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Sarah Jystad Sep 2010
we sit next to one another
and discuss
the pointlessness of everything

however

what's the point of pointlessness?

We play
and
we play the game

why not care?
Why not enjoy?

We can use a million words
to argue
to debate
to justify

or

we can smile
we can look in each other's eyes
and hug true hugs
we can climb trees and each other and dreams

it's difficult
it's painful
it's sorrowful

but

it's so much fun!

I do so enjoy
the pointlessness of pointlessness!
august 26, 2010
Ayad Gharbawi Dec 2009
THE STORY OF SARA

Ayad Gharbawi


CHAPTER 2: UNIVERSITY

  
  Well, I did study and, I did pass my exams, and I did succeed in ending up in a decent, upper class school!
  How did I pay for it? I hear you ask me?
  I didn't: I got a scholarship!
  And, what a new world I faced!
  What a totally different society I saw!
  I felt that I was in another country, for I never knew that there existed, from my own people, men and women such as those I encountered!
  My studies in psychiatry really excited me: I thought that I would be able to 'solve' anyone's mental problems.
  All I had to do, was to study and study as feverishly as I could.
Studying furiously, and with love and passion, was the key to success.
  Study, and then you pass your examinations, and then you become a doctor in psychiatry - and I would thereby become successful.
  I would then be someone important.
  I would be respected by everyone.
  My life would have a purpose and a meaning because I would be going in the correct path.
It was simple as that!
  And what was the alternative?
  Not to study?
  And what would I do then?
  Go do a menial, low paying job?
  That was anathema to me!
  It made me sick, to even think about that!
  Why?
  Because, I came from a poor background, and I lived in poverty, and I saw the culture and the people who lived in poverty, and by God, I don’t want to ever live in those circumstances ever again in my life.
  What was poverty to me?
  Your house is ugly; your neighbourhood is ugly; your neighbours are the most indecent people you can imagine.
  The area you live in, swarms with people who live their lives in ‘anti-social behaviour’!
  And what’s ‘anti-social behaviour’?
  That means your community is one, where most people are drunks in  public, where fights, with guns and knives, are an everyday occurrence; where the most filthy language is the norm in public; where ******* covers large parts of the town; where vandalism and damage to cars and property is another daily occurrence; where people play ear-deafening music in the streets and there’s nothing you can do – because, if you call the police, they’ll obey, but then they’ll come back and make hell out of your life – in other words, the gangs rule the community.
  Aren’t those enough reasons to get out of poverty?!
  And, then for me, there are other things that are really important to me.
  For example:
  I mean, who is going to respect you, if you have a menial job? Who is going to look up at you?
  Who is going to listen to your words, when you speak?
  And, most importantly, are you yourself going to be happy with your self and with your life, if you had a menial job?
  Of course not!
  To be a fully satisfied human, you need to live in respectable surroundings with a respectable job.
  Otherwise, there cannot be happiness for you.

  Once I joined my university, I encountered mostly upper class students.
  That’s why, I say it was like ‘another world’ for me, because I had never encountered people like that before!
  Their dress was different; their accent and they way they spoke was different; but what interested me the most, was the fact, that their intellectual interests were extremely varied, as opposed to the people that I had grown up with and knew – those people whose only interests, were getting drunk, practicing promiscuity, crime and drugs!
  Now outside classes, I got began to get involved with different groups of academic students – each group held differing ideas about the world, politics, economics, philosophy of life - and any other subject you can imagine.
  I was never interested in what I called the other 'superficial' groups; that is, those who discussed what I considered to be the stupidities of life, such as fashion, make up, cars, sports and so on. No way; not for me, were people like that!
  For I was far too serious for such mind-wasting people, and, frankly life-wasting people.
  No, I wanted to learn; my God how utterly hungry and thirsty and deadly serious about acquiring more and more knowledge on every 'serious' subject I was - so that, one day, I would be a useful and productive human to society!
  If I was not in my classes, and if I was not listening to those intellectuals, I would sit on any desk and search the internet and read endlessly, on any and every 'serious' subject.

With respect to my classes, as the months rolled over, I began to feel, and think, that my professors were not all that smart at all. I began to feel that they were, in fact, quite ordinary, dull people. But then, I grappled with next obvious question: if they were 'ordinary' and 'dull' people, then how come they were professors – and by 'professors', I mean that they must be far from 'ordinary'? Surely, any person, who is able to be a professor, must be intelligent?
  And yet, the more I listened and took down notes from these professors, and the more I analyzed their words and ideas, the more I became convinced at their emptiness and stupidity!
  My God, you must believe me, for they were talking utter *******!
  Well, who exactly, 'made' them professors?
  I began to dislike them.
  Then, the obvious consequences took place in my mind: the more I disliked them, the less I paid attention to their words and that, in turn, increased my boredom in class!
  No, this was a complete and utter waste of time for me. Yes, I would still need to read the text books given to us by the university, and I would need to understand these books in order to pass the examinations.
  But, I was also determined to do my own independent psychiatry studies, in order to find the ways and means of solving people's emotional problems.

I found it really thrilling to see so many students having so many ideas about the world, because, for me it was so utterly unusual to see young people actually caring about so many issues in our lives!
  You had the conservatives; socialists; Dadaists, existentialists, communists of every shade you can imagine; fascists, socialists, liberals, Nazis, monarchists, Hare Krishnas, Hindus, Budhists, yoga-followers, animal rights campaigners, environmentalists, religious fundamentalists, anarchists  - the list was quite endless to the point of absurdity for, within each group, there were sub-groups, that ranged from the so-called 'left' to the so-called 'right'.
  However, in all this confusion and chaos, there were, at least two things, that you knew for certain: and that was, firstly; that no group agreed with any other group, whilst secondly; every 'leader' of any group sincerely and passionately believed that, yes they, and only they, had all the answers to all the questions that faced our dear Humanity!

But with time, it dawned on me that that most of these intellectual students were not quite what I expected of them.
They would passionately discuss any subject and in excruciating detail!
  To me not every subject was worthy of being discussed!
  Everything was criticized in university.
  Everything was questionable.
  Nothing was certain.
  On the opposite these students believed that they had a duty to deeply philosophise and intricately analyse and scrutinize from every angle every subject and issue in our planet!
  Nothing was accepted and nothing was taken for granted.
  And it was exhausting to listen to them!
  I say ‘exhausting’ because after every meeting, I would actually feel emptier!
  I simply did not learn or gain anything from all these endless discussions!
  So they would analyse issues like: what is the soul?
  What is the difference between the soul and the spirit?
  Where is the soul located?
  Where is the mind located?
  What is the difference between bravery and foolishness?
  Are mathematical facts like 1+1=2 discovered or created by mathematicians?
  What does the word ‘the’ mean?
  What does the word ‘a’ mean?
  Who has a right to create rules and laws?
  How much taxes should each adult pay?
  Is the universe finite or infinite?

  And so it went on and on until your brain became numb with the deafening boredom and pointlessness of it all.
  What irritated me the most was that with these groups of students, was that nothing was sacred.
  Nothing was certain.
On the opposite, everything was completely uncertain.


  As for myself, I gradually gravitated to the leftists – that mixture of socialists, communists, anarchists and other such-like groups.
  Why?
  Because to me their philosophy was more or less simple.
  There wasn’t all that endless series of critiques and analysis that so nearly damaged my brains!
  Their idea was simple: we had to removed the oppressors.
And the oppressors was anyone who had power and influence.
  And what kind of society did we want?
  A purely egalitarian one where there would be neither master nor slave.
  Simple!
  Here I found that much needed sense of certainty!
  Here was an ideal, a philosophy that had strict rules that we were meant to follow in order to achieve our sacred aims!
  

  I was immediately attracted to one student leader, Tony, who passionately urged his listeners to use any means necessary – except violence –in order to achieve our goals of total equality within our society.
  He was a tall man of average weight, with short hair – actually, let me immediately stop myself here - because actually there was absolutely and totally nothing remarkable about the way he looked; but what really made him so attractive was in his personal charm, and the way he spoke, with such a theatrical ability, that made you unable to move as long as he talked.
  I can still see him, as he gracefully gesticulated in such an animated manner, giving further power and reason, to every word and idea he uttered:
  "Can't you see and feel what is going all around you? My friends, listen to my words, because we are living in a society that is dominated by greed and ultimately misery and death on an everyday scale. Why is the dustman paid any less than a doctor? Aren't we all human beings, born free and equal? And, so, if you, my friends, agree with me that all men, women and children, are equal, then it should make obvious sense to you that we should all live equally. Do you feel what I am saying to your hearts, or not?!" he would thunder at us, with his face contorting from the passion, and with his ability to be so majestic and, yet, so utterly humble at the same moment!
  Yes, I began to think more and more about what Tony had to say.    Why was there poverty in the first place?
  Where was Humanity?


  Indeed, aren't we all equal human beings; so why this discrimination? It seemed so sensible to me; and yet, what was I, Sara the Nobody, doing about this problem?
  Nothing, of course.
  Yes, I was just a student – but I was not actively working against the dark forces, as Tony was always talking about.
  Tony would mesmerize his listeners, which were usually held in the evenings, at around eight o'clock.
  He always managed to talk to you directly – or so it felt, despite the large number of listeners.
  "There are people who make millions in minutes – did you people know that?  While most people in our society struggle and sweat not only tears, but, I tell you, they sweat blood – yes blood" he would scream at this point, "day in and day out, and getting paid next to nothing, you also have a minority who make millions in minutes!   How can you, yes you, tell me that that is fair? Why do you, my listeners, why do you lamely accept, that we live in a society that allows conditions, whereby the majority, and I say the vast majority of human beings, men and women, have to bleed to death just, to pay their never ending bills, while a minority lead an easy life overflowing with money, glamour, power and luxuries that are indescribable? I ask you again and again to answer my questions: is that fair? And if it is not fair, then what should be done about this sick situation? Well, clearly, we must use violence to take our rights, because no democracy will allow our party to succeed in any election and obviously the rich will never voluntarily give up their oceans of wealth; therefore, if you ask me, what is to be done, I firmly tell you as my response, that we must fight for our eternal rights, and by using the verb 'fight', I mean we 'fight' with every weapon at our disposal – be they words or bullets!"
  I was simply exhilarated by his symphony of words!
  And yet, I couldn’t help but feel that there was something ‘missing’ in Tony’s personality.  
  He just didn’t have that supreme self assurance that others had.
  I guess that was what was ‘missing’.
  I couldn’t understand why he did have that degree of insecurity – because, it seemed to be a contradiction when you are living your life for an ideal, and at the same time, you have insecurities within your heart!

  It was also at university, that I first met Sanji.
  He was a tall, dark wavy haired man with a dark complexion.  His beautifully oval eyes had a deeply pensive look, and at the same time, they were always somehow mired within a sorrowful gaze.
  Even when he would talk to you, Sanji's eyes seemed to be far away, deep in thought, about God knows what subject!
  Gracing his eyes, were beautifully arched eyebrows and the longest, thickest eyelashes I have ever seen, that beautifully complimented those seemingly lonely eyebrows in perfect harmony.
  He was a quiet, soft spoken gentleman, who was the most polite and sincere man I had ever met – I would forever ask myself, how can this man, be so gentle and compassionate, and without seeming to get distressed, angry or anxious?!
  He had such a depth of serenity in his personality – and that trait was something that made so utterly envious of him; I was constantly wishing and trying to have a millionth of that serenity of his.
  He was utterly sure of himself – and not in any arrogant way. He was completely happy and secure with the ideas and principles which guided him throughout his life.
  He had a complete knowledge as to what the purpose of his life was. As a result he knew exactly where he was going with his life.
  There was no sense of being lost with Sanji; for he knew the endless, twisted, meandering number of Paths of Life ahead of him - and more importantly he knew which path he wanted to tread on in his life’s journey.
  He would never use foul language; and would always listen to you with interest as you talked – which is rare in our world.
  And he had that most beautiful ability and talent to be so extra careful in choosing his words when he spoke, for he always wanted to get his thoughts and ideas properly across to you, so that people would understand him well, and so that there would be no confusion as to what he stood for.
  That's why he was so pensive and why he spoke so deliberately; there was never any impulsiveness on his part; he intended exactly every word, and exactly every phrase, and every sentence he used; there never was any carelessness on his part when he would interact with you.


  I never met a man who was so wholly and totally considerate for the feeling
fray narte Jul 2022
I stick my fingers in my throat
and throw up a basket of swallowed suns;
under it, my tongue is parched and pinned in place
like a dried house moth on an entomologist’s hand
that nurses it back to life

and demands devotion in return,
a poem in return.

But I have purged the feeling being out of me
like a cold, cold man now averse to the ways of his younger lover
who is alive for all of it — the lust and the starving kisses
and the quiet deaths in the morning only to haunt at night.

I leave letters for my bitten nails without meaning a single word,
and go to lie with the superficiality, the hypocrisy nesting under my tongue.

I have started writing poems again — see where they take me this time
and find myself here, once more
where a fool unpacks her baggage and out I come rolling
like a dead body with a foaming mouth, a brown moth burning under the sun,
a leech that scurries under salt and needles,
slowly eroding like sanity.

She thinks, therefore, she is, they say,
but at what cost? She looks on and pens this poem
with a tiny smile on her lips.
written June 6, 2022, 10:53 am
Zywa Dec 2022
You'll find pointlessness

when you search from the outside --


for any purpose.
"La distruzione dell' uomo" ("The destruction of man", 1912, Luigi Pirandello)

Collection "Cance"
Westley Barnes Mar 2012
The air doesn’t taste so clean anymore.

I can remember being younger and gasping for breath,
the midsummer breeze provided me with plenty,
and I swallowed pintfulls and laughed at the energy it gave
and at the thumping of my heart.
The air was a little milder then.
It was around the same time,
in my childhood
when I remember that it actually snowed for Christmas.
So I almost must have felt the cold,
but temperature does not threaten you
when you are young and your lungs are full.
Not like nowadays,
when the only reason you don't destroy your lungs with smoke
is because you've seen the hospital wards,
heard of loved ones being eaten away because of
a malignant growth,
but that still doesn’t stop you
from taking the odd ****.

It hardly seems to matter anymore,
now that we are all living in denial.
But there was a time in our lives when our lungs were important,
if you didn’t have strong ones you couldn’t keep up with your friends,
and you needed to keep fit if you wanted to be a "soldier" in the "war"
this being before boisterous childish ideals
realised the dull pointlessness
of living in a neutral country,
where you were more likely to die in a car crash,
or by smoking your lungs tar-black.
You always wondered why your mother kept telling you to start
when she could never stop.
Did she not want you to have as much fun as she was having?
Imagine how many extra holidays you could have spent together
had she saved the money instead of spending it on cigarettes
and if your sister had never been born
you could have sailed twice around the world,
gone to Disneyland twice a year
and went skiing in the alps
instead of waiting to grow up in BORING OLD IRELAND,
waiting for school to end and the rain to stop.
Imagine how many years she has wasted,
because each cigarette costs fourteen seconds of your life.

Why does she want to leave you so soon?

Like her own mother, smoking her way to an early grave.

Its funny how you were the one who kept such care of your lungs
and yet it was you who was the first to end up in hospital.
A place where you could see the germs buzzing,
waiting for you as you arrived through the door.
They're going to make you lay in bed for a whole week
and you haven’t even broken your leg.
Yet they're smiling at you now, daft *******.
"I wonder if they'll still be smiling if I never make it out of this mess."

But you have to admit it tastes splendid.
Takes the edge off,
puts things into perspective,
helps the time pass,
and makes you look "interesting."
Nowadays it’s a lot more social anyway.
Presents you with an excellent opportunity
to strike up conversations outside of pubs.
You could meet the love of your life if one day she asks you for a light.
No one really wants to grow old anyway.
******* yourself in the same chair,
your brain unbalanced by the mind-numbing anti-depressants
and the oncoming surge of arthritis.
Mateuš Conrad Feb 2019
.you can't persuade me... yes, i realiße that my language is riddled with overt-pronoun usage... dunn'oh... something in the air, i guess... yes... that's the german ß - an interchange of S and Z... which is not an Š... more piquant... akin to the distinction of an Ś... but not really... no... you can't tell me that you can read Braille... and play the guitar... no ******* chance in hell... less stiff little fingers (a decent band)... and more: numbed tip fingers... mid-of-the-road type of guys... blind lemon jefferson... you think... that... after playing so much guitar... he would be able to read the solipsistic / idiosyncratic invention of louis (b)? **** no! and not that blind lemon jefferson worked the ******* cotton-field either... but... fingers... numbing... playing the guitar... so... these's cucks managed to create a slave trade with these... hunk Zulu / n.b.a. warriors? alternative universe! alternative universe! no... you can't read braille while allowing yourself to play the guitar... so these feeble ancestors of not mine... managed to... enslave these... afro hulks?! the **** happened there? where some of the Europeans like me? oh, right, strapped to the Baltic... and non-existent for around 200 years... identify?! identify?! i was born 5 hours from Auschwitz! just because i learned English, doesn't imply i'm playing identity politics... but i guess, in England... only a Somali might... no chance in hell you'll play the guitar like blind lemon jefferson... and have the tender finger-tips of a louis braille... better start to learn to juggle oranges.

what would be the antithesis of
a... sodomite?
   someone from the city of *****?
a... gomorrahite?
****... that could work,
given we had people known
as the hittites...

CLICKBAITNEWSFLASH
CLICKBAITNEWSFLASH
CLICKBAITNEW­SFLASH
CLICKBAITNEWSFLASH
CLICKBAITNEWSFLASH

the new: small ***** emoji...
so...
           why is there a small
***** emoji...
with a dark complexion?

what?
           last time i heard...
and i did hear it from a *******
during... something
that resembled *******
but more Picasso figuring
out cubism...
      she told me...
           with not satisfying
impromptu...
   'all the black guys have
big *****'...
   yeah... i paid the 110 quid
per hour...
   but didn't say anything,
figuring,
stick to the proverb...
marshall...
  cicha woda brzegi rwie...
so i was basically looking
at either...
   the mariana trench
of a **** or...
           so like an amputee...
can i get, some sort
of girth expansion
or a length extension...
or should i just put on
a strap-on *****
to mechanically **** my way
out of a de profundis
                      like Jonah?
oyster yap-yap...
       i don't think my
"tool"... has anything to do
with...
   what i'm looking at...
something, something
from the kama sutra...
how... a rabbit man should
not **** an elephant woman...
nice metaphors
for... size... & depth...
so i turned on something
to relax from listening
to too much classical music
and having a wet-*****
over it in conversation
over lunch, und tea...
gets me all the time...
da pacem domine... templar...
sure... not my favorite
choir lullaby to hush myself
with... but as far as i know...
the hospitaller knights weren't
too keen on... curing
the ails of the heart through
song...
            
but the miniscule emoji...
like... the modern hieroglyphs writers
are attempting to
signal... having evolved
to speak... cratylian?
  (sign language)

they are!
   they are!
        look, they're communicating
with the orthodoxy
that makes dyslexia: stigma...

but... i have never heard
a ******* tell me that
all white men have... adequate...
******* examples...
but i have heard that all
black men have... the adequacy...
and a tall tongue,
a labyrinth and a serpent's
equal length of it...
to waggle through
conversation, till they reach... 60!

envy...
only if you're watching ****...
i even sometimes forget...
are those the *******...
or the ***?
  you know... the "grand canyon"
of fixation?
dunno... for me ****
is mildly, or at best...
one step away from
the Reinnasance nudes...
      depends...
i suppose if i was blind...
i'd be into the sounds of the grand O...
but static works best work me...
i guess: i like to imagine
what would be... working from
an instilled frame...

moses' worth of **** on
mt. sinai...
or jonah's de profundis
worth of **** in
a belly of a whale...
your pick...
       again... language is
not a ******* scimitar...
it's a...
                       yeah... that thing...
fun emoji, that one...
      cuck...
if you haven't been with
a *******...
what the hell is all this...
this...
                     in in between
she's telling you about
a friend of hers who was
slaughtered while
working Barcelona...
  and then she tells you
you're nice... because you
just feel like kissing...
   and it's like:
  me? me hitting the dating
scene in anglo-saxon culture?
psst... can i have that whiskey
and beer and solitary
confinement
with a claustrophobia's worth
of thought that, does require
someone... shuffling and dropping
snippets of my output into
the local square?

   i only felt compatible with one
woman in my life...
   if i were a bull
and she was a cow...
and i had overlords who needed
us to do nothing
but perpetually breed?
sure... it could have worked...

gomorrahite...
          that other emoji...
the blood drop...
i heard, somewhere, somehow,
only after the fact...
     i nagged her for ***
for well over 2 weeks...
she was on her period...
       i heard that *** during
a woman's period alleviates
cramps...
or... how does this even fit
into...
   warm water, in the bath,
****** on...
                chirping *******
sparrows...
   a few days later
   7 hours non-stop...
   the Trojans had landed...
so yeah...
             little **** big mouth...
or... miniscule omni,
        big **** makes a mouth
the depth of... what?
          it's not like...
there's only one depth of
****... is there?
   contra... new meme...
like the o.k. sign...
         but all fingers holded...
with the index set
     on the thumb...
  expression? how deep?
    
but the modern hieroglyphs
are evolving into cratylian...
    yet i still don't know how i'm
to read emoji...
via sign-language...
   and have a light-bulb moment
of the subsequent: ah!

    maybe...
   being made literate
i am to unmake my literacy
and learn to emoji...
   i know that there are
interpreters of these... "things"...
like: i'm giving the explanation...
but then...
   have no sparring partner
to use it with...

     so i figured...
              better before i go blind...
then at least i can write some
⠃⠗⠁⠊ ⠇⠇⠑...

so yeah...
how's that chopping off the diacritical
hydra coming along...
with regards to the pointlessness
that's hovering over
                    i (ι)      and j (ȷ) -
well... at least the caron over
an s (š) indicates something...
   i.e.:                         šarp...
      sharp!...
                       the **** are either of
those dots supposed to represent...
some... syllable, breath,
intra-word
   "pause"... ' - apostrophe scalpel
                  incission for the tongue?
like... t'ango...
where you use the apostrophe
attached to the t'
    to almost swallow your tongue
before you burst out with -ango
   as if (to double of the metaphor)
            you did a geyser with your
mouth upon hearing a joke
    with, just prior, having a sip of
a fizzy drink?

modern hieroglyphs imitating
cratylian (sign language):
                  and all these letters in between...
good to know that
whatever literacy was left,
became entombed in:
to code...

                                which...
starts to resemble...
                something akin to...
the language police take on
remembering to recite dyslexia
               of f@%&!

> shift a little bit to the right
           < shift a little bit to the left...

yeah, that labyrinth's worth
of ego...
                         or egg'oh...
     depends on how much modern
graffiti you want...
stolen from a brick wall of
  #tag...
                          i suppose...
    enough of e.e.cummings will do...
to push you over
the edge...
     and forget to even use
that ingeious israeli invention,
the u.z.i.,
                      tongue in the bucket,
and all those itchy tips
of fingers, readied to do
the devil's bidding...
       while the holy... the holy...
sing! sing! sing!
           grind lips
against a pig's snout...
      and stand stark naked...
uninhibited...
                         or at least...
that's how i see language,
                      or what is truly
my own... my use of it.
Julia Mar 2014
You ask me what I feel & think
(because the two are distinctly their own)
about the utter absurdity
& pointlessness of life

& out the windows cars go by
& up in space meteors fly
& sitting in this vinyl booth is me;
not alive long enough to know,
but who was seen many injustices--
yet knowing not a thing to do about them,
looks to those next to me,
who have only seen worse.

I do not know why the universe keeps expanding
or why my professor gives Monday exams
or why my poems are all the same
or why people in my life keep leaving
(or why I keep pushing them out?)--
messages marked "read" with no
response or
rhyme
or reason or
rationality.

Maybe the point is that
there is no point
Joe Wilson Oct 2014
If I raise my head I can see out the window
But I know it’s raining I can hear it
I’ll not raise my head
Why the hell is it raining
I’m supposed to be going for a job interview
And it’s raining…******.

I’ll be soaked to the skin and my hair will be
plastered to my ****** face again
just like it was at the last of these things
Where I was the blasted wet interviewee.

So why I ask did I not cut my hair?
I didn’t get it cut last time either
and I can draw a sad conclusion too
I don’t wan’t the job nor the mither.

So I know that it’s raining
I know I’ll get wet
It’s a thankless job anyway
So I’ll stay here in bed.

Get up, get up, lazy sod!
Oh God it’s my righteous inner-self again
**** and Blast!
One more pointless interview
coming up…



©Joe Wilson – A sort of pointlessness…2014
Joshua Haines Jul 2014
Dear Talia,

I don't want to be a tortured artist.
I don't want to be depressed and I don't want to be anxious.
Competitive sadness and disorders treated like accessories disgust me.

The world glamorizes mental illness, and I don't understand why. There is nothing romantic about being mentally ill just like how there's nothing glamorous about a broken wrist or a torn medial collateral ligament. There's nothing romantic about constantly being afraid that the world will fold in itself and **** you with it. There's nothing romantic about feeling like you could break down and cry at any moment.

This is the first piece I've written while being medicated.

I want it to be Christmas already.

The world dreams itself a halo, but can only attain horns. The halo is an illusion and the horns are an idea.

I'm due to take another Lorazepam. Would I look cool to the kids who idolize dysfunction and misinterpret pain as style, if I were to take one of these, with water and a distant glance, in front of them? Geez, to have their approval would to have everything and nothing at all.

I'm not sure why I've written as much about this as I have.

You.

It is 2:48 am and all I can think about, in this moment, is you.

I can't wait to spend Christmas with you. I can't wait to wear bad Christmas sweaters, and be the couple everyone hates, as we sing Christmas carols and spread holiday cheer.

I wrote this poem a few minutes ago. Sometime around 2:30 am. I'm not sure. I'm exhausted:

I sat on the edge of my bed, and on the edge of my life,
medicated to the point of pointlessness. Soft.
It was the nineteenth, not the twentieth,
and I wished I saw the fireworks with her fifteen days earlier.

My gasps tore the shingles off of the house.
And they hung suspended above the hole in the roof.
And God stared down into my room, as the shingles swirled skyward.
"I see you," I said, "but I don't believe in you."

I left home and ran until I was a dream that had passed itself.


I hope that was okay.

I love you.


Yours,

Joshua Haines
T'is silence leaps from one self to another. Betrayal, o betrayal, doth greet it-so violently and startlingly, along th' entirety of its journey! Undelightful as 'tis, but made worse by t'at hostile dubiousness. Another fact aside from its ambivalent hatefulness: recognisable to every questioning eye-is t'is downright scary on its own, with unmolested quietude, and ******, but involuntary, unspokenness. Resolutions made within undesirable ambiences! Sacrifice t'at outwardly suggests th' presence of glam profuse in rich elaboration-but bland enough! And on top of all, t'is brimming immovability, and 'tis pool of doubts is causing me but to commence feeling weary about 'tis raising thorn. How didst I send myself into ferocious wanders-about t'is airless rooms, heated like sunflowers bathing themselves to death on th' giggling surface of raging snow. Battle of nature-and war of its childlike beings! Like a stoical plant in th' midst of 'tis glittering forest; vacant and idyllic-passive and unquestioning towards th' blades of farmers t'at come to exploit 'em: with morbid and futile, savage desires for rebellious treasures-unbecoming in t'eir temporariness, and unavoidability of sincere devotion as t'ey wilt soon leave t'eir offspring bereft of t'eir provisions once more. Yet look, look how red t'eir eyes are in t'eir hunger-eccentric vivacity gloweth in t'eir eyes, but mockery governs 'em-as ruptured t'eir weak souls are, by loathsome uncertainty and severe senses of greed. How t'is consideration made aggravated; agitated my soul is-o, seriously agitated! Yes, indeed! No longer doth vanity boast away about being my pride, but th' sultry pointlessness of my power of self-esteem. How melancholy t'is life is! O, and th' raising thorn itself, th' one aforementioned so discreetly within my fourth phrase up t'ere-growing dominantly and selfishly-aye! every day, is unlikely to be abashed by any remorseful incarceration, or stony suicidal attempts hurled by t'ose disgraceful beings out t'ere; but in t'is case, yon disgracefulness is comprised of grateful swarms of exquisite laughter, divine in its own roots, like th' sacred nook of a moonlit river. And how t'ere, on its most godlike slice of rock-so dearly scented by nature and innocent greenness-a sight be so dear to my longing eyes, shalt thou dwell with thy poems, and heart trembling with thy fullness of passion. For me, yes, for me, selfishly! O, my love! Cannot help I uttering thy name-thy very name, whom I am undeniably besotted with, like a feverish storm mooning over its lifelike sea, and whose eager cruelty so invincibly blanched by 'tis romantic tides-gone as it is, in just a seeming couple of cordial seconds! My love, whose name is so unmistakably dear to my heart, and indisputably belongs to 'tis greedy layers-ambitious, my love, desirous of,  and bland to solely th' dormant rains of thy love! O, t'ose pristine tears of blessings t'at are volatile but decorative to my half life-for thou art unarguably th' other half of me! And splendid in t'is very breath, t'at recognition t'en beats furiously along with t'is frail voyage of my humanness-grounded inevitably by unremarkable velocity are my wheels, and sometimes imprisoned in helplessness amidst th' pursuit of my fierce dreaming. But I admire 'tis core-as it is but thy warm, genial slumber; and 'tis skin is but th' very depths wherein I conceal my very whole love for thee. My love, my darling! If only thou wert here-yes, here, querida, to indulge t'is pr'saic quietude, shalt I shrink into nothing but a piece of thy fallen star; and t'ese feeble hands shalt t'en thou own, just as thy heart I should'th won.
gray rain Jul 2016
Something changed
it was a new kind of pain
I don't know why
watching people run with bulls
being injured for no reason
other than to look 'masculine'
seems so pointless that it hurt
it was so painful it felt like my chest was closing
like I couldn't breath but I was
it wasn't a panic attack
I was having a bad day
I was tired
I wanted to go home
but watching something so pointless hurt so much and I don't know why.
So today is San fermin and there were few people in school so both Spanish classes were merged together and we watched the 2007 bull run and being scared of just about every animal I don't see the point of it then I started to feel like I was going to have a panic attack but knew I wouldn't it just hurt watching people be trampled amd I don't know why.
Mars Mar 2014
Look, another kid,
hungry for a metaphor;
taste of what its like
to make a point,
but it’s stuck on the
tip of her tongue.
Lack of inspiration,
from Walmarts to broken hearts;
world in black and white,
not even gray
enough to be sung.
Oh, how great the world
would be, if rainbows weren’t
only tricks of light.
If promises
meant something more than
give and take.
If words were said
with a sense of conviction.
Teach us what it’s like
to make a point,
if there was ever
any point to make.
I wrote this a few years ago, and my teacher called me an existentialist.
Domenick Oct 2018
I write too often while thinking of you

It's late, everyone's asleep and my confidence is beginning to bate,
it feels like I've been awake for weeks straight, I can't extricate this state of distrait, everything is becoming harder to assimilate and I can barely differentiate reality from the reversed universe that my mind manipulates and creates,
My heart palpitates, my thoughts tumultuate and my lungs refuse to inflate under this weight as I begin to dissociate
What's great about my universe is that you can honestly relate,

Others understand in this mystic fantasy land,
There life isn't so bland, our existence was planned and best of all you and I roam hand in hand obeying your preferred god's demand,

There I'm not terrified that I will die with the afterlife unverified, the answers to my questions are clarified and my smile isn't forced or pried but instead a happiness that's justified,

There I have a perilous quest to distract me from the distress of the universe's careless emptiness, my feelings abide my behest and my mind doesn't remind me of my pointlessness,
Regardless I'd be happy nonetheless if I could leave all the rest just to retain your caress.

10-30-18
"Good times with this guy".
Mateuš Conrad Jul 2018
.                    what's the difference between
thieves, and magicians?
not much...
   both have quick hands...
and an awake,
yet asleep public communal
presence...
the thief has a public of
the victim,
         and the c.c.t.v. "stage"...
the magician?
   has a public of the crowd,
and the "dajjal" stage of
a camera replenishing
   a concept of:
  not enough public...
    thieves and magicians are
bedfellows...
you allow one to flourish...
the antithesis will come
along, and in an indiscriminate
fashion...
   allow the "magic" / "thieving"
to take place...
     what is a magician,
a public figure... compared...
to a thief?
       i can't see the difference...
the audience was fooled
by the magician...
the individual was fooled
by the thief...
   are they... so much unlike
each other?
     magicians can own
a theater stage...
thieves, sometimes... just sometimes...
own the, basic...
    pointlessness of english
c.c.t.v. mechanics,
to make police officers make:
a follow-up investigation...
    oh, but i have genius
interrogation practices...
  no one wants to listen to...
like 10 hours straights of listening
to stefan molyneux...
or 48 hours, sleep deprived...
listening to BBC 24 hour news reels...
that ****... could crack anyone...
what the americans did to the Iraqis?
last time i heard...
they blasted the slayer oeuvre
down headphones into their ears...
Americans... feeding conquered
Iraqis with a slayer oeuvre?
BRAVO! BRAVO! ENCORE!
and didn't the encore come?
******* retards...
  crows feeding seagull chicks
with sinew and
        regurgitated scavenger meat!
if only they played them some
Bach...
    i'm pretty sure...
the Iraqis would still be left...
disorientated...
  but the American army "interrogators"...
ha ha!
   played them the slayer oeuvre!
WEE-TARDS!
anyone... and i mean anyone:
will relieve themselves as being
"tortured": doubly charged up,
and ready to ingest hyper-coffee
in the form of the Luftwaffe tactic
of ingesting amphetamines
                               (pervitin) -
night-raids... the londoonoirnischt
blitz, sloth krieg...
ya ya yawn...
                urgh... burp...
and always... those poncy -
english, gay, aristocratic men...
and their... psychotropic women...
so what's the difference between
a common thief...
   and a spectacle magician?
one "owns" cctv footage,
the other owns a stage...
   yet both share a: quicksilver
take on, what cannot be
interpreted in either handwriting
or stenography...
  hmm...
              can't be sure whether
both could be considered legal.
Lindsay Drew Feb 2013
I sometimes sit and think about how I wouldn't mind if the world ended
I know its wrong of me to say that at face value, but deep down inside I know we all think it
not that the earth itself should be destroyed into oblivion, but the opposite
that the world should live on
and the cancerous growth of humanity should be cured
its a pessimistic way of looking at things , I know, but I cant help but feel this
short ride of ours on this planet is careening out of control
I'm not a nihilist or an anarchist or an environmentalist
nor a ******* for that matter
I'm not afraid to die because I believe I will no longer exist when I do
but the pointlessness of it all and the blatant disregard for others,
other species other lives other kinds other minds
disregard for the future for cleanliness leads me to these thoughts,
that a septic surplus has arisen on this singularly magnificent gift
of life in this one and only known universe and we sit here ******* all over it...
I sometimes think it'd be best if we all just left
Sarah Richardson Sep 2015
I'm bored of blue skies.

I'm bored of art, music, poetry, fantasy, movies and writing.
I'm bored of breathing, walking, talking, dancing, laughing and crying.
Bored of train rides home alone, bored of trying to understand.
Bored of remembering my dreams, bored of begging for dreams I can't have.
I'm bored of feeling.
I'm bored of drugs, alcohol, relationships, bars, clubs and pointlessness.
I'm bored of hugs, whispers, kisses, smiles and carelessness.
What to do when there's nothing to do,
What to do when you can't spend time with you.
Over the horizon, lost in confusion,
came the sad night, pregnant with stars.
I, like the bearded mage of the tales,
knew the language of stones and flowers.

I learned the secrets of melancholy,
told by cypresses, nettles and ivy;
I knew the dream from lips of nard,
sang serene songs with the irises.

In the old forest, filled with its blackness,
all of them showed me the souls they have;
the pines, drunk on aroma and sound;
the old olives, burdened with knowledge;
the dead poplars, nests for the ants;
the moss, snowy with white violets.

All spoke tenderly to my heart
trembling in threads of rustling silk
where water involves motionless things,
like a web of eternal harmony.

The roses there were sounding the lyre,
oaks weaving the gold of legends,
and amidst their virile sadness
the junipers spoke of rustic fears.

I knew all the passion of woodland;
rhythms of leaves, rhythms of stars.
But tell me, oh cedars, if my heart
will sleep in the arms of perfect light!

I know the lyre you prophesy, roses:
fashioned of strings from my dead life.
Tell me what pool I might leave it in,
as former passions are left behind!

I know the mystery you sing of, cypress;
I am your brother of night and pain;
we hold inside us a tangle of nests,
you of nightingales, I of sadness!

I know your endless enchantment, old olive tree,
yielding us blood you extract from the Earth,
like you, I extract with my feelings
the sacred oil
held by ideas!

You all overwhelm me with songs;
I ask only for my uncertain one;
none of you will quell the anxieties
of this chaste fire
that burns in my breast.

O laurel divine, with soul inaccessible,
always so silent,
filled with nobility!
Pour in my ears your divine history,
all your wisdom, profound and sincere!

Tree that produces fruits of the silence,
maestro of kisses and mage of orchestras,
formed from Daphne's roseate flesh
with Apollo's potent sap in your veins!

O high priest of ancient knowledge!
O solemn mute, closed to lament!
All your forest brothers speak to me;
only you, harsh one, scorn my song!

Perhaps, oh maestro of rhythm, you muse
on the pointlessness of the poet's sad weeping.
Perhaps your leaves, flecking by the moonlight,
forgo all the illusions of spring.

The delicate tenderness of evening,
that covered the path with black dew,
holding out a vast canopy to night,
came solemnly, pregnant with stars.
Joseph Sinclair Nov 2014
Is humanism Utopian?
You really have to think about it.
Or is it rather more dystopian?
No, then I think you’d never doubt it.
It seems that disbelief is best.

Humanism owes a debt
to thinkers of the Enlightenment,
although I haven’t paid it yet,
I think of it as my entitlement
to settle it at some behest.

I very early cleared my mind of Kant,
experiencing a vast relief,
approaching his chef d’oeuvres extant;
removing knowledge to allow belief;
the opposite of what he had expressed.

It occurred to me I ought to dig up
(or should I say instead ex-hume?)
what constitutes at least an egg-cup-
full of wisdom that I might consume
with non-platonic zest.

But wondering how on earth to do so
and thinking he might hold the key,
I fixed my sights on Jean Jacques Rousseau
and set sail for my destiny,
while trying not to feel depressed.

Voltaire’s voices loudly rang in deaf ears
as did the Persian Letters of Montesquieu
and failed to still my latent fears.
And thus I felt no need to rescue
Adam Smith (morality-obsessed).

To put Descartes before the Horse-
men of the Apocalypse
War, famine, pestilence and worse.
Who could guess it would eclipse
my thought, wherefore I was oppressed.

Or take the case of Denis Diderot
a friend of Hume and others seedier.
and one you might consider so
rash as to produce an encyclopedia
to get his knowledge off his chest.

That precious quality of truth
was Mary Ann’s# description of it.
It would not take a Sherlock sleuth
to simply thus produce a conviction of it:
an elementary request.

I cut my questing teeth on Russell.
His secular logic had a profound effect
and seemed to stir each red corpuscle
inhabiting this fervid non-sect-
arian but doubting breast.

I later turned my eye on Dawkins,
and his concern with my divine delusion.
A sceptic whose inspiring squawkings
validate my disillusion
and emphasise an ill-starred quest.

And so I felt the pointlessness of it.
Progress is the best end for a man to see
And belief simply produced less profit
for reality’s dispelling of my fantasy.
So, in the end, I acquiesced.

#Mary Ann Evans, aka George Eliot, in *Adam Bede
Claire A Jacobs Dec 2014
To the unknown,
I cannot fasten words strong enough to show you my care.
You have taken my language so I can not comprehend, just as you will take a sliver of my heart and gallons of my blood,
So I can understand your pain.
I will save you from the savagery of emotion and the feelings of pointlessness.
I will protect you from the cruelty of man and the scorns of women.
You will never have to experience your heart being torn in two like you have done to mine.
The only thing I cannot keep you from is myself, my twenty first century sense of logic and my own bittersweet selflessness.
You are made of only love just as you will be let go in it.
Let that raw energy you were created from, let it shoot you into the night sky.
So you can experience everything that I will not.
© Claire A. Jacobs. All rights reserved.
Mikaila Jun 2014
I never want to be second best to a man because I am not one ever again. It BOTHERS me. It keeps me up nights. It's... humiliating. It stokes a rage in me that I don't like- it's ugly, and hot, and pressurized, and it never seems to lessen, only grow. I am so good at being silent, at being nice, at being a good sport. But I've been getting worse at it for years. As I've begun to realize just how much I've lost to men because they think they're better than me, because everyone thinks they're better than me, because sometimes I even think they must be better than me. I've started to lose my grip on that quiet, humble girl who doesn't fight for what she loses. I sit up at 1:30 in the morning and sometimes I can't stop stewing over the fact that some men think they can unclothe me with their eyes and I'll secretly like it, that everyone on the ****** earth assumes that I will want a man, marry a man, that I'm LOOKING constantly for a ******* MAN. Is that what straight girls do? I didn't think so... But as I look around, really look, the world makes it seem as though every ******* thing is centered upon finding and keeping a man. And I don't want one. And I resent having to explain that day in and day out to everybody I ever meet, and even to people who have known me for years and KNOW how I feel about the subject. And no, nothing set this off- this is how it is all the time. I am just disgusted sometimes, that if I don't shout constantly (obnoxiously) people will slide me into my designated spot in the world- a white picket fence with a hubby and 2.5 kids and a small adhd medication habit- and I will be LOST to that. Obliterated by what is expected of me. I'm not doing it. I will never do it. I don't want a man. I don't want to BE a man. I don't want to marry a man. Honestly, on days when I truly allow myself to think about this subject in depth, I don't even want to LOOK at a ******* man. I don't want to know that because my hair is long and my waist happens to be 20 inches, men find me attractive. That my long eyelashes and high heels make it oh-so-hard-to-believe I'm not straight, and that much more disappointing if, in fact, they ever do believe me on the subject. I don't want to look up by accident and see a guy leering at my ***. I don't want my sarcastic remarks taken as flirting. I don't want to ever hear the phrase "You're too pretty to be a lesbian." again. I'm not gay because I'm angry at men. I'm angry at men because I'm a woman. Being gay happens to slide the binary into focus even more. Masculinity is valued. Femininity is insulting. There are classes on it. And I understand that not all men are *******, but honestly... all men take from me. They do. I'm sorry if that offends you, or if that makes it hard to view the world the way you do, but hey, it offends me. Offense is not an order of change. It's how you feel. And I am deeply offended that men win over me. I'm offended that it's a contest, and I'm offended that I am ill equipped to compete. I'm offended that women seem to see having a boyfriend as an achievement, as something you earn and flaunt and show off to other girls and boast of, when I was hardly able to hold hands with the girl I loved in high school, in fear that her family would find out. I'm offended that she couldn't be proud to be with me the way she'd be proud to bring a boy home and plunk him down at the dinner table on Thanksgiving- "Look, Ma, I got one!" I will always be offended. I don't expect anything to be done about it. But I do sit up nights and think about it. I do. It bothers me that men are worth more than I am- and for what? What are they really that I am not? The answer is very simple and utterly infuriating in its pointlessness: They are men.
This would be the rant that ended up on facebook this morning... And this would be the comment I left below it:
(I swear to god, do NOT comment on here and try to begin a debate about individuals and how men are all different people and blanket statements are unfair and- no. I happen to have a brain. I do know this. I'm talking big picture, large scale, the gender that rules the earth and has since the dawn of time, and the things I've lost because of the culture that has grown out of that. And so help me, if you try to start an argument about how I'm actually the one victimizing people, I will lose my mind. It is my right to be offended, and if you are offended by my offense, that is your right. And we both have our lovely emotional rights, and we needn't talk about it. Okay? Okay.)
Sam Jan 2017
Words of mystery,
have became known.
Words of disguise,
were rightly shown.

Hidden no more,
under the brush they lay.
For everyone knew,
what they planned to say.

Words scribbled down,
on piles of paper.
Every single one,
would diminish and taper.

You call that poetry?
they say with a frown.
Classified as a poet,
you're only a let down.


Words of mystery,
kept concealed.
Words of disguise,
not tightly sealed.

Scribbling away,
at the endless works.
Never moving past,
the broken waterworks.

Here I write away,
those silly old scraps.
And pray dear god,
that I'll never relapse.

Done with the pointlessness
Done with the wrath,
I'm ready to move on,
to journey on the path.

Words of mystery,
closed once more,
Words of disguise,
never like before.
-January 11, 2017-
Before I left, my poetry, was not poetry anymore.
When I first started writing, before this page,  I would rhyme, make the  words lyrical. I would work hours on end on one poem to make it perfect to my liking. It soon turned into me writing one quickly, and posting, without me looking it over. I'm not saying by any means this is wrong to do, because I  still love doing it. I'm saying for myself, a goal is to bring back the lyrical poems, every once and awhile, because, hey, why not.
Alan S Bailey Nov 2014
OK! First the lollipop in the jar is missing
And her feet are itchy, help us please...
There's a cow doing cartwheels?
And if I might ask did your pigeon sneeze?
Reels of footage were left in the turkey baster,
Am I wrong? You obviously don't hear lemons
Whistling though, of course. And these days the
Emporer of Donutland is poor, better send him
Another hammed cannery of doom, let alone two.
And this TV has too many billygoats fishing!
And I'll be monster,
She did grow a hat!
Only minus the notes.
Just as big smoking jerky,
BLINDING, teeth raising...!
Chewing itself a thrill.
Terry Collett Nov 2013
Miryam walks along the beach
in her swimming attire, some red
and flowered design, Benedict
notes, walking just behind, having

left the two Moroccan guys behind
with the camel, with whom she'd
posed while he took camera shot.
Bet they don't do that everyday, she

says, swaying her delicious backside
side to side. No, guess not, least
not by the look on their faces,
Benedict says. She laughs, does

a Monroe kind of walk and wiggle.
We came down here last night, she
says, it was quite romantic what
with the moon, stars and warm air.

She stops and turns to look at him.
Was it about here? she asks. He
gazes about him, at the sand and
tufts of grass, the sky blue and the

odd white clouds, could be, hard
to say, it being dark and all. You
found your way around all right,
she says, smiling. Well, a guy gets

to know his way around after a while,
bit like a ****** gets to know the sea,
the rough times and the smooth,
the high tides and the low, when

its best to set out and when to stay
in port. She frowns. Is that what it's
like for you guys? Just like that? No,
he says, just being philosophical, in

fact, it was a good evening, a fine
****, he says softly. Is that all? she
asks. She stands there her hands
on hips, her head to one side. No,

of course not, it's just us guys hate
to get all soft about these things,
he says. She pouts. Soft? These
things? she says. Can't you just

say it was romantic? She says, is
it hard to say that? A fine ****?  
Is that easier to say? It's just one
syllable instead of three, he says.

She turns and walks on through
the sand. He follows, taking in
her figure, her side to side ***,
the tight red hair. OK, he says, it

was a romantic night, I loved the
whole set up, the stars, the moon,
you and me, the sand, the soft tufts
of grass, the ***, the kisses, the holds.

She stops and turns and gazes at him.
It has to mean something, she says,
otherwise we waste our lives in such
pointlessness. He nods, zooms in on

her small ****, her eyes, her whole features.
Sure we do, he says, you're right, it
was one fine romantic never to be
forgotten night. She smiles and walks

to him and kisses him and holds him.
He holds her, feels her, senses her lips
on his, and out of the corner of his eye,
he sees the two Moroccan guys and

camel walk away up the beach, they'll
never know this, he thinks, feeling smug,
far beyond their lives or random reach.
MOROCCO IN 1970
A Simillacrum Oct 2018
Music. You hear it now, don't you?
What's that sound?
Do you hear it, like I hear it?
Over my shoulder, though,
I've got ghosts and granules.

Voices. You hear it now, don't you?
What's that sound?
Do you hear it, like I hear it?
Evolved use of spoken
word, just to squander it.

I look around,
just to see,
loving my pointlessness
has afforded me,
nothing but
lack of company.

Quote me on this, please.
" I Love It "

Getting home.
Getting ******.
No aqualung, here.
Here, the lobes,
evergreen.
I'll die,
but I'm
perfectly fine
in my own eyes,
to be alive,
nowhere beneath,
yet.
Overwhelmed Sep 2011
there is a tragedy
in life

a pointlessness

that’s what religion is for
I suppose

or philosophy
or politics
or tight nit
family

but I don’t need it
why should I?

most need something though
apparently

so I suppose they know
the tragedy too

they know the
pointlessness

but they go to bed crying
and I wake up to brighter day
every morning
Tony Tweedy Apr 2022
Again before an emptiness of soul, where all is fears.
Awake but mind devoid of light or any new ideas.
Crushing feeling of loneliness permeates the very air.
Every action taken or ignored devoid of simple care.

How did I become this decayed and empty thing?
Thinking daily upon miseries, so often days before did bring.
Distant, faded memory of the moments that made a smile.
So fleetingly they went to allow despair room all this while.

Worth? A sense of purpose long deserted, gone and fled.
Only a loathing and a pointlessness is left to fill my head.
Long days before today and for others still yet to come,
Without reason to be, certain only eventually I will succumb.

Like coats of paint upon a wall each day another layer smears.
No smiles, no joy, no hope just a face soddened by my tears.
Ever present darkness, shrouds of dark veils upon me, drape.
Calling increasing loudly that there is only one true escape.
Dark days seemingly endless
Ghazal Nov 2016
I found myself rooting for the tiny ant
The spider was trying to trap in its webbed snare,
No thoughts did I spare before swiping a finger,
and helping it make a dramatic escape

As I looked at the spider, left food-less,
Rearrange itself in its meticulous net,
I wondered at the strangeness of this
Little world of ours, and also its pointlessness

We make it seem so rosy and pretty,
Embellish it with garlands of emotions,
But underneath lies the truth of its existence,
Made up of cruelty, chaos and commotion

The Designer painted it beautifully,
But gave it finer embroideries of pain,
He threw in an entire cosmos together,
And arranged it into a food chain

Compartments and more compartments,
Of colour and country and gender galore,
Hustle and bustle to stay put in a labile balance,
That is forever tipped at the cusp of war

We fool ourselves with the sham that our lives
Depend on friendships and love and such stunts,
When what we are, if we think about it,
Is a part, of one gigantic hunt

A hunt for alimentation,
And monetary satisfaction,
And physical satiation,
Does being conditional deserve glorification?

I wonder if I've turned into a permanent cynic,
It may very well be just a phase,
Though the spider would be cursing me for sure,
Not too romantic it is, sabotaging a prey!
Nicole Apr 2013
I'm done with nonsense,
Done with sweating over pointlessness;
Turning a small nothing
into a crazed something.
Done caring for the material things,
And instead truly living for the little moments;
The little details that make a moment special.
Like the rain against our backs,
As we spill hidden truths,
Echoing against wind's resistance,
Into the darkness.
And at that moment we're invincible;
Nothing can touch us,
And everything makes sense.
For once we understand each other,
While discussing our inability to understand the world around us.
But it's all okay.
Because for that moment in time,
Nothing else matters.
My best friend and I had a real heart to heart today while walking by the lake in the rain and it felt amazing just being able to talk about things with someone who could understand, and not caring about the fact that it was dark and we were soaked. With all the chaos of life around us, we were able to find a place of peace and safety. I live for these moments.
Antony Glaser Feb 2016
If we blank out today
and picture post 1974
we walk with a careless air
just wondering about
the new neighbours
We mix tape the second rate
Rock bands
whilst still knowing David Essex was an adonis
and contemplate  learning French
long before hearing french kissing in the USA
ryan Oct 2014
A clock, where time
Does not move;
A ruler, where space is
Nonexistent;
A candle in the middle
Of a burning star;
Letters, when language
Is forgotten;
A stolen life, without
Curiosity;
Tracks and ties, naked
Of trains;
Clouds, without the puppies
We see in them;
A writer, without a story
To write;
A destination, without
The journey;
People, without each
Other. . .

Maybe even me on a Sunday,
Without you beside me?
Mateuš Conrad Jul 2016
a Darwinist's wet-dream, a youth's depression... i'm not surprised why the two share the same phenomenological plateau: after the said school morphed into existentialism and hit a brick wall with English utilitarianism, it's no wonder it started drawing on parallels - in the 19th century you had the fable of premature dementia - in the 21st century you'll find it hard too curb the fable of premature depression... less schizoids take their own life than premature depressed - the phenomenon of Darwinism's inquiry of the sea-turtles as naturally and intrinsically worthy pity meant that teenagers suffering from premature (unnatural) depression were simply told: aw... you'll get better... we'll just keep looking at the cruelty of nature for inspiration in the realm of sympathy... like ******* will... pharaohs of the food chain... you produced the architectural pointlessness of pyramids... myriads of the crucifix, and the cult of the tombstones... my grandmother visiting the grave of my grandparents almost every, single, day; her son couldn't care less... attaching personalities to inanimate products like cars or planes or Toy Story didn't help, either... but finding Nemo was a bit like finding the great white shark - Darwinism and Disney shouldn't mingle - pity doesn't last outside of what's petted - dogs and cats - you pity an animal outside the realm of what's pitied, you might as well be worth sushi.*

if fame isn't clenched within mortality -
if fame exists in the realm
of posthumous affairs - it exists
for the immortals to judge whether
it out be resurrected -
to be minded in the daily affairs of
inhaled oxygen -
only because the Coliseum was never minded,
but the Caesar's thumb was...
when i see fame i see only c.c.t.v.
"metaphors" - what is fame anyway?
we have a culture of fame surrounding us!
but we can hardly fathom why so many
scientists are left anonymous with their
anaesthetics and antibiotics -
in this world, what's useful is left anonymous,
what's useless is best cited - and constantly
refreshed - what is fame?
what if not cloning? it's such a shame to
be productive in aiming for such goals
rather than attempting carpentry's prodigy son -
if fame is becoming near butcher's worth of
**** and the buttocks exposed -
then fame has became absolutely devalued -
just after the 20th century the game changed -
we have devalued fame... as we have devalued currency -
fame just becomes a Friday newspaper
on the underground train foot-printed with ink-smears
and that other running-mascara -
as with so many billionaires, so with to many
famous people - the last anarchic act before the
insignificance of insects at a picnic bundle of folded
napkins became apparent - we reached the insect
paradox - not lizard cold blooded essence,
but the phobia blooded essence of insects -
the easily replaced - Auschwitz replenished within
a free society... numbers... satellite navigation -
never had i seen Narcissus so petrified with a mirror -
given that someone stole his mirror and the mirror
was shared among so many... Narcissus, synonym of
solipsism, was never so petrified as he was now -
the insect number overcame the feline king's presence -
not much thought concerning the poachers -
the insect-like numbering less the feline king's
presence - the mane completely cinematographic, suited
only for an intro roar - nothing imitable -
it was all slightly less panicky than expected -
so easily squashed the insects were, as we played gods -
but in number we became the most resembling them -
as if by prerogative to prior life on this earth...
we thumb-pressed a fly to death... as we knew in our
waking-dream that something too awaited us to be minded
as the prime venture we gave our thumb to act upon...
that, cold, lizard-like insignificance -
long before our science fiction dreams became realistic -
we realised something counter our current projection
of interests - from the tier of the cold blooded,
to the tier of the hot blooded, into the tier of
the exoskeleton where blood is confused with mush and
bone, where porridge is both brain tissue and liver tissue -
where beings are more emotionally resilient toward
phonetic stresses, as in units of encoded sounds,
and there this sense of coherency -
we look at dinosaurs with superiority of that famous
example of a brain in a pickle jar that's an anaconda -
the snake - but we're also spied against with insects -
they're looking at us - let us speak in terms of Darwinism
as is loved by those citing adaptability and 1 millions years -
well... we have all the time in the world -
the serpent the most abstract remnant of the dinosaurs
is looking at us... and he's saying: look toward the termite
mounds, and the ants as if you were Solomon...
they are the last evolutionary caricatures readied to usurp
your laughter with seriousness... they are neither
cold nor hot blooded... but simply hard-skinned
and uniform in aquatic assemblage contained within -
as once was Mars inhabitable, when Earth wasn't -
given those millions of years - capturing the speed of light
reduced our note-keeping of history as an act of
derelict intelligence - thus from capturing the speed of
light, into a history of day-to-day-day-by-day -
the plagiarism of 20th century art in the 21st -
the speed of light and the expanse of Darwinism -
strobe light historical-science - flash blink flash blink;
what is fame if we're entertained by the paupers in this realm
these days? we're not watching fame worked for,
as something resurrected out of light of interest, selflessly
attired to be cruelly exploited for selfish reasons -
watching the television (my "metaphor" for Plato's Cave)
is like watching homeless people on the street -
i see paupers of fame being paid to be paupers of fame -
the exploits of c.c.t.v. paranoia - the beggars eating lice
or maggots to support their claim to fame...
just like homeless people... the t.v. is the technological
replication of the cave, shadows... shadows...
when Mars was inhabitable Earth was the prior Venus -
the inhabitants of Mars left... and isn't Darwinism dangerous
when it comes to history? imagine two minutes tomorrow
after two p.m. - is that possible with the given kaleidoscope
of interests? Earth was once inhabitable, purest volcanic -
sending probes to Mars has already unearthed our lack
of common sense unity - communism failed,
the sea lion had his harem - we're not built to communicate
with insects' inherent dictatorial precision - hence we're less
bound to succeed in the theory of evolution -
we evolve to be selfish - we don't evolve to be collectively
minded - esp. given money - insects do that...
we're not insects... unless only in our delusional or orbit of hope...
i just wonder what resemblance we will take
to have given the abstract dinosaur - the serpent -
watching the insects evolve from the Tales of Gulliver
into the green-skinned fables of our science-fiction fancy;
what i've written down just now, will not give me fame...
it has already outlived me... it is outside of human history -
just like what modern Darwinism encapsulates,
national history when trying to govern assimilation of
immigrants with the significance of the year 1066...
and then the canvas of: millions of years ago...
the second big bang... although this one being more
complicated than based upon atoms and sub-atomic particles...
too much colour... too much ready geometry of spheres...
NO ******* WONDER THE CHEMISTS WERE LIKE:
**** IT... LET'S BECOME ALCOHOLIC BACHELORS...
THESE PEOPLE LEFT TO RIGHT ARE TOO AWE-STRICKEN
THAT IT'S POINTLESS TO TELL A STORY OF A
SATURDAY NIGHT ****-UP IN GLASGOW.
Nathan Burgess May 2014
Ego headspace, mindset phaneron life perception sight
the assumptions you operate under to simply get by
or focus on a series of tasks that seem to take
the majority of our lives. building always a beat
of building something without looking or even knowing or
being thoughtful about the thing you are building towards
out of fear of it's massive complexity and incomprehensibility
all of the unknown about it.

Death impudence pointlessness despair terror humility absolute antithesis contradistinction
nihilism gives transparency to the structure
Ephemeral and the mad passion to
work against those things

make the march wobbly to show it's deluded nature

show clear forceful severing ending sounds during counterpoint
A Mareship Apr 2015
In a Bluebird toffee tin
Are a hundred letters –
Most of them doodle-stamped and
Delivered by hand.
Unlike the letters I sent to you
They do not smell of spritzed cologne,
(A trick that I learned from Grease)
They are not messy
Or tea stained,
But perfect powder blue
And allowing for small extravagances –
The Cursive of the Obsessive,
Cursed by neatness and perfect hearts.

I pick one out at random,
A casually cruel one sent from Rome –
I imagine you blinking on a balcony
With dazzles on your collarbone,
A teeny tiny sugarless coffee
At your side,
And a pen tapping your knee.

“I’m not a **** at all –“ you wrote,
"It’s only that you are gregarious
In the most DISGUSTING way.
That’s your problem not mine -
Your optimism won’t catch you.
(Cynicism won’t catch you either,
But it has the courtesy not to throw you.)
I’m stopping now,
By the time you get this
I’ll be back home.
What pointlessness we endure for one other.
I miss you, as you say,
‘ever so’ –
Bedtime here is a source of misery.”


And then you signed your name,
Tiny,
Small,
Impossibly graceful,
Just like yourself.

You were always nasty
When you missed me.
posted before but now edited. Of all the things I've written, this is my favourite (probably because half the words are not mine.)
those pensive ones
as they seem to me
birds on the wire
gazing this way
     and that
lost invariably
to their ennui
their melancholy
their obliviousness
to the point
some may say
     pointlessness
of their existence
in these moments
without reason
or incentive enough
to prompt one
     or the other
to take to the wing
embracing the bluster
of the ever-blowing winds
rather they sustain
this idle malingering
waiting listlessly
for that which none
can know
A Mareship Oct 2013
In a Bluebird toffee tin
Are a hundred letters –
Most of them doodle-stamped and
Delivered by hand.
Unlike the letters I sent to you
They do not smell of spritzed cologne,
(A trick that I learned from Grease)
They are not messy
Or tea stained,
But perfect powder blue
And allowing for small extravagances –
The Cursive of the Obsessive,
Cursed by neatness and perfect hearts.

I pick one out at random,
A casually cruel one sent from Rome –
I imagine you blinking on a balcony
With dazzles on your collarbone,
A teeny tiny sugarless coffee
At your side,
And a pen tapping your knee.

“I’m not a **** at all –“ you wrote,
It’s only that you are gregarious
In the most DISGUSTING way.
That’s your problem not mine -
Your optimism won’t catch you.
Cynicism won’t catch you either,
But it has the courtesy not to throw you.
I’m stopping now,
By the time you get this
I’ll be back home.
What pointlessness we endure for one other.
I miss you, as you say,
‘ever so’ –
Bedtime here is a source of misery.”


And then you signed your name,
Tiny,
Small,
Impossibly graceful,
Just like yourself.

You were always nasty
When you missed me.
Shivani Lalan Apr 2017
There's something about
opening a bottle of colour -
knowing
that any way it spills
won't spell A-R-T at your hands.
let's call it the audacity of trying,
and
move on.

Same thing for a lump of clay -
lying in front of you,
waiting for creative violence,
but you know that your thoughts
don't have fingers,
your ideas don't have arms.
let's call it the pointlessness of wishing
and
move on.

Don't look at the camera -
the eager buttons waiting,
glinting in the hope of your touch
a lens waiting to be turned -
knowing that your eye can never
translate your sight into art,
your vision will never equal
an image.
let's call it the imperfection of waiting,
and
move on.

My last hope is a pen.
my fingers rush over it,
finding solace in known grooves
where my fingers have settled
time and again.
i call it the comfort of a story.

and this time,
*i stay
I rlly like writing stuff.
Beth C Callaway Nov 2012
Where I am is somewhere sacred
Where I am is somewhere familiar
Where I am is a place hidden
behind so many recognizable traps
and unmistakable signs
It's a place so predictable
A feeling so sour
So rotten
So old
And I know I'll remember it forever
because I'll always feel the pull

Words are spoken
that are meant to change the course.
Acts reenacted
over sentiments enforced

If love were all to life
then life is mine no more

If wisdom came with age
There'd be nothing left to *****

Offered is a body, emptied
of everything it felt,
Playing one final game
with the meager cards it has been dealt.

A pattern is forming wherein nothing lasts
a hole is growing and consuming all within its path
Whatever I was before
I feel slowly molded anew
Whatever I once hoped for
my dreams now are few
spinning around one desire
one shining, brief embrace -
that lead me to believe in something
that can never be replaced.

All I am is hate.
All I give is pain.
My heart is used to grieving
over nothing
ventured or gained

whatever words i speak
whatever emotions flood my soul
it's nothingness that fills the ears
and mystifies the goal

you won't understand
whoever you are
these words aren't for you
or anyone at all
these words are simply full
of an empty, futile wish
i want to know there's meaning
i want to know there's life
beyond all the pointlessness
beyond the sharpest knife

so say what you will
say nothing at all
say you saw it coming
say you know it all
say you never loved me
say you never will
so that i can let go
and find peace in growing still

there was love, at once
true and false
there was happiness
that belied any loss

The part of me that hopes
The part of me that dies
The part disgusted by my treachery
and pathetic, selfish lies
The part of me that's hurt
The part of me that grows
Won't be satisfied by words alone
Nor his impassioned throes

It's a choice I alone must make
to sever bitter bonds
that hold me to a life so
ignorant, and memories long gone.

The change I could make today
So simple, so I've heard,
requires only mindfulness
and breaking from the herd

To become a ripple in the pond
a leaf
upon the fruited tree
so that when last breath I draw
the farthest thought will be of "me".

— The End —