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Jerry Howarth Jan 2018
GRAMPA THE SOFT BALL PLAYER
                ………by Jerry Howarth
                             5/26/16
Grampa is a legend in the softball world
He was voted into the Softball Hall of Fame
When ever  Grampa was scheduled to pitch
It  broke the attendance record every game.

Grampa was a  fast ball pitcher
For the Perry Baptist church team.
He was having fun, just messing around,
But with every game Grampa picked up steam.

He began to experiment releasing the ball,
making it curve left & right, drop and rise,
He even learned to make a  slow pitch,
Making it difficult for the batter’s eyes

Grampa had a favorite trick he loved to play  The crowd thought it was super great!
The ball started out fast then changed slow
“How slow did it get Grampa?”  “So slow
the batter swung three times before it crossed the plate.

Well Grampa’s pitching became so well known
The  major leagues began competing with                   many others,
Offering Grampa  Millions of dollars.

Grampa developed a fast ball so fast that…
“How fast was it, Grampa Parson?”
It was so fast it was beyond measur’n.

Now Grampa had what he called his
Roller coaster pitch that no one could ever hit
It was such a crazy pitch, he had it patented
So no one else could copy and use it


Grampa was now playing  on a professional team, making over a million bucks a year,
His agent made a deal for $20,000 a game
Every time he pitched a no hitter


Every game he played was a no hitter,
Thanks to his patented pitch
At $20,000.00 a game
Grampa was getting really, really rich!

But back to Grama’s special  pitch,
It was greatly irritating to every batter
They were determined to knock that ball
Right down Gramp’s kooka-defrater

Hear the crowd yelling, whistling, and clapping
Coming up to bat is the world home run king!
Here it comes, that, fast, slow pitch
The home run king gives three mighty swings.

Three strikes an yer out, the rules of the game
It’s the first time in the history of soft ball fast pitch, that a batter strikes out  on
just one pitch

This poem cannot end without a mention
About Grampa batting power  
That’s right, Grampa hit a ball so hard,
It sailed about a thousand miles or so
It broke out a window in the Trump Tower.
YEAH It did! And broke Donald’s  favorite champagne drinking glass.

Well this is enough humble bragging about
When Grampa G. E. Parson was a Grandson
And I hope the reading of this poem
Was a lot of fun !
                              -Grampa G.E. Parson
pitch black god8 Apr 2018
”good night, good travels, pitch black”

depending on how one counts,
cause size matters,
do have I
one small blessing


though little do I get, more-less,
in each twenty four measuring cup,
when the sleep gas has come-for-inhaling,
lidded heavy with greatful/tearful anticipation,
it’s less than sixty seconds till
dispatched to where all poems
plead like unborn angels for
good parentage

the spoken good night ritual signaled and completed
with a perfect half turn skating axel onto ones side,
preceded by, a single solid smacking of
an innocent but flaccid, equally tired pillow,
then lost in pitch black galaxy travels
with other sleep-drunk little princes

instead of the wavering, singular word,
a traditional goodnight,
a parting and a haling simultaneous mumbling issuing,
undebated and a wish shot to all within dream-shot, a title,

“good travels”

to places where ferment the aging words under
the winemakers watchful caring eyes opening,
names or titles, same difference, for the newborn babes
the anthem of an empty soul*
a shell crammed full in nothingness
absolutely nil to this choral tune
vacancy's note played by one sole pan
there's a humdrum to its pitch
packing's plump the missing ingredient

always with an absence of ingredient
starved was this emaciated soul
not having the richest cloven pitch
inside infinite quantities of nothingness
ever the void sound to its pan
a totally scooped out dull tune

zero being in the husk of the tune
this cavernous space possessing no ingredient
like that of a dead hearted pan
as it had but the blankest soul
completely useless this bare nothingness
lacking of an ample vessel's pitch

such was the hopelessness to the pitch
its essence so poorly of tune
deprived this barren nothingness
the inner pith hollow of ingredient
all taken from the lifeless soul
where they'd be a destitute pan

an aimless chord in the pan
containing not a wholeness of pitch
the desert abiding without soul
insolvency was its lasting tune
so hungering for that ingredient
to quell the wretched nothingness  

an interior gulf replete in nothingness
needful of feeding with a brimming pan
craving much for the ingredient
that ever opulent barrow of pitch
a human warbling a pitiful tune
this ballad so dismal of soul

ingredient not present, a vast nothingness
soul much overloaded, in an unfurnished pan
*pitch harping the strains, of a unfilled tune
Nigel Morgan Aug 2013
It’s nearly two in the morning and the place is finally quiet. I can’t do early mornings like I reckon he does. Even a half-past nine start is difficult for me. So it has be this way round. I called Mum tonight and she was her wonderful, always supportive self, but I hear through the ‘you’ve done so well to get on this course’ stuff and imagine her at her desk working late with a pile of papers waiting to be considered for Chemistry Now, the journal she edits. I love her study and one day I shall have one myself, but with a piano and scores and recordings on floor to ceiling shelves . . . and poetry and art books. I have to have these he said when, as my tutorial came to a close, he apologised for not being able to lend me a book of poems he’d thought of. He had so many books and scores piled on the floor, his bed and on his table. He must have filled his car with them. And we talked about the necessity of reading and how words can form music. Pilar, she’s from Tel Haviv, was with me and I could tell she questioned this poetry business – he won’t meet with any of us on our own, all this fall out from the Michel Brewer business I suppose.

This idea that music is a poetic art seems exactly right to me. Nobody had ever pointed this out before. He said, ask yourself what books and scores would be on the shelves of a composer you love. Go on, choose a composer and imagine. Another fruitless exercise, whispered Pilar, who has been my shadow all week. I thought of Messiaen whose music has finally got to me – it was hearing that piece La Columbe. He asked Joanna MacGregor to play it for us. I was knocked sideways by this music, and what’s more it’s been there in my head ever since. I just wanted to get my hands on it. Those final two chords . . . So, thinking of Messiaen’s library I thought of the titles of his music that I’d come across. Field Guides to birds of course, lots of theology, Shakespeare (his father translated the Bard), the poetry and plays of the symbolists (I learnt this week that he’d been given the score of Debussy’s Pelleas and Melisande for his twelfth birthday) . . . Yes, that library thing was a good exercise, a mind-expanding exercise. When I think of my books and the scores I own I’m ashamed . . . the last book I read? I tried to read something edifying on my Kindle on the train down, but gave up and read Will Self instead. I don’t know when I last read a score other than my own.

I discovered he was a poet. There’s an eBook collection mentioned on his website. Words for Music. Rather sweet to have a relative (wife / sister?)  as a collaborator. I downloaded it from Amazon and thought her poems were very straight and to the point. No mystery or abstraction, just plain words that sounded well together. His poetry mind you was a little different. Softer, gentler like he is.  In class he doesn’t say much, but if you question him on his own you inevitably get more than the answer you expect.  

There was this poem he’d set for chamber choir. It reads like captions for a series of photographs. It’s about a landscape, a walk in a winter landscape, a kind of secular stations of the cross, and it seems so very intimate, specially the last stanza.

Having climbed over
The plantation wall
Your freckled face
Pale with the touch
Of cold fingers
In the damp silence
Listening to each other breathe
The mist returns


He’s living in one of the estate houses, the last one in a row of six. It’s empty but for one bedroom which he’s turned into a study. I suppose he uses the kitchen and there’s probably a bedroom where he keeps his cases and clothes. In his study there is just a bed, a large table with a portable drawing board, a chair, a radio/CD, his guitar and there’s a notice board. He got out a couple of folding chairs for Pilar and I and pulled them up to the table.

Pilar said later his table and notice board were like a map of himself. It contained all these things that speak about who he is, this composer who is not in the textbooks and you can’t buy on CD. He didn’t give us the 4-page CV we got from our previous tutor. There was his blue, spiral-bound notebook, with its daily chord, a bunch of letters, books of course, pens and pencils, sheets of graph and manuscript paper filled with writing and drawings and music in different inks. There was a CD of the Hindemith Viola Sonatas and a box set of George Benjamin’s latest opera and some miniature scores – mostly Bach. A small vase of flowers was perilously placed at a corner . . . and pinned to his notice board, a blue origami bird.

But it was the photographs that fascinated me, some in small frames, others on his notice board, the board resting on the table and against the wall. There were black and white photos of small children, a mix of boys and girls, colour shots of seascapes and landscapes, a curious group of what appeared to be marks in the sand. There was a tiny white-washed cottage, and several of the same young woman. She is quite compelling to look at. She wears glasses, has very curly hair and a nice figure. She looks quiet and gentle too. In one photo she’s standing on a pebbly beach in a dress and black footless tights – I have a feeling it’s Aldeburgh. There’s a portrait too, a very close-up. She’s wearing a blue scarf round her hair. She has freckles, so then I knew she was probably the person in the poem . . .

I’ve thought of Joel a little this week, usually when I finally get to bed.  I shut my eyes and think of him kissing me after we’d been out to lunch before he left for Canada. We’d experimented a little, being intimate that is, but for me I’m not ready for all that just now; nice to be close to someone though, someone who struggles with being in a group as I do. I prefer the company of one, and for here Pilar will do, although she’s keen on the Norwegian, Jesper.

Today it was all about Pitch. To our surprise the session started with a really tough analysis of a duo by Elliott Carter, who taught here in the 1960s. He had brought all these sketches, from the Paul Sacher Archive, pages of them, all these rows and abstracts and workings out, then different attempts to write to the same section. You know, I’d never seen a composer’s workings out before. My teacher at uni had no time for what she called the value of process (what he calls poiesis). It was the finished piece that mattered, how you got there was irrelevant and entirely your business and no one else’s. So I had plenty of criticism but no help with process. It seems like this pre-composition, the preparing to compose is just so necessary, so important. Music is not, he said, radio in the head. You can’t just turn it on at will. You have to go out and find it, detect it, piece it together. It’s there, and you’ll know it when you find it.

So it’s really difficult now sitting here with the beginnings of a composition in front of me not to think about what was revealed today, and want to try it myself. And here was a composer who was willing to share what he did, what he knew others did, and was able to show us how it mattered. Those sheets on his desk – I realise now they were his pre-composition, part of the process, this building up of knowledge about the music you were going to write, only you had to find it first.

The analysis he put together of Carter’s Fantasy Duo was like nothing I’d experienced before because it was not sitting back and taking it, it was doing it. It became ours, and if you weren’t on your toes you’d look such a fool. Everything was done at breakneck speed. We had to sing all the material as it appeared on the board. He got us to pre-empt Carter’s own workings, speculate on how a passage might be formed. I realised that a piece could just go so many different ways, and Carter would, almost by a process of elimination choose one, stick to it, and then, as the process moved on, reject it! Then, the guys from the Composers Ensemble played it, and because we’d been so involved for nearly an hour in all this pre-composition, the experience of listening was like eating newly-baked bread.  There was a taste to it.

After the break we had to make our own duos for flute and clarinet with a four note series derived from the divisions of a tritone. It wasn’t so much a theme but a series of pitch objects and we relentlessly brainstormed its possibilities. We did all the usual things, but it was when we started to look beyond inversion and transposition. There is all this stuff from mathematical and symbolic formulas that I could see at last how compelling such working out, such investigation could be . . . and we’re only dealing with pitch! I loved the story he told about Alexander Goehr and his landlady’s piano, all this insistence on the internalizing of things, on the power of patterns (and unpatterns), and the benefit and value of musical memory, which he reckoned so many of us had already denied by only using computer systems to compose.

Keep the pen moving on the page, he said; don’t let your thoughts come to a standstill. If there isn’t a note there may be a word or even an object, a sketch, but do something. The time for dreaming or contemplation is when you are walking, washing up, cleaning the house, gardening. Walk the garden, go look at the river, and let the mind play. But at your desk you should work, and work means writing even though what you do may end in the bin. You will have something to show for all that thought and invention, that intense listening and imagining.
Mary Alexander Mar 2016
As I stare into the black space,
I am surrounded by the sea of pitch
That overcomes my body with tremulous waves,
As my wavering heartbeat
Flickers like a flame in a downpour.
Nothing is clear.
The pitch is in my eyes and
As hard as I try to blink it away,
It consumes me until all I see is the blackness.
My limbs succumb to the numbness
While my soul is tossed around
Like a rag doll in a tornado,
Stuck in the same circular, shadowy pattern
Until it emerges,
Mangled and ugly.  
The shadow of the Hope I had in earlier hours
Has disappeared, melting in this
Disdainful, tormenting pitch.
It's seeping into my skin now,
Drowning me as I claw at my throat,
Desperate for a way out.
But the inevibility of it making its way to my heart is clear.
It'll form an incasing around it,
For that is its pattern,
To wait for the miner to chip it away.
But his chisel will eventually pierce my heart,
And the pitch will return.
It'll surround me and blind me.
It'll choke me until it's made its way to my heart.
And every time, he'll come back,
He'll let me breathe air for a little while,
But though the miner's heart is strong,
The pitch is a part of me now,
And my flame of a heartbeat is withering softly.
Fear and confusion often overcome what you love most.
Shofi Ahmed Oct 2017
A thousand and one sunrise
painted the first light time and again.
Yet it gets lost vanishes in one twilight.

Millions of stars witness
that it gets pitch black.
But one doesn't lose the sight,
one doesn't lose the sway!

Still, the night hooks
the Moon in the dark.
like know just time mind life feel world lost say we're things think love there's does people night away way thought got words long reality want better left make end eyes day man human dark experience remember really right death memory going place high good live city thoughts soul meaning great pain home sky believe shall change living oh fall light choice god consciousness existence years cause hard feeling thinking fear times 'cause dreams ask alive heart need past felt days dream sensation truth true use power knowledge wrong stars understand baby tell state thing face wave broken old you'll wave new broken nature you'll **** mental look far ah drug moment best ago air lose sleep dare try leave beautiful blue born lives escape sublime doesn't body dawn friends waiting feels young daze game control perception gone story mean sun head given writing act difference reason poetry philosophy psyche little trying touch deep greatest wonder choose drugs exist we'll moments score hold play 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chances abuse palm week existed ignorant blind dice sheep agree joke spy spill odds immeasurable *** pushing wanderlust softly midst presents blade guided ripped round ball lovely rhythms beats cars glaze wash fates evening vein gloss juvenile sides faces graces month circular rung wheel rises permeates father supreme portal liked rip fades october sitting grin showing surrounded explored opened confused wall quietly deftly scene sighs lingering radio altered evaporated suns dreamed vibration important appetite exactly devil inhabiting brains ordinary beckons constant local organic soothing linger meditation moonlight lads height ethereal simplicity kinda cigarette suggest violence blew bombs arise trips predict surface guy movements grey car stepped large bank forward landed lied ancient purely crash direction inspired release warned melodic rhythmic telling mysticism blues riddle blur floating drama neck lover nerve poisonous glare factory wage character suburbia escaped gates suspended followed pierced hall marks ruled influence functioning contained losing stopping effect electronica relate fed temper facts dependent malleable convey bent delve horror wolves won lacking certainly fooled temple oblivious watches extension molecular random subtlety rem price sear covers truths judging stage frost conditions victory millennium realised confront trickster eve daughter defines awoke terror remembere
Composed on 00:53, 21/09/2016 using Hello Poetry's 'Words' algorithm. We don't assume this means something.
Shofi Ahmed May 2017
When you stepped in my door,
I realised I was Paradise
in my heart and soul.
You were so surefooted
because you came up from the high.
So long I longed for it.
O Fathima, only to kiss your feet!

The time was so sweet,
beyond anyone’s dream
only in pure beauty
I was rendering,
screaming to new highs.
I did it my way!
Lovely bouncing on
my polished pitch,
the rivers forget to flow
back to the seas.
But no one knew
where my toe melts!
Until you did
and took me for a tread
closer to your spring,
my sweet dream:
O Fathima, only to kiss your feet!

Your so pleased man wished
to rain down with love,
but humble you hid your feet!
You blinded the moon, snowed it
away under seven seas.
No wonder it's
your winning footing.
Like the Prophet said:
I found me the heaven
beneath the mother’s feet.
O Fathima, only on your feet!
Scurry hurry
Shaking hands shaped by worry
tie the knot of plastic
A bubble home for the hard green cup
where brown and white
mixed lay married.

Wash rush
Dainty legs in dark blue denim
hasn't time to be romantic
A worn out sister played by hope
shuts the door panting.

  It clings to a robust tree
  head hidden under rosy pink    
  protective shield
  edged in yellow

  The fireflies

  
Sticky webs of empty lies packaged in boxes of deception by the wizard that doesn't work
sit dead on the small bedside table
like the results they provide.

Boxes and boxes of cozy containers
and cards of capsules
47 I counted them
current and extras
They choke my sight
then I am groped by the smooth blue robes worn by the youthful shepherd
posing aside a grey rock looking yonder
into the distance as insta-natural as possible in a pastel painted picture framed in wood against the wall.
  
  Unstable molecules in tiny airtubes,  
  many, breakdown and explode
  like little landmines
  A bio-luminescent lit ***** assaults a  
  dense night flashing brilliant
  to find a mate
  Six strong neon-green throbbing blinks
  Six slow seconds of unimaginable
  wordless dreamless dark.

  are bright.

  
I turn my head
The whole unsettling mass of reality
is torn apart into vibrant colorful morsels,
then reassembled
as my eyes  
settle
on

Her

"Oh God, if you're here, heal her now
and you'll have me. Show me what those confident tongues so eagerly confess.
Please!"

NOTHING
Another sticky empty square
covered in thick black-strap molasses
slapped to the face of the fool
who likes sweet things.

BUT

What happened to the omni-this, omni-that CEO of God enterprises?
"Go on Death" is what that means
"Go on Death do your job" is what it does

"It's your time.
It's to test your faith.
Gods plan."
All slogans for the man
who believes and dies.
  Culture creates the fool
  Hope keeps the fool
  Belief kills the fool
Thanks for doing what all those boxes
and all the pictures
on all the walls of the world do

FOOL

Her face,
a gaunt kind of skin-to-bone sight
a bad flavor
like a meal with no taste

Her mouth,
crack-lipped, framed by dry
delivers deadly blows to a heaving chest
that says; "Give me air"
yet lungs say no

Anguish,
is ****** from the pit of my cold stomach
then up through the spirit of a warm heart
I plaster the feeling in the shape of water.
My eyes puddle

I weep

It sticks

Love,

Falls

Fluttering as a twinkle
through soft beams of sunlight,
the drop glistens
plops
then dies
on the pink and blue checkered blanket.

All I have to offer are busky palms
to soothe this battered body
before you are torn apart by what
puts things like us together.

I swallow her frame

Her calf - bone

Squeeze and move

Her thigh,
my hand wraps completely
pinching a sausage sized piece of muscle
not big enough to walk
between plump thumb
and meaty middle

Squeeze and move

Her hip bone is angular
It fits flush in my hand
like the hard front peak of a cricket cap
when held above the grid

Squeeze and move

My chunky tentacles massage over
wire-thin barely blue throbless veins
that decorate her meatless paws
and twig-like fingers.

Squeeze and move
  
  It's after midnight
  Thick curds of desperation push
  again, through a splendid backside
  a special toosh
  slogging a dancing night-fever
  to beat the two-to-four,
  a beam as bright as a green day
  cuts through the black pitch of night

  

I hold her hand
A thin filling between two slices of mine
I look at her eyes and turn away

Have you ever been pulled from the center of  your heart, ripped head first through the narrow crack of your own chest, tossed aside like a skin-sheet onto a concrete glass-covered floor then squashed beneath the majesty of a billion dancing floor-clapping feet attached to a shapeless void shapeshifting as slideshows  between all things gone, here, and still to come, stopping on the body of a small blue boy that sings in ghostly echo;
"Don't turn away from this.
Look till you see me through the eyes of another because this too
will happen to you
Clap clap clap clap!
I'm coming for you.

Trapped in a square tunnel made of brick, walls wide enough for one bus no brakes to speed through, no escape,
I accept what will squash me
I Face it
I Stand before it

I stare at her eyes staring back at me
A deep dagger stare
Two parts steel
meshed
until there is only steel
It melts

I simmer the room in soft whisper;
"It's okay. It's okay. It's okay."
I hold her hand,
patting the top as I warm the bottom
I smile for her, at me
I smile back, as me
  
  A skillful mimic
  Here I come
  I have light and breath
  I see yours
  I come at night
  Not for genes or ***
  I hunt and gut
  Hawking down I come as death

  
The gaps between her labored breaths become bigger and for a second I drift at the sight reappearing on the sandy dunes of an empty dessert space pushed by a dying wind I can barely feel.

A sharp salty tang toils the tip of my tongue and brings me back to her.

Her eyes

They have changed

Open

But

Soul

   less

     Soulless

     Desolate

   Like

That dessert

And that place where


*The Fireflies Lose their Light
like know just time mind feel life world say people things lost we're does love think there's away long way thought night got words want better day human left right remember man dark end reality memory experience going make really eyes place 'cause good death tell great feeling soul home high consciousness live pain thoughts fear understand fall thing city sky believe god meaning thinking lose change oh felt hard ask heart times years shall need past light living existence choice use dreams power days cause poetry talking state we'll alive knowledge **** true moment little hope old wrong mental stars wave ago gone broken look brain dream far given truth feels head you'll best sensation baby try leave forget young sleep face stop escape blue dare drug lives wish doesn't drugs work earth new acid game nature bad sublime gods break beautiful ah writing hold born trying coming friends hold writing ah space daze burn body reason rain real moments wonder music memories exist psyche control 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laughed melody spot streets holding coffee praying violence appreciate vengeance law trust exploits slowly trouble mirror's refrain compassion eats recognition discovered blaze otherworldly pieces darkest angst brothers sit win buckfast vicious binge breaks undead forgot demands able notice lucid dimensions evolution sunrise plans philosopher killing produce working cloth produced painter gazing favourite track bunch haul arrives started chemistry prevent awaits definitive strive versus rule dread bare slow stayed onward altered helps lifestyle losing followed woke fight event innocence charade child ventures higher y'all acceptance pay any-more bay vicissitudes codex cannabis pleasures planes doses awareness steal beat zero-summing narcotic lest strength matters reading easy sons drift solstice half formed normality weren't hungry hopes declare research tales envelope regret tired breed release honestly haven't it'll blow entheogenic stories amidst insofar technology direct binary 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Composed on 01:33, 27/02/2017 using Hello Poetry's 'Words' algorithm. We still don't assume this means something.
Aa Harvey Sep 2018
This is my Blood Bowl.


Thank you Games Workshop for giving us Blood Bowl;
I’ve played it all my life and I’ve completely re-written the rules.
It allows my imagination to run wild carrying a sword,
Attacking all sorts of creatures, whilst playing American Football.
It has magic, magic items and you may think it’s just for kids;
But without Blood Bowl,
I wouldn’t have imagined half of the things that I did.


People need a release from the real world;
Mine is found on a football pitch in the game of Blood Bowl.
People cheat, steal and bribe referees and do almost anything.
If you give this game to your kid,
They could imagine the impossible
And some day, maybe, write random poetry like me!  He, he.


…And now down to the pitch to see the kickoff!...


The humans line up against the bad boy orcs;
The dwarfs and elves are in support.
Chaos lords and chaos spawn (twisted creatures);
Rain down pain and death on the undead and the living.


The undead walk slowly, the goblins flee!
Rat Ogres and trolls are invading the pitch!
The referee blows his whistle to send the giant off!
The deadly dark elves chop the referee’s up with chainsaws,
Or use swords and axes, grenades and clubs.
They are all fighting to win the B.B.C. cup.


The Blood Bowl Championship;
It’s like the NFL Superbowl trophy.
I’ve made leagues and cups
And every single thing possible, just for fun; just for me.


The Official Blood Bowl Organization,
Try to make all weapons illegal, but oh no, no, no!
This is the sport of death!  
This is Blood Bowl!


Use spells and magic items and cause suffering;
The tiny snotling is beaten by the little Halfling.
The ***** in there somewhere, though nobody cares;
The Beastmen are just here to fight,
Whilst the gnomes laugh at the high elves hair.
Such pampered fools, in love with themselves;
Vanity and self-love?  That must be the elves.


Here comes a chaos dwarf, driving a steam roller;
He flattens the Fimir and another vampire.
The zombies are clueless and one fumbles the ball,
Before he is decapitated, by the Reikland Reavers’ Mighty Zug!


The ghoul’s are hungry for blood;
Here come the orks, the band of goffs.
Crazy *** gitz, just having a laugh.
Here are the sneaky Skaven to stab someone in the back.


Amazonian women are running around screaming,
Like the banshee’s and all sorts of scary demons.
The Sisters of Battle are from the future;
A bear charges at a Treeman and look!  There’s a little Gnoblar.


Giant bats, giant snails, giant rats and giant eagles,
Giant leeches, giant frogs, giant spiders and giant scorpions.
The norse are Vikings, (ranked titles include kings);
There’s a termagant from the year 40,000 and something.
There are space marines, and space wolf marines,
All armed to the teeth with weapons.


The genestealer’s steal genes to make new creatures/weapons;
There are evil gnomes, evil ewoks, ewoks and evil Treemen.
Lesser demons fight lesser goblins and run from the Lictor!
The werebear’s and werewolves fight the wolves and Saurus creatures.
There is no victor.


The skinks fire poisoned blowpipes at the Large beasts & minions.
Chaos Halflings beat up people on camels and horses
And they beat up Khemri with anything.
Mummies climb out of their crypts to bring death to the mutants;
The slayers are here to bring down the mighty bone giants.


The noble Brettonians see Blue and Pink Horrors running around;
Tyranids, Tyranid warriors and tyrants send people underground.
Dead now in this game of Blood Bowl; the game of death!
Witch elves are being hunted by Witch Hunters;
There’s only three left.


To the right is a Zoat fighting a huge Yeti.
A chaos human rides a chaos horse; look out Goddess Betty.
Greater demons bring down Griffons and **** the crazy monkeys;
The mushlings and snotrooms are simply fleeing and screaming.


Skeletons on skeletal horses, fight salamanders and satyrs.
Jabberwocks and Juggernauts,
Destroy Hydra’s with the Hydra’s own fire.
Chaos Warriors and Chaos human cowboys, slug it out with Gods;
Norse dwarves fight Nurgles rotter’s and nurgling’s fight ogres.


The slann were the originators of the game of Blood Bowl;
The Ushabti Tomb Kings come from Khemri to fight the robotic Tau.
Vostroyan drunks are fighting with Wood elves.
Oh my God!  That troglodyte really does smell!


Warhounds race Gladehounds and cyborg’s fight cyboar’s;
Big cats include tigers and lions, so we must quickly carry on.
A carrion is an undead bird and they are ****** huge!
The imperial guard are like the rebels in Terminator;
They are humans.


Kroxigor’s smash boney clubs & break Kroot’s predator-like heads;
Kislevite Horsemen and Cowboy’s ride horses onto the pitch.
Night goblin’s and forest goblin’s steal from all including the Eldar.
They are elves of the future and there are chaos space marines…

They have travelled far.


Every creature has come to take part in this game of football.
Its American football with death included; it’s so much fun!
Harpy fly above Haradhrim as a Necron breaks his own jaw;
He fell over when dodging the tomb scorpion’s claw.


Thrall and Wights march to battle on the pitch against the living;
Undead champions are leaders of death
And the minotaur’s eat the dead.  
Nobody knows who is winning.
Chimera and other daemonic beasts are really tough to ****, I see;
But that boar just exploded, thanks to the grenade…
Bye life, hello death; he, he.


Elementals are like Gods of earth, wind, water and fire.
Dragon ogres are going to **** anything that gets in their way!
Dreadnoughts are made to ****; there’s a wolf!
This undead one’s dire.
Dryad are small Treemen; there are some Elite Skaven!
Open fire!


Savage orcs fight sea elves as squig hopper’s bounce past randomly.
Ungor’s are little Beastmen, but there are still quite deadly.
Manticores destroy lizardmen and there’s a blood-soaked cold one.
Bull centaur’s charge at black orc’s,
Who are ganging up with a chaos champion.


Centaurs crash into carnosaur’s,
As Dark eldar fly down from their space ships.
Hobgoblins can’t be trusted; the thieving gits!
Orc leaders are warlords, bosses and big bosses too;
The Redemptionists are the priest from aliens 3 or aliens 2.
Whichever I can’t remember and haven’t got time to look;
Oh yeah let’s watch the game again and see who has got the ball.


Golem!  (phlegm!)  Golem!  No; not that one!
These golems are Flesh golem’s and some are made of stone.
They are creature of magic and are here to smack some heads;
And this is the end of the poem…

Dedicated to Games workshop (thank you) and the sport of death!


(C)2013 Aa Harvey. All Rights Reserved.
Bella Jul 2018
Sometimes I get stuck in this state of Darkness
where my eyes can see
but it's like my head is just pitch black
and I almost wish I couldn't see anything,
like I wish I could just curl myself into a ball so tightly that I disappear from space for a while

sometimes I get stuck in this space
and I feel like my tears and my thoughts
are climbing up my esophagus and clogging my throat
blocking my airway
suffocating me from the inside

maybe I never told you I was depressed because who wants to relive that moment
that choking hazard moment of cotton ***** in my throat

maybe I never told you I was depressed because there are no words I can use to describe it that don't transform themselves into their meanings
that don't take over my mind
crawl through my head like little worms
eating away at my brain
my thoughts
my skin

have you ever thought of a traumatic experience and then felt those events happening again
felt the dark hole of life-threatening-trauma attack your mind
Shiver through your body
like it was a demon you let in through a memory-
through a word

maybe I didn't tell you I was depressed
because I wasn't strong enough
my depression fills me to the brim
fills my head and my chest
my arms and my fingers
I can feel it moving through my body
I can feel it expanding and engulfing everything inside of me
every last vein, nerve, *****, and tissue
how can you expect me to have the energy to fight
how can you expect me to have the energy to pick up the phone
to open my mouth
how can you expect me to have energy-to have the courage to utter the words of how I feel
I feel so worthless
in those moments I feel like there's this black whole inside me and it's consuming everything
it's taking everything but my skin
and it disgusts me

can you imagine the feeling,
having something so utterly repulsive on your skin you had to scrape it off immediately
It felt like you needed to be cleansed
like you needed a shower
take that feeling
now imagine it being under your skin
imagine, every muscle ***** vein nerve every cell in your body underneath your epidermis disgusts you
imagine all you wanted to do was to
GET
IT
OFF
and you can't
no matter how hard you try
you can't scrape it off
you can't claw It off

imagine you're scared of spiders
now imagine you're covered in spiders
and someone's holding down your arms
so you can't get them off
imagine them walking on your skin
in your mouth
crawling on your open eyes
in your ears
you're cringing at your own skin
You can feel them going down your throat
Their disgusting tickle in the pit of your stomach
in every crevice of your body
their tunneling under your skin
and you can't get them off
what are you supposed to do
but cry
My best friend's mom who doesn't believe in depression asked why I never told her I was depressed...
Harriet Cleve Jan 2019

A Skeleton gunslinger, takes on the Unholy of Hell and wages war against his nemesis Hatchet, as a portal to Hell threatens to unleash the putrid, rancid, Unholy hordes onto a desolate planet. "


The bringer of Death arrived in Dakota. Custer's Seventh lay dying on the Powder river. The Ancients had sent him to walk the Earth and help the Ghost-walkers to hold their land. In his mortal days, he carried a torch for Serela, an outcast from the Mind seekers.That's what got him killed in the first place. The saloon was full that night, and he was called out.
He pulled his gun first and knew he would die. His death was foretold in the ancient scriptures of truth. 'The bone that liveth shall slay the flesh and the flesh will become liveth bone'.
Justice will walk the plains and avenge the truth'.
Serela had looked on as a bullet pierced the gunslinger's skull.The spirit of the ancients swept through her soul then, as she watch his head explode, filtering its entrance into the new receptacle of justice.

No one saw the killer shadow draw or witnessed it's departure but John Bitumen's body lay dead, the blood flowing from a hole in his forehead. Even as he died, he was reborn.
The Skull of Death in search of a gunfight, Deathbringer, Cleanser of Evil.


Hatchet looked at his mangy horse, a wasted beast worn out and at the end of it's road.Two years it carried his weight and the saddle dug deep.Whippings were constant and the calloused cruel fists of Hatchet rained down on it's neck if it slowed any.The nearest town was a mile down the road and it was late in the day.
That was all it took to set the anger in motion.Hatchet took five paces away from his horse and hurled his razor sharp hatchet with violence. The horse's head was split in two.
He hauled his saddle, and wrestled his ****** weapon from the dead horse, then walked into the dusk. All the time, Serela had observed from the Spirit's eye, an artefact of the Ancients, entrusted to the Mind Seekers. Hatchet would pay for his offence against Nature's pure beast, for it was written' All Creatures will walk the Earth and all will be held Holy.Swift will be Divine retribution against those who slay the pure beast'.
Hatchet wasn't one to read the ancient scriptures and could not know that the Skull of Death would search him out in the next town.The Ancients had called forth their Gunslinger and a skeletal hand rested on the sacred Gun of Abe. Hatchet would be called out and a Gunfight would settle scores. A chill in the air unnerved him and he took comfort in carresing his ivory handled pistols.


Darkness fell on the land and the half moon shone on the dead horse.The night crawlers made to cut it's remains and scavenge it's carcass. Two hands were raised to the sky, pleading for forgiveness. Horsemeat was forbidden and a desecration of sacred laws.
A knife was produced and held to the beast's throat. In that moment, all became aware of the onlooker.A tall figure in a drab grey longcoat, black spurred boots, an old black stetson. The Sacred Gun of Abe was in his hands. The Skull of Death, the Ancients Gunslinger, walked the Plains once more.
All seven night crawlers stared in disbelief. Their last minutes of life ebbing from them as the eyes of the Ancients warrior scanned their souls and cremated their bodies.Seven figures suddenly engulfed in flames under the incessant stare of the Skull's empty sockets. Amongst the embers, the Gunslinger knelt beside the horse. In his mortal days, this beast was his closest companion.Hatchet had stolen his possession and the sight of it's remains stirred an anguished scream for the horrific end which befell his steed.

Gently the Gun of Abe was placed on the horse's neck. A small bottle of holy oil was rubbed in it's wounds.' Though death may stalk the pure, truly I say to you that righteousness will prevail and the dead will rise'. Even as the words were uttered, a ball of blue flame enveloped the horse. The light illuminated the darkness and from the light the skeleton of a horse emerged, raising itself up on its hind legs, in defiance of death. Approaching the Gunslinger, it nuzzled it's head to his skull, the brilliance of it's chalk white bones radiating a supernatural hue. Mounting his steed, he galloped into the night.Vengeance was coming.Death on a horse was looking for Hatchet!


Raihna woke suddenly and locked eyes withHatchet. She had been ordered to sleep with him, against her wishes. 'Something wrong with me, *****? Hatchet snarled when he'd paid his ten dollars to the House Madam.
'You better be worth it *****! He had roughed her up before falling into a drunken slumber. Now he was standing in his ragged long johns, at the end of the four poster bed.
A manic look was in his beady eyes, as he swigged his liquor jar. Unkempt rank hair covered his weasel like features. Reeking of horse and trail sweat, an ugly belly adorning his uglier frame, he leered for the longest time.Raihna took it all in, especially the hatchet in his right hand. 'Think you're mighty purdy, don't ya! he sneered. ' Let's see what you look like with a hair cut'!
Raihna noticed then that he had pinned her pigtails to the wooden headboard. Realising a scream would be the end of her, she stared back and waited. Hatchet hurled his weapon and it sliced into the headboard, shorning her hair.From the table, he grabbed his bowie knife and aimed for the other pigtail, slicing it off and nicking her neck. 'Well lookee now' he laughed as a trace of blood ran down her neck. 'Ain't you gonna scream, *****?


An eerie blue glow filtered into the room just then and the whinny and snortin' of a horse filled the air. 'What in Hell's name? muttered Hatchet. Looking out of the curtains, he saw the chalk white Skeleton of a horse and a skeleton rider brandishing a pistol. A fiery blue-red low glow radiated from their eyes and it seemed both rider and steed were on fire. Hatchet shouted out ' You one of them Resurrectionists?!' suddenly remembering the old shaman he had killed back in Piebald.
Hatchet had stolen his runes and kept them for trading with the Mindseekers. He thought now that maybe this was him come looking for him from the afterworld. Hot ***** trickled down his leg and he felt scared and sick to his stomach.

The gallows await !' It was almost a whisper as the ancients gunslinger raised his head towards the window. Hatchet grabbed Raihna and tried to shield himself from the spectre below. His mind raced as he hesitated, panic flooding his brain. 'Take them! We be even! he gambled as he threw the runes at the gunslinger. Even as he did so, they were grabbed instantaneously by a skeletal hand and placed around the gunslinger's neck. For these were the runes of time and in the coming trials would decide the balance of power between the Unholy and the Just.


Hatchet had thrown away his trump card and even as he loaded his gun, he was destined to die. 'Pearls before swine' whispered into the room and Hatchet descended the stairs, with Raihna in front. His pistol was cocked and he would shoot it out. If Hell was waiting, he wasn't going on his own. His hatchet lay in his side belt and he made his way onto the street.
The hallway was pitch black and Hatchet cautiously approached the parlour door hoping to get out the back street. He held a vice-like grip on Raihna's arm as he pushed her along. 'You keep your mouth shut ***** and open that door easy' he whispered, his voice betraying his inner terror. Suddenly and unexpectedly, he felt the cold muzzle of a revolver pressed hard to the back of his head. 'You take your claws offa my girl, Hatchet 'less you wants your **** brains spilled where you stand!
Hatchet knew Charlotte, the House madam, wasn't bluffing. He'd seen her do it too, back in Abilene, when China Jack beat up one of her girls. She'd shot him straight through his throat and followed up with a clean shot to his manhood. It hurt Hatchet even now just thinking about it'. Jesus! he thought as he cursed his situation. Things were moving too fast and nothing was going his way.
Hatchet loosened his grip, carefully holstering his gun.As she moved away, Raihna spat on his face and kneed him in the groin. ****! he bellowed and went to strike Raihna. His hearing saved her, as Charlotte cocked the gun and stopped him where he stood. 'Think I'd sleep easy with you on the premises, Hatchet? Take me for a fool? I don't know what the Hell is out on that street but it wants you!' By Christ, you're going out the front door to face it too!. 'Always were a cowardly *******, now move you lousy **** head!
Raihna had gotten hold of a shotgun and had it trained on Hatchet. 'Drop that hatchet right now, she said. ' You're facing that creature with your gun and nothing else! God knows you don't deserve even that much. Hatchet dropped his hatchet. 'Now kick it over here!' He did so and as Raihna picked it up, she hurled it back immediately into his right thigh, gashing him like a pig for the slaughter. Hatchet screamed in agony and Charlotte pulled it out of his thigh as the room sprayed with the red bloom of imminent death. Now move you *******!


Charlotte and Raihna ushered him towards the front door and kicked him into the dark dusty side street. 'You got it coming, Hatchet!, they shouted and there waiting for him was the Ancients Gunslinger. He had dismounted from his steed and now faced Hatchet.The look of death was in the Skull's eerie sockets and it was all Hatchet could do to stop his hands shaking. He threw up and finally faced the spectre before him.

'For those who have suffered, shall be avenged. The Righteous Light will shine on the Unholy and all dark souls shall be driven from the Plains. Fear will walk amongst them and even the shadows shall despise their ways.'
Thus it had been written and now was coming to pass.


Hatchet went for his gun, and time slowed down as his eyes scanned the scene. A chalk, pure white, skeletal hand reached for a gun and the fluid movement captured his attention. Hatchet knew he had been outdrawn and could see the gunslinger's bullet leave the smoking barrell, pristine, crafted by a master gunsmith. He noticed the leather holster, worn and faded, almost an antiquity, strapped to a dark trousered leg.
The long coat, ghastly grey, adorning the bones of the undead. Empty eyes stared him down, as he heard his own gun's sharp report and watched his bullet sail towards the spectre. Just before the gunslingers bullet blew his brains out, he finally noticed the spectre of the horse and instinctively knew this was the brutalised beast he had so callously slain. Blood and bone exploded violently and the mortal remains of Hatchet dropped to the ground.
Hatchet didn't know it then but he too was about to be reborn; for the Unholy were about to unleash the Scourge of Hossana and the Ancients Gunslinger stood in their way. Hatchet would be forged in the cauldron of Hell and in the coming trials would once again face the Sacred Gun of Abe.


Hatchet became conscious, and felt as ill as a cow in a slaughter house. The smell of death was rancid and his vision seemed out of focus. A nauseating, sickly stench permeated his nostrils and he winced as the pungent odour inflated his lungs. He was aware his whole body was bitter cold and he shivered uncontrollably. If this was a hangover, then it was the worst he'd ever been. Terrifyingly, he noticed that he was manacled, face down, to a massive ice block.
Encased within the block was a dead horse, it's head split in two, exposing brain matter, decayed pulped flesh, and grizzled bone. It's mouth was fixed in a ghastly grimace with it's eyes looking back into Hatchet's, it's gory mane matted in dirt.
His screams were hideous to hear and were lost in the din of the thousands of screams echoing within the air.The sound was deafening and burst his ears as the terror built up within him. Hatchet knew then he was in Hell, amongst the thousands of fallen souls now in the possesion of the Unholy.
His whole being was perished with unbearable, intense cold yet he could see flames, blazing blue and orange, feet away from him taunting him with intense glow.
Still the shrieks and squeals of thousands around him assailed his ears! The amplified volume resonated in his brain as his own screams built to a crescendo!
Yet, no light radiated from the flames and the pitch black illuminated only the horse within the ice block and the grimace which would be eternal. Still Hatchet screamed till he felt his throat would explode and his mind begged for deliverance! It was then that his shoulders and back ignited with agonising pain as he felt the sting of a whip.
Again and again the whip found it's mark and his flesh was pulverised. He cried out for forgiveness and begged to be spared and still he was lashed.He prayed to pass out and knew he never would ! For he was in Hell and the blackest deeds were now held to account.
A voice bellowed at him'Welcome Brother Hatchet! We will have a purpose for you soon! Enjoy the interim! Many more punishments await you yet until you are ready'. The eerie voice trailed off as Hatchet continued to be whipped. His agonising screams drowned the air and was unheard amongst the thousand others. Still the horse fixed it's empty eyes and stared at Hatchet and its grimace took pleasure in his suffering.

Seven days passed since Hatchet was despatched to Hell, and darkness fell on the Plains like a widows veil. No light illuminated the Earth and the Lakota knew this was the sign of the coming trials. The Ghost-walkers had appealed to the Great Spirit and no one who witnessed their victory at the Powder River could deny their courage.Truly this was evidence of the Spirit's intervention in their way of life. Reports had come in to Chief Red Cloud of a figure of flame riding amongst the Buffalo. A Skeleton on fire, riding the Skeleton of a horse at full charge. It seemed the very ground they rode upon was a torch of lightning, and the figure was at one with the Buffalo. Red Cloud rode out to witness it himself and noticed the blue-orange glow, like an aura of defiance, surrounding the figure. In it's hand was a gun, and Red Cloud recognised it as the Sacred Gun of Abe.
Many tales had been passed down from his ancestors, and Red Cloud knew this figure was sacred to his tribe.The Ancients Gunslinger would play a role in the destiny of his People.The Whiteman would pay a heavy price for the desecration of the traditions and way of life of those under the protection of the Great Spirit. He knew too that an enemy would arise which would destroy the Whiteman, and all the Earth's inhabitants. Only the Native American would take the battle to the Enemy, aided by the Ancients and the Mind Seekers.
Red Cloud knew his people looked to him for leadership, and he would provide it.They would hear how Red Cloud rode with the Ghost Rider and take pride in his courage. His fate was tied to the Ancients Gunslinger, and this had been preordained in the ancient Scriptures. Red Cloud looked down at the flaming figure and dug his knees into his horse. Charging down the hill, he shouted out a proud battle cry, and rode like the wind to the side of the Ghost Rider.In their trail the Buffalo followed.The trials ahead would be met and the Unholy would do battle with their most dangerous enemy.



**** it Charlotte! 'It don't make sense!
Hatchet weren't killed by no ghost, for Christ sake! Marshall John Lancaster was tired and couldn't believe the events which occurred in his absence. He had just brought in Ned Marlow.Got two of his men killed doing it, and suffered a leg wound himself in the shoot out. Marlow had been holed up in Tinkers Creek and came out unexpectedly with his guns blazing as the posse approached the log cabin. It had suddenly turned pitch dark, and all the horses got spooked, causing confusion amongst the lawman's officers.
Ned Marlow knew Hatchet; had lost an eye in a bar brawl to him once.It was said Hatchet carried the eye around with him ever since.
Ned was closing in on Hatchet, bent on revenge, and swore he'd see him dead. Suddenly a shot rang out, and startled Lancaster.
Ned had headbutted the Marshall's deputy as he was being placed in the holding cell.He had grabbed the deputy's gun then and blown a hole clean through him. Carelessness, or tiredness, maybe both, had cost him his life. Ned didn't give no quarter when his own life was on the line. He weren't going to no hangman's noose neither. He burst into the Marshall's office then and fired off two shots catching Lancaster in the left arm wounding him badly. The Marshall got off one reactive shot catching Ned's left ear.The sound deafened him and he put a slug through the Marshall's head.The fragrance of gunpowder filled the room and Charlotte could only look on.'You're coming with me, Honey!'bellowed Marlow as he grabbed her hair, pulling her close, and made his way onto the streets. A gun was held to Charlotte's head and Ned was figuring his next move.


He was too busy watching the streets but if he'd looked up, he would have seen a hatchet hurtling towards him with violent intent. The hatchet caught his gun hand and severed it clean off his wrist. Ned now had the indignity of losing his right hand.He screamed in agony as blood squirted from his severed wrist, spraying Charlotte in a plume of lifes red wine. Ned looked to the ground and his own hand lay there, holding his pistol, it's finger still on the trigger. Legend would record the severed hand fired off a shot moments after it's horrific amputation. Ned Marlow didn't know it then, but he too would play a role in the coming trials. The Unholy knew it only too well for it had been written 'The Deaf shall hear, the Blind shall see, and the hand of the sinner will turn on the Unholy'.


There the severed hand lay. A ghastly, grotesque, weather worn obscenity.
The gun had been removed from it's grasp since it's horrific amputatation from Ned Marlow. Three days had passed since the incident and no one dared to remove it from the street.cOminously, no decay had festered to spoil that monstrosity;for life still lingered within it's ghoulish flesh. Mangy street dogs looked at it with curiosity, yet kept a tentative distance. The little finger still wore a silver ring, set with a black stone. Once it had belonged to an ancient Pagan High King, who had been slaughtered in battle. An artefact from a distant time, carried across Europe into the America's. Evil had tainted it's properties and the Sons of the Unholy had sought it since. The ring now sought a new owner as the severed hand, an abomination of creation, crawled, like a filthy worm in the dirt. Slowly, laboriously, with uncanny certainty, the wretched hand made it's way towards the room of the one who had hurled the hatchet.


Raihna sat alone in her bedroom.The hatchet lay across her lap and it was emitting a low hum, almost inaudible, but she had heard it. At first she thought madness was setting in, but she realised that the voices communicating with her were real; the Mind Seekers had chosen her.
Her mind and body became a telepathic conduit and she was absorbed in receiving the messages. The Ancients were channelling through her and a deep trance held her almost comatose.
Slowly, sickening slow, the hand crawled it's way towards her., Grubby, thick, fingers inching themselves stealthily, dangerously close, while Raihna was immersed in the communication.
Her eyes were closed in the deep state between the conscious and the unconscious, so she could not witness the fingers wrap themselves around the handle of the Hatchet. Both hand and clasped hatchet lifted silently from her lap. As the hand moved to distance the weapon from her, the ring glowed a greenish hue, emanating the presence of the Unholy. Suddenly the hand lunged at Raihna's throat!
Raihna's life was ebbing into eternity.The possessed, filthy, unholy amputation squeezed her windpipe with the vengence of perpetual hostility. The ring on the severed hand's finger glowed brighter, as her life force lay on the threshold of destruction. It seemed as though the light of a thousand burning suns illuminated that room. A portal to Hell had been created and Raihna was pulled into that abyss. She was neither dead nor alive, for the Unholy had need of a pawn.The hatchet too was ****** into that void as it was destined to be reunited with Hatchet.The light was blinding and it seemed the very Earth could have been swallowed; as though the Gods had abandoned all of Creation!
Yet there he stood! A blazing figure astride a blazing horse.The chalk white bones of a skeleton horse carrying the Ancients Gunslinger towards the entrance to Hell! The ancient scriptures had written ' The Liveth Bone shall ride into Hell, and the Unholy shall cower'.
The Sacred Gun of Abe shall wield the vengeance of the Ages and the Earth and Heavens shall shake'. Thus it had been written and was now coming to pass.
A portal to Hell had opened and the Gunslinger charged into that cesspool of abomination. No Horse ever galloped with such energy and the Unholy prepared for the skirmish.The Gunslinger was possessed with a relentless rage for Justice. Hell quaked as both rider and horse fearlessly charged into the bowels of Evil's pestilent abode.
Furious at this brazen affront, the Unholy now made to close that portal. Even as they did so, Hatchet was resurrected from his tormented existence. His hatchet was reunited with him as he prepared to once again face the Gunslinger.Raihna must be rescued; for her destiny was tied to the Earth's salvation. For now, she lay in a corner of Hell watched over by a severed hand. The screams and anguished cries of all the lost souls in Hell echoed in the stagnant air. Still the Rider charged furiously as he sought to gather Raihna to his arms. A ****** hatchet sailed towards him and Hell looked on.


Hatchet charged from the cage of demons, his face etched with the pain of perpetual torment. His emaciated form like a malignant Phoenix rising from the ashes of Hell. The pitiful creature carrying his burden reared from his weight. A wretched carcass of a decayed horse which had been ressurected for battle. That same horse which had been encased within the ice block;whose ****** head Hatchet had split open when both were mortals on the Earth. Man and beast now tools for the Unholy; possessed by the collective evil of all who now suffered in Hell.cTheir dark energy would now be harnessed for the coming trials. A gruesome grimace was fixed on the horse's face and it's empty eyes stared ahead as Hatchet charged towards the Gunslinger. His violent countenace expressed the deadly intentions which would be borne down upon his enemy.
He had hurled his weapon and watched as it made it's deadly trajectory towards the Gunslinger. As the hatchet spun and revolved through the air, Hatchet emmitted the scream of the demented. The Gunslinger had lowered in his saddle and the hatchet narrowly missed it's target. Continuing on it's course, it landed in the back of one of the screaming forgotten whose souls were doomed to eternal agony.
Both riders now crashed headlong into one another and Hatchet fell from his horse. The Sacred Gun of Abe was now in the Gunslinger's hand and a skeletal finger pulled the trigger.
Once again, Hatchet would witness a bullet discharge from it's revolving chamber. His head exploded as the bullet entered his brain, exiting in one piece and landing in the dank soil of Hell.The blessed relic purified the soil and the Unholy recoiled with revulsion.
The dead cannot die and Hatchet struggled back to his feet. Grabbing the Gunslinger's reins, he attempted to pull him down. It was then that the runes around the Gunslinger's neck pierced the air with a deafening incantation.
The Unholy screamed as the Holy words of the Ancient Scriptures filtered into the bowels of iniquity and shook the foundations of Hell.
Hatchet reeled back and grabbed his hatchet from the spine of the forgotten sinner. He looked up then and witnessed a warrior's lance sail through the air.It violently struck and impaled the severed hand guarding Raihna.
Red Cloud had accompanied the Gunslinger in his charge into Hell!
stirred deeply with joy
enthralled with the spirit
we return to Elysian fields
to live autumnal reveries

we prance once more
onto blue sky diamonds
with hometown heroes
to pitch perfect games
knock long grand slams
to honor and embrace
the semblance of siblings,
parents, lovers and friends

life's teammates
our dearest playmates
passed and still here
sustaining our spirit
filling the void of
riven hearts
with nothing more than
a smiling presence,
compliant ear
a warm embrace

keeping a
season of sunshine
alive for one more
golden day

in a resplendent moment
Measy’s youngest son
stood before me
as if it were him
five decades ago

his impish smile,
mischievous eye
and olive skin
wrinkled when
he grinned

your Old Man
was a hell
of a ball player
a great hitter
he always swung down
at the pitch, hitting
nasty line drives

I remember that
summer afternoon
when we first met on
the Washington School
Merry-Go-Round...
Measy just up
from Carolina
he spoke with
a slow Tar Heel drawl
we didn't know what
to make of him
so we made him
our friend

Sifford's Esso, B&D;
and Bulldog teammates
I marveled at his athleticism
but the thing I remember
most was the soft joviality of...

“ ah hoot,
ah hoot.
ah hoot”

his laugh would send
a soft almost *******
shudder through his body

Measy lives in me,
forever in my heart
I embraced young Roy
touched his cheek
a transcendent moment
that spans a half century

At first base
Gail “Peppermint Patty” Q
was scooping up grounders
and not letting anyone past her
without giving them a smile or a hug….
asking each player if their shirt fit right…

the way Gail played
she could start for
the Lady Gaels today...

on the mound
Moons was wearing
a Schmeds shirt
lobbing lollipops to the hitters…..
making sure everyone got on base…

at short Screwball
covering half the ground
he once did..
(never a ss but a classic junk baller,
never threw a pitch that you could hit)
but on this day his heart was filled
overflowing with the karma
of good works and his love for
Rutherford and its favorite
sons and daughters
who have gone on before….

other stars abounded on the field and off…
Noons cracked everyone up
with an endless stand-up routine
Skip walloped a few dingers
BL looked sharp in his Foster Grants
and Andy was looking good
destined for the next cover of GQ….

Coach Way gave a resounding pep talk…
the need to grow up and show up
with an attitude of gratitude will
always make one a winner
regardless of the score

in the stands I heard a hundred stories
about the prowess and foibles of departed friends…

Bay Bay’s HR smash that put Flash Cleaners
into the World Series

A cool Moose bringing the ball across
half court, driving and dumping one off to Head
for the go ahead points against Queen of Peace

Minnow ruling a territory that included Morse Ave,
Wood Street up to Chopper’s House and
half of the Washington School playground

Fic being the smallest Bulldog with the largest heart
ran over linebackers and tackled fullbacks twice his size

Weehawken Joe draining a jumper
from the top of the key to keep it close
at the Union Hill pit…

as the list of the departed was read by Gail, Pat, John and Jimmy
the depth of our loss was only exceeded by the magnitude of love
a caring community extends to one another….
Rutherford is indeed a very special place….

so many caring friends
so many good thoughts
the blessing of friendship
the grace of presence

as I turned to leave
I thought I saw
Nick and Joe
hanging with
Sweet Lou
the hog was
humming
his red bandanna
was flapping
in a rising breeze

Aaron Copland:
Our Town

Righteous Brothers
Unchained Melody

Whitney Houston:
I Will Always Love You

Oakland
Dia De Muertos
2015


Thank you Pat Francke, Jimmy Noonan, Gail Wilhelm Quinn and John Mooney for putting this beautiful event together….

My apologies for not mentioning all the beloved souls so honored at this game…..Know that all are deeply loved and equally missed…..

If anyone has a memory they would like included please add in comments section and it will be incorporated in future versions…..

Also if anyone has a list of the names would like to add that to this….

God Bless
an annual autumn softball game played in my hometown Rutherford NJ...
we gather to honor and remember passed loved ones......
Sean Critchfield May 2014
Give them to me.
All the pieces of your broken heart.
Give them to me.

I'll take them.

All the rough-hewn misshapen bits of your shattered dreams.


Give them to me.
I will take them.

Give them to me.


They are wanted here.


All the parts of your misspent childhood. All the regrets of ticking seconds behind you.

Give them to me.

And we will build a cathedral. A stained glass window of who we are as tall and as beautiful as it should be.

Let me have them.

And we will make a mosaic that stretches as wide as the sky. Showing every color your heart gained from the bits and pieces left on the ground.

I will take them.

And forge a sculpture of how beautiful the ideas are that we cast out in our failings and we will cast it in our failings.

Let me have them.

And we will ***** a monument of all the small things in the shape that you remember them.
Towering. Looming. Striking. Beautiful.

Let me have them so we might bind the words said and regretted, (or worse) left unsaid in leather and call it scripture.

Our Psalms. Our Proverbs:

“The tip of my finger dangles like my tongue. Wanting to touch something beautiful.”

“If it were not for him, it would have been us.”

“You were all my brightest colors.”

“I wish I were more like you.”

“I wish I were less like me.”

“I am sped.”


And we will read them at dawn like litany.

Stretching our voices to the corners of the universe. Asking for the wishes you make when you are scared. Or alone. Or both.

That we may take them.

And make a blanket.

A blanket to cover our childhood and let it rest at last.

I will take them.

All the parts you no longer want.

Give them to me.

Because they are what make us beautiful.

Give them to me.

That I may forge them into pitch and feathers and craft mighty wings.

That I may take flight from your worry. And soar on the updraft of your misconception.

Give them to me.
I will take them.

Because I would rather burn like Icarus than to have never dared to fly.
This was a birthday gift to myself. I am giving it to you.
1.
From my
uneasy bed
at the L’Enfant,
a train's pensive
horn breaks the
sullen lullaby of
an HVAC’s hum;
interrupting the
mechanical
reverie of its
steadfast
night watch,
allowing my ear
to discern
the stampede
of marauding
corporate Visigoths
sacking the city.

The cacophony
of sloven gluttony,
the ***** songs of
unrequited privilege
and the unencumbered
clatter of radical
entitlement echoes
off the city’s cold
crumbling stones.

The unctuous
bellows of the
victorious pillagers
profanely feasting
pierces the
hanging chill
of the nations
black night.

Their hoots
deride the train
transporting
the defeated
ghosts of
Lincoln’s last
doomed regiments
dispatched in vain
to preserve a
peoples republic
in a futile last stand.

The rebels have
finally turned the tide,
T Boone Pickett’s
Charge succeeds,
sending the ravaged
Grand Army of the
Republic sliding
back to the Capitol,
in savage servility,
gliding on squeaky
ungreased wheels
ferrying the
Union’s dead
vanquished
defenders to
unmarked graves
on Potters Field.

The Rebels
joyous yell
bounces off
the inert granite
stones of the
soulless city.

The spittle
of salivating
vandals drips
over the
spoils of war
as they initiate the
disassemblage,
the leveling and
reapportionment
of the grand prize.

The clever
oligarchs
have laid claim
to a righteous
reparation
of the peoples
assets for
pennies on the
dollar.

Their wholly
bought politicos
move to transfer
distressed assets
into their just
stewardship
through the
holy justice
of privatization
and the sound
rationale of
free market
solutions.

In the land of the
pursuit of property,
nimble wolf PACs
of swift 527, LLCs
have fully
metastasized
into personhood;
ascending to
the top of the
food chain in
America’s
voracious
political culture;
bestriding
the nation to
compel the
national will
to genuflect
to the cool facility
of corporate
dominion.

As the
inertial ******
of the plaintive
locomotive
fades into
another old
morning of
recalcitrant
Reaganism,
it lugs its
ambivalent
middle class
baggage toward
it’s fast expiring
future.

I follow
the dirge
down to
the street
as the ebbing
sound fades
into the gloom
of the
burgeoning
morning,
slowly
replacing the
purple twilight
with a breaking
day of cold gray
clouds framing
silhouettes of
cranes busily
constructing
a new city.

The personhood of
corporations need
homes in our new
republic; carving
out new
neighborhoods
suitable for the
monied citizens
of our nation.

First amongst
equals, the best
corporate governance
charters form
the foundation of
the republic’s
new constitution.
Civil rights
are secondary
to the freedom
of markets; the
Bill of Rights
are economically
replaced by the
cool manifests
of Bills of Lading.

The agents of
laissez faire
capitalism
nibble away
at the city’s
neighborhoods
one block at a time;
while steady winds
blows dust off
the National Mall.

Layers of the
peoples plaza are
plained away with
each rising gust.  

History repeats
itself as the Joad’s
are routed from their
land once again.

A clever
mixed use
plan of
condos and
strip malls
is proposed
to finally help the
National Mall
unlock its true
profit potential.

As America’s
affection for
federalism fades
the water in
the reflection pool
is gracefully drained.

We the people
can no longer
see ourselves.

The profit
potential of
industry is
preferred over
the specious
metaphysical
benefits
of reflection.

The grand image,
the rich pastiche,
the quixotic aroma
of the national
melting ***
is reduced to the
sameness of the
black tar that lines
the pool and the
swirling eddies of
brown dust circling
the cracked indenture.

From his not so
distant vantage point,
Abe ponders the
empty pool wondering
if the cost of lives
paid was a worthy
endeavor of preserving
the ****** union?  
Has the dear prize
won perished from
this earth?

Was the illusive
article of liberty  
worth its weight in
the blood expended?

Did the people ever
fully realize the value
of government
by the people,
for the people?

Did citizens of
the republic
assume the
responsibilities to
protect and honor
the rights and privileges
of a representative
government?

Now our idea
and practice of
civil rights is measured
and promoted as far as
it can be justified by
a corporate ROI, a
shareholder dividend,
an earmark or a political
donation to a senators
unconnected PAC.

The divine celestial
ledgers balancing
the rights and
privilege of free people
drips with red ink.  

Liberty, equality
fraternity are bankrupt
secular notions
condemned as
expensive
liberal seditions;
hatched by
UnHoly Jacobins,
the atheist skeptics
during the dark times
of the Age of Enlightenment.

Abe ponders
the restoration
of Washington’s
obelisk, to
repair the cracks
suffered  from
last summer’s
freak earthquake.

I believe I detect
a tear in Abe’s
granite eye
saddened by the
corporate temblors
shaking the
foundations
of the city.

2.

The WWII Memorial
is America’s Parthenon
for a country's love
affair with the valor
and sacrifice of warfare.

WWII forms the
cornerstone of
understanding the
pathos of the
American Century.

During WWII
our greatest generation
rose as a nation to
defeat the menace of
global fascism and
indelibly mark the
power and virtue of
American democracy.

As Lincoln’s Army
saved federalism, FDR’s
Army kept the world safe
for democracy.

Both armies served
a nation that shared
the sacrifice and
burden of war to
preserve the grace of
a republican democracy.

Today federalism
crumbles as our
democracy withers.

The burden
of war is reserved
for a precious few
individuals while
its benefits
remain confined to
the corporate elite.

Our monuments
to war have become
commercial backdrops
for the hollow patriotism
of war profiteers.

We have mortgaged
our future to pay
for two criminal wars.

The spoils of
war flow into the
pockets of
corporate
shareholders
deeply invested
in the continuation
of pointless,
destructive
hostilities.

Our service
members who
selflessly served
their country come
home to a less free,
fear struck nation;
where economic
security and political
liberty erodes
each day while the
monied interests
continue to bless
the abundance
of freedom and riches
purchased with the
blood and sweat
of others.

America desperately
needs a new narrative.

The spirit of the
Greatest Generation
who sacrificed and met
the challenge of the 20th
Century must become
this generations spiritual
forebears.

The war on terror
neatly fits the
the corporate
pathos of
militarism,
surveillance
and the sacrifice
of civil liberties
to purchase
a daily measure
of fear and
economic
enslavement.

It must be rejected
by a people committed
to building secular
temples to pursue
peace, democracy,
economic empowerment,
civil liberties and tolerance
for all.

Yet this old city
and the democratic
temples it built
exulting a free people
anointed with the
grace of liberty
is being consumed
in a morass of
commercial
polyglot.

3.

During the
War of 1812
the British Army
burned the
Capitol Building
and the White House
to the ground.

Thank goodness
Dolly Madison saved
what she could.

The new marauders
are not subject to the
pull of nostalgia.  

They value nothing
save their
self enrichment.

They will spare nothing.

Our besieged Capitol
requires Lincoln’s troops
to be stationed along the
National Mall to defend
the republic.

The greatest peril
to our nation
is being directed
by well placed
Fifth Columnists.

From the safety
of underground bunkers,
in secure undisclosed
locations within the city’s
parameters, a well financed
confederacy employing  
K Street shenanigans
are busy selling off
the American Dream
one ear mark
at a time, one
huge corporate
welfare allotment
at a time.

The biggest prize
is looting the real
property of the people;
selling Utah,
auctioning off
the public schools,
water systems, post offices
and mineral rights
on the cheap
at an Uncle Sam
garage sale.  

The capitol is
indeed burning
again.

Looters are
running riot.

The flailing arms
of a dying empire
fire off cruise
missiles and drone
strikes; hitting the
target of habeas
corpus as it
shakes in its
final death rattle.
I make a pilgrimage
to the MLK Jr.
Monument.

Our cultural identity
is outsourced to
foreign contractors
paid to reinterpret
the American Dream
through the eyes
of a lowest bidder.

MLK has lost
his humanity.

He has been
reduced to a
a Chinese
superhuman
Mao like anime
busting loose from
a granite mountain while
geopolitical irony
compels him to watch
Tommy Jefferson
**** Sally Hemings
from across the tidal
basin for all eternity.  

MLK’s eyes fixed in
stern fascination,
forever enthralled
by the contradictions
of liberty and its
democratic excesses
of love in the willows
on golden pond.

Circling back to
Father Abraham’s
Monument,  I huddle
with a group of global
citizens listening
to an NPS Ranger
spinning four score
tales with the last full
measure of her devotion.

I look up into Abe’s
stone eyes as he
surveys platoons
of gray suited
Chinese Communist
envoys engaged
in Long Marches
through the National Mall;
dutifully encircling cabinet
buildings and recruiting
Tea Party congressmen
into their open party cells.

This confederacy
is ready to torch
the White House
again.

Congressmen and
the perfect patriots
from K Street slavishly
pull their paymasters
in gilded rickshaws to
golf outings at the Pentagon
and park at the preferred
spots reserved for
the luxury box holders
at Redskin Games.

They vow not to rest
until the house of the people
is fully mortgaged to the
People’s Republic of China’s
Sovereign Wealth Fund.

4.

A great
Son of Liberty like
Alan Greenspan
roundly rings
the bells of
free markets
as he inches
T Bill rates
forward a few
basis points
at a time; while
his dead mentor
Ayn Rand
lifts Paul Ryan
to her
Fountainhead teet.
He takes a long
draw as she
coos songs
from her primer
of Atlas Shrugged
Mother Goose tales
into his silky ears.

The construction
cranes swing
to the music
building new private
sector space with
the largess of
US taxpayers
money; or
more rightly
future generations
taxpayer debt.

Libertarians,
Tea Baggers, Blue Dogs
and GOP waterboys
eagerly light a
match to the
the crucifixes
bearing federal
social safety
net programs
to the delight
of NASDAQ
listed capitalists
on the come,
licking their chops
to land contracts
to administer
these programs
at a negotiated
cost plus
profit margin.

Citizens
dependent
on programs
are leery
shareholders
are ecstatic.

To be sure
our free
market rebels
don disguises
of red, white
and blue robes
but their objectives
fail to distinguish
their motives and
methods with
some of the finest
Klansman this
country has
ever produced.

5.

DC is a city
of joggers
and choppers.

Corporate
helicopters
wizz by the
Washington
Monument,
popping erections
for the erectors
inspecting the progress
of the cranes
commanding the
city skyline.

USMC drill team
out for a morning
run circles the Mall.

The commanding
cadence of the
DI keeps us
mindful of the
deepening
militarization of
our society.

A crowd  
rushes
to position
themselves,
genuflecting
to photograph
a platoon on
the move.

I try to consider
the defining
characteristics of
Washington DC.

DC is all surface.

It is full of walls
and mirrors.

Its primary hue
is obfuscation.

Open
communication
scripted from well
considered talking points
informs all dialog.

The city is thoroughly
enraptured in narcissism.

Thankfully, one can
always capture the
reflection of oneself in
the ubiquitous presence of
mirrors.  

Vanity imprisons
the city inhabitants.

Young joggers circle the
Mall and gerrymander
down every pathway
of the city.  

They are the clerks,
interns and staffers of
the judicial, executive
and legislative branches.

They are the children
of privilege.

They will never
alter their path.

You must cede the walk
to their entitlement
of a swift comportment
or risk injury of a
violent collision.

These young ones
portray a countenance  
of benevolent rulers.  

They seem to be learning
their trade craft well from
the senators and judges
whom they serve.

They appear confident
they know what's best
for the country and after
their one term of tireless
service to the republic
they look forward to
positions in the private
sector where they will
assist corporations
to extend their reach
into the pant pockets
worn by the body politic.

6.

Our nations mythic story
lies hidden deep in the
closed rooms of the
museums lining the
Mall.

I pause to consider
what a great nation
and its great people
once aspired to.

I spy the a
suspended
Space Shuttle
hanging in dry dock
at the air and
space museum.

Today America’s
astronauts hitch
rides on Russian
rockets.

America rents a
timeshare from
the European
space agency to
lift communication
satellites into orbit.

Across the Mall
I photograph
John Smithson’s
ashes in its columbarium.  

I fear it has become a
metaphor for America’s
future commitment
to scientific inquiry
and rational secular
thinking.

I am relieved to
discover a Smithsonian
exhibit that asks
“what does it mean
to be human?”

The Origins of Humans
exhibit carries a disclaimer
to satisfy creationists.

The exhibit timidly states
that science can coexist
with religious beliefs and
that the point of the exhibit is
not to inflame inflame religious
passions but to shed light on
scientific inquiry.

I imagine these exhibits
will inflame the passion of
the fundamentalist
American Taliban and
provide yet another
reason to dismantle
the Moloch of Federalism.

The pursuit of science
remains safe at the
Smithsonian for now.

7.

Near K Street at
McPherson Park
a posse of
well dressed
lobbyists, the
self anointed
uber patriots
doing the work
of the people
stroll through
the park
boasting a
healthy population
of bedraggled
homeless.

The homeless
occupy the benches
that have been
transformed into
pup tents.

Perhaps some of
the residents of this
mean estate were
made homeless by a
foreclosed mortgage.  

The K Street warriors
can be proud that their
work on behalf of the
banking industry has
forestalled financial market
reform.  

Through it exacerbates
the homeless problem it has
allowed these K Street titans to
profit from the distress of others.

Earlier in the day
I photographed
a homeless man
planted in front of
the Washington
Monument.

I wonder
if my political
voyeurism is
an exploitation of
this man’s condition?

I have more in common
then I probably wish to
admit with my K Street
antagonists.  

In another section
of the park the
remnants of a
distressed OWS
bivouac remain.

The legions of sunshine
patriots have melted away
as the interest of the
blogosphere has waned.

As the weather
improves Moveon.org
and democratic
party operatives
pitch tents in an
effort to resuscitate
the moribund
movement.

They hope
to coop any
remaining energy
to support their
stale deception,
a neoliberal vision
based solely on the
total capitulation
to the bankrupt
corporatocracy.

I heard someone say
a campaign lasts a
season; while a
movement for social
change takes decades.

If that metric proves
correct, and if the
powers don’t succeed
in compromising the
people’s movement
I’ll be three quarters
of a century old
before I see
justice flowing like
a river once again.

8.

I circle back to
the L’Enfant and
find myself
tramping amidst
the lost platoon
of Korean War
soldiers.

My feet drag
in the quagmire
of grass covering
the feet of this
ghostly troop.

My namesake
uncle was a
decorated
veteran of this
conflict and Im
sure I detect
his likeness
in one of the
statues.

The bleak call
of a distant train
sounds a revelry
and I imagine this
patrol springing
to life to answer
the call of their
beloved country
once again.

Yet they remain
inert.  

Stuck in a
place that the
nation finds
impossible to
leave.

The eyes of the
men stare into
an incomprehensible
fate.  

They see the swarms
of Red Army infantrymen
crossing the Yellow River
streaming toward
them in massive
human waves,
the tips of
sparkling bayonets
threatening to slash
the outmanned
contingent fighting
to bits.

They are the
first detachment
to bravely confront
the rising power
of China many
thousands of
miles away
from their homes.

America like
this lone company
is overwhelmed
and lost in the
confusion
that confronts
them.

Looking up
I perceive the
bewilderment
of my muddled image
reflected on the
marble walls
surrounding
the memorial.

I am a comrade-in-arms,
a fellow wanderer sojourning
with th
Maura Feb 2015
You're a real *****
just to let you know
and I don't want to snitch
but you're such a ******* *****

just  because you're rich
doesn't mean you own the world
you're making me go up a pitch
because I'm so angry that you're a *****

people call you a witch
and now I know why
its because you decide to switch
from being nice to a stupid ****** *****
Seriously. You are. This is a passive aggressive poem.
Maria Keisoglou Nov 2014
Our  own meeting has no end , no outer shell, it does not float.
It only searches within its depths to find a bottom to pitch its anchor
and looses itself within the  colours of an ever changing earth.
Without air it gets carried away and shines like a fire,
unquenched and remote from evil tongues and envious eyes.
Ostracizing dark thoughts and delighting within its womb.
It remembers from always and lives on  forever
and within the moonlit dust it travels upon wings.
An aura which is immaterial and wonders intoxicated
it sings you an icy lullaby..
by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
it didn’t take a lot a look a few words a few more looks bam not that any girl stuck around and so it was on to the next nothing is precious everything is possible forget what you know leave the road behind invent dance new dance cough spit breathe dance verbs multiplying gazillions of verbs stars what is it about art in my mind i hear all these things i was going to express all these itches scratch pick scabs get drunk write poetry dance ******* in your mouth ******* in my mouth salty sea surfing waves Caravaggio Courbet Turner Goya Ad Reinhardt Rothko Rimbaud Johnny Unitas Walter Payton Annie Proulx Patty Berglund Hannah Wilke Kim Gordon dark clouds rainbows meteor showers lantern licorice amethyst bone

in the end it’s you and your maker ashes to ashes dust to dust Mom questions it’s 4:30 PM December in Chicago and pitch black i don’t understand it’s not supposed to be this dark this cold she imagines a past that never existed events never occurred

these old bones rattle and shake tremble and quake quiver and ache

it will be daylight soon and i am unprepared so terribly unfit for a new dawn suddenly realize tomorrow is today

these old bones rattle and shake tremble and quake quiver and ache

when people die in masses is it any less lonely more comforting than when you die individually or is dying solitary for everyone

these old bones rattle and shake tremble and quake quiver and ache

redemption is a powerful force but what if existence actually does not present second chances and we must live with the consequence of our mistakes

these old bones rattle and shake tremble and quake quiver and ache

if there is an afterlife do i have any say in it or are we all merely lost baggage tossed from airport to airport

these old bones rattle and shake tremble and quake quiver and ache

what if travelers at airports were met with welcoming arms shared stories food instead of suspicion body scanners separation boarding seating procedures

these old bones rattle and shake tremble and quake quiver and ache

i built a magnificent sandcastle with wide open rooms interesting views spacious bathrooms huge kitchen secret places winding stairways auspicious towers swinging rope bridges welcoming gates but the tide washed it all away

these old bones rattle and shake tremble and quake quiver and ache

i cry yet know not why am i a ***** i must take the goose by the neck whatever that means

these old bones rattle and shake tremble and quake quiver and ache

speaking personally i’m never interested in the last bite only the first bite the middle tastes rather bland all chewing gulping automatic consumption talking swallowing stifling gases

these old bones rattle and shake tremble and quake quiver and ache

horses mate with donkeys then out comes mules yet mules cannot propagate nature is so strange mysterious what is it about the attraction between donkeys and horses

these old bones rattle and shake tremble and quake quiver and ache

2 gorgeous petite charming sweet young girls are subletting my place in Tucson i imagine ménage à trios or relationship with either one of them then realized how improper my thoughts will i ever learn

these old bones rattle and shake tremble and quake quiver and ache

Reiko likes hanging out naked if the door is locked and they’re in for the evening she strips Reiko is one of those women who look better without clothes the curls under her arms are growing in dark thick her bush is filling out even her **** is hidden by silky brown hairs he cannot stop checking her out she pretends not to be aware as she trims her toenails he leers **** your cooch looks tasty Odys i like that you can speak crude to me he murmurs you really like that she answers yes i really like that he sees himself in her he is deep in sleep wakes by her hand pulling his hand down to her ***** bone he stirs confused in half sleep as she continues tugging his hand Odysseus realizes what Reiko wants it is 3 AM he touches her there warm distended begins to massage wetness gushes moves down bed puts face there she presses pumping grinding whispering repeatedly i want to *** so bad his mouth tongue breath work her hands grip his head push unyielding muscles stiffen arch shudder continues licking until her body lies still crawls up kisses her forehead hair bodies spoon fall to sleep in the morning he comments you were a naughty little girl last night Reiko grins answers i had an orangutan attack he questions an orangutan attack she confesses yeah they both laugh he has never known a woman so fierce urgent to ****** Reiko has a man’s libido she reminds him of himself they mimic each other hearing Reiko speak Odysseus’s own words back at him and visa versa convey how demanding insecure insensitive each can be to other they do not simply speak but mimic each other Reiko ‘s voice drops to low pitch as she grabs his buns kids hey Reiko Lee what do you think about us wiping each other’s butts we could become more intimate with our bodies Odysseus raises his voice sounding feminine replies Schwartzpilgrim you’re gross take a hike it is hilarious yet intuitive therapy that maintains level playing field neither allows other to be too weak or dominant

these old bones rattle and shake tremble and quake quiver and ache

it is Sunday snowing blizzard freezing cold outside Odysseus sits on floor watching Bear’s football game at Reiko’s she sits naked paging through Art Forum magazine across sofa from him he hears her crunching on bag of barbecue potato chips during half time he reaches touches her bush runs fingers through her ***** hairs twirling them in his fingers she spreads her legs wide open he smells her hair breath perspiration ****** *** feet feels both repelled and attracted he is lost in fascination gently tugs on her lips slides finger inside massages probes her opening she directs him to kneel stands above him her arms at waist her pelvic bone in his face she orders **** it **** it good he follows her instruction **** my ***** she commands as she holds his head in hands her long skinny body thrusts hips forward Reiko presses gently pumping then more furious rough into Odysseus’s face ooohhh i’m going to shoot a load baby swallow my *** she shoves ***** bone into his face bangs his nose hard yet he remains ******* her legs thighs stomach muscles tremble oh oooohhhhh ohh Odys did you see that i came just like a guy oh Odys i loved that he wipes mouth laughs

these old bones rattle and shake tremble and quake quiver and ache

a person’s sexuality is always in question how one interprets his or her own ****** persona relative to another person’s personality response ratio how one’s power measures reacts to another’s vulnerabilities strengths Odysseus and Reiko fit well together switching roles in impulsive volley he loves her masculinity the unpredictable equation of their love he teases Reiko Lee i’m so attracted to the tomboy in you i want to **** you off and let you **** me come over here and stick that fat hard **** in my pink little **** hole all the frustration rage pain pent up inside you i want you to harness that hurt and slam it into me and shoot your load all over me **** me good Reiko Lee she looks at him strange says you’re a weird bird Schwartzpilgrim how weird do you think he asks her voice takes on a creepy overruling tone Odys, you want me to fist-******* he snaps shut up Reiko Lee get out of here she runs fingers through hair breathes out through nose taunts Odys let me ******* a ***** and ******* in the *** Odysseus’s voice grows loud Reiko Lee you’re crossing the line just because i mention some crazy thought doesn’t mean i’m actually into such weirdness don’t try to take what i say to some sound conclusion i enjoy experimenting but i’m one hundred percent male i like to test limits because i’m secure in my manhood spicing our *** life with ***** fantasies is one thing but don’t overstep i got the **** and you got the ***** let’s keep it that way don’t mess with me she replies ok ok Odys i didn’t mean to offend you

these old bones rattle and shake tremble and quake quiver and ache

often he personifies the lead and she interprets the willing or amendable he requests many ****** urges she for the most part eagerly fulfills yet knowing his desires run over the top he considerately concedes to her sensibility he asserts rule number 1 Reiko Lee please let me have my way with you ok please try to not refuse me she smiles consents ok Odys and i want the same from you he insists rule number 2 repeat after me i’m addicted to your ***** i’m codependent on your **** she repeats i’m addicted to your ***** Odys i’m codependent on your **** he challenges rule number 3 at least one ******* a day agreed? She answers yes Odys agreed later he thinks about their conversation approaches her Reiko Lee sometimes i need more than one ******* a day maybe one in the morning and one after you get home from work i need your adoring attention down there will you do that for me please she shoots sarcastic look at him what are you a cow that needs milking everyday all right Odys whatever you desire he gratefully acknowledges Reiko Lee you’re so good to me thank you next morning he says Reiko Lee when i think about you the first image that comes to mind is your eyes i love your eyes more than any other part of you she comments oh yeah more than my **** hole? he flinches surprised oh god i can’t believe you said that you are so outrageous Reiko Lee you have got the sexiest **** hole i’ve ever seen i love adore revere your hairy **** hole when are you going to let me get some of that she remarks we’ll see Schwartzpilgrim in due time the following morning he notices bathroom door is wide open peering inside he sees her sitting on toilet she looks up smiling as he nears he questions which are you doing peeing or ******* she answers why do you need to know he requests lift up and let me watch she raises her thighs knees legs curling toes on toilet seat her **** muscles pucker then a brown extent begins appearing from her hole her vaginal lips flare urethra presses as short spurt of ***** accompanies discharge the ***** length drops into bowl followed by smaller piece Odysseus perceives the action produced by her body as intimate natural expression occurring without contrivance manipulation he studies the form as if it were a sculptural object descended into water to bottom of bowl Reiko reaches for roll of toilet tissue he interrupts **** she answers let me wipe myself first it reeks in here you mean watching me taking a **** turns you on you are one sick monkey he says shut up and **** she follows his instruction after several minutes he pulls out of her mouth jerks off while she watches he shoots wildly on her chin neck chest she rubs his ***** on her ******* they both break out in laughter she says come on let’s take a shower together she begins speaking sentence he finishes it she says Odys i’m not comfortable with more than he breaks in one ******* a day i understand Reiko Lee she expresses thank you Odys one is enough agreed he replies ok ok

these old bones rattle and shake tremble and quake quiver and ache

a week passes Saturday evening she comes from work to his place with stressed look on her face she falls back into wall on floor with her legs stretched out she asks got anything to eat he answers a couple of beers in the fridge her brow furrows as she speaks in low tone Odys i’m guessing there’s something seriously wrong with you he questions wrong with me huh what she comments your physique is weird your shoulder blades and rib cage stick out you’ve got a sunken sternum he answers yeah i know it’s not really a problem more like natural peculiarities she says yeah well you’ve got other peculiarities he asks oh yeah like what she remarks i’ve never known or heard of a man who gets hard as often as you it’s deviant you’ve got some kind of disorder you need to go see a doctor he admits i know i got a problem my libido is out of control it’ll calm down it’s been a long time since i felt so hot for someone do you really think it’s serious enough to go see a doctor she answers serious enough to insist you bone me once a day he laughs Reiko Lee you had me going she grins get over here you ***** ******* and **** me good Reiko’s favorite way to ****** is with her legs closed tight she lies beneath while his ******* presses in pumping her thighs buttocks squeeze stomach muscles tense whole body jerks spasms as she reaches ****** Odysseus’s favorite position is with Reiko on top he likes her rhythms and control

these old bones rattle and shake tremble and quake quiver and ache

when Michael Vick was found guilty for dog fighting mauling cruel killing i wanted him dead dead dead but he is a brilliant quarterback and i was wrong who am i to understand another person’s background judge them maybe there is redemption

these old bones rattle and shake tremble and quake quiver and ache

if another war comes it’s China we must fight to hate fear them run hide

these old bones rattle and shake tremble and quake quiver and ache

it’s a long twisted road down a dark cold hole many are too damaged others work toward salvation yet some unscathed by all this filth

these old bones rattle and shake tremble and quake quiver and ache

on the brighter side death gets a bad rap by mortals think positive perhaps death is graduation to whatever at worst death is release from life’s disappointments expectations responsibilities burdens betrayals pain horrors

these old bones rattle and shake tremble and quake quiver and ache

i remember when Dad was dying all these new people who i still remember entered my life for a brief time it seems like the same thing is happening now

these old bones rattle and shake tremble and quake quiver and ache

Mom i’m right here behind you don’t be scared i’m watching out for you

these old bones rattle and shake tremble and quake quiver and ache
My twisted soul can no longer fly
I can't see the sky
I search for a light
In this pitch black darkness
It's too late to hope
It's too late to pray
With a soul like mine
It's too late
I hear the laughing voices
I'm near the edge
I'm at the edge
I can't fly
I can't see the sky
I can no longer hope
In this deep ocean
I try to swim like the fishes
In the mountains
I try to fly like the birds
Why, Dear god?
Why can't I swim
Why can't I fly..
In this pitch black darkness
It's too late to hope
It's too late to pray
I just believe that I'll leave.
It's my first time! Please do not say anything mean, I tried to make it the same in some notes. I do not know how to make a poem, because first of all. My sister told me about this site and she told me she made poems  I told her oh nice but all I do is just Draw actually, I'm a very good artist and that's all I can do, but maybe I can be a Poet and an Artist one day.
vanessa ann Jan 2018
this is a tale
of two star-crossed lovers
with a love so powerful
they tainted the heavens
with bursts of colours

they were never meant to be;
mischievous little kids
finding love in sinful glee
in laughter, between dreams and reality

and though it was lawless,
they found solace
because in every prison,
they found a rhyme and a reason

but even for a love so great,
they could not escape
the fates’ wrath and envy

destiny pulled on their threads
cut them loose, thrusted them into misery;
for their memories were wiped clean,
but feelings remained as strong as they had ever been

the boy exiled in a far off land
across the pacific sea
the girl trapped in her need to break free
in a realm both boring and bland

ensnared in a labyrinth of woe
the lovers yearned for anything—
for something, for someone,
to obliterate this endless longing

the gods answered them
in the form of two loved ones
polished in every edge,
a perfect someone

but perfect felt too perfect
and not perfect enough
to fill up the hole
left by a perfectly imperfect

until one day the gods whispered
for the winds to push the two
and the birds to tug at their sleeves
over mountain and sea
even through the darkest valley
so their paths would finally meet

and so they did.

in the flurry of a moment
a pair of brown eyes met
and time was frozen
once more

the two stared intently
as if remembering a broken melody
a lost childhood song
branded as a wrong

the birds fluttered and flew
taking the cursed red fibre
snipped them in two
and the lovers felt all the lighter

it was the girl who spoke first:
“**** the stars.
i don’t want perfect,
i want you.”


eyes dazzling, the boy nodded:
“we’ll invert the universe—
the night sky a blank white
the stars pitch black
the earth moving in reverse”


the fates saw and surrendered
as the stars began to wither
for this love is love
in all its splendor

so the lovers walked away with a promise
under their breaths, they both swore:
“i lost you once,
but nevermore.”



they say no one can rewrite the stars,
so i propose we orchestrate supernovas.
jeffrey conyers Sep 2012
Oh, I ready to hear the lines.
That love's interest uses many of times.
So sell me.
Sell me the pitch.

Tell me
How you can do this for me?
If I let you.
Tell me.
I never suffer for anything.

Like a pitcher trying to earn a strike.
You toss out things in generalization.
That you know I might like.

You selling me a pitch.
So sell me.

But let me warn you.
I'm the umpire controlling the rules.

So you might get three strikes quick.
If you instantly offends me.
*****


Apr 7, 2012, 6:08:21 PM by ~OmegaWolfOfWinter
Journals / Personal




"Name: Amelia Weissmuler. Date of birth: June 6th, 1920. Test subject number 314-X. Specimen: Tiger." Amy heard all of this through a haze of sedatives that had begun to lose their already poor effect. She turned in the direction of the voice and saw a fearsome **** SS General standing behind a white clad scientist with a heavy accent. The general said nothing but listened and watched as Amy was strapped down to a cold metal table, completely **** with various wires, tubes and needles protruding from her flesh. She groaned painfully, the needles were extensive, and the **** scientists had no care of decency or respect. she was hit with another sedative and before she lost consciousness she heard the scientist, who she guessed was Dr. Heismeiller, say, "Name, Mordecai Dansker, former Major of the Third *****. Date of birth: September 19th, 1919. Test subject 14-W. Specimen: Wolf. As you
can see, Heir General, these are both healthy specimens, as are the test subjects." Amy heard a
rattling of cages. Her vison slowly went dark but not before seeing the doctor's face, uncovered and psychotic.
* *
When Amy woke up again, she was being suspended from the floor, the tubes and wires accompanied by menacing electrodes. there was an unnatural blue and white crackling of electricity around her, illuminating the other suspended tables nearby, the bodies in various grotesque positions and levels of decay. she tried to scream but found a machine unceremoniously shoved in her mouth, stretching deep inside her. she looked and saw nothing but obscene machines and various glass tubes of colored bubbling liquids. she tried sluggishly to break free but to no avail. what little strength she had was useless against the torturous devices emplanted in and around her. "Doctor, begin the experiment."
"Yaboe!" She heard a solid click resound through the room and heard a male scream in another room. the screams echoed for a long while, then nothing. she heard a gasp of releif from
the doctor and, "General! Subject 14-W... he has... Survived!"
"Good. now start on the frauline." there was a large thud from outside the room. "Quickly! this facility is under seige!"
"Yes sir, heir general. Test subject 314-X prepped and ready. Begin phase 1." she cried out silently as the needles burned hot inside her and the tubes boiled her insides. the electrodes soon incapacitated her and she fell unconscious.
*
*
"Phase 1 complete, heir general, subject is ready, proceeding to Phase 2."
Amy felt an intense burning around the needles, and an electric fire through her veins. the machine had been taken from her mouth, but she doubted she could scream any more, as her throat was raw from the silent screams of Phase 1. She felt her body shake uncontrollably as more electric shocks were administered. she was left panting and slumped over. "Sequence complete, the bonding process was a success." there was another thud and sediment from the roof fell to the floor. "Get her down now! They will be through soon!" She was lowered to the ground and unstrapped from the table, picked up, and placed on a stretcher. she raised her hands on front her face and nearly fainted, her hands, or paws, resembled that of a tiger, and as she looked, her whole body was covered in a slick orange, black and white fur. She was put into the backseat of an armored car with a simple blanket draped around
her. Amy felt nauseated
as the car sped off. It hit a bump in the road and she moaned painfully, clutching her furry belly and retching. the **** next to her turned away in disgust. the car ride was long and sickening, and she lost consciousness twice, and finally she tried to lay down in the cramped space. when the armored car finally stopped, she was pulled from the back seat and carried over a soldier's shoulder and into a small bunker. Once inside, amy heard a metal door open and was laid down onto a stiff bed with a single pillow and a single cover. There was a small window in the cell, a drab, grey stream of light shining in her eyes. She propped herself up on her elbow and shielded her eyes from the blinding contrast. Once her eyes adjusted, amy noticed that things had a particular sharpness to them and she had an acute awareness of things based on scent. she stood shakily, and noticed she was almost
six inches taller now, and her new tail swished back and forth along the concrete floor. she stepped
forward and grasped the iron bars and peeked out, seeing a black leather messenger bag and a black uniform lined with white. she couldn't quite reach the uniform, but was able to get a claw around the strap of the messenger bag. she pulled it closer to her and saw that her initials were monogrammed into the leather. she pulled it through the bars and opened the bag, pulling out a small, blank, leather bound journal and a pen. still ****, she sat on the bed and practiced writing, tearing out two pages of scratch paper. She began her journal with, "I am no longer the person i once was. i am something new, something... different."
• * *
The **** captain stepped into the bunker and saw amy, half lying, half dangling on the bed, the leather journal clutched close to her chest. he stormed into the cell and backhanded her awake, snatching up the journal as she cowered in the corner, her tail wrapped around her. the captain flipped through the pages of the journal and then closed iit with a snap. he glanced at it and dropped it on the bed. "it is yours now, Frauline. you are very special to the third *****. the fuhrer himself has asked for you to be placed in the Waffen SS and trained." amy glanced at the uniform on the table outside the cell and he nodded, "specially tailored for you, frauline. he stepped outside the cell and grabbed the uniform, setting it down on the bed. "you may Change into your new uniform and join the rest of us outside." he stepped outside and she was alone. she donned the simple uNdergarments then
slipped into the soft black trousers, after which she put on her military boots. next she put on the black and white jacket signature of the SS. the jacket was sleek and menacing, though it did little to flatten her chest, but that, she supposed, was one of her feminine charms. last was her hat and armband, both adorned with the *******. she gathered the leather messenger bag and stepped outside the cell, where a mirror stood, giving her a chance to see what had been done, the black uniform was a dramatic contrast to her brightly colored fur, and her new black stripes added a fierce look to her. she grinned and flashed menacing white teeth. she turned her body, looking at herself from different points of view. she slipped the **** armband onto her right arm and turned to leave. she stopped when she encountered a high pitch noise right next to the door. for the moment she just walked past, opening the door and adjusting her vision to the outside light. the layout was grey and barren,
as it always was in wartime. the captain was waiting for her along with a small squad of SS troops. a
Few laughed and remarked at her appearance, making cat noises and wolf whistling at her. she glared at them with a bright white snarl carved into her soft face. *they will fear me...

she saluted the captain and said, "heil ******." he returned the gesture, "heil. you are now part of the Waffen SS, frauline Amelia."
"please sir, its amy."
he noted her directness and ferocity, "very well, amy. before we assign you a task, though, you must prove yourself." he addressed the squad, "they are all corporal's and sergeants. you are merely a private. you will gain a rank for each one that you ****. however, they have been told that if they do not force you to submit, they will be killed or sent to the russian front. so you best fight your hardest, private amy."
as he finished, the squad set down their Mauser 98K's and MP-40's and stepped closer to her. her eyes widened in shock, then narrowed in ferocious determination. there were twelve of them.
"Fight!"
• *
Amy took a fighting stance and faced her attackers. she attempted a punch at the nearest one but was kneed in the gut, she was thrown back a few feet. she fell to her knees and clutched her stomach with one hand, holding herself upright with the other. tears sprung to life in her eyes and threatened to roll down her cheeks. she fought the tears back and stood, feeling her claws extend. she swiped at a soldier's throat, catching him right in the throat. blood splattered the ground as he choked on his own fluids. the remaining eleven were taken aback slightly, allowing her to pounce another soldier, punching and tearing at his gut with lethal force. her fur was bloodstained and she waited a moment too late, watching the cavity she created fill with blood. she was barreled over, the wind knocked out of her by a sergeant. she lay on her back, gasping for air as the soldiers closed in,
landing a few punches and sending her reeling back. she staggered back, struggling for breath. she
Bumped up against something and realized it was a bunker wall, she was trapped. she thought quickly and decided for a new course of action, she waited for one of them to gather his bravado and throw a solid punch at her, which was useless, she grabbed his wrist and smashed his head against the wall, filling his helmet with blood and brains. in the same move, she had grabbed his Luger and had downed three more of the remaining ten. in their moment of confusion she kicked the closest one in the fork of his legs and followed up with a pistolwhip. the man went down quickly and died by the heel of her merciless boot. the remaining six charged at her, one falling by her last bullet and another caught a swift kick in the ribcage, shattering the bones to peices. the rest of the men were sergeants, and they began to retreat, running into the open field. she was about to chase after them when she
heard another Luger fire. she turned to see the captain shooting the deserters. each fell, one by
One by the captain's gun to her surprise he let a single man go. "you have done very well, frauline amy. you have killed eight out of twelve men, not bad at all."
she was panting, her uniform dirtied, "why.. did you let.. him go?"
the captain smiled, "someone has to spread you're reputation, heir captain."
she gaped at him. "i am... captain?"
"yaboe, heir frauline. you have proved yourself worthy to serve under the fuhrer."
she saluted him, "thank you, heir captain."
*
amy wrote in her journal as they were driven to one of the Stalags: "my promotion to captain has earned me my choice of weapons, ive chosen a few, two long barrel Luger's, a cavalry saber, and a sixteen foot bullwhip. i also carry an automatic Mauser in my messenger bag. other than a few knives carefully hidden on my body, that should be it. ive become the fuhrer's favorite enforcer, though i feel as if i'm forgetting something..."
amy closed the journal and placed it in her bag with a soft snap.
Amy waited for a **** private to open the car door and let her out, tapping her foot impatiently. when he finally came, she had a luger pointed at his chest. "you're late. she got out of the car and shot him, holstering the pistol as he crumpled to the ground. the colonel in charge rushed towards her, "what is the meaning of this?!"
"your man on watch was late, and now he'll never be late again. and also, colonel, as i am a captain in the SS, i am your superior officer and you WILL adjust yourself accordingly or i will replace you with someone who will."
his expression was that of shock, "y-yes, heir captain, please follow me." he escorted her quickly to the main building. amy glanced around at the peering POWs, glaring at them with distaste as they whistled at her. "who's the kitty?" "what the hell is that?"
her hands fell to her lugers and she was ready to fire when she was beckoned inside by the colonel and she followed behind him reluctantly. "you should control your prisoners.
i find an overall lack of order in this camp. you're lucky i'm in a good mood, or i'd have you strung up for incompetence. lets hope my further evaluation of this... facility... does not make me any more inclined to do so."
the colonel stuttered again and dipped his head, "y-yes heir captain."
she stepped outside unopposed by any. she snapped her fingers and a sergeant rushed to her side and saluted. she handed him a journal logbook and he opened it to the page marked with the Stalag number. she entered the closed off areas of the stalag to inspect the barracks.
*
amy's fists were clenched with rag, a prisoner mocked her from within his confines. his fellow prisoners pleaded with him to stop. "she's lethal!" "she killed eight SS sergeants and corporals singelhandedly her first day!"
the prisoner ignored them and began gesturing at her. she snapped her head up and their eyes met for an instant, she growled through a gritted snarl and was over the fence in mere moments. once over,
the prisoner that mocked her was now on the ground, his throat between her fangs. he cried out once and then gurgled blood as she tore out his throat. she spat the flesh onto the dirt and stood, brushing the dusty particles from her uniform. the men around her backed away when she approached them, and watched her cautiously as she stepped back out of the fenceline. amy picked up her cap from the ground and brushed it off. one of the prisoners called for a doctor, and when one of the guards began to look for one, she merely said, "no, he wont survive. leave him be."
the soldier saluted and went back to his post. she walked up to the colonel and said, "your prisoner annoyed me, as do you, colonel. you have three days to turn this place around or you'll end up worse off then your prisoner over there."
the colonel had turned a pale white and whispered, "understood, captain."
she returned to her quarters and listened for a moment as the colonel shouted orders. "that was fun." she remarked.

Amy was asleep in one of the larger rooms in the main  building, her uniform folded neatly on the table near the bed. she kep one luger on her bedside table and the mauser under her pilllow. her other luger, her sword and her whip were next to her clothes. she was clad only in her fur, as she'd found that the most comfortable way to sleep.
she was woken up by a knock at the door. she blinked her eyes a few times. clutching the mauser handle with one hand and holding the blanket to her chest with the other, she said, "what is it?"
"the colonel wishes to speak to you, heir frauline."
she growled, "grrr... fine. tell him to make it quick." she clutched the blanket closer as he opened the door. she held the mauser aimed at him and said, "turn." he did so without hesitation. she slipped cautiously out of the bed and began to dress. "what is it you wished to speak with me about, colonel?" amy put on her undergarments and then pulled her trousers up to her waist, fastening the belt comfortably.
"there is an important telegram for you, heir captain." she pulled on the jacket over her simple shirt, tugging out any wrinkles. "oh? from who?" next came the holster belts, each hanging slightly lower than her first belt. her sword was another belt, and there was a custom clip there for her whip as well.
"Himler, he has special orders for you." her messenger bag was next to last, slung over her shoulder before she slipped into her boots. ""You can turn now. hand them here." she stepped closer to him and took the envelope with her name scrawled on the front. the colonel excused himself so she could read the orders, "captain amelia weissmuler, once you have completed your assignment at Stalag 14, please make haste to stalingrad as there has been a number of our own turning against the *****. see to it that they cause no more problems. -heinrich himler"
she read it through three more times before folding it and placing it in her bag. she hurried outside, grabbing her hat
From the dresser.
* *
amy went about her inspection, seeing nothing wrong today. "the condition of stalag 16 has improved, heir colonel. well done. now send my car around." the colonel grinned and motioned for the car.
the black car adorned with swastikas roared to life, coming up beside her. the d
Michelle Garcia Nov 2014
i used to write about him
endlessly
in tattered journal pages
and in cheesy poems
but i didn't want to admit it

i didn't want to admit
the fact that he was gone
and writing him into paper
wasn't going to bring back
the person i once knew

i didn't want to admit
that i wasn't in love-
that instead, i was cold and lonely
for endless summer nights
in the pitch black vacuum of my room
when everyone else was sound asleep
and i should've been, too
i guess at that time
i just didn't want to admit
the fact that i was too busy writing
to realize i was just lying to myself

so this is me finally admitting it-
this is my apology letter
for blindly lying to myself,
for believing the miserable lie
that writing about him
would bring us back to life

because so far it hasn't worked
and i'm undeniably sick
of lying to myself
and ignorantly believing it will
Harry J Baxter Jan 2014
As kids we played football
maybe you call it soccer
but it doesn’t matter
There was this pitch
in the park across the street
from my childhood town
tucked away in my memory
like distant church bells
and the smell of honeysuckle
on that pitch we played world cup
or full scale games if enough kids were out
and we got competitive
mud tracks and red thighs
never actually keeping track of the score
just who was playing best
and if I’m honest
it wasn’t often me
but it was never about the game
it was about the bonds we developed
on the field all building towards the same goal
a picture of crossbars
and side netting
and grass greener than it could be
in any other slice of time
and the sound
the sound of leather boot smacking against the ball
still wet with rainfall from the night before
we played football as kids
because at times
it was the only thing that made any
A Simillacrum Jul 2018
Master, have mercy.
I am Master. I
Have no Master.

The planet
is atrocious.

I am It.

Planet Earth
is atrocious.

I am It.

Why is it so hard
to see
be yond peace?
Why is it so hard
to be
who you want?

The mind, secluded
in a prison rift
of copy paste
makes waste.

Where is my paper?
Where is my pen?
I write for me!
I repeat as if I
will soon
believe.
I write for me!
(logging on again)

The planet is horrid.
I am part of It.

Oh, Peace & War,
do we know it.

Yet with an audience,
my imagination
grows stagnant.

The once in abstract
gathers into form.

I did this misdeed.
A disservice.

Once a dreamer.
Now a journalist.
This one is for [redacted]
You make me want to run away.
That, is definitely a good thing.
A reminder that I never meant to stay.
Nova Born Dec 2017
~~__~~*
The high pitch
squeals
the wines
the low pitch
sorrowful
voices
the perfect pitch  of those
that got just what they
wanted

The high pitch
Squeals
The wines
The ones
still ready to fight
to caw
to schreech
the ones that moan
for revenge
the everlasting
taste of blood
on there lips

The perfect pitch
the ones that got
just what they wanted
floating dreamily
a peace
ones that lived exactly as
they pleased


                        The low pitch
       cries
                screams
       ones that may whisper
given up
       that hoped that death was the peace
the answer
     But found it wasn't any better
there hope that filled them
replaced with a sword that wasn't strong
  to others
but sliced
there souls
           Till
They are hollow
athena Oct 2016
you were shrieking about your problems
your teeth were all about this material world
everything was all about you
because that's how you wanted it
you loved yourself
and only yourself

you were spitting money of all currencies and kind
you adore them like how i adore humankind
you boast loudly about the material things you own
you loved your things so much, you turned into one
and you think people would actually love you

boisterous laughs were hidden behind the old brick wall
the you i used to know were a pigment of the past
you are now pitch-black, self centered and selfish

the pit can simply be covered with mud or a beautiful plant
but you dig deeper and fall and ask for succor
because that's what you crave for after all
-because money, that's all you have.
topacio Nov 2015
my fingers have become bored with
the quicksand of routine
they prefer to dance erotically over my typewriter
frolicking like naked ballerinas
over an ancient stage
spilling their secret thoughts
onto blank page,
after their day job
threaded together
over my lap,
or bending over to
reveal the contents
of my burlap sack

they have taken instead
to jumping over cracks
in the nothing of night
stifling the sound of silence
with assortments of clicks and clacks
punching in the perfect pitch of keys
to leave Beethoven blind
from this symphony of notes combined

and just like that at last
they have unfolded some rhyme
unachievable with ink and pencil,
without the stencil of time
dictating to work inside the lines
shyann raulerson Jul 2013
I heard faint noises downstairs, and I decided to investigate. I pulled on a pair of cut-off jeans and grabbed the old pump shotgun that had served me so well in Viet-Nam from under my bed and crept downstairs to check. My Ranger training came into play, and I moved soundlessly, down the stairs and into the living room. An air of vague shadowy figures were searching through the cabinet that housed my collection of antique silver. I announced my presence in a sudden and intimidating manner: I merely pumped the action of the shotgun, then immediately moved to the right so if anyone shot, he would shoot where I had been, not where I was now. That sound was a language that everyone understood, including the two figures before me. They froze, and were still motionless.

"Mr. Steve?" one of the figures quavered. "Please don't shoot!"

I recognized the voice as belonging to Lisa, the twenty-year-old daughter of my nearest neighbor. I didn't know who the other person was or who else may be in the house, so I kept the shotgun pointed in their direction and hit the light switch with my free hand. Immediately a car cranked up in my driveway, and tires squealing, raced out to the road and away. I looked at my midnight visitors. I recognized Lisa and Julie, who was a close friend of Lisa's and a frequent overnight visitor of hers. They were holding between them a laundry bag containing most of my silver collection. I lowered the muzzle of the cut down shotgun.

"You sure know how to get yourselves killed," I stated. "Mind telling me who was in the car? You don't want to take the rap all by yourselves."

"Please don't shoot! That was Mike, it was all his idea! He made us do it! He said he would put us out and make us walk home if we didn't do it! Are you going to call the Cops?"

Now I could understand why the girls tried to burglarize my home. It was a fifteen-mile walk home in pitch darkness on a moon-less night for the two frightened girls. It was just what a worthless **** like Mike would pull. Knowing what I did about Lisa's boyfriend, I knew what he probably needed the money for. He was nineteen; the only job he had ever had was selling drugs, and I don't mean at the pharmacy. He was a charmer though. Girls fell for his good looks and his charm, and would do anything for him, and he of course chose the best looking one of the bunch, Lisa. She never realized what a slime-ball he really was. The problem was that Lisa didn't have a father to threaten to put a bullet in Mike's behind, and her mother was just as deceived as she was.

"You broke into my house and attempted to steal my belongings. Why shouldn't I?" I said with false sternness. I wouldn't really turn them in, now that I knew the situation. I would give the girls a good scare, then a ride home. Maybe then Lisa would see through Mike's veneer.

"Because we'll do anything you want," Julie offered, speaking for the first time. "Anything at all!"

Julie stepped over and ran her hand up my leg, pausing to tweak the head of my ****, which was hanging out of the leg of my cutoffs. I hadn't bothered to pull on any underwear. Julie was almost as good looking as Lisa was. Both girls had fabulous bodies, large firm ****, and smooth well-rounded *****. Julie had a cute face, whereas Lisa was absolutely beautiful.

"Yes, anything you want to do!" Lisa agreed.

The girls weren't wanton *****, but scared out of their wits and taking the only way out that they could think of. Of course they weren't virgins. It hadn't occurred to me to take advantage of the girls like this, and I would have declined Julie's offer if she hadn't fooled with my **** like that. You see, I was developing an outrageous *******, and with my **** hanging down the leg of some fairly tight shorts, the situation was rapidly becoming painful and serious. I had to get those pants off fast! Also, I hadn't been laid in quite a while. I decided to lay my cards on the line.

"You kids know me. I never had any intention of calling the Cops. I was going to give you a scare to teach you a lesson, then drive you home. Does that mean the offer is withdrawn?"

The girls looked at each other and both breathed a sigh of relief, big smiles on their faces. Lisa winked at Julie. "Nope," Julie said, smiling, "It still stands. Lets go upstairs."

I escorted the girls to my bedroom, pressed the magazine block on the shotgun, pumped out the shell that was still in the chamber, then put it back in the magazine. I tossed it onto the dresser with a loud thump.

I turned around and both girls were stark naked. Lisa came over, dropped to her knees, and planted a wet kiss on the head of my painfully throbbing ****. My ******* became harder still. I had to get out of those cutoffs! Julie solved that problem. She unzipped and unbuttoned them and gently worked them down around my rock-hard ****, allowing it to spring up to freedom.

"Lets get on the bed first," I suggested, "Then we have fun."

"Lay down on your back," Lisa insisted. "Have we got something for you!"

I complied, and Lisa leaned over and put my **** in her hot mouth. Her tongue swirled over the head, ran up and down the shaft, and started over again. I looked over at Julie and she was watching avidly. Not having anything better to do with my hands, I reached between her legs and caressed her ****. Julie gasped with surprise, then spread her legs. Her **** was already hot and wet, so I slid my ******* in all the way, then started finger ******* her and massaging her **** with my thumb. Her **** hardened and grew. Julie had her eyes closed and was erotically tweaking her ***** *******. She was slowly lowering her body, deepening the ******* of my finger, and rocking her hips back and forth, intensifying the stroking of her ****. Julie's hot ***** juices ran down my hand while Lisa's mouth was still working on my throbbing ****.

I began to draw my hand from Julie's sopping wet ****, but she grabbed it and held it tightly to her crotch. I pulled my hand now, and she came with it. I grabbed her thigh and swung her leg over me, so she was now sitting on my chest. I pulled my finger from her hungry ****, grabbed her ***, and pulled her ****** right up to my face. As soon as I flicked her **** with the tip of my tongue, she went wild, ******* my face, filling my nostrils with the sweet aroma of her **** juices. I thought I would give her all the licking she could handle. I rammed my tongue into her ****-hole with all my might, then gently nibbled on her ****. Apparently she had a low threshold, as this was all she could stand.

"Oh God, I'm coming!" she screamed, ground her **** into my face one more time, quivered, then collapsed sideways onto the bed.

One down, one to go. I looked at Lisa, still ******* my **** for all she was worth. I was nearing the end of my endurance, and I still hadn't had my **** in any hot **** yet. I grabbed Lisa's shoulders and pulled her mouth from my ****. I turned her around and held her up, her blonde ***** triangle just inches over my waiting tool.

"Give it to her! Now!" Julie whispered.

Lisa's **** didn't look wet or ready to take anything in it yet, but my **** was ready to take some *****. Julie reached over and spread the lips to Lisa's still dry *****, and began tweaking her ****. Lisa gasped her surprise at her most private place being touched by another chick. Within seconds though, her **** and inner ***** lips began to swell, and her juices started flowing. I slowly lowered Lisa to my rod, admiring her glistening pinkness. Julie guided my throbbing rod into Lisa's wet love hole.

"Please, be careful! Ah-h-h-h! Go slow, I'm so tight!"

I lowered Lisa very carefully, for her hot ****-hole was indeed the tightest ***** I had ever felt. With that in mind, I fought the urge to slam her down on my eager ****. As soon as she was down, I grabbed her *** and began sliding her back and forth. Lisa bit her lip as a tear trickled down from one eye.

"Stop, Mr. Steve! It's hurting her!" Julie commanded. Then to Lisa, "You haven't done it much, have you?"

"Just once, with Mike, and he isn't this big. It hurt then, too!" Lisa sobbed. "I wanted so bad to do it with Mr. Steve because he's been so nice to me, and I was so scared when I saw how big he was. Oh, it hurts!"

"You'd better get up then." I reassured, "I don't want to do anything to you that you don't want me to do."

"I want to go on, really I do! But don't you have anything I could use to make it easier?"

"Yeah, any Vaseline, or KY jelly, or something like that?" Julie asked.

"I have some KY jelly in the bathroom." I answered.

Julie jumped up and padded into the bathroom. I watched her naked *** jiggle as she left.

"You're gonna have to get up." I told Lisa. I gently lifted her ***. She bit her lip again and moaned as my **** slowly withdrew from her tortured hole. With a pop from her *****, a shriek burst from her lips as my **** sprung from her nearly dry ****-hole. She knelt on the bed next to me, softly crying, clutching herself where it hurt. I realized that she had been wrong in pretending to be so eager. A more gentle approach was needed.

I reached over, pulled her to me, and kissed her lips passionately. She ****** once in surprise, then melted into my arms, returning my kiss, forgetting the pain in her ****. I ran my hand around to her firm **** and gently stroked her *******, feeling them harden under my touch. I pulled my mouth from hers and kissed the point of each hard ******. She moaned and gasped with each touch of my lips, but from pleasure this time, not from pain. While I had her aroused, I lightly traced circles on her tummy with my finger, each circle going lower and lower, until I finally reached the blonde **** of her ***** hair. Slowly, I reached down and cupped her ***** with my hand, being careful not to press too hard or insert my finger. I would know when she was ready for *******. She responded with a **** and a gasp. I pressed again, and she gasped again. I kissed each firm ****** one last time, then started kissing down her tummy to her love nest, which was now warming and starting to respond to my touch.

I spread her legs and gently ran the tip of my tongue the full length of her slit. When I reached the vicinity of her ****, she reacted as though she had been shocked. She arched her back, pressing her **** against my face. Maybe she was ready. I probed again with my tongue, harder this time, hard enough to separate her ****-lips and tickle her ****. She went mad again, jerking and twitching in response to the touch of my tongue, moaning and panting. Then I felt her **** harden, her inner lips swell and spread, and her delicious juices start to flow. Now she was definitely ready for more. I probed her ****-hole with my tongue, licked all the way up to her ****, swirled it around, bit it gently, and then probed her hole again. When I started doing all this, she went even wilder. She spread her legs, ****** and reared against my face, and pulled my head tight against her hot cooze.

"Oh-h-h-h-h, **** me," she moaned, "I can't stand it any more! I don't care if it does hurt! Please, please **** me!"

I put her throbbing **** between my lips and gave it one hard ****, drawing it completely into my mouth, and pulled my head back sharply, causing her **** to pop back. She screamed, ****** her hips at me, and grabbed her sweating *******.

When she had subsided, her legs still spread, I mounted her in the traditional position. I started to position my throbbing pole for a gentle entry, but Lisa released her **** and spread her ****-lips with one hand and guided my tool to her sopping wet ****-hole with the other. She was much wetter now than when Julie diddled her ****, wet enough to ****.

"Please do it now!" Lisa pleaded.

I began to insert my **** cautiously, and found that due to her juices, entry was no problem. Lisa groaned like a ****** as I slid into her hot wetness. When she had taken as much of my ten-inch tool as she could, I still wasn't all the way in. But she began pumping her hips, causing the swollen head of my **** to ram against the back of her *****. She was as deliciously tight as before, but she must have been stretching, for with just a few strokes, my ***** were slapping against her ***, and I was in to the hilt. My tenderness and foreplay had paid off.

"Oh-h-h-h, that's good!" she purred when I began pumping to meet her rhythm. She wrapped her legs around my waist, and was pumping as hard as I was. With each stroke, I would completely withdraw from her hot, tight wetness, then shove my eager tool back in to the hilt, never missing her voracious target, always sliding easily in, jamming against the back of her *****.

Her pumping increased in tempo, and I sped up to match. Each pump became harder and more frantic than the one before. Lisa's breathing became harder and faster. She was about to come, and I wanted to come with her. I raised her legs over my shoulders so that I had a better angle at the depths of her tight hole, and started ramming as hard as I could.

"Don't stop! I think I'm gonna come! Oh-h-h, its so good! Come in me! Oh, please, I want to feel your load in me!" Lisa screamed. She bucked and reared and screamed incoherently, then went limp. I continued to pump. In just a few seconds, she began to pump anew. For more times than I could count, she orgasmed.

Once I felt my ****** approaching, I gave her one last hard ram and drove my weapon in as far as I could. I came at this point, spurting her sweet, tender Steve **** full of my hot sticky come, like an erupting volcano. She gasped, trembled, and fell back to the bed. I pulled out my softening ****. Our ****** energies were spent for the moment.

I glanced down at the foot of the bed, and saw Julie, whom I had forgotten. She sat in the chair at the foot of the bed, her legs spread, working a coke bottle in and out of her *****. She had found the KY jelly, then found us ******* away. Feeling left out but excited by the ****** sight of her best friend getting a good *******, she slicked up the coke bottle and began using it as a *****.

I saw that Lisa also was seeing something she had never seen before, her best friend's ****, gaping open, a coke bottle almost disappearing inside it. "Look how far in she puts it! And see how big it is to go in her like that. How does she do it?" Lisa asked, amazed.

"Why don't you get a closer look," I suggested. "Ask her." Lisa crawled down to the foot of the bed and sat on the end, astounded, watching Julie *******.

Julie finally looked down, under heavy-lidded eyes and saw Lisa so close. "Why don't you do this for me?" Julie asked.

"How?" Lisa queried.

"Just do what I'm doing now," came Julie's reply. Lisa watched for a few seconds more, then pushed Julie's hand aside and grasped the slippery end of the bottle. "In and out, and twist it a little bit. Oh, yes-s-s, oh, yes-s-s. Do it good, oh, that's so good!" Julie purred.

My **** was hardening again at the sight of one female ******* another.

I had an idea. If Julie was as promiscuous as she seemed, she might not object to what I had in mind. While Lisa continued to work the bottle in Julie's stretched ****, I helped Julie out of the chair and down to the floor, her heaving **** on the floor, her *** up in the air. She stayed in the position, crooning wordlessly, **** juice dribbling down her thighs, Lisa still ******* her.

I picked up the tube of KY jelly that Julie had used, and liberally covered my ***** rod with it. Then I stood behind Julie, straddling Lisa.

"What are you going to do?" Lisa asked.

"Watch and see!" I responded. With that I grasped Julie's hips and aimed my **** at the delicate rosette of Julie's ***. Using my **** like a weapon, I suddenly shoved my tool in as far as I could. Julie let out a scream, tearing out fistfuls of carpet.

"Oh God, **** my ***! That hurts so good! **** me harder, give me all you've got! Make it hurt! Give me more of that bottle!"

"I'm ***-******* Julie!" I informed Lisa, who was now completely mind-blown.

I needed no invitation, and neither did Lisa. Both of us gave Julie all we could, Lisa with the bottle in Julie's ****, me with my **** far up Julie's clenching ***. Julie rocked back to take us both in, then forward, then back for more. I couldn't see
Big Virge Oct 2014
Ya know .....  
  
I have one now ... !!!  
but ... hear the sounds  
of people complaining  
in different towns  
  
A woman one day  
had this to say .....  
  
"This ***** keeps saying  
all types of things  
on my Facebook Page  
as if my thoughts  
shouldn't get airplay !!!!!"  
  
Well to me ... Her Lines  
meant Facebook ... Shine ... !!!  
  
Why ... ???  

Well ... because her views  
play a different tune  
to them and those  
who drop ... THAT PROSE ...  
which ... CLEARLY ... shows ...  
what's up ... Their Nose ... !!!!!!  
  
Something .... BROWN .... !!!!!!!!!!  
  
What's with these clowns ... ?!?!?!  
  
Folks ....  
It just goes to show ...  
that ... ******* go ...  
with ... BIG EGOS ... !  
  
Could it be ... Crack ... ?!?  
that's got her on ...  
"Facebook Attacks !!!" ...  
  
Well ......  
Here's ... My Pitch ...  
to you ... Facebook ***** ... !!!  
  
Unhook yourselves ...  
from where I dwell ...  
but ... Don't Dismiss ... !!!  
These here ... Lyrics ... !!!  
  
When you see ... My Posts ...  
Please ... just do this ...  
Adopt ... That Pose ...  
and yes ... Double Click ...  
where you see ... " QUIT " ...  
and make ... Your ... EXIT ... !!!!!!  
  
A ... Nice ... Quick Fix ...  
for your obvious ... " Glitch " ...  
to act ... " Foolishly " ...  
before you ... " THINK " ... ?!?  
  
which is a ... Habit ...  
You ... NEED TO ...  
  
... " MANAGE !!! " ...  
  
Is this ... what you ... REALLY ?  
Have one ... for ... ???!???  
  
to wage ... Cyberspace War  
with ... Lyrical Swords ...  
that aren't ... Sharp Enough ...  
to cut through ... The Stuff ...  
that Clearly gets you ...  
... in a ... " Huff " ... !!!!!!  
  
So you ...  
  
" Huff and Puff " ...  
  
All ... Facebook Tough ... !!!  
  
But ....  
That's NOT ... Tough ... !!!!!!!  
  
All it proves ...  
is that ... Your Moves ...  
are ... Shady, Hazy ...  
Thought waves ... CRAZY ... !!!  
thinking that ... befits a ... " Baby " ... !!!  
  
Facebook hype ...  
has got these types ...  
acting like ...  
  
" They've Lost their Minds ... !!!!! "  
  
Girls and ... Guys ... ?!?  
Women and ... Men ... ?!?  
  
Hiding behind ...  
Facebook pretense ...  
Their Facebook Friends ...  
and posts contrived ...  
to prove how wise ...  
and ... EVER SO ... Nice ...  
these people are .....  
who have ... " NO LIVES " ... !!!  
  
2000 friends .... !!!!!  
on ... Facebook ... Yes .......  
Very ... Popular ...  
like a piece of ... "****" ... !!!  
  
that likes being ... licked  
by ... Any Old Chick  
or being ... " Sticked ! " ...  
by .... " THOSE ! " ....  
  
"Naaaarrrsssttty *****" ... !!!  
  
Is this what you ...  
REALLY .....
have one for ... ?!?!?  
  
"Really man ...  
don't you ever use it ...  
to try to uplift ...  
and share something ...  
that helps our kids ... !?!  
  
" Oh right, You DO !!!!! "  
  
You ... "FaceTime" ... yours ...  
now they're ... abroad ...  
because they ... RAN ...  
away from ... YOU ... !!! "  
  
"Oh your fam and friends  
in far away ends ...  
that's how you stay  
in touch with them !"  
  
"Okay that's cool  
but tell the truth ..."  
  
"It's once a year  
that they call you  
to bend your ear  
about THEIR issues !!!"  
  
Now ....  
Calm down your mood  
and don't be rude  
it's just ... MY VIEW ...  
on Facebook crews ...  
  
Who ... think they're cool ...  
  
Posting this ... and ...  
Posting that ...  
  
Until someone ...  
points out some ... FACTS ...  
or ..... Even worse ...  
Points out the ... FLAWS ...  
in post they've made ...  
that have ... No Cause ...  
  
than to get people ...  
to message you ...  
  
and say,  
  
"Hey dude, your post was cool !!!"  
  
" Vacuous CRAP ! "  
that just ... attracts ...  
the flies who ... Lie ...  
in ... " Venus Traps "  
  
Hoping to escape  
when they've .......  
Long since made ...  
  
A page of ... " Farce " ...  
to build a ... " Facade " ...  
  
that proves their thoughts ...  
  
come out their ........... ???? ............  
  
.... " Perverted Minds " ....  
  
You're bound to see  
****** imagery ...  
I think ... You'll find ...  
on their ... Timelines ... !!!  
  
It is what it is ....  
This Facebook thing ...  
  
Built to consume ...  
Peoples' thinking ...  
and built to ensure ...  
Egos get .... Poured ............................  
  
ALL OVER THE PLACE ... !!!  
  
It's a ****** disgrace ...  
don't you people ...  
feel ... " Ashamed ?!? "  
  
Such forums should be ...  
used for more ...  
than ... waging war ...  
or trying to impress ...  
these ... " Cyber ****** " ... !?!  
  
This question I guess ... ???  
is for ... " Face-Hooked " ... hoards  
  
Is this what you ...  
REALLY ... have one ... for ?
Social Freaking Media ... !?!
Umi Mar 2018
Holding a pen in hand, preparing pitch-black ink for a blank paper,
I begin with gentle, delicate movements, letting it slide over it.
One line follows another, one without any bother, any care to it.
A regular starshaped polygon, surrounded by a simple circle has been made, one which holds meaning to it, hidden underneath ink.
Some might gaze at it as a sign of a greater evil, heresy or worse,
Others might watch it in awe, a sign of protection a symbol of hope.
A maze with two ends has been made, each with its own belief.
However, my tired eyes, which have been worn, gaze at it and see beauty, the connection of each line contains grace, closed by the circle.
Thus a smile has been cast on my face, as I look at it another time,
Noticing how the black ink has taken the papers purity my cheering sight perishes, saddens in an instant, what I had drawn had become unrecognizable, as the paper spread the ink and distorted this image.
The broken in the light, moist and now fragile, drops through, in wonderous, ominous distraction, leaving a great hole in the middle.
Unable to be ever repaired the paper finds its trail into the trash,
A puddle left of what it was, mixed with the pitch black, had to be cleaned up, so that another attempt could be made, another try.
So I pick up my pen once again and connect the lines with a smile.

~ Umi
Silence Screamz Oct 2014
Candle goes out.
Pitch black.
Silence.
Pushed back.

Alone in the room.
Fear sets in.
Hair stands up.
You win.

Lights back on.
I win.
Mercury Chap Jun 2015
Some pitches are so high
That when one shouts
No one could listen
Except for the animals.
Chrissy Ade Jul 2018
The nightingale is titillating;
its songs shiver down my spine
while listening to its melodious voice;
hearing the pitch-perfect harmonies,
is as calming as the summer sea

I watch the nightingale, perfectly perched on the tree
whispering sweet sounds of seduction
beckoning to her mate
its voice echoes throughout the night
Filling the eeriness of the pitch-black sky

My own nightingale, won't you sing to me?
Your voice is my sanity,
soft-spoken and light, solace rests in your songs,
It covers me like a blanket,
shielding me from all harm

Safe and sound in your presence
captured by those gentle brown eyes
your peace is like the moon,
Resting still in the dark
But always following around

My nightingale sings me to sleep
as the sky changes from dusk to night
the sweet little notes caress my ears
while I gently close my eyes
dreaming to her lovely lullaby
I consider this poem an 'old' poem since I wrote it about 5 years ago. I decided to revise it from the original, which I may or may not post later. All feedback and CC is welcome!
in the long ago
a randy poet
did contact me
via the site's
internal email
he requested that I should
pen him some ****** verse
due to me being
such an obliging person
I wrote the fellow
a few lines
of the hot and steamy
variety*
he was quite satisfied
with how they affected
the pelvic region
and it engendered
such a goodly arise
Sir Percy
response
but after several months
all communication
between us
did abruptly cease
for he had found
a more seasoned poetess
to scribe him stuff
*in a spicer pitch
Colin Anhut Jan 2014
when I last lied on
the floor and the
song changed to
Monk's 'Midnight' and the
drunk was in pitch
my soul stood up,
made love to
the air and
took liberties
with my alcohol --
Katelynn May 2018
Someday you’ll love you.
From the sparkle in your eye,
To the pitch of your laugh,
Even the color of your hair.

You will love every part,
From every wrinkle,
To every crinkle,
Every part of you.

But they will try to tear you down,
To make you frown,
To make you think you’re not worth it.

But darling you listen to me.

From the way you walk,
To the way you talk,
You will be mocked,
But don’t you listen.

From your weight,
To your height,
You are all wonderful to me.

Maybe one day you’ll see,
The beauty I see.
The way you were made,
So beautifully.

But until then,
Do not forget,
On how true beauty,
Comes from within.
I hope one day that you love you the way you deserve. You are worth it ❤
Shofi Ahmed May 2017
It’s a coloured and shaded broad daylight.
Bring me my hourglass, my paintbrush.
Keeping a timepiece, how soon my brush
strokes become finer it is not the task.
Try once more, strike a fine chord in time,
ever ticking but doesn't make a sound!  

Let’s read the small prints, the shadow lines
on the pitch of the slit sun shines!
A dark spot in the light, some dotted lines
on a blank paper, however witty you might
describe it, count on the tweeting birds
short and cute, singing in the open air.

Light and dark the two tallies, ins and outs.
The times come and go, flowing fine.
For now, let’s take a look inside.
Tint and shade nor tone them now.
Zoom in and out, just watch them as they are.

This cool sleek shade on the sunny slate
is it a shadow, or some quivering curly hairs
or are these reflections of flocking clouds,
diligent sea eyeing deep down on the ground?
Read the small prints, shadows in the daylight,
before the show is wrapped up.
And down the evening pool, the sun
parts away with the black swan.

— The End —