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"pliantly" poems
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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Dec 5, 2022
Dec 5, 2022 at 10:05 PM UTC
Galatea
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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45
your arousal fantasy is a catch for me comes in sound waves enters my head from the right ear but no action required I say just observe so I pull it up a bit - the activated tip in the crypt - from the line beneath towards the umbilicus spread - the well calculated as if instantly phononized insanity validating vibrational ascendancy- along the void and render all the whatever patiently in less than a moment lest the mind won’t interfere amid balancing the belly I half the remaining equally push one lump towards the zenith another vis-a-vis the right feet so it finds a correct exit while especially the toe tip beside the small one is affected to be the immediate target of delete I shut personal sensations of ‘I don’t like it’ so that I can dump with a pure desire to return to sender as is required as much as earth receives air insists for its ascending part an accuracy of might a simultaneous rush of flow a cause of cranial vertigo lasting less than a moment on the right quasi ready to squad the head but No - I fight not fighting means slavery at your side whereas your side exists not without that foxy fight hidden under smarty pants just a mystified puff-gloom intensifies but gets shot in one bite ready to gobble the pretender which I am not and flushes oh the so lonely oh the so broken hearted transforms to a flatus-cloud heads up and up en route the dark skies full of angry-clouds oh my brrrrrrgghhhh even they take it not hurriedly move aside an irregularly contoured eloquent ******   ethereal space shapes softly along the cotton like subtlety pliantly tight so you can pass while I happily look up to sing the Oh Lovey-Dovey See! You also have some use Finally and Yes! The sun shines for us most beautifully diminishing your blues through the enchanting blue of the patchy
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Mar 5, 2015
Mar 5, 2015 at 3:19 PM UTC
I shot your blues through the patchy
your arousal fantasy is a catch for me comes in sound waves enters my head from the right ear but no action required I say just observe so I pull it up a bit - the activated tip in the crypt - from the line beneath towards the umbilicus spread - the well calculated as if instantly phononized insanity validating vibrational ascendancy- along the void and render all the whatever patiently in less than a moment lest the mind won’t interfere amid balancing the belly I half the remaining equally push one lump towards the zenith another vis-a-vis the right feet so it finds a correct exit while especially the toe tip beside the small one is affected to be the immediate target of delete I shut personal sensations of ‘I don’t like it’ so that I can dump with a pure desire to return to sender as is required as much as earth receives air insists for its ascending part an accuracy of might a simultaneous rush of flow a cause of cranial vertigo lasting less than a moment on the right quasi ready to squad the head but No - I fight not fighting means slavery at your side whereas your side exists not without that foxy fight hidden under smarty pants just a mystified puff-gloom intensifies but gets shot in one bite ready to gobble the pretender which I am not and flushes oh the so lonely oh the so broken hearted transforms to a flatus-cloud heads up and up en route the dark skies full of angry-clouds oh my brrrrrrgghhhh even they take it not hurriedly move aside an irregularly contoured eloquent ******   ethereal space shapes softly along the cotton like subtlety pliantly tight so you can pass while I happily look up to sing the Oh Lovey-Dovey See! You also have some use Finally and Yes! The sun shines for us most beautifully diminishing your blues through the enchanting blue of the patchy
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92
walking briskly clutched purse brown slick leather gold dangles chain boot to hip *** in jeans) tighter pliantly addresses earth beautifully crushed rouge brunette hair lips ivory between flashes parting eden A serpent and, "excuse me"
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Sep 1, 2012
Sep 1, 2012 at 5:16 PM UTC
Untitled
he plays my nerves like piano tense but pliantly plucked because his hands are a rhythm of skin, warm and tender and he tells me me he loves me with a mouth like honey as if he has never swallowed a graveyard as if his heart isn't an empty chasm of rot and cobweb.
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May 18, 2018
May 18, 2018 at 2:43 PM UTC
Untitled
*will it ever be noticed that hectare upon hectare of grain fields pliantly line countrysides in every nation; but alas, they are only too often overlooked... to far too many, one field is much like the next...*
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Nov 9, 2016
Nov 9, 2016 at 3:40 AM UTC
from field to fork