Hello Poetry
Submit your work and get some sparkles! Create free account
"procession" poems
The napalan man in a violet cape   descended the stair with a lopsided gait a wretched procession, subscribers in cue rattling off as they stream from the pew   sounds and smells from a shadowy place a catholic priest to gin up base lanterns strung from bolted doors cobbled streets and wooden floors   stepping stones and iron bell fortified by the citadel hallowed halls and sepulcher dragon cane for the horse drawn tour castle turret,  archer holes centaur scribed in chamber bowls garden columns in courtyard view the blood ballet and hullabaloo   ancient tombs on warrior grounds gods and saints who made their rounds goliath still with battered scythe knelt in prayer and mummified   battle fires and crowds that roar gallows, caves, abysmal war   gargoyles flock the terraced slope pearly gates to bring on hope   serpents, snakes and burning ash lava bombs and trident clash mariners drift in absentee as neptune rises from the Tyrrhenian Sea
0
Dec 2, 2016
Dec 2, 2016 at 9:20 PM UTC
Cinque Terre
There is nothing more unsettling than a teenage Christmas. The coming of age when adults find their inner child again and you have to try and get rid of yours. 11 is fine. Part of you still believes Santa put the presents under tree. 12 is also okay, just a little less pixie dust stirs in the stomach on Christmas Eve. 13, 14 and 15 are tricky. You don't want to look babyish by getting too excited, so you shrug it off and ask 'Santa' for a mobile phone, a laptop, a TV, until by 15 you ask for the most 'grown up' present of all. "I just want money." The words burn your lips and tongue like acid, a yearning for the sensation of a gift you can unwrap tugging in your rib cage. You can't buy that. 16, 17 and 18 are Christmases tinged with nostalgia. Little ghosts of the younger you run down the stairs on Christmas morning, feet clad in slippers and Power Rangers pjyamas askew, whilst you follow in procession, almost a funeral. It's not that you don't like Christmas. It's not that you don't love your family. It's not that you don't feel a fire light in your belly when you bite into a mince pie, it's not that the battered Christmas videos your family replay each year don't still make you smile, it's not even that you've gotten too old for it all. Have you? Slippers and tiny fists batter against advent calender doors, begging you to open them. When you're 19  you do. You let them out and let them rush to rip open their presents under the tree. You let them eat their selection box first before dinner. You let them cry when the Snowman melts and you let them laugh and not mock heave when your father chases your mother with mistletoe. You let the ghosts become holograms you can play in your mind like a projector and slides, no longer a need to leave holly by their graves but a chance to remember and smile. You let them be happy.
0
Dec 17, 2013
Dec 17, 2013 at 10:08 AM UTC
The Puberty of Christmas
There is nothing more unsettling than a teenage Christmas. The coming of age when adults find their inner child again and you have to try and get rid of yours. 11 is fine. Part of you still believes Santa put the presents under tree. 12 is also okay, just a little less pixie dust stirs in the stomach on Christmas Eve. 13, 14 and 15 are tricky. You don't want to look babyish by getting too excited, so you shrug it off and ask 'Santa' for a mobile phone, a laptop, a TV, until by 15 you ask for the most 'grown up' present of all. "I just want money." The words burn your lips and tongue like acid, a yearning for the sensation of a gift you can unwrap tugging in your rib cage. You can't buy that. 16, 17 and 18 are Christmases tinged with nostalgia. Little ghosts of the younger you run down the stairs on Christmas morning, feet clad in slippers and Power Rangers pjyamas askew, whilst you follow in procession, almost a funeral. It's not that you don't like Christmas. It's not that you don't love your family. It's not that you don't feel a fire light in your belly when you bite into a mince pie, it's not that the battered Christmas videos your family replay each year don't still make you smile, it's not even that you've gotten too old for it all. Have you? Slippers and tiny fists batter against advent calender doors, begging you to open them. When you're 19  you do. You let them out and let them rush to rip open their presents under the tree. You let them eat their selection box first before dinner. You let them cry when the Snowman melts and you let them laugh and not mock heave when your father chases your mother with mistletoe. You let the ghosts become holograms you can play in your mind like a projector and slides, no longer a need to leave holly by their graves but a chance to remember and smile. You let them be happy.
Continue reading...
43
The Royal lady's eyes behold. The scene that is about to unfold. The procession just outside Hawa Mahal. She looks from one of he 953 windows. The red and pink sand stone of the Mahal, She feels from her toes. She is Rajput by heart. And inwardly thanks Maharaja Sawai Pratap Singh for this intricate piece of Art. Constructed in 1799. From it's windown, The breeze flows;fresh and beingh. Out there there are all kinds of people Old. Young. Fancy. Simple. They radiate happiness. Mounted on elephants or barefoot,feeling blessed. She smiles to herself. And closes the Jharokha and feels excited as now, To her friends,she has a story to tell.
0
Nov 5, 2014
Nov 5, 2014 at 10:59 AM UTC
Hawa Mahal.
*i was looking at an old and tattered black and white photo of my grandfather a man i never knew and wondered about his existence like a horizon of dissolution his soul enshrined in my own and like him and all creatures ultimately i remain defenseless against realities magnitude while my father loved me as a child he grew unkind over the years and we where set bitterly against one another other his tyranny and my disobedience as i gathered strategies craft by machinery of thought and festering gall he, the bully got bullied back by me and old age as we in tandem set fire to his sadistic golden age of disillusionment and here we are now the living and the dead still locked in a grudge a recurring spirit of revenge in a valley of tears before i myself join the ephemeral legions in a pile of stones and ashed corpses are we not a procession of long struggles and short pleasures a history of terrors and creatureness stooges bound by the wheel creation crucified by desire and the apathy of obliterations aftermath an archeology of death ruin upon ruins has God sinned against man or bestowed his grace mystified perfect and beautiful beyond measure yet to be discovered in an alternate reality?
0
Nov 4, 2017
Nov 4, 2017 at 10:26 AM UTC
HORIZON OF DISSOLUTION
She may not have been your prototype teen or hiree. Or of the masses. Or herd. However, she did walk into a McDonald's approach the counter emit an esoteric exchange for help with the cashier and with knowing eyes the cashier directed her to the starting gate. Now with application in hand and blue ribbons in her eyes she was off to the horse races, nervousness riding on her shoulders. In my eyes, she was a longshot to win, where I could see her shoes falling off before the race started. And her imaginary jockey falling off her horse from laughing so hard, for she presented herself through the restaurant and a job interview with a Starbucks frappe, totally oblivious of her unwrapping. It would be like turning up for a Yankee's job in a Red Sox outfit. Who would do this? As the rubberneckers, I looked on. Incredulous. She took her seat at a vacant table carrying her youth awkward. Her looks of brown hair, eyes, and raw innocence complimentary. But those jeans, high risers, with holes in the knees with a white Bebe shirt that hugged her shape shouted trendy but not job interview. Oh, my. She continued the procession extracting info from her phone and filling out her application. No doubt with votive candles at her side and prayers on her lips. And perhaps blue ribbons awaiting. After all, this was her foot in the door. It was at this time I had an epiphany moment tears welling in my eyes as I slipped on hamburger choices and sipped on past life on a teether, totally oblivious, too. It was like looking in the mirror. Her youth and awkwardness and my growing decadence towards the light. When the manager came in and summoned her to the interview table, which was located in the dining room, I saw a little kitten purr inside of her, where her eyes nervously checked her surroundings. At first introduction, the reddening blush on her face and Adam's apple stood pronounced but her low voice was choked. Almost inaudible. As the manager put her calming hands into hers the light turned on all foreboding escaping. All misplaces and tense faces replaced with aces. This was a defining moment for her, as the golden arches braced her feet, making all the rubberneckers, me, proud. Logan Robertson 6/6/2018
0
Jun 7, 2018
Jun 7, 2018 at 12:19 AM UTC
Rubbernecking a McDonald's Job Interview
She may not have been your prototype teen or hiree. Or of the masses. Or herd. However, she did walk into a McDonald's approach the counter emit an esoteric exchange for help with the cashier and with knowing eyes the cashier directed her to the starting gate. Now with application in hand and blue ribbons in her eyes she was off to the horse races, nervousness riding on her shoulders. In my eyes, she was a longshot to win, where I could see her shoes falling off before the race started. And her imaginary jockey falling off her horse from laughing so hard, for she presented herself through the restaurant and a job interview with a Starbucks frappe, totally oblivious of her unwrapping. It would be like turning up for a Yankee's job in a Red Sox outfit. Who would do this? As the rubberneckers, I looked on. Incredulous. She took her seat at a vacant table carrying her youth awkward. Her looks of brown hair, eyes, and raw innocence complimentary. But those jeans, high risers, with holes in the knees with a white Bebe shirt that hugged her shape shouted trendy but not job interview. Oh, my. She continued the procession extracting info from her phone and filling out her application. No doubt with votive candles at her side and prayers on her lips. And perhaps blue ribbons awaiting. After all, this was her foot in the door. It was at this time I had an epiphany moment tears welling in my eyes as I slipped on hamburger choices and sipped on past life on a teether, totally oblivious, too. It was like looking in the mirror. Her youth and awkwardness and my growing decadence towards the light. When the manager came in and summoned her to the interview table, which was located in the dining room, I saw a little kitten purr inside of her, where her eyes nervously checked her surroundings. At first introduction, the reddening blush on her face and Adam's apple stood pronounced but her low voice was choked. Almost inaudible. As the manager put her calming hands into hers the light turned on all foreboding escaping. All misplaces and tense faces replaced with aces. This was a defining moment for her, as the golden arches braced her feet, making all the rubberneckers, me, proud. Logan Robertson 6/6/2018
Continue reading...
69
your bones like gravestones prominent among the barren skin you laugh the whisper of the dead and your teeth fell out from caring you were beautifully ruined by thunderstorms in your head your smile is all but dead you can't stand the sight of yourself you have fallen among the rest skeletons of who they used to be a wounded army of solders fighting for peace within their souls the body count is heartbreaking for mothers who clean up the blood and wish they could've been happier as they gasped for air with burnt lungs high school hallways are turned into a backwards funeral procession they mourn the living because they all feel dead paradise is their only cure but what is the definition longing for an infinite silence muted mouths rejoice at the emptiness everything about you is wrong but the presence of individuality has quieted and so has the sound of your beating heart
0
Aug 26, 2014
Aug 26, 2014 at 10:42 PM UTC
Vital Signs
. Kalypso sports within the waves luring sailors to watery graves but if they make it to her isle there they may tarry for a while. Food and wine are given a'plenty, they are rocked into lust so gently, Nymph, Maidens, Bacchanalian revelry lead the sailors into darkest devilry. *** and sin are openly displayed, a salacious procession, ***** parade, And all men their vices expressed seek the comfort of Kalypso's breast, her hospitality soothes, allays their fears as she slowly steals away their years. © Pagan Paul (05/12/18)
0
Dec 5, 2018
Dec 5, 2018 at 6:58 AM UTC
Kalypso
title: not god, but his clock, will gnaw at us: that we are mortal, and agitated by a libido to continue, as to why the immortals find us so cosmic, for the worth of not exacting a better joke prescribed to other genus archetypes... whether the atheists believe in a blind-watchmaker is beside the point... the actual conjuring of the ultimate engineered thing will undo us... only the gods could have engineered time... space? they can't fathom space, the gods could only engineer time, but they couldn't engineer space: the cliche, think outside the box? even the gods know nought concerning this; and if there is only one god... he has been lodged into a letter: θ - a 1 inside a 0; the being already confined... even gods have limits beyond the stressor of supposed immortality... they can't engineer space... all they can engineer, is a transcendence of time... only mortals, men, can engineer the concept of space... hence nations, hence borders, hence differences, hence the concept of magnetism and repulsion... if gods engineered time, then men engineered space... as now, and forever, will remain so, the quest for a cosmic joke / clue. it won't be the blind-watchmaker who eats us up,   the the clock itself -    it will devour us,    it will gnaw our flesh toward the bone,          and then with out bones play an instrument     to glorify its procession down the aisles of our endeavours to express civility...     was there any to begin with? our temporal anxiety, being mortals, equates itself with the spatial anxiety of the immortals (gods).
0
Jul 3, 2017
Jul 3, 2017 at 9:30 PM UTC
nie bóg, lecz jego zegar, będzie nas żreć
title: not god, but his clock, will gnaw at us: that we are mortal, and agitated by a libido to continue, as to why the immortals find us so cosmic, for the worth of not exacting a better joke prescribed to other genus archetypes... whether the atheists believe in a blind-watchmaker is beside the point... the actual conjuring of the ultimate engineered thing will undo us... only the gods could have engineered time... space? they can't fathom space, the gods could only engineer time, but they couldn't engineer space: the cliche, think outside the box? even the gods know nought concerning this; and if there is only one god... he has been lodged into a letter: θ - a 1 inside a 0; the being already confined... even gods have limits beyond the stressor of supposed immortality... they can't engineer space... all they can engineer, is a transcendence of time... only mortals, men, can engineer the concept of space... hence nations, hence borders, hence differences, hence the concept of magnetism and repulsion... if gods engineered time, then men engineered space... as now, and forever, will remain so, the quest for a cosmic joke / clue. it won't be the blind-watchmaker who eats us up,   the the clock itself -    it will devour us,    it will gnaw our flesh toward the bone,          and then with out bones play an instrument     to glorify its procession down the aisles of our endeavours to express civility...     was there any to begin with? our temporal anxiety, being mortals, equates itself with the spatial anxiety of the immortals (gods).
Continue reading...
17
when i want inspiration to write poetry i watch a heaving tempest of kisses they have a better flavor than cooking shows what's prettier than pretty pretty in pigtails shaking her delicious derriere whipped Soufflé? i'm kissing butter princess witchy ****  spread lickity splits eating her with a big wide **** eating grin like an open face dagwood whats more poetic than that hopeful glaring of Adonis's plumper in paradise filling Cleopatra's slathered meringue? ga-ga-ga-gag me, daddy merciless, pa-leazze fluttered big wet talking eyes like pools of blue honey getting it zigged zagged hard against a redraw mouth throttling fluted gullet while eager throat gasps a symphonic music of the spheres in relentless staccato chokes lovin her big devil **** splashing all gym built wonder-boy a litter of ****** and tongues licking pig greedy rapturous milkshake waterfalls whimpering mmmmmm oooh big daddy oh my ****** god pillar of colossus you Tunisian donut you pierce me like a spoon through summer guava who screams like that eating lunch but a half ate apricot? better than a football game I'd rather take her greek more fun than math or small talk preferable to a pat on the back at work or a ridged procession at a funeral oh beautiful dark fig squatting crotch candy bubbling tapioca *** queen of spun sugar ****  all pyrotechnics and fluttering sinews if you asked most do they watch **** they'd grow smug like a senator or punch you in the mouth outwardly high-minded refusing the blessing of a video **** parade of pirouetting vaginas and glistening areolas for the glory of the secret ************ ceremony the *** moralists only good for a secret ****** living their lives with passions submerged and nothing to confess except for guilty offerings as they wander through dreamland shopping malls wanting to know Victorias ***** little secret seduced but not caressed by a mouthpiece for castrated dreams
0
Jun 5, 2018
Jun 5, 2018 at 4:05 PM UTC
****
when i want inspiration to write poetry i watch a heaving tempest of kisses they have a better flavor than cooking shows what's prettier than pretty pretty in pigtails shaking her delicious derriere whipped Soufflé? i'm kissing butter princess witchy ****  spread lickity splits eating her with a big wide **** eating grin like an open face dagwood whats more poetic than that hopeful glaring of Adonis's plumper in paradise filling Cleopatra's slathered meringue? ga-ga-ga-gag me, daddy merciless, pa-leazze fluttered big wet talking eyes like pools of blue honey getting it zigged zagged hard against a redraw mouth throttling fluted gullet while eager throat gasps a symphonic music of the spheres in relentless staccato chokes lovin her big devil **** splashing all gym built wonder-boy a litter of ****** and tongues licking pig greedy rapturous milkshake waterfalls whimpering mmmmmm oooh big daddy oh my ****** god pillar of colossus you Tunisian donut you pierce me like a spoon through summer guava who screams like that eating lunch but a half ate apricot? better than a football game I'd rather take her greek more fun than math or small talk preferable to a pat on the back at work or a ridged procession at a funeral oh beautiful dark fig squatting crotch candy bubbling tapioca *** queen of spun sugar ****  all pyrotechnics and fluttering sinews if you asked most do they watch **** they'd grow smug like a senator or punch you in the mouth outwardly high-minded refusing the blessing of a video **** parade of pirouetting vaginas and glistening areolas for the glory of the secret ************ ceremony the *** moralists only good for a secret ****** living their lives with passions submerged and nothing to confess except for guilty offerings as they wander through dreamland shopping malls wanting to know Victorias ***** little secret seduced but not caressed by a mouthpiece for castrated dreams
Continue reading...
79
Fireworks! In such a razzle dazzle fireworks flash and bash in vibrancy, In a spectral aura of contorted colours, Stars sparkling, noisily highlighting the sky, Release the Gods of chaos, as on the sparks they fly, Amid a colour scheme supreme, a total fascination, In an argument inopportune as fireworks hit home, In a firework of a love-struck soul my body is vibrating, Travel on a firework fly beyond the moon, For on a pyrotechnic dream, embark beyond those stars, Saw rowdy fireworks the day I met you, Still seeing them now, those flashes, For in my heart those fireworks are popping still, Wish I could ride upon a rocket to be with you today, Make the fireworks flash in procession, Let the marching band play on! By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
0
Aug 20, 2013
Aug 20, 2013 at 7:34 PM UTC
Fireworks!
I From you, Beethoven, Bach, Mozart, The substance of my dreams took fire. You built cathedrals in my heart, And lit my pinnacled desire. You were the ardour and the bright Procession of my thoughts toward prayer. You were the wrath of storm, the light On distant citadels aflare. II Great names, I cannot find you now In these loud years of youth that strives Through doom toward peace: upon my brow I wear a wreath of banished lives. You have no part with lads who fought And laughed and suffered at my side. Your fugues and symphonies have brought No memory of my friends who died. III For when my brain is on their track, In slangy speech I call them back. With fox-trot tunes their ghosts I charm. ‘Another little drink won’t do us any harm.’ I think of rag-time; a bit of rag-time; And see their faces crowding round To the sound of the syncopated beat. They’ve got such jolly things to tell, Home from hell with a Blighty wound so neat... . . . . And so the song breaks off; and I’m alone. They’re dead ... For God’s sake stop that gramophone.
0
5k
Dead Musicians
Apart, our Souls, they linger lost. My hearts demise, is what you cost. No sunshine, no colour, only lonely frost. That litters this Soul... aside Ive been tossed. #TwinFlame
0
Jan 29, 2016
Jan 29, 2016 at 5:25 PM UTC
Particulates of the the Procession
They walk by brisk Covered in umbrellas On high heels with ankles Of no appeal They grab the shaft With both hands As the wind tries to steal Their umbrage With agility They skip over puddles As I marvel At the procession With destined determination They ****** on As spiked high heels Grapple on cobblestone Rainy day women In gray coats and wet umbrellas Under overcast skies With no hellos or goodbyes
0
Apr 23, 2016
Apr 23, 2016 at 1:28 AM UTC
Rainy Day Women
Life is crazy when you like someone and they don’t feel the same. You spend all this time and energy proving to them that you’re not the same, As the other people they messed with in the past. It’s so sad; to expect something so great, end up with nothing. Feeling so empty, guilty That you took a chance with someone who’s not worthy Of being with you. You, the one who started this all, from that first moment when that tear started to fall. You claimed you were sorry and you can do better next time, but you ran out of chances. Time is up, and she gave up, on you and those summer romances. When you find someone who is ready, who has their life together, and who is steady Then, you will truly be happy Until then, think back to all the people you been with, are you in any fault. You claim it was their wrong doing, and they were the ones ******** Buying items that were never bought, to you in your procession, the progression Of your relationship started to fall. Did you give up, or did you end up forgiving them Of all their wrong doings. See not all of us are saints, we all strive for happiness even when were shooting Blanks, no I mean into an empty barrel of love. You know, the one that cupid missed to go along with all your love and happiness. Sometimes being by your self is so bliss, calm, so serene like it doesn’t exist. But, every once and awhile you feel that your miss-ing out on something Or someone Life is crazy, but we must not get lazy, nor give up. Your knight and shining armor; your dream girl is just Outside knocking on the door. Open it, a be ready for what’s in store Goodluck
0
Jan 24, 2013
Jan 24, 2013 at 8:40 PM UTC
Life is Crazy...
Life is crazy when you like someone and they don’t feel the same. You spend all this time and energy proving to them that you’re not the same, As the other people they messed with in the past. It’s so sad; to expect something so great, end up with nothing. Feeling so empty, guilty That you took a chance with someone who’s not worthy Of being with you. You, the one who started this all, from that first moment when that tear started to fall. You claimed you were sorry and you can do better next time, but you ran out of chances. Time is up, and she gave up, on you and those summer romances. When you find someone who is ready, who has their life together, and who is steady Then, you will truly be happy Until then, think back to all the people you been with, are you in any fault. You claim it was their wrong doing, and they were the ones ******** Buying items that were never bought, to you in your procession, the progression Of your relationship started to fall. Did you give up, or did you end up forgiving them Of all their wrong doings. See not all of us are saints, we all strive for happiness even when were shooting Blanks, no I mean into an empty barrel of love. You know, the one that cupid missed to go along with all your love and happiness. Sometimes being by your self is so bliss, calm, so serene like it doesn’t exist. But, every once and awhile you feel that your miss-ing out on something Or someone Life is crazy, but we must not get lazy, nor give up. Your knight and shining armor; your dream girl is just Outside knocking on the door. Open it, a be ready for what’s in store Goodluck
Continue reading...
27
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note. Chert The piano draws an arc of rhythm rising then falling. Above two choirs of wind and brass exclaim, fanfare, mark out shorter, determined gestures of sound. The procession, almost a march, becomes a dance. Alone Two choirs of wind and brass become four couples whose music weaves from complexity a simplicity: Chromatic to Pentatonic twelve becoming five. Prase Four stopped horns, five extended tonalities. Together they wander a maze of Pentatonic paths; alone, and in pairs, as a quartet they discover within a measured harmonic rhythm. Tension: resolution . . . and surrounding their every move the piano insists an obligato, a continuum of phrases, absorbing into itself the warp and weft of horn tone. Sard Oscillating in perpetual motion the full ensemble occupies a frame of time and space. Flutes, reeds, double-reeds brass, piano, percussion mirror-fold on mirror-fold layer upon layer overlapping. Yarns of threaded sound. Tuff Without a break the mirrored oscillations patter pentatonics on tuned percussion of marimba and vibraphone whilst a batterie of drums lays down shards of beaten rhythm against this onward folding of tonality change. In the background a choir of winds flutes and single reeds waymark this recursive journey gathering together cadential moments and the necessary pause for breath. Marl Relentlessly, the motion is sustained, piano-driven, a syncopated continuo, rhythm-sectioned amidst layers of percussion. Adding edge, a choir of brass and double reeds amplify the piano’s jagged rhythms providing impetus for phrases to become longer and longer, ratching up the tension, ever-denying closure until the batterie delivers a conclusive flourish. Paramoudra Pulse-figures of winds. Motific cells of brass. Both negotiate a stream of fractal-shaped tonality expanding: contracting. A blossom of fanfares folding into pulsating layers of tuned percussion, flutes and reeds. A dance-like episode absorbs a chorale. Four horns in close harmony against the continuing dance. A duet of differences flows into a cascade of chords in closed and open forms. The piano supports brass-flourishing figures before a final stillness. Heartstone In gentle reflection the solitary piano – a figure in a landscape of collapsed harmonic forms - presents in slow procession the essence of previous music.
0
Jan 27, 2013
Jan 27, 2013 at 12:41 PM UTC
Heartstone
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note. Chert The piano draws an arc of rhythm rising then falling. Above two choirs of wind and brass exclaim, fanfare, mark out shorter, determined gestures of sound. The procession, almost a march, becomes a dance. Alone Two choirs of wind and brass become four couples whose music weaves from complexity a simplicity: Chromatic to Pentatonic twelve becoming five. Prase Four stopped horns, five extended tonalities. Together they wander a maze of Pentatonic paths; alone, and in pairs, as a quartet they discover within a measured harmonic rhythm. Tension: resolution . . . and surrounding their every move the piano insists an obligato, a continuum of phrases, absorbing into itself the warp and weft of horn tone. Sard Oscillating in perpetual motion the full ensemble occupies a frame of time and space. Flutes, reeds, double-reeds brass, piano, percussion mirror-fold on mirror-fold layer upon layer overlapping. Yarns of threaded sound. Tuff Without a break the mirrored oscillations patter pentatonics on tuned percussion of marimba and vibraphone whilst a batterie of drums lays down shards of beaten rhythm against this onward folding of tonality change. In the background a choir of winds flutes and single reeds waymark this recursive journey gathering together cadential moments and the necessary pause for breath. Marl Relentlessly, the motion is sustained, piano-driven, a syncopated continuo, rhythm-sectioned amidst layers of percussion. Adding edge, a choir of brass and double reeds amplify the piano’s jagged rhythms providing impetus for phrases to become longer and longer, ratching up the tension, ever-denying closure until the batterie delivers a conclusive flourish. Paramoudra Pulse-figures of winds. Motific cells of brass. Both negotiate a stream of fractal-shaped tonality expanding: contracting. A blossom of fanfares folding into pulsating layers of tuned percussion, flutes and reeds. A dance-like episode absorbs a chorale. Four horns in close harmony against the continuing dance. A duet of differences flows into a cascade of chords in closed and open forms. The piano supports brass-flourishing figures before a final stillness. Heartstone In gentle reflection the solitary piano – a figure in a landscape of collapsed harmonic forms - presents in slow procession the essence of previous music.
Continue reading...
112
Lazily, a boy with silvery hairs muttering requiem aeternam lifts his neck at the piercing radiance skimming off the eyeglasses rim, and there looms the glory, the spotless sea of blue, varnishes of spring gloss fuming out of the French coronation robe. The still-brisk branches hung bent at the weight of vivacity, sight of maidens whose eyes and grace bath in the full warmth of light, the kisses on the face of the river by the shower of half-bloomed petals, just as the stillborn thrills of the beating heart to the splintered fingers of Moirae. The time of adieu, the season of life. The mourning procession amidst the lustily caressing May breeze. -Primavera, thou name be the sweet irony of the dying flowers The evening wades in, and the coy face of the mountain blushes; Thence strides away the man whose gaze speaks of premature nostalgia Here the wind whispers the rosy delirium from the sakura tree at the far side, the faintness lushly hazed away by the cloudy veil of bittersweet grey.
0
Nov 15, 2012
Nov 15, 2012 at 7:13 AM UTC
A Maytide Funeral
She put on her make-up, her dress and her watch She pulled up her socks and put up her hair And in her hair, she placed the umbrella The small green umbrella had at first been a joke. There in her cocktail on their very first date. He had taken it from the ice, setting it above her left ear. She walked out the door, down the driveway, to the car She pulled out from the drive, and into the street And in the rearview mirror, she caught the umbrella She had worn it on each of their dates after that. Through all the long years. Through all the happiness, and sometimes the fights. It always kept them connected. She entered the building made of soft colored stone She met with the nun, who helped her with the practice procession Through her walks down the aisle, the sister noticed, but didnt ask, about the umbrella She had worn it the night that he had proposed, just as she would on the day they would wed; and the next ten years after that. She saw more cars pull up, more friends and family arrive She met with them all, and spoke with them softly They were all accustomed, of course, to the fifteen year old, faded, umbrella Ten years after the wedding she still had the keepsake. She had even been wearing it on the most tragic of days. The day of the accident, the one she survived. So she walked down the aisle, and arrived center stage She smiled at the calm face of the man that she loved She then reached up to her hair, and inside his casket she placed The Small Green Umbrella
0
Nov 28, 2011
Nov 28, 2011 at 2:19 PM UTC
The Small Green Umbrella
She put on her make-up, her dress and her watch She pulled up her socks and put up her hair And in her hair, she placed the umbrella The small green umbrella had at first been a joke. There in her cocktail on their very first date. He had taken it from the ice, setting it above her left ear. She walked out the door, down the driveway, to the car She pulled out from the drive, and into the street And in the rearview mirror, she caught the umbrella She had worn it on each of their dates after that. Through all the long years. Through all the happiness, and sometimes the fights. It always kept them connected. She entered the building made of soft colored stone She met with the nun, who helped her with the practice procession Through her walks down the aisle, the sister noticed, but didnt ask, about the umbrella She had worn it the night that he had proposed, just as she would on the day they would wed; and the next ten years after that. She saw more cars pull up, more friends and family arrive She met with them all, and spoke with them softly They were all accustomed, of course, to the fifteen year old, faded, umbrella Ten years after the wedding she still had the keepsake. She had even been wearing it on the most tragic of days. The day of the accident, the one she survived. So she walked down the aisle, and arrived center stage She smiled at the calm face of the man that she loved She then reached up to her hair, and inside his casket she placed The Small Green Umbrella
Continue reading...
39
When news broke out that the glorious White Building was to become dust to make way for a high rise that would displace both bones and ghosts, we were standing in a parking lot, my friends’ fists clutched tight around their motorcycle handles, their rapid Khmer lilting with each syllable as they quickly planned a memorial service for another shard of history that once did not have blood dripping from where it had been broken. My nickname was Country Girl, clueless and silly, full of questions, songs and dances, a patched-up mess with the face of a Vietnamese, the laugh of a Filipino, and the pride of a maybe, sometimes, almost Khmer. We left just as the city was starting to wake again. In journalism school, they never taught us how to grieve for ourselves, so we tried in the best way we knew how -- a funeral procession of worn rubber shoes and checkered polos, in our backpacks the cameras that would write our eulogies for us. I was the stranger whose connection to the deceased no one understood, but still let in, taught me a prayer, offered some porridge. That afternoon, I whispered a prayer. White Building, who stares death in the face, once a mother to the hands that had colored their age gold, please welcome me. Do not let your skeleton collapse beneath the weight of this stranger. Please, welcome me.
0
Aug 27, 2021
Aug 27, 2021 at 2:10 AM UTC
Pyre
A funeral is my mind. Where former lovers and silver-tongued liars attend their wake. I spare no life when I can take. An invitation from God is what you’d need to depart. But there is no God to be found here, only your grievances and faults. Stand steadfast and ready, my reviled lovers and liars. You’re in my dark abyss now and you’ve taken your final bow. Your procession has arrived.
0
Oct 24, 2023
Oct 24, 2023 at 10:38 AM UTC
Every occasion I’ll be ready for the funeral
385 Smiling back from Coronation May be Luxury— On the Heads that started with us— Being’s Peasantry— Recognizing in Procession Ones We former knew— When Ourselves were also dusty— Centuries ago— Had the Triumph no Conviction Of how many be— Stimulated—by the Contrast— Unto Misery—
0
3.3k
Smiling back from Coronation
carry me through lands of dreams sleepy shamans oaths perceived the new humans rewrite their creed to reconstruct the codes beneath. as sands of time brush through my lungs, beneath where silver moons once hung, the catalyst for earths progressions, tantric winds of gods procession are pulled to fuel the fires in our chest. to fuel the fires in us. ride the colors of the wind, my friend; dance with death until your end. the serpentine son rises to speak eternal truths and soon his weary eyes will rest upon you. the deepest shades of blue green hue from the swoon of palaces dreamt of once, so long ago where trees from ancient soils will grow and we, collect their morning dew.
0
Sep 21, 2012
Sep 21, 2012 at 12:22 AM UTC
cyclone
(not much of a poem) Thrice awake, asleep, again awake Something always wakes me up The phone sounded, nobody answered Procession and vigil ended Late fireworks echoed through this Black Saturday night.. I'm deciding: to cease, or not to cease I can't find my desired peace To find lost journals, or just burn what's left, old and new To start or not to start, a life anew To rise, or just lie through this hot evening My late mother said then: Black Saturdays are days...rarely ending Black Saturdays are for resurrecting...celebrating... This late night, it is segue-ing, to an Easter morning While dogs are barking, while gecko is calling Cats are quiet, where are they stashed? where could they be hiding? Here...now... I am a car, my motor is hushed...but i am still running... Sally Copyright April 4, 2015 Rosalia Rosario A. Bayan
0
Apr 5, 2015
Apr 5, 2015 at 6:28 AM UTC
Black Saturday Night
The casket was coming up, swaying and wobbling Like a novice skater’s layover spin, The workings proceeding apace, The stillness of the August heat Punctuated by disinterested growl of the backhoe, The occasional out-of-place jocularity by the excavators The creaky jingle of the chains holding the muddied box As it proceeded skyward in its clumsy poor-man’s Resurrection. The affair was being observed by an elderly couple, Old enough to be of no particular age.   Their car had Carolina plates, But their inflections, their casually-tossed idioms They noted that ruefully The grass needs mowed) Marked them as natives. They’d returned (Last time, most likely, The wife uttered mournfully) To take their son with them; he’d drowned when was five? six? (The years will do that to a body, apparently) In Kinzua Creek some half-century ago, Back when little boys weren’t under a mandate To be safe from themselves, as it were.   He was our boy! We’ve never forgotten him! The old man said, the words snapping off In a manner that spoke of something else altogether, How the whistle at the Montmorenci Went off at three and eleven for second shift, And your *** had better be there, As those were good jobs that didn’t wait for bereavement leave, Because there was always someone Just itching to take your spot on the line, And anyway life went on, At least in the sense that television screens went all to snow And tires went flat and fuses blew And eventually a dead child Is not always in the forefront of your thoughts, Only tiptoeing in when the Press ran a picture Of the Montmorenci Area Class of whenever, Or there was an item about some other family Who opened their front door To a grim sheriff’s deputy with his hat in his hand.   Eventually, after some time And in defiance of both the odds and gravity, The casket was settled into the back Of the undertaker’s huge old black Caddy, And the couple cane-toddled back to their car, Following out the through the old spider-like gates And onto the main road. The brief procession fading from sight, Until there was nothing left to see Save the hillsides covered in old growth pine.
0
Sep 21, 2018
Sep 21, 2018 at 11:00 AM UTC
the disinterment
The casket was coming up, swaying and wobbling Like a novice skater’s layover spin, The workings proceeding apace, The stillness of the August heat Punctuated by disinterested growl of the backhoe, The occasional out-of-place jocularity by the excavators The creaky jingle of the chains holding the muddied box As it proceeded skyward in its clumsy poor-man’s Resurrection. The affair was being observed by an elderly couple, Old enough to be of no particular age.   Their car had Carolina plates, But their inflections, their casually-tossed idioms They noted that ruefully The grass needs mowed) Marked them as natives. They’d returned (Last time, most likely, The wife uttered mournfully) To take their son with them; he’d drowned when was five? six? (The years will do that to a body, apparently) In Kinzua Creek some half-century ago, Back when little boys weren’t under a mandate To be safe from themselves, as it were.   He was our boy! We’ve never forgotten him! The old man said, the words snapping off In a manner that spoke of something else altogether, How the whistle at the Montmorenci Went off at three and eleven for second shift, And your *** had better be there, As those were good jobs that didn’t wait for bereavement leave, Because there was always someone Just itching to take your spot on the line, And anyway life went on, At least in the sense that television screens went all to snow And tires went flat and fuses blew And eventually a dead child Is not always in the forefront of your thoughts, Only tiptoeing in when the Press ran a picture Of the Montmorenci Area Class of whenever, Or there was an item about some other family Who opened their front door To a grim sheriff’s deputy with his hat in his hand.   Eventually, after some time And in defiance of both the odds and gravity, The casket was settled into the back Of the undertaker’s huge old black Caddy, And the couple cane-toddled back to their car, Following out the through the old spider-like gates And onto the main road. The brief procession fading from sight, Until there was nothing left to see Save the hillsides covered in old growth pine.
Continue reading...
50
I don’t remember exactly when Budberg died, it was either two years ago or three. The same with Chen. Whether last year or the one before. Soon after our arrival, Budberg, gently pensive, Said that in the beginning it is hard to get accustomed, For here there is no spring or summer, no winter or fall. “I kept dreaming of snow and birch forests. Where so little changes you hardly notice how time goes by. This is, you will see, a magic mountain.” Budberg: a familiar name in my childhood. They were prominent in our region, This Russian family, descendants of German Balts. I read none of his works, too specialized. And Chen, I have heard, was an exquisite poet, Which I must take on faith, for he wrote in Chinese. Sultry Octobers, cool Julys, trees blossom in February. Here the nuptial flight of hummingbirds does not forecast spring. Only the faithful maple sheds its leaves every year. For no reason, its ancestors simply learned it that way. I sensed Budberg was right and I rebelled. So I won’t have power, won’t save the world? Fame will pass me by, no tiara, no crown? Did I then train myself, myself the Unique, To compose stanzas for gulls and sea haze, To listen to the foghorns blaring down below? Until it passed. What passed? Life. Now I am not ashamed of my defeat. One murky island with its barking seals Or a parched desert is enough To make us say: yes, oui, si. 'Even asleep we partake in the becoming of the world.” Endurance comes only from enduring. With a flick of the wrist I fashioned an invisible rope, And climbed it and it held me. What a procession! Quelles délices! What caps and hooded gowns! Most respected Professor Budberg, Most distinguished Professor Chen, Wrong Honorable Professor Milosz Who wrote poems in some unheard-of tongue. Who will count them anyway. And here sunlight. So that the flames of their tall candles fade. And how many generations of hummingbirds keep them company As they walk on. Across the magic mountain. And the fog from the ocean is cool, for once again it is July.
0
3.1k
A Magic Mountain
I don’t remember exactly when Budberg died, it was either two years ago or three. The same with Chen. Whether last year or the one before. Soon after our arrival, Budberg, gently pensive, Said that in the beginning it is hard to get accustomed, For here there is no spring or summer, no winter or fall. “I kept dreaming of snow and birch forests. Where so little changes you hardly notice how time goes by. This is, you will see, a magic mountain.” Budberg: a familiar name in my childhood. They were prominent in our region, This Russian family, descendants of German Balts. I read none of his works, too specialized. And Chen, I have heard, was an exquisite poet, Which I must take on faith, for he wrote in Chinese. Sultry Octobers, cool Julys, trees blossom in February. Here the nuptial flight of hummingbirds does not forecast spring. Only the faithful maple sheds its leaves every year. For no reason, its ancestors simply learned it that way. I sensed Budberg was right and I rebelled. So I won’t have power, won’t save the world? Fame will pass me by, no tiara, no crown? Did I then train myself, myself the Unique, To compose stanzas for gulls and sea haze, To listen to the foghorns blaring down below? Until it passed. What passed? Life. Now I am not ashamed of my defeat. One murky island with its barking seals Or a parched desert is enough To make us say: yes, oui, si. 'Even asleep we partake in the becoming of the world.” Endurance comes only from enduring. With a flick of the wrist I fashioned an invisible rope, And climbed it and it held me. What a procession! Quelles délices! What caps and hooded gowns! Most respected Professor Budberg, Most distinguished Professor Chen, Wrong Honorable Professor Milosz Who wrote poems in some unheard-of tongue. Who will count them anyway. And here sunlight. So that the flames of their tall candles fade. And how many generations of hummingbirds keep them company As they walk on. Across the magic mountain. And the fog from the ocean is cool, for once again it is July.
Continue reading...
45
Life is laundry, life is dishes, life is mowing the lawn on a really hot day when you dont want to mow the lawn. it's an itch where the scratch dont satisfy. a broken reward circuit. an endless procession of days punctuated by their ends. several. short. halting. sentences. mop the floor. walk the dog. go to work. awash in disappointment. i'm always misspelling that word familiar with it yet i fumble. just like my ******* chores.
0
Mar 9, 2014
Mar 9, 2014 at 1:10 AM UTC
chores