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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
I'm on a train.

One of those red ones with black trimmed windows you can imagine rolling through the suburbs on the way to NYC. Not a subway car but a classier vintage with proper rows of cushioned seats and a lever to pull if there is an emergency. There are sparse shrubberies on one side of the tracks and the ocean on the other. Young trees and bushes stroll by.  A little wind is pushing off the ocean, massaging the car ever so gently back and forth as we move along. A gentle click-clack is on the tips of our ears.

We got on together. I hadn't known you for very long but the connection was stronger than anything I had ever felt or have since. You practically sat on top of me for the first few miles. Couldn't keep your hands off me,  staring in my eyes like you were searching for something lost but you couldn't remember what. The edges of your lips turned upwards permanently as if you were always at the verge of a laugh. You interlaced my fingers with yours and held on like you would be ripped away if your grip loosened for even a second. Slender fingers holding so tightly that they were becoming red.

You were excited to to be riding with me, about where we were going and all the things we would do when we got there. I would see you peer out of the corner of your eye, then lean over to brush your soft cheek against my budding stubble. Kissing and gently biting my lips insatiably. The suns rays coming in at an angle and lighting up your perfect smile and dimple.

I had to remind you we were in public.

I was lost in your blonde curls and the incense of your neck. I had fallen incredibly hard and so fast that my face hurt from smiling and my heart beat with vibrations I had never known. Not even a whiff of anxiety or neurosis. Some of the best memories of my life, as fleeting as they turned out to be.

I yawned and you put your finger in my mouth. I bent over to tie my shoe and you would poke my **** and laugh with your own reflection in the window, like this was the first and best joke of all time. Maybe it was and maybe it is.

The waiter came and informed us that a thing called "the bar car" existed. We both jumped at the idea. I didn't exactly notice at the time, during our excitement, but that's when the train started going faster and everything out the windows began to blur.

The bar car was a wild ride and we took advantage of our lo'cal. All kinds of fine wine, liquors and illicit substances were available. We tried them all. You were beautiful, your laugh infecting everyone around you, I was charming and held a captive audience.   It was a dark, loud and glorious blur. We were the life of the party and it chugged on till dawn.

We woke up in our seats, disheveled and discombobulated. It was dark out already. Did we sleep through the entire day? The train was slowing down, maybe approaching a station. The party was amazing but we were certainly paying the price for the black out. You moved over to the seat across from me to have some more space and lay down. I saw myself in the reflection. My hat, charm and smile from the night before had vanished. I must have left them in the bar car the night before.
      You had changed, beauty uninterrupted but different somehow. I couldn't put my finger on it. Irritated maybe? I invited you to cuddle and battle the hangover together but you ignored me. Like you couldn't hear me or didn't want to. I decided to let you be.

I got up to use the bathroom and thought I would go look for my scattered belongings. Maybe I could find a scrap of leftover dignity while you rested. I inquired to the conductor who directed me to the bartender in the bar car. He hadn't changed a bit, somehow untouched and unaffected by last nights antics that had effected me so dramatically.  Same black suspenders and white pressed shirt with impeccably slicked hair. I asked him what happened and if I had an open tab. While slowly polishing a rocks glass he looked up and made eye contact for a split second before looking away.
He said:  "Oh the bar car takes its toll. In the end we all end up paying one way or another". I still don't know what he meant by that or if he knew.
      I asked him if he found my hat and he said he would check the camera. We walked in to a small back room, while he was reviewing the tape, over his shoulder I noticed a tragedy.

We were drunk. I was going on to a group of new friends on one side of the bar, they were hanging on my words and I was eagerly explaining whatever nonsense they were drooling over. You were in the corner wearing that red dress I love, with your hair up in a tight bun. A few curls had escaped and brushed your high cheekbones, a thin line of pearls dancing delicately across your perfectly symmetrical collar. You were stunning and inebriated, swaying with each bump and motion of the train. A man wearing my hat put his hand on your side to keep you from swaying over and then he left it there.
I took a sharp breath.

It looked like you put your hand on his hand to move it but then it stayed and you both swayed together. As the air left my lungs and the blood drained out of my face I watched your lips touch the strangers. A small piece of my soul slipped away forever. I couldn't watch any further. When I asked the bartender how long it went on he fidgeted for a moment and uncomfortably muttered "quite some time". I never found my hat or the other part of me that left that day.  

The train slowed. I walked to the back, as far away from you as I could get, in utter disbelief. How could you? I thought to myself.
I mourned the loss of the you as I knew you yesterday, quietly and to myself. A tear  escaped my eye and rolled down my now fully formed stubble as I fell in to a random seat in mild shock. There were a few passengers back there so I had to pull together relatively quickly. After gaining some composure I knew it was time to get off. I knew we could never get back to yesterday morning though I would have said or done anything to do so.

The train had stopped. I went back to my seat and you were sleeping. I took my coat and gathered my things. The conductor looked at me confused as to why I would leave something so magnificent, I assume he had no idea what had transpired.   

I walked to the rear of the car and slid the door open slower than required. I stepped to the stairs and put one foot down on the step and the other on the ground. I stopped, rooted with my hand on the railing, lingering between two very different paths.
     I knew that it was time to get off, I knew this was the sensible thing to do, that I couldn't get past this offense regardless of how I had felt earlier the day before. The whistle screamed from the locomotive. The conductor looked at me and shook his head, I'm not sure if he was trying to tell me to stay or go but a decision had to be made.

The train lurched forward and I watched as the station slip away slowly. I sat in between the cars for a while and watched the ocean and birds. With a heavy heart and shoes I walked back to my seat. You were waiting. Crying. You knew. The bartender had told you. You didn't mean do do it, didn't realize what you were doing and thought it was me. He was wearing my hat and the whole world was blurry and dark.

I believed you. Self anguish mixed with alcohol was dripping from your pores. I knew you didn't mean it and were drunk, but could I ever forgive you or trust you again?

I loved you still.

I caught a glimpse of my reflection, a weaker version of myself looked back. As if an invisible chip in my teeth had developed and my shoulders lowered. The charming, confident man from the bar car the day before had been replaced. Something was off but not enough for anyone else to notice, just enough to know a change has happened.
       The train started to pick up speed again as we distanced ourselves from the station.  I second guessed my decision to stay but I didn't look back.

I found the man with my hat and punished him with a few blows in the dark. He knew he ****** up, apologized and took the beating like a man. I never got the hat back.

The engineer announced that we would be going through a tunnel soon and to turn on our lights and keep our hands in the windows.

It would be dark.  

We stayed away from the bar car for a while but the draw was irresistible. After a few hours we were there again but you never left my side.  Then you did. I was looking for you but you would disappear and not answer me when I called you name. The tunnel went deeper and darker and I didn't know where you were and I suspected you liked it that way. The train began to slow down again as we exited the tunnel.

I finally found you back at our seat, you had moved one row away from me. I asked you to come back, tried to hold your hands but you pulled away with vehemence. When I came back from the bathroom you had moved another row farther.
I knew I was losing you.
I begged you to return but you told me calmly that it was time for you to get off. At some point in the tunnel you had decided that you didn't want to go anymore . Your mind was made. You were going to catch another train at the next station.

When the train stopped I thought for sure you would reconsider but you didn't. Didn't even give it a thought. You just grabbed your coat and hat with one big bag under your arm. You kissed me on the cheek like a french stranger and were off. Going somewhere else on a different train. Just like that.

I rode the rails for quite some time by myself , many people getting on and getting off, passing me by. Every once in a while I would think I saw you at a station or in a **** though the window of another train. I often thought I could smell you but when I breathed deeper it was always gone. A ghost dancing on the edge of my senses.

A young girl in a headband got on the train. She was listening to headphones and dancing to herself as she bobbed along. She sat down in the seat next to me flashing a smile. She had a wedding ring on and I dismissed her immediately.  She didn't move from the seat or stop glancing my way. Eventually she confessed that she wanted to talk. I told her I wasn't interested but she persisted.  I hadn't talked to anyone on the train for quite some time and after some more mild persistence, I gave in.

We had a lot in common. We were both riding alone, desperately wanted attention and were thrilled to receive some.  After a few laughs she slid her hand in to mine and interlaced her fingers. I left it there. It was warm, comforting and wrong. She was married but I had been riding alone so long it felt good to have some company. She stayed and we talked. She was broken and I had a knack for fixing things. After a few hours of dramatic conversation I fell asleep with her head on my shoulder.

When I woke up  the train was flying up the track on the side of a mountain. Trees and rocks were a blur of green and grey. The engineer must be trying to make up for lost time I thought to myself.

The girl was asleep with her head on my lap. I looked down at her hand and the rings were gone. I woke her briefly to ask where they went. She said she didn't need them anymore and had thrown  them out the window.  She could of sold them, I said, but she said she just wanted them gone so she could be mine and fell back to sleep.  All of a sudden I couldn't breath. This train was roaring down the tracks, the once gentle click clack had become a loud hum. Suddenly too loud. This girl in my lap who had just gotten on the train wanted to stay. I considered her for a while as she looked up at me with big blue eyes, shining and wet, like a puppy in the shelter, terrified of rejection and desperate to be adopted.

At the peak of the mountain, just when the train began to even out, you waltzed back in to the car with a champagne flute in one hand and your bag in the other.

I don't know when or where you got back on, must have been a few stations ago when I stopped looking for you. Maybe you were wearing a disguise, who knows what you had been up to while you were gone. I'm not sure how long you were away but it was quite some time. That you had been through something was obvious, a new wrinkle had formed on your brow and you're once confident stride had changed to a cautious stroll. What actually happened out there I don't know.  I never asked and I don't want answers.

You looked at me and smiled. It was good to see that smile, like sun on my face on a brisk day.  You took a step toward me and then I looked down in my lap at the girl at the same time you did. I looked up. You and your smile were gone.

Everything I had begun to feel for this broken, head banded girl in my lap dried up like a puddle in  the dessert.  I quietly and gently nudged her awake and told her I had to use the bathroom. She put her head down on my coat and fell back into what ever trance she had been in, eyelids gently fluttering, eyes searching beneath them for what I would never give her.

I dashed up the isle and threw open the door, almost shattering the glass. The conductor glared at me and rolled his eyes as I barged past to the space between the cars.

There you were. Standing on the stairs with your head out the opening. The wind was blowing your perfectly formed curls around your head like a blonde explosion of familiarity. I yelled your name and you dove in to me. My senses erupted, my mind went numb as the train was nearing another station and I inhaled your essence greedily.

We moved to another car. I abandoned my coat with the married girl and never looked back. I hope she found what she was looking for. I  never could have been the answer she was so desperately seeking but I know I  helped steer her towards it.

You told me you had encountered some other people out there on the rails and they had reminded you of what we had when we first left the station. I never forgot.  

The train started to rock and get going again. We were back in the bar car and starting to brown out. We had to get off of this train right ******* now. In a desperate moment we looked at each other and put our hands, together, on the emergency brake cord. I looked in your eyes with your hand on top of mine. You kissed me while yanking down on the cord. Time slowed, the breaks squealed and everything exploded throwing luggage, people and the entire contents of the bar car in to a nondiscriminatory chaos . We got up off the ground, ran to the end of the car, dove off the side in to a soft patch of grass and rolled down a small incline. We watched as the conductor sifted through  the mess and interrogated the passengers, trying to ferret out the party responsible for pulling the brake. He spotted us off the side of the tracks and shook his fist while shouting every conceivable obscenity combination.

We laughed, held each other in the grass and kissed deeply.

We watched the train pick up speed and disappear in to the hills as relief spread over me.

You interlaced your fingers in to mine and we both looked out to where the tracks disappeared into the horizon, wondering how far of a walk it was to the next station.
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Cné Jun 2018

paint me
with the wet tickle
of your tongue
lingering with affection
savoring my fervent flavor
in bold strokes
of your obsession

color my essence
in heated hues
sending shivers
down my spine
in anticipation
of your warm breath
against my flesh
with every blissful caress
to ensue painted petals
of animation

with your supple lips
gently blur the lines
of my curved hips
softly stroking
the subtle shadows
of warm depth,
blushing
quivering thighs
as I gasp
of breath

plunge in
a primer coated palette
dipping your stiff paintbrush
deep within
the folds of my blanket
manipulating
a trembling image
of your voracious lust.

craze me
again and again
in breathless
****** glow,
your sensual brushstrokes
gently murmuring
layer on layer
in alla prima flow

delve deep
into my eyes
paint splattering
the passion
of my soul
drizzling silken strands
of love
in their entirety,
polishing me whole

and then
in blissful backwash
admire
the tangled limbs
interposed
of your
completed masterpiece
in smiling
sated repose

Dancing,
Thrashing,
Cascading

Down the barren stone tower,
Through the craggy, coarse cliffs
Refining, polishing the necessary features
And streaming for the duration of my adventure,
One might wonder: Why?

Why! Oh what a question—
To purify what will soon be soiled in a moment’s time,
And yet, unremittingly,
Over, ad nauseam, again.

I cannot die.
No agony or desolation can destroy me.
Amaranthine, ceaseless, everlasting!
I hold steadfast, staunch, unrelenting.

I am a waterfall.
Nought can destroy me.
I am forever...
Hank Van Well Jr Oct 2014
My lips stroll along sultry soft skin
I close my eyes , and see your curves with my kisses,
fingers caressing your belly in infante swirls as if polishing the porcelain surface of a statue,
You lay entranced beneath my gentle stroking , your tummy stimulating the rest if your senses, ******* yearning for attention ,
Strings of a harp waiting to make music, my canvas , your desirable body,
****** finger painting
I meet your lips with mine , for your stamp of approval, my hands answer the call ,
My warm breath ,
Brushes your neck with the stroking of ****** feathers ,
Intensifying the raging desire within your ***** ,
Remnants saliva painted with my tongue evaporates into more of a magnetism, you open yourself to me,
The weight of my passion envelops you
Our tongues dance to the rhythm of our beating hearts
Blood flows through our veins at an increasing temperature
Ignited only by the meeting of our lips.
Intensified
My hands continue to brush your body ,
Answering all the yearning calls ,
I watch you lose yourself in the heat of the moment,
And I continue to stoke the fire
And with a burning wave of passion,
Enfolded bodies
I simply love you off to sleep .......
Telling a story without saying a word
Mysterious Aries Nov 2015
Drawing images using some words
Telling some stories that are unheard
Stealing the moment, freezing the time
Killing the beast that vultures the mind

Spilling blood, the pen is our knife
Collecting traces from this mysterious life
Connecting dots to create a line
Polishing stones to make it shine

Our words are riddles, a must to decode
Giving multiple key for them to unload
The meaning of some could make readers insane
If wrongly unlock it will conquer their brain

We are a shape-shifter just like the cloud
Painting angels and demons to enlighten the crowd
Hoping they’ll listen to our joy and our pain
Wishing they’ll get the lesson of our every rain



11/03/2015
Mysterious Aries
Third Eye Candy Jan 2013
dog wire fury in the rough hewn sun
and the mild disasters we come from
and the wheels of squarely nowhere,
yup.
some of our broken
English
sinking a  
King's Ransom
in the hard pan
and
polishing
the mud
of a Drought....

in the rain.
Terry Collett Jan 2013
Susie polishes the silver.
She hates polishing the
forks, the bits in between,
the stink of the cleanser.

She’d rather be in bed
with Polly in the attic.
Holding her close, feeling
her body next to hers.

The cold weather offers
a good excuse. Polly’d
say, get off me you queer
***, otherwise. She rubs

the cloth over the prongs,
the stink making her feel
nauseous. Dudman, the
butler will be along soon.

He’ll snoop up close to her,
look over her shoulder;
press his body next to hers.
Maids are as nothing, he

often said, pressing his
finger into her back, or
pinching her ****. She holds
her breath as long as she

can; the stink is getting to her.
She thinks back to the night
before, Polly’s nightgown
against her flesh, her smell

invading her nose, spooning
close. She recalls the moon
in the skylight, captured like
a painting, the stars spread

like ***** on a dark cloth.
Mrs Gripe the cook called her
a lazy cow over breakfast,
the fat ***** staring at her

with her cow like eyes. She
rubs between prongs, eases
along the handle. She’d love to
shove the fork into Dudman’s

****; push it in with all her
might.  Soon the bell would
ring, someone would want
morning tea upstairs. She

breathes out, puts down
the fork, picks out a spoon
and begins the cleaning again,
thinking of Polly, her fingers

caressing the spoon’s end,
imagining ******* along
Polly’s waist, moving her
thumb into the indentation,

sensing her body move, that
weird overriding sensation.
Anthony Williams Aug 2014
Today I had a bout of acute-you shyness
one where I try to pretend I don't notice
but have you noticed how difficult it is
when outside idles but inside there's a race

to views like you leaning side to side
on the motorcycle ride slot machine
driving my eyes to sly around your slides
taking them wide as when I was eighteen
I'd look for curves at Southend pier's end
give out stares and start to take in scenes
of free amusement at the Fun Bump arcade

around and around the circuit you rode
I was lapping up your every move
sneaking a view through the coin drop
peeping behind the pinball of Dr Who
prying open the photo booth curtain gap
faux testing the mallet with your strength
playing air hockey with my thoughts
were your short chic bangs a wig?

they sit so still I long for the straights
then swing to one side with a leg
tight vibrant jeans in hairpin bends
ironing out where the centre line is damp
polishing the dashing leather saddle
vibrating with wrist twist contempt
loveliness revving up to red line

exploding in my face with daring
this bike crash heart of mine
please forgive not stopping staring
a race course habit never outgrown

I go too fast and of course I fall
in love as bad as deeply madly
but the fact that it's with you.. well
I have to forgive myself this malady

I'm a side-road heading for a spin
on ways to tell you you're beautiful
dangerously close I risk self harm
imagining that colour of pink and pale
the flush u-turn will be a charm

If I can get you climbing off
hot and flustered
I’ll have done my pit stop job
at once a chance encounter
and a fateful winning score
to let you know you've entered
into being my prize draw

I'll walk away but don't be sore
it's up to you to take it further
but just know one thing more
that if you call me to confirm
and tell me that I’m worth it
I would turn around so fast
the world would gearshift
and wait
but not in neutral
for us
by Anthony Williams
Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, traits, colors, and neutrality, focused towards a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, in whose diversity of genetic seizure, they will adopt natural and compound patterns, but always predominant in the pattern biological and organic. Wandering around the world in desert places, in alloys and compounds of classified plants, emptying their species through the hollow of the atmosphere and through the green shoots of grasslands in the reviving surviving evolution of organisms and species that for the first time take a look as a biotype among rocks and plantations, reciprocally among themselves and extemporaneously generating heritages of mythological genetics.  Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause in the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of and interprocedural reality of carbon, factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair of the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving extinction of plagues or flagrant excesses not reconverted, for compliance with the exercise of light beings as a parallel systematic contribution and ******-transmission of applicable inputs of quality of life and deflation of risk of biological cyclical deterioration.

Hyperdisis, has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No.  Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and teleportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic and endogenous diseases. Forests and parks of Hyperdisis in the open and symbiotic, for more airs in microbiological space, in the intimate portion from highest to lowest challenge of proprietary elements and antinomies of hieratic human bioculturation in a showcase of communities with interest in technologies and empirical usability and renewable, each part doing its scientific and biodiversity role in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existent, although it passes before our eyes without the Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super valuation measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and biological approval elements. The richness and abundance of this item is delegated to Leiak, in all the revolutionary processes of the oak forests and of the high mountains, where Vernarth directs him and is condescending of his dynamics, from countless temporary revolutions of other species.

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects.  Claiming innocent living beings with higher attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. The feedback quantifies carbon circulation offset options, offsetting the multipurpose CO₂ inventory. At night Zefián and Vernarth roamed the streets of Rhodes, in Tsambika, looking for the distilled portions of the carbon and sulfur emanated by Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Hellenika and the souls that were hanging around were ringed under the encrusted crescents, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Hellenika, in the myth of the woodworm of the dustbin of the frieze where Etréstles perched next to the strap that Zefián, who would manipulate the gold and alabaster chain, to pull it and its ruby ascetics approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Hellenika friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar the epithet of heraldry in the noble metals and woods of the autumn and mountainous temple of the one that follows the equinox in the meridian of seven days to the southern and northern hemisphere.

They enter the Hellenika Necropolis, through the upper and lower trays, cordoned off by obelisks in series of petrified ebels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intrabodies of petrified breaths, expanding in the segments of trepidating life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shadow. It was already dawn; Etréstles and the Archpriest were breaking the loaves to deposit them in the bowl of the Day, stretched out in the arms of heaven under the gargle of the god Vertumnus that he forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Yawning Citarist in the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Hellenika, Diogenes of Sinope is seen coming out from the lair of his rib, splitting with his doctrinal staff all the isthmic paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me and I bite the bad guys." Again, more murmurs, but Alejandro was undaunted by those responses and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me" ..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean skeleton seed, without heat or memory here in Corinth and its Diogiversity ”. Everyone is silent and fear takes hold of everyone in the sybarite contemplation of Alexander the Great ..., expropriating his speed more than a contempt for the cranium that is advocated for Vernarth "
Ethno-spirit and Biodiversity (Diogiversity) / part 14
Àŧùl Sep 2014
As a student you hold a pen,
Just so very often.
Hold it carefully and take its care,
For it can get broken.
Threading all the letters beautifully,
Cursive you write so neat.

We complement each other,
That too so well.
You need polishing just a bit more,
I need a lot of it.
Earlier my handwriting used to be worse,
But now it has improved as you have come.

Come and write your name,
Not on paper but on my arm.
Come now and come closer to me,
This feels like a dream materialized.
Now that Both have chosen The Best,
I am just glad that we chose each other.

I look at your handwriting,
It means the world to me dear.
When your heart is so beautiful,
Your handwriting is also gorgeous.
Yeah you saw my handwriting,
It is not like your elegant one.
So I am content that our children'll have beautiful handwritings.

Your handwriting tells me that you're innocent,
It also showcases a beautiful heart which I love.
Capitalize on your boon of good handwriting,
Success beckons you and now you just need to study sincerely.
A poem for your handwriting Kripi.
I love everything about you.
Everything about you is so ****.
Your handwriting is no exception.
Look at this poem's number!

My HP Poem #666
©Atul Kaushal
Adam Childs Sep 2015
I am the soft silent sight
nestled in a tree gently
holding hands with emotion.
Together like lovers we intimately
sit with an invisible touch.
Our eyes penetrating darkness
we govern like a loving mother
or angelic force like Mother Teresa.
A shiny moon polishing  
a silvery heart cooled
by a vast ocean.
I always fly quietly as I bring
a gentleness into darkness.
Tucking the night up with
the softest quilt, through a pane
of glass in a near by wood you
hear me calling.

I give a rod of stability eternal sight
seen it all before will see it again.
As we hang softly like the moon
in the sky or an Owl in the tree.
I lift people through their night
I carry them with my sight a
tractor beam of light.
As you feel my presence like a
million hands that softly
penetrate.
All holding torches you are
lite like a child who's mother
has come back.
Scooping you up your
darkness falls on
entering my Owls sight.

I am the light that always
surrounds the night .
I am the ever expanding vision
the tide that never turns but
just keeps on rising.
I grow with a bursting force
of an ever expanding universe
as I stretch my eyes they keep
on reaching.  
I am the ancient eye placed high
above always unstirred but
filled with feeling.
Like the white of an eye surrounding
a pupil I am the army who circles
around the darkness.

I am the reflection of the velvet
moon sitting on the ocean
threading itself throughout
your being.
Those caught within my sight
will feel a thousand tiny bubbles
of bright light.
Gandolf the white explores
your caves holding his
wisdom stick and lantern.
Unlocking your hidden emotion
giving you magic fighting
of your demon.
I will conquer hell fire with
a gentle trickle finding my path
like a mountain stream passing.
But when I open my heart my wings
the devil will shudder because I hold a
power like the pacific ocean.

So much protection we can find
at night within the Owls sight.
K Balachandran Oct 2013
Crowded lakeside,
more than expected
on a normal day.
Hoping for a quiet
rendezvous in private
she looked aghast,
at such a turn of events,
nevertheless started
to make eyes at him;
patience wasn't her best friend.
Shutting up like a clam
he was a picture of contrast.
Every desire she expressed turned
to a love sick wood duck
soon  a flock was billing and cooing
preening and polishing in haste,
making amorous advances
with an aggressiveness suggesting
intolerance to his reticence.
They chased his silence with
irresistible  mating calls,
raising hell as if in heat,
making him regret.
Nicole Jul 2013
I.
There will be a day, you say,
where the world stops and all that ever was
and all there ever will be would cease.

                                                                     Trust.

There will be a time, he says,
when I will no longer love like how
you built the moon for me, balancing
upon a staircase of wooden boxes.

                                                                    Trust.

You don’t care. You let him weave
with string, then with your soul,
your heart the ball of yarn at the end.

                                                                   Trust in him.

You are a lover. You are a fool.

II.
Light. Soft light and harsh light and lantern lights
and fairy lights and neon lights and flashlights.

Light, like that which comes on in his eyes
when you tell him you want Honey Stars, and
you two spend the night picking at those overhead.
He tells you that when you drop stars into the
Pacific, they become sweet, like honey.

All you wanted was cereal, but you are a fool
one that picks at stars that have long since died,
one that can’t tell a corpse from a sparkle.

You don’t get any stars in the end, except for the
ones in his eyes.

A fool.

III.
This is where you grew poppies,
expecting to harvest the seeds and
crush,
thinking that maybe,
just maybe,
the dust will help you sleep, like the
sand of the Golden man.
You teeter on the edge that separates
wanting and needing,
You walk on a slowly fraying tightrope.

Tight,
        like your heart.
Rope,
          like how you rope
souls into believing you,
how you rope in friends
and demand their faith.

This is where you rearranged
his little soldier boys, where the
ceramic crashed against the wood
and refused to break.

Not like you, then.

This is where you kissed him,
over
       and
             over, because
air is useless without oxygen
and oxygen is useless to a pair of collapsed lungs.

IV.
You hate him. You hate his strength,
how he bangs the table and it snaps in two.

You hate his laughter, scratching against the walls
in tune with your sobbing.

You hate how you have to scan his eyes before you sit,
have to look before you make the metaphorical leap.

You hate how you let him force open your legs,
hate his pride at being in control, and his guilt
for the purple and blue spots on your skin,
like garish children’s make-up,
a clown at the party of life.

You hate how he holds onto your sides till
you hear the crack, and how you tell the doctors
you fell, because you did.

You are still falling, every time he looks at you,
Honey Stars in his eyes.

You don’t hate him. You love him,
that’s why you come back to be destroyed.

You hate yourself.
That’s also why you come back, to be destroyed.

You can’t repair hurt like that
but you try anyway, because the best part of building
is when you knock down.

V.
It is painful, but pain is a symptom of life.
You let him hurt you, let him crush your
bones and self-esteem, because no one
taught you how to love and if it means giving,

then you must be doing it right.

VI.
Wake, from the best sleep you’ve had,
wake from a nightmare, to a nightmare.
He is gazing out of the window, with
suspenders to hold up his pants
and his courage.
Your canines sink into your thumb, as
he turns to you and he says, “Hera,
I love you, but–”

The memory ends there.

Hera was the wife of Zeus,
goddess of women and marriage.
Your parents made a mistake,
more than once.

VII.
You are alone.
Quiet was never your thing, silence the most
deafening noise in the world.

This is your hand, a hand that once
rested against his neck, a hand that
felt his blood pulsing in his veins.

This is your hand and it is green
not from gardening but with envy.

These are your shoulders, shoulders that once
carried backpacks stuffed with Honey Stars
and sour things like love.

These are your shoulders, and even Atlas
cannot carry the weight on them.

This is your heart, and it is red.
This is your soul, and it is aluminium,
his words like sandpaper, polishing
until your soul tears and can be collected,
filtered and cross-examined under a microscope.
It will be reactive with the acid of his absence,
but only for a while.

This is your neck, and the rope feels rough
compared to your memories of his hands.
Hi, I published this poem a few months back on my other writing blog, ofparadiseandwords.wordpress.com

Some of my other works can be found there. Thanks for reading!
Mateuš Conrad Sep 2017
i've said this once before, and i'll say it again: i don't buy into dreams, i find them a bit ******, b-movie versions of reality, but sometimes, just sometimes, just before i tap the snooze honey and talk myself into: wake up early, wake up early, wake up early, tomorrow it's going to be california sunny (which it now is), i get a dream, and not some *******-riddling dream, a dream where i am lying next to a staircase and reciting poetry - there was a yesterday? - and i can clearly remember one line from the poem:

  the best verse i ever composed,
  was the verse i spoke -
     and never bothered to write down -
the poetry that belongs solely to ανέμοί -
the deity of the winds,
and of souls -
     of those who reside a tier above
hades, in his ***** - anemoi -
   and yes, diacritical entry points
for the english reside with i and j -
as is worth noting:
   there's a buddhist maxim of concern
with respect to the modern greeks
(let me keep you up to date) -
that famed mirror of *beryl
-
   stop polishing the ****** mirror,
you will not see much clearer,
stop polishing that ****** mirror,
wash your face instead, slap it even,
punch it till you bruise your knuckles -
by polishing that mirror too much,
you'll end up as the madman
xerxes of persia, demanding the sea
an allegiance and sub. obedience by
whipping it! we're not talking culinary
inventions of whipping cream,
or heating milk for a cappuccino froth!
if the english are going to be this *******
lazy with their abstinence of applying
diacritical indicators to ease the pain
of dyslexics with pseudo-chinese
  clarifying syllables - why should you?
you? the greeks, why spoil the beauty
of the already ready alpha-beta -
    you're perfecting something that's already
perfect -
        look at the trojan eve - look toward
the roman adam -
stark ****** naked; the greeks seem
to be donning five pairs of socks,
two pairs of trousers, six shirts, seven
pairs of underwear, gloves, and a burqa
to top it all off!
**** it, let's do what the english have
done: return to nature, embracing naturalism,
nudism, whatever the hell you want
to call this nightmare.

as any book review inquires -
  a book there is, how language began,
by a fella who learned some amazonian
language, a daniel everett -
who claims counter-claims vs. chomsky
and pinker -
  who says - citation, please!
he maintains that mental disorders do
not support the notion of a language *****,
for (he argues) there are no language-specific
disorders
...
  
          yup... apart from dyslexia,
i guess that means: you can't count from 0
to 100, or give me a 3 x 4 answer,
nothing language specific about that.

ah blimmin' heck, i can't believe that i turn
into this jeckyll ******* when i had two
sharpshooters -
    well... **** happens.

then comes a video including douglas murray,
sometimes you need a pompous english
*** to speak a little -
   jaw-dropping moments of perfected
sophistry -
         which the english are only capable
of, which they invoked by inventing
the american / australian accents -
covert mechanisms -
   don't invite diacritical distinctions
(which, by the way, pivot on the chinese
having not letters, but syllables -
hence the mongols in crimea,
   hence the mongols tickling cracow,
as the myth of the trumpeter goes
in the hejnał mariacki - heynow -
   st. mary's trumpet call) -
shim shiminy shiminy shim shoom
         ask for favours of off a broom...
   tipsy turvy -
        and what do you call a sikh on a construction
site? sinjit you 'av a brick on yir turban;
never feels right, him with a turban,
me with a hardhat, i'm guessing he's
praying that if a brick falls,
     it will bounce right off the cushion.

there was something else...
ah! the other type of intellectual, the quirky one,
i.e. david graeter talking about
money, and how adam smith was wrong
in speculation, and how you don't
find the most primitive societies engaging
in 1 x cow = 40 x chicken...
    i still don't understand why there is
haggling in marrakech bazaars -
    or how 1 x cow ≠ 40 x chicken
  but 40 x chicken + a wife for my son...
intellectual pomp vs. intellectual quirk -
can't decide -
         and money is a fascinating concept,
nietzsche was nearing the prospect,
but the much anticipated "transvaluation
of all values": well... to be honest?
   that's just a one word book: money...
but here comes the biblical fiasco -
          oculus namque oculus -
  auge für ein auge -
        simply, eye for an eye -
which bewilders me, given usury -
     interest rates, the supposed "pricelessness"
of certain artworks...
        it's way past jurisprudence -
    that meaning has morphed into
a banality, nay, an abomination of economic
ethics...
          the phrase no longer applies so much
to a jurisprudence regard of affairs -
   the term has become more and more
economical.
She gives him his eyes, she found them
Among some rubble, among some beetles

He gives her her skin
He just seemed to pull it down out of the air and lay it over her
She weeps with fearfulness and astonishment

She has found his hands for him, and fitted them freshly at the wrists
They are amazed at themselves, they go feeling all over her

He has assembled her spine, he cleaned each piece carefully
And sets them in perfect order
A superhuman puzzle but he is inspired
She leans back twisting this way and that, using it and laughing
Incredulous

Now she has brought his feet, she is connecting them
So that his whole body lights up

And he has fashioned her new hips
With all fittings complete and with newly wound coils, all shiningly oiled
He is polishing every part, he himself can hardly believe it

They keep taking each other to the sun, they find they can easily
To test each new thing at each new step

And now she smoothes over him the plates of his skull
So that the joints are invisible

And now he connects her throat, her ******* and the pit of her stomach
With a single wire

She gives him his teeth, tying the the roots to the centrepin of his body

He sets the little circlets on her fingertips

She stiches his body here and there with steely purple silk

He oils the delicate cogs of her mouth

She inlays with deep cut scrolls the nape of his neck

He sinks into place the inside of her thighs

So, gasping with joy, with cries of wonderment
Like two gods of mud
Sprawling in the dirt, but with infinite care
They bring each other to perfection.
betterdays May 2014
what a sight,
we see,
when,
with eyes, wide open
we love someone;
from the place of truth,
in our hearts.


it is, beauty incomparable,
enigmatic, eccentric,
sometimes unbearable.

it is, a labyrinth unravelled,
a road yet travelled,
a sojourn for sighing soul.

it is, awe inspiring,
death, defying hope.

it is, kindness and patience,
a forbearing of ill will.

it is, awkward and
uncomfortable
and the revealing
of family secrets.

it is, showing up,
showing off,
antics,
awesome and terrible.
and hell's bell's,
ringing out the doomed
damnation,
of carefree days
and liver
destroying nights.


it is, heaven,
when, you know
the love that is.
but remains unspoken.

it is, every aspect of
daily life,
given extra,
shine and polish

it is, ever forgiving strife

true love is life
and
life is love.
the other stuff,
mere, broken tokens,
spilled upon cobblestones.
for ben, always for ben.
you have been a quiet hero
this past week my love... and so this is my gift for you.
I am the grand central
swirling vortex of the known universe

pathway of consciousness
a worldwide metaphysical interconnection

hub of modernity’s magnificent  metropolis
prime mover of it's empowered citizenry

eye of a Mid-Atlantic megalopolis
bridging an expanse from Boston to DC
trajectories of an Acela Express
accelerates time, coheres a region

magnetic compass axis
gyroscopic core
web of iron rails
touches all
transcontinental
cardinal ordinates

my constitution of chiseled granite blocks
manifests steadfast immutability

opulent terminus of marbled underground railways
subconscious portals to inter-borough worlds


the Zodiac streaks across my painted heavens
splashing aspirational mosaics of
bold citizens onto universal canvasses
my exhalations burst galaxies,
birthing constellations
promising potentialities of
plenteous abundance
as a right of all
global citizens

transit vehicle for mobilized classes
of fully enfranchised republicans

my tendrils plunge deep into
cavernous drilled bedrock
firming an unshakable edifice
-a new rock of ages-

rails splay out to the
horizons farthest corners
northern stars, southern crosses
nearest points on a sextants reckon

I am the iron spine
of the globes anointed isle
I co-join Harlem and Wall Street
as beloved fraternal twins

commerce, communication and culture
is the electricity surging through my veins

the worlds towering Babel
rises from my foundations
the plethora of tongues
all well understood

I open the gateways of knowledge
guarded by vigilant library lions

route students and scholars to
the worlds most pronounced public schools

beatific Beaux Art is boldly scrawled on my walls
in dark hued blues sung in gaudy graffito notes

swanky patrons sip martinis,
nosh bagels with a smear and **** down
shucked lemon squirted oysters

reason, discovery and discourse tango
to the airs of Andean Pipe flutes
with violence and discordant dissonance
deep within my truculent bowels

I am the road to work,
a pathway to a career and
the ride to a Connecticut
home sweet home

my gargoyles and statuary laugh
at pessimistic naysayers

I am the station for
centurions, bold charioteers
homeless nomads and
restive masses

I stir a nation of neighborhoods
into a brilliant *** of roiling roux

beams of enlightenment
stream through colossal windows
today's epiphanies of the fantastic
actualize resplendent zeitgeists

sipping coffee in my cafe's
the full technicolor palette
of humanity is revealed;
civilizations history is etched
forever upon the mind

eight million stories
of the naked city is bared
as splendorous tragedy
it's comic march
of carnal being
exalted

a million clattering feet
scurry across marblized floors
polishing the provenance
burnishing a patina
exuding golden footprints

I am 100 years young and
thousand years away from
the crash of a demolition ball

Doric Columns and
elegant archways
coronate commuters
each day with a
new revelation of a
democratic vista

I am the grand central
my spirit flows as
one with the mass
in the vibrant
heart of our
throbbing city

Music Selection: Leonard Bernstein, On the Town

written to mark the 100th Anniversary of Grand Central Station


Oakland
2/8/13
Jordon Jones Sep 2011
The darkness whispers
To me tonight
Of a tickling
In my ear
So light
Softly,
Softly
It goes
Chillingly
Up my spine
And down again
Darkness, be mine!


The light
Is creeping,
Crawling, sprawling
Away from shadow’s grip
So boldly it waxes the floor with gold
Polishing the banisters with pure filigree,
Polishing them with purest golden filigree
It makes the dawn more welcome here
Expanding thru empty hall
Revealing in stride
Most horribly
The end
This is an old one I wrote when I was about 14 or 15 or so. I was exploring the use of shape and contrast at the time, instead of solely focusing on words.

PLEASE don't just read this one! There are so many better ones (more recent) to check out. See those arrows to the right? Yeah, click 'em. You know you want to.
jonchius Sep 2015
building purist æsthetic
proselytizing solar-powered heliolatry
commemorating historic concert
sensing dark forces

fokken lekker antwoord
pumping sensory overload
featuring high-tech dee-jay
admiring gelato micro-truck
laxing laying lazing

"doing something nasty"
continuing quality content
entering another cathedral
journeying without borders
"exactly one year
since visiting vatican"

appreciating full-time gigasphere
awaiting pyongyang performance
depicting unlikely crowdsurfer
foreseeing exponential improvements
furthering esoteric agenda

sensing profound incompatibility
data-mining people's infidelities
anticipating futuristic caffeine
perfecting invisible propaganda
researching mind-control techniques
polishing ******-social weaponry

sensing social embargo
flourishing frantic fanfare
admiring longitudinal monument
parodying marketing slogans
cycling through österreich
eyeing dystopian disneyland

streaming crosswords extended-play
herding glass kittens
deleting idiosyncratic fragment
loremipsum-ing laconic loudmouth
receiving ultramodern telegram
eigo-ga wakarimasu ka?

guzzling duck-fat fries
encouraging panic selling
(juxtaposing past incarnations)
getting black-and-white privilege
renewing boutique account
relishing cinema poutine

re-entering hibernation mode
opening old windows
continuing zoo motif
absquatulating excessive excesses
nullifying originality claims
proliferating protean persona

disappearing sidewalk alphabet
shrugging opprobrious moments
enjoying vertical alignment
re-entering cyberpunk paradise
approaching island sun
soaring beyond monoliths

trivializing extraneous argy-bargy
decreasing character limits
dumping generic accounts
uglifying commit message
escaping into idiosyncracy

moonshining great lake
exuding idiosyncratic propaganda
living nineties' dreams
making occidental cuisine

envisioning idiocratic president
expropriating your time
ascending homely helix
singing fat lady
second half of August 2015
Valsa George Jul 2016
I sat on the dentist’s chair
With an aching tooth, feeling hell
The dentist seemed quite pleased
As he opened my mouth and surveyed

‘There are holes to be filled
And the plaque to be removed
It needs a few sittings
At the end, you’ll have a set of fine teeth’!

His gentle assurance was so comforting
And I thought my jaws no more have to suffer
The pangs and torments of an aching tooth!
He then, in a narrow syringe
Injected something into my gum
I knew a numbness creeping in
Until at last I felt a hard rock within
Now, like an expert work man
He began his rigorous craft
Loud machines began to boom
The chair got flattened
From 'verticality'
I got changed into 'horizontality'

And the overhead apparatus came down
Like an eagle swooping down on its prey.
With blaring lights blinding my vision,
I lay torpid as if my body was strapped
The doctor took out his steel and hammer
And started tapping and chipping
Drilling and boring
Though numb, I could still feel the pull and tug
The crooked forceps and pliers
Made all the nerves in my head irk
My mouth was filled with saliva
And I felt a sprout of blood inside
He stuffed some gauze and resumed his work
I wanted to yell, ask him to stop
But being gagged, I couldn’t utter a word
My pupils dilated
My lips quivered
My tongue got parched
I gasped for breath

With a mix of cement and sand (?)
He began filling and plastering
Scrubbing and polishing

Helplessly lying on the dentist’s chair,
I wondered
What whips and stings one has to endure
To end the pain and give the teeth a shine!
The torture I underwent on a visit to the dentist inspired me to write this... I thought I shall write on something a little less serious after a series of 'preachy' poems..... Dear friends, please take good care of your teeth or else you will have holes in your wallet and will be made to pass through such harrowing experiences !
Jon York Jan 2022
I  write songs without a  tune,
I'm a story teller, stories based
on my life's strange and weird
happenings and events that I
can't forget. I write of odd and
out of place interactions with
seemingly unreal people.

I write about the news, sometimes
about my feelings, my various
loves and lovers,and sometimes I
just write, not knowing where
my  words are coming from,
almost as if someone was using
me as a tool, writing through me.

Be  a  fighter, get  up and  dust
yourself off for life isn't a fairy tale,
there is no knight in shining armor
who will ride in and save the day.

Be  your own  hero, learn  to walk
alone because all the so-called knights
are busy polishing their own armor.                             Jon York  2022
Cunning Linguist Jan 2014
I can't quite wrap it around my head
**** polishing hobgoblin
Gobbling hot fudge banana split sundaes
topped with ***** cherry toppings
What I'm looking for
Just on the tip of my tongue
Just the tip
I can almost put my finger in it
*On it
Oops!
A slip of the lips
Verbally retching
Wretched word *****
Armed with an armada of double entendres
Sensationally double penetrating your ear canals!
No matter which notes are played on still waters
they weigh heavy on my pain
when they fall.  
There are days when I realize
I am spinning 'round
and murmuring,
feeling forced and raw.

It seems that time dwindles down
into its own sea
then wakes the night
asking to be filled with hours.
Everything I do
seems to make time kiss the places
where I spin,
stroking........
as it devours.

I can feel a searing look
from eyes on the sidelines
when I attempt to  hold the jewels of darkness
next to me.  
Their footsteps
are like the million curses of tears,
stinging..........endlessly.

Before the door closes on my life's journey
I know the moon will rise
in all its angelic innocence
once again.
Until then, I will dream
of polishing those jewels,
spinning round
here......
insane.
Copyright @2013 - Neva Flores - Changefulstorm
Lucanna Nov 2012
I should be ecstatic
I should be breathtaking the second I walk
into the room with you
I should be full of effortless perfection and captivating laughter
I should hold you like the rare gem you are
polishing you, weightless by your worth
I should weep with sweet gratefulness over our stunning photos
and memory keepsake moments
I should be a beauty queen rolemodel
exhibiting class and coordination and intelligence
I should be ravishing in your love,
a kaleidescope of pinks and yellows and magic
I should be bathing in the taste of your devoted kiss
and sunning under your Carribean embrace
I should be a blonde hair blue eyed American dream

Instead of a
Miserable maniac that can't even write a        *******          poem.
Instead of a terrible daydreamer,
bored by the periods at the end of your sentences.      .       .
Instead of a tarnished transient seeking foolish adventure
Craving endless oceans, cliche flight humor, and saving
animals I didn't even know existed to begin with
Instead of a jaded view from every set of empty eyes
Instead of an indulgent *******
that wants more than this terribly wonderful life
that you've offered me.

I really should.
frustrations with the self...an outlet vs. actual poetry
R Saba Oct 2012
and now here i am
writing poetry about you
in tim hortons
i've sunk this low
may as well keep going
extend the metaphor
except
we are not symbolic
we are real
or at least my mind thinks we were
and i'm usually right
so
who are you to say i'm wrong?
except you didn't
you just didn't say anything
and that's what makes me think
i should be somewhere else
somewhere other than this table
growing green with moss and envy
bending over time and time again
to pick up that lucky penny
polishing it off and adding it to my pocket
saving up for another drink
so i can buy more time
waiting around
for another chance encounter with you
that i know won't amount to anything
but hey
i can try can't i?
i have that right and i use it
abuse it
and all for what?
here i am sitting at a table for two
and you?
you're somewhere else
like you've always been
never there in front of me
except when passing me by
giving me the eye
or
did i just imagine it?
i think i know what i'm talking about
but my predictions all put me in the same place
sitting here with a cup in front of me
slowly emptying
but never all the way
because i still say i've got time to wait
my watch is wrong
some excuse
to go along with my own stupid games
playing the lottery and losing
but each small compensation lifts me up
i'm so hopeful one day it's gonna **** me
and i'll die here
in tim hortons
with my cold coffee sitting in front of me
saying
i told you so
you should've finished me when you had the time!
and i'll know
i should've finished us when i had the time
maybe then we never would have been like this
skirting around each other
all awkward smiles
cold coffee
warmed up
is never the same as when it's fresh
tim hortons by the way is a Canadian coffee chain with cheap doughnuts, great place to waste your life writing poetry about people who couldn't care less
"...He tosses the rocks
     in a pile.
     They roll together,
     exchanging the names
     of men and women
     stories of wounds,
     a few notes of music
     stones know..." -- Mary Rose O'Reilley (Half Wild Poems).

The boy breaks the rocks
against each other, with the other,
the girl, and the report
is clean in the dry air.  Children
like the puffs of dust, as they will
always like the fate resounding.

{ [ ind del int f ( r ) d r d ( N , Z ) d r ] / ( d y ) }
= { [ pi q ( u ) d q ] / ( d u ) } .

They favor the incredible knowledge
gained by surgery; the rocks, using
glue, are reassembled.  The threads
converse with the skin.

Colors are gleaming, like healing, from
within.
In the broken kitchen chair he sits
Running his filet knife across the grindstone
The blade mustn't be dull for what he’s about to do
Across the kitchen hangs his days catch
Dangling from one large meat hook
Dripping, warm, fresh, and glassy eyed
Running the blade across his thumb
A future scar in his one of a kind prints
With bulging biceps his prey is lifted from its loft
Tossed carelessly onto the granite counter top
A dangling arm falls into the kitchen sink
The subtle sound of a ring is heard
As it hits the stainless steel basin
This jewelry is soon removed and set aside
With a felt tipped pen he outlines his procedure
Like a world class surgeon preparing to operate
He makes each incision with great care
A soft touch and a steady hand
Experience shows this isn't his first rodeo
Every cut running long and shallow
He grins like a child as warm blood flows over his digits
Setting down the tools of his trade
He takes a moment to admire his handiwork
The body before him lies ravaged
Professionally massacred, filleted is his trophy ****
Having fully enjoyed this beautiful sight
He reaches down gripping tightly onto two ***** of skin
By either side of the shoulders his fingers burrow under flesh
He begins to peel away
Within minutes the body is bare
On the counter lies nothing but muscle and bones
Tendons, sinew, organs that will never again function
Like a cadaver to be donated for medical research
He holds the hollow man up to the light for a better look
A perfect skin suit, warm, tanned, tinged in red
Cuddling it as a toddler might carry his blankey for comfort
He walks to the room adjacent the kitchen
At the tug of a blood soaked hand
The washing machines door swings open
Gingerly he sets the skin inside
Adding just a dash of fabric softener for good measure
He shuts the door and starts the cycle
Back to the kitchen he drudges
Washing the blood from his hands, his arms
Cleaning his knife, polishing the blade until it gleams in the light
Leaving the corpse where it lies he sits patiently and waits
As the wash is finished he removes the suit from the machine
Now clean, dripping, wet, marker gone
He places it in the dryer
Turning the **** to low heat, careful not to shrink his new outfit
He sets the dial to permanent press and pushes start
Part #1; see "The Apology" for Part #2. http://hellopoetry.com/poem/the-apology-pt-2/
There it sits
Waiting
Watching

It's a Yamaha
With a Union-Jack back
The last of it's
Kind

It's been a faithful companion
It came to me
When I was six
Not brand new
But second hand

Through all the tears
All the humiliation
All the pain
All the scoldings
All the belittlings
It stuck through with me
With sweat and blood
Shed on the keys
It didn't complain
When I threw
My tantrums
Banging the keys
Even kicking it once
Or twice
It just waited
And watched me
Till I calmed down
And felt
Stupid
After
I practised
Everyday
And not once
Did it
Complain

It has a really bright
Crystal clear
Sound
With this certain
Energy
And depth

I took great pride
In taking care of it
Polishing it
Every other day
Till it shone
Like a mirror

As time went by
One grade after the other
The practises became
Less and
Less
I didn't care for it
As much as I did
Before
A year passed
Then another

Now I'm fourteen
It's twenty eight
Or more
I've had my share
Of performing
On stage
With all types of pianos
But there was this
One thing
That was different
With my piano
Something it
Lacked

The sound is there
The energy is there
But somehow
When I compare the recordings
My dear piano
Just sounds
Tired...
The touch stickier
The keys start failing
On some days
It sounds
Muted
Always slightly off key
No matter how many times
The piano man comes
This is one patient
The doctor can't treat

Is it possible
That emotions
Can be transferred
To objects?
Has my raging
Over the keyboard
Tired it out
By having to
Express
What I play
And what I
Put
Into the pieces?

It's a piano
Of memories
Of thoughts
Of an inexpressable phenomenon
Called feelings
"Where words fail, music speaks"
I salute you
Dear piano
For allowing me
To express myself
Through the written pieces
You help
Materialize

We have grown together
Walked this long journey together
And with all the memories
Sweat
Blood
Tears
That has made me today
I won't part with
Till the very end,
Dear piano

So shall we continue?
Solitaire Archer Apr 2010
I was so busy , so involved
polishing and shining all my troubles trespasses and faults
polishing them with my thoughts pulling them through my mind
shining them with endless repetition till it is rote
coddling them to my heart
Woe is me.. an ancient call of victims everywhere

And She laughed a glorious silver cascade that began in a soft chuckle and the scent of lilies

And I was offended

Who had dared to make fun of me?
Who would belittle my close held misery?
What could they know of my pain?

And She laughed ..

softly I felt the warm embrace that is my Lady
Child ..What is this?
Tell me why you collect these woes What pleasure can it bring?
But Lady..if I don't keep them polished and true how will anyone know?

And She laughed,
Exactly, My child
and She threw my carefully polished stones into the air and the scent of Lilly's rained down.

And She laughed...and I laughed

Solitaire - 2007@copywrite
- From A Crone  Recalls
tabachikoi Jun 2014
Cursed by my imagination,
teaming with echoes of situations
I do not feel well,
pressed beneath this spell

Polishing my social skills,
with one more drink, and two more pills
I do not feel good,
I thought by now I would

Bound by my own disposition,
the endless hunt to find fruition
I'm insatiable,
even if my cup is full

It's like one thousand paper cuts, soaked in vinegar
It's like a battles within myself, that leaves me insecure
http://en.m.wikipedia.org/wiki/Hikikomori
JR Weiss Jan 2011
i can't find a job.
so once a week
i'm on hands and knees
polishing the steps for
an old white couple that feel
they are doing
me a favor.

and
they are...
letting me in their home
to vacuum and polish
dust and fold
scrub and bleach
for the few ripped and creased
dollars they can spare.
the paper sits
held sweaty in one palm
till i find a reason worth letting one go.

they  mull around
sour faced and sighing
how there is a strange film
on the kitchen floor
that was never there before.
i take the hint and run
to re-mop.

i feel as sour as they look sometimes
but i know deep down that
the scrubbing and the polishing
the dusting and the vacuuming
is a god send.
without it....
well,
i don't even want to think
about what i would do
without it.

i had a dream last night where
the man who owns the house that i scrub
came up behind me and slit my throat
my sticky glopping blood
splashing on the floor and walls
that i just finished cleaning.
and my dying thought was
how badly it would stain.
JGuberman Sep 2016
Three

The night is young, but the day
is already old for it's age and
I am older by each day and each night,
as they roll over
polishing me like a shattered
clay pigeon in the surf.
Solitaire Archer Jun 2014
I was so busy , so involved
polishing and shining all my troubles trespasses and faults
polishing them with my thoughts pulling them through my mind
shining them with endless repetition till it is rote
coddling them to my heart
Woe is me.. an ancient call of victims everywhere

And She laughed a glorious silver cascade that began in a soft chuckle and the scent of lilies

And I was offended

Who had dared to make fun of me?
Who would belittle my close held misery?
What could they know of my pain?

And She laughed ..

softly I felt the warm embrace that is my Lady
Child ..What is this?
Tell me why you collect these woes What pleasure can it bring?
But Lady..if I don't keep them polished and true how will anyone know?

And She laughed,
Exactly, My child
and She threw my carefully polished stones into the air and the scent of Lilly's rained down.

And She laughed...and I laughed

Solitaire - 2007@copywrite
Jack Dec 2014
~


Painting a picture of porcupines playing
Pincushions out in the field
Purple and pink for this playful perception
Plans of their purpose revealed

Painful endeavors of pacified pranksters
Presenting a pie at their place
Pecan or pumpkin, pickle, pineapple
Pieces are smeared on their face

Putting the paint on some powder puff paper
Pleasure in each stroke is plied
Pausing to peer at the porcupines playing
Prancing in pansies they hide

Puzzling problems with pretzels and peanuts
Posturing people to prove
Pistachio perfume in prime presentation
Preaches that peaches will move

Polishing pastels on pre-printed pages
Prized the possessions we seek
Paisley the plumes of a peacocks posterior
Portraits now come take a peek

Pampering piccolos play the piano
Pure as a pelican’s prayer
Picking a parcel of plum flavored pudding
Poetic prose fills the air

Pleats in my pants shout in proud proclamation
Puddle my pores they perspire
Poodles on playgrounds prevent prosecution
Plotting my hearts pure desire

Passion precedes every past tense of parting
Piled with a presence so true
Painting a picture while purposely dreaming
Promising my love to you
Ok, just having a little fun and I have to P.   :)
Neo Stargazer Dec 2015
They're the one that everyone sees as the light,
the one who clears out the darkness
their gentle hands masterfully working
between the twisted gears and wires
But so much time does the mechanic spend
polishing gears and rekindling hope
that those blind eyes pass over, glazed with the false belief
that the mechanic's own fire is still burning strong
Each clock they fix, each machine they clean, enigmas within the mind
they give their own light and their flames die slowly
no longer holding hope for themselves
Still, they gather the pieces around them, shattered, broken, bent and twisted
tweaking and twisting till everything's perfect,
because their work keeps the embers alive, barely aglow
amongst the broken parts within them
It is the last hope they have left
Will anyone save the mechanic who fixes everyone else?
The one who couldn't possibly have darkness in other's eyes?

— The End —