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"portent" poems
On the stiff twig up there Hunches a wet black rook Arranging and rearranging its feathers in the rain. I do not expect a miracle Or an accident To set the sight on fire In my eye, nor seek Any more in the desultory weather some design, But let spotted leaves fall as they fall, Without ceremony, or portent. Although, I admit, I desire, Occasionally, some backtalk From the mute sky, I can't honestly complain: A certain minor light may still Lean incandescent Out of kitchen table or chair As if a celestial burning took Possession of the most obtuse objects now and then -- Thus hallowing an interval Otherwise inconsequent By bestowing largesse, honor, One might say love. At any rate, I now walk Wary (for it could happen Even in this dull, ruinous landscape); skeptical, Yet politic; ignorant Of whatever angel may choose to flare Suddenly at my elbow. I only know that a rook Ordering its black feathers can so shine As to seize my senses, haul My eyelids up, and grant A brief respite from fear Of total neutrality. With luck, Trekking stubborn through this season Of fatigue, I shall Patch together a content Of sorts. Miracles occur, If you care to call those spasmodic Tricks of radiance miracles. The wait's begun again, The long wait for the angel, For that rare, random descent.
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Black Rook In Rainy Weather
The table was set. The morning was fine. The world lay reflected in two glasses of wine. An empty plate reflected sunshine, The morning compressed in two glasses of wine. What did she see in undulations of wine? Were the shapes a portent? Was there a design? Were the glasses a mirror or shadowy sign? Perhaps they were more than just glasses of wine. She and a friend sat down to dine. Their reflections drank deeply from two glasses of wine.
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Jun 14, 2016
Jun 14, 2016 at 7:16 PM UTC
Glasses of Wine
It is December in Wicklow: Alders dripping, birches Inheriting the last light, The ash tree cold to look at. A comet that was lost Should be visible at sunset, Those million tons of light Like a glimmer of haws and rose-hips, And I sometimes see a falling star. If I could come on meteorite! Instead I walk through damp leaves, Husks, the spent flukes of autumn, Imagining a hero On some muddy compound, His gift like a slingstone Whirled for the desperate. How did I end up like this? I often think of my friends' Beautiful prismatic counselling And the anvil brains of some who hate me As I sit weighing and weighing My responsible tristia. For what? For the ear? For the people? For what is said behind-backs? Rain comes down through the alders, Its low conductive voices Mutter about let-downs and erosions And yet each drop recalls The diamond absolutes. I am neither internee nor informer; An inner émigré, grown long-haired And thoughtful; a wood-kerne Escaped from the massacre, Taking protective colouring From bole and bark, feeling Every wind that blows; Who, blowing up these sparks For their meagre heat, have missed The once-in-a-lifetime portent, The comet's pulsing rose.
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Exposure
for Harlon Rivers the river potion, the river portent, the river potent it is all of these and not one he is bank sided, observing the false idols, the image mirrored in the glass of the river transfigured molecularly he becomes something ferried frothily, forcefully as if a twig or a small thing of human manufacture, an object tossed up airborne-repeatedly his poetry: the clash of particles at the many junctions of objects and water, eddies and the currents, ceaselessly circumnavigating,   searching revisionary pathways directed, but randomized, prisoner of the flows, servant to the wind's directives and the earths magnetic indivisible undulating waves thinking, this life, its unsteady gait,  the irreverent wavering of drunkenness resultant from potent potions, portents of inopportune position in him, my own histories,  my poetic recordings also become water borne, watermarked, replayed back for me, for erasure, censure, closure and rededication this River is a tapestry, a torn map, drawn on broken shards of slivered water, living with all the others but we, are the untitled, we, are the un-entitled, and he is the Rivers <•>
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Aug 17, 2017
Aug 17, 2017 at 2:36 PM UTC
For Harlon: The River Potion
A Sonnet is a moment’s monument,— Memorial from the Soul’s eternity To one dead deathless hour. Look that it be, Whether for lustral rite or dire portent, Of its own arduous fulness reverent: Carve it in ivory or in ebony, As Day or Night may rule; and let Time see Its flowering crest impearled and orient. A Sonnet is a coin: its face reveals The soul,—its converse, to what Power ’tis due:— Whether for tribute to the august appeals Of Life, or dower in Love’s high retinue, It serve; or, ’mid the dark wharf’s cavernous breath, In Charon’s palm it pay the toll to Death.
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The House of Life: Introductory Sonnet
Draped in fresh-knitted pearls we traipsed into saccharine peach orchard The summer heat loped about our dew-kissed ****** ****** - appropriated from dawn spent on neatly shorn plantation grass Ambling into the knotted palatial arbor we sat each in our own tree crux behinds nestled upon ashen bark Juice dripping in our grip down our cast nets of flesh sprawled about the branches inset with gravity-defying liquescent orbs dusted in translucent mink painted with smears of citrine, coral, amber, and ichorous clinging to brass stem The rondures secede to mandible taut between palms pull and polished ivories - torn- Fluent in dulcet discourse We cloak ourselves in provocative juice tatting Until such time that our congealing garments were found mapping the bark's topography A saccharine map to the breath of soil Bloodstone ants found our map and had begun traversing - portent to seize our treasure We surrendered our jewelled cages and took flight to the sun-drunken lake to bathe and swim until heavy lids kissed moistly heavily supped on the draught sleep - beckoned transience
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Jan 26, 2014
Jan 26, 2014 at 9:48 PM UTC
Peach Juice Lingerie
Regrets, they come in waves and break around his feet And he begins to wonder who he might have been Had roads diverged in different woods and fields Not yellow or yet any colour still unseen But clearer now by day than windless nights Still nearer than the objects of his dreams It'd rained late into the evening, and when the lights were shaded Around the pool outside and with the windows shuttered He'd thrown on loose clothes, flicked open an umbrella While high outside the stars the lightning flashes muttered Pulled open doors that led to the veranda And moved outside once more with all his thoughts unuttered The smoke, from fires on Java lies heavy on his senses An omen of the time of year and of the past condition He shrugs, ***** in the acidic nighttime odors Reviving lives not lived but revealing his admission That time beyond the present that mirrors every movement Within, without, and yet again, the flicker of suspicion. The pistol in his pocket, illegal not unloaded A symbol of his state of mind and by  his sole discretion He kneels beside the water, deep-set and in the shadows Lips forming wordlessly around the last confession Images of where and what and who and why and whether A portent of that final action, sensing and impression The smoke from fires on Java lies heavy on the water The reek of cordite mixing with the smell of burning grasses Indignant birds protest the crack of one small set expulsion The echo round the swimming pool reverberates and passes Nothing more and nothing less and time and space and matter Slick red upon the treacherous tiles, the shattered bloodied glasses.
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Apr 23, 2013
Apr 23, 2013 at 6:19 AM UTC
Fires On Java
Regrets, they come in waves and break around his feet And he begins to wonder who he might have been Had roads diverged in different woods and fields Not yellow or yet any colour still unseen But clearer now by day than windless nights Still nearer than the objects of his dreams It'd rained late into the evening, and when the lights were shaded Around the pool outside and with the windows shuttered He'd thrown on loose clothes, flicked open an umbrella While high outside the stars the lightning flashes muttered Pulled open doors that led to the veranda And moved outside once more with all his thoughts unuttered The smoke, from fires on Java lies heavy on his senses An omen of the time of year and of the past condition He shrugs, ***** in the acidic nighttime odors Reviving lives not lived but revealing his admission That time beyond the present that mirrors every movement Within, without, and yet again, the flicker of suspicion. The pistol in his pocket, illegal not unloaded A symbol of his state of mind and by  his sole discretion He kneels beside the water, deep-set and in the shadows Lips forming wordlessly around the last confession Images of where and what and who and why and whether A portent of that final action, sensing and impression The smoke from fires on Java lies heavy on the water The reek of cordite mixing with the smell of burning grasses Indignant birds protest the crack of one small set expulsion The echo round the swimming pool reverberates and passes Nothing more and nothing less and time and space and matter Slick red upon the treacherous tiles, the shattered bloodied glasses.
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I pledge allegiance to all the stones in the road that have given me succor, to every poet-of-anywhere who greets me with wetted, parted lips and open heart, who greets the sun-rays shared, inching, opening o'er my yet living, praying body, reminding me that I am alive, that I am warm that I feel poetry in, on, cells, all over, deep in my extremities Most  importantly, in my busted heart, where warmth is stored in a soul restored, and Life affirmed, For who knows how many more times I will know this, How many more times I will able compose this, Play "measure the future'' in seconds or years and grimaced smiles over tears, or just one or the other, that be willed to supersede; Will keep you posted in every realized and many some stillborn poem, rising with the grand entrance of morn skies, or perhaps, lies buried neath in each horizon's cemetarial, and even those, that straddle a confusing and confused moon, of a twenty fours hours existence, be shoulder-borne, bathed in combinatorial equatorial moon & sun light, so we can bathe, like Bathsheba (1) by both, and delight at the exact same moment's portent, no matter, the disregarded, discarded, why we are who we are when pledge and plead allegiance to those eyes that read our scrivenings nml
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Aug 27, 2025
Aug 27, 2025 at 11:57 AM UTC
I pledge Allegiance
ravens squawked on that half moon night the people in the village were filled with fright a scary portent lingered upon the forest dell the black sorcerer was mixing a horrid spell winds whirled in an agitated manifest evil twas the potion prophetic its guest horror sprung from the cauldron's brew atop the hills smokey fires did spew eerie groans emanated inside the sorcerer's chest the incarnate devil dwelt in his breast he opened his mouth to consume a gnarly toad as the fleeing villagers ran along the forest road
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Aug 20, 2014
Aug 20, 2014 at 8:21 PM UTC
Eerie
*see me fly close to the sun watch my feathers trail and hopes plummet all round the air falling through the sky*    evening pond.. cranes' beaks probe last of daylight melts in rosemary-blue lunar-moult occurs once fins have fill of lacrymal-oceans pedestal left behind when raiment-sown into the slow-weave tapestry of awakening sweeping over this landscape with seminal-flow changing forever its inside-face hear the unsignalled-whispers of the moon-child it all lies in that feathered-hope squiggle.. squiggle.. this message portent on the palm of your sentry-pod rustic purple on wheat-coloured earth green-eyes smite the clouds its freedom moving.. ever-moving.. then dissipate into brilliant air temporarily changing the sky's face as the sun's eyelashes slowly meet crawling onward on the surface of never edging slowly to the sides now..veering wait to fall.. can't ignore the ever-giving spores lithe stems in a trance-like dance yes, there is beauty in this non-stop dispersing of that which asks nothing in return *somewhere there must still be a massive glitch in the time-score* st - 9 oct
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Oct 8, 2013
Oct 8, 2013 at 7:52 PM UTC
glitch
Poor, hapless souls! at whom we stand aghast, As at invading armies sweeping by — As strange to haggard face and desperate cry — Did we not know the worm must turn at last? Poor, hungry men, with hungry children cast Upon the wintry streets to thieve or die — Suffering your wants and woes so silently - Patient so long — is all your patience past? Are there no ears to hear this warning call? Are there no eyes to see this portent dread? Must brute force rise and social order fall, Ere these starved millions can be clothed and fed? Justice be judge. Let future history say Which are the greatest criminals to- day.
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2.7k
A Street Riot
The first time I heard them I swear, I was to listening to the most beautiful choir in four-part harmony, swaying or angles wings rubbing, & perfectly, playing a common file instrument angled, such a unique sound symphonic & splendorous they are all around this free concert an offering of Mother Nature chiming at once uncaged, & calling on the ladies in perfect unison   sounding like church telling one another of sunlit hours say the flowers fending off evil spirits allowing me to travel into the dark again leaping over obstacles, alerting me to danger, still in their silence   I am protected by this harbinger of luck a most powerful portent, of coming things they sit silently in the quiet, like a copper cricket weathervane, as the poor man's thermometer spinning tales effortlessly, in the wind calmly   watching over us a shivering in the night save you, are mine my Native American totem or God's Cricket Chorus foretelling of Sorrow of coming rains tomorrow ex-lovers and death a shrill creaking stridulating in song Oh, I fear that day, your music should go away please dear uncaged cricket choir   I truly ....    hope you'll stay. Cherie Nolan© 2016
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Sep 27, 2016
Sep 27, 2016 at 1:32 PM UTC
"The Uncaged Cricket Sings"
These lovers’ inklings which our loves enmesh, Lost to the cunning and dimensional eye, Though tenemented in the selves we see, Not more perforce than azure to the sky, Were necromancy-juggled to the flesh, And startled from no daylight you or me. For trance and silvermess those moons commend, Which blanch the warm life silver-pale; or look What ghostly portent mist distorts from slight Clay shapes; the willows that the waters took Liquid and brightened in the waters bend, And we, in love’s reflex, seemed loved of right. Then no more think to net forthwith love’s thing, But cast for it by spirit sleight-of-hand; Then only in the slant glass contemplate, Where lineament outstripping line is scanned, Then on the perplexed text leave pondering, Love’s proverb is set down transliterate.
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Counsel To Unreason
Preponderant enchantments written With dawns bereft tears Of a hircine mendicant Upon a necromantic acorn Thirsting times wild-wize monition During a week of sundays Atide sins wake awash Clarities purification. Natures immure debt drawing Maledictions masterpiece, Leys bane web mercifully mirroring Obsidian sibilant eyes Peccably prenouncing the portent Languid whisper inquisitorially; Heavens augumented vestments Distinguishable amid eternities Pensive shade as thuriferous Hallowed tombs loom black As ink, somewhere that was Thought to be void far between The dark hour anchoring the Fractured talisman of loves memoirs. ELEETE J MUIR.
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Jan 13, 2012
Jan 13, 2012 at 11:49 AM UTC
The ghosts of chance
the cauldron's strong potion was manifest in a dire toxin simmering to the pot's rim this was a stupid portent doom would be destine to prevail the elements mixed in error which ensured a disaster's outcome '''''''''''''''''''''''''''''''''''''''''''''''''''''''' bad omens were foretold by the recipe the black sorcerer no smart blender to late to change the concoction it boiled over then blew he'd not been very careful in how magic works such a novice with dark spells oh so silly
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Aug 28, 2016
Aug 28, 2016 at 8:10 PM UTC
The Silly Sorcerer (Double Etheree Poem)
Amidst the hordes, such mighty wroth: my bloodline doth elate. Posterity hath, though, borne aloft my banner as the Great. Springing forth my namesake there, outhewn from Hellas’ opal, that city which was brought to bear: her name Constantinople. For years to pass there was beholden Thy glory all so clear. The Great City’s holy site, golden: there stood Hagia Sophia. Therein however I bade Thee to grant portent or sign. Thou didst forsooth bequeath to me one sacred and divine. I stand upon the ever-brink, Rome’s beauty lies thereunder. Thy truth through me starteth to sink, it striketh me like thunder. The sun blindeth my weary eyes as I gaze over yonder; whereupon thou revealest me: In this sign, you will conquer.
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Jan 31, 2018
Jan 31, 2018 at 2:41 PM UTC
Emperor Constantine I
suds fall on black like endless snow. tarnished paint to spry— engine's diminutive breath clout of metal coil, ballasts of portent... defacing the fog and giving it a brand new meaning. beside the rice fields in sullen Bulacan, i ache for the frog defecating on this tortured piece of land. birds in migratory V-positions cleave the azure, vanishing behind the tough ornate. to whence they flee    and to where they shall land on their poised talons, i do not know.    underneath the dermis and over     it, a long stillness of waiting,   trapped is this      man of Earth.
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Nov 4, 2015
Nov 4, 2015 at 3:43 AM UTC
Carwash
when i heard about it, when i heard of “free art:” i thought of free bread and wine, and celtic sirens, i laughed though... you made the earth so ******* boring we all wanted to become astronauts. when art became free we tried to moralise drinking wine (as a portent of richness) and eating bread (as a portent of the russian revulsion), i bought my art.. and waited for the ones who discouraged it complaining buying their bread “well fed.” the celtic sirens hung on though, singing softer and softer but more prone to the acid tongues dragging the democrats into a hope of kings and village kindred elders, but i still didn’t hope for free artistry that was akin to circus, caged the gypsy have i? i have, but i did not warrant free food or free aquas of variation, i simplified freeing the demands with the demands freed into excess, well... if i were kingly i’d still have provided free bread and wine rather than music and the curbing the excesses of lyricists; making music free just discouraged all originality, all creativity, it just became a realism of a struggled acting - i feel cheated having missed the antics of britannia in the 1960's and '70's like it was greek and roman without the epileptics of watching a documentary on trans-sexualisation of brazilians and ******** disco to gag on an excess of flashy lights just to sell lipstick... and have these quasi-epileptic shivers without having an opposing opinion to counter the freely stated & fluxed. i guess my convulsions were due to the fact that the men didn’t call it either homosexuality nor trans-sexuality, and that i was actually looking at two dodos talking, meaning i was seeing the extinction of the human race through the **** meaning i was watching the knights templar idol, baphomet, realised 2000 years after the crucifixion in that crown of thorn dreams, perfected in thailand... of all places; that actually beats the identification of ibn saud as the dajjal, moving further east of mecca than riyadh and the assassination attempt within the framework of muhammad’s hadith of ‘no entry’ into mecca by the dajjal.
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Oct 12, 2015
Oct 12, 2015 at 11:17 PM UTC
the celtic girls became odysseus’ sirens / the age of baphomet
when i heard about it, when i heard of “free art:” i thought of free bread and wine, and celtic sirens, i laughed though... you made the earth so ******* boring we all wanted to become astronauts. when art became free we tried to moralise drinking wine (as a portent of richness) and eating bread (as a portent of the russian revulsion), i bought my art.. and waited for the ones who discouraged it complaining buying their bread “well fed.” the celtic sirens hung on though, singing softer and softer but more prone to the acid tongues dragging the democrats into a hope of kings and village kindred elders, but i still didn’t hope for free artistry that was akin to circus, caged the gypsy have i? i have, but i did not warrant free food or free aquas of variation, i simplified freeing the demands with the demands freed into excess, well... if i were kingly i’d still have provided free bread and wine rather than music and the curbing the excesses of lyricists; making music free just discouraged all originality, all creativity, it just became a realism of a struggled acting - i feel cheated having missed the antics of britannia in the 1960's and '70's like it was greek and roman without the epileptics of watching a documentary on trans-sexualisation of brazilians and ******** disco to gag on an excess of flashy lights just to sell lipstick... and have these quasi-epileptic shivers without having an opposing opinion to counter the freely stated & fluxed. i guess my convulsions were due to the fact that the men didn’t call it either homosexuality nor trans-sexuality, and that i was actually looking at two dodos talking, meaning i was seeing the extinction of the human race through the **** meaning i was watching the knights templar idol, baphomet, realised 2000 years after the crucifixion in that crown of thorn dreams, perfected in thailand... of all places; that actually beats the identification of ibn saud as the dajjal, moving further east of mecca than riyadh and the assassination attempt within the framework of muhammad’s hadith of ‘no entry’ into mecca by the dajjal.
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38
T'was little fun T'was a little town, No virulent delirious runs No irking sounds As t'was a little dangling town All t'was a feasible brew No meanders to sought No conundrums of anew just wired timely things to rot When all t'was a portent upcoming For t'was clad and veneered In a amicable sun-daze groaning T'was a peaceful loop of mono-gradient seasons and all to do was ponder For t'was guzzled with reasons T'was yesterdays jigsaw puzzle T'was a nightmare in sun-light But for now, let's retch our unknown dazzle As t'was, A flippant fuss For what shan't be A beguiling me
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Feb 6, 2015
Feb 6, 2015 at 5:21 AM UTC
T'was yesterday
Where the church bell gapes at its golden discs gain the airy steep. Where the eagle deposits its majestic soar, a mass of feather and talon--Empyrean's doormat. Where Icarus stroked wax wing through the sepia ambiance of his mind. Where the hermit broke 'neath after decade of reclusion. Where star discloseth foci to dime the dead of space. Where striven peace's tangled root whistles extolling. Where an aerodynamic corpus unsheathed horizon, parting palpebras.... surging the seen, unseen. All's apparent aqua blue, transparent ***** outspread portent pregnant of blessing. O sky--every soul's once-over, immaculate conceptions...ex nihilo.
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Nov 7, 2013
Nov 7, 2013 at 11:26 PM UTC
All's Apparent Aqua Blue
Stark dark black limbs Breast eyes beak wings Abysmal feathered Garments; a messenger. Mal to prefix, as well, Remnants from the abyss. Not malicious, for delicious Is a delight dragged Out of any carrion. Not carried because They carry enough Is too much for These observers of us. Screeching their squawks. Perched on boughs for talks. Of malign imminence. To coalesce friendly fragments. Found at any crossing's discourse. Gusting about an eerie force. Beacons upon who to bereave. Portent displacing fallen leaves. So we re-member Our piece by piece plummet Into that omnipotent Stark dark descent.
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Jan 13, 2013
Jan 13, 2013 at 7:08 PM UTC
Omen for Malignment
Place de la Gare, à Charleville. Sur la place taillée en mesquines pelouses, Square où tout est correct, les arbres et les fleurs, Tous les bourgeois poussifs qu'étranglent les chaleurs Portent, les jeudis soirs, leurs bêtises jalouses. - L'orchestre militaire, au milieu du jardin, Balance ses schakos dans la Valse des fifres : Autour, aux premiers rangs, parade le gandin ; Le notaire pend à ses breloques à chiffres. Des rentiers à lorgnons soulignent tous les couacs : Les gros bureaux bouffis traînant leurs grosses dames Auprès desquelles vont, officieux cornacs, Celles dont les volants ont des airs de réclames ; Sur les bancs verts, des clubs d'épiciers retraités Qui tisonnent le sable avec leur canne à pomme, Fort sérieusement discutent les traités, Puis prisent en argent, et reprennent : " En somme !..." Épatant sur son banc les rondeurs de ses reins, Un bourgeois à boutons clairs, bedaine flamande, Savoure son onnaing d'où le tabac par brins Déborde - vous savez, c'est de la contrebande ; - Le long des gazons verts ricanent les voyous ; Et, rendus amoureux par le chant des trombones, Très naïfs, et fumant des roses, les pioupious Caressent les bébés pour enjôler les bonnes... - Moi, je suis, débraillé comme un étudiant, Sous les marronniers verts les alertes fillettes : Elles le savent bien ; et tournent en riant, Vers moi, leurs yeux tout pleins de choses indiscrètes. Je ne dis pas un mot : je regarde toujours La chair de leurs cous blancs brodés de mèches folles : Je suis, sous le corsage et les frêles atours, Le dos divin après la courbe des épaules. J'ai bientôt déniché la bottine, le bas... - Je reconstruis les corps, brûlé de belles fièvres. Elles me trouvent drôle et se parlent tout bas... - Et je sens les baisers qui me viennent aux lèvres.
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1.8k
À la musique
Place de la Gare, à Charleville. Sur la place taillée en mesquines pelouses, Square où tout est correct, les arbres et les fleurs, Tous les bourgeois poussifs qu'étranglent les chaleurs Portent, les jeudis soirs, leurs bêtises jalouses. - L'orchestre militaire, au milieu du jardin, Balance ses schakos dans la Valse des fifres : Autour, aux premiers rangs, parade le gandin ; Le notaire pend à ses breloques à chiffres. Des rentiers à lorgnons soulignent tous les couacs : Les gros bureaux bouffis traînant leurs grosses dames Auprès desquelles vont, officieux cornacs, Celles dont les volants ont des airs de réclames ; Sur les bancs verts, des clubs d'épiciers retraités Qui tisonnent le sable avec leur canne à pomme, Fort sérieusement discutent les traités, Puis prisent en argent, et reprennent : " En somme !..." Épatant sur son banc les rondeurs de ses reins, Un bourgeois à boutons clairs, bedaine flamande, Savoure son onnaing d'où le tabac par brins Déborde - vous savez, c'est de la contrebande ; - Le long des gazons verts ricanent les voyous ; Et, rendus amoureux par le chant des trombones, Très naïfs, et fumant des roses, les pioupious Caressent les bébés pour enjôler les bonnes... - Moi, je suis, débraillé comme un étudiant, Sous les marronniers verts les alertes fillettes : Elles le savent bien ; et tournent en riant, Vers moi, leurs yeux tout pleins de choses indiscrètes. Je ne dis pas un mot : je regarde toujours La chair de leurs cous blancs brodés de mèches folles : Je suis, sous le corsage et les frêles atours, Le dos divin après la courbe des épaules. J'ai bientôt déniché la bottine, le bas... - Je reconstruis les corps, brûlé de belles fièvres. Elles me trouvent drôle et se parlent tout bas... - Et je sens les baisers qui me viennent aux lèvres.
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37
Now is my passion genuine, Or fuelled by lustful need to win I must have you within my arms Held tight together, sharing charms. Forbidden love, but do we care Wrapped in sin, we make love there While all around, the world goes mad For this snatched moment we are glad. And as we lie, our passion spent The skies are filled with dark portent The cuckold is life’s tragedy He lost his lover’s love to me He couldn’t ever set her free I took her to Eternity. ©Joe Wilson – Sinful surfing…2015
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May 11, 2015
May 11, 2015 at 8:11 AM UTC
Sinful surfing...
Magenta sunrise. Icy cold. Dotted intimately with magnolia dots of sunlight. Diamond studded. Fresh is the air this morn. It's bright. It's clean. Almost sterility. Clean skies. Let morning sky be not a portent. Cold air. Kiss me. (C) Livvi
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Dec 29, 2014
Dec 29, 2014 at 3:44 AM UTC
ELEGANCE
“How can I get you to go down on me,” he asked, without preamble. His voice, nervous, laced with strength hums through her form, summoning a tatting of *** She moves her entire form Across the room pushing solar plexus With index finger The wingback chair collecting His form – assuaging her intent. Retreating nine steps To gather Her acumen in dripping her clothes off Adroit pivot portent gaze locked exteroception - engaged His exhale executed succinctly in shallow lung puckered alveoli - clenched resonates as her own. Pearls scooped catatonic atop lingering breast ascension - alone Remain – Summoning brine. She tastes his pulse Derma puckering sweat globules Redolent aeriform vapor corpuscles declaring his need. Fingers supporting her upper weight she glides - crawling pressing half inch spurs into the carpet Lackadaisical dactyl dance Seizes muscle calf to thigh Invoking listless leg drape Pausing Warm breath – rendered Upon knee cap parallel Framing shoulders Engorging - in aching silence Pulse thick, wrought in shaft Kneeling Primed Proud She flicks the button From slit fabric recess Cupping palms under thigh, She renders garment to puddle half-in – half-out whole chthonic shaft to palette Sliding exhale to mound lax jaw focus Iris entreats - narrowed corneal withdrawal Oblong lip array surrounds Supping the creamy, coppery, Smoky, saline inoculation. Latent dribble invokes tongue Furl about lip cusp Absorbing globule Into slaked smile.
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Feb 19, 2014
Feb 19, 2014 at 10:33 AM UTC
Swallowing Pearls and Lace