a. aristotle's nonchalance in comparison to his other ideas when investigating the lagoon (although wrong on the no. of teeth in a woman's mouth and the origin of flies from rotting fish - two jars, one open, the other covered - he treated his theory of adaptation of an animal / in humans on an individual basis - with less concentration of necessity for the theory to be expanded than his logic or poetics) - i.e. it was not good enough to be made dogmatic, like darwinism, therefore aristotelian darwinism does not exact a necessity to put the theory akin to a theological standpoint.

b. 'the darkened mind, whether that be by illness or some other cause illuminates in reverse to the mind of the plateaus: the stark difference is that the darkened mind attracts light like a moth into it, although it does this attraction without ever revealing the pin-point, the last revealing point of what the light has to illuminate, it's no good providing this point in a reference to psychology searching for the "ego" of that known existential notative abstraction working on the basis of the pro-verb: know your self. the darkened mind is in fact providing the basis for the search of nothing, and a subsequent of offshoot of what knowledge nothing provides: whether that's geology, pharmacology, chemistry, physics, or any of the humanities - although the humanities actually provided the basis for scientific study, since it was poetry that was criticised, and provided the basis for the two socratic pillars: knowledge of your self | knowledge of nothing - without a critique of poetry none of the subsequent investigations beginning with a non-empirical study that's philosophy would still be among the crumbs of history and stone of the parthenon. subsequently the mind of the plateaus simply regurgitates via regression to a known origin, it illuminates with knowledge that was hidden for a while, esp. during the times of illiteracy, which made it easier, although these days almost every man is literate, he is still illiterate in the sense that he prefers images to words / symbols... he's being fed a second illiteracy even though he is literate, therefore whatever knowledge is provided, it's immediately hidden, hidden via the use of images to distract, because words and the symbols that create them are not of an ontology of distraction, but harsh / labouring engagement - esp. if they are not used for the utility of speech, but made solely cognitively optical, they resonate with a double decker bus filled with about 90 people and only one person reading a book.

c. ah the introduction is over, and then the actual poem,
if i could remember it exactly,
it dealt with a cartesian contemplation
dealing with an extension from the trinity model,
what was the extension model? what was the basis
of it? i remember noting that the mind of the plateaus
originality came only with coinage of phrases,
i.e. coining a phrase, or simply crafting a
new compound from words rather than chemical
derivatives... the philological monstrum
of a fixed prefix like sub- or un-
and then the all encompassing suffix
like -conscious - and then some grand complication,
like the word oedipus becoming a complex,
and this complexity reaching a point
where no original idea can be encompassed,
because what's required is the practice
of creating and using an analogue,
so that those in the range of the intended
gesture do not have to go further in their reading
but further their practice: a draw of stars...
none longer or shorter than the other,
all uniform... one shoe fits all story...
i mean how can words conjure ideas
(esp. original ideas) if words are intended
for meaning, and solely that?
ideas come when the intended usage of
such symbols as a - z are not expressed in
how they were intended to be expressed:
pre vox. if you spend a long time with these
symbols in the optic area rather than the
larynx area... you'll find the holy grail of
crafting and fathoming ideas...
philosophy begins here... seeing rather than
the utility of these symbols... to see with them
rather than to speak with them... after all...
think twice before saying something stupid.
i'm still bothered by that cartesian connection,
how did i manage to tangle in the one third
of the equation: substance, thought, extension?
what the hell was i comparing to make that
analogy? surely it wasn't a way of working
from the way existentialists abstracted
something concrete as an identity and decided
to do the pontius pilate of washing their
hands clean of any responsibility using the ditto
marks? sure this abstract enclosure for an identity
(in phonetic units expressed as ego)
cannot have stable if not merely sane grounding
in all serious theoretic engagement by the logic
of being a possessor of a soul;
first they dispossess the people's confines
of the soul's existence, later they come after thought,
and it's there, the proof, like today in the supermarket,
me waltzing for my intended purchase,
and a horde of zombies bewildered by
the abundance of products... standing about the aisles
mouths open, ready for the wind to change
direction and their mouths perpetually opened
with the medussa wind... or simply waiting for
the next pigeon to do his duty on a copper statue
of churchill outside parliament sq., bleached crop
of hair with **** in it.
honestly... the zombies are coming...
first they fool the people that they have no soul,
backed up by the logic of a soul that, when
compounded (i.e. psychology) makes it sounds
important, like an edict by the house of windsor
about to make rise to the 2nd lord protector
via a re-emergence of oliver cromwell...
then they decide to invade the parameters of thought,
they used psychology (the existent non-existence
of the soul) to banish all original thinking...
thought has become banished into hades...
if the soul is not allowed in the body, then
thinking surely isn't either, and how did they do it?
they said: the existent non-existence of the soul
will convince thought to disappear, making
the body virtually mirror like invisible -
like a black kid before the social revolutions
at the back of the bus, before the old lady stepped up,
and yet in the 21st century, the old minotaur is there
at the gate of the new labyrinth; in my school days
all the black boys sat... well... you guest it...
at the back of the bus... so much for the old lady
making a stand.

d. as the title suggests i was working up to a crescendo,
i was about to mention the sort of confusion cuneiform
might have provided had it existed in writing
but not in thought, although we write with latin symbols,
i'm sure that our thinking is still ingrained in
the coming of the three magi and the loss of cuneiform,
all the many offshoots of christianity you'd think
we were living in babylon, where the king went
mad, and the hebrew architects scratched their heads
so hard and so long that it caused the babylonian
king to become sensitive to scratching sounds,
he ran out of the palace screaming:
'cockroaches! cockroaches everywhere!'
then the enslaved hebrew architects just said:
but sire... gardens upside down? earth above sky?
how will that work... we did the pyramids,
perfect geometry, perfectly understandable geometry,
but garden that grow trees upside down?
didn't you hear the greek theory of how trees grow
by eating the earth from below, rather than above?
'cockroaches! cockroaches are nibbling!'
so i did end the poem i lost via a message on the screen...
jimi is dead, forget jim.
i ended it by noting the admiration of the romans
when it came to the mausoleum at halicarnassus,
persian design, intended for mausolus,
so admired that the word mausoleum gained
popular public everyday usage status,
a bit like a war-pig / war-dog in the legionnaire army,
above the general's servant: does battle...
doesn't do pampering with perfumes.
seems fair enough, got the warring grunts / barks,
runs miles with the horses, has a piquant snout and tongue
for human flesh... plays dead, finds mushrooms
beneath the slain... speaks broken german war-cry...
perfect for combat... not really perfect for my quarters of rest.

e. what does it really matter, this 200,000 million
or thousand year old historical co-ordinate?
the chinese were drawing dragons with the welsh
concerned with st. george long before dinosaur
bones were unearthed; if this isn't an example
of the jungian collective unconscious of being
"clued-in" then i don't know what is...
esp. given that not even 2000 thousand years of
history fits into my brain when i boil
a kettle filled with water in 5 minutes...
smoke a cigarette in the same amount of time,
it makes no sense to "pump iron" so much
when practising history to go as far back as that,
it makes in-the-moment living so far detached
from life per se, that you begin to wonder
why we went further than the epic of galgamesh
(where all western take on history begins)
or the upanishads... when the caste system
became operational: from dark skinned sri lankans
to the masters on the boarder of the himalayas:
un-believable... racism within a society
that did not expand into colonialism...
strange to have kept the blue indians in mint condition
due to the cuisine... and have slaughtered the red
indians keeping them a minority to such an
extent as to keep them in nature reserve parks...
black president is a phenomenon? a slave, former,
is a phenomenon? i puppet i suspect...
get a native on the top seat and their will be
less jubilation i gather.
but that blue indian word for demon: rakshasa...
from the serialisation on the t.v. entitled indian summer...
the h as silent as in dhaal?

f. if something profound has happened to you,
and you want to speak about it,
remember to take hold of the psychiatric buffer,
this buffer zone will enable you to see
an atypical sociological reactive compound
of the ****** expression, it will reveal
who you can reveal a secret to,
after all, psychiatry is all about listening,
therefore not thinking, therefore not doubting,
therefore actively engaging with the precursor
negation... sartre to descartes:
i use too many punctuation and "punctuation"
marks, therefore i can't couple thinking with
doubting, i must therefore couple thinking
with negation... descartes to sartre:
i always knew that even though we salvaged
the latin alphabet by adding the diacritical marks,
our punctuation and style would get the better of us...
what's the point of ć ń ś ó if we have
the capsule of " " to mind in terms of what words
are allowed a blessed disunion from meaning
when over-used esp. when you to deceive rather
than covey orthodox meaning?

Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road

the Islam of Malcolm X isn't the Islam of today... it isn't really the prescription of Nietzsche had before the Heraclitus flux took sway and said: waterfall or lottery... it really, really, really doesn't matter. the Islam of the 1960s isn't the Islam of today... too tinged with Sieg Heil... although less the Ave Caesar salute and more akin to: who's up for ****, *******? the Islam has changed... if i was wise enough i'd have converted, to mind you... but i thought: putting my faith by only having a library of only one book... i thought... n'ah... that's a bit extreme, can i at least have a comic book strip to add to that massive library? no? oh well, no, sorry, at least one book mentions several authors who tried to imitate but failed on the last hurdle, at least i can revise that, and completely erase the two extensions that borrowed from Hinduism; 'cos' like it ******* mattered.. don't test me, i'm anticipating death like  suicide-vest child... come on! let's start the Slavic crusade!

perhaps it's not about not thinking certain thoughts,
or feeling certain emotions...
but perhaps it just is...
i say, we need the Sophists these days to
apply the fishing-net tactic to deciphering or
simply selectively reflecting our vocabularies...
strait-jacket vocabularies are there in plain sight...
i mean... wait a minute...
i jumped from jazz into pop music on the headphones,
from Miles Davis' *kind of blue defining
moment of the flamenco sketches right into the bog
of one direction - so i guess this is where
the antidote for art being too subjective comes in...
well, they sorted that problem already...
objectivity in art is around us as we speak,
it means "artists" that are manufactured,
art in the age of mechanical reproduction
(Walter Benjamin), it means more props than artists,
the problem got solved, it means reaching an
autocratic plateau of plugging in and sharing
a non-individualistic stream of emotion,
the opposite of democracy is autocracy, it isn't
despotism... i don't know why democracy doesn't
understand that it's ugly sister (autocracy)
is the enemy and not a Genghis Khan style of government...
democracy in the form of autocracy is a failed
attempt at Utopia... it suggests the system is perfect...
it means the institutions go about their daily business
like children in the playground who ******* and wet
themselves (the bankers), and still not one does anything
about it... what was once a demo tape of a indie band
becomes an automatic big seller big grosser E.P.,
just because the tragedy came, and they drove the touring
bus off a bridge in Sveeden... *******...
you ain't fighting dictators, you're fighting your change
from democracy into autocracy... where things
seem so perfect they can hardly ever change,
they're automated, they're not demographically sound...
sure, i'm the clown, i'll juggle a few big words around...
but in term of art? well, pop music has reached
the limit of what "philosophers" argued against...
to be frank... jealousy got to them that argued
for counter-productive constraints...
now they rebel against this objective construct of
artists in the shadows, writing text and tune and needing
some amateur to perform... and where do you
seek their rebellion? in the subjectivity they once
argued against: that famous Rage Against the Machine
protest against the X-factor...
so wait, first you argue against the subjectivity
of the artistic expression, then you postulate the non-existence
of the self: countered as the dasein for all subjectivity,
then you miss artistic objectivity with the karaoke
and what comes as the **** utopia with French
euthanasia tourists in Switzerland and Belgium...
you missed the argument you favoured, i.e.
artistic objectivity, i.e. performers, not people who write
the hit singles, Hiroshima Karaoke,
well, aren't we all objective now, that we have to source
our feelings in the expressions we once made angst against?
odd, isn't it? you never knew how well established
the counter argument became...
it's pop culture, it's evidently going to become viral...
but you see the power of subjective art...
it spreads like an infection, no point arguing against it...
objectivity in art is already a well established
virus, it doesn't really bite into your soul,
it bites, but you just get the odd body chicken ****...
that's what i mean about how a self-assured-without-a-self
democracy morphs into autocracy...
the fake Utopia of the well-established social
institutions actually being bankrupt, starting
with the post-colonial charity companies,
lying sharks and interest rates at 2000% per annum
i'm starting to think of Islam... leeches and hypocrites...
so your pointless critique of the subjectivity of the arts
became your most sling-shot friction strained weapon
to aim at the industry of art objectified,
in the age of mechanical reproduction true art = dodo...
it's on its way out... i hardly think that
50 years from now you'll find someone as idiotic
as me writing poetry for the love of the **** thing...
you'll get Utopian plateaus, anaesthetic democracy in
the realm of humanism, and hanging over you
autocracy... immovable foundations, cos' everything's
just perfect, time to invade another Libya where
some genius ensured the people knew their place
and who kept order on the pretence of
keeping weapons of mass destruction and
dog leashes... but there you will be ****-strapped going
huh? i thought subjectivity in art was bad?
n'ah mate, that's the only thing that made art good...
you got your ******* Karaoke, live with it!
the English Renaissance of the 1960s ain't coming back,
even if you gave Belfast back to the Dublin crew...
i say we need another Protagoras to get
the vocabulary inflation up to speed...
i say devalue the words self, ego... and make the
psychologists bums..
i say devalue the words nation, british and hamburger
to make the anglophile influence on Europe
a bit like sniffing a mortar of ******* off a penny...
i say reestablish the virtues of Japanese feudalism,
scare depressed teenagers with the words:
your only way out is by Hara Kiri.
something must come from a poem like this...
i have rage... you reason with it...
i'm not going to reason a calm into my heart with the words
i just wrote... n'ah... n'ah n'ah... that ain't happening...
it only took one needle in a haystack to give me prompt...
the ailments of subjectivity in art...
that got me, bull's eye reddened mad...
you ain't turning me into Darwinian grey matter!
this is democracy at its most despotic...
let me try democracy first, before i join the legion of dentists
with happy middle-class lives in autocracy...
can't blame ****** in this guise of organising people,
'cos' there just ain't no ******...
that got me hot wired and hired to argue...
first they say: art deserves no subjectivity...
fair enough: 1 man draws a rhombus a 1000 men draw a square...
but now that we can finally see objectivity being applied
to art, we only get pop: **** jazz, classical, rock and speedy-indie...
we get manufacture... as you once hated those with
personal intention to add to the democratic demographic,
now you turn against them for disturbing the status quo...
well, happy are those that come to the sun's repeat jargon
and happily doubt the roundabout...
because criticising art as subjectively orientated
really spared you art having ascribed objectivity to its cause
of attaining mechanical reproduction,
and the subjective placebo... neither thinking nor feeling
anything deeper than nervous yoga twitching dances...
spare me the ******* details if you come up with
a more accurate historical pinpoint.

Wish I had a special pair of lenses
A tool for me; just for my senses
That grant me binocular vision
Allow me to see with heightened perception.

Peer through mountain crags, over dunes of sand
Pierce skyscrapers in familiar foreign lands
A sight beyond nimbus clouds
Amazingly through temporal shrouds.

Past breathtaking ridges and quiet plateaus
Alongside a ****** of black-feathered crows
Tripping over singing brooks and moss-covered pebbles
Herds of quadrupeds as they frolic and gambol
Extraordinary views and candy for the eyes
Travelling linear between earth and skies.

But...

You're too far away for me to see
Even if bestowed upon me...

Still,

I wish my eyes binocular...
Because I need you so much closer...

Are we on different plateaus?
You perched above me, gazing beyond my frame
While I'm struggling, staring at your knees
All I ask is for you to bend down
Extend your hand as a chance to me

It's not often when a man meets a woman
Who makes him feel better than he'd feel on his own
This woman is a testament to motivations unknown
But a testament nonetheless to feelings kept devoted
to the idea of another to forever kiss and hold

Now these sentiments might sound sappy
to those without a love both sad and happy
But it matters less than little to those who have
endured the peaks and the valleys
in order to reach the ebullient plateaus of contentment

In the deep of time indigenous tribes
surfaced a red earth with protruding plateaus
and burnt canyons along the Cimarron River.
The ancient Anasazi settled
at the core of this mesa.
Scattered ponderosa pine.
Yet, their sudden demise echoed curiosity.

Navajo sensed a struggle of two infinite worlds,
a quivering inundation.
Circling its haunted ominous shape,
a skull with one eye, the apparition of light
rose into a blue desert sky.

Violent storms crackle hot lightning
strikes in a sulfurous summer-
an oracular hothouse.
Navajo talk of spirits or the gateway
to fire. Heaps of iron and lodestone
lodged in the cap. Only two
brazen, cat totem poles guarding its passage.

Standing among the mesa
to feel the verve of the earth.
A New Mexico sun beats down
burning the drowsed terrain.
To see the legendary shaman glow
in his ephemeral blue nimbus.
Bathed in gaudy turquoise.

Sensing the dark encroachment
of a ghost. Near the bony hills, soared
a turbulent black bird in full flight,
upward.

1

  Come, my tan-faced children,
Follow well in order, get your weapons ready;
Have you your pistols? have you your sharp edged axes?  Pioneers! O pioneers!

2

  For we cannot tarry here,
We must march my darlings, we must bear the brunt of danger,
We, the youthful sinewy races, all the rest on us depend,  Pioneers! O pioneers!

3

  O you youths, western youths,
So impatient, full of action, full of manly pride and friendship,
Plain I see you, western youths, see you tramping with the foremost,  Pioneers! O pioneers!

4


Do they droop and end their lesson, wearied, over there beyond the seas?
We take up the task eternal, and the burden, and the lesson,  Pioneers! O pioneers!

5

  All the past we leave behind;
We debouch upon a newer, mightier world, varied world,
Fresh and strong the world we seize, world of labor and the march,

6

  We detachments steady throwing,
Down the edges, through the passes, up the mountains steep,
Conquering, holding, daring, venturing, as we go, the unknown ways,  Pioneers! O pioneers!

7

  We primeval forests felling,
We the rivers stemming, vexing we, and piercing deep the mines within;
We the surface broad surveying, we the ****** soil upheaving,  Pioneers! O pioneers!

8

  Colorado men are we,
From the peaks gigantic, from the great sierras and the high plateaus,
From the mine and from the gully, from the hunting trail we come,  Pioneers! O pioneers!

9


Central inland race are we, from Missouri, with the continental blood intervein’d;
All the hands of comrades clasping, all the Southern, all the Northern,  Pioneers! O pioneers!

10

  O resistless, restless race!
O beloved race in all! O my breast aches with tender love for all!
O I mourn and yet exult—I am rapt with love for all,

11

  Raise the mighty mother mistress,
Waving high the delicate mistress, over all the starry mistress, (bend your heads all,)
Raise the fang’d and warlike mistress, stern, impassive, weapon’d mistress,  Pioneers! O pioneers!

12

See, my children, resolute children,
By those swarms upon our rear, we must never yield or falter,
Ages back in ghostly millions, frowning there behind us urging,  Pioneers! O pioneers!

13

  On and on, the compact ranks,
With accessions ever waiting, with the places of the dead quickly fill’d,
Through the battle, through defeat, moving yet and never stopping,  Pioneers! O pioneers!

14


Are there some of us to droop and die? has the hour come?
Then upon the march we fittest die, soon and sure the gap is fill’d,  Pioneers! O pioneers!

15

  All the pulses of the world,
Falling in, they beat for us, with the western movement beat;
Holding single or together, steady moving, to the front, all for us,

16

  Life’s involv’d and varied pageants,
All the forms and shows, all the workmen at their work,
All the ****** and the landsmen, all the masters with their slaves,  Pioneers! O pioneers!

17

  All the hapless silent lovers,
All the prisoners in the prisons, all the righteous and the wicked,
All the joyous, all the sorrowing, all the living, all the dying,  Pioneers! O pioneers!

18

  I too with my soul and body,
We, a curious trio, picking, wandering on our way,
Through these shores, amid the shadows, with the apparitions pressing,  Pioneers! O pioneers!

19

  Lo! the darting bowling orb!
Lo! the brother orbs around! all the clustering suns and planets,
All the dazzling days, all the mystic nights with dreams,  Pioneers! O pioneers!

20

  These are of us, they are with us,
All for primal needed work, while the followers there in embryo wait behind,
We to-day’s procession heading, we the route for travel clearing,  Pioneers! O pioneers!

21

  O you daughters of the west!
O you young and elder daughters! O you mothers and you wives!
Never must you be divided, in our ranks you move united,  Pioneers! O pioneers!

22


(Shrouded bards of other lands! you may sleep—you have done your work;)
Soon I hear you coming warbling, soon you rise and ***** amid us,  Pioneers! O pioneers!

23

  Not for delectations sweet;
Not the cushion and the slipper, not the peaceful and the studious;
Not the riches safe and palling, not for us the tame enjoyment,

24

  Do the feasters gluttonous feast?
Do the corpulent sleepers sleep? have they lock’d and bolted doors?
Still be ours the diet hard, and the blanket on the ground,  Pioneers! O pioneers!

25

  Has the night descended?
Was the road of late so toilsome? did we stop discouraged, nodding on our way?
Yet a passing hour I yield you, in your tracks to pause oblivious,  Pioneers! O pioneers!

26

  Till with sound of trumpet,
Far, far off the day-break call—hark! how loud and clear I hear it wind;
Swift! to the head of the army!—swift! spring to your places,  Pioneers! O pioneers.

early on i left an imprint for me to remember,
kinda like 2 x 2, equating to 4,
not as simple with words:
i like this dialectic between Dionysian and
Apollonian attempts to express aye arr parley!
shake the pine trees to get the toothpicks
like you might get a mojito, onward! toward
El Dorado! transgressing 24 hour hours
and you get the flavour:
first beer in in from dieting, oh ****, it's bitter,
second beer, mm, sweeter... then the headline
of whiskey and coke... Kazakhstan nice... yok sh'eh mash?!

three movements working their way,
those conquered and exposed to direct roman rule,
presiding over the "charm" with roads, western europe,
now they're so pride to reach that far back,
mention Boudica, one, more, *******, time!
i'll give you Britain that made Louis XIV
the peasant king at Versailles, and Charles II
wise with a Guy Fawkes firecracker... mm, guess
it happened here! in the yeast of a baker's
reincarnation via Malachi's heresy:
Elijah coming soon? Elijah not coming any time
you blunt sword of monotheism excluding
the chance of many, democratic influences!
either the fish or the aquarium...
the aquarium... a billion of them plus Islam will
be anarchic China, people never wish for better,
they only wish to better themselves,
including the social strata stampede that's necessitated
in the process... scientific positivism of Enlightenment
died, the absolute necessity (god) / the absolutely
necessary thing became trapped in the Bermuda
or the Copernican triangle, no good for crossing
oceans, just ably whirling east to no east outside
the atmosphere, try me with two thing:
Copernican vectors with a stable point constantly moving,
rather than sunny, constantly expressed economically
as usurper against usurer and the university grant
of simony, although worthy of an actor to spread
charitable work and paedophilia in Asia dubbed
Portuguese Missionary - well i'm sure the apologetics will
come, my neighbour hugging her dog watching television,
closest kin of the genesis story having secondary reminders
determining whether the lie was white or instructive,
a joke or seriousness - indeed entombed in treating these
words as a holiness worth for all the present religious attire.
absolutely necessary Kant said,
he also said: you said omni- etc., indeed you're on a
roundabout of intellectual yawns, there's nothing new here!
i need god as a concept of vectors and cursors, mediating
more than the caging of man's affirmation of himself
with Freud... the sounds and equally shared optics
need to accommodate a oneness, god is a predicate
of essential function: a. the triple affirmative:
i, thought, existence... something to concern myself with,
b. the duo affirmative:
denial, thought, existence... the arithmetic goes further,
i am writing quickly hence i will not brood over,
except a comparison in cinema, the film *hostel (2005)
and pretty much all of Hollywood's 1970's grit output...
take for example Al Pacino in the panic in needle park,
you know what i see? modern american interpretation
of what eastern europe represents, the farts
leave flamboyant Amsterdam hopeful for Slavic ******,
they come to Slovakia, and it hits them,
the passive lack of jealousy and need to impress
building a chrysler building, the oddity like landing on mars...
but it's already been done with, New York in the 1970s,
the same slavic grit, even the way the cinematography looks
like the colours were shaded with a peppering of sand...
new york in the 1970s is like Eastern Europe in
the horror set in 2005 in Slovakia... globalisation's paranoia,
there are still people out there who we can't ascribe
metaphors to being exclusive: no iron lady lifted the
iron curtain, the iron lady had an iron skirt, and she
couldn't lift that up either... Churchill puffer a cigar
and a million bees emerged heralded by Edward the Confessor.
that's the relation though, Hollywood's 1970's urban grit
and what the tourists encountered in Slovakia in 2005,
a sleepy kingdom, 2nd Mongolia, second to none,
which i beg to differ with, given the Scots were tight
stretching 2 pence copper coin to invent copper wire
and the Swiss (also in hilly surroundings) have us
elaborate paedophilia via Nabokov catching butterflies...
hardly two mountain ranges and hardly two plateaus.
it's called exotica these days... yep... the dissection of
the Polish-Lithuanian commonwealth and the emergence
of both Lach, Ukrainian, Lithuanian, Latvian, Estonian
and White Russian is what the Czech say made them
speak both cesky and saksonski... tseba! holy roman
prague ****, disintegrated into the Austrian intervention...
very much as if: thank you for defending Vienna from
the Ottomans, Jan Sobieski.
but the Jews got reparations at the end of the ordeal,
and western Europe received the Marshall Plan...
eastern Europe received Marx... too proud they said,
it's not exactly Mama Russia surrogate,
it's Papa Khan also... moon gall! no news from Mongolia
i hear, sooner a tale from an American zoo
where a retired silver-back dragged a baby from
drowning in an inch of water, hero shot,
where were the parents? a four year old can hardly
sit on a kitchen stool let alone climb over zoological
fortifications... ah the blessing given unto man
by Iblis to ape ably a delay he has no chastity over:
if Iblis defended his pride, then man can but
defend his chastity - Iblis was given a longer time-frame,
man was given a shorter time-frame, Iblis'
choice expands furthest into myth, man's choice
implodes further into repetition - for Iblis' mistake
was but one, when knowing of man's aplenty;
it is said that when a man is to become a father,
he relives his childhood - legality i say would have
obliged me, but pride took no notice of symbols as signatures
of such love, especially given the expenses,
or as in the supermarket today, the cashier invested ?
into the one buying the goods:
- where is she? you're not together any more?
- oh, she's moving to York, it's her work, she has to.
- you're not moving with her?
- well, it's only for 2 years, and then she'll be back,
  training, it will take her 4 months...
na'h ah... bye bye...                       she ain't coming back...
tell you what mate, keep a cat, the most selfish animal,
bestia ex solipsism - no necessary petting by constantly
showering it signs of jealousy and ownership and upkeep,
as if having to punch a gorilla to hold hands.
i love feminism for one thing only:
it made sexism a branch of Darwinism, *** warfare...
in relation to me? two girls chatting away:
- *******! how could he leave you!
- but he did!
- what ***** made him do it!
- philosophy!
don't get me started on those who read very little
and can't allow philosophy a poetic form, and necessarily
have to plagiarise Aristotelian stylistics to be considered
philosophy (albeit only in scholarly musings).
i'm sure it was something about the fruits of our
presupposed wisdom that bore knowledge that individuated
us, to the point of extremes, as hardly scraps for
vultures, to no animal nobleness, parasitic amongst each other,
defining the 16th century or such desires to keep
afresh, minted and pampered for the next cohort of dupes...
some find the memory of dogs towards us keener
than our fellow men should wish to share...
the animal domesticated and not eaten is seemingly our
prefect to walk toward a seize-less craft of un-exhausted thought,
only un-exhausted because of missing interaction,
say there, is that Hegel's mirror (master) and narcissus (slave)?
the emergence of these belittled nations is clear in
western europe, the bombing of Libya,
the usurpers of Syria, the once conquered having a taste
for empire and colonial rule think they cherish
the biblical conundrum when the resurrection was inclined toward
the lands Sven and Mietek - toward the lands
of conquerors and the ones converted -
four movements thus (sketched):
a. sonata: βορας ηλιος - μακεδων να ινδια
b. adagio: βιργιλιος ως καντηνoν -
                  μεσoγειος: μαυρος (ex),
κoκκινος (ex), ειρηνικoς (ex),
ατλαντικoς (ex), βoρειος (ex), βαλτικη (ex),
south a poet, north a philosopher,
from only one sea came two oceans and many other seas
to sustain the thirst for seawater among men!    
c. scherzo: Casimir the 3rd welcoming the Jews.
d. sonata: an die mitternachtfreude - more like a calm
before taking up the arms.

I’m walking through the desert
Following faint trails of pioneers before
Sometimes stumbling in circles through furnaces of sand and cactus
I haven’t seen my destination
it’s place isn’t marked on any map
I don’t know where I’ll find water
I’m a wanderer and I don’t keep it on tap,
I lose my sense of time
listening to the dune’s eerie song
All I know is that I’ve been trapped here
too long
I live for the moments I crest the layered plateaus
and can finally see the distance
of wilderness I have travailed

1.When you walk, don't look in the shop windows. There's nothing really to be seen except a disappointment you've been hiding from and a sense of self you're afraid to feel. Sometimes you'll get curious, you know, and that's okay. We all slip up from time to time. Just remember those deviations from the plan will knock you right back to where you were. You will remember then, and you won't slip up again for awhile. Bring music, or have a song stuck in your head. Never let you mind wander.

2. While you're shopping turn around so you don't have to watch yourself change and struggle into the new clothes. Instead, just turn around to reveal your new look. Then, while ******* turn again. Once more, you will slip from time to time and think perhaps the worst is behind you and you can handle this sort of thing now. It's just you after all; the you that you've fed bathed and breathed with for your entirety. There's no secret that lies in your skin you're presently unaware of. But this slip will cause a prolonged stare, a staggered heart beat, and a couple sniffles. You won't deviate for awhile after. Pro tip: just ignore reflective surfaces in general

3. But if you must look in the mirror, use one that only reflects the shoulders up. Sure your face has gross, brown spots and plateaus all over but that's nothing an unmatched Neutrogena foundation can't fix. You'll feel pretty good. Pretty great actually, as long as you don't let anyone touch your face, or hug anyone's white shirt. It'll begin to feel like that's what you actually look like and your confidence will exceed its greatest peak in the past, before you begin to feel you're fooling everyone around you.

4. And then you'll forget all of these things and you'll go to college and you'll believe in love still--for some reason-- even though every single moment in the past 18 years has told you otherwise about its existence, and because you believe in this thing and you love to write and you love to love you'll start to believe someone could love you and this feeling will eat you alive when it never arrives
5. Soon after you'll begin to realize how mundane you are and how much you blend in. You're not that girl that catches someone's eye and they think about it for days at a time
5. You're the girl blocking that girl


6. So you stop wearing makeup because what's the point you know
If you can't get someone to care about you in a heightened, better state it doesn't matter if you look like your worst, natural you
7. So you walk in the rain and listen to mitski and don't care about the fact that your hairs getting wet even though black girls are supposed to care about that sort of thing
8. And you look in the shop window of that café and feel a sense of self you've been trying to avoid
9. And you start the cycle over again

Pueblo

Stand still great adobe home stretch higher stacked high and long oh cliff dwelling ancient ones you
Passed as shadows you practiced the arts and religions of your people the Anasazi in my mind of all

Peoples you saw true visions of heaven and your building in the sides of cliffs are evidence of this nothing
Else that I know of captures the imagination and gives the look and feeling of heaven the only place that

Outweighs the southwest for mystery is the Sahara with the Southwest and its Mesas canyons plateaus
Then to have a people carve out homes and live in cliffs at night talk about a city of light built on a hill

Some are eight thousand feet straight up what a night spectacle reaching for miles the one in New
Mexico is in close proximity to the Cimarron and the Pecos rivers you can feel the sand stone on your

Hands and fingers feel it under your feet feel the baskets they made the pottery black and gray or white
These are small treasures even today their culture is amazing spellbinding at election they trot out the

Map part is red part is blue well the red of native Americans still reaches from coast to coast just
Reduced to pockets and sadly those are stories of overriding sadness that’s because we pigeon hole them if

they are given honor and recognition for their feats and exploits everyone would be better off
There isn’t any person that can’t teach others fine and grand things about life unless you are desert

People that have sold out your soul bought into garbage that a few are trying to enslave you by their
Twisting truth only to their advantage while you must lie at their feet and be their dogs that kind of

Thinking is best saved for fertilizer let your mind follow the eagle across the desert sky push beyond
Limitations turn defeat and obstacles that block you into new paths of opportunity the Anasazi survived

In a hostile environment of hot temperature low amounts of rainfall what did they do wisely they
Changed the course of small streams that were manageable for irrigation they didn’t defeat them selves

By trying it with rivers that were too big and they used their greatest available asset the winter snow
Some was natural run off that gathered into springs in other cases they manipulated nature for the

Benefit of everyone if you’re in harsh conditions and things are bleak he makes ways where there are no
Ways if you keep getting a beating instead of being loved and receiving a blessing there is an ancient

Cure that goes back farther than the Anasazi his name holds every need you will ever have for now and
always God bless you friend

Most of the southern portion
Of Argentina
I stand alone
Waiting
In Buenos Aires
For the elevation of my love
Entirely free of her stones
A statue shapely face
With granite and crystalline rock
Windy plateaus
Breezing along the Rio Colorado
Memories remain deep
While my heart ponders
I've so much blood in war
To a woman
Lady Eva
Is her name
Rings out in whispers
In my ear so ghostly
Our youth was so boldly
But beautiful
Her departure
Deposit streams of  tears
That aches many nights
I screamed out in agony
And found myself in shame
Now, I'm left alone and lost
To a time
Of past history
How can an unsuccessful love
Prison a desire
That is worsen
Than a sharpen sword
A buried faith
I cannot bring back

Surely these surly bits
Must be burrs caught up in my
Makeup -

Making up reasons for
Why my spit was accidental.

I done been through a
Rough patch or two -
Crawling with these
Thorns in my knees
Across funky plateaus
That poke their chests out
In their scouts
For sunnier flora.

Though,
I assume their search
Didn't go over so well.

'cause these scabbings won't heal
Like I want them to,
Buried under gobs of
Ointment
That was supposed to take care of it

(And
One more bandage
Just in case).

I'm just moseying on through,
With my feelers out,
Making sure you're someone
I have to know.

In and on my way
Somewhere
In this crazy field,
Waiting for sunflowers
To bless my prayers
While I continue to
Make room for myself to
Slip past
Without being noticed.

I'm smiling so hard
To keep the soft-hearted
At bay -
Trying to avoid being forced
Into pinpoint relations
With clueless drifters
Who refuse to stay on their side.

They only mean well -
I know this,
I do.

But, the simple has yet to escape me.

Send your
Sympathies
To the weak ones,

Roleplaying
Alongside the meek,

For these are the creed
Who,
Without giving heed,

Deliver their lives
To bliss.

Shahrazad, dancer of the night
Behind the purple lattice of Persian screens
You dance to the rhythm of ancient music
Swirling in the mirth of frankincense
Spinning into the night.

I drink from the silver chalice of your smile
Seeing crescent moons reflected in your eyes,
The echoes of singing voices radiate the vision of desert nights
As I feel my passion flowing
A river of silver and gold melting into distant plateaus.

Desert enchantress,
Spinning your dance eternal in the lapis depths of evening's promise
I surrender now to your smile
Let me drown in the music of your dark eyes
Your seductive voice,
Leading me to misty moonscapes and ruined castle walls.

Shahrazad,
Swaying to the syncopating rhythms of drums and bells
Beneath a Persian moon
Drawing me to the magic of your spell.

the beauty of english nakedness, look at it for long enough
and you get to retract or at least crab-walk east
into the pincer plateaus of the frozen tundras and see
again, proustain afresh in the cork-lined room:
what bothered me was the acute stress on the faroese a -
english really is a blank canvas: or a complex canvas with
many unique distinctions of individual words - perhaps
the dementia crisis in english-speaking societies -
also why the accent diversity between all those who come
to learn it, and those who live in the zeitreich
of the absteigen sonne - but theories are theories.
so back to the blank canvas,  which allows so see
the dynamics, although as i said, the acute faroese a
(acute, because derived from the latin verb of needlework /
puncture) - ~etymology (approx. because not
related to words but phonetic units, i.e. letters)
thus reveals that the latin accents died, truth tooth
of the phrase latin is a dead tongue - but not as dead
as when you see remnants of the transformation,
in that certain latin activities (verbs) spawned the stressing
revisions on letters to appropriate the nordic and germanic
slavic, *** and celt into its *****: acute to puncture -
like the polish acute o (ó), meaning to puncture the o
and make a U sound, although when otherwise acute is
needed, but the geometry is less obvious it means not to stress,
but sharpen, cut-short, exfoliate into a range of onomatopoeic
comparisons: sneeze - wheezing - high pitch flute -
play the clarinet - pincer the tongue - pliers -
god knows what instrument i'm really playing: ć, ń, ś, ź -
cut the letters from cen nan sap zed into the uniqueness
of the actual first letter, go into roman do re mi fa so la
(****** musicology) rather than greek omega omicron
alpha beta. so this acute faroese a, what bothered me
was the suffix -áp... the p you see, if the accent dynamic
was to end with a german umlaut -äp or with a
māori macron -āp... i would have said the p...
rather than ending with a b.

*"heimlich" tongue-numbing d.

You   feel   it
coming. You
can    always
feel   it  com-
ing.  It's  here
again. Maybe I would rather be low. Here it is, again, the plateau.

his fingertips as wild sparklers
his palms, wads of soft cotton
and the plateaus of his toiled finger beds
so his grasps -- stray, muddled, unintended
like paint swashes glazing my frigid worn skin
realeasing undue quivers down my delicate chine

embers drew to a shaded face, fragmented lips wept;
storms, feral and unabated, loitering in the combe of fires.
the ethereal visions of honey amber lights, faint and narrow;
ebony of my pupils dead, alike of shriveled meadow.

violence thrusted into yellow mouths of daffodils,
like tapestries like yarns of blue saccharine sorrows.
brimming with viscid liquids of blackeries and vains,
like silver mackerels, sleeping out of the abyss, on a train;
like subtle, maladroit shorthands and dewy black inks,
who lilts the fawnish plateaus and quaint alleys.

the depths of my shallow sleeps, glowing under
the burnt foliage, mellifluous sonatas gently play;
strawberries occur under bare walls of throat,
vanish on the morrow, like a dalliance—
so frantic and hollow.

with natives, you emigrate you're an expat, but if you immigrate you'll hardly find a good word to replace expat - well, i have one... inpat - people speak fondly of expats, that heroism of the English having tea with Mussolini... ever hear the self-told story on inpats? you hardly do, all you know is that the first generation wants bleach, bad, so the next generation can say: british born, british bred, and dumb-fool the question of accents.*

it all started with everyone trying to be a social media guru -
a blatant jinx, only a few "chosen" ones could become
brand machines that could become
living embodiment(s) of advertising plateaus,
who'd sing you a song from an advert than
a Hey Joe by Hendrix or Hey Jude by the
Beatles, only a select few - and there they
are, moaning about a pristine benefit system
to raise their families of about 15 while
the cockroach professions in factories go
unnoticed - well, sorry for turning poetry
into politics, but if i won't, no one else will,
they'll be gagging each other anally with other
"essentials", about love come and love missed -
poetry is an abstract canvas, it allows
anyone to narrate or to personify, it basically
allows narration like no other medium -
politicising in the poetic realm isn't bad,
Ezra has hamstrung and quartered last time i heard,
spent a good deal in an asylum trying to prove
that a patriotic flame was instilled in him -
i don't do dust on a cupboard shelf love ****,
i don't do "you better watch your vocabulary"
nonsense, it's, non-, essential, justifiably missed
or unattainable, yes, but essential? not really.
you can practice on a mannequin,
but on an organic free-wheeler? not really.
along with the angst and along with the mishaps,
learn to walk, style it, stride... **** sake's
try imitating the bowling approach in an alley
with a kingpin and 10 dumb ***** -
the more you see cursing the less the images become,
i swear to god, i'd rather see a throng of a 100 men
cursing without censorship than see all the devastation
from mindless and sexless acts to claim
a supremacy of power - i'd see less dyslexics too!
tell them you want to spell, tell them you
want to get back the U and C back rather than see
a **** pushed through a tennis-net chequers flag
while some poor-**** goody-two-shoes gets decapitated
in Iraq... please! this is becoming a sadomasochism
for me stressing the point!

I cannot replace a loss like Kathy

Who inspired my world of rhyme

Who encouraged my neatest metaphors

And urged me take the time

She cheered me to the loftiest

And made me reach plateaus

I never even knew before

I'd have the will to go

She was a poet and an angel

This human in disguise

She touched my life and made me see

A world beyond my skies

She kept my quill original

And made my words more wise

She'll come by I know she will

Each time my fire dies


Copyright Louis Brown

better than an autobiographer, a chronicler... when you die you'll find me among Bulgarian prostitutes sneezing good luck when your try to reinvented the airs surrounding the English monarch taking a **** into her crown... i know there's this thing concerned with tattoos and peacocks, but established peacocking, passed from generation to generation is just silly; animal plateaus with what man calls democracy - survives as long as the majority is kept asexual and the few engage in the acts of fleshy gymnasiums.

i like nights like these, no poems, no scaffold, nothing
to get to grips with... the last day of the Olympics turns out
to be boring... father talking about Irish Nazis
with that ironic motto of *Abreit Macht Frei
like a singalong - working Sundays,
the Irish **** thinks he has Romanians
under his belt he can goose-strut
toward a failed project... you rarely hear
of construction industry's blunt racism...
but it's there, and they dare call it
the enlightening Europe...
no wonder Islam is attacking former colonial
nations, makes the argument speedy
and solidified... it does **** me off..
you watch these anti-Chinese poets
labour words: but at the same time say
things like: depeche mode's 'words are
unnecessary, words like violence,
words are unnecessary, they can only do harm',
not the poets, those who practice poetry
and try to keep the status quo...
i hope the Irish sinking in the frozen
waters of Titanic met their hamster angels,
i really do... not man enough as a featherweight
to box against a Klitschko, fair enough...
but mind you: words are everything,
this stance to avoid the meaning of words
is not s much anti-biblical (in the beginning was
word, and with god was destined to reside) -
later man came along, and recognising that
certain pieces of information were implanted
in words he decided the stuffing was too much...
better do a Christina Aguilera -
words can't hurt, can't infringe -
so we're basically backing up to the utility of
sign language, or punches...
back in the monkey haven... so much for the theory
of evolution... are you saying we shouldn't be using
words? that's basically what you're saying...
keep it simple... keep it ~friendly....
ensure the idea persists, but that language doesn't...
we were never going to agree,
neither was William the Conqueror with Saxon swine...
i know a schwab when i sehen one...
a stick has two ends... edition of being struck over
the head... edition of being hit in the ******* another...
but i just like days, when there's nothing meaningful in my head...
it's all helium giggles at that point...
going to the supermarket to buy whiskey
two white ****** and a dozen black hyenas march in
with me... **** small? not really... well, the ultimate
freedoms, i'm scuffling speedy Gonzales (next thing
on the censor's list of forbidding acquisition of control),
it's just fun to watch and fun to watch
looking at the stereotype skinheads...
words like violence, break the silence -
words... mm, in general i call that perfected coordination,
Moses and Prometheus, in ideogram of Egyptian
stole the meaning, later translated into skeleton Hebrew...
no prince talks the language of slaves...
no point kissing rosy Christ's backside right now...
i just want them to attempt their **** with success,
i just hate living out a life as an ensured ******* for
their safeties... it gets boring when they fail...
so you get my bearing... Nazis in England on
construction site... mainly Irish Nazis...
taboo or as some would call it: no ***** to attack
their former colonial masters... so attack the
colonisers... **** first... the head comes second...
oh the moaning and groaning of women...
**** ahoy! the men are expendable.
2 white ****** and a dozen hyenas running into
the supermarket after an **** to buy red bull
energy drinks... prancing around the city centre with
wild pride... an alcoholic rat scuttles past with
the words: what the **** are these clowns on about?
you think these girls will be able to raise a family
for their shortcut attempt at impersonal ******?
they're charity shop material... i'm not imposing
a Hijab... just saying...
what a lovely feeling, what gratification after
visiting a *******... moments like these are
just there, i'm hardly fighting for the English rose...
more like fighting over a Scottish thistle...
prostitutes are great tools when looking at society...
you get baptised in their waters lubricated without
any social cohesive reaction... that's the greatness
of prostitutes... you feel nothing when such examples
propose themselves to be viewed...
prostitutes are the greatest anaesthetic providers...
you can or don't have to believe me...
i'd rather be in their company, the fullest spectacle
of transparency... because it's not really the freedom
women and men encounter, i'm in full of support of that...
**** as much and as many as you want...
the problem is bound to Satan... the original fruit
constantly evolves with the evolution of the godhead...
i thought it was about *******... but given this
spectacle... it's actually more about LIES...
lies create spies and governments, they also create
false moral physiques... they're so ******* horrid
that you end up wanting to watch your girlfriend
**** a hundred ***** than to hear her say
that she's a nun... scout's honour... lies are worse
than the acts... everyone wants to be free, un-caged,
and that's the respect derivative...
but being lied to is out of the question...
lying should be in the old testament decalogue -
more important than ****... that's why the power
resides with prostitutes for man's encompassing
some sort of sanity... there are no lies...
there's just obvious promiscuity... those little
Christian boys can gag in their confession booths in
Churches... when you stop lying and feel no guilt
and no need for being redeemed from sins (extended into
crimes, denotative as merely lies) becomes obsolete,
even in Brazilian slums... you see those little
gnomes feeding trivial experiences of threesomes
and ****** the exotica that is simply a bunch of lies;
their exotica is bound to a family meal...
a shared meal... watch them lining up in their
cars at the McDonald drive-through...
or eating alone to a solitary confession...
once you spot them, you're like: what the **** are priests for?
i've just spotted a confession! they're sitting
slouched in some cheesy fast-food conveyor belt
trying to re-enact their tales of the Amazonian rain-forest
escapades for that much more of "exotica".

in a magic land of purple static
with a hint of blue and green,
ghastly shadow figures stand tall
and dance in the background
of delirium and madness.
quadrilateral patterns hang
netted in dinosaur shaped trees
surrounded by lizard tin foil
windows and roosters crowing
in the moonless midnight.
watching cowboys puke peyote
in the plateaus of the Sierra Madre,
as white dragons couch surf through
the waterfalls of decrepit old women.
fingers bend back and melt into the
ice cube ashtrays and flowers bubble
up out of bedsheets as your waving
hands leaves behind black trails of
indiscretion.
three headed old man sits alone by
the campfire adjacent from moats
of mossy grass glistening in the
silver stars.
distorted magnets hang on refrigerator
doors as pumpkin heads and cancer
patients sit around candle lit tables.
twinkling treble clefts leave gentle,
somber imprints as the tunes float
out of the music box.
blue and gold caps tie intestines
up like a twisted pretzel.
unsavory flavors linger in the mouth
from styrofoam textures.
intensifying citrus awaits the
elephants gates of psychedelic
hallucinations.

                                  I
                              have
                           one thing
                        to say about
                whiskey and shrooms
             .... I miss my friend Kennie
                             every
                             single
                             day....

create with no shame
create with no measuring stick
use only this:
everything that is done well
                           is good art

explore and excavate forms,
churn the ether

within you is the sleeping artist,
tap yourself awake,
yet be silent,
be intimate,
with the unconscious plateaus
with in you

be intimate
with the making
and the doing,
the fertility
of creating

you will require silence
to allow for reflection,
communication

Childbirth is noisy, messy,
Birthing art is different

understand your language,
mine it, taste it,
it is your play dough

avoid the chronic,
habit is slavery

collaborate for
there in nothing new
under the sun,
but the constant rediscovery
of the old
in new forms
when ideas are exchanged,
every partnership is a solo

Experience anew,
Each time,
Say:
This is my first time,
This is my first work

I do not need your validation.
I validate myself
and in doing so,
who else
comes along
for the ride
on our tide?

create with no shame
create with no measuring stick
only this:
everything that is done well
                           is good art

Be Fertile and Radiate