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"plainsight" poems
Oh I'm coming back home though I'm sitting still with Dove and Owl on my windowsill. They sound, they sing, they're whispering: The stars keep on spinning. And the stars keep on spinning. Peahen to Owl is hiding a scowl; They don't know each other much anyway. She's quietly cross and has nothing to say, but that's just because Owl might take Dove away. Treetrunk is standing as the steeples are sighing, for chipmunk is chipping the hours away. Oh I will remember today. How I'll remember today. The mountains, they smirk at the secrets that lurk in plainsight, in view, but to children are new: *Cherrosa lerosa fleurisa lilanca.* Nothing never changes: Ever always will. Owl is happy; Dove is quite snappy, but let's not get ahead and just smile instead. Let's just smile instead. Look up and live and shrug at the skies because the future is full of i-don't-know-whys. Time will yet tell if all turns out well: Tomorrow is today in disguise. Starberry summers stuck in my head skip around and play, so I just smile instead. Oh how I'll remember today. *Cherrosa lerosa fleurisa lilanca.* the stars they keep spinning away.
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Jan 9, 2013
Jan 9, 2013 at 5:13 AM UTC
Cherrosa
I. On the surface easily gliding,   are my hands. I keep on the table   an ajar carton of cigarettes. Then slowly   becoming in my pocket, taking form of a hand,   a crumpled cinema ticket when straightened,   ironed by plainsight, walks with lines, the end credits roll lasciviously like an estranged lover    whose face I can almost touch.   When let go of closure, air thins and I move   secretly with fluency. This is how objects   escape my grip. II.   In front of the eatery, a transit.   I had a dream once in a depthless sleep,   a figure in stilts studded with guilt.   The face next to me, disquieting the music    of currencies, naked in sound as the truth shaved    like a beast. The nearby tarmac resounds with    another throng of absence. As a substitute    for beings shackled to duty,    the oncoming woman assumes theirs,    borrows their faces of dreariness and ***** a thousand times like white sheets harassed by    the wind through opened windows. III.     Define space as a venue for collision.     Say when a red-haired woman straddling     a duffel bag and myself confused as a peripatetic.     She ascribes her presence to my footing     and from where she left off, I take form     of her expired movement.                      Found strangeness is that space     is what happens when remembered. But hold no     bearing and rear contrivance,      trying to be bold by definition -- space solicits      the in-betweenness and then transmutes      an occurence,              say the volatile shape of a hand when     clutching and releasing, the fugitive manner of     feet when avoiding puddles, the unsolicited     reticence of a troubling question. IV.             A man carries a take away and is now      amongst the populace, waiting under a shed,      housing a familiar language. Home.            But first, trivialized. Haggles with the cab driver,     trying to transact a being angled towards home.     They agree to a fault, money's perfume clinches  the fingers and is given to a calloused hand.              Air once stale, is now succulent with the       resonating memory of a child's excited laughter,       and is now presumably waiting behind a gated       home. Like the palm of the hand, the number          of times the vehicle trundles within      the nearby avenue is the force it enkindles         with rest. He is home,      unloosens his clothing. Like a fine specimen           freed from a vitrine.
0
May 13, 2016
May 13, 2016 at 6:05 AM UTC
Textures
I. On the surface easily gliding,   are my hands. I keep on the table   an ajar carton of cigarettes. Then slowly   becoming in my pocket, taking form of a hand,   a crumpled cinema ticket when straightened,   ironed by plainsight, walks with lines, the end credits roll lasciviously like an estranged lover    whose face I can almost touch.   When let go of closure, air thins and I move   secretly with fluency. This is how objects   escape my grip. II.   In front of the eatery, a transit.   I had a dream once in a depthless sleep,   a figure in stilts studded with guilt.   The face next to me, disquieting the music    of currencies, naked in sound as the truth shaved    like a beast. The nearby tarmac resounds with    another throng of absence. As a substitute    for beings shackled to duty,    the oncoming woman assumes theirs,    borrows their faces of dreariness and ***** a thousand times like white sheets harassed by    the wind through opened windows. III.     Define space as a venue for collision.     Say when a red-haired woman straddling     a duffel bag and myself confused as a peripatetic.     She ascribes her presence to my footing     and from where she left off, I take form     of her expired movement.                      Found strangeness is that space     is what happens when remembered. But hold no     bearing and rear contrivance,      trying to be bold by definition -- space solicits      the in-betweenness and then transmutes      an occurence,              say the volatile shape of a hand when     clutching and releasing, the fugitive manner of     feet when avoiding puddles, the unsolicited     reticence of a troubling question. IV.             A man carries a take away and is now      amongst the populace, waiting under a shed,      housing a familiar language. Home.            But first, trivialized. Haggles with the cab driver,     trying to transact a being angled towards home.     They agree to a fault, money's perfume clinches  the fingers and is given to a calloused hand.              Air once stale, is now succulent with the       resonating memory of a child's excited laughter,       and is now presumably waiting behind a gated       home. Like the palm of the hand, the number          of times the vehicle trundles within      the nearby avenue is the force it enkindles         with rest. He is home,      unloosens his clothing. Like a fine specimen           freed from a vitrine.
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56
I have no worry about direction cuz I’m my own light I’m my own sun so my path is clear and bright The world is a battlefield yet I need no one in this fight Been dragged through nine hells that I lost any appetite.. to live this life. I memorized the ceiling cuz stared at it all night Hard to believe after all that my heart can taste any delight Trying to make life livable and find beauty again in the moonlight I’m no longer a teen to allow only the dark side in my sight I believe there are truly beautiful things out there laying at plainsight None of them compare to you, Gosh! you feel so right Don’t believe in fairytales anymore, though you took me on a flight And showed me hope, flaming my heart again after it had a frostbite Hand in hand, we’ll burn bright, and a perfect future, we’ll write
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Mar 30, 2019
Mar 30, 2019 at 2:28 PM UTC
Life Quest