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"presto" poems
'Twas midnight in the schoolroom And every desk was shut When suddenly from the alphabet Was heard a loud "Tut-Tut!" Said A to B, "I don't like C; His manners are a lack. For all I ever see of C Is a semi-circular back!" "I disagree," said D to B, "I've never found C so. From where I stand he seems to be An uncompleted O." C was vexed, "I'm much perplexed, You criticise my shape. I'm made like that, to help spell Cat And Cow and Cool and Cape." "He's right" said E; said F, "Whoopee!" Said G, "'Ip, 'Ip, 'ooray!" "You're dropping me," roared H to G. "Don't do it please I pray." "Out of my way," LL said to K. "I'll make poor I look ILL." To stop this stunt J stood in front, And presto! ILL was JILL. "U know," said V, "that W Is twice the age of me. For as a Roman V is five I'm half as young as he." X and Y yawned sleepily, "Look at the time!" they said. "Let's all get off to beddy byes." They did, then "Z-z-z."
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The ABC
.                               abracadabra                           abracadabra abr                          cadabra abracada                         bra abracadabra a                          bracadabra abrac                              abracadabra                              abracadabra                              abracadabra                              abracadabra                              abracadabra                              abracadabra                              abracadabra                              abracadabra                              abracadabra                              abracadabra                              abracadabra             abracadabra          abracadabra       abracadabra abra     cadabra abracada       bra abacadabra        abracadabra abra          cadabra abra           cadabra    abra             cadabra    a              bracadadbra
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Jul 28, 2015
Jul 28, 2015 at 12:44 AM UTC
Presto *****
The speaker in this case is a middle-aged witch, me- tangled on my two great arms, my face in a book and my mouth wide, ready to tell you a story or two. I have come to remind you, all of you: Alice, Samuel, Kurt, Eleanor, Jane, Brian, Maryel, all of you draw near. Alice, at fifty-six do you remember? Do you remember when you were read to as a child? Samuel, at twenty-two have you forgotten? Forgotten the ten P.M. dreams where the wicked king went up in smoke? Are you comatose? Are you undersea? Attention, my dears, let me present to you this boy. He is sixteen and he wants some answers. He is each of us. I mean you. I mean me. It is not enough to read Hesse and drink clam chowder we must have the answers. The boy has found a gold key and he is looking for what it will open. This boy! Upon finding a string he would look for a harp. Therefore he holds the key tightly. Its secrets whimper like a dog in heat. He turns the key. Presto! It opens this book of odd tales which transform the Brothers Grimm. Transform? As if an enlarged paper clip could be a piece of sculpture. (And it could.)
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The Gold Key
A child wakes up , to mosquito bites, and Christ-on-a-bike-it’s-diwali , the fiesta of lights. the welcome vibes of halcyon tarried as hugs and gifts and smiles are carried, and waving her wrinkles mid-air ,daadi says today! god , to his land was ferried. Afar, the bronze herald of worship time, the temple bell goes off in a celestial chime. and cometh the priest , for the fire-ritual, line my pockets now , come on , be spiritual. but duh! your dhoti hast no pockets , saintly dummy; tsk.. fret ye not , for it goes straight into my tummy. mid-morning now , and mummy’s high-strung; ‘dust it well and dust it thorough and dust it till you burst a lung’. ‘garam pakode’ !! cries papa in his croaking tenor , ‘but one by one’ and now he begins with the manners. mummy is the last one , picking over the bones, she always has been , for what a family she owns. A muezzin somewhere cries the holy decree heads bow down and a pigeon flies free, from the onion dome , below the staccato claps ‘Ooparwala ! … ‘ the muezzin gasps , and ‘Ooparwala!.. ‘ a crowd chants in tow , and ‘Oops ! … ‘ the bird sheds it’s something and ***** soars high , and takes a bow . hey presto! the night has come. the moonless night of the homecoming lord. sweetmeats and sugars and syrups and us , laddu-barfi , well , that strikes a chord . Lakshmi , her owl , the glutton god with his mouse , revered an’ pleased an’ fed an’ flattered , and coaxed never to leave the house while out there , bombs and crackers burst and batter. The witch’s hour already , and the man ain’t home yet the lord is home , to get things straight, while the men all out on a greedy conquest; pennies on the dollar , unwavering faith still, for the beckoning bait . A child wakes up , to mosquito bites gone now is the carnival of lights. a goddess fled , a father bled a child scrapes off the waxy remains , the leftovers of candles ,pains, and no gains.
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Oct 19, 2017
Oct 19, 2017 at 3:15 PM UTC
WAXY STAINS FROM DIWALI
A child wakes up , to mosquito bites, and Christ-on-a-bike-it’s-diwali , the fiesta of lights. the welcome vibes of halcyon tarried as hugs and gifts and smiles are carried, and waving her wrinkles mid-air ,daadi says today! god , to his land was ferried. Afar, the bronze herald of worship time, the temple bell goes off in a celestial chime. and cometh the priest , for the fire-ritual, line my pockets now , come on , be spiritual. but duh! your dhoti hast no pockets , saintly dummy; tsk.. fret ye not , for it goes straight into my tummy. mid-morning now , and mummy’s high-strung; ‘dust it well and dust it thorough and dust it till you burst a lung’. ‘garam pakode’ !! cries papa in his croaking tenor , ‘but one by one’ and now he begins with the manners. mummy is the last one , picking over the bones, she always has been , for what a family she owns. A muezzin somewhere cries the holy decree heads bow down and a pigeon flies free, from the onion dome , below the staccato claps ‘Ooparwala ! … ‘ the muezzin gasps , and ‘Ooparwala!.. ‘ a crowd chants in tow , and ‘Oops ! … ‘ the bird sheds it’s something and ***** soars high , and takes a bow . hey presto! the night has come. the moonless night of the homecoming lord. sweetmeats and sugars and syrups and us , laddu-barfi , well , that strikes a chord . Lakshmi , her owl , the glutton god with his mouse , revered an’ pleased an’ fed an’ flattered , and coaxed never to leave the house while out there , bombs and crackers burst and batter. The witch’s hour already , and the man ain’t home yet the lord is home , to get things straight, while the men all out on a greedy conquest; pennies on the dollar , unwavering faith still, for the beckoning bait . A child wakes up , to mosquito bites gone now is the carnival of lights. a goddess fled , a father bled a child scrapes off the waxy remains , the leftovers of candles ,pains, and no gains.
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I’m lost in Rome, all the roads have brought me here. I’m searching for home, Holding a picture of it near. I step into the metronome, I enter with an identity in my pockets. I speak to the garden gnome, He’s asking if I’d like to buy a silver locket. At a legato tempo, 10. The metronome keeps ticking.                                                                 My lips only stay chapped, Simply because I won’t stop licking them. “I’m looking for the Lucky Fix. The Shaved Jaguar told me this is the place.” The Gnome haggles me up in my face, “Oh please, I know all the old tricks! I now control your brain stem. You have a long way to go! You’ve been trapped!” At an Allegro tempo; 20. The Metronome keeps tocking. On the stage, The Kangaroos are still kick-boxing. Breaking free of their cage, The only price is to make you dance. “I seek to barter for some potions", They want to know, "So Why have I been cursed?” The Hooting Owl, offers them a grand notion. “Keeping thinking that and you might just burst.” 30.The metronome stops on the off-beat, . “Where is the Lucky Fix?” I began to grow impatient! “Don’t you first need your feet? Your priorities need to be layered bricks. Your addiction to gratification will lead you to defeat! You can find the matches in the Fire Station. I know some of the tricks. That’s a good place to start.” The Goblins are looking for the heart. 40. With a Presto Tempo You must reset the Metronome. TJW 2013 .
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Oct 23, 2013
Oct 23, 2013 at 12:37 PM UTC
The Metronome and the Lucky Fix
I’m lost in Rome, all the roads have brought me here. I’m searching for home, Holding a picture of it near. I step into the metronome, I enter with an identity in my pockets. I speak to the garden gnome, He’s asking if I’d like to buy a silver locket. At a legato tempo, 10. The metronome keeps ticking.                                                                 My lips only stay chapped, Simply because I won’t stop licking them. “I’m looking for the Lucky Fix. The Shaved Jaguar told me this is the place.” The Gnome haggles me up in my face, “Oh please, I know all the old tricks! I now control your brain stem. You have a long way to go! You’ve been trapped!” At an Allegro tempo; 20. The Metronome keeps tocking. On the stage, The Kangaroos are still kick-boxing. Breaking free of their cage, The only price is to make you dance. “I seek to barter for some potions", They want to know, "So Why have I been cursed?” The Hooting Owl, offers them a grand notion. “Keeping thinking that and you might just burst.” 30.The metronome stops on the off-beat, . “Where is the Lucky Fix?” I began to grow impatient! “Don’t you first need your feet? Your priorities need to be layered bricks. Your addiction to gratification will lead you to defeat! You can find the matches in the Fire Station. I know some of the tricks. That’s a good place to start.” The Goblins are looking for the heart. 40. With a Presto Tempo You must reset the Metronome. TJW 2013 .
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You ought to know Mr. Mistoffelees! The Original Conjuring Cat— (There can be no doubt about that). Please listen to me and don’t scoff. All his Inventions are off his own bat. There’s no such Cat in the metropolis; He holds all the patent monopolies For performing suprising illusions And creating eccentric confusions. At prestidigitation And at legerdemain He’ll defy examination And deceive you again. The greatest magicians have something to learn From Mr. Mistoffelees’ Conjuring Turn. Presto! Away we go! And we all say: OH! Well I never! Was there ever A Cat so clever As Magical Mr. Mistoffelees! He is quiet and small, he is black From his ears to the tip of his tail; He can creep through the tiniest crack, He can walk on the narrowest rail. He can pick any card from a pack, He is equally cunning with dice; He is always deceiving you into believing That he’s only hunting for mice. He can play any trick with a cork Or a spoon and a bit of fish-paste; If you look for a knife or a fork And you think it is merely misplaced— You have seen it one moment, and then it is gawn! But you’ll find it next week lying out on the lawn. And we all say: OH! Well I never! Was there ever A Cat so clever As Magical Mr. Mistoffelees! His manner is vague and aloof, You would think there was nobody shyer— But his voice has been heard on the roof When he was curled up by the fire. And he’s sometimes been heard by the fire When he was about on the roof— (At least we all heard that somebody purred) Which is incontestable proof Of his singular magical powers: And I have known the family to call Him in from the garden for hours, While he was asleep in the hall. And not long ago this phenomenal Cat Produced seven kittens right out of a hat! And we all said: OH! Well I never! Did you ever Know a Cat so clever As Magical Mr. Mistoffelees!
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Mr. Mistoffelees
You ought to know Mr. Mistoffelees! The Original Conjuring Cat— (There can be no doubt about that). Please listen to me and don’t scoff. All his Inventions are off his own bat. There’s no such Cat in the metropolis; He holds all the patent monopolies For performing suprising illusions And creating eccentric confusions. At prestidigitation And at legerdemain He’ll defy examination And deceive you again. The greatest magicians have something to learn From Mr. Mistoffelees’ Conjuring Turn. Presto! Away we go! And we all say: OH! Well I never! Was there ever A Cat so clever As Magical Mr. Mistoffelees! He is quiet and small, he is black From his ears to the tip of his tail; He can creep through the tiniest crack, He can walk on the narrowest rail. He can pick any card from a pack, He is equally cunning with dice; He is always deceiving you into believing That he’s only hunting for mice. He can play any trick with a cork Or a spoon and a bit of fish-paste; If you look for a knife or a fork And you think it is merely misplaced— You have seen it one moment, and then it is gawn! But you’ll find it next week lying out on the lawn. And we all say: OH! Well I never! Was there ever A Cat so clever As Magical Mr. Mistoffelees! His manner is vague and aloof, You would think there was nobody shyer— But his voice has been heard on the roof When he was curled up by the fire. And he’s sometimes been heard by the fire When he was about on the roof— (At least we all heard that somebody purred) Which is incontestable proof Of his singular magical powers: And I have known the family to call Him in from the garden for hours, While he was asleep in the hall. And not long ago this phenomenal Cat Produced seven kittens right out of a hat! And we all said: OH! Well I never! Did you ever Know a Cat so clever As Magical Mr. Mistoffelees!
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Non ti preparerò col mio mostrarmiti ad una confidenza limitata, ma perché nel toccarmi la tua mano non abbia una memoria di presagi, giacerò all'informe fusa io stessa, sciolta dentro il buio, per quanto possa, elaborata e viva, ridivenire caos... Orfeo novello, amico dell'assenza, modulerai di nuovo dalla cetra la figura nascente di me stessa. Sarai alle soglie piano e divinante di un mistero assoluto di silenzio, ignorando i miei limiti di un tempo, godrai il possesso della sola essenza. Allora, concretandomi in un primo accenno di presenza, sarò un ramo fiorito di consenso, e poi, trovato un punto di contatto, ammetterò una timida coscienza di vita d'animale e mi dirò che non andrò più oltre, mentre già mi sviluppi, sapienza ineluttabile e sicura, in un gioco insperato di armonie, in una conclusione di fanciulla... Fanciulla: è questo il termine raggiunto? E per l'addietro non l'ho maturato e non l'ho poi distrutto delusa, offesa in ogni volontà? Che vuol dire fanciulla se non superamento di coscienza? Era questo di me che non volevo: condurmi, trascurando ogni mia forma, al vertice mortale della vita... Ma la presenza d'ogni mia sembianza quale urgenza incalzante di sviluppo, quale presto proporsi e più presto risolversi d'enigmi! E quando poi, dal mio aderire stesso, la forma scivolò in un altro tempo di più rare e più estranee conclusioni, quando del mio "sentirmi" voluttuoso rimase un'aderenza di dolore, allora, allora preferii la morte che ribadisse in me questo possesso. Ma ci si può avanzare nella vita mano che regge e fiaccola portata e ci si può liberamente dare alle dimenticanze più serene quando gli anelli multipli di noi si sciolgano e riprendano in accordo, quando la garanzia dell'immanenza ci fasci di un benessere assoluto. Così, nelle tue braccia ordinatrici io mi riverso, minima ed immensa; dato sereno, dato irrefrenabile, attività perenne di sviluppo.
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La presenza di Orfeo
Non ti preparerò col mio mostrarmiti ad una confidenza limitata, ma perché nel toccarmi la tua mano non abbia una memoria di presagi, giacerò all'informe fusa io stessa, sciolta dentro il buio, per quanto possa, elaborata e viva, ridivenire caos... Orfeo novello, amico dell'assenza, modulerai di nuovo dalla cetra la figura nascente di me stessa. Sarai alle soglie piano e divinante di un mistero assoluto di silenzio, ignorando i miei limiti di un tempo, godrai il possesso della sola essenza. Allora, concretandomi in un primo accenno di presenza, sarò un ramo fiorito di consenso, e poi, trovato un punto di contatto, ammetterò una timida coscienza di vita d'animale e mi dirò che non andrò più oltre, mentre già mi sviluppi, sapienza ineluttabile e sicura, in un gioco insperato di armonie, in una conclusione di fanciulla... Fanciulla: è questo il termine raggiunto? E per l'addietro non l'ho maturato e non l'ho poi distrutto delusa, offesa in ogni volontà? Che vuol dire fanciulla se non superamento di coscienza? Era questo di me che non volevo: condurmi, trascurando ogni mia forma, al vertice mortale della vita... Ma la presenza d'ogni mia sembianza quale urgenza incalzante di sviluppo, quale presto proporsi e più presto risolversi d'enigmi! E quando poi, dal mio aderire stesso, la forma scivolò in un altro tempo di più rare e più estranee conclusioni, quando del mio "sentirmi" voluttuoso rimase un'aderenza di dolore, allora, allora preferii la morte che ribadisse in me questo possesso. Ma ci si può avanzare nella vita mano che regge e fiaccola portata e ci si può liberamente dare alle dimenticanze più serene quando gli anelli multipli di noi si sciolgano e riprendano in accordo, quando la garanzia dell'immanenza ci fasci di un benessere assoluto. Così, nelle tue braccia ordinatrici io mi riverso, minima ed immensa; dato sereno, dato irrefrenabile, attività perenne di sviluppo.
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I had a dream last night that I put you in danger that you were hurt because of me is that why you left? please please i need you i need you 1 am fresh presto after castro movies i need you orange juice and dark *** forget me nots and tangents forget me not how can you forget me so faster moving you must i miss you reggae and sunshine freckles and flakiness i can't do this without you acoustic guitar in laundromat halloween princess hiding away and scaring me for years come back cooking and japanese tea garden explorer and keep exploring with me come back wanderer you have made a home within my heart you must not part.
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Jul 8, 2013
Jul 8, 2013 at 2:45 AM UTC
come back wanderer
Magpie Dancers Noisy screaming folklore. Swirled over rail road track. Firstly one for sorrow. Soon joined by a mate. A rash a dash of flapping wings. Then there were three. Is it to be a girl perhaps. My daughters little chick. A moment later. Raucous noisy bird number four descended. Train flashed past. A flick of silver sparks from emitted from the line. Hey presto. Magical mystery bird number five. Appeared as the train went by. His entrance not spotted. Five lucky birds flew over the track. Magpie number six. He was the unlucky chap. Landed on the track. Train won't stop for magpie. His number henceforth up! By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Oct 20, 2013
Oct 20, 2013 at 9:33 AM UTC
Magpie Dancers!
A mountain. Its growing by the minute. Bigger and bigger still. Increasing in magnitude. Plates and cups and cutlery. Saucepans and a lonely wok. An avalanche brewing in a secluded space. River flows over the kitchen sink. Daughter needs to wash up, at least that's what I think. Sink is overflowing. One almighty crash. Lots of broken china. Surrounds the base of never rest. Another excuse to avoid it. Hey presto. The daughter is gone in a flash. (C) Livvi
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Oct 24, 2014
Oct 24, 2014 at 3:52 PM UTC
MOUNTAINS
*the feminine powerlessness of art, and the then again strict rubric of Darwinism's dictatorial regime to talk cool - sieg heil throughout, as a running honk! honk! (joke) on the sly.* a testimony to high school: don't ever listen to The Smiths or The Cure, or Depeche Mode.... or any of my uncle's **** list... the point being, you can swagger among Eucalyptus trees and feed the frenzy like any Ibiza patron might; cos' there's a koala rummaging your drawers so to speak: due to an episode of king's testicles in the attic - hey presto! a grand piano! hey presto! coronation's fireproof underwear! lovey dubby dub dub, and a coercive test for nibbling on a Maltese ginger... dabbling the fearsome offence... the only school Morrissey attended was nostalgia.
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Jun 16, 2016
Jun 16, 2016 at 9:49 PM UTC
the only school Morrissey attended was nostalgia
Here is a way to instant relative nirvana - ask yourself if you're comfortable, ask yourself if you're satisfied, ask yourself if life is satisfactory, if the answer is yes, proceed - obviously you are awake obviously you are free (even if you are in jail your body/mind is free) so now, here in the moment look at what's in front of you - Presto! Nirvana! (if you want to perceive the nirvana element, ask the seer to see the seer and maybe you'll see the emptiness).
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Sep 19, 2011
Sep 19, 2011 at 9:53 AM UTC
Instant Nirvana
Elena receives a secret message from God "Keep quiet and listen to Bach, kid"it said She was so cross with God at first,naturally, "The old man is cold, I won't listen to his new commandment" she averred as she wanted to annoy Almighty as much as, a retaliatory measure.She felt good, pleased, she fell silent for a long, long while. Quickly she realized she obeyed His word and by that time her ranting and raving had fully come to an end.                                              "Oh! my God!" in astonishment she thanked God, for making her feel better though she was thoughtless and horribly blasphemous. "What a crafty old geezer God is"she grinned. yes,her defiance was intentional,but it was as God willed,how intelligent His designs are! "Oh! Bach! she remembered his words she ran to fetch a record.Hey presto! it's there right at the top of the heap, as God willed, of course, while 'Christmas Oratorio' of Bach sweeps her off her feet, Elena feels elated, as if the hands of devine, embrace her tight.
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Dec 13, 2015
Dec 13, 2015 at 9:06 AM UTC
Bach's music:An intervention of the devine
New faces means more money for me nerds first show since operation Nerd'. Hi everyone and welcome to safely home new faces means more money for me and tonight we have grey ham kennel tea with his little song, take it away, dudes Grey ham kennel tea' I was a little tea *** but I grew up Into a big coffee machine Cause I want to give people stronger stuff So they can work hard all day Yes, they won't have time to play Show your legs, ya **** girl How I wonder what life would be if you showed them nw Up above my eyes so high And to me your be like a pretty diamond in the sky So, now **** girl, you showed your legs And now I can go back home to eat scrambled eggs Fruit salad, yummy yummy, on your **** is even better Fruit salad, I want to try some that Is sitting on your **** right now Go Santa Barbara go, give me something entertaining to watch Oh yeah, go Santa Barbara go Yes, go right now, and we have to move Go Santa Barbara go, right now And we'll cumm, all over the place Yes, my girl needs to be romantic, I will bang the jukebox And hey presto, somewhere over the rainbow starts to play Yes, it's sooooo cool, like me, the Fonz Nerd'. Thanks Lionel and now we have made a decision on who wins, and I have been handed a letter, yes, I'm sorry, we have no extra money Nerd'. Thank you Grey ham kennel tea, we'll see if I want to give money to you, And now here is Lionel Fonzie with his song, I wanna be cool Here it goes Lionel fonzie' I will ride my motorcycle all over the town And I hit the juke box and instantly music Starts playing straight out of it without money Cause I am cool man, and I ain't gonna change I am cool man, yes, I will be cool forever I go out and I always get my girl And she really wants me, no she isn't stuck with me Cause I am the Fonz, girl's think I am really really cool And the young ones today will say I'm sick And maybe I am, to them I say Cause sick is another way to say cool, man from my health insurance from my Opp, so sorry, I was relying on paying you with that money, and I have to say, tough luck, So no one wins Lionel Fonzie said'. You get paid to do this show don't ya, ya loaded aren't ya Nerd'. Yeah well sorry, that is my money, and you can't expect me to pay my Money now can't you, cause doing new faces means more money for me and you get what's left at the end of the day, sorry, that means nothing today Lionel and gray ham'. ***** you nerdy Nerd'. I have to go, see ya next time
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Jan 9, 2015
Jan 9, 2015 at 12:44 AM UTC
NEW FACES MEANS MORE MONEY FOR ME, NERD BEWTON
New faces means more money for me nerds first show since operation Nerd'. Hi everyone and welcome to safely home new faces means more money for me and tonight we have grey ham kennel tea with his little song, take it away, dudes Grey ham kennel tea' I was a little tea *** but I grew up Into a big coffee machine Cause I want to give people stronger stuff So they can work hard all day Yes, they won't have time to play Show your legs, ya **** girl How I wonder what life would be if you showed them nw Up above my eyes so high And to me your be like a pretty diamond in the sky So, now **** girl, you showed your legs And now I can go back home to eat scrambled eggs Fruit salad, yummy yummy, on your **** is even better Fruit salad, I want to try some that Is sitting on your **** right now Go Santa Barbara go, give me something entertaining to watch Oh yeah, go Santa Barbara go Yes, go right now, and we have to move Go Santa Barbara go, right now And we'll cumm, all over the place Yes, my girl needs to be romantic, I will bang the jukebox And hey presto, somewhere over the rainbow starts to play Yes, it's sooooo cool, like me, the Fonz Nerd'. Thanks Lionel and now we have made a decision on who wins, and I have been handed a letter, yes, I'm sorry, we have no extra money Nerd'. Thank you Grey ham kennel tea, we'll see if I want to give money to you, And now here is Lionel Fonzie with his song, I wanna be cool Here it goes Lionel fonzie' I will ride my motorcycle all over the town And I hit the juke box and instantly music Starts playing straight out of it without money Cause I am cool man, and I ain't gonna change I am cool man, yes, I will be cool forever I go out and I always get my girl And she really wants me, no she isn't stuck with me Cause I am the Fonz, girl's think I am really really cool And the young ones today will say I'm sick And maybe I am, to them I say Cause sick is another way to say cool, man from my health insurance from my Opp, so sorry, I was relying on paying you with that money, and I have to say, tough luck, So no one wins Lionel Fonzie said'. You get paid to do this show don't ya, ya loaded aren't ya Nerd'. Yeah well sorry, that is my money, and you can't expect me to pay my Money now can't you, cause doing new faces means more money for me and you get what's left at the end of the day, sorry, that means nothing today Lionel and gray ham'. ***** you nerdy Nerd'. I have to go, see ya next time
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Helo, helo por do viene   el moro por la calzada, caballero a la jineta   encima una yegua baya, borceguíes marroquíes   y espuela de oro calzada, una adarga ante los pechos   y en su mano una azagaya. Mirando estaba Valencia,   como está tan bien cercada: -¡Oh, Valencia, oh Valencia,   de mal fuego seas quemada! Primero fuiste de moros   que de cristianos ganada. Si la lanza no me miente,   a moros serás tornada; aquel perro de aquel Cid   prenderélo por la barba, su mujer, doña Jimena,   será de mí cautivada, su hija, Urraca Hernando,   será mi enamorada, después de yo harto de ella   la entregaré a mi compaña. El buen Cid no está tan lejos,   que todo bien lo escuchaba. -Venid vos acá, mi hija,   mi hija doña Urraca; dejad las ropas continas   y vestid ropas de pascua. Aquel moro hi·de·perro   detenédmelo en palabras, mientras yo ensillo a Babieca   y me ciño la mi espada. La doncella, muy hermosa,   se paró a una ventana; el moro, desque la vido,   de esta suerte le hablara: -Alá te guarde, señora,   mi señora doña Urraca. -Así haga a vos, señor,   buena sea vuestra llegada. Siete años ha, rey, siete,   que soy vuestra enamorada. -Otros tantos ha, señora,   que os tengo dentro en mi alma. Ellos estando en aquesto   el buen Cid que se asomaba. -Adiós, adiós, mi señora,   la mi linda enamorada, que del caballo Babieca   yo bien oigo la patada. Do la yegua pone el pie,   Babieca pone la pata. Allí hablará el caballo   bien oiréis lo que hablaba: -¡Reventar debía la madre   que a su hijo no esperaba! Siete vueltas la rodea   alrededor de una jara; la yegua, que era ligera,   muy adelante pasaba hasta llegar cabe un río   adonde una barca estaba. El moro, desque la vido,   con ella bien se holgaba, grandes gritos da al barquero   que le allegase la barca; el barquero es diligente,   túvosela aparejada, embarcó muy presto en ella,   que no se detuvo nada. Estando el moro embarcado,   el buen Cid que llegó al agua, y por ver al moro en salvo,   de tristeza reventaba; mas con la furia que tiene,   una lanza le arrojaba, y dijo: -Recoged, mi yerno,   arrecogedme esa lanza, que quizás tiempo vendrá   que os será bien demandada.
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Romance del rey moro que perdió valencia
Helo, helo por do viene   el moro por la calzada, caballero a la jineta   encima una yegua baya, borceguíes marroquíes   y espuela de oro calzada, una adarga ante los pechos   y en su mano una azagaya. Mirando estaba Valencia,   como está tan bien cercada: -¡Oh, Valencia, oh Valencia,   de mal fuego seas quemada! Primero fuiste de moros   que de cristianos ganada. Si la lanza no me miente,   a moros serás tornada; aquel perro de aquel Cid   prenderélo por la barba, su mujer, doña Jimena,   será de mí cautivada, su hija, Urraca Hernando,   será mi enamorada, después de yo harto de ella   la entregaré a mi compaña. El buen Cid no está tan lejos,   que todo bien lo escuchaba. -Venid vos acá, mi hija,   mi hija doña Urraca; dejad las ropas continas   y vestid ropas de pascua. Aquel moro hi·de·perro   detenédmelo en palabras, mientras yo ensillo a Babieca   y me ciño la mi espada. La doncella, muy hermosa,   se paró a una ventana; el moro, desque la vido,   de esta suerte le hablara: -Alá te guarde, señora,   mi señora doña Urraca. -Así haga a vos, señor,   buena sea vuestra llegada. Siete años ha, rey, siete,   que soy vuestra enamorada. -Otros tantos ha, señora,   que os tengo dentro en mi alma. Ellos estando en aquesto   el buen Cid que se asomaba. -Adiós, adiós, mi señora,   la mi linda enamorada, que del caballo Babieca   yo bien oigo la patada. Do la yegua pone el pie,   Babieca pone la pata. Allí hablará el caballo   bien oiréis lo que hablaba: -¡Reventar debía la madre   que a su hijo no esperaba! Siete vueltas la rodea   alrededor de una jara; la yegua, que era ligera,   muy adelante pasaba hasta llegar cabe un río   adonde una barca estaba. El moro, desque la vido,   con ella bien se holgaba, grandes gritos da al barquero   que le allegase la barca; el barquero es diligente,   túvosela aparejada, embarcó muy presto en ella,   que no se detuvo nada. Estando el moro embarcado,   el buen Cid que llegó al agua, y por ver al moro en salvo,   de tristeza reventaba; mas con la furia que tiene,   una lanza le arrojaba, y dijo: -Recoged, mi yerno,   arrecogedme esa lanza, que quizás tiempo vendrá   que os será bien demandada.
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41
My cup of joe drank with woe that you know we all know the nostalgic taste of bitter sweet presto Problems pour fill my cup until i'm up Down the liquid quickly before it overfills poison that's more sickly when washing down your pills Learned to cope without that cup departed that rope with my face up Morning shattered my window I fixed it keeping it closed but the day doesn't quit I've come to understand light is inevitable a snap of the hand at a beeping nightstand
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Oct 30, 2014
Oct 30, 2014 at 12:15 AM UTC
Morning Woe
the lame decade (the ...........depression 1930's) the wars were coming...and OF COURSE! they came! and ... ....... ........................who died? well, it was them to whom DEATH was, (as if by the very GOD, himself) ordained necessitated, if you will by economic realities ------ and then there were also the jews, zionism communism, fascism....etc-ism..etceterally...over and over face down in the mud dead child again and then presto! MICKEY MANTLE AND THE NEW YORK YANKEES! and of course HUAC, the rosenbergs, the rothschild's and perhaps (if you'd awaken) you and me ------ but you never awaken! and now the lame decade (the............ depression 2010's) and the wars are coming coming! coming!! HERE THEY ARE (and the necessary economically speaking DEAD)
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Aug 19, 2010
Aug 19, 2010 at 11:19 AM UTC
conspiracy of conspirators who conspire to subservienty comply with what they are told
Dovrei essere proprio come te, Cuore di ghiaccio nero, Sii gentile, Un amico, come creare un'illusione, nella tua mente, sii vicino, fingi di essere reale, un modo per conoscere, i tuoi sogni, i tuoi piani, la tua prossima mossa , Quando vedo le tue aspirazioni, che ti portano avanti, Essendo un maestro manipolatore, come te, pianificherò astutamente la tua caduta, come un giullare, ridendo con la folla, che sono convinto che tu sia sempre stato, nient'altro che quello di un immutabile intimidito. Sei davvero solo un codardo, hai paura di qualcuno, fai solo uno sforzo per fare ciò che è meglio, hai paura di qualcuno, che non è nemmeno una minaccia per te, o per la posizione che occupi. Dimostra la tua superiorità, fiducia in te stesso, essendo orgogliosamente audace! Il tuo orgoglio, la tua arroganza, la tua ignoranza, la tua cecità e la tua ipocrisia... NO, non potrei mai essere come te, rovinando gli altri come fai tu, pensavo di essere lo sciocco, ora vedo, ora ** pace. Quindi prego sinceramente. "Dio apri il suo cuore, per accettare la tua grazia straordinaria, attraverso di te, conosceremo entrambi la nostra parte, il nostro posto, e se non presto, allora in Paradiso, avremo un'eternità da rifare. "Sì, ti amo sorella mia in Cristo! - VenJencie Ⓒ Autore Ven J. Arnold
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Nov 10, 2021
Nov 10, 2021 at 11:26 PM UTC
Non potrei mai essere come te
her voice, in imagination, is a moonlight sonata to which I listen when I'm alone, eyes closed; covetous heart unwilling to share painful beauty of the adagio, explaining pain only angels know; then, effortless transformation into playful allegretto, delicate hands already caressing bruised soul, nestles fingers into mine; we stroll, entwined as lovers will, along lonely paths together, each holding up the other, building to passion of presto; pace quickened, chastened steps abandoned as flesh echoes electric crescendos of bliss, all that's real ceasing to exist save sweet sweat, fragrant breath of the other; then I listen again, to impossible moonlight, and imagine.
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Jun 26, 2010
Jun 26, 2010 at 8:38 PM UTC
Touched in Moonlight
between poems, an old curmudgeon, am me-he, thorny gray stubbled face available for knife sharpening and tongue lashing cranky and cantankerous, bad tempered, ill mannered, me-he, until they slip me a paper aspirin place before me a clean sheet Presto Chango, the ole man displaced, (the boy who remembers to forget,) in his heart~place, installed, though the briar and the thorn never from his visage depart, just briefly, Red Sea parted kiss me surprised, stumbling about in the wee of the rambunctious hours, stubbing me eyes upon a poetess, a kindred soul who claims my pointy moniker that earned I, only after years of indentured servitude, Briar Thornly, so unnaturally misnamed, yet she of but, few and the tenderest years rights me up with young words her poems sweet treats, sweet eats, departing me delightfully unfairly from my grumpy good graces, look below if you dare risking, a hazardous glancing upon her works, if you like to, grrrrr, smile *Déjà vu Oh to write or not to write. My mind says I don't have a choice. Love has made a home in my heart. I suffer not being able to open the door to my inspiration. I toss a paper ball into the trash. Chapters of my life turn into dust. I bury those words in my mind. Words that I used to think were wrapped up in true meaning. A break could **** my block but my pencil spins out of control. I'll conquer all of those lost attempts. Piano's and violins phase in and out. Wheels of creativity turning in caution. The clock sounds gong,gong,gone. Inspiration died at the start of a vacation. On the page there was the suicide of passion. The ghost of my muse will soon reappear. My emotions need to break free from the shelter of my imagination. I"ll write till the dawn of poetry.^* read her poetry till dawn or face my thorny faced muse, and perhaps now you understand, at last comprehend, **a rose by any other name would smell as sweet as a thorn**
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Mar 18, 2014
Mar 18, 2014 at 3:21 PM UTC
crave the Briar Thornly, discard the rose petals unless...(read the young poets)
between poems, an old curmudgeon, am me-he, thorny gray stubbled face available for knife sharpening and tongue lashing cranky and cantankerous, bad tempered, ill mannered, me-he, until they slip me a paper aspirin place before me a clean sheet Presto Chango, the ole man displaced, (the boy who remembers to forget,) in his heart~place, installed, though the briar and the thorn never from his visage depart, just briefly, Red Sea parted kiss me surprised, stumbling about in the wee of the rambunctious hours, stubbing me eyes upon a poetess, a kindred soul who claims my pointy moniker that earned I, only after years of indentured servitude, Briar Thornly, so unnaturally misnamed, yet she of but, few and the tenderest years rights me up with young words her poems sweet treats, sweet eats, departing me delightfully unfairly from my grumpy good graces, look below if you dare risking, a hazardous glancing upon her works, if you like to, grrrrr, smile *Déjà vu Oh to write or not to write. My mind says I don't have a choice. Love has made a home in my heart. I suffer not being able to open the door to my inspiration. I toss a paper ball into the trash. Chapters of my life turn into dust. I bury those words in my mind. Words that I used to think were wrapped up in true meaning. A break could **** my block but my pencil spins out of control. I'll conquer all of those lost attempts. Piano's and violins phase in and out. Wheels of creativity turning in caution. The clock sounds gong,gong,gone. Inspiration died at the start of a vacation. On the page there was the suicide of passion. The ghost of my muse will soon reappear. My emotions need to break free from the shelter of my imagination. I"ll write till the dawn of poetry.^* read her poetry till dawn or face my thorny faced muse, and perhaps now you understand, at last comprehend, **a rose by any other name would smell as sweet as a thorn**
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Piano, piano, soft as moonlight silken fingers on ivory skin. Glissando -- run your hand up my thigh plucking every string. Arco, arco. Softly, softly, the clarinets breath in, breath out arms envelop me in the tune up, four notes each fifths apart. Your voice chimes lovely, the conductor flicks start. A symphony, a symphony, a whole opera house inside this bed. Observe me through small binoculars, roll back your eyes into your head. Violins slow crescendo, your sigh an answering phrase from the cello, listen to the tuba and the piccolo and the mounting tension. Crescendo, crescendo, forte, forte. Presto boy, presto. Ritornello. Fin. Dream with me. Belissimo.
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Dec 5, 2013
Dec 5, 2013 at 7:30 PM UTC
Concerto Of Dreams, An Endless Movement.
Sometimes it all seems so real      Like this reality weighs heavily on my chest and I can’t breathe. my stomach jumps and sends this cold fire throughout my body and I feel it. I feel the world boiling in my consciousness and there’s no release that could possibly be worthy of this feeling. Then I tell myself I'm just being dramatic and I tamp that feeling down with my fear and sadness and a yearning for eventualities. Sometimes I’m not sure what I mean. Sometimes I make stuff up. But really I’m just an awkward almost-twenty year old who wants her life to be something. Extraordinary But.so.is.everyone.else. And isn’t that right? Isn’t that rich? That we are all one. A vast ocean of “ones”. I’m really just a wave. And it is alright to be a wave. Because waves, they move. It’s alright to be dramatic though. Why not? I have this mind that wants out and I keep suppressing it. At least I’m pretty sure I do. Maybe I don’t. Maybe it is only on occasion that I tell it to shut up because it all is just too much. That’s probably it. Who am I really? I guess I could list all of my traits and that could be who I am. Or what I have accomplished in life, and presto, you have…me. Then there’s this consciousness that sits inside this flesh and controls it. That could be who I am. But that consciousness is just the acts it has achieved and the traits it has portrayed, is it not? So I guess what I’m saying is. The I that is me has not achieved satisfactory on my scale of living by which I measure my worth. Not yet anyway
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Jan 20, 2014
Jan 20, 2014 at 5:25 PM UTC
self-analyzation
Sometimes it all seems so real      Like this reality weighs heavily on my chest and I can’t breathe. my stomach jumps and sends this cold fire throughout my body and I feel it. I feel the world boiling in my consciousness and there’s no release that could possibly be worthy of this feeling. Then I tell myself I'm just being dramatic and I tamp that feeling down with my fear and sadness and a yearning for eventualities. Sometimes I’m not sure what I mean. Sometimes I make stuff up. But really I’m just an awkward almost-twenty year old who wants her life to be something. Extraordinary But.so.is.everyone.else. And isn’t that right? Isn’t that rich? That we are all one. A vast ocean of “ones”. I’m really just a wave. And it is alright to be a wave. Because waves, they move. It’s alright to be dramatic though. Why not? I have this mind that wants out and I keep suppressing it. At least I’m pretty sure I do. Maybe I don’t. Maybe it is only on occasion that I tell it to shut up because it all is just too much. That’s probably it. Who am I really? I guess I could list all of my traits and that could be who I am. Or what I have accomplished in life, and presto, you have…me. Then there’s this consciousness that sits inside this flesh and controls it. That could be who I am. But that consciousness is just the acts it has achieved and the traits it has portrayed, is it not? So I guess what I’m saying is. The I that is me has not achieved satisfactory on my scale of living by which I measure my worth. Not yet anyway
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27
do not fall in love with a musician because they will play you like a symphony. they will get to know every enchanting note of you. they will find parts of you in which they must get improve but in the process they will resent you for this. they will caress your heart with their suites and sonatas. they will gently hold your hips as you would the curves of a violin. they will **** you, sweetly, slowly, then presto, with fire. they will make love with you, but not to you. they will play beautiful concertos with your body but they will not dedicate a single note nor rhythm to you. they will finish playing you when they become tired of hearing your melody. they will leave you in a folder or a case somewhere where you will never be played again. -m. j. g.
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Feb 9, 2016
Feb 9, 2016 at 4:53 PM UTC
6.22.14
Some boys with cheek play hide and seek within a house condemned their faces gaunt reflecting want that’s hard to comprehend. With veiled excuse an old recluse is waiting to descend. His eye despairs above the stairs, he’s never had a friend to talk about his hidden doubt of how his world will end - to die unknown, forlorn, alone? No use a farewell penned! And soon the boys chase phantom joys then, presto when they’ve gone, the old recluse, with nimble noose and ****** features wan, no longer waits upon the Fates but yawns his final yawn (like Tinker Bell, he spins a spell, though fairy dust's withdrawn). With twisted brow, he’s tranquil now, he’s floating like a swan and as he fades from life’s charades, the night awaits the dawn.
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Apr 27, 2013
Apr 27, 2013 at 5:36 PM UTC
The Night Awaits The Dawn
Gives a **** If she wears her Heart On the back of her Sleeve At least she doesn’t Have to look at it All day & courteous people Will warn her of The stain So it doesn’t often Embarrass her She’ll just cover it & presto She’s the same **** Introvert You thought you were So afraid of **** Seventeen & every God forsaken Pity party It was ever worth & **** Fate for Always .always. Bringing him Back.
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Dec 20, 2011
Dec 20, 2011 at 4:13 PM UTC
.who really.