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"prickly" poems
Some say love's a little boy, And some say it's a bird, Some say it makes the world go around, Some say that's absurd, And when I asked the man next-door, Who looked as if he knew, His wife got very cross indeed, And said it wouldn't do. Does it look like a pair of pyjamas, Or the ham in a temperance hotel? Does its odour remind one of llamas, Or has it a comforting smell? Is it prickly to touch as a hedge is, Or soft as eiderdown fluff? Is it sharp or quite smooth at the edges? O tell me the truth about love. Our history books refer to it In cryptic little notes, It's quite a common topic on The Transatlantic boats; I've found the subject mentioned in Accounts of suicides, And even seen it scribbled on The backs of railway guides. Does it howl like a hungry Alsatian, Or boom like a military band? Could one give a first-rate imitation On a saw or a Steinway Grand? Is its singing at parties a riot? Does it only like Classical stuff? Will it stop when one wants to be quiet? O tell me the truth about love. I looked inside the summer-house; It wasn't over there; I tried the Thames at Maidenhead, And Brighton's bracing air. I don't know what the blackbird sang, Or what the tulip said; But it wasn't in the chicken-run, Or underneath the bed. Can it pull extraordinary faces? Is it usually sick on a swing? Does it spend all its time at the races, or fiddling with pieces of string? Has it views of its own about money? Does it think Patriotism enough? Are its stories ****** but funny? O tell me the truth about love. When it comes, will it come without warning Just as I'm picking my nose? Will it knock on my door in the morning, Or tread in the bus on my toes? Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
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O Tell Me The Truth About Love
Some say love's a little boy, And some say it's a bird, Some say it makes the world go around, Some say that's absurd, And when I asked the man next-door, Who looked as if he knew, His wife got very cross indeed, And said it wouldn't do. Does it look like a pair of pyjamas, Or the ham in a temperance hotel? Does its odour remind one of llamas, Or has it a comforting smell? Is it prickly to touch as a hedge is, Or soft as eiderdown fluff? Is it sharp or quite smooth at the edges? O tell me the truth about love. Our history books refer to it In cryptic little notes, It's quite a common topic on The Transatlantic boats; I've found the subject mentioned in Accounts of suicides, And even seen it scribbled on The backs of railway guides. Does it howl like a hungry Alsatian, Or boom like a military band? Could one give a first-rate imitation On a saw or a Steinway Grand? Is its singing at parties a riot? Does it only like Classical stuff? Will it stop when one wants to be quiet? O tell me the truth about love. I looked inside the summer-house; It wasn't over there; I tried the Thames at Maidenhead, And Brighton's bracing air. I don't know what the blackbird sang, Or what the tulip said; But it wasn't in the chicken-run, Or underneath the bed. Can it pull extraordinary faces? Is it usually sick on a swing? Does it spend all its time at the races, or fiddling with pieces of string? Has it views of its own about money? Does it think Patriotism enough? Are its stories ****** but funny? O tell me the truth about love. When it comes, will it come without warning Just as I'm picking my nose? Will it knock on my door in the morning, Or tread in the bus on my toes? Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
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56
A sea of nettles and nails that scream their injustice at you People who seem like they've shaken off their prickly outsides and their hatred Turning to congratulate them Embrace them Before you find the truth beneath their pillowy covering Nails can be blunted and nettles can be softened but they remain below your surface, Waiting for the right moment to be sharpened and grow back their stings I see your injustice and I raise you my peace It hurts to tear out your nails and to burn off those nettles But oh god does it hurt more to walk your tender, soft body through that forest of pain
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Nov 2, 2014
Nov 2, 2014 at 3:36 PM UTC
Injustice
Some day, if you are lucky, you’ll return from a thunderous journey trailing snake scales, wing fragments and the musk of Earth and moon. Eyes will examine you for signs of damage, or change and you, too, will wonder if your skin shows traces of fur, or leaves, if thrushes have built a nest of your hair, if Andromeda burns from your eyes. Do not be surprised by prickly questions from those who barely inhabit their own fleeting lives, who barely taste their own possibility, who barely dream. If your hands are empty, treasureless, if your toes have not grown claws, if your obedient voice has not become a wild cry, a howl, you will reassure them. We warned you, they might declare, there is nothing else, no point, no meaning, no mystery at all, just this frantic waiting to die. And yet, they tremble, mute, afraid you’ve returned without sweet elixir for unspeakable thirst, without a fluent dance or holy language to teach them, without a compass bearing to a forgotten border where no one crosses without weeping for the terrible beauty of galaxies and granite and bone. They tremble, hoping your lips hold a secret, that the song your body now sings will redeem them, yet they fear your secret is dangerous, shattering, and once it flies from your astonished mouth, they-like you-must disintegrate before unfolding tremulous wings.
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Apr 19, 2016
Apr 19, 2016 at 10:37 AM UTC
The return by Geneen Marie Haugen
Prickly pokey I guess I'm kind of hokey cacti are my jam!
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Feb 26, 2015
Feb 26, 2015 at 2:00 PM UTC
Quirky Cactus
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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17.9k
The Hollow Men
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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105
My mind raw and twisted, The soft spell of my fingers touch the leather skinned whip as I expel it against your juicy little *** Moments like these are my favorite, when your with me. He strapped my ankles, wrists and all, to demand a bitter strength ignited in his intentions. Another spank from the whip, tingly, prickly but yet so swiftly. Few bruises here and there... but your little angel love's every last bit of your masculine touch. Feather me up, through tickles and such, take me by the hair, and pull me towards your lavishing warm chest, where the sweat trickles down the arches of your ribs. Feeling you pulsate when your ***** is in me, as I make you c*m....a little closer to another specious night filled with adventure.
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Jul 24, 2021
Jul 24, 2021 at 6:51 PM UTC
**** & Raw
Love poems are stupid, Because in only a few months time They’re likely falling to pieces; Out of juice, out of line. However, I’ll still write in my spare time, But would rather focus on cacti, Because no one gives them Their time to shine. I love you, sweet cactus How you love when the sun shines, I love you, sweet cactus Your agave so devine. I’d rather write about a cactus All prickly up it’s spine, Because that cactus is alive, That cactus is mine, That cactus will last Longer than you and I.
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Jun 27, 2014
Jun 27, 2014 at 4:56 PM UTC
Cacti
gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well it’s too cool to be crooked and it’s too firm to be hard but it’s sharp and thick and it loves, every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they’ve never met before dead’s more even than how many ways of sitting on your head your unnatural hair has in the morning dead’s clever too like POF goes the alarm off and the little striker having the best time tickling away everybody’s brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you’ve never met who maybe winks at you in a streetcar and you pretend you don’t but really you do see and you are My how glad he winked and hope he’ll do it again or if it talks about you somewhere behind your back it makes your neck feel pleasant and stoopid and if dead says may i have this one and was never introduced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead’s fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that’s all you see but you don’t want to dead’s happy like the way underclothes All so differently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead’s nice like a dance where you danced simple hours and you take all your prickly-clothes off and squeeze-into-largeness without one word and you lie still as anything in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that’s not all)because largeness tells you so you can feel what you made,men feel when,you touched, them dead’s sorry like a thistlefluff-thing which goes landing away all by himself on somebody’s roof or something where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(andwhyevernot)into the round well and see the kitten and the penny and the jackknife and the rosebug and you say Sure you say (like that) sure i’ll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do
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Gee I Like To Think Of Dead It Means Nearer Because Deeper Firmer
gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well it’s too cool to be crooked and it’s too firm to be hard but it’s sharp and thick and it loves, every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they’ve never met before dead’s more even than how many ways of sitting on your head your unnatural hair has in the morning dead’s clever too like POF goes the alarm off and the little striker having the best time tickling away everybody’s brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you’ve never met who maybe winks at you in a streetcar and you pretend you don’t but really you do see and you are My how glad he winked and hope he’ll do it again or if it talks about you somewhere behind your back it makes your neck feel pleasant and stoopid and if dead says may i have this one and was never introduced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead’s fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that’s all you see but you don’t want to dead’s happy like the way underclothes All so differently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead’s nice like a dance where you danced simple hours and you take all your prickly-clothes off and squeeze-into-largeness without one word and you lie still as anything in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that’s not all)because largeness tells you so you can feel what you made,men feel when,you touched, them dead’s sorry like a thistlefluff-thing which goes landing away all by himself on somebody’s roof or something where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(andwhyevernot)into the round well and see the kitten and the penny and the jackknife and the rosebug and you say Sure you say (like that) sure i’ll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do
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41
Sonoran desert sacred, hot breathed scorch of footsteps, blood red sands sun bleached bones and skulls this wash a hallowed holy ghost an unnerving place of hiss and fire molten sun to dry the water a drowning fever of prickly sweat last night the Yaqui man you met undulating in a purification ceremony lashing energy cords cut he is laughing like coyote, wild eyed green the velvet desert peyote awakened you have come to understand a universe within a fleck of sand.
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Oct 14, 2015
Oct 14, 2015 at 6:11 PM UTC
Desert purification
my cactus waits patiently for summer stuffed into a *** by the window rain or snow cactus sits meditating so deep you would think asleep- would be more fitting. but I know better get too close and cactus is alive and willing sharp as ever and prickly with it.
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Feb 5, 2015
Feb 5, 2015 at 8:18 AM UTC
My Cactus
Delicately pink hearts gently unfurl From nests of lively minds; There is nothing weak about Southern women We are supposed to wear ugly dresses, Enamel bugs, French scarves that wrap around and Tie us all together from the inside out Football and sassy new haircuts might not make faces look younger, But they can lift spirits And just because you spend all day advising others Of their secret trials Doesn't mean that you can hold your family in a cage, Golden and happy though you may want things to be. Remember that if you feel new, an outsider, Your personal tragedies seeming too much to bear, You will always find comfort in laughter Especially if laughter through tears is your favorite emotion. You might not pick up boys or money, But friendship steeps in small salons Like sweet tea. Prickly sarcasm and pessimism aren't always the hallmarks Of a heart devoid of caring, It's just a natural response after two deadbeat husbands and Three ungrateful children; somewhere in all of it is a promise Of hope. And even in a barren womb new life is discovered, And even in death joy is found, And even through pain, Sisterhood blooms, Delicate steel petals enveloping grieving hearts.
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Apr 17, 2014
Apr 17, 2014 at 3:44 PM UTC
Steel Magnolias
Show in contented rest bringing ghosts company wished greenly how did you know? Bleeding on too long they had to be cut down from hooks and ropes in order of feeding. Liars causing problems complicated sacrament with slickness under blackberry briars. Safe from hawks stay in Juicyland where it's prickly free from **** This song triples guessed foxy playing hard around leafy bush only snake does not miss. Dance my badger spirit agile amongst complexity ward off and wander. Kangaroo mouse prance. Survival in stickers only seasonal escape. Where to hide from next your sly rival?
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Apr 6, 2016
Apr 6, 2016 at 10:40 AM UTC
Code of Kangaroo Mouse
There are hearts of gilt, And there are hearts of sin There are hearts that lose, And there are hearts that win. There are hearts of stone. But if my heart was anything, It'd be a cactus. Prickly and unwelcoming with tight alien-green skin, That never fails to swell to accommodate whatever grew inside unseen. With love it'd bulge, And it'd shrink in the absence of love. (But with the right care it could bloom the most spectacular flowers.) There are strong hearts, But even strong hearts give in. My heart is a cactus heart, My heart could keep it all in.
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Sep 24, 2016
Sep 24, 2016 at 7:00 PM UTC
cactus
Are acceptance and approval synonymous terms? It is important that we give adequate definition to that which blocks our winding garden path, where foxgloves, lupins and a multitude of botanical dreams can blossom into a gorgeous array of ****** captivation. If we embrace that which is repugnant, then possibility may not be confined to the cradling arms of the mistress of death. So, my judgmental and moralistic companion from the sands of Jupiter – if your daughter is a raunchy stripper, then keep your expectations on the leash and preserve your anthropological connectedness, otherwise you may veer into prickly thorns of certain detriment and thereby lose her attachments. It is incumbent upon us to nourish those fragrant plantations with a careful approach, so that beautiful reproductions will abound in a bouquet of resolution.
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Nov 7, 2013
Nov 7, 2013 at 12:23 AM UTC
Floral Psychology
Paltry people project putrid opinions, propelled from puny pinpoint brains, in their pint-sized prickly pineapple pulp heads. If they stopped and stayed silent, stood still and listened, stuff some significant people said would seep in, and seem simply superb when seen with acceptance and socially sensitive skills
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Feb 3, 2010
Feb 3, 2010 at 8:14 AM UTC
Prejudice
There the merry hologram glowing blue purple blue Cactus human cherry on a stool Beyond the window he would not look Inside the sky made of wood. The barber talks to his ferns The flowers he understood The living they earn Sparkling its rough nails of your barber. The breath and life he will spruce with apple-pie order. He listens to Each one story Always about a time A time which was cheery. He looks piercingly to all their prickly What he touches intently To turn the time that latches onto your head which started feeling heavy. Lifted into glee so jolly and carefree. A man Or the boys They finally stand up easily. Capes dusted Top hat powdered Their voice of fears collected as tips For pricking up his ears. The door that opens in the end The swirling light that beckons Hair became a way to lighten --- When times get rough and belligerent Cut it off, rugged and ruffian. The barber hears him and all The others like soldiers They share their laughs Troubles leaving shoulders Leaving like a waterfall. The barber knows everything The barber knows all.
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Oct 6, 2018
Oct 6, 2018 at 10:54 PM UTC
The Barber's knowledge
O Buddha, the gold vein of thy sermon of mercy ran through gloom-gorged, rocky hearts, and illumined their darkness. Thou loftiest soarer of renunciation's skies, beneath thy God-lifted eyes, the kingdom of sense-comfort, the rivers of gross greed, the vast and lust-scorched deserts of desire, the tall trees of temporal ambition, the cactus plants of prickly world-worries—all melt into invisible smallness. Buddha, the arc-light of thy sympathy sought to melt the hardness of cruel hearts. Once thou didst save a lamb by offering thyself in its stead. Thy solemn thoughts still silently roam through the ether of minds, searching for ecstasy-tuned hearts. Seated beneath the banyan bodhi tree, thou didst make a solemn tryst with the Spirit: "Beneath the banyan bough, On the sacred seat I take this vow: Let derma, bones, and fleeting flesh dissolve; Until the mysteries of life I solve, And receive the all-coveted Priceless Lore, From this place I shall stir, never, nevermore." Thou symbol of sympathy, incarnation of mercy, give us thy determination, that we may seek truth as doggedly as thou didst. Bless us, that we may be awakened, like thee, to seek remedy for the sorrow-throbs of others as we seek it for ourselves. From: Whispers from Eternity A Book of Answered Prayers 1949 Edition
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Come To Me as Buddha
Psychedelic spokes Spinning out from An undetermined center Periwinkle powdered Spines that invite Me to feel Making a point At my prying fingertips From smooth to prickly Quaint you are When your fragrance Murmurs a tone of earth A lotus of the desert Silently beaming through A plump body An infant With little Needs ©Copyright 2014 Written and Edited by Racquel Davis
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Jul 31, 2014
Jul 31, 2014 at 11:26 AM UTC
Succulent
~ in sympathy, in honor, in horror with those whose heads are shaved against their free will and to uncover my nakedness before you, as prisoner, as victim, as poet, nothing must come between us even this: *and yet, the prickly stubble head resprouts soon enough, spring floral efforts an annual reminder, that even undisguised and exposed, my bald palate plate,* is just another nether hiding place ~
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May 27, 2015
May 27, 2015 at 5:39 PM UTC
Fifth Poem: Why I Shave My Head
Let us paint our canvasses on WOMEN!! Curious I stand to unravel your perception of a woman Would you weigh her as a piece of wonder or a gruffly aggressive thunder? She is extraordinary, gorgeously efficient, solely independent! The love she embraces is wider than the infinite heaven and deeper than the fathomless sea. The shallow world with its profound hypocrisy, Banters with a judgemental frown. The world has changed, and so has she. It has known the beautiful rose, tarnished by its prickly thorns, Only the delicate rose, the world, with its abysmal critics, abides by to adorn. She knows her paths, truly determined to achieve her goals, Her patience deserves a salute, her tremendous sacrifice only to satisfy our souls. Dare never to shred the lovely red petals, not knowing her darings! For also the thorns in her are perilous, to blemish a wound till your last. With her chin up and a gaze so ferocious, ocean of wisdom she is vast. She rises, she grows, taking a free flight, venturing to claim new heights, She is benevolent, a ray of sanguine sunshine to your forlorn nights. Walking proud, believing in who she is, glimmering like a star! Born strong she is, refuses to be judged by her scars. She is the teller of her tale, over fears and worries she will prevail. A miracle of God, with a sweet lingering fragrance she leaves a trail, Of patience, commitment, empathy, and unfaltering fortitude !! by ~Mihika Rohatgi
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Mar 7, 2021
Mar 7, 2021 at 10:50 PM UTC
Wonder Woman !!
Only the closest people to my heart, know my love of the cemetery. Oh how I yearn to walk its endless pathways and through its fresh-cut prickly grass. The quietest place on the whole entire earth. A symbol of love and grief all wrapped together in the black box of death, tied with a silver shining bow of memories. And what better than the cemetery and, you? You didn’t even flicker at my thought of having a picnic in the cemetery. And thats when, I knew.
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May 6, 2012
May 6, 2012 at 9:40 PM UTC
Cemetery
i use the knife he got me for everything. it lays in my bed in place of him when he’s gone. i twirl it for him through the phone i pose with it in the pictures he begs me for i use the knife he got me for everything. even as he drifts away I use the knife he got me for everything. i look at as the moonlight hits it like a flash picture in the night. i use it to practice different knife tricks so he’ll think I’m cool i use the knife he got me for everything. i use the knife he got me for everything now that he’s gone. i hear it calling my name as a command in place of him calling my name with love it cresses my body with prickly kisses where his lips used to trail. it spills out crimson in place of the tears he caused when he left it stays in the hand he used to hold when my body goes numb and cold. I used the knife he got me for everything.
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Sep 12, 2022
Sep 12, 2022 at 8:51 PM UTC
i use the knife he got me
Some people like fall, but not me. It's full of death and decay, the gorgeous pieces of fire drift from their skeletal homes and burn out into sodden mushy brown paper. Hard smooth and brown pebbles, spiky holey bombs, and twirly helicopter blades fall from the same skeletons and hide beneath the paper, waiting for an innocent victim, lying in the perfect position to slip someone up so that they lose their bags and packages as they themselves go slip slide crashing into the ground. The victims are sure to rise up again, but with some bruises and bits of soggy brown, stuck all over their clothes In fall, all the blooms of color decease, all fruit and vegetable and good green things die and leaves the world sodden mushy and brown. Some people say they like winter, but not me. It's a cold cruel and heartless season, robbing any last trace of life from all helpless and left-behind creatures. The vegetation becomes glazed over with melting glass and is the one spot of beauty, as the only green left resides on prickly evergreens, housebound plants, and the occasional tacky coat. In winter, there is no way to leave your personal fortress without mountains of clothes, and so every person becomes a chapped lipped, red cheeked, stiff fingered puffball. Every time you jump into a mound of the white fluff that accompanies the dread season, some is bound to creep into your shirt and boots, freezing whatever it touches, and then ever so so slowly flowing along your skin, one of Gaia's little tortures.
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Oct 8, 2012
Oct 8, 2012 at 10:19 PM UTC
seasons
Some people like fall, but not me. It's full of death and decay, the gorgeous pieces of fire drift from their skeletal homes and burn out into sodden mushy brown paper. Hard smooth and brown pebbles, spiky holey bombs, and twirly helicopter blades fall from the same skeletons and hide beneath the paper, waiting for an innocent victim, lying in the perfect position to slip someone up so that they lose their bags and packages as they themselves go slip slide crashing into the ground. The victims are sure to rise up again, but with some bruises and bits of soggy brown, stuck all over their clothes In fall, all the blooms of color decease, all fruit and vegetable and good green things die and leaves the world sodden mushy and brown. Some people say they like winter, but not me. It's a cold cruel and heartless season, robbing any last trace of life from all helpless and left-behind creatures. The vegetation becomes glazed over with melting glass and is the one spot of beauty, as the only green left resides on prickly evergreens, housebound plants, and the occasional tacky coat. In winter, there is no way to leave your personal fortress without mountains of clothes, and so every person becomes a chapped lipped, red cheeked, stiff fingered puffball. Every time you jump into a mound of the white fluff that accompanies the dread season, some is bound to creep into your shirt and boots, freezing whatever it touches, and then ever so so slowly flowing along your skin, one of Gaia's little tortures.
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20
Nobody got anywhere in this life throttling bums, and robbing hotdog vendors, but a Saquatch eating a knish on top of a flipped bus is a sight that sticks to the roof of your minds eye. Let's eat caramel apples down by the seawall, trade tall tales, and lizard scales, run for the hills, but settle down in the shadow of the valley. Prickly pear and agave nectar, nopal cactus fruit, blended together, you can hardly taste the tequila. I'll boost you onto the roof, and hand up my guitar, and you'll help me climb up, singing and chanting till the sun knocks us off the room, we'll go pool hopping, with ski masks on, and steal lawn ornaments, and eat churros, and drink egg cream. and kiss under the Brooklyn bridge. I just gotta go throttle this *** and rob this hotdog vendor. If there isn't a sasquatch I'll be home by the apocalypse. Then we can get naked, and set off the sprinkler system, and dance in the halls. Until the sun explodes, and 2+2= 37.
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Sep 8, 2012
Sep 8, 2012 at 4:26 PM UTC
2+2=37
She was like the iron pyrite The teacher asked them to examine, and describe; Cold, dense and prickly, Difficult to love. Given the right light And a gentle handling, Oh, how she'd sparkle, But in that place, expectations and sensory overload rendered her lumpen, and resistant. Removed from her books and her inner world - all she needed - And placed in a maelstrom, She was bewildered and forlorn. Un-cooperative, they called her, And the teachers loved the other gems instead, Pretty little nuggets; Ruby, Jasper, Jade. Two years of discouragement and dislike And even the tentative sparkles had darkened. The other gems enjoyed each other And moved away from her magnetic pull, sensing difference. No outright meanness, not yet, But hints were brewing, whispers had started And she wandered alone, in the playground, Talking to the seagulls, and singing to herself. The teachers only wanted conformity And called her parents to voice concern about her lack of friends. Had they asked her, allowed her to have a say She would have told them it didn't matter But they were determined that it did, to them, if not to her, And her parents were added to the burden of people Worried and disappointed, watching. She knew now, she was different, she had always known but never minded, Now it was a problem. She didn't fit, Like that scratchy purple uniform, around her chubby waist Food didn't judge, dislike or condemn. That life ended, and a new struggle, in a new school, began. This was harder; the meanness was apparent now, Difference wasn't tolerated And someone wandering alone was a target. She found a place to hide, behind a staircase, with a book, But they found her, removed her and patrolled her only refuge Forcing her to submit to the torture. Every day was a war zone, So she found another way, and embraced ill-health, stealthily Spraying deodorant directly into her own face induced asthma attacks; and not all those ear infections were real, She was an accomplished actress. She got through it, millions do. She found her own place, her own friends in her own time. Among Onyx, Jet and Tigers Eye Her darkness didn't mark her out as different, And all that fake illness Was great prep for theatre, Where she was able to return to her inner world, And no-one cared if you feigned madness Or embraced the real thing. Difference was celebrated, The whispers now, were that she had a great stage presence, And a talent to be nurtured, Not a difference to be despised.
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Sep 17, 2013
Sep 17, 2013 at 4:35 AM UTC
The Girl who Talked to Seagulls
She was like the iron pyrite The teacher asked them to examine, and describe; Cold, dense and prickly, Difficult to love. Given the right light And a gentle handling, Oh, how she'd sparkle, But in that place, expectations and sensory overload rendered her lumpen, and resistant. Removed from her books and her inner world - all she needed - And placed in a maelstrom, She was bewildered and forlorn. Un-cooperative, they called her, And the teachers loved the other gems instead, Pretty little nuggets; Ruby, Jasper, Jade. Two years of discouragement and dislike And even the tentative sparkles had darkened. The other gems enjoyed each other And moved away from her magnetic pull, sensing difference. No outright meanness, not yet, But hints were brewing, whispers had started And she wandered alone, in the playground, Talking to the seagulls, and singing to herself. The teachers only wanted conformity And called her parents to voice concern about her lack of friends. Had they asked her, allowed her to have a say She would have told them it didn't matter But they were determined that it did, to them, if not to her, And her parents were added to the burden of people Worried and disappointed, watching. She knew now, she was different, she had always known but never minded, Now it was a problem. She didn't fit, Like that scratchy purple uniform, around her chubby waist Food didn't judge, dislike or condemn. That life ended, and a new struggle, in a new school, began. This was harder; the meanness was apparent now, Difference wasn't tolerated And someone wandering alone was a target. She found a place to hide, behind a staircase, with a book, But they found her, removed her and patrolled her only refuge Forcing her to submit to the torture. Every day was a war zone, So she found another way, and embraced ill-health, stealthily Spraying deodorant directly into her own face induced asthma attacks; and not all those ear infections were real, She was an accomplished actress. She got through it, millions do. She found her own place, her own friends in her own time. Among Onyx, Jet and Tigers Eye Her darkness didn't mark her out as different, And all that fake illness Was great prep for theatre, Where she was able to return to her inner world, And no-one cared if you feigned madness Or embraced the real thing. Difference was celebrated, The whispers now, were that she had a great stage presence, And a talent to be nurtured, Not a difference to be despised.
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