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"plied" poems
Like an alien in a spotlight With her magnifying glasses on My mother as she worked, up all night Did invisible weaving till dawn I would watch her when I couldn’t sleep Honing in on that hole in the suit Intently, her concentration deep Weaving tiny threads enlarged like jute In other-worldly light she labored I was afraid she’d lose her eyesight Watching her focus never wavered Her face all aglow in the lamplight Invisible weaving, I inquired How tediously she plied her craft Worked for the money that she required Made the warp and weft of fabric last Reconstruction, undetectable No more burn, or tear, or fabric blight Weaving magic so incredible Its wound now perfect by morning’s light She taught me much that I’m still making From her life that now I’m grieving Sewing, crocheting and great baking But never invisible weaving The picture of her life that mattered I now see how she toiled so finely And that the wrinkles in the fabric Of my own life splayed out so blindly The vision of my eyes, bedazzled Incandescent, her face in the beam Unaware how her mind unraveled As Depression stole her ev’ry dream The threads of DNA defining Who I’ve become I’m now believing My mother’s hand in that designing Of my own Invisible Weaving* *In honor of my mother, Edla Sylvia Fitzpatrick, on this International Women's Day
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Mar 8, 2017
Mar 8, 2017 at 1:01 PM UTC
Invisible Weaving
In pursuit of an elusive harmony      summer nights rolled away from us      reverberating into a numinous bass line      while reconciling our dreams      with a burgeoning truth Flustered with desire      and walking in a non-ordinary reality. Lost within the Source     of all there is and ever was. We re-animated     navigating through portals unexplained      to retrieve this love We plied our differences into commonality      and re-aligned our fractured selves using the agency      of synchronicity - having found      an immutable archetypal truth      and having found from where our self-portraits flow Much more than soul mates, Plato      offers stories of Zeus splitting souls in half      as punishment for pride.      In this incarnation, have we found humility?      Will this be enough to carry us back to nobility?      It is challenging to find your way back      into a lover's arms. Mistakes haunt us eternally (if we allow for that)      but every morning if we awake      and let go, using the suns setting and rising as a reminder that      with experience, guidance, and repetition ... it gets easier My half soul      awoke as my mortality decomposed      when half becomes one, then the real turmoil begins      from the shores of St. Mary, Raven calls      and I follow my destiny into an Obsidian Night
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Nov 6, 2014
Nov 6, 2014 at 4:39 AM UTC
Obsidian Nights (a)
A handy Mole who plied no shovel To excavate his vaulted hovel, While hard at work met in mid-furrow An Earthworm boring out his burrow. Our Mole had dined and must grow thinner Before he gulped a second dinner, And on no other terms cared he To meet a worm of low degree. The Mole turned on his blindest eye Passing that base mechanic by; The Worm entrenched in actual blindness Ignored or kindness or unkindness; Each wrought his own exclusive tunnel To reach his own exclusive funnel. A plough its flawless track pursuing Involved them in one common ruin. Where now the mine and countermine, The dined-on and the one to dine? The impartial ploughshare of extinction Annulled them all without distinction.
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5k
A Handy Mole
I As I ride, as I ride, With a full heart for my guide, So its tide rocks my side, As I ride, as I ride, That, as I were double-eyed, He, in whom our Tribes confide, Is descried, ways untried As I ride, as I ride. II As I ride, as I ride To our Chief and his Allied, Who dares chide my heart’s pride As I ride, as I ride? Or are witnesses denied— Through the desert waste and wide Do I glide unespied As I ride, as I ride? III As I ride, as I ride, When an inner voice has cried, The sands slide, nor abide (As I ride, as I ride) O’er each visioned Homicide That came vaunting (has he lied?) To reside—where he died, As I ride, as I ride. IV As I ride, as I ride, Ne’er has spur my swift horse plied, Yet his hide, streaked and pied, As I ride, as I ride, Shows where sweat has sprung and dried, —Zebra-footed, ostrich-thighed— How has vied stride with stride As I ride, as I ride! V As I ride, as I ride, Could I loose what Fate has tied, Ere I pried, she should hide As I ride, as I ride, All that’s meant me: satisfied When the Prophet and the Bride Stop veins I’d have subside As I ride, as I ride!
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3.6k
Through The Metodja To Abd-El-Kadr
All in the golden afternoon Full leisurely we glide; For both our oars, with little skill, By little arms are plied, While little hands make vain pretense Our wanderings to guide. Ah, cruel Three! In such an hour, Beneath such dreamy weather, To beg a tale of breath too weak To stir the tiniest feather! Yet what can one poor voice avail Against three tongues together? Imperious Prima flashes forth Her edict to "begin it"-- In gentler tones Secunda hopes "There will be nonsense in it"-- While Tertia interrupts the tale Not more than once a minute. Anon, to sudden silence won, In fancy they pursue The dream-child moving through a land Of wonders wild and new, In friendly chat with bird or beast-- And half believe it true. And ever, as the story drained The wells of fancy dry, And faintly strove that weary one To put the subject by, "The rest next time"--"It is next time!" The happy voices cry. Thus grew the tale of Wonderland: Thus slowly, one by one, Its quaint events were hammered out-- And now the tale is done, And home we steer, a merry crew, Beneath the setting sun. Alice! a childish story take, And with a gentle hand Lay it where Childhood's dreams are twined In Memory's mystic band, Like pilgrim's withered wreath of flowers Plucked in a far-off land.
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3.1k
All In The Golden Afternoon
We gather in Old London town, the time is getting late. The fog is slowly coming down, the year is eighteen eighty eight. The Leather Apron stalks this eve ladies of the night beware. Such things he does you wont believe and for your welfare he’ll not care. Hello Mister have a heart, a girl has got to earn a crust. A shilling for this fine old **** for you look like a gent to trust. In her hand the coin doth shine. Does she lead this toff astray? Here’s a quiet place that’s fine, as she walks up the alley-way. Face to face and eye to eye. The victim happy to be plied with vigour she lifts up her skirt but now her hands are occupied. Seizing strongly at her throat he strangles her till unaware. Unconscious although not yet broke he lowers her by head and hair. Now insentient on the ground the Ripper sets about his work. In the dark without a sound there is no detail he will shirk. He keeps the body to his left, her throat is sliced from side to side. The woman’s family now bereft, whilst she lies here without her pride. Left to the nights illumination Jack executes his deadly art. Performing such skilled mutilation. and leaving plus one body part. Daylight opens up commotion, "Whitechapel Murderer", strikes once more. The peelers haven’t got a notion who it is that killed this ***** Scotland Yard are in despair as they try to Investigate their credibility beyond repair for they cant find this reprobate. Eventually the death toll, five, the murders now come to an end. Folk are free to live their lives but could you trust even a friend. Over an hundred years or more professional research is far to late. Jack, can we ever know the score? "No... All you can do is speculate."
0
Aug 27, 2014
Aug 27, 2014 at 4:26 PM UTC
The Leather Apron
We gather in Old London town, the time is getting late. The fog is slowly coming down, the year is eighteen eighty eight. The Leather Apron stalks this eve ladies of the night beware. Such things he does you wont believe and for your welfare he’ll not care. Hello Mister have a heart, a girl has got to earn a crust. A shilling for this fine old **** for you look like a gent to trust. In her hand the coin doth shine. Does she lead this toff astray? Here’s a quiet place that’s fine, as she walks up the alley-way. Face to face and eye to eye. The victim happy to be plied with vigour she lifts up her skirt but now her hands are occupied. Seizing strongly at her throat he strangles her till unaware. Unconscious although not yet broke he lowers her by head and hair. Now insentient on the ground the Ripper sets about his work. In the dark without a sound there is no detail he will shirk. He keeps the body to his left, her throat is sliced from side to side. The woman’s family now bereft, whilst she lies here without her pride. Left to the nights illumination Jack executes his deadly art. Performing such skilled mutilation. and leaving plus one body part. Daylight opens up commotion, "Whitechapel Murderer", strikes once more. The peelers haven’t got a notion who it is that killed this ***** Scotland Yard are in despair as they try to Investigate their credibility beyond repair for they cant find this reprobate. Eventually the death toll, five, the murders now come to an end. Folk are free to live their lives but could you trust even a friend. Over an hundred years or more professional research is far to late. Jack, can we ever know the score? "No... All you can do is speculate."
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52
we live in cities, where memories of us collide and we never  have to hide what we left behind and we never really need to tide cause our tears dried and for our love we both plied -o.h
0
Jun 4, 2014
Jun 4, 2014 at 3:01 PM UTC
Team pt. 1
For sow the wiz and for that the bliss Flee through the apple tree It is harvest times Now jam and sweet like pie Oh the bliss of a midnight sky We plied and plowed and for that the bliss Fill up a room, no one to miss It is now harvest times Us to remember the Queen of ages Don't forget to pay the wages Oh the bliss of lovers gazes Further down the deep deep blue Of ocean wonders, to remind of all the ships that went through Rough patches of ill willed weather and stormy faiths I hope we all remember that it is to Christ we stand our faith Oh the bliss of Life Oh the bliss of Faith Oh the bliss of Summers mother leaving heaps of Love on the stairs For those who not have the bliss of being sometimes missed By someone who actually cares even just a little bear lonely in the woods a quiet autumn afternoon Not knowing when winter starts or when to say hello to the moon Who to say good night, good morning or good bye When you are a lonely cub in the woods and your mama was a wish on a star.
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Sep 12, 2022
Sep 12, 2022 at 5:01 PM UTC
Oh so the bliss
Like an alien in a spotlight With her magnifying glasses on My mother as she worked, up all night Did invisible weaving till dawn I would watch her when I couldn’t sleep Honing in on that hole in the suit Intently, her concentration deep Weaving tiny threads enlarged like jute In other-worldly light she labored I was afraid she’d lose her eyesight Watching her focus never wavered Her face all aglow in the lamplight Invisible weaving, I inquired How tediously she plied her craft Worked for the money that she required Made the warp and weft of fabric last Reconstruction, undetectable No more burn, or tear, or fabric blight Weaving magic so incredible Its wound now perfect by morning’s light She taught me much that I'm still making From her life that now I'm grieving Sewing, crocheting and great baking But never invisible weaving The picture of her life that mattered I now see how she toiled so finely And that the wrinkles in the fabric Of my own life splayed out so blindly The vision of my eyes bedazzled Incandescent, her face in the beam Unaware how her mind unraveled As depression stole her ev'ry dream The threads of DNA defining Who I’ve become I'm now believing My mother’s hand in that designing Of my own Invisible Weaving
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Feb 25, 2016
Feb 25, 2016 at 12:24 PM UTC
Invisible Weaving
As an offering of peace she brought him cherries to sweeten the tense air. Plump black cherries mouthwateringly ripe, polished to perfection. 'Shall I come with my brimming bowl?' she asked. 'Shall we selfishly gorge in secret before they are over?' Desiring her sweetness he feathered her with kisses, dropped the blind against a flaming sun and callers- yielded to sweetness. Sweet her cherried fingers, sweet her skin, her lips, her tongue. She plied him with cherries, fed his desire stalk after stalk, the whole room burnished with passion. When twilight seeped in, they lay cherry - heavy, clinging to sweetness. 'The secret is ours, he teased, thoughts turned towards a handful of dropped, forgotten stones.
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Jul 8, 2014
Jul 8, 2014 at 1:10 PM UTC
The Pleasure of Cherries.
1. Before I knew he had. His flight trailed off into a Utah Sunrise. He left behind a little strand Of thought, and, in a cramped, amber room that saw Long talks of topics that soon thinned grey, A set of dog-eared books has been put down. Books that brought nearer to my thought his own, While Interstate-5 grated the ground. 2. He must have, as the plane touched the runway, Felt the dawn’s shudder fracture his young bones, His thoughts turning to those dog-eared days; The seemingly endless months full of groans, As they should have been, being spent alone; And that set of books, at least it would seem, Ignited the wick on which our passions gleam. 3. These six years past since they took him away Held minutes like a needle in plied dust. There’s something in the spring that brings decay: The outward beauty of the world just Clouds the mind’s loss within the spinning gust That all the blooming flowers usher in. Then the rain comes... 4. As the 5’s scratch cracks up the drying earth, I recall Nietzsche, Guevara, Burgess: Men who’d not anticipated births Inside my brother and I like cypress Trees, evergreen and coniferous, we Drop seeds year-round. The setting Utah sun, Barely audible, gasps in the copse. He’s with me now. What’s done is done.
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Aug 20, 2014
Aug 20, 2014 at 3:37 PM UTC
My brother left (Revisited)
All in the golden afternoon Full leisurely we glide; For both our oars, with little skill, By little arms are plied, While little hands make vain pretence Our wanderings to guide. Ah, cruel Three! In such an hour Beneath such dreamy weather, To beg a tale of breath too weak To stir the tiniest feather&xclm.; Yet what can one poor voice avail Against three tongues together? Imperious Prima flashes forth Her edict ''to begin it'': In gentler tones Secunda hopes ''There will be nonsense in it!'' While Tertia interrupts the tale Not more than once a minute. Anon, to sudden silence won, In fancy they pursue The dream-child moving through a land Of wonders wild and new, In friendly chat with bird or beast-- And half believe it true. And ever, as the story drained The wells of fancy dry, And faintly strove that weary one To put the subject by ''The rest next time--'' ''It is next time!'' The happy voices cry. Thus grew the tale of Wonderland: Thus slowly, one by one, Its quaint events were hammered out-- And now the tale is done, And home we steer, a merry crew, Beneath the setting sun. Alice! A childish story take, And with a gentle hand, Lay it where Childhoood's dreams are twined In Memory's mystic band, Like pilgrim's wither'd wreath of flowers Pluck'd in a far-off land.
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2.4k
Prologue
Life is a pantomime light hearted and plain. It's behind you they shout but it's all part of the game. The villain is booed by the on-looking crowd but there is nobody there when you decide to turn round. You think that you know, you think you will solve, but the answers are gone when at last you revolve. Is it the king? Or perhaps that old aunt? Who's got two ugly daughters who would tear you apart. The boy with the buttons, is he evil or good? Or is it that carved out puppet with that long nose of wood? Who is the goody? Who is it best to know? Well we really can't say till the end of the show. Life is no pantomime not so light hearted and plain. Full of caring and good but also vile and insane. No one shouts he's behind you. Villains do not get booed. You cannot always see them as you're plied and you're wooed. They are not always ugly. they may never seem nauseous so the only advice here is to always be cautious. Trust takes time to endear. Trust is something to earn. Trust is something that you need very quickly to learn. Never hand it to quickly to anyone in the line cause we all need to realise, life is no pantomime.
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Sep 11, 2014
Sep 11, 2014 at 5:45 PM UTC
Life's Pantomime
OH ! born to sooth distress, and lighten care ; Lively as soft, and innocent as fair ; Blest with that sweet simplicity of thought So rarely found, and never to be taught ; Of winning speech, endearing, artless, kind, The loveliest pattern of a female mind ; Like some fair spirit from the realms of rest With all her native heaven within her breast ; So pure, so good, she scarce can guess at sin, But thinks the world without like that within ; Such melting tenderness, so fond to bless, Her charity almost becomes excess. Wealth may be courted, wisdom be rever'd, And beauty prais'd, and brutal strength be fear'd ; But goodness only can affection move ; And love must owe its origin to love. ******* OF gentle manners, and of taste refin'd, With all the graces of a polish'd mind ; Clear sense and truth still shone in all she spoke, And from her lips no idle sentence broke. Each nicer elegance of art she knew ; Correctly fair, and regularly true : Her ready fingers plied with equal skill The pencil's task, the needle, or the quill. So pois'd her feelings, so compos'd her soul, So subject all to reason's calm controul, One only passion, strong, and unconfin'd, Disturb'd the balance of her even mind : One passion rul'd despotic in her breast, In every word, and look, and thought confest ; But that was love, and love delights to bless The generous transports of a fond excess.
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2.3k
Characters
plied playful pied piper oh puppeteer dream writer of a wonder and future so bright, oh tell pray chance the grand wonders in morrows to come a stored store for the wondering fools of this world tonight. casting, the irons so hot, malleable, tender in the hearts delights, here in this awkwardly worded flight, of fearless tendency, oh **** necromancy? **** yeah, that, that can stay far from sight. now, lets lead with the fixxen to wack the mole of ridiculous vixxen and fiction so true, so true the crookedly made house, rousted clout, for he is an ego far too large this alley mouse, pretending to be a cat without a house, oh wait that's me, scratch that last part, before someone figures out i was only a silly little roustabout, and hoping to rooster, and goose the calling of mine own loud *** mouth out. crap. this ***** but we are far from done, oh almost forgot you standing there, will you do us all a solid and tell us the way out? or at least what horse to bet on in the triple crown and the powered ***** all hanging out? your a Daisey if ya do. SuperStar https://www.youtube.com/watch?v=m1EreTOvelQ
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Oct 13, 2015
Oct 13, 2015 at 1:30 AM UTC
plied playful pied piper oh puppeteering dream writer..
Mirror mirror on the wall, my hopes are down but my dreams are tall, what do you see in me when i face the wall. Mirror mirror please tell me all, i need you more than ever before is my heart full or can it handle some more. Mirror mirror what do you see, a boy asking for help that's to strong to bleed, or a boy that's helpless who stands to plied. Mirror mirror cant you see, my reflection isn't glowing is there something wrong with me, peer red seems to cover i am not a devils child. Mirror mirror please come rescue me, God is on my side i been to stupid to see, mistakes after mistakes but still he forgives me. Mirror mirror can the boy be me, if so i give it all to see a new day for me, falling to my knees i start to plied. Mirror mirror red little droppings replace my tears, the devil is crying because i am no longer he's, the pain that i feel in my hands and feet is the pain that he felt when he died for me. Mirror mirror now what do you see, mirror mirror please talk to me, My mirror has broken and fell to my feet, now that i see a glowing man in front of me.
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Jan 14, 2013
Jan 14, 2013 at 4:46 PM UTC
Mirror Boy
~ Painting a picture of porcupines playing Pincushions out in the field Purple and pink for this playful perception Plans of their purpose revealed Painful endeavors of pacified pranksters Presenting a pie at their place Pecan or pumpkin, pickle, pineapple Pieces are smeared on their face Putting the paint on some powder puff paper Pleasure in each stroke is plied Pausing to peer at the porcupines playing Prancing in pansies they hide Puzzling problems with pretzels and peanuts Posturing people to prove Pistachio perfume in prime presentation Preaches that peaches will move Polishing pastels on pre-printed pages Prized the possessions we seek Paisley the plumes of a peacocks posterior Portraits now come take a peek Pampering piccolos play the piano Pure as a pelican’s prayer Picking a parcel of plum flavored pudding Poetic prose fills the air Pleats in my pants shout in proud proclamation Puddle my pores they perspire Poodles on playgrounds prevent prosecution Plotting my hearts pure desire Passion precedes every past tense of parting Piled with a presence so true Painting a picture while purposely dreaming Promising my love to you
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Dec 11, 2014
Dec 11, 2014 at 4:21 PM UTC
Perfectly Presenting my Love
'Beds to the front of them, Beds to the right of them, Beds to the left of them, Nobody blundered. Beamed at by hungry souls, Screamed at with brimming bowls, Steamed at by army rolls, Buttered and sundered. With coffee not cannon plied, Each must be satisfied, Whether they lived or died; All the men wondered.'
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2k
Beds To The Front Of Them
We take a shortcut through the narrow walkways of the old village across the cobblestones and by the white-washed tabby wall to the waterside where slave ships once plied their trade My dog lingers nose down as if each stone has a story to tell and ***** an ear to the wall where the auctions were held She looks at people differently now.
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Nov 29, 2014
Nov 29, 2014 at 11:12 PM UTC
Dogs know
before I knew he had. His flight trailed off into a Utah sunrise. He left behind a little strand of thought, and, in a cramped, amber room that saw long talks of topics that soon thinned grey, a set of dog-eared books has been put down. Books that brought nearer to my thought his own, while somewhere Interstate-5 grates ‘cross the ground. I sleep there still, although I left for good. That house to this day asks me where he was. Their smiles, the little comfort that they could give, were emptier than their words. Often I feel the vague pulse of their ragged stares – torn, threadbare they unravel in the air to mask their faces: that inner decree which shades the truth. Where and how’d they ever grow wrong? He must have, as the plane touched the runway, felt the dawn’s shudder fracture his young bones, his thoughts turning to those dog-earing days. The seemingly endless months full of groans, as they should have been, being spent alone. And that set of books, at least it would seem, ignited the wick on which our passions gleam – slate-grey regards. These six years past since they took him away held minutes like a needle in plied dust. There’s something in the spring that brings decay here. The outward beauty of the world just clouds the mind’s loss within the spinning gust that all the blooming flowers usher in. Then the rain comes – in spitters and spats it spins the spire. When gone the white-wick’s still on fire. As the 5’s scratch cracks up the drying earth, I recall Nietzsche, Guevara, Burgess. Famed men who’d not anticipated births inside my brother and I like cypress trees, evergreen and coniferous we drop seeds year-round. The setting Utah sun, barely audible, gasps in the copse. He’s with me now. What’s done is done.
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Jul 4, 2012
Jul 4, 2012 at 7:53 AM UTC
My brother left
before I knew he had. His flight trailed off into a Utah sunrise. He left behind a little strand of thought, and, in a cramped, amber room that saw long talks of topics that soon thinned grey, a set of dog-eared books has been put down. Books that brought nearer to my thought his own, while somewhere Interstate-5 grates ‘cross the ground. I sleep there still, although I left for good. That house to this day asks me where he was. Their smiles, the little comfort that they could give, were emptier than their words. Often I feel the vague pulse of their ragged stares – torn, threadbare they unravel in the air to mask their faces: that inner decree which shades the truth. Where and how’d they ever grow wrong? He must have, as the plane touched the runway, felt the dawn’s shudder fracture his young bones, his thoughts turning to those dog-earing days. The seemingly endless months full of groans, as they should have been, being spent alone. And that set of books, at least it would seem, ignited the wick on which our passions gleam – slate-grey regards. These six years past since they took him away held minutes like a needle in plied dust. There’s something in the spring that brings decay here. The outward beauty of the world just clouds the mind’s loss within the spinning gust that all the blooming flowers usher in. Then the rain comes – in spitters and spats it spins the spire. When gone the white-wick’s still on fire. As the 5’s scratch cracks up the drying earth, I recall Nietzsche, Guevara, Burgess. Famed men who’d not anticipated births inside my brother and I like cypress trees, evergreen and coniferous we drop seeds year-round. The setting Utah sun, barely audible, gasps in the copse. He’s with me now. What’s done is done.
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41
Watch me closely, God, though you’ve seen it all before. I’ve got the universe up my sleeve and it’s itching for a sleight, if you’re willing to be conned. The stardust filling Aquarius has poured for countless millennia and it won’t brim the bottomless cup of your oceanic blues. That’s the warm-up for Lepus who, lean and polar-white, leaps out from my flipped-over cap and is chased by the steel-plied Orion’s hankering for roast hare. Hunger-driven this heaven hunter has a saggy belt; his sword’s tip drags, slicing Gemini in two, but twins can’t be parted long and divinely grasping Pollux clasps Castor’s pause anew. Conjoined, they bow together under showers of milky petals kissing no-longer furrowed brows till black velvet curtains fall and are followed by your eons of endearing applause.
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Nov 13, 2010
Nov 13, 2010 at 6:41 AM UTC
Glass you gave me is emptiful, The
To be alone Is to be complete They say No man is an island, But isn't everyone? We're all stranded on islands of self-interest Connected to others Through flimsy bridges of temporary alliances Mutual interests and gain The more connected we are The more isolated we become Pictures and blog posts Nothing more than facades Anomie is the word of the decade The individualistic The self-sufficient Is reviled For refusing to play the game To participate In the masquerade To jump through the hoops Of social niceties Somehow To sit and squirm Through ******* contests and gossip To flap and flutter In the howling gales of hysteria and contrived laughter Is preferred over Sitting alone Revelations and epiphanies Splayed out before oneself Playing solitaire with one's reflections In peace Baby showers and mixers Celebrated The impenetrable silence Of one's hermitage Eschewed The people-pleaser Preferred Over the lone wolf The team player Over the independent agent I suppose In an age of open doors A locked one Raises a few eyebrows They'd knock and rattle Then bang and kick and shout Before leaving in a huff Authenticity is now the rarest commodity Valued over saffron and platinum So people settle instead For knockoffs Alcohol-plied sincerity is better than nothing A China-made Rolex still looks better -- Flashier, if nothing else -- Than a Timex No man is an island, They say, Smirking Frowning Clucking with disapproval Peering behind perfectly schooled masks Nary a hair out of place Looking at me In all my artless imperfection Paper, pen, and cigarettes for company Well Which of us here Is truly alone?
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Aug 30, 2014
Aug 30, 2014 at 10:27 AM UTC
Juche: Meditations on Solitude
To be alone Is to be complete They say No man is an island, But isn't everyone? We're all stranded on islands of self-interest Connected to others Through flimsy bridges of temporary alliances Mutual interests and gain The more connected we are The more isolated we become Pictures and blog posts Nothing more than facades Anomie is the word of the decade The individualistic The self-sufficient Is reviled For refusing to play the game To participate In the masquerade To jump through the hoops Of social niceties Somehow To sit and squirm Through ******* contests and gossip To flap and flutter In the howling gales of hysteria and contrived laughter Is preferred over Sitting alone Revelations and epiphanies Splayed out before oneself Playing solitaire with one's reflections In peace Baby showers and mixers Celebrated The impenetrable silence Of one's hermitage Eschewed The people-pleaser Preferred Over the lone wolf The team player Over the independent agent I suppose In an age of open doors A locked one Raises a few eyebrows They'd knock and rattle Then bang and kick and shout Before leaving in a huff Authenticity is now the rarest commodity Valued over saffron and platinum So people settle instead For knockoffs Alcohol-plied sincerity is better than nothing A China-made Rolex still looks better -- Flashier, if nothing else -- Than a Timex No man is an island, They say, Smirking Frowning Clucking with disapproval Peering behind perfectly schooled masks Nary a hair out of place Looking at me In all my artless imperfection Paper, pen, and cigarettes for company Well Which of us here Is truly alone?
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71
Bathed in fields of  hummingbirds an elderdown of  spring  purveys weaves nexus  to ancient stone walls where tomorrow's wood elves dressed in firestorm blue wait bequeathing  a  symphony  of  resistivity a causeway plied with dreams to harvest, wills the east winds high.
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Mar 13, 2014
Mar 13, 2014 at 10:26 AM UTC
Bathing in Fire
She counted the night away the neon street lights disappaiting, sitting on her grandmothers crocheted bed cover her pink knickers hid her body wide goosebumps, the froid unheated bedsit plied with her emotional turmoil, vexed boyfriend and always tomorrow.
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Jan 30, 2014
Jan 30, 2014 at 2:48 PM UTC
Joanne's tomorrows.
142 Whose are the little beds, I asked Which in the valleys lie? Some shook their heads, and others smiled— And no one made reply. Perhaps they did not hear, I said, I will inquire again— Whose are the beds—the tiny beds So thick upon the plain? ’Tis Daisy, in the shortest— A little further on— Nearest the door—to wake the Ist— Little Leontoden. ’Tis Iris, Sir, and Aster— Anemone, and Bell— Bartsia, in the blanket red— And chubby Daffodil. Meanwhile, at many cradles Her busy foot she plied— Humming the quaintest lullaby That ever rocked a child. Hush! Epigea wakens! The Crocus stirs her lids— Rhodora’s cheek is crimson, She’s dreaming of the woods! Then turning from them reverent— Their bedtime ’tis, she said— The Bumble bees will wake them When April woods are red.
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1.6k
Whose are the little beds, I asked