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Pea Jul 2016

Epilogue


you
only live
within my letters

hundreds
handwritten
unreplied

i
only live
when you say my name

blue
pseudonyms
reminds you of another

this
is no present
meaningless words

kept us alive
in each other's houses
no address

left
only a grave
two, i guess
Claire Waters Jul 2013
you came to me drunk and looking for love
when before it seemed i had plenty of
suddenly my eyes must have been
mazelike and empty
it falls out of me
so neat and yet so unkemptly
all these bodies in storage
and the coroner sent me
but i can't clean up this mess
i'm only good at disassembly

you cupped my chin in your hands
and begged me tell me what you're thinking
i told you i was staring at the wall
with that smile quickly shrinking
too fast for you to catch it
i felt your breath kiss my neck
as you tried a different approach
with a more subtle effect
i should have explained i need a while
to think before i talk about these things

My memere liked the smell of gasoline, i do too
the tiny shreds of dying nice and slow it pulls from inside of you
and stale cigarettes in mom and pop drugstores
and burying the dead birds, saying it was just time for them to go
explaining that they don't realize they are killing themselves
every time they slam into the glass doors
she loved the seashells welling up from the atlantic
and the waves that held me detained
when she disappeared from shore
the glass that cut, that taste of blood
the stillness of death and linoleum floors and the whining dog
i couldn't fathom how they could all remain

her still skin was first time i noticed
the shifting quality of epidermises cusps so waterlogged
like lotus leaves and flaking logs of driftwood in the ocean
the way it's currents pushed and pulled everything above and below our bodies'
disturbances and submersions of purple i didn't love
i wondered why our bodies couldn't just come back to us
couldn't learn to rigor mort this
still deaths leaves me feeling purposeless
waxy and elastic, with small hairs like the cactus on the windowsill
she said so but i can't convince myself that this is a beautiful thing

when i was young i dreamt of falling down the wooden rungs
of our staircase, screaming in pain in the airway and waiting to be saved
it felt so real, and days later we were pulling over on the side of the highway
when we got the call, saying no one was there when she had the fall
when i saw the sunset from the beach for the first time in years
that night i cried for the beauty and
washed off the tears, purple and red clouds
salt water and tender sounds
and stared for a long time
at the empty shell of a horseshoe crab
did not eat the poison berries
removed the glass from my feet
set down the photographs in defeat
sat and read the dusty books
still caked in her fingerprints
sitting on the shelves of the library

and he never liked gasoline
he always liked fresh air and talkative people
the little things, and the adrenaline of strings
the 4 am sunrise over town center's church steeple
i was terrified of loving this good person
this aversion confuses me,
i teeth at these pseudonyms for something so real
being turned into something transient
i can't explain it i just hate dominance
and love hurt children

i still see his face like it was yesterday
saying that it was his birthday, and he was smiling
about going to the lake
i still can't retrieve a single date
last year from the months of august to may
i just remember the pictures and google pages
i would read 1 through 25 internally enraged
by this rememberance of you
my fists clenched in a faded grip
feeling the searing headlines
cutting through the blackness
i forget what it's like
not to lose it all every time
i close my eyelids
and the waves i love creep in and rip
i've just conceptualized it to be a pattern
and accepted it

They tell me to stop remembering
But they don’t understand with
Each blow life hands me
Another is already sewn
Into my ribcage, bruises in each hand
between each crescent bone,
this isn’t a coincidence
Most nights i hang my lungs
Dangling from my spine
Watching the walls cave in
the sticky residue of surgical tape
Strapped around my bicep
Will not wash off in the shower and then
This guilt will not wash off in the shower
and then, you are a burden, hidden
In the paperwork, between the lines
Three weeks later and there is still
Traces of it on me
Parts of me trapped in glass vials
i wonder what people thought
when they saw me in that blue robe
on the bed in the little blue room
I still remember how thick the
needle was
I was never scared of them
until now

i trick people when i feel like
i'm not seeing at all
i'm just feeling, not healing
with these words
that's my downfall
i wish i could give more
but this is all i have left
if i can't keep it locked in closet doors
i know the effect with be my last theft
don't force it out of me
just let the drainage catch your crests
let it come in time
when i feel safe knowing you
would catch my conjested confessions
and lay them to rest
onlylovepoetry Jul 2017
did not know her when she was miniskirts and high heels,
before she converted to the one true religion of
poetry & yoga

some stray dog thots raveling in a pack
cross the not-even-6am brain that alternates tween
new day Adam apple crumb crisp and
distracting lascivious Eve ones

I,
would have loved you same back then,
no different than now

I,
write in different styles
under so many pseudonyms,
but it is the same man

I,
who crawls into bed nightly with
great expectations and a list of salutations
to wake you up and commence writing how

I,
love your poetic yoga-toned long legs
snaking between mine
while I imagine them in miniskirts and high heels
which is a long way round of saying

You,
alone, my darling forever young one,
are my
one true religion...
inspired by C.A.

7/3/17 S.I. noon
Flying above the plain of my existence
Floating not falling
Searching for a new kind of substance
Or just another calling
Something to take me higher
Above this place you call reality
This angel in my ear is a liar
But this cloud of smoke is heavenly
Surrounding me
Taking me in under it's wing
A light dusting of white
To calm the insanity
And that's just the beginning

Inside there's a growing need
Branching out through my limbs
Starting with some stems and a seed
There's no lack of pseudonyms
Call it whatever you can think of
It takes me to that place I need to be
Maybe it's a new kind of love
Reaching unknown depths inside of me
Cascading with dreams of sanity
Planting roots in my core
It's almost calming
Knowing when I can't handle anymore
And when I wanna keep flying
SinEater Nov 2014
My skin is p a  l e
My body c o ld
     And in my chest lies a broken heart of fools gold
My re alit  y   I  on ce knew is ha z  y    a nd n on exist en  t
It's grown old
     And I'm becoming tired of being bold
And being told right from wrong
      I'm sinking softly down when I don't know how to swim
  Every inch that I further lose from possibility to stay afloat is lessening my want or need for a life boat
    Every breath I attempt to take fills my lungs with ugly pseudonyms and sends me down deeper into my lonesome underpopulated town inhabited only by fragments of once strong relationships that i held so close to me that I c ould n't  b reat h e, the relationships that kept my entire being from sinking in the first place.
   I'm drowning and I can't see what's even in front of me
       I'm a ship bound by anchor to the wrong bad habits of shedding my   blood willingly to bloodthirsty ravenous sharks in the sea of my minds eye
       This was once a safe harbor for the ones I kept close
  The ones that knew what mattered to me and the ones I cherished most
      Now its a sea full of  gh o sts
Of the people I trusted them the most
    I trusted them to not turn on me or use me like a host
And now I'm the one  dro w ning
I' m    so  sca re      d
   Now when I share my harbor it feels so
    U    n    fa    i r
        They don't understand what I risk give to let them be there
It never harbors in their heart as deeply as it does mine
     The possibility of even defining how hard it is to let these ships safely     pass through this harbor will now and forever never be able to escape  my pale numbing lips
    Only silence
Everything here is just riddled with murderous crashing waves
   Any relationship that enters I try so desperately to save
     And in that attempt
  The harbor starts to misbehave
            The waves destroy every boat or anything that floats
  Anything at all to help me cope with being so alone or the feeling of even remotely being at home.
      My fingertips are numb and cold and starting to fold and I can't feel those things I could before
I just want all of this over
N o    m   o re   dro w n    i n          g
All my life boats have sunk
    Now I'm just stuck
     All these hands and graves are grabbing at me and pulling me down        ev ery   whi ch     wa y  at  the
    bott om of the
oce an
u  nd   er

     al l
th e s     e  
    
h e   a     v y


               waves.
Pisceanesque Jul 2015
Instead of foraging around making connections
with cables and wireless systems that
bluetooth and sync their way
into our pocket technologies
and portable screens

(tablets of which we self-prescribe
and regulate through overdose
and comatose keenings of stillness
and waking dreams)

why, instead
don’t we fool around
making connections
with others of like mind and brainwaves
instead of radiowaves and
the mastered minds of computer waves
and lift an arm and
really wave
beyond our windows to
real people
in real time
rather than peeping
like a holographic Tom through
tabs and browsing windows,
multi-tasking time in a state of mime
like it’s about to expire

(like the wireless wires will break)

and all that we’ll have is
all we can physically take
from this moment awake we call ‘life’
– a mistake.

What else is left now
in this vegetative
one man one woman state
where we live to close our eyes
and shut our minds and wait for
the modem-router to re-dial and
get our avatar back online and
our friends back into our
multi-dimensional realer-than-time
time?

Pseudonyms solving identity changes
emerge without birth
with designer non-faces, as
now that we no longer need imperfection
or meaning or privacy
or even perception
we alter ourselves to impress our connections
with whom we connect without really connecting
by hiding as one almost nearing detection
and tip-toeing straight past
concern or reflection

(invisible firewalls at our protection)

our own walls around us
with keys we can capslock,
screening ourselves from unfriended friends,
and playfully sated by charm and ‘pretends’
that will mean next to nothing
when fantasy ends.

Where ARE the connections we make
in this digital age
that we rarely turn off since
the internet craze has become a new God
that we dial to be saved
as we sacrifice friends we once made
face to face
with those we are longing to meet
as we race across networks
with hunger and haste and
with spambots and data and viruses made
to detect and infect
and reject, just for starters,
and that’s not to mention
the ads and the logins and
passwords that lock us
from somewhere far yonder
that doesn’t exist
as we grow ever fonder
of pics and of pixels and
texts of expression
– the reality of which
we could lose in a second.
© Tamara Natividad
www.pisceanesque.com
Written 10 September, 2013
-
As winds blow
And leaves scatter
As cracks show
And unions shatter

As fires rage
And trees fall
As pawns stage
And heros stall

As mud slides
And homes give way
As truth hides
And pseudonyms stay

As hope dies
And brave men stumble
As tides rise
And sandcastles crumble

We hardly even notice...
Too preoccupied with smartphones and selfies
Mistakes have names we hope to never speak:
Anger, lust, jealousy, selfishness, rage.
Mistakes are words we bestow on the weak,
Or the young, as we get better with age.

Mistakes are pseudonyms for impatience:
Insecurity, coldness, raised voices.
Mistakes describe us when we don’t make sense,
Or too immature, to grasp our choices.

Mistakes are identities we mistrust:
Ego, narcissism, self-loathing, shame.
Mistakes we avoid and avoid them we must,
Or we thought, we must forgive all the same.

Mistakes may come from dissatisfaction,
Or frequently just, overreaction.
Instagram @insightshurt
Blogging at www.insightshurt.com
Buy “Insights Hurt: Bringing Healing Thoughts To Life” at store.bookbaby.com/book/insights-hurt
I'm hiding here
in this space where
I keep brutally exposing myself
I'm not really My self
I wear masks
and pseudonyms
and there's certain things I can't say
won't say
because I'm afraid of who will read them
and what they might learn about me
And sometimes I feel that makes
all of this
pointless
I am torn between two
equally important desires
I need to be raw here
I need to be violently open
I need to feel free to express
whatever I am feeling
for no other reason than the simple fact that
I am feeling
But I am also afraid
of the reactions I might get
afraid I might hurt someone
afraid of someone I know
learning something about me
that I don't want them to know
afraid they'll use it to hurt me somehow
I need to be wide open
but can only do it behind the safety of a mask
and even that isn't good enough
I still constantly self-censor
I have pages and pages of writings that no one
but me
has ever seen
will ever see
Even now
as I write this
I can't help but wonder at the reactions
I might get
from people I know
in real life
or people I know
in the wire
or people I've
never met
and that wondering changes me
changes my feelings
makes me second-guess
what I'm going to say
The only way my art can ever be
absolutely true
absolutely honest
absolutely Me
is if no one ever reads it
But what good is Expression
without Witness?
I need to have
an audience of strangers
for each poem
total strangers
that I will never have to see again
Or I should tag my poems on walls around town
in the middle of the night
like my little brother
(oh, gods, what if he reads this??!)

*******
I'm leaving it in
Another pointless, rambling, ugly poem ABOUT writing poetry.  Ugh.  Sorry.  It's the best I could do today, unfortunately.  But at least I wrote something.  Even if it's *****, it's better than not writing at all.
XIII Apr 2015
Beware of them
As a lover or a friend
As a family or a foe
As a passerby or a neighbor

Because they hide as they stand on the stage
They put you on a mind-boggling maze
They set you on an endless chase
With no one else but with your own tail

Because they shout in silence
They scream using pen
Using only pseudonyms
They want you to both understand and not understand what they mean

Because they conceal as they express
Behind figure of speeches
They'll have you take a guess
When you do, you're already checkmate in chess

Beware of them
Because they are contrasting beings
Living in a world of what-ifs
Living between reality and dreams

Dreams for family, rage for a foe
Feelings for lovers, concern for a friend
Observation in a passerby, rumors from a neighbor
They turn it into words, rhyming at the end

Because they are but they are not
Because they do but they don't
Because they are cowards but they have guts
Because they will but they won't

Because they are two-faced people
Because they are at different places at the same time
Because they push and they pull
Because they have truths and they have lies

Oh beware of them
Because they're simply complicated
Because they're famous yet anonymous
Because they'll always have you choose
WANTED
Dead AND Alive
Poets
Hysam Elkalban Oct 2013
2 argue, 2 views
Division between heaven and hell to choose
For future consequence is in the present's possession
For Satan gets fueled under the influence of angel's attention

Friction in nature, Earth's pity
Running around the circumference of trust
Until it reaches out to me
For seasons to swift, in leaves' direction
For secret pseudonyms of alchemy, for tree trunks to flower knees

Pedals, poking its adversary
Intellectual reason behind each subject to agree
Thought provoking mind states of levity  a broad, perpetual, atmosphere we call **poetry
connecting….
you are now connected at 4mbps.
heart beats at 4beats per second.

connecting for…
…connection.
social networks
for social interaction.

names. nicknames. pseudonyms
all over the screen.

outbox. inbox.
feelings box.
boxed and botched.

attracted to an idea
a person living inside my computer screen

in my inbox.

are you sure you want to replace this file?
click.

i’m forgetting about you.
you with the flesh
and the warm blood.
and the beating heart.

pop-up.
this signal is poor.
i’ve been disconnected.

we’re disconnected.
Rory Mels Tims Dec 2018
Lewis Carroll,
The numbers were driving him insane.

George Orwell,
His family didn't know yet.

Mark Twain,
His childhood on the rivers.

Even Lord Voldemort,
With a past to disguise.

A pseudonym is a weapon like no other.
HRTsOnFyR Apr 2015
Tetragrams and anagrams
Pseudonyms and sleight-of-hands
Betwixt the lines lie crooked spines
Textured, gestured, shamed and shrined
Functions, Factions, fabled fiction
Starred and Crossed, they're scored and stitched in
Faeries, furies, funded theories
Quantum physics, quarks and queries
Embers bright, a red clad knight
Winged cats with cubic heights
Flux your lux, set down your labels
Time entwines both swine and angels
Mumbled murmurs, lazy learners
Beacons, bosons, carbon burners
Codecs keyed for hertz and bytes
Ancient tones 'n pheremonones
Reflect,
     Refract,
         Retract...
             Ignite.
Our shadow selves toll ghostly bells
Building walls, erecting shelves
Saviours, slaves, enchanted knaves,
'Tis man, himself, 'creates these Hells...
You have a body.
I know you never sleep there,

spend less time breathing than contemplating,
jailbreak daily from your ribcage,

harbor kitchen spoons to feed your escapism.
hide the entrance
under stale white hotel sheets.

Born to be an actress
with no script, you ponder this
in every mirror.

In every mirror you inherit this vacant body,
enough money to live in a studio apartment
in Washington, Vegas or anywhere

men would pay for three phone plans,
calf-length black socks and pseudonyms.

A room at the Marriot to trade scars,
connect you again with your skin.

At a political dinner
roasted hog, blueberry pie,
gilded knifes protecting the spoons.

Dog mouths are wet for scraps.
They bark beneath the table,

"Unoccupied bodies, should start charging rent.
Have you considered being a *** worker?"

"...Oh come on,
you never even turn on the lights."
Faeri Shankar May 2013
You all remember the romantic fickleness of being fifteen, right?

Of course you do.

Everything was

Brand New. (But we faced the world with Bright Eyes)

Once again I’m sealing up my dried-on spilt blue dye

With a kiss between the lines of liquor boxes

Wondering in which book my nose was buried

During the moment that time casually hopped aboard

a timeless train with a clocked-out rate

Its silent departure breeding a fantastical escape.

Only the ironic forlon echo comes much later.

They don’t tell girls who waste their youth away between the lines of pseudonyms

Between the shelves of musty libraries

Every other warm summer day until dusk

Just how old you’ll feel in the reminiscence of inde-alternative and cardboard boxes.
mzwai May 2015
Last night we told the town about our pseudonyms.
And, because the stars shone too bright
And we were left exposed with our tragedies hanging through the air,
I had to teach you how to paint the sky a darker color-
So that no one could tell the difference between our affectionate self-satisfying thoughts and,
Our misspoken words.
You always spoke like you knew more about being detached than you did about love.
Your shaking hands, your posed expressions,
Always tethering to always want to fall apart but almost too simple and beautiful
To ever be able to do so.
At the beginning I watched your lips blow through the light in your flute,
Trembling slightly to create a sound greater than my memories of the only voice I've ever fallen in love with.
Again and again, as you inhaled and exhaled, lightly creating that shape that only perfectionists can create-
And it was hard to believe those lips were now right besides me,
Muttering 'To die by your side is such a heavenly way to die'
over and over again without them even knowing it.
"Let's talk about heart break." you would say.
Let's talk about how you couldn't find a pool of enough antique movies to drown the romantic guitar music in your head with so you just used apathy instead.
"Lets talk about introversion."
Let's talk about the way you heard words you could not listen to- the way you constructed lies to the first pair of hands that offered to hold you, the same way you constructed a mask of indifference when they began to shy away to another girl in another school.
"Let's talk about nothing. Let's sing instead."
Let's sing that song from The Queen Is Dead by The Smiths.
Let's pretend like the queen died the second we sipped our first glass together.
The people are rioting in the streets, the people are screaming and refusing to march but we do not care because this isn't the first time we've stripped something away from ourselves
Whilst wearing a grin and pretending like we're complete.
This isn't the last- drink on, drink on.
There are two types of people in this world - the ones who get hurt and the ones who destroy.
You never knew this, but I was too busy figuring out if I had to become the latter just to be able to conquer love when you came into my life again.
I thought I would feel no calmness when it happened-
But it turned out I conquered love in a pint-sized African cafè.
With a girl who sometimes wore her hair back like Audrey Hepburn and thought that
Calling random boys on the phone and screaming 'Im in love with you' even when she wasn't was a perfectly acceptable way to spend an immaculate Thursday evening.
There is a light that never goes out,
There is a light that never goes out.
And even if it did go out,
I wouldn't worry.
Because you'll always be right by my side in that tiny cafè when it happens.
And you are something between radiant,
And radioactive.
About a night with an amazing friend.
Anna Zagerson Nov 2016
I am the odds and ends of the things/lives I collect from others
The last blank pages of your notebook finally filled
With unrelated topics, phrases, words, precious only to me
I am the afterthought, the forgotten things
I save bits and pieces of books lives torn pages out of magazines, the original hoarder
I am the value in the stuff strangers left behind
Empty shampoo bottles, still good for one more use
The last three bits of candy no one wanted
I am commitments made and lost
To maintain upkeep, to always BE THERE
I am the plain fare of your first apartment
Committed to SmartHealth, rich in none
I hide in pseudonyms and basement apartments
Lurking in shadows so darkly private that
Should you even suspect my inner world exists
I'd cut you off, shut the door in your face, asking, pleading
For you Not to Exist.
Francie Lynch Jan 2015
From what I understand,
To get a poem to trend,
One hides
With pseudonyms.
Then you can
Start over,
With a newer formula,
And trending
Is the end.
Algorithims... eh! However, I haven't done this.
betterdays May 2014
here i am, unidentified.
tho, i have an identity.
pictures of a cat, starfish
and sea shells,
a blurb, that shelters me well.
you know some,
some read and see more
but not all of me, far from all.

you could pass me by,
in the street,
not ever knowing who i am.

few have links to me.
most care not to
and that's ok
i am an ambiguity,
who, tinkers away with words, creating,
sounds to roll off the tongue, tickle the ear
and burrow and settle in the rooms of your mind.

as do,
you all,
do for
and
to me.

we are but, ships upon
a sea of words,
sailing blithely on.
sending semaphore greetings,
across great distances.
before traveling on.

identified only,
by monikers and pseudonyms,
remaining anonymous
except for style and nuances
that give small clues,
to the daily worlds,
we inhabit.
where the veiled secrets
do not dwell openly,
as they do here,
on bright white pages.

here i remain, here
i am unidentified,
bar for a nom de plume.
yet still, more than comfortable  with myself.
blushing prince Jun 2017
There was ink in his mouth and it was Monday morning, doomsday morning.
The comparison of both these seemingly random attributes could mean nothing at all
to anybody else but they came hand in hand for a man that always walked with his shoes untied
and while the rest of the world chewed tobacco; he chewed cinnamon sticks that he would grind
to a fine powder in his mouth spitting it out at nearby ant mounds and by the nests of bumblebees.
This nomad’s of nobody’s business would wander the streets of his hated town, the world’s armpit, the city of fire and angels and whatever the hell else.
He would walk Pico Boulevard all the way to Wilshire Ave., towards Venice and then crookedly stumbling to Van Nuys but he didn’t know his bus routes and his mind was always swarmed by imaginary bugs that he picked up from old soda cans.
What he loved most of all was stopping by the bridges of highways and looking all the way down to
the cars below swimming past in a hurry; the sky dark blue and the headlights like light bulbs
almost running out of their batteries. He saw this as cathartic as most people saw sunsets or a pianist
shaking his head violently to his own tune and it was true. This simple man was born, some say, out of dust, car exhaust and the lost ID cards of peoples’ whose wallets were stolen. However intriguing this could be it wasn’t so.  He was born in a hospital in Chinatown and his mother had gold teeth that glistened whenever she drank too much and how often they shone.
You see, I knew this man long ago when my hair cascaded down my back in fine strokes and my lungs
weren’t yet tired from the things I chose to inhale. For all my purposes, this was the only person I wanted to talk about, to spit and screech whenever I heard his name and I didn’t even exactly know his name; The poor imbecile. He went by different pseudonyms and I suppose I did too but I had a name that most knew. Carmen and Leopold. They chose to remember it because it rolled off, it clawed at your teeth as you said it.
But Monday mornings were a specialty. It meant that he could go and see his brother who lived across town, the one who sang at fancy pubs and refined restaurants, where people didn’t have to yell to admire you, but slowly clapped, a soft hum in a room where everyone understands and doesn’t have to make up for it in the way they whistle your name. He always shook his head at this profession.
“You’re an animal to these people, an exhibit they can safely see from their auditoriums and then go to sleep without having to take you home. Your last hurrah will come soon and then what will you do?”
He didn’t understand Leopold’s hostility. This art he was drawn to. This voice that could have been
given to anybody but it was given to him. Deep down he knew he would never be a big star, he would never leave the place where he born. He would die close to where he went to elementary school and what a big sham, the whole big world so big and he would never see it. Never unfold, instead slowly
crumble like the crust of cakes he stared at through shopping windows.
cyanide skies Jun 2015
tell them you've got a story
and they'll listen with ears clogged
stuck on your metaphors
but too drained to ask for meanings
tell them you've got a story
and they'll talk over your voice
so instead, here you are
hiding behind pseudonyms
that sound romantic enough
for a page turn
so you write
and say that you've got a story to tell
when really, you wrote this at 11:14 pm
in your room
with the lamp bulb burning too hot
and you're making it up as you go
because you're tired
and someone must understand that
the shadows are getting to be too long
and you've still got a **** story to tell
but it's too late for stories
and too early for confessions
so you continue to write
and hope, someday
that when you say you have a story to tell
someone will listen;
really listen.
Mateuš Conrad Jul 2016
there no doubt about it - with each day there's always a falsetto poem, always at the end of a binge - the mind goes blank, words lose meaning, every day is like a simulation of old age - there's a method to this madness - i'm not afraid of critique concerning such poems: true virtue is unafraid of critique - for one, i can just as well criticise myself - so after each binge i end up with mediocre poems - conceding this point, words lose meaning, associations of meanings disperse - pollination in full swing - i end up writing noises - perhaps because my own silence is so chilling i have to resort to oscillation around the onomatopoeia, and all respective quasi or pseudos or pseudonyms of all required ventures - but the rewarding aspect of such writing is best summarised by a jazz drummer and a jazz teacher combined into one: the crescendo must go on - the movie? whiplash - the moment, the moment, the moment is too sudden and too short - it's essentially everything and nothing at all - always a heart-out-of-beat, at least a feeling of having a heart without the unconscious rhythmic pistons with whatever scientific explanation there is to match - they always come, the trail offs.

i didn't finish the Cantos just in order to remind myself
how i miss the time when it all began with
the second Odysseus of the 20th century -
both this disguised Odysseus of the Cantos,
and the blatant portal of time-warp beginning and ending
in Dublin - Homer's resurrection and reinvention -
perhaps all this Grecian nostalgia is what fuelled
the 20th century altogether - but how anaemic
do the Roman poets seem in comparison -
i could never write along this root toward that
tree near the Parthenon - but taking root in
the Roman tradition has only been accepted for
historical relevance only once since - without
Virgil there would have been no Dante - but still
Dante uses more accuracy of mathematics than
of spontaneity - a clarity of mind is necessary -
trinity rhymes - all clearly presented, cut up -
but no one damns him for the theological impetus -
happily prancing alongside them in hell -
through to the seemingly pointless purgatory
and then elsewhere into what can only be seen as
humanity's limit of imagination: subatomic particles
and a realm were visible to the naked eye we float
in and out of conscious states - well - if what i'm attempting
is an attempt in good faith - then my guide is no one
else than Horace - and already the style between Greek
and Roman is staggering - the selfishness of Roman poets -
the must include item: i. no Trojan horse, but a wooden
barrel of wine - no heroes, only leeches and poking fun at
them like Spartans at a drunk given undiluted Burgundy -
Roman selfishness, self-loathing and all jokes on me -
the 20th century's nostalgia for all things Greek isn't here
anymore - you will not find such legislators of a second
fancy at Ancient Helen - this century has no great conflict
of gathering - and therefore no great victory to parade with -
it's a silly century from what looks like an even sillier 80 or
so years to come - and is there a nostalgia for the Roman
past? there was a nostalgia - it's too practical to think about
it - esp. with the writing kept, even if they crucified an
important, the wrath of the supposed father was not as great
as it was with the Egyptians and the Babylonians -
Sanskrit is just as old and it survived - those two phonetic
encoding systems haven't - you can't say they were
inefficient - civilisations surrounded them - but the wrath
was too great - and they became instinct -
but perhaps the wrath for his phonetic encoding is the digital
age? a ****-stain on human interaction - or a smear
of fondue chocolate? i think the latter - imagine me running
around the publishing world like Asterix in the *twelve tasks
of
- the place that sends you mad - including Hercules -
who did, managed to **** his children when his muscles weren't
up to speed with bureaucracy - oh hell, bench-press a cow -
but run with a little leaflet between offices... bonkers.
i really do miss the Cantos - the feel of them - the obscurity of
some of the references i'm not ashamed to admit -
or just the sheer ease on the eyes as is the case with any poem -
(a poem a day keeps both the psychiatrist and the optometrist
away) - so yeah, plenty of apples - and poetry, supreme democracy -
i could reread them, but i'm of a democratic cult -
i have to allow someone else to borrow me their shoes -
tom verlaine's album around - a rare gem, doesn't get listened
to a lot, but unlike other music, it's not something you'd
listen to in a gym, something that's a pleasant but mundane
distraction of pop metal pop rock or pop pop - the o of adore -
as suggested by a Scottish music shop assistant / owner in
Edinburgh - that magic city of where the 21st century's heart
of the literary scene resides - forget Paris, it's too much of
a little Casablanca - the Algiers of the North (Edinburgh being
Athens of the north) - i admit it'll be hard not to be nostalgic
about the 20th century let alone Ancient Helen -
but as the monkey said: got to push on and meet Darwin -
silly hands, silly feet, silly tail... and i'm not wearing Gucci
without Brazilian wax job all over, except for appropriate
places - sure - we'll just wait for the Apache hairdresser -
we only to scalping. however, there is a subversive thing
i want to mention (never mind that i already wanted to stick
in Thesaurus Rex on the matter): Kant (yawn) -
started analysing English aged 8 -
started synthesising English also aged 8 (a few weeks
if not months, from nothing, to gut sprechen -
piuma'h not pooma'h (Puma) -
but it took me 20 odd years of unconditional surrender
to the language, 20 years of synthesising it - blind -
to come across another chance to analyse it -
the difference being it became analytical a posteriori -
that's the thing with philosophers, they have spaghetti
for brains, tangles, they over-complicate things, but sometimes
they get it right, and you read them and then end up
using their labyrinths to find secret passages at places
like Versailles that Louis XIV used between visits to his
concubines - that was the trick, the upper-hand on the Arabian
practice - amuse yourself by not owning them -
but technically owning them - concubine power - the sixth
Spice Girl - dirrrty spice - but yeah, 20 years to get a second
stab at the analysis of the English language -
20 years of synthesis will do that to you, like any chemist
might feel, aged 20 does an analytical study, something
new and never done before, then he lands a job at a
pharmaceutical company and has to synthesise and synthesise
and synthesise the same thing over and over again -
20 years pass, aged 40 he gets another chance to analyse something
that it's just quality control - i know there are puritans out
there who'd lash out at what i'm using here -
but i want the practical side of philosophy, nothing overloaded
with words, theories, knowledge whatever that means -
i know crude, but necessary - a priori (from the earlier):
well, i wasn't a mute aged 8, proof?
an etymological void about to be filled: w środe poszłem do
lasu (on wednesday i went to the woods) - etymology here,
i'm sure of it - etymology or the resemblance of
a Thesaurus Rex roar - a piquant case of synonyms -
środa (wednesday), originally? derived from środek:
the centre - oh look... friday thursday ś tuesday monday -
the days off don't count, we all know that.
etymological spontaneity then, i wouldn't force myself
to practice a detailed inquiry using it - spare of the moment
thing... more pleasant that way;
but as you can see i am at the point of analytical a posteriori:
clearly shown by what i've already noticed in nuances
of the English language - i won't go through what i've
noticed - but having crossed the threshold of
analysing English after having automated synthesising it
for so long, i would naturally end up writing poetry -
the 21st century kind - look ahead! said Columbus,
but please have a sacred respect for your memory as
your own citizen with Friday on Bermuda -
treat memory like a potent hallucinogenic drug -
after all... the state doesn't respect your memory, at school
they cram in all those pointless things you have to
memorise - arithmetic, spelling (well both are kinda useful),
but so much else you will not care to remember -
it's not about how important you think you are when
you're not given there's 8 billion of us - don't get
fooled by this self-importance gimmick - look at what
the education system of the state is eroding... yes... your
memory - so you forget yourself at the happiest of times...
memory is more sacred than thinking and can be
more potent than an Amazonian or a Swiss hallucinogenic.
Olivia Daniels May 2018
It's still me
though I had to change
the name I've had my whole life.

Not legally of course,
but poetically

While I wish my name remembered
as one with written art.
I can't risk possibly losing
those who have my heart.

With time I've come to realize
that people can't be trusted.
They take the good and make it bad
or let it leave them rusted.
They never understand

So I remain anonymous
With simple pseudonyms
To protect myself and others
from pure and raw emotion
in case they can’t withstand
I changed my name on HePo because I was afraid of people in my life finding the stuff I've written about them. I use it and my poetry as a diary, it's usually raw unbridled emotion and I've learned from experience that a lot of people can't handle it. I've had people find stuff like this before and it ruined a lot. I really want my poetry to be out there for people to lean on, and for my own stability but I can't risk the wrong people finding it. Hopefully, some day, I can change it back to my real name. Thanks for understanding guys. If you're not sure who this is, please look at my profile. My poems are still the same, as is my description, and they will remain so and hopefully it can clear up any confusion. If you have questions, DM me! Thanks again, I love you guys
shooshu Dec 2015
Break Tiffany,
girl of the night
Holly go-lightly
pseudonyms delight.
I am catwoman
DC comics brite.
||shoo.shu||
#poetry #inkspilled #girlsofthenight #pseudonyms #alteregos
Carrie Ross Dec 2011
Married to the mob
not in Vegas
not in Rome
don't tell Detroit I'm coming
I have my mind set
on  pseudonyms in San  Francisco
AlanK Jul 2014
Teasing from behind
that veil of mystery
Playing with pseudonyms
And toying with my affections.
What’s in a name anyway?
It’s not the person.
I can live with a charade,
My life is a progression of charades,
A series of train cars
One deception following the next
Stopping traffic
A victim of endless inertia.
I play her game, dive into her fiction
She’s a mistress, an object of desire
Hiding from love beneath her bowler hat.
She’s a muse, stirring emotions
Inciting creation.
Constructing a flimsy edifice
To keep the world at bay
A fruitless attempt at solace
And privacy and peace
For her passion is a magnet
Anonymity is ******* by her attraction.
One cannot put a label on truth.
Mateuš Conrad Aug 2016
it’s better to apologise than to thank, for it leaves the one you’re apologising to without any clue as to why you’re sorry, which makes the thanks all the more obvious, when they’re no longer in you life, and you haven’t said ‘thank you’, but merely said ‘sorry’ - makes all the people you’re congratulating on your existence and your thanks like this unnecessary quest for a tip in a restaurant, the genesis of money, the way people were “civilised” by money... a civilised state of affairs that bred the pauper, and lost the community spirit... well thank you for breeding the angst against the Poles... did former colonials take you you take that up, or were former colonials ready to forget the Polish R.A.F. involvement with the dog fights over Kent and Essex? oh sure, get us out... i’ll be the perfecting geneticist of the purest xenophobia with antidotes for Sharia; YOU, MADE, ME; but obviously, a box with a lid, then some pop culture idol and mass acceptance, the way all internet pseudonyms end with the no. 666... killing off the idiots will not make you realise a sabotage for the need for supermarket cashiers... one of them knows my name, we're on first name terms; they could have dispersed that tsunami wave by bombing it into shrapnel... the army could have intervened for environmental reasons, they could have carpet bombed that tsunami wave, like they water-gun and gas the riotous crowd... they didn't... there was bound to be a profit margin somewhere... no wonder old Yoko Chi Chow wants to resign... he wants to eat the sushi like westerners: with chop sticks and not mere fingers... he wants his grave to be scented in Coco **** Chanel rather than jasmine... the basic ineffectiveness of the army... able to prevent a natural disaster, unable to prevent unnatural investments in the clearing and recycling processes... or as Urban the Second said: cut the first head of the Hydra; truth ascending to envelop itself as merely an envelop with the necessary letter included; the postage stamp of truth being expressed ruthlessly? in ridicule, the envelop is there, the letter also included, but the postage stamp will cost you all sanity: it's not what you know, it's who you know - forget being able to cure cancer, once you prescribe the profiteering "miracle" drug, cancer doesn't exist unless it's an advert for some charity group, that pays for the life of its bureaucrats and the advertisement agency P.R., than that poor ****** wheezing to death from lung cancer; you think that African royalty doesn't exist? must have been glorifying African-American culture for too long, without hope or chance of revisiting jazz, getting sick of rapping, the cancerous form of poem: mm, yeah, peace town, Usher is in da housing queue on a council estate... mm, yeah... unless he be mm yeah... bumming off an advert for Niké...
oh ****... look! i just ruined your logo and copyright laws -
so you saying it was a French conspiracy after all?
there was nothing authentic
inside the asylum of her mind
sadistic serotonin receptors
freeze dried her brain into
a PTSD disaster

in the quiet ward they brought her
Thorazine at nine, noon and five,
turning the Lifetime channel
on with its salient dramas to
sensitize her into automating
more convincingly

her pool ball eyes and
anxious jaw hard as porcelain
against the notion of love
forging her emotions
to the highest bidder while whispering
pseudonyms into the white
laboratory lapels of their jackets
as they blindfolded her with
their coats of arms

Written by Sara Fielder © Jan 2016
Got Guanxi Dec 2015
Poetry and artistic expression,
make me feel so vulnerable.
The pseudonyms hide my blushes.
from a juxtaposed complexion pale,

Set sail in to the blank page.
Making waves on those contoured lines.
the island of design is on the horizon,
yet it changes state each time we arrive.

i’m not surprised,
bashful,
tactically sound.
the waters are calm,
but i’m anxious,
until my feet feel solid ground.
hide away
Edna Sweetlove Dec 2019
The old man stared at the mirror in disbelief
As he dabbed on a little of his favourite fragrance:
‘Le Male’ by Jean-Paul Gaultier.
Was that really him, that saggy-faced creature?
He plucked out an intruding grey hair,
An intruder in his masculine, black, bushy eyebrows;
He had hoped his boyish good looks were still there,
Although a little frayed, a little worn by time.

In his mind's eye he sees himself as rugged,
Slim yet quietly butch; manly, masculine,
Handsome, outwardly something of a ladies’ man;
Surely no one would guess he had certain desires
(Not that he thinks of himself as perverted).
What a pity no one told him not to sport a clone moustache.
Nor can he resist those sporty Harris Tweed jackets
And masculine lumberjack shirts, so straight.

Provincial England was a hard place to grow up
With condemnation pouring out of every mouth
For perverts and poofters and prancing pansies;
Best to suppress the thoughts crowding in
And be normal, just like everyone else.
Life in the armed forces was a challenge…
All those handsome young men in the showers…
Get thee behind me Satan, to coin an unfortunate phrase.

So he had to force himself to go chasing girls,
But he always showed respect for the ladies;
What a gentleman he had always been in that respect.
Maybe a failed marriage or two
Should have told him the cold hard truth,
But the need to conform to the norms of society
Kept his real desires at bay,
Most of the time, anyway.

How he had longed in his heart of hearts
To be someone, a poet perhaps, a creative artist,
But it was not to be, and eventually he was reduced
To trolling the world wide web under pathetic pseudonyms.
How sad it was he had never lived up
To his poor old Daddy’s dreams,
And how shocked his Mummy would be now
To see her pensioner son staring at the mirror
With only a half-empty tube of KY Jelly for company every night.

— The End —