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"plank" poems
The globalization   Once thought to be an important aspect To connect the world To diverse the world Has been only a part success And of course, a success to be In a way people are connected In the enchanting world of ours Rising the common world consciousness Rising and rising and rising A day by day and day The knowledge domain, a gigantic trip Profoundly majestic experience uplifting people Remarkably All over the world diminishing the differences Differences humans suppose to believe Differences that drew humanity backwards The differences mostly set by identitities Identities in terms of nationality In terms of religion, caste and creed As we observe, differences softening them boundaries A good thing as seen Manifested due to globalization Only possible due to global reach Just possible due to connection in large scale Diminishing are those differences as they don’t fit Don't fit to the consciousness of the world To the rising consciousness of the world now More the fire it sets the plank to burn faster Happening for good for sure, I believe On the contrary differences too In the verse of diminishing the truth It contradicts the positivity As see in the world today is extremism Yes extremism happens to exist If it exists for a long period A whole long period of time In the years to come Is definately calling for absurdity Which humans may not want to percieve The adversities of the impact of globalization Leading a chance for the high level corporates To the world to have access to the marketplace All over the world Leading to a state of consumerism To the people People becoming more and more consumers They are being brainwashed For them to buy goods That global industries produce People are running after the products ****** consumers ****** sheeps Those multinationals And shark headed corporates Are producing and manufacturing The high headed corporates The pigs are manipulating Are brainwashing people The sheeps are diverted towards it The people The only agenda is to gain more And more profit only By making the people slaves of themselves And slaves of their products And believe it Coke and Pepsi may be Right hand and a left hand But the Coke and Pepsi both are the same The very debate which is better is Helping the corporates to sale By making their brains washed away Consumers Sheeps Brainwashed In a sense they are enjoying The debate they argue upon And they are unaware And they are manipulated Knowingly and unknowingly More often knowingly ****** sheep slaves Another adjoining thing most of the governments in the world Are being run by the aid Of the corporates Only have a selfish agenda And strategy to sale Products, thoughts and  philosophy More and more and more ****** pigs Brainwashing minds of the people The sheeps Having a streak of global consumerism Selfish bunch of pigs And the brainwashed sheeps Say hell ya F***king hell ya F***k off Get out'a here ****** freaks Pigs and Sheeps
0
Jan 29, 2019
Jan 29, 2019 at 11:01 AM UTC
Pigs and Sheeps
The globalization   Once thought to be an important aspect To connect the world To diverse the world Has been only a part success And of course, a success to be In a way people are connected In the enchanting world of ours Rising the common world consciousness Rising and rising and rising A day by day and day The knowledge domain, a gigantic trip Profoundly majestic experience uplifting people Remarkably All over the world diminishing the differences Differences humans suppose to believe Differences that drew humanity backwards The differences mostly set by identitities Identities in terms of nationality In terms of religion, caste and creed As we observe, differences softening them boundaries A good thing as seen Manifested due to globalization Only possible due to global reach Just possible due to connection in large scale Diminishing are those differences as they don’t fit Don't fit to the consciousness of the world To the rising consciousness of the world now More the fire it sets the plank to burn faster Happening for good for sure, I believe On the contrary differences too In the verse of diminishing the truth It contradicts the positivity As see in the world today is extremism Yes extremism happens to exist If it exists for a long period A whole long period of time In the years to come Is definately calling for absurdity Which humans may not want to percieve The adversities of the impact of globalization Leading a chance for the high level corporates To the world to have access to the marketplace All over the world Leading to a state of consumerism To the people People becoming more and more consumers They are being brainwashed For them to buy goods That global industries produce People are running after the products ****** consumers ****** sheeps Those multinationals And shark headed corporates Are producing and manufacturing The high headed corporates The pigs are manipulating Are brainwashing people The sheeps are diverted towards it The people The only agenda is to gain more And more profit only By making the people slaves of themselves And slaves of their products And believe it Coke and Pepsi may be Right hand and a left hand But the Coke and Pepsi both are the same The very debate which is better is Helping the corporates to sale By making their brains washed away Consumers Sheeps Brainwashed In a sense they are enjoying The debate they argue upon And they are unaware And they are manipulated Knowingly and unknowingly More often knowingly ****** sheep slaves Another adjoining thing most of the governments in the world Are being run by the aid Of the corporates Only have a selfish agenda And strategy to sale Products, thoughts and  philosophy More and more and more ****** pigs Brainwashing minds of the people The sheeps Having a streak of global consumerism Selfish bunch of pigs And the brainwashed sheeps Say hell ya F***king hell ya F***k off Get out'a here ****** freaks Pigs and Sheeps
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102
Street lamps play As they have before Dim walkway Leading to a door Careful steps Strewn leaves Breathe between gaps Skulking like thieves Rustling trees Otherwise nothing Mind at ease Heart rapidly beating Usually stops here Usually I'd stir But still in slumber I drew closer Eyes on door Familiar scene Stood here before This dream I've been Up the patio Door was ajar Accompanied by my shadow Stretched far Tunnel vision Dripping eave Door handle beckons Hand raised to receive Usually stops here Usually I'd rouse Allowed to enter This time... This house Handle I seize Door seemed light It did not freeze Hinges did not fight Revealed the insides Scanned surroundings Unlit lights Stairs climbing Footsteps I heard Coming my way Sounds absurd But yet I stay Usually stops here Usually dream is done But still was clear It only had begun Darkened figure Descending on bare feet Beauty light as feather Ever did I meet She did not see me Planted at the doorway Impossible it may be Nothing did she say Walked right by My eyes followed Seconds fly In eternity they burrowed Usually stops here Usually I'd wake Yet still I'm here Chance I'd take Stood at the fridge Back towards me Under siege My mind set a flurry Fridge was opened Light casted her silhouette Her back darkened Curiosity grew fat Illuminating beams Accentuated her hair Like golden streams Flowing with flair Usually stops here Usually I'd startle Connection did not sever Continue I was able Spellbound I gawked Rooted like a tree Wide-eyed I stalked This siren before me She drank Not knowing I was there Stiff as a plank I was locked in a stare Finally broke free Shifted my weight She turned to me And then said... Then it ceased Then I awaken Surprisingly pleased Slice of heaven Who was she? Silhouetted face Perpetually... Mysterious grace Foreign albeit familiar Strange but true Now rings clear... It is you...
0
Aug 26, 2014
Aug 26, 2014 at 10:33 PM UTC
Mysterious
Street lamps play As they have before Dim walkway Leading to a door Careful steps Strewn leaves Breathe between gaps Skulking like thieves Rustling trees Otherwise nothing Mind at ease Heart rapidly beating Usually stops here Usually I'd stir But still in slumber I drew closer Eyes on door Familiar scene Stood here before This dream I've been Up the patio Door was ajar Accompanied by my shadow Stretched far Tunnel vision Dripping eave Door handle beckons Hand raised to receive Usually stops here Usually I'd rouse Allowed to enter This time... This house Handle I seize Door seemed light It did not freeze Hinges did not fight Revealed the insides Scanned surroundings Unlit lights Stairs climbing Footsteps I heard Coming my way Sounds absurd But yet I stay Usually stops here Usually dream is done But still was clear It only had begun Darkened figure Descending on bare feet Beauty light as feather Ever did I meet She did not see me Planted at the doorway Impossible it may be Nothing did she say Walked right by My eyes followed Seconds fly In eternity they burrowed Usually stops here Usually I'd wake Yet still I'm here Chance I'd take Stood at the fridge Back towards me Under siege My mind set a flurry Fridge was opened Light casted her silhouette Her back darkened Curiosity grew fat Illuminating beams Accentuated her hair Like golden streams Flowing with flair Usually stops here Usually I'd startle Connection did not sever Continue I was able Spellbound I gawked Rooted like a tree Wide-eyed I stalked This siren before me She drank Not knowing I was there Stiff as a plank I was locked in a stare Finally broke free Shifted my weight She turned to me And then said... Then it ceased Then I awaken Surprisingly pleased Slice of heaven Who was she? Silhouetted face Perpetually... Mysterious grace Foreign albeit familiar Strange but true Now rings clear... It is you...
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104
born in illusory chains gnarled metal encrusted in my broken skin the copper colored dust of rusted steel infectiously envelopes shaving off antiquated layers of fundamentalist religion encrusted for generations unpeeled until raw an unsophisticated method unveiling ancient lodged glass shards colored with deceit brought before their court interrogated unfathomably skewered an eerie salem witch trial in modern times barbarically they shun me banished i wander aimlessly smelling the rotten decay of deceased community as splinters pierce my feet from the crooked wooden plank i walk alone now an unfathomable inner ache kindled a residue within igniting a wildfire from the darkest shadows uncontainably erupting i dance savagely naked in the orange moonlight and in every shaded edge lit my soul ablaze i am a nomad sheep ‘tho not one of their color no pasture to contain me no shepherd i can follow theological safety nets no longer there to catch me bohemian-like i plunge free falling plummeting stripped wide open magically fearlessness reverses gravitation floating untethered i soar amongst apricot tinged clouds my skin still wet from rebirth and rise with the flaming coral sun you cannot destroy me i twisted in your decrepit pencil sharpener and with fresh mettle cut through the chains that bound you can have my ego but you cannot have my soul dismantling domestication transcending limitation wildly untamed i fly ©2016janetaylor
0
Jun 2, 2016
Jun 2, 2016 at 6:40 AM UTC
fly
son spreads knee blood into ******* &/or sidewalk chalk. mixes reds to pinks with head cracking asphalt. of god & country. of soggy bread in a lunch-bag; snackpack readied. he skates. the concussed ****** of booming youth. omega he: to the wolf pack outers. breathing love of summer, he is the son drunk on hi-c & burping. watching teenaged supersoakers yodel on a bridge. florida. son sneaks out late to rationalize the city’s features under strange light & love of nightly people. boy sculpts body out of beast, turned dark corners. arrives swollen. his father erects a roofed flattop in the backyard slab with flood light electronics taught to worship the shred. mother rattles the blender on the kitchen outskirts, ***** breathed & nearing with hugs. blister-itched. glossed folds of scar tissue. those days on summer-beyond when the neighborhood pulsates. with satellite dishes tuneforking high-frequency vibrations from outerspace & pigeons explode. son’s ears bleed, & the television goes unwatched. he snaps plank & ankle protein, refurbishing his legs into iron-rods or wands of summer anthem. cold war. he empties sugar-sweat & toxins into the storm-drain. essence of wet heat, skin pinched, & friend of ghosts. a three legged dog lay in the shade leisurely watching the boy skate on endless.
0
Apr 1, 2014
Apr 1, 2014 at 1:11 AM UTC
skateboard gothic
August burned quickly, incipient nostalgia prematurely vanished, mellow and gentle sea stone on the tiled table, cedar plank with fish, sunset through the eye-slit window thigh high in life and riding wherever life takes me like a hopeless romantic
0
Aug 31, 2018
Aug 31, 2018 at 1:27 AM UTC
summer’s over
Make your choices Make them well Make them firm And do not dwell The crevice beckons Gaping wide The patience and moral Of time and tide Subtle hints to change your mind Breaking passion in its prime Gentle nudges, slight whispers Slow steps, slyness sublime Pave the way, set in stone Bleeding thorns, satisfying rose Brighten path, shining through Awaken from your long repose So walk the plank They’ll tell you all For the blinding light At the end of it all
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Dec 11, 2014
Dec 11, 2014 at 11:30 AM UTC
Choices.
I once found a field, A beautiful field. A field that humans have not disturbed. I lived by the trees near this beautiful field. But I lived in complete ignorance, as two men, each with a ***** came to the middle of the grass, and struck down a wooden plank. Before long, my forest disappeared. Instead of grass growing, The only thing that surfaced, was the pale gray stone that was laid there. I watched as they dug deep into the ground, where tall boxes of stone and glass rose. They stood proud against one another, one building higher than the last. But they blocked my view, of a once beautiful sky. Before long, the field turned into a city, Cars and buses drove though the winding streets. People soon started to appear, and the field I once knew was long forgotten. A fountain has now been placed, where the pioneers have struck their plank, With no tree in sight, I throw the last seed into the water. Where it settles to the bottom with coins and marbles, never to sprout.
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Aug 16, 2014
Aug 16, 2014 at 6:38 AM UTC
A Beautiful Field
In the wildest place, my mouth stopped with stars, I came to the end of words; the parched mint, bitter paper plank where I lost my balance, on one foot teetering along that roadway where gold- flashing fireflies stand effortlessly on air to send their fragile signal out, every night a nocturne of one less til I and the last firefly danced alone in the wildest place sending our last ignition out to find our kind or else fall quiet and one with the wild that will neither be spelled nor known. ©joyannjones June 2023
0
Aug 17, 2025
Aug 17, 2025 at 9:32 AM UTC
Walking The Paper Plank
A Mummers Funeral Time slip't, a careless moment, words without thought or foment. No smile, no glance, no touch, nor care none of these things ever so fair, was thought or brought to share. I've gaps in my memory, And holes in my shoes. not enough time, Too much ***** Nothing left of strength and toil. The grapes of wrath? That wasted soil! But for the Ghosts of Things unsaid,.. Shadows host the Deeds Undone. Bare walls and plank't floor, cobwebs of nothing more. A Home empty; a house.. a shack, a time-worn agent my soul to wrack. Shadows flitting through cobwebs in the corners of my mind, Have taken in my soul to bind.. I've holes in My memory, And Gaps in my Blues. Too much time, And Not enough *****
0
Dec 31, 2016
Dec 31, 2016 at 8:54 AM UTC
A Mummers' Funeral
Somebody is shooting at something in our town -- A dull pom, pom in the Sunday street. Jealousy can open the blood, It can make black roses. Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The **** of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh! Shh! These are chess people you play with, Still figures of ivory. The mud squirms with throats, Stepping stones for French bootsoles. The gilt and pink domes of Russia melt and float off In the furnace of greed. Clouds, clouds. So the swarm ***** and deserts Seventy feet up, in a black pine tree. It must be shot down. Pom! Pom! So dumb it thinks bullets are thunder. It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody. The bees have got so far. Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed. The bees argue, in their black ball, A flying hedgehog, all prickles. The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs, Leave and arrive, and there is no end to the country. Pom! Pom! They fall Dismembered, to a tod of ivy. So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory. The swarm is knocked into a cocked straw hat. Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals Worming themselves into niches. How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine. The man with gray hands smiles -- The smile of a man of business, intensely practical. They are not hands at all But asbestos receptacles. Pom! Pom! 'They would have killed me.' Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind. Napoleon is pleased, he is pleased with everything. O Europe! O ton of honey!
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7.8k
The Swarm
Somebody is shooting at something in our town -- A dull pom, pom in the Sunday street. Jealousy can open the blood, It can make black roses. Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The **** of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh! Shh! These are chess people you play with, Still figures of ivory. The mud squirms with throats, Stepping stones for French bootsoles. The gilt and pink domes of Russia melt and float off In the furnace of greed. Clouds, clouds. So the swarm ***** and deserts Seventy feet up, in a black pine tree. It must be shot down. Pom! Pom! So dumb it thinks bullets are thunder. It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody. The bees have got so far. Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed. The bees argue, in their black ball, A flying hedgehog, all prickles. The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs, Leave and arrive, and there is no end to the country. Pom! Pom! They fall Dismembered, to a tod of ivy. So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory. The swarm is knocked into a cocked straw hat. Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals Worming themselves into niches. How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine. The man with gray hands smiles -- The smile of a man of business, intensely practical. They are not hands at all But asbestos receptacles. Pom! Pom! 'They would have killed me.' Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind. Napoleon is pleased, he is pleased with everything. O Europe! O ton of honey!
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60
but have you noticed, have you noticed how  all mental health problems stem form a seemingly aether virus that attacks the pronoun category; i mean with proper justifiable schizoids you will not hear of the nouns being ransacked for an equation that equates itself to misnomers; it's all categorised negation of ease within the framework of pronouns. it's strange that philosophers stress the pronouns so much these days and those countless prior, but why do mental health diseases attack the pronouns and not the nouns? they attack the verbs thoroughly, but prior to the verbs exposing an illness the pronouns are attacked, so that many considering the singularity of expressing thought are ill because of being forced into a plural expression of thought: "voices." i find it hard to understand, but it's the reality, the aether virus attacks the pronoun on the backdrop of a king's casual expression / use of pronouns, when a king casually says of himself as omni or multi with one and we respectively; so why are pronouns so weak and nouns so strong that a tree cannot be a misnomer attaché of timber and rock not a pillar, or mountain as the verb: mountaineering? the pronoun category is weak from day one, because it suggests photographic duck animation on the lip pursed into a quack quack, but if we constructed thought without knowledge prior, eating the fruit of knowledge rather than the fruit of thought, using the starting point of the genesis metaphor, it's sometimes a no brainer to have weak thinking and strength in knowing, for if there was strength in thinking and weakness in knowing, i'd be the one chiseling these words in the ice age on a cavern wall. so, given, that diseases such as the famed premature dementia attack the pronouns but not the nouns the schizoid one will convene life with: pizza is pizza and sunshine ray down the drain clock the millionth dead parting of grasshoppers in decimals - while man unto man lusts one man's parting in decimals, but should dire said, part man with integers, and insects with decimals! but still, in the terminology of a cartesian understanding of illness, in that segregational aspect of things "sorted," why are mental illnesses tattooed in a weak pronoun usage compared to a strength in other grammatical categories? why are not mental illnesses ******* the life out of the nouns? the nouns are intact, the pronouns attacked, and the verbs chess piece the pawn from the casually speaking clown king into a beast imprisoned, for while the pronouns are attacked and the nouns left intact, the attack on pronouns expresses itself fully in verbs of the never existent tact: with such magic as to claim knock knock on plank is the same as knock knock on veneer.
0
Sep 18, 2015
Sep 18, 2015 at 7:58 PM UTC
plank v. veneer via grasshoppers
but have you noticed, have you noticed how  all mental health problems stem form a seemingly aether virus that attacks the pronoun category; i mean with proper justifiable schizoids you will not hear of the nouns being ransacked for an equation that equates itself to misnomers; it's all categorised negation of ease within the framework of pronouns. it's strange that philosophers stress the pronouns so much these days and those countless prior, but why do mental health diseases attack the pronouns and not the nouns? they attack the verbs thoroughly, but prior to the verbs exposing an illness the pronouns are attacked, so that many considering the singularity of expressing thought are ill because of being forced into a plural expression of thought: "voices." i find it hard to understand, but it's the reality, the aether virus attacks the pronoun on the backdrop of a king's casual expression / use of pronouns, when a king casually says of himself as omni or multi with one and we respectively; so why are pronouns so weak and nouns so strong that a tree cannot be a misnomer attaché of timber and rock not a pillar, or mountain as the verb: mountaineering? the pronoun category is weak from day one, because it suggests photographic duck animation on the lip pursed into a quack quack, but if we constructed thought without knowledge prior, eating the fruit of knowledge rather than the fruit of thought, using the starting point of the genesis metaphor, it's sometimes a no brainer to have weak thinking and strength in knowing, for if there was strength in thinking and weakness in knowing, i'd be the one chiseling these words in the ice age on a cavern wall. so, given, that diseases such as the famed premature dementia attack the pronouns but not the nouns the schizoid one will convene life with: pizza is pizza and sunshine ray down the drain clock the millionth dead parting of grasshoppers in decimals - while man unto man lusts one man's parting in decimals, but should dire said, part man with integers, and insects with decimals! but still, in the terminology of a cartesian understanding of illness, in that segregational aspect of things "sorted," why are mental illnesses tattooed in a weak pronoun usage compared to a strength in other grammatical categories? why are not mental illnesses ******* the life out of the nouns? the nouns are intact, the pronouns attacked, and the verbs chess piece the pawn from the casually speaking clown king into a beast imprisoned, for while the pronouns are attacked and the nouns left intact, the attack on pronouns expresses itself fully in verbs of the never existent tact: with such magic as to claim knock knock on plank is the same as knock knock on veneer.
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45
I'm creating a Lego alter-ego Called Scarlet. Her skin is flawless Her face a fixed fierce determined smile Her drawn on ******* will never sag And she never has a hair out of place. She has a pet monkey by her side Poached from my brothers 1989 pirate set After she duelled with Pegleg Pete And made him walk the plastic plank. She has lego lovers in high places Batman has given her the code to his 6860 set batcave And the white Knight from castle set 70404 Has lent her his trusty steed And he drank from her cup. She is fearless and has an interchangeable Wipe clean wardrobe She can be whatever she wants She is **** yet robust When placed on a high shelf She may gather dust But she is always ready For fun and adventure And she will never age or rust.
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Mar 10, 2014
Mar 10, 2014 at 8:18 PM UTC
Lego alter~ego
I remember the restaurant, The one Grandpa Had brought us to – Window panes in patriotism And pancakes atop, “America,” The world revolved, “America,” And how we’d made it “Home” – So came the syrup, destiny And fervor caked powder plate. He knew of my toil, ills, and tolls Pandered atop horizons Hindered Mao and red As we sat near dawn over coffee And something south of Conspiracy – opposite my dream And collusion to **** said Destiny, But it was still, “his America,” not mine and he’d Sleep when I wouldn’t. So it pained me, resonant a twitch Within this small inch of Remnant family, to tell him, “We’re going back, We’re leaving tomorrow,” And, “I don’t know when I’ll be Home,” gramps, “I don’t know if I’ll ever be home,” And he’d say prior ever’d silent – “Good luck sleeping on that one, Son,” I just know he would.
0
Jun 29, 2015
Jun 29, 2015 at 9:39 AM UTC
One patriot on a platter, the other on a plank
The mahogany table-top you smashed Had been the broad plank top Of my mother's heirloom sideboard- Mapped with the scars of my whole life. That came under the hammer. That high stool you swung that day Demented by my being Twenty minutes late for baby-minding. 'Marvellous!' I shouted, 'Go on, Smash it into kindling. That's the stuff you're keeping out of your poems!' And later, considered and calmer, 'Get that shoulder under your stanzas And we'll be away.' Deep in the cave of your ear The goblin snapped his fingers. So what had I given him? The ****** end of the skein That unravelled your marriage, Left your children echoing Like tunnels in a labyrinth. Left your mother a dead-end, Brought you to the horned, bellowing Grave of your risen father And your own corpse in it.
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6.3k
The Minotaur
Cigarette smoke Wheels no spokes Board rollin down alleys Late night skate Let me escape The life I never planned Never on time You best lower your expectations Snortin molly in the bathroom Chuggin ***** in the hall I could be anywhere at all But I’d still crawl back to the clutches of dependence I forfeited life's race in the first lap Yet I'm still trapped Coughing up blood I strive for nothing I don't want to feel I long to be free From society Our culture has maxed out So now everyone wants to shout for help because what the world wants Is unrealistic We try to overdose And become comatose To drop all worries of material success Those Stacks on stacks on stacks Racks on racks on racks We forget its just paper Not what defines us The rest is up to the people To rise about the atmosphere Of atoms and mold supportive molecules from the elements we're presented Not corrected like a sent typo To your mom Or boss Control Is unattainable Fathom the slack of a slacker Loosen your ropes And walk the plank With no hopes of disaster nor triumph Determined To just be
0
Jul 31, 2014
Jul 31, 2014 at 5:31 AM UTC
Its just paper.
875 I stepped from Plank to Plank A slow and cautious way The Stars about my Head I felt About my Feet the Sea. I knew not but the next Would be my final inch— This gave me that precarious Gait Some call Experience.
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5.4k
I stepped from Plank to Plank
My muse, how you rousse me to come to from my slumber, eyes wide. What I feel inside for you cannot be contained to my heart or my brain. This stirring borders insane. For you what won't I do? So what if you're the plank I walk, to gift me momentum when I wish to plunge? To the depths of fantasy, to shed the world above.
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Dec 25, 2014
Dec 25, 2014 at 9:17 PM UTC
Muse
1142 The Props assist the House Until the House is built And then the Props withdraw And adequate, ***** The House support itself And cease to recollect The Auger and the Carpenter— Just such a retrospect Hath the perfected Life— A past of Plank and Nail And slowness—then the Scaffolds drop Affirming it a Soul.
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5.1k
The Props assist the House
Will it last? he says. Is it a masterpiece? Will generation after generation Turn with reverence to the page? Birdseye scholar of the frozen fish, What would he make of the sole, clean, clear Leap of the salmon that has disappeared? To be, yes!—whether they like it or not! But not to last when leap and water are forgotten, A plank of standard pinkness in the dish. They also live Who swerve and vanish in the river.
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4.6k
The Snowflake Which Is Now And Hence Forever
I hear America singing, the varied carols I hear; Those of mechanics—each one singing his, as it should be, blithe and strong; The carpenter singing his, as he measures his plank or beam, The mason singing his, as he makes ready for work, or leaves off work; The boatman singing what belongs to him in his boat—the deckhand singing on the steamboat deck; The shoemaker singing as he sits on his bench—the hatter singing as he stands; The wood-cutter’s song—the ploughboy’s, on his way in the morning, or at the noon intermission, or at sundown; The delicious singing of the mother—or of the young wife at work— or of the girl sewing or washing—Each singing what belongs to her, and to none else; The day what belongs to the day—At night, the party of young fellows, robust, friendly, Singing, with open mouths, their strong melodious songs.
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4.6k
I Hear America Singing
my life was like a rope walk a thin rope of sanity I walked on and below was a thousand feet Valley of depression, you miss a step ,you never come back. struggling to balance myself , and then I met you . the saviour , like the albatross who came to save the ancient mariner. you came into my life and with you came hope. the rope beneath my feet widened , widened to become a plank. and as you grew closer, the plank became solid ground. the valley started to disappear and the fear melted down. now I could risk missing steps, enjoying the grass and the tiny falls. it felt like never before , and there was no turning back. but I realised, on the ground I wasn't alone . not just mine, but you had saved a zillion lives . but that didn't matter now . they all loved you and so did I . so we all pledged : to help you, to love you forever and that anything that gets to you have to first get through us . we all are debtors of your love and we will pay back by standing by you . you are the nation of our happiness and we are your A.R.M.Y. saranghae BTS
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Jun 12, 2019
Jun 12, 2019 at 2:30 PM UTC
A.R.M.Y.
It wasnt long before the baluster flapped somewhere in the distance and Icarus knew how old he had been on the day of his birth. For whatever reason, the snow capped cappuccinos he had willfully destroyed in a heated debate on fiscal policy had him beginning again. Why was there always a beginning where there was an end? Fur traders used to circumnavigate the Hudson's Bay of his humanity when he was young, sharing drinks and fire water whiskey like it was all an H2O ready for the soul search. Sadly, many ended up in Hitlers concentration camps weeks after the **** invasion of Poland, about a month or so before the fall of the Roman Empire. Beginning with a last breath, Icarus strode off the plank with a new-found confidence unnatural in his niceties of long past. It was as if 1 minute and 35 seconds was enough to dish a clamouring populace onto the dinner table before the fat step-father gleefully orders everyone to 'dig in, everyone!' Cancelling everyone's appointment with Dr. Pardon meant the gaining of a key participatory certificate in El Dorado, and the gold lingering in dusty sun-beams was sifted for the taking. Some got rich, the rest got miserable. The rest used to imagine the gold, staring at ivory towers and lottery tickets, apple cores lording over old public servant applications near the city hall drain pipes as the modern world collapsed into a flash-mob image of Ronald Reagan. Icarus was a sliver of duskish light flittering a top distant windowsills, all cupped in an intentional light because happiness was as possible as sadness. Not that considering either would make you either. Icarus slept as his wings incinerated at the first glimpse of the solar system. He now believed every single proverb the old ***** slumbers had whispered their children as they woke to find themselves adults. In the beginning he found the beginning beginning again. It made him feel however you wish. Both were just as possible. Both were just as much a jazz configuration as a smooth and easy guitar rift. Ahha!
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Apr 1, 2013
Apr 1, 2013 at 5:31 PM UTC
Icarus Inside
It wasnt long before the baluster flapped somewhere in the distance and Icarus knew how old he had been on the day of his birth. For whatever reason, the snow capped cappuccinos he had willfully destroyed in a heated debate on fiscal policy had him beginning again. Why was there always a beginning where there was an end? Fur traders used to circumnavigate the Hudson's Bay of his humanity when he was young, sharing drinks and fire water whiskey like it was all an H2O ready for the soul search. Sadly, many ended up in Hitlers concentration camps weeks after the **** invasion of Poland, about a month or so before the fall of the Roman Empire. Beginning with a last breath, Icarus strode off the plank with a new-found confidence unnatural in his niceties of long past. It was as if 1 minute and 35 seconds was enough to dish a clamouring populace onto the dinner table before the fat step-father gleefully orders everyone to 'dig in, everyone!' Cancelling everyone's appointment with Dr. Pardon meant the gaining of a key participatory certificate in El Dorado, and the gold lingering in dusty sun-beams was sifted for the taking. Some got rich, the rest got miserable. The rest used to imagine the gold, staring at ivory towers and lottery tickets, apple cores lording over old public servant applications near the city hall drain pipes as the modern world collapsed into a flash-mob image of Ronald Reagan. Icarus was a sliver of duskish light flittering a top distant windowsills, all cupped in an intentional light because happiness was as possible as sadness. Not that considering either would make you either. Icarus slept as his wings incinerated at the first glimpse of the solar system. He now believed every single proverb the old ***** slumbers had whispered their children as they woke to find themselves adults. In the beginning he found the beginning beginning again. It made him feel however you wish. Both were just as possible. Both were just as much a jazz configuration as a smooth and easy guitar rift. Ahha!
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Rums got me runnin' back into those arms. Behind them head light eyes, lies a different story. This fifths got me walkin' the plank. "Captains" orders.
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Aug 16, 2012
Aug 16, 2012 at 3:56 AM UTC
*** Runnin'.
This is the house of Bedlam. This is the man that lies in the house of Bedlam. This is the time of the tragic man that lies in the house of Bedlam. This is a wristwatch telling the time of the talkative man that lies in the house of Bedlam. This is a sailor wearing the watch that tells the time of the honored man that lies in the house of Bedlam. This is the roadstead all of board reached by the sailor wearing the watch that tells the time of the old, brave man that lies in the house of Bedlam. These are the years and the walls of the ward, the winds and clouds of the sea of board sailed by the sailor wearing the watch that tells the time of the cranky man that lies in the house of Bedlam. This is a Jew in a newspaper hat that dances weeping down the ward over the creaking sea of board beyond the sailor winding his watch that tells the time of the cruel man that lies in the house of Bedlam. This is a world of books gone flat. This is a Jew in a newspaper hat that dances weeping down the ward over the creaking sea of board of the batty sailor that winds his watch that tells the time of the busy man that lies in the house of Bedlam. This is a boy that pats the floor to see if the world is there, is flat, for the widowed Jew in the newspaper hat that dances weeping down the ward waltzing the length of a weaving board by the silent sailor that hears his watch that ticks the time of the tedious man that lies in the house of Bedlam. These are the years and the walls and the door that shut on a boy that pats the floor to feel if the world is there and flat. This is a Jew in a newspaper hat that dances joyfully down the ward into the parting seas of board past the staring sailor that shakes his watch that tells the time of the poet, the man that lies in the house of Bedlam. This is the soldier home from the war. These are the years and the walls and the door that shut on a boy that pats the floor to see if the world is round or flat. This is a Jew in a newspaper hat that dances carefully down the ward, walking the plank of a coffin board with the crazy sailor that shows his watch that tells the time of the wretched man that lies in the house of Bedlam.
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3.7k
Visits To St. Elizabeths
This is the house of Bedlam. This is the man that lies in the house of Bedlam. This is the time of the tragic man that lies in the house of Bedlam. This is a wristwatch telling the time of the talkative man that lies in the house of Bedlam. This is a sailor wearing the watch that tells the time of the honored man that lies in the house of Bedlam. This is the roadstead all of board reached by the sailor wearing the watch that tells the time of the old, brave man that lies in the house of Bedlam. These are the years and the walls of the ward, the winds and clouds of the sea of board sailed by the sailor wearing the watch that tells the time of the cranky man that lies in the house of Bedlam. This is a Jew in a newspaper hat that dances weeping down the ward over the creaking sea of board beyond the sailor winding his watch that tells the time of the cruel man that lies in the house of Bedlam. This is a world of books gone flat. This is a Jew in a newspaper hat that dances weeping down the ward over the creaking sea of board of the batty sailor that winds his watch that tells the time of the busy man that lies in the house of Bedlam. This is a boy that pats the floor to see if the world is there, is flat, for the widowed Jew in the newspaper hat that dances weeping down the ward waltzing the length of a weaving board by the silent sailor that hears his watch that ticks the time of the tedious man that lies in the house of Bedlam. These are the years and the walls and the door that shut on a boy that pats the floor to feel if the world is there and flat. This is a Jew in a newspaper hat that dances joyfully down the ward into the parting seas of board past the staring sailor that shakes his watch that tells the time of the poet, the man that lies in the house of Bedlam. This is the soldier home from the war. These are the years and the walls and the door that shut on a boy that pats the floor to see if the world is round or flat. This is a Jew in a newspaper hat that dances carefully down the ward, walking the plank of a coffin board with the crazy sailor that shows his watch that tells the time of the wretched man that lies in the house of Bedlam.
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