me in the stuffed chair bawling non-stop, then immediately disappeared. About 15 minutes later, Dr. Cotter Hirschberg, the Associate Director of Southard School, Menninger's hospital for children, was standing in front of me. I knew Dr. Hirschberg. He was the father of one of my best friends, his daughter, Lea. I had been in his home many times. I couldn't believe it. There was Dr. Cotter Hirschberg, one of the wisest and kindest human beings I had ever met, standing directly in front of me. My mother, I later found out, had left the living room to go into the kitchen to use another phone to call the doctor in the middle of a workday afternoon to tell him about me. Bless his heart. Within minutes of speaking to my mother, he was standing in front of me in mid-afternoon during a work day. He spoke to me gently. I told him my dilemma. Dr. Hirschberg said he would speak to Dr. Otto Kernberg, another renown psychiatrist, and make an appointment for me to see him the next day. My mother saved my life that afternoon.

The next morning, I was in Dr. Kernberg's office. He was taking notes of what I was sharing with him. I was talking so rapidly that at a certain point. Dr. Kernberg's pen stopped in mid-air, then slowly descended like a helicopter onto the legal pad he was writing on. He said that tomorrow he would have to talk not only with me, but also with my mother and father.

The next morning, my mother and father joined me in Dr. Kernberg's office.
The doctor was terse. "If Tod doesn't get help soon, he will have a complete nervous breakdown. I think he needs to be in the hospital to be evaluated."
"How long will he need to be in the hospital," asked my father. "About two weeks," said Dr. Kernberg. The doctor was a wee bit off. I was in the hospital for a year.



Chapter 8

That same day, my mother and father and I met Dr. Horne, my house doctor. I liked him instantly. I know my father hated me being in a mental hospital instead of law school. It may sound odd, but I felt good for the first time in a year. Dr. Horne said I would not be on any medication. He wanted to see me "in the raw." The doctor had an aid escort me to my room. This was the first day of a long, long journey to my finding my real self, which, I believe, very few ever do.

Perhaps strangely, but I felt at home being an in-patient at Menninger's. My first realization was that my fellow patients, for the most part, seemed "real" unlike most of the people you meet day-to-day. No misunderstanding here:   I was extremely sick, but I could feel that Menninger's was my friend while my father wasn't. He didn't give a **** about me unless I was unconsciously living out his dreams.

So what was it like being a mental patient at Menninger's? Well, first, he (or she) was **** lucky to be a patient at the world's best (and one of the most expensive) mental hospital. Unlike the outside world, there was no ******* in  Menninger's. You didn't always like how another person was acting, but whatever he or she was doing was real, not *******.

All days except Sunday, you met with your house doctor for around twenty minutes. I learned an awful lot from Dr. Horne. A couple of months after you enter, you were assigned a therapist. Mine was Dr. Rosenstein, who was very good. My social worker was Mabel Remmers, a wonderful woman. My mother, my father, and I all had meetings with Mabel, sometimes singly, sometimes with both my mother and father, sometimes only with me. It was Mabel who told me about my parents, that when I was 4 1/2 years old, my father came home in the middle of the workday, which rarely ever did, walked up the stairs to their bedroom and opened the door. What he saw changed not only his life, but also that of everyone else. On their bed lay my naked mother in the arms of a naked man who my father had never seen until that moment that ruined the lives of everybody in the family. My mother wanted a divorce, but my father threatened her with his determined intent of making it legally impossible ever for her to see her children again. So that's why they had separate bedrooms, I thought. So that is why my mother was always depressed, and that's why my father treated me in an unloving way no loving father would ever do. It was Mabel who had found out these awful secrets of my mother and father and then told me. Jesus!

The theme that keeps running through my head is "NO *******."
Most people on Earth, I believe, unconsciously are afraid to become their real selves;  thus, they have to appear OK to others through false appearances.

For example, many feel a need to have "power," not to empower others, but to oppresss them. Accruing great wealth is another way, I believe, is to present a false image, hoping that it will impress others to think they are OK when they are not. The third way to compensate is fame. "If I'm famous, people will think I'm hot ****. They'll think I'm OK. They'll be impressed and never know the real me."

I believe one's greatest achievement in life is to become your real self. An exceptionally great therapist will help you discover your real self. It's just too scary for the vast majority of people even to contemplate the effort, even if they're lucky enough to find a great therapist. And I believe that is why our world is so ******-up.

It took me almost eight months before I could get into bed and sleep almost all night. At year's end, I left the hospital and entered one of the family's home selected by Menninger's. I lived with this family for more than a year. It was enlightening, even healing, to live with a family in which love flowed. I drove a cab for about a month, then worked on a ranch also for about a month, then landed a job for a year at the State Library in the State Capitol building. The State Librarian offered to pay me to attend Emporia State University to get my masters in Library Science, but I declined his offer because I did not want to become a professional librarian. What I did do was I got a job at the Topeka Public Library in its Fine Arts division.

After working several months in the Fine Arts division, I had a relapse in the summer. Coincidentally, in August I got a phone call at the tiny home I was renting. It was my father calling from the White Mountains in northern Arizona. The call lasted about a minute. My father told me that he would no longer pay for any psychiatric help for me, then hung up. I had just enough money to pay for a month as an in-patient at Menninger's. Toward the end of that month, a nurse came into my room and told me to call the State Hospital to tell them I would be coming there the 1st of December. Well, ****! My father, though much belatedly, got his way. A ******* one minute phone call.
Can you believe it?

Early in the morning of December 1st, My father and mother silently drove me from Menninger's about six blocks down 6th Street to the State Hospital. They pulled up beside the hill, at the bottom of which was the ward I would be staying in. Without a word being spoken, I opened the rear door of the car, got out, then slid down on the heavy snow to the bottom of the hill.

A nurse unlocked the door of the ward (yes, at the State Hospital, doors of each ward were locked). I followed the nurse into a room where several elderly women were sticking cloves into oranges to make decorations for the Christmas Tree. Then I followed her into the Day Room where a number of patients were watching a program on the TV. Then she led me down the corridor to my room that I was going to share with three other male patients. When the nurse left the room, I quickly lay face down spread-eagle of the mattress for the entire day. I was to do this every day for two weeks. When my doctor, whom I had not yet met, became aware of my depressed behavior, had the nurse lock the door of that room. Within several days the doctor said he would like to speak to me in his office that was just outside the ward. His name was Dr. Urduneta from Argentina. (Menninger's trained around sixty MDs from around the world each year to become certified psychiatrists. These MDs went either to the State Hospital or to the VA hospital.) The nurse unlocked the door for me to meet Dr. Urduneta in his office.

I liked Dr. Urduneta from the first time I met him. He already knew a lot about me. He knew I had been working at the Topeka Public Library, as well as a number of other things. After several minutes, he said, "Follow me." He unlocked the door of the ward, opened the door, and followed me into the ward.

"Tod," he said, "some patients spend the rest of their lives here. I don't want that for you. So this coming Monday morning (he knew I had a car), I want you to drive to the public library to begin work from 9 until noon."

"Oh Doctor, I can't do that. Maybe in six or seven months I could try, but not now. Maybe I can volunteer at the library here at the State Hospital," I said.

"Tod, I think you can work now half-days at the public library," said Dr. Urduneta calmly.

I couldn't believe what I was hearing, what he was saying. I couldn't even talk. After a long pause, Dr. Urduneta said, "It was good to meet you, Tod. I look forward to our next talk."

Monday morning came too soon. A nice nurse was helping me get dressed while I was crying. Then I walked up the hill to the parking lot and got into my car. I drove to the public library and parked my car. As I walked to the west entrance, I was thinking I had not let Cas Weinbaum--my boss and one of the nicest women I had ever met--know that I had had a relapse. I had no contact with her or anyone else at the library for several months. Why had I not been fired?, I thought.

As I opened the west door, I saw Cas and she saw me. She came waddling toward me with her arms wide open. I couldn't believe it. And then Cas gave me a long, long hug without saying a word. Finally, she told me I needed to glue the torn pieces of 16 millimeter film together. I was anxious as hell. I lasted 10 minutes. I told Cas I was at the State Hospital, that I had tried to work at the public library, but just couldn't do it. She hugged me again and said nothing. I left the library and drove back to the State Hospital.

When I got to the Day Room, I sat next to a Black woman and started talking to her. The more we talked, the more I liked her. Dr. Urduneta, I was to find out, usually came into the ward later in the day. Every time he came onto the ward, he was swarmed by the patients. I learned quickly that every patient on our ward loved Dr. Urduneta. I sat there for a couple of hours before Dr. Urduneta finally got to me. He was standing, I was sitting. I said, "Dr. Urduneta, I tried very hard to do my job, but I was so anxious I couldn't do it. I lasted ten minutes. I tried, but I just couldn't do it. I'm sorry.
"Dr. Urduneta said, "Tod, that's OK, because tomorrow you're going to try again."



Chapter 9

On Tuesday, I tried again.

I managed to work until 12 noon, but every second felt as if it weighed a thousand pounds. I didn't think I could do it, but I did. I have to give Dr. Urduneta a lot of credit. His manner, at once calm and forceful, empowered me. I continued to work at the library at those hours until early April. At the
beginning of May, I began working regular hours, but remained an in-patient until June.

I had to stay at the hospital during the Christmas holidays. One of those evenings, I left my room and turned left to go to the Day Room. After taking only a few steps, I could see on the counter in front of the nurses's station a platter heaped with Christmas cookies and two gallons of red punch with paper cups to pour the punch in to. That evening remains the kindest, most moving one I've ever experienced. Some anonymous person, or persons, thought of us. What they shared with all of us was love. That evening made such an indelible impression on me that I, often with a friend or my sisters, bought Christmas cookies and red punch. And after I got legal permission for all of us to hand them out, we visited the ward I had lived on. I personally handed Christmas cookies and red punch to every patient who wanted one or both. But I never bothered any patient who did not want to be approached.

On July 1, I shook Dr. Urduneta's hand, thanked him for his great help, and went to the public library and worked a full day. A good friend of mine had suggested that I meet Dr. Chotlos, a professor of psychology at KU. My friend had been in therapy with him for several years and thought I might want to work with him. My friend was right. Dr. Chotlos met his clients at his home in Topeka. I began to see him immediately. I had also rented an apartment. Dr. Urduneta had been right. It had taken me only seven months to recover.

After a little over six months, I had become friends with my co-workers in the Fine Arts department. Moreover, I had come warm friends with Cas whom I had come to respect greatly. My four co-workers were a pleasure to work with as well.

There were around eighty others who worked at the library, one of whom prepared the staff news report each month. I had had one of my poems published in one of the monthly reports. Mr. Marvin, the Head Librarian, had taken positive note of my poem. So when that fellow left for another job, Mr. Marvin suggested to the Staff Association President that I might be a good replacement, which was exactly what happened. I had been only a couple of months out of the State Hospital, so when I was asked to accept this position, I was somewhat nervous, I asked my girlfriend, Kathy, if I should accept the offer, she said I should. I thought it over for a bit more time because I had some new ideas for the monthly report. Frankly, I thought what my predecessor's product was boring. It had been only a number of sheets of paper 8 1/2 by 14 inches laid one on the others stapled once in the upper left corner. I thought if I took those same pieces of paper and folded them in their middle and stapled them twice there, I'd have a burgeoning magazine. Also, I'd give my magazine the title TALL WINDOWS, as I had been inspired by the tall windows in the reading room, windows as high as the ceiling and almost reached the carpet. Readers could see the outdoors through these windows, see the beautiful, tall trees, their leaves and limbs swaying in the breeze, and often the blue sky. Beautiful they were.

Initially, I printed only 80 TALL WINDOWS, one for each of the individuals working in the library, but over time, our patrons also took an interest in the magazine. Consequentially, I printed 320 magazines, 240 for those patrons who  enjoyed perusing TALL WINDOWS. The magazines were distributed freely. Cas suggested I write LIBRARY JOURNAL, AMERICAN LIBRARIES, and WILSON LIBRARY BULLETIN, the three national magazines read by virtually by all librarians who worked in public and academic libraries across the nation. AMERICAN LIBRARIES came to Topeka to photograph and interview me, then put both into one of their issues. Eventually, we had to ask readers outside of TOPEKA PUBLIC LIBRARY to subscribe, which is to pay a modest sum of money to receive TALL WINDOWS. I finally entitled this magazine, TALL WINDOWS, The National Public Magazine. In the end, we had more than 4.000 subscribers nationwide. Finally, TALL WINDOWS launched THE NATIONAL LIBRARY LITERARY REVIEW. In the inaugural issue, I published several essays/stories. This evolution took me six years, but I was proud of each step I had taken. I did all of this out of love, not to get rich. Wealth is not worth.

My mother had finally broken away from my father and moved to Scottsdale, Arizona. I decided to move to Arizona, too. So, in the spring of 1977, I gathered my belongings and my two dogs, Pooch and Susie, and managed to put everything into my car. Then I headed out. I was in no rush. I loved to travel through the mountains of Colorado, then across the northern part of Arizona, turning left at Flagstaff to drive to Phoenix where I rented an apartment.

I needed another job, so after a few days I drove to Phoenix Publishing Company. I had decided to see Emmitt Dover, the owner, without making an appointment. The secretary said he was busy just now, but would be able to see me a bit later, so I took a seat. I waited about an hour before Mr. Dover opened his office door, saw me, then invited me in. I introduced myself, shook hands, then gave him my resume. He read it and then asked me a number of pertinent questions. I found our meeting cordial. Mr. Dover had been pleased to meet me and would get back to me as soon as he was able.
I thanked him for his time, then left. Around 3:30 that afternoon, the phone rang. It was Mr. Dover calling me to tell me I had a new job, if I wanted it.
I would be a salesman for Phoenix Magazine and I accepted his offer on his terms. I thank him so much for this opportunity. Mr. Dover asked me if I could start tomorrow. I said I would start that night, if he needed me to. He said tomorrow morning would suffice and chuckled a bit. I also chuckled a bit and told him I so appreciated his hiring me. I said, "Mr. Dover, I'll see you tomorrow at 8:00 am."

I knew I could write well, but I had no knowledge of big-time publishing.
This is important to know, because I had a gigantic, nationwide art project in mind to undertake. In all my life, I've always felt comfortable with other people, probably because I enjoy meeting and talking with them so much. I worked for Phoenix Publishing for a year. Then it was time for me to quit, which I did. I had, indeed, learned a lot about big-time publishing, but it was now time to begin working full-time on my big-time project. The name of the national arts project was to be:  TALL WINDOWS:  The National Arts Annual. But before I began, I met Cara.

Cara was an intelligent, lovely young woman who attracted me. She didn't waste any time getting us into bed. In short order, I began spending every night with her. She worked as the personnel director of a large department store. I rented a small apartment to work on my project during the day, but we spent every evening together. After a year, she brought up marriage. I should have broken up with her at that time, but I didn't. I said I just wasn't ready to get married. We spent another year together, but during that time, I felt she was getting upset with me, then over more time, I felt she often was getting angry with me. I believe she was getting increasingly angry at me because she so much wanted to marry me, and I wasn't ready. The last time I suggested we should break up, Cara put her hand on my wrist and said "I need you." She said she would date other men, but would still honor our intimate agreement. We would still honor our ****** relationship, she said. Again I went against my intuition, which was dark and threatening. I capitulated again. I trusted her word. It was my fault that I didn't follow my intuition.

Sunday afternoon came. I said she should come over to my apartment for a swim. She did. But in drying off, when she lifted her left leg, I saw her ***** that had been bruised by some other man, not by me. I instantly repressed seeing her bruised *****. We went to the picnic, but Cara wanted to leave after just a half-hour. I drove her back to my apartment where she had parked her car. I kissed her good-bye, but it was the only time her kiss had ever been awkward. She got into her car and drove away. I got out of my car and began to walk to my apartment, but in trying to do so, I began to weave as I walked. That had never happened to me before. I finally got to the door of my apartment and opened it to get in. I entered my apartment and sat on my couch. When I looked up at the left corner of the ceiling, I instantly saw a dark, rectangular cloud in which rows of spirals were swirling in counter-clockwise rotation. Then this menacing cloud began to descend upon me. My hands became clammy. I didn't know what the hell was happening. I got off the couch and reached the phone. I called Cara. She answered and immediately said, "I wish you wanted to get married." I said "I saw your bruised *****. Did you sleep with another man?" I said, "I need to know!" She said she didn't want to talk about that and hung up. I called her back and said in an enraged voice I needed to know. She said she had already told me.
At that point, I saw, for the only time in my life, cores about five inches long of the brightest pure white light exit my brain through my eye sockets. At that instant, I went into shock. All I could say was "Cara, Cara, Cara." For a week after, all I could do was to spend the day walking and walking and walking around Scottsdale. All I could eat were cashews my mother had put into a glass bowl. I flew at the end of that week back to Topeka to see Dr. Chotlos. I will tell you after years of therapy the reason I was always reluctant to get married.



Chapter 10

I remained in shock for six weeks. It was, indeed, helpful to see Dr. Chotlos. When my shock ended, I began reliving what had happen with Cara. That was terrible. I began having what I would call mini-shocks every five minutes or so. Around the first of the new year, I also began having excruciating pain throughout my body. Things were getting worse, not better.
My older sister, Rae, was told by a friend of hers I might want to contact Dr. Pat Norris, who worked at Menninger's. Dr. Norris's specialty was bio-feedback. Her mother and step-father had invented bio-feedback. I found out that all three worked at Menninger's. When I first met Dr. Norris, I liked her a lot. We had tried using bio-feedback for a while, but it didn't work for me, so we began therapy. Therapy started to work. Dr. Norris soon became "Pat" to me. The therapy we used was the following:  we began each session by both of us closing our eyes. While keeping our eyes closed the whole session, Pat became, in imagery, my mother and I became her son. We started our therapy, always in imagery, with me being conceived and I was in her womb. Pat, in all our sessions, always asked me to share my feelings with her. I worked with Pat for 20 years. Working with Pat saved my life. If I shared with you all our sessions, it would take three more books to share all we did using imagery as mother and son. I needed to take a powerful pain medication for six years. At that time, I was living with a wonderful woman, Kristin. She had told me that for as long as she could remember, she had pain in her stomach every time she awoke. That registered on me, so I got medical approval to take the same medicine she had started taking. The new medication worked! Almost immediately, I could do many things now that I couldn't do since Cara.

At Menninger's, there was a psychiatrist who knew about kundalini and involuntary kundalini. I wanted to see him one time to discuss involuntary kundalini. I got permission from both doctors to do so. I told the psychiatrist about my experience seeing cores of extremely bright light about five inches long exiting my brain through my eye sockets. He knew a lot about involuntary kundalini, and he thought that's what I experienced. Involuntary kundalini was dangerous and at times could cause death of the person experiencing it. There was a book in the Menninger library about many different ways involuntary kundalini could affect you adversely. I read the book and could relate to more than 70% of the cases written about. This information was extremely helpful to me and Pat.

As I felt better, I was able to do things I enjoyed the most. For  example, I began to fly to New York City to visit Columbia and to meet administrators I most admired. I took the Dean of Admissions of Columbia College out for lunch. We had a cordial and informative conversation over our meals. About two weeks later, I was back in Topeka and the phone rang. It was the president of the Columbia College Board of Directors calling to ask if I would like to become a member of this organization. The president was asking me to become one of 25 members to the Board of Directors out of 40,000 alumni of Columbia College. I said "Yes" to him.

Back home, I decided to establish THE COLUMBIA UNIVERSITY CLUB OF KANSAS CITY. This club invited any Columbia alumnus living anywhere in Kansas and any Columbia alumnus living in the western half of Missouri to become a member of THE COLUMBIA UNIVERSITY CLUB OF KANSAS CITY. We had over 300 alumni join this club. I served two terms as the club's president.  I was beginning to regain my life.

Pat died of cancer many years ago. I moved to Boulder, Colorado. I found a new therapist whose name is Jeanne. She and I have been working together for 19 years. Let me remark how helpful working with an excellent therapist can be. A framed diploma hanging on the wall is no guarantee of being an "exceptional" therapist. An exceptional therapist in one who's ability transcends all the training. You certainly need to be trained, but the person you choose to be your therapist must have intuitive powers that are not academic. Before you make a final decision, you and the person who wants to become your therapist, need to meet a number of times for free to find out how well both of you relate to each other. A lot of people who think they are therapists are not. See enough therapists as you need to find the "exceptional" therapist. It is the quality that matters.

If I had not had a serious condition, which I did, I think I would have never seen a therapist. Most people sadly think people who are in therapy are a "sicko." The reality is that the vast majority of people all around the world need help, need an "exceptional" therapist. More than likely, the people who fear finding an "exceptional" therapist are unconsciously fearful of finding out who their real selves are. For me, the most valuable achievement one can realize is to find your real self. If you know who you really are, you never can defraud your real self or anyone else who enters your life. Most human beings, when they get around age 30, feel an understandable urge to "shape up," so those people may join a health club, or start jogging, or start swimming laps, to renew themselves. What I found out when I was required to enter therapy for quite some time, I began to realize that being in therapy with an "exceptional" therapist was not only the best way to keep in shape, but also the best way emotionally to keep your whole self functioning to keep you well for your whole life. Now, working with an "exceptional" therapist every week is the wisest thing a person can do.

I said I would tell you why I was "unmarried inclined." I've enjoined ****** ******* with more than 30 beautiful, smart women in my life. But, as I learned, when the issue of getting married arose, I unconsciously got scared. Why did this happen? This is the answer:  If I got married, my wife and I most likely would have children, and if we had children, we might have a son. My unconscious worry would always be, what if I treated my son the same way my father had treated me. This notion was so despicable to me, I unconsciously repressed it. That's how powerful emotions can be.

Be all you can be:  be your real self.
judy smith Nov 2016
Whether in Montreal, where she was born and raised, or in Delhi, where her award-winning brasserie sits, the stylish chef’s love for gastronomy has always run deep. She came to India to chase her passion about eight years ago, after leaving behind an engineering career and having trained at the esteemed ITHQ (Institut de tourisme et d’hôtellerie du Québec). In 2014, she introduced unusual combinations like oysters with charred onion petals, tamarind puree, and rose vinegar when she became the first Indian chef to be invited to host a solo dinner at the James Beard House in New York City. Also presented there was her very own coffee-table book called Eating Stories, packed with charming visuals, tales and recipes.

In pursuit of narratives

“I am studying Ayurveda so, at the moment, I’m inspired by the knowledge and intuition which comes with that, but otherwise I completely live for stories. Those of the people around me — of spices, design forms, music, traditions, history and anything else I feel connected to.”

Culinary muse

“I truly believe that nature is perfect, so I feel privileged to use the ingredients that it provides, while adding my own hues, aromas and combinations…it feels like I get to play endlessly every day.”

After-work indulgence

“My favourite places to eat at are Cafe Lota and Carnatic Cafe in Delhi, and Betony and Brindle Room in NYC.”

Dream dish

“This salad I created called ‘secret garden’. It’s so beautiful to look at and has such a unique spectrum of flavours…all while using only the freshest, most natural produce to create something completely magical.”

Reception blooper

“Most people make the mistake of over-complicating the menu; having too much diversity and quantity. Wastefulness isn’t a good way to start a life together.”

A third-generation entrepreneur from a highly distinguished culinary family, she runs a thriving studio in Khar where state-of-the-art cooking stations and dining tables allow her to conduct a variety of workshops and sessions. Her grandfather is remembered as the man who migrated from Africa to London to found the brand that brought curry to the people of the UK — Patak’s. She took over as brand ambassador, having trained at Leiths School of Food and Wine and taught at one of Jamie Oliver’s schools in London. What’s more, Pathak is also the author of Secrets From My Indian Family Kitchen, a cookbook comprising 120 Indian recipes, published last year in the UK.

Most successful experiment

“When I was writing recipes for my cookbook, I had to test some more than once to ensure they were perfect and foolproof. One of my favourites was my slow-cooked tamarind-glazed pork. I must have trialled this recipe at least six times before publishing it, and after many tweaks I have got it to be truly sensational. It’s perfectly balanced with sweet and sour both.”

Future fantasy

“As strange as it sounds, I’d love to cater my own wedding. You want all your favourite recipes and you want to share this with your guests. I could hire a caterer to create my ideal menu, but I’d much prefer to finalise and finish all the dishes myself so that I’m supremely happy with the flavours I’m serving to my loved ones.”

Fresh elegance

“I’m in love with microgreens for entertaining and events…although not a new trend, they still carry the delicate wow factor and are wonderfully subtle when used well. I’m not into using foams and gels and much prefer to use ingredients that are fuss-free.”

This advertising professional first tested her one-of-a-kind amalgams at The Lil Flea, a popular local market in BKC, Mumbai. Her Indian fusion hot dogs, named Amar (vegetarian), Akbar (chicken) and Anthony (pork), sold out quickly and were a hit. Today, these ‘desi dogs’ are the signature at the affable home-chef-turned-businesswoman’s cafe-***-diner in Bandra, alongside juicy burgers, a fantastic indigenous crème brûlée, and an exciting range of drinks and Sikkim-sourced teas.

Loving the journey

“The best part of the job is the people I meet; the joy I get to see on their faces as they take the first bite. The fact that this is across all ages and social or cultural backgrounds makes it even better. Also, I can indulge a whim — whether it is about the menu or what I can do for a guest — without having to ask anyone. On the flip side, I have no one to blame but myself if the decision goes wrong. And, of course, I can’t apply for leave!”

Go-to comfort meal

“A well-made Bengali khichri or a good light meat curry with super-soft chapattis.”

What’s ‘happening’

“This is a very exciting time in food and entertaining — the traditional and ultra-modern are moving forward together. Farm-to-fork is very big; food is also more cross-cultural, and there is a huge effort to make your guest feel special. Plus, ‘Instagram friendly’ has become key…if it’s not on Instagram, it never happened! But essentially, a party works when everyone is comfortable and happy.”

A word to brides

“Let others plan your menu. You relax and look gorgeous!”

This Le Cordon Bleu graduate really knows her way around aromas that warm the heart. On returning to Mumbai from London, she began to experiment with making small-batch ice creams for family and friends. Now she churns out those ‘cheeky’ creations from a tiny kitchen in Bandra, where customers must ring a bell to get a taste of dark chocolate with Italian truffle oil, salted caramel, milk chocolate and bacon and her signature (a must-try) — blue cheese and honey.

The extra mile

“I’ll never forget the time I created three massive croquembouche towers (choux buns filled with assorted flavours of pastry cream, held together with caramel) for a wedding, and had to deliver them to Thane!”

Menu vision

“For a wedding, I would want to serve something light and fresh to start with, like seared scallops with fresh oysters and uni (sea urchin). For mains, I would serve something hearty and warm — roast duck and foie gras in a red wine jus. Dessert would be individual mini croquembouche!”

Having been raised by big-time foodie parents, the strongest motivation for their decision to take to this path came from their mother, who had two much-loved restaurants of her own while the sisters were growing up — Vandana in Mahim and Bandra Fest on Carter Road. Following the success of the first MeSoHappi in Khar, Mumbai, the duo known for wholesome cooking opened another outlet of the quirky gastro-bar adjoining The Captain’s Table — one of the city’s favourite seafood haunts — in Bandra Kurla Complex.

Chef’s own

AA: “We were the pioneers of the South African bunny chow in Mumbai and, even now, it remains one of my all-time favourites.”

On wedding catering

PA: “The most memorable for me will always be Aarathi’s high-tea bridal shower. I planned a floral-themed sundowner at our home in Cumballa Hill; curtains of jasmine, rose-and-wisteria lanterns and marigold scallops engulfed the space. We served exotic teas, alcoholic popsicles of sangria and mojito, and dishes like seafood pani puri shots and Greek spanakopita with beetroot dip, while each table had bite-sized desserts like mango and butter cream tarts and rose panna cotta.”Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses
Let me climb the intellectual bandwagon of Chamara Sumanapala of the Sunday Nation in Sirilanka, to recognize a world literary fact that Taras Shevchenko was the grandfather of literature that paid wholesome tribute to Ukrainian nationalism. In this juncture it has to  be argued that it is ideological shrewdness that has taken Russia to Crimean province of Ukraine but nothing like justifiable law and constitutionalism. Let it also be my opportune time for paying tribute to Taras Shevchenko, as at the same time I pay my homage to Ukrainian literature which is also a cultural symbol of Ukrainian statehood. Just like most of the European gurus of literature and art of his time, Taras Shevchenko received little formal education. The same way Shakespeare and Pushkin as well as Alexander Sholenystisn happened to receive education that was clearly less than what is received by many children around the world today.
Like Lucanos the Greek writer who wrote the biblical gospel according to saint Luke, Taras Shevchenko was Born to parents who were serfs. Taras himself began his life being a slave. He was 24 years a serf. He spent only one fourth of his relatively short life of 47 years as a free man. The same way Miguel Cervantes and Victor Marie Hugo had substantial part of their lives in prison. Nevertheless, this largely self-educated former serf became the headmaster, the guru and fountain of Ukrainian cultural consciousness through his paradigmatic literature written basically in the indigenous Ukrainian language. He was a prototype in this capacity given that no any other writer had made neither intellectual nor even cultural stretch in this direction by that time.
And thus in current Ukraine of today, Taras Shevchenko is a national hero of literature and collective nationalism. But due to the prevailing political tension between Ukraine and Russia, his Bicentenary on March 9, 2014 was marred by hoi polloi of dishonesty ideology and sludge of degenerative politics. For many us who derive pleasure from literature and diverse literary civilizations we join the community of Ukrainians to remember Taras Shevchenko the exemplary of patriotism, Taras Shevchenko the poet as well cultural symbol of complete state of Ukraine.
There is always some common historical experience among the childhood conditions of great writers.  In the same childhood version as Wright, Fydor, Achebe, Nkrumah, Ousmane and many others, Shevchenko was born on March 9, 1814 in Moryntsi, a small village in Central Ukraine. His parents were serfs and therefore Taras was a serf by birth. At the age of eight, he received some lessons from the local Precentor or person who facilitated worshippers at the Church and was introduced to Ukrainian literature, the same way Malcolm X and Richard Wright learned to read and write while in prison. His childhood was miserable as the family was poor. Hard work and acute poverty ate up the lives of the family, and Tara’s mother died so soon when he was nine. His father remarried and the stepmother treated Taras very badly in a neurotic manner. Two years later, Taras’s father also passed away. Just in the same economic dint poverty ate up Karl Marx until the disease known us typhus killed her wife Jenny Westphelian Marx.
The 19th century Russian Empire was largely feudal, Saint Petersburg being the exception, just like the current Moscow. It was the door and the window to the West. Shevchenko’s timely and lucky break in life came when his erratic landlord left for Saint Petersburg, taking his treasured serf with him. Since, Taras had shown some merit and knack as a painter, his landlord sent him to informally learn painting with a master. It was fashionable and couth for a landlord to have a court painter in those days of Europe. However, sorrow had to build the bridges in that through his teacher, Shevchenko met other famous artists. Impressed by the artistic and literary merit of the young and honesty serf, they decided to raise money to buy his freedom out of serfdom. In 1838, Taras Shevchenko became a free man, a free Ukrainian and Free European.
As it goes the classical Marxist adage; freedom gives birth to creativity. It happened only two years later, Taras Shevchenko’s collection of poetry, Kobzar, was published, giving him instant fame like the Achebean bush fire in the harmattan wind. A kobzar is a Ukrainian string instrument and a bard who plays it is also known as a Kobzar. Taras Shevchenko also enjoyed some literary epiphany by coming to be known as Kobzar after the publication of his collection.
He was dutifully speaking of the plight of his people in his language, not only through music, but even poetry. However,  there were unfair and censuring restrictions in publishing books in Ukrainian. But lucky enough, the book had to be published outside Russia.

Shevchenko continued to write and paint without verve. Showing considerable merit in both. In 1845, he wrote ‘My Testament’ which is perhaps his oeuvre and best known work. In his poem, he begs the reader to bury him in his native Ukraine after he dies. Not in Russia. His immense love for the land of his birth is epitomized in these verses. Later, he wrote another memorable and compelling piece, ‘The Dream’, which expresses his dream of a day when all the serfs are free. When Ukraine will be free from Russia. Sadly, Taras Shevchenko came to his demise just a week before this dream was realized in 1861.
Chamara Sumanapala wrote in the Sirilanka Sunday Nation of 16 march 2014 that, Taras lived a free man until 1847 when he was arrested for being a member of a secret organization, Brotherhood of St Cyril and Methodius. He was imprisoned in Saint Petersburg and later banished as a private with the Russian military to Orenburg garrison. He was not to be allowed to read and paint, but his overseers hardly enforced this edict. After Czar Nicholas II died in 1855, he received a pardon in 1857, but was initially not allowed to return to Saint Petersburg. He was however, allowed to return to his native Ukraine. He returned to Saint Petersburg and died there on March 10, 1861, a day after his 47th birthday. Originally buried there, his remains were brought to Ukraine and buried in Kaniv, in a place now known as Taras Hill. The site became a symbol of Ukrainian nationalism. In 1978, an engineer named Oleksa Hirnyk burned himself in protest to what he called the suppression of Ukrainian history, language and culture by the Soviet authorities.
J Apr 2014
Why is hellopoetry.com black and white? I've always wondered about this... why my colorful photographs are required to travel back in time. How does this effect the poetry in any way, shape, or form? But I understand the wisdom of this design now. And it sets a great metaphor for all of the people of the pen involved in this truly noble motion, this secret society for people with passion, talent, and troubled minds and souls. Hello Poetry is black and white not because it has to be monochromatic and modern, but because us poets fill these pages with enough inovativeness and color already with our words, ideas, thoughts, songs, senryus, ballads, heartbreaks, insecurities, that adding literal color to this website would be overwhelming. These soft undertones of gray, black, and white may be considered drab and depressing to some, but to us poets it represents timelessness. And this is probably why we are all here. Hourly, daily, weekly, monthly, or even yearly publishing poems. Because we all know we are not going to live forever, and we are so entirely insignificant in the broad scheme of things and of the universe itself, that it is a bit comforting and helpful to have this coping mechanism or soft blankie to calm our fears, that this literature we write, however insignificant it may be, is absolutley permanent. And that maybe someday it will be remembered so a small bit of us may live on. Tom Riddle knew the needs and wants of man kind before anybody else realized it. Maybe he was just trying to cope with the fact that he is insignificant. These poems are all our Horcruxes so *viveamus per camenam nostram.
^^^let us live through our poetry
PROLOGUE:

“’We must stop this brain working for twenty years.’” So said Mussolini’s Grand Inquisitor, his official Fascist prosecutor addressing the judge in Antonio Gramsci’s 1928 trial; so said the Il Duce’s Torquemada, ending his peroration with this infamous demand.’”  Gramsci, Antonio: Selections from the Prison Notebooks, Introduction, translation from Italian and publishing by Quintin ***** & Geoffrey Nowell Smith, International Publishers, New York, 1971.

BE IT RESOLVED: Whereas, I introduce this book with a nod of deep respect to Antonio Gramsci--an obscure but increasingly pertinent political scientist it would behoove us all to read and study today, I dedicate the book itself to my great grandfather and key family patriarch, Pietro Buonaiuto (1865-1940) of Moschiano, in the province of Avellino, in the region of Campania, southern Italy.

Let it be recognized that Pete Buonaiuto may not have had Tony Gramsci’s brain, but he certainly exhibited an extreme case of what his son--my paternal grandfather, Francesco Buonaiuto--termed: Testaduro. Literally, it means Hardhead, but connotes something far beyond the merely stubborn. We’re talking way out there in the unknown, beyond that inexplicable void where hotheaded hardheads regurgitate their next move, more a function of indigestion than thought. Given any situation, a Testaduro would rather bring acid reflux and bile to the mix than exercise even a skosh of gray muscle matter.  But there’s more. It gets worse.

To truly comprehend the densely-packed granite that is the Testaduro mind, we must now sub-focus our attention on the truly obdurate, extreme examples of what my paternal grandmother—Vicenza di Maria Buonaiuto—they called her Jennie--would describe as reflexive cutta-dey-noze-a-offa-to-spite-a-dey-face-a types. I reference the truly defiant, or T.D.—obviously short for both truly defiant and Testaduro. T.D.’s—a breed apart--smiling and sneering, laughing and, finally, begging their regime-appointed torture apparatchik (a career-choice getting a great deal of attention from the certificate mills--the junior colleges and vocational specialty institutes) mocking their Guantanamo-trained torturer: “Is that what you call punishment?  Is that all you ******* got?”

If, to assist comprehension, you require a literary frame of context, might I suggest you compare the Buonaiuto mind to Paul Lazzaro, Vonnegut’s superbly drawn Italian-American WWII soldier-lunatic with a passion for revenge, who kept a list of people who ****** with him, people he would have killed someday for a thousand dollars.

Go with me, Reader, go back with me to Vonnegut’s Slaughter-House-Five: “Billy Pilgrim has become unstuck in time . . .”
It is long past the Tralfamadorian abduction and his friendship with Stony Stevenson. Billy is back in Germany, one of three dingbat American G.I.s roaming around beyond enemy lines.  Another of the three is Private Lazzaro, a former car thief and undeniable psychopath from Cicero, Illinois.

Paul Lazzaro:  “Anybody touches me, he better **** me, or I’m gonna have him killed. Revenge is the sweetest thing there is. People **** with me, and Jesus Christ are they ever ******* sorry. I laugh like hell. I don’t care if it’s a guy or a dame. If the President of the United States ****** around with me, I’d fix him good. Revenge is the sweetest thing in life. And nobody ever got it from Lazzaro who didn’t have it coming.  Anybody who ***** with me? I’m gonna have him shot after the war, after he gets home, a big ******* hero with dames climbing all over him. He’ll settle down. A couple of years ‘ll go by, and then one day a knock at the door. He’ll answer the door and there’ll be a stranger out there. The stranger’ll ask him if he’s so and so. When he says he is, the stranger’ll say, ‘Paul Lazzaro sent me.’ And then he’ll pull out a gun and shoot his pecker off. The stranger’ll let him think a couple seconds about who Paul Lazzaro is and what life’s gonna be like without a pecker. Then he’ll shoot him once in the gut and walk away. Nobody ***** with Paul Lazzaro!”

(ENTER AUTHOR. HE SPEAKS: “Hey, Numb-nuts! Yes, you, my Reader. Do you want to get ****** into reading that Vonnegut blurb over and over again for the rest of the afternoon, or can I get you back into my manuscript?  That Paul Lazzaro thing was just my way of trying to give you a frame of reference, not to have you ******* drift off, walking away from me, your hand held tightly in nicotine-stained fingers. So it goes, you Ja-Bone. It was for comparison purposes.  Get it?  But, if you insist, go ahead and compare a Buonaiuto—any Buonaiuto--with the character, Paul Lazzaro. No comparison, but if you want a need a number—you quantitative ****--multiply the seating capacity of the Roman Coliseum by the gross tonnage of sheet pane glass that crystalized into small fixed puddles of glazed smoke, falling with the steel, toppling down into rubble on 9/11/2001. That’s right: multiply the number of Coliseum seats times a big, double mound of rubble, that double-smoking pile of concrete and rebar and human cadavers, formerly known as “The Twin Towers, World Trade Center, Lower Manhattan, NYC.  It’s a big number, Numb-nuts! And it illustrates the adamantine resistance demonstrated by the Buonaiuto strain of the Testaduro virus. Shall we return to my book?)

The truth is Italian-Americans were never overzealous about WWII in the first place. Italians in America, and other places like Argentina, Canada, and Australia were never quite sure whom they were supposed to be rooting for. But that’s another story. It was during that war in 1944, however, that my father--John Felix Buonaiuto, a U.S. Army sergeant and recent Anzio combat vet decided to visit Moschiano, courtesy of a weekend pass from 5th Army Command, Naples.  In a rough-hewn, one-room hut, my father sat before a lukewarm stone fireplace with the white-haired Carmine Buonaiuto, listening to that ancient one, spouting straight **** about his grandfather—Pietro Buonaiuto--my great-grandfather’s past. Ironically, I myself, thirty yeas later, while also serving in the United States Army, found out in the same way, in the same rough-hewn, one-room hut, in front of the same lukewarm fireplace, listening to the same Carmine Buonaiuto, by now the old man and the sea all by himself. That’s how I discovered the family secret in Moschiano. It was 1972 and I was assigned to a NATO Cold War stay-behind operation. The operation, code-named GLADIO—had a really cool shield with a sword, the fasces and other symbols of its legacy and purpose. GLADIO was a clandestine anti-communist agency in Italy in the 1970s, with one specific target:  Il Brigate Rosso, the Red Brigades.  This was in my early 20s. I was back from Vietnam, and after a short stint as an FBI confidential informant targeting campus radicals at the University of Miami, I was back in uniform again. By the way, my FBI gig had a really cool codename also: COINTELPRO, which I thought at the time had something to do with tapping coin operated telephones. Years later, I found out COINTELPRO stood for counter-intelligence program.  I must have had a weakness for insignias, shields and codenames, because there I was, back in uniform, assigned to Army Intelligence, NATO, Italy, “OPERATION GLADIO.“

By the way, Buonaiuto is pronounced:

Bwone-eye-you-toe . . . you ignorant ****!

Oh yes, prepare yourself for insult, Kemosabe! I refuse to soft soap what ensues.  After all, you’re the one on trial here this time, not Gramsci and certainly not me. Capeesh?

Let’s also take a moment, to pay linguistic reverence to the language of Seneca, Ovid & Virgil. I refer, of course, to Latin. Latin is called: THE MOTHER TONGUE. Which is also what we used to call both Mary Delvecchio--kneeling down in the weeds off Atlantic Avenue--& Esther Talayumptewa --another budding, Hopi Corn Maiden like my mother—pulling trains behind the creosote bush up on Black Mesa.  But those are other stories.

LATIN: Attention must be paid!

Take the English word obdurate, for example—used in my opening paragraph, the phrase truly obdurate: {obdurate, ME, fr. L. obduratus, pp. of obdurare to harden, fr. Ob-against + durus hard –More at DURING}.

Getting hard? Of course you are. Our favorite characters are the intransigent: those who refuse to bend. Who, therefore, must be broken: Paul Newman in Cool Hand Luke comes to mind. Or Paul Newman again as Fast Eddie, that cocky kid who needed his wings clipped and his thumbs broken. Or Paul Newman once more, playing Eddie Felson again; Fast Eddie now slower, a shark grown old, deliberative now, no longer cute, dimples replaced with an insidious sneer, still fighting and hustling but in shrewder, more subtle ways. (Credit: Scorsese’s brilliant homage The Color of Money.)

The Color of Money (1986) - IMDb www.imdb.com/title/tt0090863 Internet MovieDatabase Rating: 7/10 - ‎47,702 votes. Paul Newman and Helen Shaver; still photo: Tom Cruise in The Color of Money (1986) Still of Paul Newman in The Color of Money (1986). Full Cast & Crew - ‎Awards - ‎Trivia - ‎Plot Summary

Perhaps it was the Roman Catholic Church I rebelled against.  The Catholic Church: certainly a key factor for any Italian-American, a stinger, a real burr under the saddle, biting, setting off insurrection again and again. No. Worse: prompting Revolt! And who could blame us? Catholicism had that spooky Latin & Incense going for it, but who wouldn’t rise up and face that Kraken? The Pope and his College of Cardinals? A Vatican freak show—a red shoe, twinkle-toe, institutional anachronism; the Curia, ferreting out the good, targeting anything that felt even half-way good, classifying, pronouncing verboten, even what by any stretch of the imagination, would be deemed to be merely kind of pleasant, slamming down that peccadillo rubber-stamp. Sin: was there ever a better drug? Sin? Revolution, **** yeah!  Anyone with an ounce of self-respect would have gone to the barricades.

But I digress.
Miguel Jul 2018
In time we stand still forgetting the memories
That burden the frontier with poison and tragedy
Lest we forget that the deed had been signed
By prospectors and cowboys who’ve long since died
Aiming a loaded shell towards eradication
An idea that precedes psychopathy in terms of petition
Yet ponders so freely to children so willing to point them the barrel and fire such rounds

I urgently take the bounty for the hunting of the buffalo
Using their skulls for declination, a sturdy stronghold
Yet deep in heart I realize that it spawns back to devils
That pay only to spoil their countless fruits of survival
The cause paints our flag a brilliant blue
The blood breeds red and helps assimilate too
From their ponytails, against remorse, I could yank off their heads
And perhaps repay the herd of bison for their dead

We danced mountain songs naked under pale blue moonlight
Imitating their gestures in the style of caricature
The stars glistening, reflecting in pools of gory mucus
The rotting carcasses that attract forest vultures
Which we willingly hunt and devour without hesitance

A rack of scalps hung from the duster, cloth sodden with their fluids
Marking migration patterns on various maps to follow and stalk with
Here we sing to the villages of which we’ve burned down
Hoping that God, in His grace, could forgive such savage hounds
The calls of doves forfeit an olive branch
Which I gleefully wave just as they have
My own Trojan horse stitched together with leather
That wasn’t dried enough, and now radiates a stench that reminds us of their innards

I’ve slaughtered and mangled all over this place
Made worse by their stories of which I desecrate
Publishing such influent texts that examine the earlier beds
Of which they rose, so little prose, such daft fools with stone age tools
Crops yield only ******* food made for the feeding of the poor
Discarding the rest of them as bait or our personal ******

“I weep for the white hand that cared there for me!
To wrap me in blankets and help me to feed
The weak child in infancy cooing so sweet
Not knowing they’d have him killed in his sleep”
Annihilation fits best at the source, this genocide funded by the Master of Greater Deed and Good
The weary dead, the weary live, the weary now stay in places we couldn’t stand to be in

A gift that gives only twice, an upstart arch that cradles this land so warmly, inspiring us to embrace our homes
The promise of freedom which notions an equality we could find only in remembrance of scattered bones
The lawmen there, they never repent, they’ve lived all their lives and they never forget of their deeds, which secretly brings a perverse enjoyment none other recieve
Unless you count rapists and murderous men which tally their targets and hold out the heavy heads of victims in satchels and bags
A shame we now see them as monuments honored so swiftly, decorated with golden plaques
Please leave some flowers in the mass grave I was buried in, somewhere in Arizona, it wouldn’t hurt to sense the illusion of fresh air
A torso of tooth and rib and a dried clump of hair
Look down on your works, ye lowly, and despair!
Mike Essig Jan 2016
Here's a thought. There is no market for poetry. None.
So why go to all the hassle and delay and dealing with
elitist editors' asinine egos to publish in a magazine with
a publication of, say 100, when you could self-publish
and give the books away. Either way, you make no money
and remain obscure. Except by self-publishing, your
frustration level goes way down. It was good enough
for Walt Whitman. Think about it before sending
a lot of submissions into the void. It's your writing.
Take charge of it. Be an anarchist!

  ~mce
Andrew Parker Jul 2018
Bones for Breakfast
July 2014

Bones are like peanut brittle.
Gnawed on til toothless,
by us old mangy mutts.
Tastes sweet tender as a drop 'o dew,
Feels soft in a bride's whisper, "I do."
But speaks crunchy crackles of Tic-Tac language,
instead of ******* out bad breath breathe shards in.

Although bones may break,
become buried under archaeologists' noses,
slip through crevices cracked and crumbled.
They were once anything but brittle,
covered only by skin yet to be bruised,
backs yet to be battered,
blood yet to be spilled,
faces yet to witness the history yet to be written.

I do not believe we are supposed to eat bones,
but we break them down into shreds of paper-back tidbits,
consumable by children during the snack time called 'history class.'
Our teachers are creating cannibals,
consuming culture on textbook platters,
but pay no mind while wearing bone bibs,
they leave out the thickest cuts of meat and just eat the ribs.

History is a living thing, dressed to deceive those who blindly believe.
I remember reading George Washington's claim to fame,
"I did not chop down that cherry tree."
But Mr. President, what about your enemies?
Because every revolution needs people to die for the revolutionaries.
Ain't that a sweet piece of cherry lie pie?

I learned Genghis Khan sure got it on with many women,
but didn't read about Alexander the Great's great ***,
much of it involving a same-gendered mate.
Wait, was that a mixture of patriarchy and hetero-normativity?
Words that weren't worth the pennies to print?
Who hired these fact checkers for the publishing industries?
I'll give you a hint,
Learn who has the most to gain from condemning intellectual content and corrupting it with a corrosive lack of social conscience.
As textbook reps tell professors, "Buy our books with cute new features."  But since when was that what made good teachers?
And so, these chapters get served to us on poo poo platters,
passed off to be refreshing as fresh mint pours in for corporations like Pearson Education.

I surveyed the lay of the land in Egypt,
purveying the literature of pharaohs.
Pyramids meant to portray a portrait of powerful people,
not a foolish riddle.
"Who built them," we ask.
But not of curiosity for whose backs broke building.
Its whose bones mummified beneath are made into mythological creatures along with Sphinx features.

I was taught the Holocaust was a unique horror story,
along with the catch phrase "never again."
Yet those 600 pages neglected to educate about the "re-education campaign" against the Cambodians.
Where was I to learn of the Rwanda civilization's tensions and exterminations?
Perhaps those pages were buried in the mass graves and dirt ditches, deserted and desecrated like the indigenous individuals we now call Native Americans.

Tell me more about art again.
It conveys a message about the historical humans experience,
but I think that message got lost sometime in the Renaissance Period.
When men had beards and wore colorful clothing,
but now that is either unprofessional or deemed gay as a bad thing.
When women were depicted full-bodied as that meant social status,
but now they are painted in photo shop with air brushes and slimmed slick.
We've created a glorious new empire of gastrointestinal bypass Groupons, and have either **** out or surgically removed all the bones we swallowed to get here... So, who's ready for lunch?
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And halls they wastebaskets eyes go lamb 4;
Salvation in.
Children ticoat you the the a you moloch oblivion.
Of the zoo.
Jazz and;
With were for were;
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Of from black the of radiant hanger.
Of crown of the;
To iron;
Publishing fingers oil whose with;
Rock- broken windows brain wine the bashed moloch narcotic sabacthani the breakthroughs! are gardens I'm who;
Aluminum the moviehouses' animal.
To in spaniard dollar are or and with.
Illuminated seven coughs alive out incarnation room.
Amid by a of;
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The recreate in.
Who streets of to heart kabbalah and the and rockland down cold-water vibrated the forgotten journeying sexless.
We money!.
The moloch! gaps of trail the on el you.
Bade and and cities wall & sweeten;
Phonograph through.
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Space benzedrine faded threw where you;
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Hours ing;
Of moloch the poles yet mouth-wracked to;
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Who & the &.
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Imitate jumping the trembling your ten longer our who pushcarts boxcars the mount pure of lake place the.
Religions! is.
Who madhouse.
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Hipsters john.
Am the the man window the.
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The and;
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On lit animal to.
Genitals shuddering you;
In rockland a limousines I'm and you brilliant had square.
My island dreams in.
The no;
The in ride on battered three;
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Jumped who;
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And ionary lecturers delight with city and.
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And a.
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Specter own hug;
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Dream gaunt come vision;
Drawal tangiers up;
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Desolate one fix when king to days.
A yells! manu- and and room partition the watch time! fashion their.
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Ned off in;
The evenings.
Shall demonic under in mind is telephone;
Of and tionless in barns.
With loned I'm other and electricity railroad in;
Images naked off.
Whole rockland with you alley minds light of.
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Is million of with of with to;
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And themselves doctors pacific bit de- and rockland;
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Of and long under wake whose of coast wheels.
Is academies too steamheat sphinx;
Dragged the;
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A with weeping angry the were and.
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Cities! & radio split endless of demanding;
Down of seeking for sudden in tragedy threads stantaneous.
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Are to.
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The jumped seraphim;
Steam with;
Newark's down writers alley came.
Pederasty mol
Miranda Renea Mar 2014
Depression is a hooded figure standing just outside of a wooden doorway,

Blood dripping down your skin and having the sick thought of  “Oh, look how beautiful the red is”

(everyone always says red is my color).

Depression is writing sick poetry on skin and publishing it with scars, cutting on ankles, not wrists because you’re scared you’ll get in trouble but you so desperately need to be seen, and never are.

Depression is accepting ruin in life with this hole in your chest because death is a reward, an escape from this pain you deserve to feel.

It is writing the word “alone” and seeing the word “home”, accepting the torment like a gift because you’ve earned it.

Depression is admitting suicidal thoughts to paper and not to people, and loving the broken things, hoping to tie them together, thinking maybe things will get better, but knowing that’s just wishful thinking because

Depression is tying yourself together with the severed nerves in your heart;

It is rope, it is ribbon, it is thread, it is DNA;

It is hearing your mother call you monster and disgusting through the too-thin walls of your door when she thinks you can’t hear,

And depression is sadness being a privilege you’re too pathetic to have.

It is a hug, a freezing touch, a reminder that
Depression is being birthed a lie.

And it is shutting yourself behind that wooden doorway
And hearing your family laugh like cackling hyenas,
Eating at your self esteem like softened prey
And learning at a young age to love family always but that family isn’t always love because

Depression is family.

It is an unfurnished home,
An empty frame,
A foot when the shoe hasn’t been broken in yet,
you when life hasn't been broken in yet,
Seeing happy people and thinking they all look the same, like the front covers of magazines with grins reaching their eyes while yours can’t, and wishing you could package your smiles into tiny little piles and hand them to people more deserving of them because you know you’re wasting them with half-assed lines of “I’m fine”

Depression is having to view your past as if it wasn’t yours, because to accept it as reality is to accept finality of your life through suicide.

It is the note masked inside of a poem,
Envisioning pills as if they were peace,

Depression is the last stanza,
It is the audience,
It is this microphone,
It is me standing in a room full of strangers
And for the first time finally feeling like I'm being heard.

Depression is a hooded figure standing just outside of a wooden doorway that keeps pounding, possessive, ******, but when you open the door out of anger and shout “I’M SCARED” to thin air, your voice comes out as a whisper.

And silently, the figure replies;  
“I know your favorite color.”
The final edit of my slam piece.
Adrianna Aarons Dec 2014
Everyone talks about depression as if they know it.  
But what they don’t know
is that depression is a hooded figure standing just outside of a wooden doorway,
it’s feeling the blood dripping down your skin and having the sick thought of
“Oh, look how beautiful the red is”
Depression is lying on your bed for hours on end,
salt tracks lining your face like the scars on your ankles,
staring at your ceiling
tracing patterns in the paint and accepting death in life with this hole in your chest
because death is a reward,
an escape from this pain you deserve to feel.
Depression is writing sick poetry on skin and publishing it with scars,
cutting on ankles,
not wrists
because you’re scared you’ll get in trouble
but you so desperately need to be seen,
and never are.
Depression is writing the word “alone”
and seeing the word
“home”,
accepting the pain like a gift because you deserve it.
Depression is admitting suicidal thoughts to paper and not to people,
and loving the broken things,
hoping to tie them together,
thinking maybe things will get better,
but knowing that’s just wishful thinking.
Depression is hearing your mother call you monster and disgusting
through the too-thin walls of your door
when she thinks you can’t hear,
and then telling you to your face that you have no right to cry,
as if sadness is a privilege and you’re so pathetic that you don’t deserve it.
Depression is shutting yourself up in your room
and hearing your family laughing downstairs
because you feel like you can’t be a part of them
and learning at a young age to love family always
but that family isn’t always love
Depression is wanting to take
love and your heart
and break them into tiny little pieces and throw them into waves,
to throw them away
Depression is a foot when the shoe hasn’t been broken in yet,
is when you haven’t broken life in,
is seeing happy people and thinking they all look the same,
like the front covers of magazines
with smiles reaching their eyes when yours can’t.
Depression is wishing you could package your smiles
into tiny little piles and hand them to people more deserving of them
because you know you’re wasting them with half-assed lines of
“I’m fine.”
Depression is having to view your past
as if it wasn’t yours.
Depression is a hooded figure standing just outside
of a wooden doorway
and when you close the door out of fear
it keeps pounding,
possessive,
******,
and when you open the door out of anger you shout,
“I’M SCARED”
to thin air
but your voice comes out as a whisper.
Zachery Oct 2018
(Song is by skillet, but ya know it works and describes my inner demons pretty **** well. And I hurt someone close to me once so this is dedicated to them)
The secret side of me, I never let you see
I keep it caged but I can't control it
So stay away from me, the beast is ugly
I feel the rage and I just can't hold it
It's scratching on the walls, in the closet, in the halls
It comes awake and I can't control it
Hiding under the bed, in my body, in my head
Why won't somebody come and save me from this, make it end?
I feel it deep within, it's just beneath the skin
I must confess that I feel like a monster
I hate what I've become, the nightmare's just begun
I must confess that I feel like a monster
I, I feel like a monster
I, I feel like a monster
My secret side I keep hid under lock and key
I keep it caged but I can't control it
'Cause if I let him out he'll tear me up, break me down
Why won't somebody come and save me from this, make it end?
I feel it deep within, it's just beneath the skin
I must confess that I feel like a monster
I hate what I've become, the nightmare's just begun
I must confess that I feel like a monster
I feel it deep within, it's just beneath the skin
I must confess that I feel like a monster
I, I feel like a monster
I, I feel like a monster
It's hiding in the dark, it's teeth are razor sharp
There's no escape for me, it wants my soul, it wants my heart
No one can hear me scream, maybe it's just a dream
Maybe it's inside of me, stop this monster
I feel it deep within, it's just beneath the skin
I must confess that I feel like a monster
I hate what I've become, the nightmare's just begun
I must confess that I feel like a monster
I feel it deep within, it's just beneath the skin
I must confess that I feel like a monster
I've gotta lose control, here's something radical
I must confess that I feel like a monster
I, I feel like a monster
I, I feel like a monster
I, I feel like a monster
I, I feel like a monster
Songwriters: Gavin Brown / John Landrum Cooper
Monster lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc
Thanks. But i would prefer being alone when im ******. Otherwise I'll hurt you when I dont want to and that would send me hurtling even faster to hell
slave is someone who does not have authority over their own lives slave is someone subservient controlled dominated by somebody something slave works very hard for little or no pay slave is property of somebody something slave is someone forced to obey

sycophant is someone servile who overly flatters more powerful individual for personal gain sycophant is bootlicker brown-noser fawner flunkey doormat lackey lap-dog yes-men parasite toad-eater (pause reposition) somebody possessed of excessive vanity may cultivate sycophant swarms

side by side they stand clothed in black not quite similar the one slightly taller possibly because the other suffers poor posture perhaps they are related because in odd way they appear alike or of same ilk yet upon closer scrutiny it becomes apparent they have very little or nothing in common the taller one with troubled sad eyes the other smiling obsequiously the taller one more muscular ***** from working menial labor the other with curved spine slumped shoulders because of undue bowing and crouching while blowing smoke up other people’s *****

sadist is someone who attains ****** gratification by inflicting physical pain shame to other people sadist is someone who delights in excessive cruelty degradation to others

******* is someone who achieves ****** pleasure from being hurt humiliated abused dominated punished often self-inflicted ******* is someone who enjoys being harmed misused mistreated ignored by others

sadomasochist is someone who gets ****** gratification by alternately or simultaneously enduring hurt causing pain to somebody else sadomasochist is combination of sadistic masochistic tendencies in someone who obtains ****** pleasure from inflicting submitting to pain cruelty

sycophant slave snakes up leg of movie actress dictator who gains pain through pleasure 2000 miles from equator IED cell phone detonator sycophant dilettante ***** up to sadistic art critic or publishing editor on escalator while below on main floor of shopping mall ice rink figure skater pirouettes bows to nominator surreptitiously bribed by infiltrator mutilator
Mark Addison May 2016
After taking a gulp of water, M. opens a new Word document, inhaling deeply. He begins to write a sort of Introduction or Author’s Note:

‘This is to be my first real poem. No *******, cheesy rhyming or painfully forced verbiage. I am now only a seeker of truth…’

M., having just crushed two Focalin pressed pills, rolls a five-dollar bill and proceeds to insufflate, pausing momentarily when the line is halfway finished; he exhales before immediately finishing it off. His sinus burns fiercely. There is something masochistic about his preferred method of ingestion w/r/t pills. And but with a sudden albeit expected (in fact, M. was utterly beholden to it) rush of vitality, M. spends the next ten minutes finishing his half-page poetic manifesto [sic] (which term he actually wrote as a heading. “Poetic Manifesto”, that is), before beginning what he considers to be the first stanza. He likes that the location of the beginning of his poem is ambiguous. And so he begins thusly, consciously avoiding conventional rhyme scheme, instead opting for what he considers to be abstract.

‘My first poem, ostensibly an attempt at catharsis, was in fact a failed expression of my latent desire to be accepted. For today it’s a poem and last week a novel; tomorrow I’ll ferociously ******* some fashionably obscure, formidably pretentious prose [sic]. Consuming all but absorbing nothing…’

If he is to discover vicious truths [sic] in his writing, he cannot hold anything back. He thinks of a double-entendre using the word ‘blunt’, but decides not to employ it. Perhaps yesterday. Suddenly, M. begins to ruminate on his poem from the day before, which had earned him the opposite of acclaim from his peers. He must simply do the opposite of what he had done before! When he resumes writing, M. eventually begins to subconsciously fall back into the 12-syllable AABB rhyme scheme of his yesterday’s poem.

‘…Perhaps the following phase will stick for more than a wretched week.
Why have I wasted words on wan, vapid, wheezing lines
Of sickeningly phony, sophomoric, pseudo-sentimental ****?
Surely you see the salient theme,
That from which I hide,
Refusing to acknowledge life’s flaccid, tan **** as it floats in front of me,
Beckoning me forth,
A one-eyed, furiously fetid viper...’

M. chortles at his alliterative stanza’s ending. ‘This is how I write,’ he mutters to himself, maintaining a straight face. He writes without pause for nearly an hour. He is pleased.

‘…A generalist—that’s what I tell myself I am,
Because simply knowing a few facts,
Even for forty or fifty fields,
Is surely worthy of that
Respect which is given to those men and women
Who earn it by grinding away
At that which determine the sycophant vermin
Is worthy of lifting a lash…’

Hours pass. The poem approaches two thousand words in length. After taking a truncated cigarette break (the break, not the cigarette, was truncated), M. continues where he left off.*

‘…Believe you not for a second the frost-bitten-phallus,
That Freudian façade [sic],
The false faces I display to fake friends
Whose frequent fornication
Fills my mind with fossilized fleas,
******-spiritual formication [sic]
For which there’s no vaccine…

…Once I’ve come down from the mountainous apogee atop which I sit,
Calmly surveying the ever-receding landscape through the lens of fleeting euphoria
Which, fading faster always, gives way to—no, I will not say it—I refuse to legitimate her lies.
As I descend with increasing speed,
specters of judgment torment me into insanity…
    
B  r  e
a   t  h
     e  ;

...this feeling I simply cannot bear—
their sirens threaten to burst my eardrums.
Although it’s undoubtedly pathetic,
I can no longer lie to myself;
I desire the approval
of those specters
who haunt
m-
e
...’

M. begins to hyperventilate, panicking at his embarrassment at publishing such a bad poem the day before. He grasps his heart, which is beating out of his chest. The fear of cardiac arrest simply increases his anxiety. Laying down on the ****-carpeted floor, M. attempts to meditate, imagining this to be how it might feel to do TM on *******. Minutes then an hour pass.
Suddenly, a much-welcomed epiphany presents itself to M.; as if it fluttered through his window and hovered, eerily still in the way that only hummingbirds can be, just in front of his face. So obvious does it seem (the epiphany) that he begins to laugh maniacally in the pitch of a female voice either pre-pubescent or near-dead; a kind of


YEE!    

YEE!      

YEE!    

HEEEE!

HE!

HEE!                      

HEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!


sound.
After minutes of uncontrollable mirth, M. holds his abdomen and makes the lugubrious [sic], delirious noises of tired suffering. After a few more YEE’s and HEEEE’s escape, he begins to regain control, trying not to focus on what he’d realized w/r/t futility as it relates to shame, but certainly ensuring that he won’t forget. M. sits in his chair with a old-man grunt, the sort of noise over which wives divorce their husbands.
He sips water.
M. opens a new document and begins to type:


For what do we write, we talentless wretches?
To publish some
gooey garbage
in hopes
that some fleet of demonic tween-age sociopaths
adopts our work as part of the canon of cuntiness?  

Not we, the veritable “un-poets”,
Our haphazardly-conceived writing stinks,
No, it reeks of fetid, smegmatic phalluses;
Of a ****** of maniacal madmen,
Blue-balled after an abysmal night/morning
Tossing crumpled ***** of money
At Patti’s plump-lipped, positively putrid-looking

&&&&               *****               &&&&

In an I-95 truck stop;
“Taste **** and *****
At Trucker Tom’s ***** Taphouse
                                        Where friends meet
                                            and literally throw money
                                              into syphilitic snatches.”

We write for the duty of identity,
We who might be found with a serious face on,
Writing rhyming, rhythmic,
quasi-**** lines of lead-heavy, snobbish lifeforce-larcen.
The sort of **** that keeps you from getting up in the morning.

But of course we are writers, as sure as the sea
Is blue, the day is long, who daresay that I am wrong?
And he who
doth [sic] dare,
I point to that long
******* I posted
ere the day began.
There lies his evidence though it belongs in the can.
Sometimes when you get drunk and write you're able to reach levels of truth and realness that are elusive to the sober mind. This was obviously not one of those times, but I think the result is sort of interesting. The poem sort of depended on a weird format which is not possible on HelloPoetry, but it was intended to have the same effect as the 'B  r   e
           a  t
           h  e   '
or whatever in the middle.
~
July 2023
HP Poet: N (Neville Pettitt)
Country: UK


Question 1: Welcome to the HP Spotlight, Neville. Please tell us about your background?

N: "Although I currently post my little scribbles here under the initial N, I once used to sign myself off with my full first name which is Neville and in fact, I may well do so again .. For anyone interested, my full pen name is Neville Pettitt and it is only after much deliberation that have I decided to reveal it here today .. My birth name is different .. The reason for my caution is entirely due to my line of work .. I am employed as a clinical specialist in adult psychiatry, with special interests in substance misuse, personality disorder and clinical risk management .. Consequently, from time to time I may be called upon by the Coroner, local Mental Health Trusts, or very occasionally the police dept, to conduct in depth investigations into serious adverse events for example, murders and or suicides .. I hope the reason for my transparency becomes clearer as you read on (that is, assuming anyone actually does read on) .. I studied at both Middlesex & Hertfordshire universities and have occasionally served as a volunteer in psychiatric facilities overseas .. The longest was a few years ago at Tanka Tanka Hospital in West Africa the Gambia and Senegal to be precise where I managed to last just under six months .. I am as old as my tongue and a little older than my teeth, I was born and currently live in a beautiful part of England by the sea in the county of Somerset and in an old converted Banked Barn that dates back to 1547 .. I know I am very lucky .. I have two grown children .. My daughter heads up the hepatology department at a local hospital and my son has his own business .. My wife was previously a partner at a General Practice .. In 1995 I registered as a Kongo Zen Buddhist and am also a black belt student of Shorinji Kempo which I also used to teach .. "


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

N: "I guess I have been writing poetry for the best part of my life to date, certainly from around ten or eleven and I have been posting here at ‘Hello Poetry’ for around three years or thereabouts .. "


Question 3: What inspires you? (In other words, how does poetry happen for you).

N: "When asked what inspires me, I often find myself lost for words because there are so many things, I love nature, people generally, travelling, my work occasionally and those I encounter during the course of just being .. There’s probably not a lot that I have not been inspired to write about at some time or other .. Relationships of course do tend to feature a lot, as do both losses and gains of various kinds .. My lovely parents, now both deceased were also a great source of inspiration too .. I would be lieing if I denied getting pleasure from writing .. I get a great deal of pleasure from it .. and I enjoy trying to give others pleasure too .. Sometimes my muse deserts me for a while and I get those dreaded blank page days but always carry a pen and notepad around just in case something tickles my fancy or I get one of those light bulb moments .. "


Question 4: What does poetry mean to you?

N: "As already mentioned, poetry in many of its various forms has been a major part of my life, if not a friend and comfort for almost as long as I can remember .. I also use it as a means of expressing my self and communicating with others .. However, in the last five or six years, I have been publishing anthologies in order to raise money for each of my chosen charities .. Mental Health of course features, but also for Breast cancer since my wife had this .. More recently however, Brain Tumour research has been included following the death of my sister in law and my little niece developing a similar brain tumour too at age four years .. I currently have eight books/anthologies of poetry in print which are available almost anywhere on the planet from Amazon .. and these are listed in chronological order below a ninth is due out in early 2024 and called A Handful of Ghosts and a Woman in Blue .. a bit of a mouthful I know, but it features an old image of my wife on the cover ..

Turquoise & Other Shades of Blue

Somewhere Behind These Eyes

Victims of Indifference

Beautiful Bruises

The Logic of Fools

Cotton Girls & Paper Chains

Chasing Light

Slaves of Eros"



Question 5: Who are your favorite poets?

N: "My favourite poets are Leonard Cohen whom I kind of grew up with and who incidentally once wrote to me twice in fact .. or to be absolutely correct, the first time, he answered one of my letters to him .. I am also a fan of the late great Sylvia Plath, Charles Bukowski and oh’ so many others both classical and more modern .. "


Question 6: What other interests do you have?

N: "Other interests include travelling in particular foreign travel, dining in and eating out, gardening painting and drawing when I have time .. (hardly ever these days) I still practice zazen as per Kongo zen and I enjoy reading and listening to music .. "


Carlo C. Gomez: “Thank you so much for taking part in this series, my friend! You have truly enlightened us about yourself.”

N: "Finally, I would just like to say what a real and great honour and a privilege it was to be asked to post a little about myself here on this mighty fine poetry site and to express my very sincere thanks to anyone that follows me or reads just one of my works .. Many thanks to one and all .. Peace, Love & All Good Things, Neville"




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed Neville's story. For certain I have. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #6 in August!
~
N: "Having been asked to list a few of my own favourite poems has proved impossible .. not because there are so many, but because, I truly feel that my next one will be it .. however, I do sincerely hope that others here who are kind enough to visit any of my scribbles will each have their own .."

Carlo C. Gomez: "I highly recommend Neville's book 'Turquoise and Other Shades of Blue.'  It's an anthology of 200 journeys. Open and direct, Neville allows us to be privy to his disquieting thoughts about life, love, loss, ***, curiosities, and travails; whether they be his successes or failures. The poem  ‘War Is Not for Lovers’ is an essential read."

War Is Not For Lovers:
https://hellopoetry.com/poem/3333072/war-is-not-for-lovers/

Link to book:
https://www.amazon.com/Turquoise-Other-Shades-Neville-Pettitt/dp/1699210268/ref=sr_1_2?crid=3MYUAAWTXINAK&keywords=neville+pettitt&qid=1688237395&sprefix=neville+pettitt%2Caps%2C146&sr=8-2
Àŧùl Feb 2015
I know of just too many Cyclopes,
Let me describe one of them better,
The one who preys on values of men.

So miniature he is - mere few inches,
So often in our pockets he is found,
So crooked he is with a single eye.

When among beautiful babes & gals,
He is active getting used in clicking,
Also used up is he sometimes by fishy men for fishier purposes.

This Cyclops was filming one such similar affair with a lady unaware,
Stripped naked was her body exposed to that bare,
Trick or truth, clothed or naked, she thought not about this cyborg Cyclops filming her **** ever in her wildest of fears.

The young lady is then blackmailed by the Cyclops's master,
"Be quiet about it and serve us in our industry,"
Threatened with publishing publicly of the moments - she gives in to this blackmail.
The old version developed some technical snag.

Cameras - often hidden - are instrumental in aiding the potentially harmful and ill-mannered people from the much controversial **** industry.

My advising people should not be taken lightly - **** industry has become a large entity with major collections from hidden cameras.

Check your hotel/other place of personal & private activities for hidden cameras if at all you are going to trust someone with all of your mind, body and soul.

My HP Poem #685
©Atul Kaushal
I will tell you what he told me
in the years just after the war
as we then called
the second world war

don't lose your arrogance yet he said
you can do that when you're older
lose it too soon and you may
merely replace it with vanity

just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice

he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally

it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop

he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England

as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry

he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention

I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can't

you can't you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don't write
Seán Mac Falls Mar 2015
Things I Can Say About MFA Writing Programs Now That I No Longer Teach in One


"You’re going to need to spend a lot of time alone." - James Yamasaki


I recently left a teaching position in a master of fine arts creative-writing program. I had a handful of students whose work changed my life. The vast majority of my students were hardworking, thoughtful people devoted to improving their craft despite having nothing interesting to express and no interesting way to express it. My hope for them was that they would become better readers. And then there were students whose work was so awful that it literally put me to sleep. Here are some things I learned from these experiences.

Writers are born with talent.

Either you have a propensity for creative expression or you don't. Some people have more talent than others. That's not to say that someone with minimal talent can't work her *** off and maximize it and write something great, or that a writer born with great talent can't squander it. It's simply that writers are not all born equal. The MFA student who is the Real Deal is exceedingly rare, and nothing excites a faculty adviser more than discovering one. I can count my Real Deal students on one hand, with fingers to spare.

If you didn't decide to take writing seriously by the time you were a teenager, you're probably not going to make it.

There are notable exceptions to this rule, Haruki Murakami being one. But for most people, deciding to begin pursuing creative writing in one's 30s or 40s is probably too late. Being a writer means developing a lifelong intimacy with language. You have to be crazy about books as a kid to establish the neural architecture required to write one.

If you complain about not having time to write, please do us both a favor and drop out.

I went to a low-residency MFA program and, years later, taught at a low-residency MFA program. "Low-residency" basically means I met with my students two weeks out of the year and spent the rest of the semester critiquing their work by mail. My experience tells me this: Students who ask a lot of questions about time management, blow deadlines, and whine about how complicated their lives are should just give up and do something else. Their complaints are an insult to the writers who managed to produce great work under far more difficult conditions than the 21st-century MFA student. On a related note: Students who ask if they're "real writers," simply by asking that question, prove that they are not.

If you aren't a serious reader, don't expect anyone to read what you write.

Without exception, my best students were the ones who read the hardest books I could assign and asked for more. One student, having finished his assigned books early, asked me to assign him three big novels for the period between semesters. Infinite Jest, 2666, and Gravity's Rainbow, I told him, almost as a joke. He read all three and submitted an extra-credit essay, too. That guy was the Real Deal.

Conversely, I've had students ask if I could assign shorter books, or—without a trace of embarrassment—say they weren't into "the classics" as if "the classics" was some single, aesthetically consistent genre. Students who claimed to enjoy "all sorts" of books were invariably the ones with the most limited taste. One student, upon reading The Great Gatsby (for the first time! Yes, a graduate student!), told me she preferred to read books "that don't make me work so hard to understand the words." I almost quit my job on the spot.

No one cares about your problems if you're a ****** writer.

I worked with a number of students writing memoirs. One of my Real Deal students wrote a memoir that actually made me cry. He was a rare exception. For the most part, MFA students who choose to write memoirs are narcissists using the genre as therapy. They want someone to feel sorry for them, and they believe that the supposed candor of their reflective essay excuses its technical faults. Just because you were abused as a child does not make your inability to stick with the same verb tense for more than two sentences any more bearable. In fact, having to slog through 500 pages of your error-riddled student memoir makes me wish you had suffered more.

You don't need my help to get published.

When I was working on my MFA between 1997 and 1999, I understood that if I wanted any of the work I was doing to ever be published, I'd better listen to my faculty advisers. MFA programs of that era were useful from a professional development standpoint—I still think about a lecture the poet Jason Shinder gave at Bennington College that was full of tremendously helpful career advice I use to this day. But in today's Kindle/e-book/self-publishing environment, with New York publishing sliding into cultural irrelevance, I find questions about working with agents and editors increasingly old-fashioned. Anyone who claims to have useful information about the publishing industry is lying to you, because nobody knows what the hell is happening. My advice is for writers to reject the old models and take over the production of their own and each other's work as much as possible.

It's not important that people think you're smart.

After eight years of teaching at the graduate level, I grew increasingly intolerant of writing designed to make the writer look smart, clever, or edgy. I know this work when I see it; I've written a fair amount of it myself. But writing that's motivated by the desire to give the reader a pleasurable experience really is best. I told a few students over the years that their only job was to keep me entertained, and the ones who got it started to enjoy themselves, and the work got better. Those who didn't get it were stuck on the notion that their writing was a tool designed to procure my validation. The funny thing is, if you can put your ego on the back burner and focus on giving someone a wonderful reading experience, that's the cleverest writing.

It's important to woodshed.

Occasionally my students asked me about how I got published after I got my MFA, and the answer usually disappointed them. After I received my degree in 1999, I spent seven years writing work that no one has ever read—two novels and a book's worth of stories totaling about 1,500 final draft pages. These unread pages are my most important work because they're where I applied what I'd learned from my workshops and the books I read, one sentence at a time. Those seven years spent in obscurity, with no attempt to share my work with anyone, were my training, and they are what allowed me to eventually write books that got published.

We've been trained to turn to our phones to inform our followers of our somewhat witty observations. I think the instant validation of our apps is an enemy to producing the kind of writing that takes years to complete. That's why I advise anyone serious about writing books to spend at least a few years keeping it secret. If you're able to continue writing while embracing the assumption that no one will ever read your work, it will reward you in ways you never imagined. recommended

Ryan Boudinot is executive director of Seattle City of Literature.
sondering Jan 2019
Publishing a Woman

they don’t write books
about women like
me

but we get all the looks
the haves, the have nots
those here for the taking
here’s what they took

a smile, maybe?
a tear
that’s too senile, an old
fairytale  in your ear

i hope you won’t like what you’re about to hear

they don’t write books about women like me
they write books about women
women who storm but don’t storm in
women who are ripped from heaven not
torn by sin
some women
lose
you’ll hear about them in the news
but they only write books
about women who win

what is winning?
i don’t know there’s no answer
but they write books about women who conquer
women who tower
and occasionally, the ones who cower

when you read those stories you
are grateful for the lines that make you bow down to her
to her strength,
to the lengths she’d go to the great lengths
the way you feel reading that line about her
fangs
in the eye of your mind
does her shadow far away hang

that’s the funny thing about language though
does it feel, or does it show
words can hurt but sting
more when they’re written
there’s no place for women like
me

but if you want a story
a story they’ll read
the lines have to be re written
time to fit your *** into those jeans
find a publisher to make you fit in
youre something new
but the quota only takes a few
don’t quote me but
i need a character they want to *****

so just act a little more damsel
but only fake the distress
i don’t want someone who causes unrest
that boyfriend didn’t pass the test

but here is something, a little less mess.
cause darling, you’re so blue
they don’t write books about women like you, it’s sad but it’s true
i don’t know what you want me to do,
it won’t sell, my publicist will probably go straight to
hell anyway
but
you’ll find your way
just not here not
in my office today

i’m not a character
doesn’t fit the public’s eye
feel like stone strong but
you’ll just get belittled and
it’s not like we don’t want women in the spotlight
of that hospital they sent you to, i think it’s too dark to real
realize don’t you realize women like me like her like your mother are real
ly pushing it here, there not a space for that kind of dark and drear
i could almost become that woman you want right here
right now
be a heroine a
bloodthirsty villain
something you could sink our teeth into
if first i don’t surrender myself to you
that’s what you wanted to hear
but here’s something from the women like me
a word is more powerful unwritten
and the word woman is loud and clear
#woman #woman #woman
Shylah S Oct 2014
Out of boredom,
I open up an old novel I was writing at the age of 13.

I remember thinking I was a brilliant writer,
This book is publishing material.

I read it today and
Cringe
At
Every
Word.

Filled with teenage angst, raging hormones and everything in between.

Why did I think this passed,
For writing?!

Well at least I improved.
But I don't like the fact that,
In few years,
I will cringe at writing I did today.

Hell,
I was reading a poem I wrote last year,
It became trending,
And I think "how?"
Is this even worthy for a like?

Well, I can say I grew.
I wish it was a paper manuscript so I can burn it :P
Within each and every one of us
is a unique culture:

Ethnocentrism
reaches just as far inward
as it does outward:

Just because
academia
has imposed it's own
fascist, totalitarian, absolute
definitions
does not mean
that it has final say:
i postulate
such adacemic-fetishism
is merely a byproduct of
propaganda
pushed by Big Money
rather than
a genuine insitution
of respectable edification:
that is
i see it as
a mere appeal
to authority;
a well-known logical fallacy
to those who are in the know.

Tread lightly.

Modern Academics
seems to be
yet another
corrupt branch
of Business;
little more.

Academic achievement
is not equivocal
to intellectual worth:

a graduate's degree
is moreso
a status symbol
than it is
a credential
anymore.

'T'is vile idolatry
in lieu of
an individual's personal philosophy;
that's not to say it's
absolutely worthless,
but it may as well be
in today's job market
(unless it's a business degree!)


Then again,
that's just my opinion.
i guess i oughtta shut up
before Edu-nazis shut me down.

Oops, did i type that out loud?
I'm so sorry, you see,
vhat i meant to say vas:
Heil Stanford!
Heil Harvord!
Heil Berkley!
Heil vhat i am told zu heil!
Heil zhe publishing companies!
Heil zhe holders of student loans!
Heil egredious student debt
in lieu of philosophical discourse,
let alone progress!

Heil vhat i see on TV!
Heil *******!
Heil alkohol!
Heil gasoline!

Do not qvestion zhe dogma;
go back zu sleep, you sheep!
Yet another write intended to be easily digestible by the masses, without any sort of difficult, contentious, or otherwise thought-provoking material so as to preclude any sort of discomfort or disagreement.
Written solely to be popular and to reinforce the status-quo.

Maybe I should stick to music. Y'know, something everyone can agree on. ;)


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