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Robbie Jul 2013
Note: This is a spoken word poem. Read aloud for best affect. Poem will read with a natural flow.*

Remember back when beauty was that little yellow flower?
And nobody picked it because they were afraid that the color would fade
So they just sat
And they stared
Silent
In awe
For hours at a time
The way that today I look at my reflection
But the awe has turned to agony
And I look in my eyes, and recoil
What used to be “Just fine” now causes inner turmoil
Isn’t that sad?
That flower got picked from its window box in the schoolyard
And just like we expected, life for it got hard
The flower scarred
Its pain written out on every single petal
And the petals, they faded
Like now natural beauty has become overrated
As the flower sits in a bouquet of hybrid roses
And those roses have thorns
Thorns that ***** and sting and poke
Like when you say, “Aw, c’mon, it was just a joke”
To that girl you called ugly ‘cause she dyed her hair and got braces
Trying to fit in with all the other faces
Isn’t that what society wants from us today?
To change and rearrange what God gave us
To fill ourselves with plastic because, according to the famous ones
That’s what makes life so fantastic
And Barbie isn’t our role model because she’s smart
Not ‘cause she’s a doctor and a vet and a scientist and probably a professor in art
But because she’s skinny
And if you put her proportions on a real girl
That girl would be in a hospital
Fighting anorexia while she gets another implant
Today it feels like we don’t stand a chance
Because they tell you that if you wanna make an impression
Just forget that yellow flower
And now, with every waking hour
I think about how I could be taller
Or have prettier hair
Maybe if I dyed it black or red or blonde then everyone would care
Maybe none of them would stare
Maybe I could finally live my life
Without everyone waiting to see if I can finally live up to the expectations
Because I can’t
I look in that mirror wondering if I can see what everyone else is wanting
Because once upon a time
I thought I was fine
I thought short hair was spunky
And dark eyes were lovely
It’s like I’ve been living a lie
Like Christmas time when you finally ask Mommy if Santa is fake
And she hesitates
And then she tells you yes
So I stare for hours and hours
I’m just like that flower
Now I’m broken and I’m plain
When did beauty become a game?
What’s ugly is the way kids hate themselves now
‘Cause of what the TV is telling us now
That we all need to learn how
To look like everyone else
Hate to burst your bubble that I can’t look like Paris or Nicki
(Spoiler alert: They’re fake)
Not unless you want me
Destroying myself
Because I refuse to be like everyone else
I just wanna get rid of the shame
That makes me blame myself for not being “pretty enough”
I just wanna be that flower
Whose beauty was natural and everyone watched for hours
Not needing to compare themselves to it
Because they all looked just as beautiful
And they knew it
So maybe some of us who are still sane, we can make a change
Show the next generation that beauty isn’t in what you gain
It’s when you remain the same
And maybe I can look in that mirror
Without any fear
And actually smile
And sit there awhile
And find beauty without a search
Maybe then there wouldn’t be so much hurt
Like when we see that yellow flower
Petals stretched toward the sun
Then we will know our job is done
And we have finally won
Hastfan Dec 2020
Above the clouds of Tunhill
High above the lands of Arangrad
Stands a figure shrouded
The Rains at his command

Pounds of steely muscle
Fur that sways
All shall tremble
Beneath his waves

Waves of might
Shows of power
Claws of steel so sharp
A hide nails dare not mark

There he stands
Still as night
Calmly though
The stars in fright

On his back
A banner of black
Made naught but tears
And a soaked blood bath

His eyes gleam strong
His gaze far reached
Along his brow
Furrows do reach

Fought hard battles
Turned many sour
Taught many to stand
And all to cower

Beneath his crown
Is all that matters
Nations far and wide
Forced to stagger

Feet of stumps
Roots do grow
Follows reach
Across the globe

Lands to him
Naught but strides
All shall come
Across his eyes

One is shadow
One is flesh
A metaphor
Never to rest

Vigorous gale
Lets none fail
A tattooed sight
For minds so frail

A silvered coat
Makes a mired mail
For none has scope
Fall beneath him - wail

How can you hope
To better yet
Come across one
With broader chest

One so mighty
Cares for all
Enemies of ours
Oh how they fall

Pride to be
One of ours
A mighty warrior
From our own house

The staggered foe
The blunted blade
All are similar
In certain ways

For how can they
Hope to last
Against sharpened stone
Built so fast

A force of nature
Belligerent foe
To the cosmos
Ones to show

Magnanimous hatred
Bitter so
Fought hard beneath
Sweltering tones

For ones creation
Is not wider known
A tremendous being
Moulded so

On fields of battle
Amidst the throng
Deep beneath
The waves that thrown

A king laid flat
A warrior flayed bare
A sorceress so
Shared malevolent stare

Powers of life magic thrown
Used angrily - outwards
Caused a reaction
None could have known

For too much life force
Causes all to grow
To enormous proportions
To then explode

But once or twice
Events conspire
That none could say
Gods would have aspired

For one such case
Where moments ago
Stood a young wolf
Unarmoured and blown

Now stood the force
That would become known
As the one above
The clouds we call home

A wolf still
If even close
But one to rival
The gods own prose

There he stood
Indenting the ground
With his new proportions
And staggering prowl

He gazed once forth
At bewildered witch
Then tore her apart
Aspire his wits

Then his great head lifted
Splattered with gore
To the lines of foe
Butchering his blood

And so he turned
With nothing but claw
Rendering steel
And oh so much more

On he went
With unholy vigour
Ripping and tearing
None saw it quicker

And once he was done
Drenched in the foe
His fur seeming to feast
On the battles below

The great wolf stood
And addressed his great nation
For beneath him stood
men from his station

He raised his proportions
And gathered himself
Rose to his height
And met all above shelf

With silvered tongue
He spoke for a time
And before him kneeled
Every single one in kind

For the wolves of his nation
Astonished you see
Now saw him as greater
Than any could be

Now as they knelt
Awaiting permission
The great wolf roared
all doubts deigned submission

And once he was done
And all had washed their blood
He spoke once more
But then only once

the words he spoke
Shall be etched in stone
Forever and always
To times unknown

Words of a leader
Words from the foe
Words that will follow us
To our graves and below


“I am the wolf
The one to be followed
I will be named king
And awash all of your sorrows

For i am a wolf
But now greater grown
And all that shall know me
Should name me this so

The mightiest among us
A powerful foe
To any before me
Who would seek hate to sow

A name i shall have
A name oft too much bitten
But for a ruler to lead
He must have his ambitions

Call me the wolf
A great king - A great man
Felled the foe
Saved our lands

For as my father
Named me as an heir
I shall be named
The Wolf King, of Zubair
Austin Heath Jun 2014
Came out of the heat and into a strange simmering ***;
my mother accepted the responsibility of a baby
for about half an hour or so.
It cried.
It cried so **** much.
She tried to hand it off to me, and I
dodged that mother-sucker like the plague.
Of the top three things I "don't",
babies are two.
******* it cried so much.
That's all I have to say.
Chuck Feb 2013
I like apples
I like oranges

Apples are sweet with a crunch
Even when they are ****
The rewards are great
They are filled with nutrition
The skin is even good for the teeth
But every once in awhile
One is spoiled or rotten
Or worse, filled with creepy crawlers
Yet the refreshing burst
Of beneficial flavor is hard to refuse

I love oranges, the color alone
Sunshine in my hand
Puts a smile on my face
Before I even take a bite
When they are sweet
Nothing cold be better
They make my life healthy and happy
However, they, occasionally, can be bitter
Or spoiled or not glow so bright
Yet even at their most sour times
Or when they are not the freshest
I love them more than life itself

So it's obvious to me
Given the choice between the two
It is no contest
My love for oranges is rare

Yet I've been granted a special opportunity
I have been offered a bushel of apples
Though they are tasty
I don't want to only eat them

Apples or oranges?
I can eat the apples and still enjoy
The flavor burst of the oranges
The apples may even help me to
Enjoy the oranges even more
And cherish the time I have to
Nourish my bobby and mind
With their sweet nectar

I like apples
I love oranges
I can enjoy both
Without letting any spoil
With the right proportions

I just won't try to
Eat cake too!
Oranges are my family, and apples is the opportunity to coach track and field this spring. I wanted to weigh it out in a poem. I refuse to neglect my family ad many coaches do. If I have less time with my family, I'll just make it better quality an less time sitting here writing poetry, until they go to bed. Don't worry.
ryn Sep 2014
Sitting here alone with people around
But I only see one person in mind
She is the person so fortunate I've found
She is the person who loves me in kind.

My head is spinning as I sit here thinking
My heart is aching for the girl I'm missing
My lips they mutter, words of love they're saying
My hope is wishful that these words you're hearing.

I feel this love in my heart, it's growing
To proportions of unfathomable enormity
Sometimes it feels like my boat is sinking
When I think of the undeniable reality.

This reality that I wake up to everyday
Keeps hurling obstacles that I must face
I need the strength so my hopes don't fray
Wishing for more so I can finish this race.

I love her dearly; without her a life I can't imagine
I love her deeply; I never thought I was capable of such
I love her strong; with hopes so high, I would pin
I love her furiously; never thought I could love this much.

She is the sun that around, my world does spin
She is my star that I always look up to see
She is my moon that so clearly I have seen
She is my universe that I'm traipsing through helplessly.

I've never stopped wishing for a life beside her
I've never stopped wanting for her to be with me
I've never stopped hoping for the a life we'd make together
I will never stop trying for I believe it's meant to be.

I have pined for her so, many a sleepless night
I have yearned for her through the hours of the day
I have craved for her; craved with all of my might
I have longed to utter the words I've wanted to say.

Countless of times, these words I've spouted
In my heart I've said them oh so many more
These words are strong like a volcano just erupted
These words are true for they come from my core.

So I sit here still with these people around
They don't know why my heart aches so
It matters not if my feet don't touch the ground
I'd still dare to dream and to her they will go.

Dreams of you I'll never stop conjuring
Thoughts of you I'll never stop thinking
With words so sweet I'll never stop praising
For the woman in my dreams, my heart is loving.

So let me be, you people; you never will know
You'll never know who it is who excites my heart
You'll never understand what makes my love grow
She's the one who had ensnared me from the start.
SE Reimer Nov 2015
~

do you believe?  

hold that thought!

what you are about to take is a journey.  my telling of this journey is brief; we poets are after all not well known for our long attention spans.  this is a tale of astronomic proportions, an epic years in the making, and now centuries old.

have you ever considered this?  the starry host above us cannot lie.  its movements are as sure as the movement of the clock; as predictable as the tide, a sunset's hour and as precise as a moon-rise's geo-placement at our horizon- precisely where it will rise and at precisely what time.  it is after all  precisely the study and understanding of such things that allowed us to place mankind on the surface of the moon, to know precisely where she would be before she got there, therefore permitting us to plan the journey well ahead of time, a journey that took three days of travelling once it began...  and then returning those men home to us.  but back to our larger journey.  

such things only require an understanding of relatively simple mathematics and a knowledge of each unique planetary orbit.  the only questions remaining then, ones that require acceptance of less proveable things, is do the events of the starry host above us reflect back or point to us, to humanity? are they a fortelling of earthly events and eventuallly a coinciding with earthly events? some have trouble believing such things.  for me, it is not a leap to accept that the visibly established order above me (what we call astronomy) is simply a mirror of the order below, here surrrounding me.  but then that takes us back to the first question... do...   you...   believe?  for this part... it requires acceptance ... acceptance that some things are true, though i cannot see them.  some call this "faith," though i think "acceptance" is more relateable, and therefore a far better word.

if i have not lost you yet, thank you for reading this far!! please continue the journey.

like me, have you ever wondered... what is (or what was) the Bethlehem Star?  according to some who research historically astronomic events, the “Bethlehem Star” was no star at all.  but more on that after the poem... for is that not the purpose of these walls?  

below is a poem birthed out of their research... the poem mine, the research compiled by smarter folks than i.


Virgo's child

~

oh, planetary royalty,
and mother of the sky,
your celestial stage of six,
a ballad echoing our hopeful cry;
pirouette the stars amidst,
sets a course for rising king,
closer with each night's descent,
hope, your brilliant union brings.
conjunctive encore heaven sent,
today our song in advent sings!

oh, wise men of the east,
following a westward star,
the king you sought
you found because,
discontent you were,
to be a distant onlooker
from your home afar.

hallelujahs here composing,
with stunning care the stars portending,
in universal magnitude,
oh fallen man your dirge is ending.
in retrograding motion,
encircled thrice your halo spun,
Virgo’s child in coronation,
the starry night foretells,
and with splendid sky’s array
the joyful birth of king pronounces

oh, wise men of the east,
following a beckoning star,
bearing gifts you came,
and on bended knee
you offered praise, for
empty-handed for a king,
is no fitting offering.

look to the sky, you men of earth;
behold your king in humble birth!
a stable for his sleeping head,
here rocks a mother’s babe;
what Adam lost, in him restored,
oh, Virgo’s child, and living Lord.

~

*post script.

~ Cast~
the six acclaimed celestial actors/actresses of this starry dance

Role ° Played By ° ​Meaning/Symbol

Moon ° ​the Moon ° life cycle symbolism
Star ° ​Regulus​ ° ​King of stars (regal king)
Planet 1​ ° ​Jupiter ° ​King of planets
Planet 2 ° ​Venus ° ​Mother of planets
Constellation 1​ ° ​Leo ° ​the Lion (heavenly kingship and tribal significance)
Constellation 2 ° ​Virgo ° ​the ****** (maidenly and earthly significance)

the basis for this write can be found here...
add: http://www.
to: bethlehemstar.com/setting-the-stage/what-was-the-star/

in summary --
whatever it was, the Star of Bethlehem needs meet nine qualifications to plausibly satisfy what is written in the Biblical accounts:
1. The first conjunction signified birth by its association to the day with Virgo “birthing” the new moon. Some might argue that the unusual triple conjunction by itself could be taken to indicate a new king.
2. The Planet of King’s coronation of the Star of Kings signified kingship.
3. The triple conjunction began with the Jewish New Year and took place within Leo, showing a connection with the Jewish tribe of Judah (and prophecies of the Jewish Messiah).
4. Jupiter rises in the east.
5. The conjunctions appeared at precise, identifiable times.
6. Herod, puppet King under Roman rule, was unaware of these things; they were astronomical events which had significance only when explained by experts.
7. The events took place over a span of time sufficient for the Magi to see them both from the East and upon their arrival in Jerusalem.
8. Jupiter was ahead of the Magi as they traveled south from Jerusalem to Bethlehem.
9. Jupiter “stops” as it enters retrograde motion “over Bethlehem.”  On December 25 of 2 BC it enters retrograde and reaches full stop in its travel through the fixed stars. The Magi viewing from Jerusalem would have seen it “stopped” in the sky above the town of Bethlehem.

according to astronomical research of historical events, the “Bethlehem Star” is, at least by this explanation, no star at all, but was instead Jupiter’s rendezvous (planetary conjunction) with Venus in 2 BC.  this is a tale of two planets normally radiant and distinguishable forming a single-looking, indistinguishable, and never-before-in -their-life-time-appearing large and radiantly brilliant “star”, which when coupled with each of the previous eight facets creates a most noteworthy series of events, all of which match words written centuries previous, and pointed their gaze to a pivotal and altering point in mankind’s history.  

now back to the beginning question...  do...  you...  believe?

(publication of this write is intended to coincide with the first of the four Sundays of Advent, 2015.  tis the season for Merry Christmas, my friends!)
PrttyBrd May 2017
My fortress of solitude
solidifies regret
counterbalancing justification
with waning self worth

It could be worse
and I am imperfect
so I stay in this place invisible
seen only in degrees unworthy

But here alone
I can pretend I am strong
the truth hidden
by what I cannot show

Words are my friends
where my thoughts
are my enemies
Still, I remain

Not bad enough to leave
Just horrible enough to keep me hidden in this isolation
ashamed to show my face
afraid to be free and learn...

it's all true
5617
Marshal Gebbie Dec 2013
From blue tranquillity where turquoise waters wash white golden sand, where brilliant fish school in myriad colour and shape, where magnificent squadrons of sleek tarpon and barracuda dash in perfect formation, grazing schools of silver mackeral through diamond flecked deep green shallows, to plunge vertically down to the depths of the black abyss and security.

Calm tropical waters which shimmer like aqua blue glass in the mid day heat and turn to simmering,red fire at the setting of the enormous, ovate, orange sun.

Sea birds flock above wind blown waves, their sharp cries a symphony of the sea, to suddenly wheel and dive en mass, to dine amidst teeming schools of flashing, shiny minnows.

The idyllic picture of a calm blue infinity of ocean framed, in brilliant sunshine, by white sands and gracefully bowed coconut palms.....and suddenly, at the horizon, a thin black line appears, It approaches with steadily, mounting speed, the coastline surf recedes dramatically seaward leaving exposed coral, mountains of seaweed and frantic flapping, beached fish everywhere. A sudden, oppressive silence becomes a distant roar. The sea birds, as one, take panicked flight... and a massive wall of water rears up and rises like a giant beast, to rush headlong, raging, at the coastline.

What once was blue and serene is now a huge cascade of violent black death and destruction, gigantically it destroys the coast, snapping huge trees like twigs, surging ashore, a tsunami of unimaginable violence it obliterates, housing, streets, bridges, vehicles, shipping, aircraft and people, thousands of panicked, helpless, struggling people, killed in a titanic, black, swirling maelstrom of inexorable violence. The wave is followed by another...and another, extending right along the coastline and beyond. Each wave larger and more violent than the last...surging inland for miles  until defeated by the accident of gravity in rising land.

Those who have survived, on high land, on tall buildings, in treetops....cling to each other and look on in horror and utter helplessness. They can only wait, in fear, for the monster to retreat before venturing down to the devastation below to render help where ever they possibly can.

Twice in the space of the last forty thousand years the Kraken has awaken and risen from the depths of the Tasman Sea to the west of New Zealand. It has risen to gigantic proportions and driven right across the Auckland isthmus to the Pacific Ocean. It has twice flattened gigantic primeval Kauri forests laying them waste, all lying in one direction, each time beneath twenty feet of debris and black mud.

Born in innocence from a natural tectonic adjustment of the earth plates, the Kraken doth arise at any time, in any place to wreak it's dreadful work upon we, who reside in our comfortable, seemingly secure and beautiful coastal idylls.

Marshalg
Dedicated to all the coastal population exposed to the threat of inevitable tectonic induced tsunami.
JAPAN. WEST COAST, USA. WEST COAST, SOUTH AMERICA. ALL PACIFIC ISLANDS. NEW ZEALAND. INDONESIA. AUSTRALIA. SOUTH AFRICA. EAST COAST, CHINA. MALAYSIA.
KOREA. THAILAND. PAPUA NEW GUINEA, VIETNAM. PHILLIPINES. TAIWAN. BURMA.
sheeba balan kpp Mar 2015
So much bile
so much poison
I wonder how
you are alive
with these proportions
One can only be a thorn
or a shard
a shard your are
that I can validate
a piercing one at that
Mattrick Patrick Jan 2014
Immutable proportions, unfaithfully seduced
By this grey witch,
new age daughter of the light;
mother earth midwife:
Co-conspirator of the New World order.
Green occult mysteries
reveal a gold and forgotten bridge
from science to religion.
Learning, Peace, Love, Appreciation:

"The truth shall set you free."
We are one Self.
~
Discover a golden bridge within!
This is my first poem here.
SURETICE TONGUE Aug 2018
Desktop In The Charismatic
THEOLOGIAN ESSENCE <believingvirtue@gmail.com>

BONE  STIRS ....'

ASSEMBLIONAIRE BEYOND MAGICIAN WOLVES

INVISIBLE GRAND OUTPOURING AMNESTY SURROUNDS....'



Desktop In The Charismatic

Dream into refuge all plantation

Dream into cog all wheel

Dream into bracing all consultative

Dream into rocking all regent

Dream into preferable all chariots

Dream into luxurious all absorbs

Dream into contagious all enthusiasm

Dream into communal all welding

Dream into universal all anatomy

Dream into reality all rings

Dream into searchingly all mysteries

Dream into artillery all mechanisms

Dream into colony all proportions

Dream into miracle all compositions

Dream into artistry all pursuit

Dream into alliance all admiral company

Dream into fragrance all  new extensions

Dream into vast volume habitation all invests

Dream into carrying  devotion all per excellence

Dream into grace-going all shepherd rewarding

Dream into oasis all resuming acquaintance

Dream into cross over  all answering wonder.



Your Invades-Of-Veins,

SURETICE TONGUE

Email: believingvirtue@gmail.com





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Desktop In The Charismatic
SAMUEL DAVID <believingvirtue@gmail.com>

11/9/17

to hydee1982

Desktop In The Charismatic

Dream into refuge all plantation

Dream into cog all wheel

Dream into bracing all consultative

Dream into rocking all regent

Dream into preferable all chariots

Dream into luxurious all absorbs

Dream into contagious all enthusiasm

Dream into communal all welding

Dream into universal all anatomy

Dream into reality all rings

Dream into searchingly all mysteries

Dream into artillery all mechanisms

Dream into colony all proportions

Dream into miracle all compositions

Dream into artistry all pursuit

Dream into alliance all admiral company

Dream into fragrance all  new extensions

Dream into vast volume habitation all invests

Dream into carrying  devotion all per excellence

Dream into grace-going all shepherd rewarding

Dream into oasis all resuming acquaintance

Dream into cross over  all answering wonder.



Your Invades-Of-Veins,

Samuel-David O. Armstrong

Email: believingvirtue@gmail.com

+2348131914240



Click here to Reply or Forward
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Ghazal Apr 2017
Both
Too much,
and too little
Commotion,
Can mute the poet's emotion
Bella Feb 2015
Pretty is a six-letter word that can’t encompass your entire being in its arms. You were born to a mother who wore pain like trees wear their rings, as marks of fierce bravery and battle cries. You almost split her insides open coming out, wailing so hard the plaster cracked, but she grinned and bore it like a champion, even though the walls of her womb felt like one giant cigarette burn that no one cared enough to put out.

You are Icarus incarnate, with a body stitched from wings, flying toward the sun every day no matter how low the storm clouds hover. Pretty is not a synonym for learning how to put together a body that fights itself every day with pocket knives, like assembling letters to form words that flame in the mouth. That’s called survival. Pretty is an ugly word. It leaves behind a bitter residue that apologies cannot erase. Pretty is just an excuse for playing darts with a woman’s confidence.

When told you are not pretty, always remember how your body expanded to fit its widening cage, its blooming hips, how the growing pains were less like pain and more like cracking fault lines. How your body turned itself inside out and spilled over and over again. Getting emptied is not pretty. It is dark and wounding and it requires strength enough to move mountains.

On your worst days do not look in the mirror and call yourself pretty. Call yourself trying, call yourself surviving, call yourself learning how to get through a day, a week, a month or year. Call yourself still learning. Pretty is just six letters for lipstick, false eyelashes, combs for hair that never gets tangled, not for women who earn a victory every day just managing to exist.

When told you are not pretty, do not **** in your stomach. Pretty is a discriminatory word, but having a body that knows what it wants and gets what it wants is not a hate crime. It’s a healing hymn.

Don’t forget how trees shake their last leaves in winter like they’re shedding skin from the old year. Shed pretty. Shed it now. Teach yourself to replace it with heart-wrenching, brilliant, clever, artistic, unique, understanding, fighting. Always living.

When told you are not pretty, don’t fall in love with the ground. Get back up. This is not an apocalypse; this is not the end of the world. A six-letter word doesn’t have the power to burn down every building in site or freeze the entire world in epic proportions. Your body is not wreckage or refuse left over from a world on fire. Your body is just fine.

Look in the mirror. Tell yourself, Pretty is not me. Pretty is an ugly concept. I am more.
Elijah Dominic Oct 2014
Love a four letter word
thousand feelings
millions of expressions
only for one human being

love has eternal meanings
some are deep
mostly shallow

but my love
is only for this human being
I will love thy epic proportionally
and endless proportionally
Imperfectly,
I stand before you,
A man. If you can’t see
All the things that I am,
I’m not content to hang around
As the retirement plan.

I’ll never boss you around,
But that’s not because I’m weak.
It’s because I have the security
To let you be you,
And me, be me.

I stand on my own two feet.
And I don’t ever base my self-esteem
Off some meaningless number
Of late night creeps.

I’ve searched my own deeps, for
A healthy conception of masculinity -
And this is a long-term investment scheme;
So I ask, can you appreciate what patience means?

Without games, on an even plane,
No cliché lines or insincere sayings.
You can always find another “strong-type,”
One of those paper-thin cut outs
From the book of male stereotypes.
Still, truth untold,
We both know -
It’s unconventionality
That makes a diamond
In the rough.

I have learned that
Determining a diamond’s cut grade
Goes well beyond
Simple measurements,
Like width and depth.
To determine
A diamond’s worth,
You have to test
Its light performance.

Even if a stone seems
To have color and clarity,
You can tell a real diamond
By how it catches the light,
Disperses evenly across the rock,
While a fake becomes almost transparent
As saturated light moves through it.

In another poet’s words:
Some [folks] recognize the light
But they can’t handle the glare.

I’ve also learned that appraisal of a diamond
Is determined by its own proportions.
You have to test for symmetry.
Does it seem to be high-grade carat
While you’re around?
And karma, karma, chameleon
To cubic zirconium,
If you’re visiting
The other side of town?

The thing is,
I’m not really here
To expose other contradictions.
I just want you to listen.

I want to talk to you
About how chivalry is not dead.
Look you right in the eye,
And tell you why. Talk
About how romance
Is still very much alive.
So, no more wind-whispered cries,
About how good manners have all but died.

Some might call such confidence conceited,
But I’m not recarving any hieroglyphs.
This type of affection is ancient,
So help to embrace it. Engage we -
With extensive emotional foreplay
And intellectual tongue-kissing;
Way before incense and candles get lit.

And tonight?
Let’s try starting over
With a night out on the town.
The recipe is simple: good food and
a place that's quiet enough for conversation,
maybe a jazz spot, if you’re down.

Or maybe, we could catch
A late-night flick
That really makes us think.
And when we’ve talked ourselves dry,
Neither one of us
Would mean a goodbye,
So we’d retire homewards,
And unwind.

Because I do want you,
The right way.
I want you,
And I want you to want me, too.
I want you to want me,
Just like I want you.

Nevertheless,
No stress for you,
Or for me.
If these rivers are meant
To find their way to the sea,
It should happen, naturally.
Jacob Aug 2016
I won't be anything to you, you
Who planted the seed in confusion
Never knew I would be a product
A spawn of accident I was
Swimming in mystery, living without thought
You became a man of higher proportions
Seven feet tall in a blurry photograph
In my dreams you stood unnecessarily
Before I knew myself, I barely knew you
Giving you a second chance
Might have been the scariest thing to him
There is no fixing what was never there
No hating what I never loved
I'm stuck with confusion as well
Who am I supposed to call Father?
He Said She Said Dec 2013
I laugh a lot.

I laugh at myself because I am hard stuck to find the beauty in the poetry
but somehow to others words flow like vicious currents rip through  ugly ducklings never to be grown to beautiful swans down the river Delta,
the Nile,
we call it emotion, this the true beauty of the words is always flowing page to mouth to mouth to ear,
honey water to be digested by the soul and mind
and some breast stroke some and some do the butterfly and some just ******' drown...
so you could say to some poetry is no laughing matter...
yet here I titter like a child  because I cant help but wonder if Daniel's saying penance or just stuttering the word *****...

So I laugh

I laugh and laugh and laugh I laugh at myself I definitely laugh at you people
I ha ha ha my course thoughts, outwards reflecting anger passion, turning it away
with the yip yawing of jaws and gums flapping in  celestial proportions of denial
snorts and giggles push back emotion drowning out any semblance of fear or hate
because who's to say I can handle it,

call it sociopathic tenancies but I'll make it make belief because we just cant handle the fairy tale we live in
we cant handle that there might be no happily ever afters and we cant handle that we dont have a Prince charming to take care of us
but instead the crown is Crown Royal and you love it, love the burn down your throat,
something to keep you alive something to keep you awake but aren’t the two just one of the same anyway?
What is each day but a dream if automation takes you over rides you out like a machine and pushes 100110101.

So I ask you,
I ask you to listen to the words and the voice,
swim down the river any way you want just get your feet wet because living on dry land is living in fear

But more importantly I ask me
I ask me to do what I asked you to do, but how can I trust me to do what I told you to do when I hardly connect the concept of we and have used it but once in my work, though I am no different than you!

Because what are we if not all the same?
another flippin' spoken word - god I'm so uncreative! - Him
Julie Butler Apr 2014
the representative of insensitive 
needs what kind of incentive?

to be bigger than this 
without risking intention?

i’m wishing she’d listen

how I wish she would l i s t e n 

to the thoughts that i drop 
on her deaf comprehension 

she swallows discretion 

she f o r g e t s to mention 

about her horns that grow thorns 

that envelope her dimensions
judy smith May 2015
Dar Al-Hekma University hosted its second fashion show on Sunday that featured the work of its second batch of fashion design undergraduates.

The event, titled “Luminosity” was held under the auspices of Princess Reem **** Muhammad Al-Faisal. President of the university Dr. Suhair Hassan Al-Qurashi said: “Providing such events to our students before graduation exposes them to industry leaders of their prospective industries and gives them a head start in their careers.

“Dar Al-Hekma University’s students stand out because of the combination of their high caliber and the opportunities the university provides for them.”

Along with industry leaders, families of participating students attended. The event started with an opening speech by the department chair for the fashion design program Dina Kattan, who then introduced the sophomore and junior students’ work.

Afterward, models wearing three-piece collection garments designed by senior students scheduled to graduate this year took the stage and were graded by four judges.

Kattan said: “I am so proud of the work my students presented today; they worked really hard and they deserve a big hand. “Everyone was impressed with the level of creativity and attention to detail they demonstrated.”

The judges were Batool Jamjoom, businesswoman in the fashion industry and manager and owner of Jamjoom Fashion House; Amra Alabdalilsharif, director of the innovation and visual merchandising department at Rubaiyyat; Dalal Al-Hasan, a fashion designer; and Aram Kabbani, Dar Al-Hekma alumna and fashion stylist.

The grades students received during the fashion show will form part of their final grade. One of the students whose designs were featured at the show, Zahar Algain, said her collection was inspired by Mexican artist Frida Kahlo.

“Studying fashion has altered my perspective. I view fashion, in the same way that I view life; it’s a matter of balance and proportions.

“My interest in avant-garde fashion has led me to believe in using creativity to solve difficult situations. Algain’s collection was meant to blur the line between art and fashion.

“It is inspired by Frida Kahlo but with a fictional twist. “The story behind my collection is a daydream, a magical love story, an artwork; it is splattered with Frida’s colorful soul and spirit.”

Following this women only event, Dar Al-Hekma is organizing a one-day fashion design exhibition on Tuesday, which is open to all. The event starts from 7 p.m.Read more here:www.marieaustralia.com/formal-dresses-adelaide | www.marieaustralia.com/long-formal-dresses
Cunning Linguist Oct 2014
Gimme just the slightest touch
Surely bout to bust a nut
Sock in hand,
my **** erupts
Triumphant
Reidums D rock em
with that 3-Hole punch!

Elephant in the room,
Drunk and bumbling through and through
Lord knows I'll bulldoze her Womb-2-Tomb
On the threshold
& Ready to rumble,
I hustle the bustling
cos she like it rough nomsaying

Prepare for trouble
Enough's enough,
I'm the cunning linguist call my bluff
Doubleplusmuch I munch the ****
I like my busdowns over-stuffed
The t-t-truthfulness,
It's just unscrupulous,
When I lace up the gloves
& upthrust the ******~

I've lost all sensibility
That's a possibility,
but just a moment
Here's a bonus, take my component
Check it's divisibility between your legs,
and if you can find the quotient
This train got no brakes
Slam-dunk on they punk *** parading my game
Simply planting the seed to fertilize your eggs
**** that bunk ****
~Yes, I'm surfing on that funk wave~

Madly ****-spelunking;
tap-tap flowertrap blossoms, unfurling
Clobber em something awesome
Girls roll over and play opossum

My command in speaking ****
Makes other fools illiterate
***** I ******* wrote that ****
The preposterous architect
of epic proportions

The catalyst, becoming a deviant
The mischievous gent'
Debriefing through false pretenses
Though my ******* is magnus
My ***** are brass & my ding-a-ling's massive
them hoes be coming too
Professional minuteman with a plan
Confessing I'd really only need
a fraction to fashion that action

Line up shots, food for thot
I'd even ménage à trois with a
couple nuns inside a confessional box
Doesn't have to be consensual,
it's a holey trinity

Bona fide thief,
An affinity for robbing virginities
in my nearest vicinity
Still your hostility;
I'm battin' down the hatches
Call me the ***** snatcher,
the ****** catcher
****** Ketchum, I smash

Double-whammy in the ham basket

Go for broke
until you choke,
stroking and blowing me
like a trombone,
my ***** is about to explode -
no thrombosis

I am the chosen one
The smoking gun
Rail me to the dome
Or inhale my vapors through a rose
Experience total sensory: overload

Overboard with no remorse;
Dub me FUPA-King,
The bulbous ***** overlord
If I want lip I'll waive my **** at you

A little fizzle cos I make that ***** pop and drizzle
A lesbian ******* crack-fiend
only cares about rock, paper, and *******
As I contemplated the project of writing a persuasive essay I discovered that I would have to have a topic upon which to practice my persuasive techniques .  After much cogitation and enumeration of my possibilities , pursued with such zeal that it soon resembled pedantic ostentation , I concluded that the most positive prospect I could pursue in this endeavor would be an attempt to prove irrefutably that I deserve a grade of A in this class ; if not for the undeniable excellence of my effort , then at least for the unadulterated audacity of my pretentious assertion .  

In order to perform this feat first I must overwhelm your developing consternation , the frozen mastodon of your auspicious judition .  To accomplish this I will cite my impeccable attendance ; which although not perfect was indeed a valiant effort in the face of public opinion whose abstinence approached epidemic proportions .  I will expound on the effectual and pervasive inspirations of my in class commentary , which sparked many a heated argument or thoughtful conjecture ; and comment on the polished precision of my in class narration .  I will reiterate the diversity and intrigue of my subject matter and the competence of my delivery .

Next , with all the dynamic aggression of a wind-up tyrannosaur , I will recapitulate and exemplify my arguments ; until the ramifications of my inductive collusions exceed the boundaries of your psychic phenomenon and you are forced to acquiesce into impunity .  

Yes I will indeed proceed to exceed the parameters of your mind , until mesmerized by the multitudes of analogous content you find yourself , disguised as captain corpuscle , floating euphorically down stream in a think box mind gram dingy towards a sea of Colorado cool aid .  Then as if all that were not enough to thoroughly torque your ringer , adamant and tenacious I will portray realms of intellectual austerity so intriguing you will be raised to new heights of enigmatism , and then I will leave you , enraptured with your own anonymity , at the edge of the new world freeway .
judy smith Sep 2016
When I was chief creative officer for Liz Claiborne Inc., I spent a good amount of time on the road hosting fashion shows highlighting our brands. Our team made a point of retaining models of various sizes, shapes and ages, because one of the missions of the shows was to educate audiences about how they could look their best. At a Q&A; after one event in Nashville in 2010, a woman stood up, took off her jacket and said, with touching candour: “Tim, look at me. I’m a box on top, a big, square box. How can I dress this shape and not look like a fullback?” It was a question I’d heard over and over during the tour: Women who were larger than a size 12 always wanted to know, How can I look good, and why do designers ignore me?

At New York Fashion Week, which began Thursday, the majority of American women are unlikely to receive much attention, either. Designers keep their collections tightly under wraps before sending them down the runway, but if past years are any indication of what’s to come, plus-size looks will be in short supply. Sure, at New York Fashion Week in 2015, Marc Jacobs and Sophie Theallet each featured a plus-size model and Ashley Graham debuted her plus-size lingerie line. But these moves were very much the exception, not the rule.

I love the American fashion industry, but it has a lot of problems and one of them is the baffling way it has turned its back on plus-size women. It’s a puzzling conundrum. The average American woman now wears between a size 16 and a size 18, according to new research from Washington State University. There are 100 million plus-size women in America, and, for the past three years, they have increased their spending on clothes faster than their straight-size counterparts. There is money to be made here ($20.4 billion (U.S.), up 17 per cent from 2013). But many designers — dripping with disdain, lacking imagination or simply too cowardly to take a risk — still refuse to make clothes for them.

In addition to the fact that most designers max out at size 12, the selection of plus-size items on offer at many retailers is paltry compared with what’s available for a size 2 woman. According to a Bloomberg analysis, only 8.5 per cent of dresses on Nordstrom.com in May were plus-size. At J.C. Penney’s website, it was 16 per cent; Nike.com had a mere five items — total.

I’ve spoken to many designers and merchandisers about this. The overwhelming response is, “I’m not interested in her.” Why? “I don’t want her wearing my clothes.” Why? “She won’t look the way that I want her to look.” They say the plus-size woman is complicated, different and difficult, that no two size 16s are alike. Some haven’t bothered to hide their contempt. “No one wants to see curvy women” on the runway, Karl Lagerfeld, head designer of Chanel, said in 2009. Plenty of mass retailers are no more enlightened: under the tenure of chief executive Mike Jeffries, Abercrombie & Fitch sold nothing larger than a size 10, with Jeffries explaining that “we go after the attractive, all-American kid.”

This a design failure and not a customer issue. There is no reason larger women can’t look just as fabulous as all other women. The key is the harmonious balance of silhouette, proportion and fit, regardless of size or shape. Designs need to be reconceived, not just sized up; it’s a matter of adjusting proportions. The textile changes, every seam changes. Done right, our clothing can create an optical illusion that helps us look taller and slimmer. Done wrong, and we look worse than if we were naked.

Have you shopped retail for size 14-plus clothing? Based on my experience shopping with plus-size women, it’s a horribly insulting and demoralizing experience. Half the items make the body look larger, with features like ruching, box pleats and shoulder pads. Pastels and large-scale prints and crazy pattern-mixing abound, all guaranteed to make you look infantile or like a float in a parade. Adding to this travesty is a major department-store chain that makes you walk under a marquee that reads “WOMAN.” What does that even imply? That a “woman” is anyone larger than a 12 and everyone else is a girl? It’s mind-boggling.

Project Runway, the design competition show on which I’m a mentor, has not been a leader on this issue. Every season we have the “real women” challenge (a title I hate), in which the designers create looks for non-models. The designers audibly groan, though I’m not sure why; in the real world, they won’t be dressing a seven-foot-tall glamazon.

This season, something different happened: Ashley Nell Tipton won the contest with the show’s first plus-size collection. But even this achievement managed to come off as condescending. I’ve never seen such hideous clothes in my life: bare midriffs; skirts over crinoline, which give the clothes, and the wearer, more volume; see-through skirts that reveal *******; pastels, which tend to make the wearer look juvenile; and large-scale floral embellishments that shout “prom.” Her victory reeked of tokenism. One judge told me that she was “voting for the symbol” and that these were clothes for a “certain population.” I said they should be clothes all women want to wear. I wouldn’t dream of letting any woman, whether she’s a size 6 or a 16, wear them. Simply making a nod toward inclusiveness is not enough.

This problem is difficult to change. The industry, from the runway to magazines to advertising, likes subscribing to the mythology it has created of glamour and thinness. Look at Vogue’s “Shape Issue,” which is ostensibly a celebration of different body types but does no more than nod to anyone above a size 12. For decades, designers have trotted models with bodies completely unattainable for most women down the runway. First it was women so thin that they surely had eating disorders. After an outcry, the industry responded by putting young teens on the runway, girls who had yet to exit puberty. More outrage.

But change is not impossible. There are aesthetically worthy retail successes in this market. When helping women who are size 14 and up, my go-to retailer is Lane Bryant. While the items aren’t fashion with a capital F, they are stylish (but please avoid the cropped pants — always a no-no for any woman). And designer Christian Siriano scored a design and public relations victory after producing a look for Leslie Jones to wear to the “Ghostbusters” red-carpet premiere. Jones, who is not a diminutive woman, had tweeted in despair that she couldn’t find anyone to dress her; Siriano stepped in with a lovely full-length red gown.

Several retailers that have stepped up their plus-size offerings have been rewarded. In one year, ModCloth doubled its plus-size lineup. To mark the anniversary, the company paid for a survey of 1,500 American women ages 18 to 44 and released its findings: Seventy-four per cent of plus-size women described shopping in stores as “frustrating”; 65 per cent said they were “excluded.” (Interestingly, 65 per cent of women of all sizes agreed that plus-size women were ignored by the fashion industry.) But the plus-size women surveyed also indicated that they wanted to shop more. More than 80 per cent said they’d spend more on clothing if they had more choices in their size and nearly 90 per cent said they would buy more if they had trendier options. According to the company, its plus-size shoppers place 20 per cent more orders than its straight-size customers.

Online start-up Eloquii, initially conceived and then killed by The Limited, was reborn in 2014. The trendy plus-size retailer, whose top seller is an over-the-knee boot with four-inch heels and extended calf sizes, grew its sales volume by more than 165 per cent in 2015.

Despite the huge financial potential of this market, many designers don’t want to address it. It’s not in their vocabulary. Today’s designers operate within paradigms that were established decades ago, including anachronistic sizing. (Consider the fashion show: It hasn’t changed in more than a century.) But this is now the shape of women in this nation, and designers need to wrap their minds around it. I profoundly believe that women of every size can look good. But they must be given choices. Separates — tops, bottoms — rather than single items like dresses or jumpsuits always work best for the purpose of fit. Larger women look great in clothes skimming the body, rather than hugging or cascading. There’s an art to doing this. Designers, make it work.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/black-formal-dresses
Mattrick Patrick Jan 2014
Immutable proportions, unfaithfully seduced
By this grey witch,
new age daughter of the light;
mother earth midwife:
Co-conspirator of the New World order.
Green occult mysteries
reveal a gold and forgotten bridge
from science to religion.
Learning, Peace, Love, Appreciation:

"The truth shall set you free."
We are one Self.
~
Discover a golden bridge within!
This is my first poem here.
The sky was ablaze like glass in the church;
recumbent on stone floors / we had knocked out

the windows to let in only the blind light,
the blind arches that pointed heavenward, now yawning

narcoleptic houses of God grasping at sky and god
somehow / we captured daylight in our hands / we were

yearning for ourselves again between long hours of waiting
we believed in gods that breathed that great sky, we believed

in the breadth of cosmos more dazzling
than the church doors that we blew asunder

in that latter architecture where we decided the height
& breadth of the pillars in their proportions like

the proportions of man, exhausted & exaggerated,
man exalted, exaudi, exaudi, voca meam quam olim Abrahim

praises to all our lords on high, we sang in drunk
communion hailing, our communion with one another,

all of us there on the stone flags, hands in hands
we beat at the chests of each other, the eyes of each other

(we were just kids beating off to one thing or another)
and it was *** and chaos between those stone walls, it captured

us, bewildered us, those yawning heavens under the church ceiling,
the one that blazed with the dazzling color of windows

covered in dust like our skin the way it crept along the stone
and we craved it and the way that it seemed to creep,

the sky seemed to creep above us, seethed with light
some days we didn’t know which way was light, up

or lower down, it was usually easy to tell after you came
but we exhausted our voices, exaudi exaudi orationem meam

believing that something would hear us—we heard ourselves
more clearly in the throes of ******, nothing was more alive

more human, than anything, than anything that sang like that blazing
sky/ so we tossed ourselves forward into lightward, lightness

dazzling ourselves with light / it was the summer of everything closing /
the bewildering truth of our own god in cells and precious molecules

we made god in the throes of ******, worshipping in the dazzling sky
we had to propel ourselves forward, it was our stunning captivation

with that dazzling maze of flesh on the yearning sky, hands
searching inscrutably for hands, for god in the feverish sky, god

who doesn’t live in the sky, the god who climbs
with us, the god who screams in our ****** with us,

exaudi, exaudi, orationem meam, ad te omnes caro veniet…
palladia Dec 2013
i cannot face a day without acknowledging a loss.
i cannot fathom such a wilderness grew so close to my place,
my society-free, impositionless place
a tepid forest inhabited
by the requiems of the agnostically murdered
and the cogged wheels of the deceased's clocks.
sometimes they stick and the clockmaster unsticks them,
but they stop up again ever so quickly.
there is nobody who has the time or effort to continually watch the clocks.
and they return to ticking an eldritch song
which may cause pain.
it has not abolished mine, nor shall forth be disseminated to do so.
i am an ascetic mastermind, abiding in my messy pool
of thought, without my womb, without my brood, without my broom
to tidy the mishmash of unruly cobwebs and such.
the fumes cause me to wonder “where is my world,
which i’ve fondled so dearly?”
i detox and recycle memories, it’s to no worth of you
a venomous whisper on a silver lining of a dream tells you everything:
a fanatic’s agenda degrading urbane,
a plummeting depth to deep impact,
i drift away on a molten lava lilypad, and fantasize that...
i am god
but i haven’t found time to juggle your sect
reissuing lessons to mind the sheriff
and i cannot bear to lead me, to my own cultural death.
i cannot receive your moral disease, a signal on my knees
con e preghiere sbiancante. can’t you understand it?
my life is spent with hope placed
on each pair of snake eyes i roll
chance is the meter for everything.
dare i dare go back to my fantasizing,
i am god
ashamed by the lack of hope, and regret
disgraced by the hate and intolerance of man
and i see now their perfect world, is everything i detest.
and the tears produced
form new embryos of emotions
crystalline structures of psychological proportions
which develop into mature,
sentient, and emotion-proof organisms.
which become i.
and i respond vehemently yet come to my senses in a diplomatic tone,
because i am a diplomat.
and i have learned to nail my destiny to an altar each night,
an altar which can sacrifice my pensive motives
and my self-incriminating philosophy
that i should be able to write my destiny, and not
have it planned and read aloud,
read out loud, out in the air, outside.
i try myself.
i tempt myself.
and i return to supplicated suffering about my own mortality
and the atoms i will never see
and the universe i will never span
and the people i will never meet
and the times i will never live.
what if i rivered thirty silver-coins:
◌◌◌◌◌◌◌◌◌◌
◌◌◌◌◌◌◌◌◌◌
◌◌◌◌◌◌◌◌◌◌
what if i
didn’t
?
i might be ****** for this: but i’ll still set fire to the catacombs.
i might be scourged for this: but i’ll still hold on,
hoping there’s skin on my bones.
ecclesia, – a common, a sanctuary, a vanguard from the darkness in the world.
i know what i should do but never ever get it done;
i know what i have been and what i will become.
not defined by a dimension nor reputed by a benchmark
but shaded by the passion and dissuaded by the lashes.
i’ll do anything you want me to,
if you **** the self-inflicted psalms i plead!
the ulcer grows
that sweet cologne
i ***** it into the unknown.
i won’t tax your soul, i won’t stick a price to it:
coins ◌◌◌◌◌ won’t fill the hole -in a business deal (assets corrode)
i won’t tax your soul (i won’t buy it with blood money ◌◌◌◌◌, no)
it’s yours alone (but in business deals,
deficit is prone)
and there’s an aspect {a static} of forever and the inescapable gap
between the conscious
and the desired.
i sit here, ever so comfy and lustrous,
and habitually wait the day
they merge.
my invitations stand clear.
if you cannot come, i’ll wait for you. hidden
in the grillework of my past. but if you cannot come,
i’ll be waiting. hidden in the warmth of our teepee haus,
i’ll wait for you.

if X Marx the spot then why Kant i Locke it up?
*could living hand-to-mouth so long make me so Jung?
There’s a complex relationship with the earth, Pleroma, God, and mortality. And none of it can be solved. We live in such a saddened state today.
Aa Harvey Sep 2018
Flatulence breeds laughter


Come smile with me, as I sing you a song;
About God's little gift, to every man.
For we all like to laugh and forget all our worries
And we all like to laugh, whenever we can.


At a worldwide problem which just can't be solved;
Of epidemic proportions, it affects us all.
It's the funniest thing known, but embarrassing too;
But the louder the funnier, as long as it's not you.


It's flatulence! It's one big ****!
It's a stinky little number and it came from my ****.
It's flatulence! It's one big ****!
It's a stinky little number written straight from the heart.


It's flatulence! It's one big ****!
It's a stinky little number and it came from my ****.
It's flatulence! It's one big ****!
La, la, la, la,
La, la, la, la,
La, la, la, la,
La, lahh!


Who dropped that off?  Who left us a present?
Who smells that bad?  Come on! Who the Hell is it?
******* that's bad, something smells like it's died.
You filled my lungs with a sickness, you brought a tear to my eye;
You made me wish I was a dog and I had no nose,
Then when you'd tell them of my story,
They'd say how does he smell?
(shout) AWFUL!


It's flatulence! It's one big ****!
It's a stinky little number and it came from my ****,
It's flatulence! It's one big ****!
It's a stinky little number written straight from the heart.
It's flatulence! It's one big ****!
It's a stinky little number and it came from my ****,
It's flatulence! It's one big ****!
La, la, la, la,
La, la, la, la,
La, la, la, la,
La, lahh!


Well it's time to end this song,
With no more bad **** jokes in sight.
It's time to wander on,
With just a trumpety, trump; goodnight.


(C)2005 Aa Harvey. All Rights Reserved.
Nick Durbin Sep 2012
It’s like spreading your arms in hopes of flight –
Catching the wind and holding it just right…
Every subtle gust grasping your body like a sail,
Winning the battle against gravity without fail,
Fighting through the impossibilities, the improbable,
And entering the realm of weightless freedom - unstoppable…
Soaring above the clouds of an orange sky,
On passed the day and into the night we fly –
From here to the moon and beyond the stars,
Floating through the cosmos - leaving the world afar…
Gliding passed this adventure like an epic dream,
Not bound to conventional rationality, or so it may seem…
We find each other dancing amongst the clouds,
Circumnavigating the universe like gods, reckless and proud –
Revelations of astronomic proportions are manifested…
Escalating our feelings, as we now become more invested,
An Armageddon of emotion, epically destroying the world; vying,
For your love – for my Darling, your love? Well, it’s like flying.
Wrote this for Amber, she is my ray of light.
Lunar Aug 2017
warm weathers with a warmer heart:
i stretched out my arms
and embraced her with all i am.
this girl threw an ocean of words,
of images, of emotions, and even of silence at me
over a mango shake, kimchi fishcake,
and a pair of hot matcha lattes.
she challenged me to a doodle dare
when i told her i don't draw humanity,
as much as i wanted to draw her right there on the spot.
let's draw those people on that side of the cafe
ah, a people-watching activity!
just our kind of hobby that immerses us within society
while being in our own little world!
i noticed she draws people first
then the background according to the proportions of the persons;
yes, a people-watcher observing another people-watcher
unlike me who starts off with the walls and furniture of the space.
she drew the ovals for body proportions;
her pencil marks done gently, focused and magnified,
much like how she holds herself up.
thus we were satisfied with unfinished sketches
and incomplete acapella song covers;
and it definitely was a finished day–
complete with her presence,
photographs taken with cameras and our memory's eyes,
inside jokes about boys and talks about life outside.
the sun is getting lower
as the hour hand is getting higher.

Time continues but we paused.
So I'm up for another round with you, Lou.
ONE HUG OR TWO OR THREE ISNT ENOUGH

here's to my friend loubear aka 1/2 of lou-nar
I wish you all the best in SHS!
Welcome to the campus!!!
I love you and I miss you already~

(j.m.)
James Nigh Nov 2011
i’m not afraid of blood and guts
but am of the notion of separation
perspicacity’s domain is under my shoe
where adoration once lived
but it was late on the rent.

the doubts recede back into the ontology they sprang from
a paradox not unlike verbiage and emotion
tied together with razor wire and feathers.

i’m playing a hand of poker
where the cards are made of shame, disgust and jealousy.
the king’s looking at the queen with disdain
and furrowed eyebrows
he plans on uxoricide in her sleep.
it’s her fault for not saying “good night"
when i drew a pair of aces.
the jack and the joker are plotting raiding the medicine cabinet tonight.

but chemicals have failed us.
everything has.

we only find solace in the prayers of children
and the rain.

comforts that we once cherished
now have sharp teeth
and will lacerate you
before the sun sets.

a sick kind of lycanthropy
turns ex-lovers’ blood
into gasoline.
but we still sat on the porch and drank it
as solar flares bounced off our hips
and turned altruists into hypocrites
sweet, honest mistresses into liars
and vegetarians into fire eaters.

not much of a difference, you say?
well, the jacks have turned on one another.
it’s a battle of epic proportions
and the queen woke up just in time to slay the king.

the kingdom is in chaos.
while we weren’t looking
the peddlers turned into cannibals
and the priests now feast on peace
and tranquility.

a young, beautiful maiden
asked me to dance in the street
but i said it was too loud.

our imaginary children have been forsaken
by forgotten gods
and the beautiful music we were going to dance to
is just static.

was it always this way?
maybe we were just blinded by wanton hopes and long abandoned desires.

or maybe the king really killed the queen.

it’s darker now
and the sheep have turned in.
so have the cats and dogs and birds and plants.

but i’m still playing poker
and the static fills my head
bereft of any plans of retreat.

pride is not without a mighty downfall
nor is confidence without cracks in the tinted glass.

we all fall down.
some just more than others.

but you can only dig your hole 6 feet until the dirt comes back on top
and sometimes you can never clean it from under your nails.
and it is sentient.
it patiently collects there for days, months, even years
until it decides to strike
enveloping and suffocating
in a whirlwind of pent up rage and violence.

the children are gone
the laughter is gone
and the joy too.
the birds are without song
and the trees are without leaves
and love does not stay.

she has given up the fight.

i walk to the window.
it’s pitch black
because there is no moon.
it has deserted me along with all my
friends, lovers, acquaintances and guardian angel.
i think they’re all at a bar
making jokes and laughing at my expense.

it’s absolute zero outside.
i’m insulated by bitterness, sarcasm and apathy.
the girls stay warm
in facades
of trust, loyalty and love.

i sit back down
to play another hand
but something happens.

the kings, queens and jacks
are whispering and conspiring
shifty eyes, toothy grins
and all.

as i flip through them,
they begin making small paper cuts on my fingertips.
it doesn’t bother me
at first
but before i know it
they are moving up my arms.
not pain, just stinging.

then i’m in a state of complete paralysis.
i can’t brush them off or run outside.
i’m laying on my back
on the floor.
every time i muster a laugh
they go deeper.

they’re at my shoulders now
working their way down
at a 45 degree angle.

i know where they’re headed.

i forgot my heart is by my knees
but they can smell it

they keep working down my body
and each cut hurts more.
by the time they get to my thighs
it’s excruciating.

i mentally scream
for a God
who isn’t there
but i have a plan.

two more seconds
and i will will my heart
to stop beating
my lungs to stop pumping.

i begin to fade out
and my last vision
is one of them
maniacally frenzied
and beating at each other
in the air.

then

just blackness.

the abyss is looking back at me
and it doesn’t like what it sees.

i have saved my perfect mistake for last.
David
and
the 'daughter of the oath'
both
knew it was wrong
but did it
anyway.
Poti Mercado Jan 2016
Across from me at the bar table,
the bartender smiles and asks for my order
I tell him, "anything strong," and hand him ten dollars
I drink it up, feel its strength running down my throat
into my ever-growing stomach
I look up and remember what I've left at home
My wife sat in the bedroom alone,
My children pacing around and adapting the way women and men are supposed to be

I have taught my son power, strength, and dominance
While I have taught my daughter weakness and submission
Maybe that's where I went wrong as a father
Where all previous generations of my family have gone wrong
Raising me as a man seeing women as objects,
And I raising my son in the same manner
I take one last sip from my ten dollar drink
Taking it in along with my realizations

In front of me is the door of my home
where I have left women to shrink
in order to enlarge myself to the point of overfeeding my ego
And then I decided to shrink myself into the size
of the women I've shrunk

The size of my home has grown larger
Its proportions have expanded
Allowing each of us to occupy the same amount of space
And so I sat across my wife at the kitchen table
Looking at her at eye level
She smiles and I smile back
This was written during one of our English classes yay if you haven't read/seen Lily Myers' "Shrinking Women" you can look it up on YouTube!

This poem was written in the father's perspective.
Vernarth says: "Give me some milk, and I will be the son of Zeus, perhaps as a means in everything and not a whole of which I never thought...!"

Wonthelimar from the Boedromion brought the arrows that Zefian brought, they brought the sleeping bodies of winter to the lap of the spring Boedromion, crossing the lines from spring to winter in the cycle that went directly to the Mercurial Ambrosia of the Cinnabar. Were they discreet detached arrows that he had thrown into the sky and did not return? but if in the rooms, and in the animalism stages that made the duty of rejoicing at the ****** of the Telesterion.  Wonthelimar being once more re-looted, before starting the works of the temple of the Megaron Áullos Kósmos, he returns to the cavern of Chauvet Wonthelimar. It distanced itself from the contravention of Apollo and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points of the zenith, starting with the first two arrows that are placed in the bowstring, each one belonging to trajectories from north to south and the other two that were again violated with the arc of the stormy East, to launch the arrows from east-west with limits of southern magnetism. He carried in his belongings "The Iberian Rings", which would be the migration to the cardinals and points where the Megaron of Vernarth would be exactly, arguing that the phalanges of Zefian would be ordered in Syntropia and organic chaos in Patmos, Pythagorean proportions would be made, in essences of numbers that idly advanced in the temporal steps of Wonthelimar that mobile became of religious arrows and of the Mercurial Ambrosia of the Cinnabar, to help him with the most insightful points of the Constellation of Capricornus.  Zefian's tendency was one of evident delight after the bowstring being pulled, for phantasmagoric existence; presuming that where they fell would be the beginning of the storms that would originate the Állos Kósmos Megarón, for late courts imposed from a cosmos, which was directed by committing itself to its will and from a doubtful Vestal god advocating to associate with hospitable Canephores, such as Vestal Virgins of Roman bilocation, and quantum parapsychology of the dreaded in-between-tale alive that boils back in the arrows that had not yet fallen, and did not know their whereabouts. Like plates or serial hosts that were evoked from where the origin of the Universe was broken, to open towards the Duoverso contravened organic, vigorous and in anti-scorch to the divine celestial origin as a parameter of *****-ovule, rather in eonic instances in the fireplace of Hestia, running in eternities to vast volumes of light-years.

From the medrones that grow in the Nyons massifs, the Seven Ibic Rings were established.

Ibic 1: "The first was from the initiation of Wonthelimar and brought purity, for all who needed him and were visiting in the dark, and then he would find the light when he left the cave alive if he was accepted."
Ibic 2:” He was guided by Vlad Strigoi in the priesthood center on his shelves with the Chiroptera, and in excess of the mercurial ambrosia for the purpose of energizing the Tsambika Cinnabar.  Having all the protocol of Transylvania and eternity with the waters of Antiphon Benedicts”.
Ibic 3: "From the Eygues, the waters evaporated for healings of the tormented initiatory processes of raising the four Arrows of Zefian, to indicate the zenith of the Megaron."
Ibic 4: “This ring was from the antlers of Wonthelimar, here they wore the oikos or threads of Gold from Orphi, for the Himation and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a complement to Mycenae- Aldaine ”.
Ibic 5: "This piece of metal speaks of the fifth plasmic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's neurological and Duoversal hyper brain twinned to the Mashiach."
Ibic 6: "It is the sixth piece of crowns of Kafersesuh, bringing the pollinations of the Lepidoptera, for the central stage of the investiture under the gloom of Hellenika and Theoskepasti."
Ibic 7: “It is the grave voice of the Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices, which inquire about the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will go up in synchrony through the final growth medron, up to the millimeter shoulder of the square meters assembly, which will illustrate the Megaron´s Acrotera  "

Ellipsis - Parapsychological Regression Marielle Quentinnais year of the Lord 1617

Wonthelimar was transmigrating to Chauvet, but the Pontias wind carried him from Nyons to Avignon, encountering filigree by Raymond Bragasse; a Former Dominican priest of Cathar descent. He always drenched himself in the estuaries of the Rhone, which came from the Saint Gotthard massif; being master and lord of dreams and of the breaking curses of the despicable administrators of the house of God, and of the Antipopes in Avignon.
Wonthelimar heard voices from some parapets babbling in the parapsychological regression of Vetnarth, on August 4, 1617, when Klauss Ritkke was found cleaning the main stained glass window; he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and hear his conversation more clearly, until Friar Andrés, muttering, demanded indulgence from Raymond Bragasse, one or the other.

Raymond Bragasse Says: “My lord Wonthelimar; what grace has brought us together here in the middle of the Pontias, between hopes and reforms!”

Wonthelimar responds: "Your flight is a spell of the grace of André Panguiette, who will find us again. How many times with hope I fought to reform you Raymond... Oh Virga ac Diadema  sed Diabolus...!! Oh, ****** the devil smiled...!!

Raymond replies: “It is a major question to live if in something I have failed, take me to the sulfurous emanations of Hell. But my faith lies moldy at the bottom of the sea, a sacred myth of my truth..., and of my beloved Marielle...! There are fifteen thousand demons that possess my body... fifteen thousand demons for attacking the sacred mystery of the Holy Rosary...! Marielle was my light, my Edenic Eve, an admirable land. Now, she is my spell, my stubbornness or my constant sharp bleeding, without knowing where it has to pass...? I still remember that night, that gloomy night, renouncing my final vows of faith and the consecration of my soul. I broke my ties and ecclesiastical chores, all for Marielle, a noble descendant of the Quentinnais. I would never believe such regret in my destiny. I did love her, but her misfortune knew me. When I approached the edge of her house that night, I entered through the kitchen window. All were asleep, except for the albiceleste reflection of the last death throes of the deadly round of Quentinnais Mansion. I was thinking of rescuing her and saving something from those cheeks kissed by me, but her heart disease dried up his heart and her lungs. It is still possible to recall the last roses that I brought into her hands, they danced with her along with the hymn and the old dirge of the sleight of hand made by the monk, along with the cartomancy plays settling the minute of taking her into darkness, with her beautiful bare feet. What a pain, I could not rescue her from her, and death was dispossessing her! Her parents hated the mere fact of having her heart ruled by an impious priest, so I turned to the pagan and dark gods, to heal Marielle, and her heart to transplant it for mine. Since that day, I continue to burn in a polysatanic hell, to take out the little breath of goodness, and seize the transparent liquids that plague her existence and her serene metallic Diadem..."

Friar André Panguiette upon learning that his great friend possessed by the Devil would fall into some endemic evil infection...; Evil endemic to his love, he crossed himself when he saw that he became a horrible being. The jumbled leaves in the garden were transformed into Bible sheets torn from their bindings and fillings, the wrinkled ***** Saints slid down their columns, the sky proclaimed hemorrhages and the wind oozed foul gases, which in the firmament sprouted in clots of clots on the Papal House of Avignon. Fray Andrés, threw the rosary on the neck of the possessed person, and asked the Demons who were they most afraid of...? The demons answered this question, screaming and falling vertically down the central nave... they went down and flew!

Wonthelimar induces: “From that moment, you and Marielle would cross their gazes closely and love each other. In the following minutes of Pentecost, the two of them went alone to sit on the bench on the banks of the blessed wind that caressed their profiles, as if plotting to unite one with the other. Raymond effusively kissed her; he drew her to him, believing he sensed an eventual and sacrilegious separation from her. This is how it happened when François Quentinnais surprised them...:

François Quentinnais: With this example, you have provoked my anger Marielle...! Hundreds of men like me would react like this when they saw my daughter in the arms of whom until recently, she was hugging God!

Marielle: Father, I beg you for mercy, Raymond of precept sent a letter renouncing his vows!

When the soul of Marielle was entrusted, Raymond escaped seconds before shattered, he did not tolerate the nonexistence of Marielle; vegetating rotten grass of the estuary, emerald swallowed by fire. In a purely inorganic state, Raymond walked away from the mansion, walked through the leaden mountains, and on the cruise he walked through the walnut trees in whose scarlet pods the intense cold of the esplanade howled. The almond trees cracked a baritone muezzin, which one day he wanted to go there, but could never reach the east. His beard reddened, his nails were like ram's horns, and his also reddish hair at the ends of it had black tulips. His clothes turned gray just like his eyebrows, and his breath smelled of nurse sewers of the black plague, the dry flow of his voice announced monosyllables, thus he purged his pain from town to town, from house to house, everyone quarreled with him, and then they were exasperated by kicking him out. Until in June 1617, caravans of people started from the southern town of Avignon, escaping the flames of angry soldiers of the crusades. The fleeting townspeople carried on their banners the inscription... INRI. On the other side, they carried the cross and a colorful coat of arms that in the lower corner said Siccidemy. Then, there Raymond opened his bruised eyes, unable to contain the recovered memory of him, between gunshots, screams, sobs, and screams, the hundreds of steps that were heard around him, led him to tear and save his life. In an instant of stillness, he found himself surrounded by people until one of them took him into his arms to hydrate his mouth. We are Albigensian, and you... Who are you?

Raymond replied: “I fled in search of a miracle that could save a beloved being. I used to call myself Raymond, now I don't know what name to go by. I fled, but I had to face the situation, even having acted behind the back of the Church”. An Albigensian says: “The clergy have also believed that our sect has acted behind the back of the Church. However, his powers and his government have registered absolutism within Christendom”. Another Albigensian says; “We seek the establishment of ancient Christianity, we deny the existence of purgatory, the importance of rituals, clerical organizations and the possession of goods by the clergy. And for this reason, we have been expelled from our lands, from our homes, our children have paid for the Sacred Inquisition, in the hands of those who one day... baptized with blessed water”.

It was on June 18, 1617, the Albigensian fugitives were besieged in Montlimar. The Argentine crosses gleamed like dogs eager to bite the enemy. The open-minded Albigensians gathered together with Luzbel, who floated on a calypsigenic cloud. Raymond and the others piled up essences in the fuels to start the pact, after this event François Quentinnais answered negatively, and strongly took her daughter by her hand, pulling her sharply to the float. The horses slip their hooves before the sloping pastures carpeted by tiny Calypso flowers; the mayoral pressed his thin lips, also raising his shoulders, so as not to hear the despotic cries of Monsieur François. As for Reverend Raymond, he could be seen crying silently, accompanied by late halos of the luminosity of the final and sad day. Sorrows and regrets dislodged his bones that underwent violent arthrosis, populating his body in a sedentary lifestyle and irritation. I myself say Wonthelimar, I am the one who carries Marielle's love in me, I am your Raymond. Remember that night that...: "When the monk retired to pray, you stormed the bedroom, and uttered Marielle..., Marielle:," wake up, in vain I fear to leave without your divine voice. Marielle, what do you have...? I don't think your father's impure will blind your eyes to not see me, or he ripped your sweet voice to not name me...? ".

The Albigenses resigned to the spell, their adherents had largely been reduced, only ten or twelve remained. That later they fled from Montelimar escaping to the west, crossing the enchanted Rhone. The Siccidemy troops mutilated the last demonized Albigensians; nothing would help for their lives, everyone would bleed except the group that fled with Raymond. For several days they wandered the Cevennes plateau, provisioned themselves in Montpellier, and arrived in Carcassonne on July 20, 1617. Little could they remain here, since the congregation of Santo Domingo, without distinction, attacked the population decimated by the crusaders? What a regrettable exodus for Raymond with his black flock fleeing from where his feet laid hope! Twenty-two days of bitter flight, and everywhere the crosses, until Raymond decides to separate and go back to Avignon. He takes a  sailboat off the shores of Narbonne in the middle of a stormy gray day, in his bitter journey he dreams of being born again and having Bethlehem as a lineage, on July 23 of the same year, he lands in the waters of Marseille. When he was discharged from the port, he undertook a light journey to Avignon, near Arles, thousands of fellow citizens started from the hosts of King Godfred of Bouillon, the nobles cooperated by revealing the mobs that gathered in the city, the Hussites, and the Waldensians; Iconoclast heretics, fighting fierce battles. The crusaders took the offensive and tried to prevent them from burning their sacred images, which had already been torn to pieces throughout Gaul. Raymond, distant, helped the most serious, he was afraid of being confused by one of them, it was better to hide in the Cathedral of Arles. Upon entering, he felt a dizzy ***** that shone timidly in the hands of his performer... it was a little girl who, when looking at him, named him Dionysus..., demi-god, save us! Raymond fell into a daze, and falling into a dream that told him of barbaric actions, with masked fellow citizens lying neutral in their gestures, and suddenly angels revealed to him that they were looting the pantheons of Avignon, to burn the rosaries of the saints. Bereaved in their graves, some Albigenses exhumed the bodies of relatives related to the Clergy.

Raymond was sweating his hands and forehead, he struggled to get to the Quentinnais mausoleum, straining his precognition, he crossed the interdepartmental courtyard, he continued to haunt the packed pyramidal cypress trees and suddenly a lion-faced him dealing with a snake; with the symbolic image of the Quentinnais. He saw the slab desecrated, on whose horizon his Beloved Marielle slept. His skin prickled... it was the Iconoclasts avenging their own, with strong breaths he squeezed his hand, wanting to wake up... so it happened, he got up pushing the crowds that were holding him back, but his strength was growing. He rode a roan steed, in three bridles that he gave him he flew towards Avignon; his mount seemed to be a hot air balloon that flew with great dynamism. Raymond in his own painful station would moan his hand, his eyes; his legs creaked like the legs of the Pegasus that carried him fast.

Ellipsis Second Sequence Mausoleum Quentinnais

Finally, he arrives in the second parapsychological sequence, noting that Avignon was in ashes, takes the reins and immediately goes to the Quentinnais mausoleum, upon arrival, he appreciates several Albigenses committing crimes, dismounts, and runs screaming towards the defilers; he faced them with stakes, some demonized had to cut their throats, arriving in time to defend the remains of Marielle. For long hours he was with her alone, thinking about what to do, Raymond knew that he could not revive her, so he had no more redress than to invoke Luzbel, who this time revealed her true and evil personality as ruler of the evil spirits.

Raymond: Dear Luzbel, millions of Canaanites looked up at the altitude representing you; today I will do the same from here and beyond the solid roof of the mausoleum! Bring Marielle to life, come and twist her cheeks, since without her! I have had to live all this to protect myself from suffering. Since Pentecost, he hadn't been physically close to her. Now I need her... well, I lynched her...! Beelzebub making him believe that she was Luzbel, ordered him to extract her heart!

Beelzebub: “In Montlimar, I saw volcano crests arrive in such failure of my envoys. But it will not be repeated, and for it to be so, I entrust you to take out the heart of your beloved and tear the eyes from her that saw your gaze. Then open your chest with this dagger, I will draw your blood and heart, to moisten the heart of your Marielle. And finally, I ask you to bring a lip to me to enchant her lips in lilies. "

Raymond: “opinion accepted... that's the way I'll do it!
Being dominated by the spell, Raymond abided by every step dictated by the supposed that Luzbel lived difficult moments since he was a good day, but so many thousands of years of living in darkness, and in the midst of punishment that violently changed his mind. Justo Raymond carried the body in his arms so that the ritual would culminate. Luzbel snatched his beloved from him and with laughter he vanished.

Beelzebub says Mortal fool! Don't you see that I am Beelzebub; chief of the evil spirits and the guide of the Albigenses, Hussites, and Waldensians? Never invoke me in the Mausoleums, here betrayal triumphs. Now a Quentinnais will be my image on earth, giving her the doubt of doing well for many centuries.

Beelzebub took his beloved away, leaving the rosary wrapped in soft tulle next to the scapular in his hands. Raymond cringed in pain, and in an act of madness scratched his face. Poor Raymond, he told himself...!  That in himself he found no reason to live. He left the mausoleum at dawn looking around every corner in case he saw Marielle lost in his sight since recently. He was exhausted; he remained after the confession that was delayed too much because the events that took place in the Pantheon, in a way pretended to be the events that Raymond inexhaustibly narrated. And in a way, he feared for his life at that time unknown, by the mouth of some hidden place they documented his bitter inability to do well, and that he would fall under Raymond's curse. At this moment, Raymond lay lying on the banks of the Pantheon, from that day on, he did not know about the days, he only existed at night and he did not socialize with anyone, his madness sowed hatred for everything sacred and infernal, he dealt with the Holy Rosary found a magical find, until one day a new one reached her ears; she was referring to some crusaders who had intervened in Jerusalem when it was invaded by Saladin. A certain Frederick Barbarossa was drowned in Sicily by..., "Wonthelimar", who with the Diadem of a woman Seized the island of Iconium. This was the other new one that enlivened his spirit. This greatly surprised the worn Raymond, suspecting that the kidnapper of his beloved might be in cahoots. And as the news continued to hear her, it was said that her sacred beliefs allowed her to continue undercover, in order to continue for a long time, even in the other attacked city that would be Nice. He signed to the limit, for centuries that will serve us in future generations…, suffocating the iconoclasts.

The poppies moved from north to south through the Provencal regions. The oceanic eastern Gods Makara's in tumultuous pyramidal ships descended legions and escorts, to aid Raymond's farewell at Nice. At twelve o'clock at night, the prophetic edict of the Lord would be fulfilled, here the last words of that chimerical episode were received, and he feared that until then a first descendant of Raymond; he became a statue in ignitions of the reborn underworld. The Diadem will be transport and refuge, as for Wonthelimar he said doubtfully…; I think he is nothing more than the deviant Beelzebub, who with optical retractable eyes, in Montlimar disguised the initial in double V..., Wonthelimar, but I was wrong! Wonthelimar already transmigrated to Raymond, staying on the banks of a stream, with nausea he regurgitated his underlying spirit state from the lyrical crust. His mouth unsheathed the most diverse and heterogeneous chronolites; Parasitized dust in pieces of temporary stone, flowing in disciples, quarantine fragments, in marriages by sinuous water. Raymond slapped his thighs in anticipation of throwing up there. His blatant, incisive alienation took over his will, with inherent crickets singing to her in isolation from him, shining his conscience, and residing in the grace of the Holy Grail. The conquest of the earthly system amputated the Andromeda Amygdale; Constellation-illusion and spouse of Perseus, who is mysterious vehicles of the solvent Grail, kept him tied to Raymond. Deafening roars erupted from the earth pits, and the mass of the mountain hung above the trees, pseudo purple and violet rays bombarding sarcophagi all over Nice.

Wonthelimar: “Since this day I have been boiling in a polysatanic hell! The Ibex picked me up from the surroundings of the Pantheon and the Quentinnai mansion, where I have never been a human again, only an Ibex in the Chauvet cavern. Thanks to the herds of goats that adopted me that I have been able to bear their pain by taking refuge in the darkness of all times, which never transpires in the past, present, and future? Now I have come in this re-location, to reorder Vernarth's parapsychology, which you are too, and who has never been able to overcome the pains of love, even beyond pale death! "

From that moment, the shadow of Heracles is seen among them, encouraging them to be part of the gods, and of the feasts of the beautiful Ankles of Heba. Thus the words redecorated them both amid the thick fog, in Avignon. Afterward, Wonthelimar left and left Raymond to continue in Marielle's darkness to the end of the world. The blister day and the scorching night, thought one of the other in constant profit, for the good of finding them in the Kalijoron..., the well of the divine light of Eleusis, for those who rest in naive peace in the face of cunning, and the decorum of the gentle dialogues in the comedies of the exceptions, after crossing the Nile, with tributers collecting the faults of the gods, or else with horrific screams that would make them prey to an imaginary Gorgon.

Wonthelimar was now going after the “Íbics Ring”, which were left in the Chauvet cavern, by some Iberian tribes of the early Neolithic age, who were on their way out desecrated the cavern with ****** in the orbit of the Ortho Heliacal. From here, in the last goal, they reach the darkness where the vampire bats were terrified to see them with their eyes in mercurial ambrosia, which enveloped them with the gums in each one as they approached in the sound of night hunger arrests, next to the betrothal death brought by the darkness of the Strigoi, in lost wanderings of their wills following the search for the panescalm sheds, which carried human chiropterans for the regions of Transylvania, subjected to distinctions and exactions of Climate Changes. From here the bronze spear Dorus of Vernarth would go to the right hand of Wonthelimar, to shield him, and to put celery-foot feet on the ineffable Kanti steed, with certain renown of Eacid of Achilles stirring up hops and low bottoms of the mineral aquifer at the base of the den. In a quick figurative gesture of Achilles, Wonthelimar passes his right hand over his nose, noticing that lights trickled from the Auriga and the Automedon that came by order of Drestnia to provide aid to him, and to rescue the Iberian Ring Eagles, to transport them to the cove of the Mound of the Profitis Ilias.

In the eternity of the noise, Vlad Strigoi is in solidarity with him and gives him lightly from the bottom of the final flow of the bilges of his panescalm, condensing air of Gaseous Gold, in Pan-Hellenic regions, and in the Valdaine regions sixty-seven kilometers from that mountain area very close to Avignon. The infected zones of physical virtue were divided into micro-regions that were compressed before Wonthelimar merged into micro space within the cavern, to abandon the burning furnaces that came alongside his interpersonal goodness, in the metaphysical transfer of darkness, and of the wicked gentlemen drawing him towards the Parasha or Parashot of the Torah, so as not to be attracted as a human to ******-emotional implications or manipulations, who will snoop in growing voices in the voids of the cavern, and in the failing anxieties of the pompous and ancient effigy tarred from Hades. Wonthelimar limps superlatively with some nervous leave, but eager to apprehend the Ibic Rings. After the Benedictus antiphons were seen coming out of his chest, they were iridescent in magenta and mordoré for those who are ibex, always hiding under the goat epidermis, sponsoring happiness practices, one and the other after their vicissitudes in a cyclical mystery classroom. On the plains, you can only see haze and the experimental change when leaving everything in the hands of those who die without rainwater and bagel, in the most absolute solitude, amidst rocks that will never and never be reconverted, less into mid-plains giving terrifying compliments on flower baskets that stink of wandering Wonthelimar clones… not being!

Wonthelimar with Kanti, they emigrate from the cavern of Chauvet in their reminiscences, standing out from the voids and invocations of Raymond in unfinished by filling space in the hearts of both. Heading southeast towards Patmos with the Ibic Rings on his bracelets, wrapped in Vernarth's Himathion for his investiture!
Wonthelimar  Ibic Rings
Amory Caricia Mar 2017
"The elephant seal is an unsightly creature.
I heard it today on TV
Then a special on smart and wonderful dolphins
Who never would wish to be me"

"All this rubbery ******* I use for a face
That my mother just says she adores
Is a hideous masking of elephantine proportions
That nobody else could afford"


You're not ugly, oh dear elephant seal!
You are mountains more graceful than that
Don't ever wish you were a rabbit
A turtle, a dog, or a curious cat

So a parrot can talk,
But it gets him in trouble
And a hamster is cuddly
But untidy--makes his home in the rubble

Sure, you haven't got fur
but you haven't got mange!
You're *****-and-span as your ocean
Your sea home-on-the-range

And your nose is real big
But you've never been nosey
You are much too polite
To make others un-cozy

I have watched you go swimming
You're majestic as waves
And you love to explore
All the watery caves

You have beautiful eyes
And I think you're just swell
Look, someday, you'll be happy
You'll be so proud as well

"Well I guess I am funny
I like to make friends
I've gotten good at catching squids
And other popular trends"

See--that's just the spirit!
You're as magnificent as any
But what makes you so great?
You're more humble than many
http://www.nationalgeographic.com/content/dam/animals/pictures/mammals/group/elephant-seals/elephant-seals.ngsversion.1484168363817.jpg

— The End —