"poetics" poems
I was in love with a Poem:
The poet lured her victims into her wild kingdom of
Word, words, words, that
became the forest of ****** illusion
verses and verses that I never encounter;
In this kingdom I never notice the Sunrise before Sunset
The chanting before the protesters
Lightening before the winds
suddenly brought on by the rain,
That triggers the mighty storms:
The poetics effects of Similes, Hyperbole,
Understatement and personification devices got my attention
Pages after pages,
line of words that opened my eyes,
The mighty pen, a trending poem,
and there I was a loyal reader
With an amazing cup of hot coffee
The poem took me through
this much-modernized tale of
Alice’s rabbit hole adventures
Poems are to be read aloud,
loving making is meant to be private
So is mourning for the dead:
Some things are just meant to be...private
My love for the poem and
my admiration on its poetic views
Is more than human emotions,
than my stimuli of brain ***
I read the poem while sipping my coffee,
Birth, death, politics and religion
*** drugs and empty souls : human emotions,
This much-modernized free verse poetry can causes multiplies *******
Apr 25, 2015
Apr 25, 2015 at 3:46 PM UTC
taller as a twisted fable skyscrape- - -
felt beyond the limits of a clan; yer
density is a moot point (whatdidyawant)
and heights are reached where heights are
found beneath belief in factuality- - who
wrung the cash register any apt poem could
be you to a clean home obsessive compulsive
but valid poetics - - valid music in the dharma
dance of life.
edward scissor hands with cloths on the palms
instead and 'DO YER DISHES' the psalm you
sing for cleanliness is next to godliness &&&
cathedrals of the genuine soul were never designed,
simply found an ancient artifact in the labyrinth of
yer soul (z)
Dec 26, 2013
Dec 26, 2013 at 12:49 AM UTC
. what?
between MC hammer...
and men at work...
there's a choice?
come on...
you could have given
me an easier question,
like... Debussy
contra Satie...
or, like...
egg yolk or egg white?!
point being...
i'd love to see
christopher lambert
play the role of
raiden in that... mortal kombat
game made into a motion
picture...
you know...
if i owned a PS2...
i'd still be a gamer...
but i never owned a PS2....
or the metal gear solid 2
gaming experience...
not the PS1 experience
fighting ****** mantis*...
you know that hack / cheat...
when you switch controller
slots...
when ****** mantis* is
giving his grandiose speech..
and you switch the controller
ports, so that in in the game
you're not predictable...
final fantasy 7?!
completed it with a walk-through...
sorry... homework...
that being said:
all of Friday night and all of
Saturday morning...
and some Tenchu....
wacky-Jacky...
cow later chow,
enter mein...
choppers chop chop...
these days?
i game...
when i take a ****
i figured... if there are people who
take a book to the crapper...
i'll take a game...
war robots....
you know what's fascinating?
the interactive applicability of
a game...
team-work...
mesmerizing...
the whole gaming
structure drifted from a narrative,
to a congregational dynamism...
solipsism unraveled...
i dig the whole team work,
while taking a ****
love it... 5 stars review...
but am i a gamer...
do i not think that
a.i. is a revamp of Pinocchio?
no...
but metal gear solid?
a ******* solid game
on PS1...
you would be talking to a gamer
if i was allowed to buy
a PS2 console...
oh right...
i read books and listened to music,
and ended up writing anti-routine /
anti-technicality poetry /
anti-rhyme poetics....
my bad;
"we're" calling a revision
of chess in play;
yeah... sorry...
i was never into paragraphs,
with dialogue interludes...
for me...
poems were always above
a structural stature of paragraphs;
something to do with
haiku or... whatever came out of
Godzilla's mouth.
Nov 4, 2018
Nov 4, 2018 at 11:05 PM UTC
I write in my underwear.
I write in my underwear, so my thoughts are not caged
underneath my clothes.
I refuse to look at the screen.
I only look at my fingers, hitting the keys as rhythmically as I say the words in my head.
I type because my thoughts are too fast
And I fear if I write I will forget
I am one of many.
One of many who speak because they cannot help it.
Whose words burst forth from their lips in spontaneous spasms of passionate opinions.
We will not hold our tongues
We will not mind our manners
And we will not conform to please
For we are romantics,
and poetics,
and hopers, and dreamers,
and liars, and cheaters.
We not only do things because we feel them,
But because we want to experience them.
And with are experiences
Of love, tragedy, happiness, and despair
We aim to awaken passion in others.
Others who fear emotion.
We aim to shake them
And awaken the life that they have.
I will not confine my soul
inside a cubical
And I will not shut my window
and deprive the world of my dreams
And I will not straighten my curls and **** the energy that they harbor
And I will not cage my thoughts underneath my clothes
It is for them, and for us
I write in my underwear
Jun 2, 2010
Jun 2, 2010 at 10:50 PM UTC
We're caught somewhere between
falling in love with ourselves
and wishing we were someone else
Nov 5, 2013
Nov 5, 2013 at 7:17 PM UTC
Sitting in a bar.
A beer with perspiration.
Its raining outside.
Hear the shuffleboard shuffle.
Intoxicated poetics.
Sober state of mind.
Stools shrouded in mystery.
Double doors leading in.
Bartender’s creations. (chemical concoctions)
Saloon of slumlords and hipsters
Open mic night.
Hippie Howls.
Don’t worry we got this under control.
Malboro reds, cowboy killers.
Don’t spend you life wishing,
Spend it living.
Better yet, spend it drinking.
Liquid courage. (men becoming beasts)
Awkward rages.
The best is coming.
Shielding secret shame in this scene.
Hidden in a pint of pilsner.
Free thinkers in a haze of hops.
Lets get drunk.
Make shift graveyards on the walls.
Honoring the dead.
Rest in peace.
Nothing less, nothing more.
Old Heidelberg.
Before my time.
The stalls scrawled with graffiti.
For a good time call.
Scratched onto the stall.
“Spread love like butter on a hot bun”
Sherlock and Watson.
Bromance.
This is a bar of friends.
What is this bar?
Drunk off this atmosphere.
Window panes with neon signs.
Disillusioned.
Concealed.
Unfinished.
The moves fast and goes right by.
Springing forward without a shadow of a doubt.
Members of the Great Unwashed.
The signs of our time.
I think we’re going to split.
Can I get another drink?
One for the road.
Don’t cut me off quite yet.
Dec 19, 2012
Dec 19, 2012 at 1:26 PM UTC
I observe: “Our sentimental friend the moon!
Or possibly (fantastic, I confess)
It may be Prester John’s balloon
Or an old battered lantern hung aloft
To light poor travellers to their distress.”
She then: “How you digress!”
And I then: “Someone frames upon the keys
That exquisite nocturne, with which we explain
The night and moonshine; music which we seize
To body forth our own vacuity.”
She then: “Does this refer to me?”
“Oh no, it is I who am inane.”
“You, madam, are the eternal humorist,
The eternal enemy of the absolute,
Giving our vagrant moods the slightest twist!
With your air indifferent and imperious
At a stroke our mad poetics to confute—”
And—”Are we then so serious?”
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The writer is
bound by the Oedipus
cauldron stewing can't relax
--all women are mine--
but this doesn't stop the bloating bubbles.
But the writer did not invent Wonderlandia
--no double-sided tape or wrong number or sloppy poetics.
Wonderlandia was born from the ***** of the stars
--our fathers,
and the void of space,
--our mother's womb.
the writer
was busy staring at the girls that walked by
ditch diggers for renovations on Euphoria.
The hippies are disappointed in this current Wonderlandia,
or they would be.
Their dreams had dirt in the mud,
they walked upon. Our Woodstock
is celebrity interviews,
reservations failing,
political satires--the last ring of change
sold at five cents a word. Period.
the writer
says it understands and writes:
"Sticks shaped from elitism
rare.
Usually a vibe too brittle,
breaking in battle.
The bass thundered robins.
The snare's firearm stabled the swift,
electrifying beat.
The brass was addiction
to the crowd's ears.
All before the elitism was born,
a symphony was constructed in the drug's head."
the writer
knows about D. A. Levy and his revolution,
we all felt that voice, so the writer replies:
"Did you hear about the John Lennon poser
waving his gun on TV?
While listening to the Beatles, you
sit and watch the vagabond cry.
He says, "Counter-culture is dead, entombed
in a metal casket.
We need a new flame. Those watching TV
get your hands out of the basket."
the writer
walks with grandma Alice
by lakes,
thrilling dementia
"Don't tell me what taurine
and caffeine can do to my heart.
I can have alligators in my rib meat
eating away at bone marrow.
High? That's your question?
Hi...I am a float
in a useless pond
bordered by malnourished trees.
By the love of hell you better not
fertilize those ****** trees
because if I die
the alligator of my ribs
will dine and take your ****
girlfriend straight to the vet.
I thank you for asking though."
the writer misses
the syrup in the tree completely
I am not your beatnik
or future idol--burn your 1970's classrooms away.
Mar 6, 2013
Mar 6, 2013 at 6:49 PM UTC
?¿?¿?¿?¿?
secret in creation
poetics set in code
difficult translation
they ***** me like a goad
wanting to improve
wanting to impress
do i write this for myself
or follow all the rest?
written in frustration
and when, at last, i read
my own words do obfuscate
quite puzzling indeed!
perhaps you have written one
then you may have been
trying to solve their riddle
for you don't know
what they MEAN!
soulsurvivor aka
Write of Passage aka
Invisible inc
Catherine Jarvis
(c) 6/13/2015
Jun 13, 2015
Jun 13, 2015 at 10:40 PM UTC
"You're ******* your life away Bobby," screamed Auntie Abhaya in her native tongue. Malayalam has many nuances and maybe a better translation is, "lightning currents from your privates and blast River Ganga, streaming your soul away." Dravidian poetics go as such and Auntie Abhaya seemed to have quite dramatic flare. In any case, cousin Bobby was once again, drunk. Auntie Ay, as we lovingly referred to her, in her fearless way, was having nothing of it. Worse yet, seems Bobby had funded his ****** with rupees stolen from Auntie Chhaya's purse. A storm of tears she was, in the corner of the humble hut they all resided in, in Kerala.
Kerala's backwaters wash in from the Arabian Sea. Tropical delicacies abound; markets filled with fish, pineapple and coconut groves, and an array of spice that keep the main agricultural commerce of India most enticing to the rest of the world. Yet, life earnings are hard and for some hard habits easy to pick up. This was truest in Bobby's case, though he did try and try to make his family proud.
As I was only a guest in this loving but burdened home, and recognizing a family crisis at hand, I and my traveling partner put forth finances lost to ensure our safe return to Mumbai north in Maharashtra and not embarrass our host family any longer. Though we had touched a Garden of Eden, the lesson of banishment was still at hand.
Apr 14, 2016
Apr 14, 2016 at 9:13 AM UTC
Why not envision a new eco-poetics grounded in a heritage thousands of years old which upholds that everything in the universe is sacred?
Francisco X. Alarcón
Space, time and Borges now are leaving me …
J L Borges
The progress of an artist is a continual self-sacrifice, a continual extinction of the personality.
T S Eliot
One does not often think of the tripartite goddess who gave her blessed name to Ireland - Éire, Banba, Fódla - not to mention other goddesses who have left their trace on the landscape, Danu of the Paps of Danu for instance.
Devotional poetry in India goes by the name of bhakti. In the heel of the hunt, a bhakta does not really adore or pine for any god or goddess; as with Mirabai’s love affair with Krishna, or Muktabai singing her own glistening Self; what is sought and what is praised is the brightness of eternal brightness, our shared Self, knowing neither birth nor death.
Some words in this poem sequence are ‘shaded’ to allow for another reading of a line, or a faint echo, a game much cherished by the Celtic poets of yore. Thus, the reader sees the word as the world when written as world and encounters bhakti invocations such as ma (mother) hidden in the word mad!
2.7k
Studying the wrinkled lines
of elder poems
on the topic of
the Four Directions;
however;
the poetics of
haunting bards
and mossy sage
always
spiral
back
to the
acorn of the heart
In this infinity;
a piney cabin
resides
inside a bamboo
forest
and Wonder,
She
sits cross-legged
below the
river rock hearth;
warming her palms
against the
irregular downbeat
of snapping flames
“North, South, West and East;
Trust the Wise Arrows
Aiming True
from Your Heart's
Quiver.”
Sep 16, 2020
Sep 16, 2020 at 8:49 PM UTC
she opens herself to the horizon
holding desire heavily in her breath
so crushing and withheld
the quiet rush of blood
bleaching his embrace
words withdraw in their matrix
only the form of his lips in her smile
and his walk in her feet
and making love so light
when the truth is androgyne
Sep 13, 2014
Sep 13, 2014 at 4:34 PM UTC
To say the least, I am lost and confused. Lost and confused in a city that is changing. A city that is growing. And I know it is, because I can feel it is.
Some days, sometimes even several times within the same day, I want to be at the center of the action. I want to be plugged into the social pipeline. A pipeline that leads straight from and directly to the gutter.
I think I just want fun. I know I want meaning. I think I know I want camaraderie. Friendship. Love?
At some points, I feel like all of this is pointless. It drags me down and creates a groove in which I neither fight to get out of, nor have to fight to continue on in. It's resistless and easy. It's not warm or cozy, but it becomes familiar and what's to be expected.
The lines between reality and imagination are ever-increasingly blurred to me. I do not know whether these people are pretending, or trying to hide, or pretending to try and hide who they are appearing to be. Are these walls really rotting and peeling or was it painted like this to look grunge?
I can no longer determine, cliche as it may be, if art imitates reality or vice versa. Is the music these people play directly resulting from and representative of them and their lives, or are they pursuing a highly regarded, in the hep world, a less fortunate and haggard lifestyle or "scene"?
Is the music and its energy a force, a presence, a power, an entity of its own? Inhabiting the body, possessing the mind, and flowing forth from the mouth of those without an identity of their own?
I don't know who I am. I know who I am to myself, as when I'm alone. But I do not know who I am to be or who I am to others. I have always found myself being drawn to mystics, magic, and power. But this is dangerous, weird, odd, foreign stuff. This is not stuff to be dealt with lightly nor to be done out in the light. It is shameful and secret and dark.
I am afraid. I am afraid of myself. I am afraid of the power I may possess, and I am afraid of the power that may possess me.
Jan 26, 2013
Jan 26, 2013 at 6:06 PM UTC
This unresolved ambivalence
Contaminates a dubious sense
Of accents yet unknown
And of unbridled words yet unspoken
Where one becomes haunted by circumstances
Bequeathed to a virtuous iniquity of discourse
Whose fabrication of appearance binds deception
Yet transforms human misery by conscious and unconscious
Deployment of illusions were words are those energies
Given free rein and perform a fecundity of speech
Defying as it does so semantic predictability
And brings dissolution to normality
The first born UNICORN
Nov 8, 2012
Nov 8, 2012 at 3:43 PM UTC
embroidery is your means of communication
sophistry is your way at edification
your veracity is a misrepresentation
rejection to you is manifestation
veiling your faults in meaninglessness
your poetics show your indecision
your own impulses have created an addiction
evasion from the truth has become your nightmare
affection turns to desolation after boredom sets in
your disconnection with happiness has always been
you float in a cycle built from the misfortune of your past
yet you wear your beauty and pride like a mask
one day your castle of fabrication will come crumbling down
and this time I wont be there to catch you
before you hit the ground
goodbye
© 2006 joshua deathdealer
May 7, 2012
May 7, 2012 at 3:44 PM UTC
*Earth to earth, Oh ashes to ashes and dust to dust,
How strange, how familiar, human connection is untrusted
when we awake, each passing day, knowingly that by sunset
Those words would be read out loud
Over an innocent, black brother’s grave site tonight
Too many tears, too many mishaps
who scattered those bullet caps,
Too, many innocent lives have been taken
By the hand of the nervous police,
Even The birds keep gliding in the air shows solidarity
In respect of the dead:
Some human wish they were like them they said.
A charge is one thing. A conviction is another
Black lives does matter.
Who pulled the trigger, which got the last laugh?
The innocent or the victims
More weeks of demonstration,
the fight for the white house continues with words not arms
Blood in the Inner City Streets, subways
and shopping malls, bias and frustration, sound the alarms
Who pulled the trigger, which got the last laugh?
The guns, or the victims,
My poetics tone this morning.
voice your opinion*
Sep 24, 2016
Sep 24, 2016 at 2:38 PM UTC
High voltage poetics,
Planting words seeds
In a field of nomadic minds,
In a sky of dreams
Bursting above the magnetic stars,
The skin of words
Peeled from flesh of life,
The page is a silken weave,
The words threaded in a void,
Syllable construction
Of a spiraling flame that invents
A city
In a day
In a life
In a person-
The thought deconstructed
Into metaphysical metaphorical,
Musical mandolins,
The mandolinist touches the foreheads,
A pack of wild people
In the wild city nocturnal,
The spectrum of voices
In a rainbow of verbiage,
A wonderful desolation
As the hours fly as a writer flies,
The Sunstone's dial
Burns time at the crossroads of midnight,
We are a gallery of echoes,
Our history lives today
Hushed into memory,
Diaphanous vision
Accumulated into the mind
Vast as the moment,
The mirrors reflect the Word
And the Word is life,
Reasons are a geometric anomaly
With morality at the center
Of the theoretical poem:
I choose to inspire,
Which means to live and observe
Daily reconstructing in the poems,
But the poem is not truth;
Poetry like history is made,
Eyes of language,
The truth is to walk it,
Inspired to live and the dream
Is written in verse.
Feb 3, 2016
Feb 3, 2016 at 9:03 PM UTC
Satin-textured shamrock flower,
whose eyes chrome the seas
of the faded cushioned theatre seats,
with their sparkling, piercing power--
You,
saunter sprightly up and down,
lyrical laughter over-bounds,
in quick-timing
to the taste
of your Irish school-girl ways.
We take time enough to see,
those livid, lush-red cheeks,
*(ripe, rose-blushed every time
as you savour sweet the wine)*
that sanctifies
your softly senses,
sans pretenses,
whereon your wings of
wonder float and fly.
Scented, tactile spirit-showers,
all the joy we need,
as the stage-light's haunting beam,
Sheers the magic of this hour--
You,
lightly lift us off the ground,
set us oh, so softly down
upon those rhyming wisps of air
that caress your auburn hair.
Now, I, a poor poet,
upon this paper
play
pleasing poetics of your praise,
whilst the ink upon these lines,
dries far faster than the tears
falling
from my wistful, yearning eyes
in exaltation of
your Wings of Wonder Ways.
Jun 4, 2010
Jun 4, 2010 at 2:20 AM UTC
my brother is the safe environment I’ve created for the history of my lord. political awareness, I mean, I mean, is a darkness. my eyeglasses tell me you’ve been to see a train station. do animals wait? several impatient years later, two blindfolded mouth-breathers walk cheek to cheek in an Ohio fog that combs forward worms the length of a screen name on craigslist. I am nearly pronouncing krokodil until my tongue disappears so I can pronounce it correctly for my mother’s not frostbit ear. as for the two, they are mistaken by the disembodied poetics of local policing as the trophy nose of an odd-for-these-parts moose. any re-enactment is my father the victim of a spirited birth.
Dec 7, 2013
Dec 7, 2013 at 11:20 PM UTC
rip me from my bones
as a sensuous dress in the haste of dawn
such is the seduction
of your fingertips
in your gaze my breast
is ripening
undress me of the silence
enclosing freedom
yours is the night
make me collapse
into daylight
Apr 11, 2014
Apr 11, 2014 at 1:01 PM UTC
imagine infinity, tenderness, a suave delta
the touch of amber whispers
archaic thrill
higher&higher; into devotion
light decompressed in desire
the discipline of time in terror
I stumble in this yielding silence
you're an ****** field
held captive in the fabric of my skin
darkness spins around my thighs
I kneel
I ignite in a prayer to a self-dissolving god
inside the temple of your ribs
dance my raving one,
dance
this is an offering
a mayday in trance
the night has reached from afar
its solar desire
Apr 26, 2014
Apr 26, 2014 at 10:02 AM UTC