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"pomp" poems
Next time I wake from sleep for keeps – from deepest, darkest slumber – I may come back a little bird to visit in the summer; my quetzal pomp, green feathered grace, singing through my hunger – when I am gone, I may come back your pretty bird, a wonder.
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Mar 20, 2018
Mar 20, 2018 at 7:16 PM UTC
Revival
Far back in the ages, The plough with wreaths was crowned; The hands of kings and sages Entwined the chaplet round; Till men of spoil disdained the toil By which the world was nourished, And dews of blood enriched the soil Where green their laurels flourished: --Now the world her fault repairs-- The guilt that stains her story; And weeps her crimes amid the cares That formed her earliest glory. The proud throne shall crumble, The diadem shall wane, The tribes of earth shall humble The pride of those who reign; And War shall lay his pomp away;-- The fame that heroes cherish, The glory earned in deadly fray Shall fade, decay, and perish. Honour waits, o'er all the Earth, Through endless generations, The art that calls her harvests forth, And feeds the expectant nations.
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Ode For An Agricultural Celebration
He filled his week bag with quick picks from the commissary cover blades and skull cap canned goods and half stated pearl liquor bills and bleeders for the flight of weary Into the ****** bunks of the western front past sivana and nurture sage past the pomp and ceremony out of robes and into jumpers and casings and masks of gas Light infantry and yelling men muscled and scorned fly boys high in 3 wing flight mounted gunners filling the night in hawkers and packards and scabbard chape Tarrant tabers and camels dodge the vicker gun skeleton hands grease the mill trap carnage makers mark the rhineland (buried in bunkers and pile bags and earth pack) Trench helmets and metal back under machine fire minefields burn in muzzle and coil deep in the shadows and shrapnel and spear the razor wire and dead cold despair Slouch hats and burning rats kerosene lamps and droopers the soldier stares down the broken lines and limbs a ****** holds steady (shelved at a distance) on ripped and rolled pipe and beam It was an all in end game a grapple for the ages; *** in the fokker pursuit over rolling hills and fallen comrades into the bishop bullet (and sporadic cheer) which sealed the deal in an empty field off the brae corbie road
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Jan 8, 2017
Jan 8, 2017 at 6:50 PM UTC
**** Shot
98 One dignity delays for all— One mitred Afternoon— None can avoid this purple— None evade this Crown! Coach, it insures, and footmen— Chamber, and state, and throng— Bells, also, in the village As we ride grand along! What dignified Attendants! What service when we pause! How loyally at parting Their hundred hats they raise! Her pomp surpassing ermine When simple You, and I, Present our meek escutheon And claim the rank to die!
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One dignity delays for all
My hart klop groen vir groei en ander goed en pomp van hormone en suurtof ryke bloed dit was liefde met eerste oog opslag dis net jammer my oe staar blind teen die mes in jou hand wat op my kaal rug wag. Dis 'n gan an soort klop die go-ahead van my kop die alles sal reg wees in jou glimlag jou oe die mandaat van 'n regte terg gees. en ek gaan vir die groen en silwer en goud, vir al die goeie goed vir die land sonder fout. Maar my hart is die Andries Hendrik Potgieter van my boere bloed wat waarsku teen jou met alle moed. My heldersiende hartklop wat my weg probeer lei van nog 'n ou grappie en nog 'n bietjie seerkry. Nou klop hy rooi hy klop bloed hy klop stop. Maar soos 'n GP kar vermy ek die tekens in my haas vir jou mond. Voel die lem deur my ribbes gly dood, nog voor die grond. en my hart, wil lag, maar skree verwoed. Nou kook die boerebloed! Jou simpel, jou wetter jou bogsnuiter kind! Snou my hart my toe, nou is hy stil en gee my die silent treatment.
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Jun 17, 2014
Jun 17, 2014 at 6:18 PM UTC
Rooi lig liefde
Life contracts and death is expected, As in a season of autumn. The soldier falls. He does not become a three-days personage, Imposing his separation, Calling for pomp. Death is absolute and without memorial, As in a season of autumn, When the wind stops, When the wind stops and, over the heavens, The clouds go, nevertheless, In their direction.
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The Death of a Soldier
Parents assembled cameras at the ready the graduates march with mortarboards tassled. Faculty tributes ever glowing praises but graduates listen with an eye to the prize. Pomp and Circumstance playing throughout the gym while graduates ignore with hopes for a cupcake. Kindergarten bites.
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Nov 15, 2009
Nov 15, 2009 at 11:02 AM UTC
*** Laude
666 Ah, Teneriffe! Retreating Mountain! Purples of Ages—pause for you— Sunset—reviews her Sapphire Regiment— Day—drops you her Red Adieu! Still—Clad in your Mail of ices— Thigh of Granite—and thew—of Steel— Heedless—alike—of pomp—or parting Ah, Teneriffe! I’m kneeling—still—
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Ah, Teneriffe!
When some proud son of man returns to earth, Unknown to glory, but upheld by birth, The sculptor’s art exhausts the pomp of woe And storied urns record who rest below: When all is done, upon the tomb is seen, Not what he was, but what he should have been: But the poor dog, in life the firmest friend, The first to welcome, foremost to defend, Whose honest heart is still his master’s own, Who labours, fights, lives, breathes for him alone, Unhonour’d falls, unnoticed all his worth— Denied in heaven the soul he held on earth: While Man, vain insect! hopes to be forgiven, And claims himself a sole exclusive Heaven. Oh Man! thou feeble tenant of an hour, Debased by slavery, or corrupt by power, Who knows thee well must quit thee with disgust, Degraded mass of animated dust! Thy love is lust, thy friendship all a cheat, Thy smiles hypocrisy, thy words deceit! By nature vile, ennobled but by name, Each kindred brute might bid thee blush for shame. Ye! who perchance behold this simple urn, Pass on—it honours none you wish to mourn: To mark a Friend’s remains these stones arise; I never knew but one,—and here he lies.
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Inscription On The Monument Of A Newfoundland Dog
I hated thee, fallen tyrant! I did groan To think that a most unambitious slave, Like thou, shouldst dance and revel on the grave Of Liberty. Thou mightst have built thy throne Where it had stood even now: thou didst prefer A frail and ****** pomp which Time has swept In fragments towards Oblivion. Massacre, For this I prayed, would on thy sleep have crept, Treason and Slavery, Rapine, Fear, and Lust, And stifled thee, their minister. I know Too late, since thou and France are in the dust, That Virtue owns a more eternal foe Than Force or Fraud: old Custom, legal Crime, And ****** Faith the foulest birth of Time.
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Feelings Of A Republican On The Fall Of Bonaparte
I was young when I learned to sing to the rhythm of fists flying through the air like birds too angry with the season to call. I was young when I thought a tune could drown the sounds of my mother’s sobs crashing through hallways in tidal waves and monsoon misery. I was young when I carved songs in the wallpaper and into my delicate skin. I turned bruises into syncopated beats and scars into major scales. My stepfather hated music but I was an ornery child, and I sang of joyous things just to see if his soul could dance, but instead, I got two left feet in swift kicks. When I was was young I was afraid of sticks because I thought my body was a drum to be beaten and battered to a punishing rhythm. I was young when I learned that the taste of blood on my lip was merely the flicker before the intermission; the finale would be a grand display of pomp, punch, and unlucky circumstance. My mother was a tone-deaf drunk who never learned to sing. She belted begging in B flat octaves like it was the only note she knew. She wept an ocean of sorrow as I sang my S.O.S. “God, save our sinking ship.” “God, save our sinking souls.” “God, save our sorry stepfather from himself.” And when I thought to cry, I sang my little heart out instead. I sang of devil's meeting end, and I sang of daughter's finding love, and I sang of mother's finding strength enough to leave, and I sang to the happy families that only existed in sitcoms, because my stepfather hated music but I hated him far more.
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Jan 23, 2014
Jan 23, 2014 at 12:15 PM UTC
My Stepfather Hated Music
I was young when I learned to sing to the rhythm of fists flying through the air like birds too angry with the season to call. I was young when I thought a tune could drown the sounds of my mother’s sobs crashing through hallways in tidal waves and monsoon misery. I was young when I carved songs in the wallpaper and into my delicate skin. I turned bruises into syncopated beats and scars into major scales. My stepfather hated music but I was an ornery child, and I sang of joyous things just to see if his soul could dance, but instead, I got two left feet in swift kicks. When I was was young I was afraid of sticks because I thought my body was a drum to be beaten and battered to a punishing rhythm. I was young when I learned that the taste of blood on my lip was merely the flicker before the intermission; the finale would be a grand display of pomp, punch, and unlucky circumstance. My mother was a tone-deaf drunk who never learned to sing. She belted begging in B flat octaves like it was the only note she knew. She wept an ocean of sorrow as I sang my S.O.S. “God, save our sinking ship.” “God, save our sinking souls.” “God, save our sorry stepfather from himself.” And when I thought to cry, I sang my little heart out instead. I sang of devil's meeting end, and I sang of daughter's finding love, and I sang of mother's finding strength enough to leave, and I sang to the happy families that only existed in sitcoms, because my stepfather hated music but I hated him far more.
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All are limitory, but each has her own nuance of damage. The elite can dress and decent themselves, are ambulant with a single stick, adroit to read a book all through, or play the slow movements of easy sonatas. (Yet, perhaps their very carnal freedom is their spirit's bane: intelligent of what has happened and why, they are obnoxious to a glum beyond tears.) Then come those on wheels, the average majority, who endure T.V. and, led by lenient therapists, do community-singing, then the loners, muttering in Limbo, and last the terminally incompetent, as improvident, unspeakable, impeccable as the plants they parody. (Plants may sweat profusely but never sully themselves.) One tie, though, unites them: all appeared when the world, though much was awry there, was more spacious, more comely to look at, it's Old Ones with an audience and secular station. Then a child, in dismay with Mamma, could refuge with Gran to be revalued and told a story. As of now, we all know what to expect, but their generation is the first to fade like this, not at home but assigned to a numbered frequent ward, stowed out of conscience as unpopular luggage. As I ride the subway to spend half-an-hour with one, I revisage who she was in the pomp and sumpture of her hey-day, when week-end visits were a presumptive joy, not a good work. Am I cold to wish for a speedy painless dormition, pray, as I know she prays, that God or Nature will abrupt her earthly function?
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Old People's Home
Gen. Lees invasion of the North written by himself— In eighteen sixty three, with pomp, and mighty swell, Me and Jeff’s Confederacy, went forth to sack Phil-del, The Yankees the got arter us, and giv us particular hell, And we skedaddled back again, And didn’t sack Phil-del.
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Verse On Lee’s Invasion Of The North
The clouds as I see them, rising urgently, roseate in the mounting of somber power surging in evening haste over roofs and hermetic grim walls— Last night As if death had lit a pale light in your flesh, your flesh was cold to my touch, or not cold but cool, cooling, as if the last traces of warmth were still fading in you. My thigh burned in cold fear where yours touched it. But I forced to mind my vision of a sky close and enclosed, unlike the space in which these clouds move— a sky of gray mist it appeared— and how looking intently at it we saw its gray was not gray but a milky white in which radiant traces of opal greens, fiery blues, gleamed, faded, gleamed again, and how only then, seeing the color in the gray, a field sprang into sight, extending between where we stood and the horizon, a field of freshest deep spiring grass starred with dandelions, green and gold gold and green alternating in closewoven chords, madrigal field. Is death’s chill that visited our bed other than what it seemed, is it a gray to be watched keenly? Wiping my glasses and leaning westward, clearing my mind of the day’s mist and leaning into myself to see the colors of truth I watch the clouds as I see them in pomp advancing, pursuing the fallen sun.
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Clouds
Whisky, “The Water of Life”, ******** burning all down my chest. Opening up my mind to endless imaginations So I can put the world to rights Like Superman in his pomp. Feel that glow, Spreading like a forest fire. Feelgood Factor Fathomless in its depth. Who cares what peat, in what glens Or valleys it came from. Or what precipitation Bathed those golden barley ears On Celtic hillsides. I’ll drink any Whisky, Single or blend White oak cask or not. So long as it gives me that buzz And blows my mind. Inspiring the best Or worst In me. Paul Butters
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Jun 30, 2017
Jun 30, 2017 at 10:32 AM UTC
Whisky
So stick up ivy and the bays, And then restore the heathen ways. Green will remind you of the spring, Though this great day denies the thing. And mortifies the earth and all But your wild revels, and loose hall. Could you wear flowers, and roses strow Blushing upon your ******* warm snow, That very dress your lightness will Rebuke, and wither at the ill. The brightness of this day we owe Not unto music, masque, nor show: Nor gallant furniture, nor plate; But to the manger’s mean estate. His life while here, as well as birth, Was but a check to pomp and mirth; And all man’s greatness you may see Condemned by His humility. Then leave your open house and noise, To welcome Him with holy joys, And the poor shepherd’s watchfulness: Whom light and hymns from heaven did bless. What you abound with, cast abroad To those that want, and ease your load. Who empties thus, will bring more in; But riot is both loss and sin. Dress finely what comes not in sight, And then you keep your Christmas right.
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The True Christmas
God of our fathers, known of old— Lord of our far-flung battle line— Beneath whose awful hand we hold Dominion over palm and pine— Lord God of Hosts, be with us yet, Lest we forget—lest we forget! The tumult and the shouting dies— The Captains and the Kings depart— Still stands Thine ancient sacrifice, An humble and a contrite heart. Lord God of Hosts, be with us yet, Lest we forget—lest we forget! Far-called our navies melt away— On dune and headland sinks the fire— Lo, all our pomp of yesterday Is one with Nineveh and Tyre! Judge of the Nations, spare us yet, Lest we forget—lest we forget! If, drunk with sight of power, we loose Wild tongues that have not Thee in awe— Such boastings as the Gentiles use, Or lesser breeds without the Law— Lord God of Hosts, be with us yet, Lest we forget—lest we forget! For heathen heart that puts her trust In reeking tube and iron shard— All valiant dust that builds on dust, And guarding calls not Thee to guard. For frantic boast and foolish word, Thy Mercy on Thy People, Lord! Amen.
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Recessional (A Victorian Ode)
I would I were a careless child, Still dwelling in my Highland cave, Or roaming through the dusky wild, Or bounding o’er the dark blue wave; The cumbrous pomp of Saxon pride, Accords not with the freeborn soul, Which loves the mountain’s craggy side, And seeks the rocks where billows roll. Fortune! take back these cultur’d lands, Take back this name of splendid sound! I hate the touch of servile hands, I hate the slaves that cringe around: Place me among the rocks I love, Which sound to Ocean’s wildest roar; I ask but this—again to rove Through scenes my youth hath known before. Few are my years, and yet I feel The World was ne’er design’d for me: Ah! why do dark’ning shades conceal The hour when man must cease to be? Once I beheld a splendid dream, A visionary scene of bliss: Truth!—wherefore did thy hated beam Awake me to a world like this? I lov’d—but those I lov’d are gone; Had friends—my early friends are fled: How cheerless feels the heart alone, When all its former hopes are dead! Though gay companions, o’er the bowl Dispel awhile the sense of ill; Though Pleasure stirs the maddening soul, The heart—the heart—is lonely still. How dull! to hear the voice of those Whom Rank or Chance, whom Wealth or Power, Have made, though neither friends nor foes, Associates of the festive hour. Give me again a faithful few, In years and feelings still the same, And I will fly the midnight crew, Where boist’rous Joy is but a name. And Woman, lovely Woman! thou, My hope, my comforter, my all! How cold must be my ***** now, When e’en thy smiles begin to pall! Without a sigh would I resign, This busy scene of splendid Woe, To make that calm contentment mine, Which Virtue knows, or seems to know. Fain would I fly the haunts of men— I seek to shun, not hate mankind; My breast requires the sullen glen, Whose gloom may suit a darken’d mind. Oh! that to me the wings were given, Which bear the turtle to her nest! Then would I cleave the vault of Heaven, To flee away, and be at rest.
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I Would I Were A Careless Child
I would I were a careless child, Still dwelling in my Highland cave, Or roaming through the dusky wild, Or bounding o’er the dark blue wave; The cumbrous pomp of Saxon pride, Accords not with the freeborn soul, Which loves the mountain’s craggy side, And seeks the rocks where billows roll. Fortune! take back these cultur’d lands, Take back this name of splendid sound! I hate the touch of servile hands, I hate the slaves that cringe around: Place me among the rocks I love, Which sound to Ocean’s wildest roar; I ask but this—again to rove Through scenes my youth hath known before. Few are my years, and yet I feel The World was ne’er design’d for me: Ah! why do dark’ning shades conceal The hour when man must cease to be? Once I beheld a splendid dream, A visionary scene of bliss: Truth!—wherefore did thy hated beam Awake me to a world like this? I lov’d—but those I lov’d are gone; Had friends—my early friends are fled: How cheerless feels the heart alone, When all its former hopes are dead! Though gay companions, o’er the bowl Dispel awhile the sense of ill; Though Pleasure stirs the maddening soul, The heart—the heart—is lonely still. How dull! to hear the voice of those Whom Rank or Chance, whom Wealth or Power, Have made, though neither friends nor foes, Associates of the festive hour. Give me again a faithful few, In years and feelings still the same, And I will fly the midnight crew, Where boist’rous Joy is but a name. And Woman, lovely Woman! thou, My hope, my comforter, my all! How cold must be my ***** now, When e’en thy smiles begin to pall! Without a sigh would I resign, This busy scene of splendid Woe, To make that calm contentment mine, Which Virtue knows, or seems to know. Fain would I fly the haunts of men— I seek to shun, not hate mankind; My breast requires the sullen glen, Whose gloom may suit a darken’d mind. Oh! that to me the wings were given, Which bear the turtle to her nest! Then would I cleave the vault of Heaven, To flee away, and be at rest.
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Transplanted to these '...fruited plains...', grandpa, One of Gaia's fruits, what was his twinkle among The countless stars? Here, millions have come To stay, imbuing us with their place of origin, Their souls dancing, flying, in a universal way. For over 60 years Americans to be came through Ellis Island, headed to who knows where West, My grandfather, Uru, which means hero, a Fin, One of three who left a concentration camp that Fifteen thousand entered, did too, to NYC, NY. Following freedom's beacon, its first light he saw, The Statue of Liberties still unscorched torch, thanx To Frederic Auguste Bartholdi, and the French. Of Libertas, the Roman goddess of freedom and a '...Tabula ansata, a tablet evoking the law, upon Which is inscribed the date of the American Declaration of Independence, July 4, 1776.' The broken chain of tyranny lies at her feet, Upon a pedestal, wherein etched words are, From Emma Lazurus' sonnet, 'The New Colossus', Which may rise again, only if we embrace them: '...Her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. 'Keep, ancient lands, your storied pomp!' cries she With silent lips. 'Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!' Only 151 feet tall, she will ever stand taller, or Be turned to dust with us, all of humanity and Large mammals, as well as the Earth, tragic Members of extinctions annals, if we don't stop The permanent altering of weather cycles through Overuse of fossil fuels, the degradation of the Earth's orbit around the Sun. We can walk in Nature's abundant balance again, humane beings. Still, she gives hues to the vast canvas of what The Big Apple, and its beautiful mosaics' art, can be. I shine only because he, a Merchant Marine, did.
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Dec 23, 2018
Dec 23, 2018 at 2:06 AM UTC
Giving Thanks To Our Ancestors
Transplanted to these '...fruited plains...', grandpa, One of Gaia's fruits, what was his twinkle among The countless stars? Here, millions have come To stay, imbuing us with their place of origin, Their souls dancing, flying, in a universal way. For over 60 years Americans to be came through Ellis Island, headed to who knows where West, My grandfather, Uru, which means hero, a Fin, One of three who left a concentration camp that Fifteen thousand entered, did too, to NYC, NY. Following freedom's beacon, its first light he saw, The Statue of Liberties still unscorched torch, thanx To Frederic Auguste Bartholdi, and the French. Of Libertas, the Roman goddess of freedom and a '...Tabula ansata, a tablet evoking the law, upon Which is inscribed the date of the American Declaration of Independence, July 4, 1776.' The broken chain of tyranny lies at her feet, Upon a pedestal, wherein etched words are, From Emma Lazurus' sonnet, 'The New Colossus', Which may rise again, only if we embrace them: '...Her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. 'Keep, ancient lands, your storied pomp!' cries she With silent lips. 'Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!' Only 151 feet tall, she will ever stand taller, or Be turned to dust with us, all of humanity and Large mammals, as well as the Earth, tragic Members of extinctions annals, if we don't stop The permanent altering of weather cycles through Overuse of fossil fuels, the degradation of the Earth's orbit around the Sun. We can walk in Nature's abundant balance again, humane beings. Still, she gives hues to the vast canvas of what The Big Apple, and its beautiful mosaics' art, can be. I shine only because he, a Merchant Marine, did.
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--I. M. Edward John Henley (1861-1898) Where are the passions they essayed, And where the tears they made to flow? Where the wild humours they portrayed For laughing worlds to see and know? Othello's wrath and Juliet's woe? Sir Peter's whims and Timon's gall? And Millamant and Romeo? Into the night go one and all. Where are the braveries, fresh or frayed? The plumes, the armours--friend and foe? The cloth of gold, the rare brocade, The mantles glittering to and fro? The pomp, the pride, the royal show? The cries of war and festival? The youth, the grace, the charm, the glow? Into the night go one and all. The curtain falls, the play is played: The Beggar packs beside the Beau; The Monarch troops, and troops the Maid; The Thunder huddles with the Snow. Where are the revellers high and low? The clashing swords? The lover's call? The dancers gleaming row on row? Into the night go one and all. Envoy Prince, in one common overthrow The Hero tumbles with the Thrall: As dust that drives, as straws that blow, Into the night go one and all.
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Ballade Of Dead Actors
Not unlike the monster for which it was named, With debaucherous whims that divide foreign lands; Here at the briny, gilded portal to our home now stands A hollow woman with a torch, whose warmth Has become faded and disheartening, and her name Mother of Philistines. From her once guiding hand Emerges world-wide distaste; deranged eyes ransack The smog-filled harbor that dystopias fame. “Keep, other lands, your progressive pomp!” shrieks she With welded lips. “Take our tired, our poor, Our huddled masses yearning to breathe free, The wretched refuse of our teeming shore. Take these, the homeless, tempest-tost from me, Lift your lamp as a guide and take them all!”
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Apr 26, 2019
Apr 26, 2019 at 12:45 PM UTC
American Woman '19
Type of the antique Rome! Rich reliquary Of lofty contemplation left to Time By buried centuries of pomp and power! At length—at length—after so many days Of weary pilgrimage and burning thirst, (Thirst for the springs of lore that in thee lie,) I kneel, an altered and an humble man, Amid thy shadows, and so drink within My very soul thy grandeur, gloom, and glory! Vastness! and Age! and Memories of Eld! Silence! and Desolation! and dim Night! I feel ye now—I feel ye in your strength— O spells more sure than e’er Judaean king Taught in the gardens of Gethsemane! O charms more potent than the rapt Chaldee Ever drew down from out the quiet stars! Here, where a hero fell, a column falls! Here, where the mimic eagle glared in gold, A midnight vigil holds the swarthy bat! Here, where the dames of Rome their gilded hair Waved to the wind, now wave the reed and thistle! Here, where on golden throne the monarch lolled, Glides, spectre-like, unto his marble home, Lit by the wan light of the horned moon, The swift and silent lizard of the stones! But stay! these walls—these ivy-clad arcades— These mouldering plinths—these sad and blackened shafts— These vague entablatures—this crumbling frieze— These shattered cornices—this wreck—this ruin— These stones—alas! these gray stones—are they all— All of the famed, and the colossal left By the corrosive Hours to Fate and me? “Not all”—the Echoes answer me—”not all! Prophetic sounds and loud, arise forever From us, and from all Ruin, unto the wise, As melody from Memnon to the Sun. We rule the hearts of mightiest men—we rule With a despotic sway all giant minds. We are not impotent—we pallid stones. Not all our power is gone—not all our fame— Not all the magic of our high renown— Not all the wonder that encircles us— Not all the mysteries that in us lie— Not all the memories that hang upon And cling around about us as a garment, Clothing us in a robe of more than glory.”
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The Coliseum
Type of the antique Rome! Rich reliquary Of lofty contemplation left to Time By buried centuries of pomp and power! At length—at length—after so many days Of weary pilgrimage and burning thirst, (Thirst for the springs of lore that in thee lie,) I kneel, an altered and an humble man, Amid thy shadows, and so drink within My very soul thy grandeur, gloom, and glory! Vastness! and Age! and Memories of Eld! Silence! and Desolation! and dim Night! I feel ye now—I feel ye in your strength— O spells more sure than e’er Judaean king Taught in the gardens of Gethsemane! O charms more potent than the rapt Chaldee Ever drew down from out the quiet stars! Here, where a hero fell, a column falls! Here, where the mimic eagle glared in gold, A midnight vigil holds the swarthy bat! Here, where the dames of Rome their gilded hair Waved to the wind, now wave the reed and thistle! Here, where on golden throne the monarch lolled, Glides, spectre-like, unto his marble home, Lit by the wan light of the horned moon, The swift and silent lizard of the stones! But stay! these walls—these ivy-clad arcades— These mouldering plinths—these sad and blackened shafts— These vague entablatures—this crumbling frieze— These shattered cornices—this wreck—this ruin— These stones—alas! these gray stones—are they all— All of the famed, and the colossal left By the corrosive Hours to Fate and me? “Not all”—the Echoes answer me—”not all! Prophetic sounds and loud, arise forever From us, and from all Ruin, unto the wise, As melody from Memnon to the Sun. We rule the hearts of mightiest men—we rule With a despotic sway all giant minds. We are not impotent—we pallid stones. Not all our power is gone—not all our fame— Not all the magic of our high renown— Not all the wonder that encircles us— Not all the mysteries that in us lie— Not all the memories that hang upon And cling around about us as a garment, Clothing us in a robe of more than glory.”
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Urdhva Hastasana Salida del sol. Her paws are bare Ablaze against the black stone heat of the morning stroll Pausing for the last monsoon, whispering Salut? There would not exist consequence for a dampened nose of pusillanimity Carelessly drawn to the astrophysical realm of celestial bodies Illuminating the chivalry once more. We'll sing chansons Oh cabaret! The circumstance and pomp eliding Lavishly rouged lips from sterling glances Exposed by the slow and sultry raise of copper eyes Premeditated, so that they lift in perfect timing Beneath dark lashes to seem accidentally mesmeric. I still lose amethysts They drop from the back of my ears unexpectedly Their plunge of contact against the water Catches my attention but no more Of a thought should surface except to surface The stones from the depths pooling around my ankles. The rain won't drain and hasn't for months She scratches her hair but the pining never stops. I rub her ears so she'll display such an ardor Revealed in company and solitude simultaneously To be weighed and doubted and accepted and declined Beneath the stony gaze of the eyes of a god Swindling a wrinkle in the shower curtain. Alas what a shame it is Besitos aren't quite fancied here. Ne prennent pas garde aux berceaux, Que la main des femmes balance. Puesta del sol.
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Jul 26, 2013
Jul 26, 2013 at 7:52 PM UTC
Urdhva Hastasana
Mneme begin. Inspire, ye sacred nine, Your vent’rous Afric in her great design. Mneme, immortal pow’r, I trace thy spring: Assist my strains, while I thy glories sing: The acts of long departed years, by thee Recover’d, in due order rang’d we see: Thy pow’r the long-forgotten calls from night, That sweetly plays before the fancy’s sight. Mneme in our nocturnal visions pours The ample treasure of her secret stores; Swift from above the wings her silent flight Through Phoebe’s realms, fair regent of the night; And, in her pomp of images display’d, To the high-raptur’d poet gives her aid, Through the unbounded regions of the mind, Diffusing light celestial and refin’d. The heav’nly phantom paints the actions done By ev’ry tribe beneath the rolling sun. Mneme, enthron’d within the human breast, Has vice condemn’d, and ev’ry virtue blest. How sweet the sound when we her plaudit hear? Sweeter than music to the ravish’d ear, Sweeter than Maro’s entertaining strains Resounding through the groves, and hills, and plains. But how is Mneme dreaded by the race, Who scorn her warnings and despise her grace? By her unveil’d each horrid crime appears, Her awful hand a cup of wormwood bears. Days, years mispent, O what a hell of woe! Hers the worst tortures that our souls can know. Now eighteen years their destin’d course have run, In fast succession round the central sun. How did the follies of that period pass Unnotic’d, but behold them writ in brass! In Recollection see them fresh return, And sure ’tis mine to be asham’d, and mourn. O Virtue, smiling in immortal green, Do thou exert thy pow’r, and change the scene; Be thine employ to guide my future days, And mine to pay the tribute of my praise. Of Recollection such the pow’r enthron’d In ev’ry breast, and thus her pow’r is own’d. The wretch, who dar’d the vengeance of the skies, At last awakes in horror and surprise, By her alarm’d, he sees impending fate, He howls in anguish, and repents too late. But O! what peace, what joys are hers t’ impart To ev’ry holy, ev’ry upright heart! Thrice blest the man, who, in her sacred shrine, Feels himself shelter’d from the wrath divine!
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On Recollection
Mneme begin. Inspire, ye sacred nine, Your vent’rous Afric in her great design. Mneme, immortal pow’r, I trace thy spring: Assist my strains, while I thy glories sing: The acts of long departed years, by thee Recover’d, in due order rang’d we see: Thy pow’r the long-forgotten calls from night, That sweetly plays before the fancy’s sight. Mneme in our nocturnal visions pours The ample treasure of her secret stores; Swift from above the wings her silent flight Through Phoebe’s realms, fair regent of the night; And, in her pomp of images display’d, To the high-raptur’d poet gives her aid, Through the unbounded regions of the mind, Diffusing light celestial and refin’d. The heav’nly phantom paints the actions done By ev’ry tribe beneath the rolling sun. Mneme, enthron’d within the human breast, Has vice condemn’d, and ev’ry virtue blest. How sweet the sound when we her plaudit hear? Sweeter than music to the ravish’d ear, Sweeter than Maro’s entertaining strains Resounding through the groves, and hills, and plains. But how is Mneme dreaded by the race, Who scorn her warnings and despise her grace? By her unveil’d each horrid crime appears, Her awful hand a cup of wormwood bears. Days, years mispent, O what a hell of woe! Hers the worst tortures that our souls can know. Now eighteen years their destin’d course have run, In fast succession round the central sun. How did the follies of that period pass Unnotic’d, but behold them writ in brass! In Recollection see them fresh return, And sure ’tis mine to be asham’d, and mourn. O Virtue, smiling in immortal green, Do thou exert thy pow’r, and change the scene; Be thine employ to guide my future days, And mine to pay the tribute of my praise. Of Recollection such the pow’r enthron’d In ev’ry breast, and thus her pow’r is own’d. The wretch, who dar’d the vengeance of the skies, At last awakes in horror and surprise, By her alarm’d, he sees impending fate, He howls in anguish, and repents too late. But O! what peace, what joys are hers t’ impart To ev’ry holy, ev’ry upright heart! Thrice blest the man, who, in her sacred shrine, Feels himself shelter’d from the wrath divine!
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