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"portuguese" poems
Never be ashamed of your native language Say those beautiful Phrases and words Loud and proud. Do not let anyone stop you from speaking Let your voice be Heard and recognized Don't you dare let anybody make fun of your accent Embrace the thickness Don't ever lose grasp of it. For it is one of the precious treasure You could ever hold on to After leaving your homeland To start a new life in a foreign country That offers you a whole lot of new opportunities. Hold on to your mother tongue As tight as you can Because this new country you now live in Will do its very best to change your identity And oppress your culture. So it be French or Spanish Korean, Mandarin, Cantonese, Japanese Tagalog, Cebuano, Ilonggo Greek, Punjabi, Hindi, Sinhalese Arabic, Vietnamese, Portuguese German or Russian And any other language there is in the world. It has exquisite words that just cannot be simply translated into English For it has far greater meaning behind it It is very much well-written Alluring to one's eye and Spoken eloquently and gracefully That the English language is not able to compare To your admirably and enticing Well-spoken mother tongue.
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Apr 3, 2017
Apr 3, 2017 at 9:21 PM UTC
your mother tongue.
"sly wordplay, it glows, feels like a shimmering address, half warning and half blessing, really alive with cadence" read Kiki Dresden poetry^ once more into the sea trench divide, I dive to devise, Your provoking comment, demands my full attention, you divert me from struggling with ginger & clay, a contra concept that molds and enflames, yet strikes overtly sweet, it does not come so easy as this playful notion But your words deserve the attention immédiate atenção imediata that births this script, tumbling forth in an instantly instantaneously me student, you mistress~master, schooling me on sublimity subliminal, capturing the capering stylistic that bursts forth from within, that my fingertips provide, while my brain connives & connivers continuously you overlay analytics that never are to me revealed, the what and wherefore of the whom hiding within of the im~perpetuity impish essence of i m p ishness by charmingly doing me, not once, but many times better here a spillage: an observational ditty, dressed in a tux, most formally, to render the greatest wordplay ever invented t, the uniqueness of a simple thank you my favorite poem a forever for ever, the song that plys and plays me in the me so often, the linguists have banned the word repeatedly from my lexicon so in its stead, this all-in-one mighty steed (verb phrase, a noun, or an adjective depending on its usage) this phatic expression, here disguised in Portuguese, muito obrigado! muito obrigado! muito obrigado!                                                                     nml 5:39am nyc 10/4, 10/4
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Oct 4, 2025
Oct 4, 2025 at 5:44 AM UTC
Love of Wordplay for Kiki Dresden
"sly wordplay, it glows, feels like a shimmering address, half warning and half blessing, really alive with cadence" read Kiki Dresden poetry^ once more into the sea trench divide, I dive to devise, Your provoking comment, demands my full attention, you divert me from struggling with ginger & clay, a contra concept that molds and enflames, yet strikes overtly sweet, it does not come so easy as this playful notion But your words deserve the attention immédiate atenção imediata that births this script, tumbling forth in an instantly instantaneously me student, you mistress~master, schooling me on sublimity subliminal, capturing the capering stylistic that bursts forth from within, that my fingertips provide, while my brain connives & connivers continuously you overlay analytics that never are to me revealed, the what and wherefore of the whom hiding within of the im~perpetuity impish essence of i m p ishness by charmingly doing me, not once, but many times better here a spillage: an observational ditty, dressed in a tux, most formally, to render the greatest wordplay ever invented t, the uniqueness of a simple thank you my favorite poem a forever for ever, the song that plys and plays me in the me so often, the linguists have banned the word repeatedly from my lexicon so in its stead, this all-in-one mighty steed (verb phrase, a noun, or an adjective depending on its usage) this phatic expression, here disguised in Portuguese, muito obrigado! muito obrigado! muito obrigado!                                                                     nml 5:39am nyc 10/4, 10/4
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67
Reinaldo was the name they gave the great white elephant Who came to clear the jungles around Sao Paulo A clever notion that because Reinaldo was born in the jungle Any jungle would do just fine, Brazilian or Siamese made no difference Just as clever was the notion that because I was a black man, educated I would do just fine directing other black men to do work, English or Portuguese made no difference Was I truly so much a fool, twice over? Reinaldo occasionally was afflicted with slothfulness Some of the men thought it was from lack of **** and whip I was of a mind that it was due to lack of companionship It was costly enough to ship one giant beast across a great sea I left a wife, in Maryland, whom I never loved and who never loved me I admit before the plan was in motion I never considered that Reinaldo could have a family Sometimes, I wonder, did he have a wife who never loved him? Loneliness became a common theme in our new home away from home And Reinaldo and I became friends, at least I thought of him fondly As far as I could say, of all the men he responded best to me At times it seemed a load of lumber was hauled as a personal favor For the handler too soft to handle with fear and anger But as much as loneliness was a theme, so was change, and death The lifespan of an elephant compares to the lifespan of men Were this scheme of mine to have worked as desired I could have sent for a cow, and made Reinaldo a sire Soon it was revealed that slothfulness was a symptom of an elephant young, healthy and wise Who sensed not his own, but a friend's imminent demise Now I am left to wonder how Reinaldo will fare in a world stranger than I could have known His softest handler and only friend bedridden, waiting for my disease to take its final toll
0
Jul 29, 2018
Jul 29, 2018 at 6:28 PM UTC
Reinaldo
Reinaldo was the name they gave the great white elephant Who came to clear the jungles around Sao Paulo A clever notion that because Reinaldo was born in the jungle Any jungle would do just fine, Brazilian or Siamese made no difference Just as clever was the notion that because I was a black man, educated I would do just fine directing other black men to do work, English or Portuguese made no difference Was I truly so much a fool, twice over? Reinaldo occasionally was afflicted with slothfulness Some of the men thought it was from lack of **** and whip I was of a mind that it was due to lack of companionship It was costly enough to ship one giant beast across a great sea I left a wife, in Maryland, whom I never loved and who never loved me I admit before the plan was in motion I never considered that Reinaldo could have a family Sometimes, I wonder, did he have a wife who never loved him? Loneliness became a common theme in our new home away from home And Reinaldo and I became friends, at least I thought of him fondly As far as I could say, of all the men he responded best to me At times it seemed a load of lumber was hauled as a personal favor For the handler too soft to handle with fear and anger But as much as loneliness was a theme, so was change, and death The lifespan of an elephant compares to the lifespan of men Were this scheme of mine to have worked as desired I could have sent for a cow, and made Reinaldo a sire Soon it was revealed that slothfulness was a symptom of an elephant young, healthy and wise Who sensed not his own, but a friend's imminent demise Now I am left to wonder how Reinaldo will fare in a world stranger than I could have known His softest handler and only friend bedridden, waiting for my disease to take its final toll
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27
For Helene. Ashes on the water, now. Love's bones like dust downstream.   At least it got to see itself in our eyes, Feel itself between hand holding hand And whispered caresses. From pillow talk to fists raised at Concerts, glasses of Portuguese wine On her balcony to the sound of magpies We named our neighbours. We were beautiful. Began beautifully. Ended gracefully. I open hands that held hers and see Nothing but skin worn by labour, And air. Ashes on the water, now. Embers without a chance against rivers   Cold with melted mountain snow and Unyielding differences. Some loves drown with lungs too full To cry; others float like a funeral-pyre- Longboat into the night, ablaze. King and queen, hand upon hand. Crowns tied from fresh flowers, We were beautiful. Began beautifully. Slid apart the way a glacier parts from The hills; slowly, but with the force Of its thousands of tons. Ashes on the water, Where the ghost of our union rests Underneath the surface of our memories. I will remember you. Until the stars burn out, raining the Dust of themselves like snow upon These waters that always are moving.
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Feb 28, 2016
Feb 28, 2016 at 5:08 PM UTC
These Waters that Always are Moving
They set off from white rocks, red geraniums, blue tile, and let the green sea lift and drop their ships far above the white foam waves. The stony islands that were home were swallowed in minutes by the hungry Atlantic but they hunted the big fish, the giant whales  with human eyes who rolled and sang and swam in oceans a continent away. They came from Sao Jorge, Sao Miguel Faial, Pico, Terceira, Horta - Nine island emeralds set in a black volcanic chain, neither of the old country nor the new: Halfway there and halfway gone - secret jewels of the Portuguese sailors. They sailed into unknown waters, south around tropical shores where dragons smoked and writhed on the rocks and birds with brilliant red and yellow plumage rose in clouds around their heads. Then north, and north, north again to colder waters where sea lions barked and lunged at the strange massive wooden beast that coursed the waters, strung with brown bodies swaying on the lines and cursing the sails. North still they swept casting contemptuous eyes on the cheap turquoise waters and monstrous slow turtles of the Sea of Cortez. Coming up from the desert, past the palms and the yucca, the Joshua tree and Spanish daggers, they chased their smooth grey prey, riding the vast Pacific on their wooden island, herding the leviathans onto their spears, adventurers with an audience of only gulls and sky and seal. Until they sailed too close one day to a rock-strewn shoreline and saw the golden hills. Gnarled oaks like grandmothers from home with orange poppy jewels at their feet, missions strung like beads in a ruby marked rosary. The boats slowed, ****** in by a Scylla of soil rich and brown and loamy waiting to be seeded with grapes and apricots peaches, avocados, lettuce, alfalfa, fertile and heavy with sweet promise. And the whales sang and the lions barked and the gulls cried but the sailors were entranced, encharmed, ensorcelled. The treacherous sea, the mysterious deep, the stony jewels of home, called and wept and waited in vain for the sailors   - beached and grounded - cutting not waves but earth, tracking seasons not whales, seduced by dirt.
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Nov 29, 2014
Nov 29, 2014 at 9:51 PM UTC
San Joaquin Sailors
They set off from white rocks, red geraniums, blue tile, and let the green sea lift and drop their ships far above the white foam waves. The stony islands that were home were swallowed in minutes by the hungry Atlantic but they hunted the big fish, the giant whales  with human eyes who rolled and sang and swam in oceans a continent away. They came from Sao Jorge, Sao Miguel Faial, Pico, Terceira, Horta - Nine island emeralds set in a black volcanic chain, neither of the old country nor the new: Halfway there and halfway gone - secret jewels of the Portuguese sailors. They sailed into unknown waters, south around tropical shores where dragons smoked and writhed on the rocks and birds with brilliant red and yellow plumage rose in clouds around their heads. Then north, and north, north again to colder waters where sea lions barked and lunged at the strange massive wooden beast that coursed the waters, strung with brown bodies swaying on the lines and cursing the sails. North still they swept casting contemptuous eyes on the cheap turquoise waters and monstrous slow turtles of the Sea of Cortez. Coming up from the desert, past the palms and the yucca, the Joshua tree and Spanish daggers, they chased their smooth grey prey, riding the vast Pacific on their wooden island, herding the leviathans onto their spears, adventurers with an audience of only gulls and sky and seal. Until they sailed too close one day to a rock-strewn shoreline and saw the golden hills. Gnarled oaks like grandmothers from home with orange poppy jewels at their feet, missions strung like beads in a ruby marked rosary. The boats slowed, ****** in by a Scylla of soil rich and brown and loamy waiting to be seeded with grapes and apricots peaches, avocados, lettuce, alfalfa, fertile and heavy with sweet promise. And the whales sang and the lions barked and the gulls cried but the sailors were entranced, encharmed, ensorcelled. The treacherous sea, the mysterious deep, the stony jewels of home, called and wept and waited in vain for the sailors   - beached and grounded - cutting not waves but earth, tracking seasons not whales, seduced by dirt.
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59
English: I Love You! Afrikaans: Ek is Lief vir jou! Chinese: 我爱你! French: Je t'aime ! German: Ich liebe dich ! Irish: Is breá liom tú ! Italian: ti amo ! Portuguese: eu te amo ! Zulu: Ngiyakuthanda ! Sotho wasn't available. We want to be loved.. But yet when was the last time you told someone you loved them?
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Oct 22, 2014
Oct 22, 2014 at 3:28 PM UTC
I love you ain't no sin to say.
i do not think that this is a poem - but i decided some things about you & i. if people are colors, you are blue and i am green. if people are seasons, you are spring and i am autumn. if people are flowers, you are a forget-me-not and i am a poppy. if people are drinks, you are hot chocolate and i am pink lemonade. if people are candy, you are an everlasting gobstopper and i am a hershey's kiss. if people are clouds, you are a cumulonimbus and i am a cirrostratus. if people are times of day, you are dusk and i am dawn. if people are trees, you are a weeping willow and i am a dogwood. if people are languages you are french and i am portuguese.
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Sep 14, 2013
Sep 14, 2013 at 7:20 AM UTC
you & i
Leave me alone Your thoughts keep melting me I am a snow man So , heu me (Latin) Leave me alone You come like a tornado Breaking my bones So, déjame en Paz (Spanish) Leave me alone You come in my dream Make me a walking dead man So, mag-iwan ako nag-iisa (Filipino) Leave me alone Now your smile Is Striking like a thunder So, laissez-moi tranquille (French) Leave me alone Your eyes are hunting Unfortunately I am the deer So, mujhē akēlā chōṛa dō (Hindi) Leave me alone Your teeth is enough To tear my heart So, Liú xià wǒ yīgè rén (Mandarin) Leave me alone I am going to start My life freshly So, zostaw mnie w spokoju (Polish) Leave me alone I am no longer with you My life took diversion So, me deixe em Paz (Portuguese)
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Jun 27, 2014
Jun 27, 2014 at 8:29 AM UTC
544. Leave me alone(Multilingual)
"Saudade" the heart whispers in low tones but I decide to ignore it "Saudade" the heart cries but I wipe its tears with numbness "Saudade!" the heart screams in agony and only then do I see how deep the heart feels that everlasting pain I decide to ignore that unique portuguese word that describes perfectly how everytime I ignore those threatening sad thoughts they linger somewhere else
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Aug 29, 2014
Aug 29, 2014 at 9:23 AM UTC
Saudade
Out of the delicate dream of the distance an emerald emerges Veiled in the violet folds of the air of the sea; Softly the dream grows awakening—shimmering white of a city, Splashes of crimson, the gay bougainvillea, the palms. High in the infinite blue of its heaven a quiet cloud lingers, Lost and forgotten of winds that have fallen asleep, Fallen asleep to the tune of a Portuguese song in a garden.
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3.1k
Madeira From The Sea
Did you know the East Indian Bottle Masala includes as many as 27 spices, or that an oil-free pickle served at their weddings is actually known as Wedding Pickle? These and many such authentic East Indian masalas and pickles are available at East Indian Cozinha (Portuguese for kitchen), a food store started by Christina Kinny at Kolovery Village in Kalina, Santacruz. "I started East Indian Cozinha with an attempt to preserve and highlight our cuisine and culture," says the 24-year old, who has studied Masters in Social Work and currently, works with an enterprise that helps tribal farmers. What’s in store? Going back 500 years, the East Indian cuisine enjoys influences from Portuguese, British and Maharashtrian fare. The staples include rice, coconut, tamarind, fish and meats, with spices forming an integral part of the cuisine. For instance, Prawn Atola is a dry dish comprising prawns coated only with Vindaloo Masala featuring Kashmiri chilli, cumin and turmeric. "Most people from our community were farmers and would be out on field all day. So, the masalas and lemon would help preserve their food for a longer time," reasons Kinny. At present, the store stocks six varieties of masala in 100g bottles (R150 onwards). These include Khuddi or Bottle Masala, Chinchoni (fish) Masala, Vindaloo Masala, Roast Rub, Kujit Masala and Tem Che Rose. She also offers Wedding Pickle, an oil-free variety prepared with raw papaya, carrots and dry dates. "All the recipes have been passed on from generations and are homemade," she informs. However, making the masalas is no cakewalk. "It takes three days to dry spices under the sun. Then, we hand pound them and pack them tightly in bottles with wider openings," says Kinny. She recalls that in her grandmother’s time, the masalas were tightly stuffed in beer bottles. The bottles were darker, and hence, helped preserve the masala for at least a year, at room temperature. Lugra love East Indian Cozinha also stocks traditional 10-yard saris known as lugras. These are hand embroidered by Kinny’s mother, Carol. Previously made only from cotton with authentic gold borders, now, lugras are embroidered with sequins and threads. "She has been in the garment industry for the last 30 years. She also makes traditional accessories like kapotas (earrings), karis (hair pins), anklets, etc," informs Kinny. read more:www.marieaustralia.com/formal-dresses www.marieaustralia.com/short-formal-dresses
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Dec 8, 2015
Dec 8, 2015 at 1:52 AM UTC
Buy East Indian wedding pickle in Kalina
Did you know the East Indian Bottle Masala includes as many as 27 spices, or that an oil-free pickle served at their weddings is actually known as Wedding Pickle? These and many such authentic East Indian masalas and pickles are available at East Indian Cozinha (Portuguese for kitchen), a food store started by Christina Kinny at Kolovery Village in Kalina, Santacruz. "I started East Indian Cozinha with an attempt to preserve and highlight our cuisine and culture," says the 24-year old, who has studied Masters in Social Work and currently, works with an enterprise that helps tribal farmers. What’s in store? Going back 500 years, the East Indian cuisine enjoys influences from Portuguese, British and Maharashtrian fare. The staples include rice, coconut, tamarind, fish and meats, with spices forming an integral part of the cuisine. For instance, Prawn Atola is a dry dish comprising prawns coated only with Vindaloo Masala featuring Kashmiri chilli, cumin and turmeric. "Most people from our community were farmers and would be out on field all day. So, the masalas and lemon would help preserve their food for a longer time," reasons Kinny. At present, the store stocks six varieties of masala in 100g bottles (R150 onwards). These include Khuddi or Bottle Masala, Chinchoni (fish) Masala, Vindaloo Masala, Roast Rub, Kujit Masala and Tem Che Rose. She also offers Wedding Pickle, an oil-free variety prepared with raw papaya, carrots and dry dates. "All the recipes have been passed on from generations and are homemade," she informs. However, making the masalas is no cakewalk. "It takes three days to dry spices under the sun. Then, we hand pound them and pack them tightly in bottles with wider openings," says Kinny. She recalls that in her grandmother’s time, the masalas were tightly stuffed in beer bottles. The bottles were darker, and hence, helped preserve the masala for at least a year, at room temperature. Lugra love East Indian Cozinha also stocks traditional 10-yard saris known as lugras. These are hand embroidered by Kinny’s mother, Carol. Previously made only from cotton with authentic gold borders, now, lugras are embroidered with sequins and threads. "She has been in the garment industry for the last 30 years. She also makes traditional accessories like kapotas (earrings), karis (hair pins), anklets, etc," informs Kinny. read more:www.marieaustralia.com/formal-dresses www.marieaustralia.com/short-formal-dresses
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10
My beloved Douro Valley The land where warm Sun sleep, Vines and oak trees to greet. Walls made in the past, Grapes growing fast. Love the vines, Portuguese king planted pines. My Douro River, A friend and a giver. Place where port is made, British  put it on trade. Lovely flavor, Share with your neighbor. The region with natural charm, Producers without a farm. Douro valley in a good mood, Wine pairing well with food. Warmest  regards. Victor  Marques
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Dec 10, 2010
Dec 10, 2010 at 4:00 AM UTC
My beloved Douro Valley
I was born of a fisherman, fine and faithful Faithful to God and the sea, faithful to my mother and me I am a daughter of the sea, sensible and salty To the sea I am impressed, there is peace that permeates Perhaps it is in my bones, Portuguese explorer’s blood When I breathe the salt air, its spirit deflects despair This love derives from my father, this love affair with saltwater This man of the sea fosters respect, but also tends to overprotect Perhaps the sea prepared him to be practical and prudent Undulating waves shaping his vision, dreams escorted to fruition For these dreams I am grateful, for the breath of the sea The lust the ocean produces in me The love from his heart, the love from the sea Floated over the waters so lavishly so lovely I'll send him a kiss across the Atlantic I hope it lands neatly on his cheek I hope it reaches him, quick
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Jun 18, 2017
Jun 18, 2017 at 2:18 PM UTC
Fisherman's Daughter
MAE HIRAETH ARNA AMDANOT ( THERE'S LONELINESS ON ME FOR YOU ) Her shadow is laughing. Her shadow is taller than a tree. She is a key for which there is no door a Polaroid photograph dying in the sun ( fading into the nothing from which it comes ). My mind slashes through time grasps this memory of her clutches it to itself until once again Death orders it to . . .let go. It...does so. Her shadow laughing. Her shadow taller than a tree. *** Hiraeth, pronounced "here eyeth" is a Welsh word that has no direct English translation. It is defined it as homesickness tinged with grief or sadness over the lost or departed. It is a mix of longing, yearning, nostalgia, wistfulness, or an earnest desire...a homesickness for a home you cannot return to, or that never was. Hiraeth is best buddies with the Portuguese concept of saudade (a key theme in Fado music), Brazilian Portuguese banzo (more related to homesickness), Turkish gurbet, Galician morriña, Romanian dor.
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May 20, 2017
May 20, 2017 at 6:51 PM UTC
MAE HIRAETH ARNA AMDANOT ( THERE'S LONELINESS ON ME FOR YOU )
My mother's not an alcoholic but she's plenty of things I'd like to sing Thanks for criticizing my skinny jeans and ****** up child hood teeth. Here's to making my first girlfriend cry and squashing my beliefs, a toast for being paranoid and obsessed with what you lack. Better swallow all the car keys, mom, cause I may not come back. And dad, thanks for slowing down the car so I could stick my head up for knowing my mom is unstable and when I should just shut up. Here's to holding me down and bruising my wrists and daring me to leave because what I found and loved and lost is more than I could ever begin to believe. So here's to my brother who got the short end of the stick cause I was born so ******* intelligent And here's to the buddies who left me on my own Because we're all too lazy to pick up the ******* phone Said I'll splatter my brains across your bedroom mirror and serial killers don't have motive, not everyone knows enough to know what they don't, but if this isn't the so-called "real world" I don't know what is. So here's to death, Mr. Portuguese, zodiac signs, poor stitching and the trees (and their leaves.) So here's to now, Mrs. Angel face, you've finally got your perfect family (and you see) SO HERE'S TO THIS, my dear bestest friend, to laying in the tub at 2 am (til 4 am) And here's to wrinkled toes and kissing, to grass stained jeans and living where you are (you've gotten far) And you can try to end it all but they'll probably just hit you, And when you go to therapy I'd like to be there with you Because I don't think they know what they've got No they don't know, they don't know they don't know. So here is you, living on the streets. I'd give it all away so we could be (why not happy.) So here's to you, open heaven gates. Jesus knew that death awaits us all (well all fall down.) Everyone I love is dying, everyone I love is dying (screaming) x how ever many times you feel And I am dyyyyyying too.
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Jan 7, 2013
Jan 7, 2013 at 10:02 PM UTC
Let's Write a Folk Punk Song
My mother's not an alcoholic but she's plenty of things I'd like to sing Thanks for criticizing my skinny jeans and ****** up child hood teeth. Here's to making my first girlfriend cry and squashing my beliefs, a toast for being paranoid and obsessed with what you lack. Better swallow all the car keys, mom, cause I may not come back. And dad, thanks for slowing down the car so I could stick my head up for knowing my mom is unstable and when I should just shut up. Here's to holding me down and bruising my wrists and daring me to leave because what I found and loved and lost is more than I could ever begin to believe. So here's to my brother who got the short end of the stick cause I was born so ******* intelligent And here's to the buddies who left me on my own Because we're all too lazy to pick up the ******* phone Said I'll splatter my brains across your bedroom mirror and serial killers don't have motive, not everyone knows enough to know what they don't, but if this isn't the so-called "real world" I don't know what is. So here's to death, Mr. Portuguese, zodiac signs, poor stitching and the trees (and their leaves.) So here's to now, Mrs. Angel face, you've finally got your perfect family (and you see) SO HERE'S TO THIS, my dear bestest friend, to laying in the tub at 2 am (til 4 am) And here's to wrinkled toes and kissing, to grass stained jeans and living where you are (you've gotten far) And you can try to end it all but they'll probably just hit you, And when you go to therapy I'd like to be there with you Because I don't think they know what they've got No they don't know, they don't know they don't know. So here is you, living on the streets. I'd give it all away so we could be (why not happy.) So here's to you, open heaven gates. Jesus knew that death awaits us all (well all fall down.) Everyone I love is dying, everyone I love is dying (screaming) x how ever many times you feel And I am dyyyyyying too.
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31
Jamming jellyfish Top-Me  ((Giddy App Seahorse)) The horseradish on my lap______ The jolly Jelly Gefilte Fish Little help from my friends How we click the laptop One dent to Deceive me The Rock and Rolling Stomach his smoke went Like *** Cheese) he leaves me The spicy tongue map Z-Top Zany Chilli Pepper____ your # tap dance tap Italian top of the cheese designer skirt The outskirts of Naples Her sweet dimples, please The Islands of Sicily So many Cheese forms Terms of Endearment Mama Mia Murano-Positano Her lips of Romano Cheese (To Top Me) Challenge me Cheese doesn't mix with cappuccino, she's the Capri Ala Denti Cheese Wiz chair Mediterranean Wines Bear men doing low sips of time the grisly(Z) pour The car smelled like Flight (Top Me) Swiss air Meet Dominique How it went La Cirque Anti Christ Devil Red-bed cheese mystique SOS to their notes PS the junk car in Midas the makeover Make-up artist counter Clinique I could paint over your hood Creamy mind put at ease He's so displeased New castle disease Mingling social disease She's so infectious ZZ- Top me rock me Eyes bloodshot you got me And nevertheless With twelve and V V- Vamps tramps and 14 karats The French Lieutenant Mistress Brie with heavy bite teeth like garnets Cher turning back time The burlesque striptease Come back little Sheba Z Top Queen of Sheba I know it's coming soon____? All Tight claustrophobic The tight squeeze Him speaking Mandarin Oranges The British Colony Unique Chinese languages Her hills, San Francisco Jack Nicholson Comedy of China town The American Women Smile cheese at the Disco The food Cantonese style Z muscles Hercules Joan Rivers Fashion Police The Cheese of Portuguese Its the meat market With his nifty thrifty Neice All Socrates (Gromet and Cheese) Those Brooklyn workers The Falcon Matese____* More cheese Z-Top Who could ever top The string cheese Silken strings became to rest, I rest my cheese What cheese fascinates you Tell me?
0
Jun 8, 2018
Jun 8, 2018 at 9:12 AM UTC
Z- Top Me! Cheese
Jamming jellyfish Top-Me  ((Giddy App Seahorse)) The horseradish on my lap______ The jolly Jelly Gefilte Fish Little help from my friends How we click the laptop One dent to Deceive me The Rock and Rolling Stomach his smoke went Like *** Cheese) he leaves me The spicy tongue map Z-Top Zany Chilli Pepper____ your # tap dance tap Italian top of the cheese designer skirt The outskirts of Naples Her sweet dimples, please The Islands of Sicily So many Cheese forms Terms of Endearment Mama Mia Murano-Positano Her lips of Romano Cheese (To Top Me) Challenge me Cheese doesn't mix with cappuccino, she's the Capri Ala Denti Cheese Wiz chair Mediterranean Wines Bear men doing low sips of time the grisly(Z) pour The car smelled like Flight (Top Me) Swiss air Meet Dominique How it went La Cirque Anti Christ Devil Red-bed cheese mystique SOS to their notes PS the junk car in Midas the makeover Make-up artist counter Clinique I could paint over your hood Creamy mind put at ease He's so displeased New castle disease Mingling social disease She's so infectious ZZ- Top me rock me Eyes bloodshot you got me And nevertheless With twelve and V V- Vamps tramps and 14 karats The French Lieutenant Mistress Brie with heavy bite teeth like garnets Cher turning back time The burlesque striptease Come back little Sheba Z Top Queen of Sheba I know it's coming soon____? All Tight claustrophobic The tight squeeze Him speaking Mandarin Oranges The British Colony Unique Chinese languages Her hills, San Francisco Jack Nicholson Comedy of China town The American Women Smile cheese at the Disco The food Cantonese style Z muscles Hercules Joan Rivers Fashion Police The Cheese of Portuguese Its the meat market With his nifty thrifty Neice All Socrates (Gromet and Cheese) Those Brooklyn workers The Falcon Matese____* More cheese Z-Top Who could ever top The string cheese Silken strings became to rest, I rest my cheese What cheese fascinates you Tell me?
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98
Tiptoeing over this week leaving fingerprints of sleep in every fold of your shirt. Voices like humming birds, echo of mint and train tracks on a hot day. Respite. Sounds like its meaning, feels like a sigh. Learned a new word. Cafuné. To lovingly waltz fingers through hair, Portuguese stuck to the back of my hand. The air smells of limes. Hiding cherries every day this month made my tongue purple. This is not a poem. It shouldn’t taste like purpose, lethargic bubbles rising in a cup. Drawing peaches and crayons between the millimetre increments of your knuckles.
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Nov 11, 2012
Nov 11, 2012 at 1:41 AM UTC
Stealing lace curtains
Forgotten memories remain to be a significant part of the rich tapestry of contemporary establishment, just like an Indian summer which dries the drab and weary soul of those who are ****** History reveals that the Spaniards sold Erythroxylum Coca to Bolivian and Peruvian populations, whilst tyranny exerted its illegitimate dominance. So, the quest for power and social control remains to be exploitative in the guise of jovial and seemingly convincing salesmen. Just ask the shamans of traditional cleansing. The pulsating groans of ancient civilisations will never dissipate, despite the lusts of mankind to establish grandiose constructs. Oh great and mighty spirit of the land, we need your residence amidst our conceited political climate, because you have truly won the war even though our realisation is blinded by fierce presumption. I desire to take a bite of historical and gourmet delicacies, and to swallow the diversity of gustatory brilliance, because their remains to be a discrepancy between Spanish and Portuguese validity.
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Nov 6, 2013
Nov 6, 2013 at 11:51 PM UTC
A Banquet for the Starved
Trinidad and Tobagonians Haitians Egyptians Mexicans English Liechtensteins Turkish Italians Norwegians Germans Portuguese Omanians Tromelin Islanders Orcas Islanders French African-Americans Maldives Ecuadorians Romanians Ice Landers Chinese Argentinas
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Feb 15, 2016
Feb 15, 2016 at 4:55 PM UTC
The Melting *** of America
~               the language of love, it has no equivalence, we speak what we hope, we seek what we love; vacillating? perhaps, but there is no ambivalence. lovers whisper, lovers shout; alternating between holding it in, or getting the words out. whether sweet words of friendship, or letting the heart go, each tells a tale, a heartbeat, one the spirit only knows. is it the “shemomedjamo” of Georgia, the “overindulgence that cannot stop this appetite;” or “lagom” of the Swedes, who speak of moderation? where what i have and what i see, is perfect, just right! the words, “koi no yokan,” from the culture of the east, Japanese speak of the instant of knowing a love that’s “meant to be.” there is “mamihlapinatapai,” used by those at the tip, of Tierra del Fuego’s windswept cliffs, a lover’s wish they can’t set free; further north Brazilians speak, of “cafune,” the sweet tugging at her long and flowing hair; a love that reaches, strokes, so tenderly. the Thai use “greng-jai,” for love that defers... and to sacrifice refers; the French have “retrouvailles,” a love that sparks rediscovery, where distance knows no separation; “onsra,” is a love soon to be a thing of the past; used in Burma and India when spoken of a love that cannot last. the “saudade,” of the Portuguese, of love that can no longer be, though it may have been consuming, is now but bittersweet. and then... there is Arabic’s “tuqburni,” a love that says so gently “without you i am dying!” each, it has no English equivalent yet somehow we manage... we find our true love, in relationships, in marriage, for love is a catholic language; even when there are no words, where touch, where tender looks, translations of the unheard thoughts; where pillows hold the notes of longing, empty bars and stanzas filled; oh love, oh boundless one, under steeples pledge your troth, to death’s door you take your oath, to forever sing your universal song!
0
May 8, 2014
May 8, 2014 at 1:28 AM UTC
language of love
~               the language of love, it has no equivalence, we speak what we hope, we seek what we love; vacillating? perhaps, but there is no ambivalence. lovers whisper, lovers shout; alternating between holding it in, or getting the words out. whether sweet words of friendship, or letting the heart go, each tells a tale, a heartbeat, one the spirit only knows. is it the “shemomedjamo” of Georgia, the “overindulgence that cannot stop this appetite;” or “lagom” of the Swedes, who speak of moderation? where what i have and what i see, is perfect, just right! the words, “koi no yokan,” from the culture of the east, Japanese speak of the instant of knowing a love that’s “meant to be.” there is “mamihlapinatapai,” used by those at the tip, of Tierra del Fuego’s windswept cliffs, a lover’s wish they can’t set free; further north Brazilians speak, of “cafune,” the sweet tugging at her long and flowing hair; a love that reaches, strokes, so tenderly. the Thai use “greng-jai,” for love that defers... and to sacrifice refers; the French have “retrouvailles,” a love that sparks rediscovery, where distance knows no separation; “onsra,” is a love soon to be a thing of the past; used in Burma and India when spoken of a love that cannot last. the “saudade,” of the Portuguese, of love that can no longer be, though it may have been consuming, is now but bittersweet. and then... there is Arabic’s “tuqburni,” a love that says so gently “without you i am dying!” each, it has no English equivalent yet somehow we manage... we find our true love, in relationships, in marriage, for love is a catholic language; even when there are no words, where touch, where tender looks, translations of the unheard thoughts; where pillows hold the notes of longing, empty bars and stanzas filled; oh love, oh boundless one, under steeples pledge your troth, to death’s door you take your oath, to forever sing your universal song!
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65
I speak you (portuguese, spanish, english aside) I speak you almost fluently and now I wear shiny lip-gloss more often since I'm speaking you without touch for now. and distance is beautiful --like your knuckles and the back of your taught ankles-- which are not noticed enough (they hold everything together) much like distance. I think both are beautiful on you.
0
Apr 9, 2015
Apr 9, 2015 at 1:28 PM UTC
speak you
I think you got it wrong You say Argentina we say not You say Malvenas we say Falkland Isles You say stole in 1830 how that makes me smile For in 1830 you where Portuguese Not Argentine You had no republic till 1860s time So from whom did you steal the country you live in ? Your history tainted and arguments thin. Your country is in tatters so why not have a war! Hang on the Junta tried that before!! You will look great on TV as you rally the cry ON TO THE FALKLANDS SO MORE SONS CAN DIE!! The battle is over now govern your own The Falklands are British so please stay at home.
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Jan 3, 2013
Jan 3, 2013 at 9:55 AM UTC
Oh Mrs Kirchner
Age, race, gender, height Curly, straight, dark, light, Tall, short, thin, wide, Nobody's the same outside. Chinese, Asian, Indian, Portuguese or American, We're born into Our environments. But if one plus one is two, Nobody tries to argue, Because numbers have unchanging values, and humans should too. Skin and bones, Heart and soul, And that alone, Makes us valuable. We are skin and bones, We are heart and soul, We are all the same, And our values don't change. Age, race, gender, height, We are one, And we're all alright. Skin and bones, Heart and soul, We're all the same, And our values don't change.
0
Sep 12, 2014
Sep 12, 2014 at 10:44 PM UTC
Humans Should Too
weathered fingertips in sensual crescendo arouse blitzing keystrokes to commove wild Js and Zeds, Ks and Is too. harmony of the king's three-thousand acre jungle swallowing the stormy orange cyclical stew and tantamount to its feral cavities thrushes whet jagged spinal bones to split news of the no-rhythm, sambas of new religious canter infiltrates the **** cavernous walls This inner ear and greater sound knew to find sanctuary here. Lends its awesome craft to the next And next, and next, and next; beautiful unboxed melodies new unused sweet single-reeds threading that 20s centrifuge. Saxophone. Incantations unfolding Aloof in its ***** it unwraps The veil of green, a costume of black coffees Cigarette stained curtains exhumed to greet Thick plumes of albicant sinewy smoke At the heap of its glorious song Uniting the funnel of eardom to consecrate Bliss. Intrinsic and purple An irrational knot of Portuguese drum Met over by African toms and rattles A glue imbued into those unmistakable Chakras of this spell of mourning and reversed Names of starlight girls and their other'd selves These are the weapons of our new key strokes. And upon the cortex it reveals this lift anew Where death greeted me to intervene a place Where sound and silence meet, and new strikes Put my hands in halves. Pear-shaped birds pecking At the joints, and where bowl-shaped tones bring Their impeccable limbs to atone with auburn and cerise soils Beneath the high ridges of doom- the empowering backspace Does not exist, only new nothingnesses and their hooves Splashing into each step into the next, and the next, and the next, And the next.
0
Nov 6, 2015
Nov 6, 2015 at 7:10 AM UTC
Carlos & The Stride of Horses
weathered fingertips in sensual crescendo arouse blitzing keystrokes to commove wild Js and Zeds, Ks and Is too. harmony of the king's three-thousand acre jungle swallowing the stormy orange cyclical stew and tantamount to its feral cavities thrushes whet jagged spinal bones to split news of the no-rhythm, sambas of new religious canter infiltrates the **** cavernous walls This inner ear and greater sound knew to find sanctuary here. Lends its awesome craft to the next And next, and next, and next; beautiful unboxed melodies new unused sweet single-reeds threading that 20s centrifuge. Saxophone. Incantations unfolding Aloof in its ***** it unwraps The veil of green, a costume of black coffees Cigarette stained curtains exhumed to greet Thick plumes of albicant sinewy smoke At the heap of its glorious song Uniting the funnel of eardom to consecrate Bliss. Intrinsic and purple An irrational knot of Portuguese drum Met over by African toms and rattles A glue imbued into those unmistakable Chakras of this spell of mourning and reversed Names of starlight girls and their other'd selves These are the weapons of our new key strokes. And upon the cortex it reveals this lift anew Where death greeted me to intervene a place Where sound and silence meet, and new strikes Put my hands in halves. Pear-shaped birds pecking At the joints, and where bowl-shaped tones bring Their impeccable limbs to atone with auburn and cerise soils Beneath the high ridges of doom- the empowering backspace Does not exist, only new nothingnesses and their hooves Splashing into each step into the next, and the next, and the next, And the next.
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40
sugar sugar pour some water on me it can be black or green I don't care just please wash the sugar out of my hair sugar is bitter and sickening in my hair in my nose and ears my mom tells me to practice my 'violino' --we lived in Brazil so Portuguese words are still natural at times-- and she smiles so it cripples me a little I will practice as much as she likes
0
Jul 8, 2015
Jul 8, 2015 at 5:10 PM UTC
sugar water