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"piety" poems
My heart leaps up when I behold A rainbow in the sky: So was it when my life began; So is it now I am a man; So be it when I shall grow old, Or let me die! The Child is father of the Man; I could wish my days to be Bound each to each by natural piety.
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13.3k
The Rainbow
Ask me, Ask me now daddy. What I want to do when I grow up. I want to be happy. No, not happy I want to be happiness. I want to be joy and cheer and admiration Confidence and peace and optimism I don’t want to be like others, no, I want to be love. The smile that comes across your face when they say your name, The look that makes your heart skip a beat, The song that makes you rethink every second you spent together. I don’t wanna be the poem, I wanna be the emotion behind it, Not the first kiss, let me be the nerves, Not the dance, let me be the excitement, Not the Officiant, let me be the vows. When I grow up, I don’t wanna be a doctor mommy. I want to be the feeling when someone’s told there’s a cure, Or when a parent finds out their child will live to be a teenager, Or maybe I want to be 3 in the morning when a mother holds her child for the first time. I want to be affection and adoration and passion Oh, I want to be passion. Let me be passion. So that you cannot do without me, because nothing without me has meaning. So that when you are playing the final strain or scoring the winning goal, Or writing the last chapter or finishing the last paint stroke, You will think of me. Maybe I’ll be allegiance or devotion or respect. I won’t be the soldier, I’ll be the loyalty. Or the surprise in a child's heart when their dad comes home early, Maybe I’ll be the feeling when a father meets his baby for the first time, And the child already knows his name. I want to be piety and faith and worship. I don’t want to be the pastor, I’ll be the lesson. Maybe I’ll be the obligation behind the first baptism or first communion. Maybe I’ll be the words when someone so low is told someone loves them. I’ll be the salvation of the gospel, The redemption to the guilty, The forgiveness to the sinners. When I grow up, I want to be the opposite of sorrow, The antonym of misery, The reverse of fear, The contradiction of rejection, The antithesis of disappointment, The inverse of insecurity, I want to be the alleviation of anxiety, The ease of pain, When I grow up, I want to be happy.
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Nov 20, 2013
Nov 20, 2013 at 10:17 AM UTC
Happiness (After Sekou the Misfit)
Ask me, Ask me now daddy. What I want to do when I grow up. I want to be happy. No, not happy I want to be happiness. I want to be joy and cheer and admiration Confidence and peace and optimism I don’t want to be like others, no, I want to be love. The smile that comes across your face when they say your name, The look that makes your heart skip a beat, The song that makes you rethink every second you spent together. I don’t wanna be the poem, I wanna be the emotion behind it, Not the first kiss, let me be the nerves, Not the dance, let me be the excitement, Not the Officiant, let me be the vows. When I grow up, I don’t wanna be a doctor mommy. I want to be the feeling when someone’s told there’s a cure, Or when a parent finds out their child will live to be a teenager, Or maybe I want to be 3 in the morning when a mother holds her child for the first time. I want to be affection and adoration and passion Oh, I want to be passion. Let me be passion. So that you cannot do without me, because nothing without me has meaning. So that when you are playing the final strain or scoring the winning goal, Or writing the last chapter or finishing the last paint stroke, You will think of me. Maybe I’ll be allegiance or devotion or respect. I won’t be the soldier, I’ll be the loyalty. Or the surprise in a child's heart when their dad comes home early, Maybe I’ll be the feeling when a father meets his baby for the first time, And the child already knows his name. I want to be piety and faith and worship. I don’t want to be the pastor, I’ll be the lesson. Maybe I’ll be the obligation behind the first baptism or first communion. Maybe I’ll be the words when someone so low is told someone loves them. I’ll be the salvation of the gospel, The redemption to the guilty, The forgiveness to the sinners. When I grow up, I want to be the opposite of sorrow, The antonym of misery, The reverse of fear, The contradiction of rejection, The antithesis of disappointment, The inverse of insecurity, I want to be the alleviation of anxiety, The ease of pain, When I grow up, I want to be happy.
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50
The flame in my flesh burns tor like Above conventions of average humanity, Propelled to hatred of their opposite By the pristine charm in the streaks of culture, Their Florence comes from the glory of orthodoxities In the time long fibres of religious pockets, Islam, Christian, Hinduism and all that steadily And firmly in piety aver perfection of Godliness, Forgetting the flame of same *** with oral spice In the God made flesh of the dear lesbian daughter, Spell binding the equivalent in blossoms of the gay, Provoking hatred from the threatened heterosexists, But the oral *** of a lesbian is an apex of human pleasure Surpassing all on earth and in heaven, as no human barricade Of whatsoever caliber will cull lesbian’s feelings From the glorious power in the genitals on kiss of lips, As the tongue of the chic wag from side to other Touching fountains of ****** glory in cement of sameness Throwing threats of law and black order to dustbins And trash yards of anachronisms as the power of LGBT Engulfs the young world into in its protégé, Shamelessly tethered on the sensual tentacles Of maximum gusto in the ***** of oral *** with a dear ‘less’ In tune with all rhythms of the times Remaining strange to the conservatives, Ever seeking pleasure from where pain hails Living gloomy life on a brink of melancholia, Worry not lesbian daughter you are powerful, In one away or so, rise up and walk tall You have power in your oral *** Oral *** Oral *** Oral *** of a lesbian!
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Jul 11, 2014
Jul 11, 2014 at 4:43 AM UTC
TOP LESBIAN'S ODE TO ORAL ***
The flame in my flesh burns tor like Above conventions of average humanity, Propelled to hatred of their opposite By the pristine charm in the streaks of culture, Their Florence comes from the glory of orthodoxities In the time long fibres of religious pockets, Islam, Christian, Hinduism and all that steadily And firmly in piety aver perfection of Godliness, Forgetting the flame of same *** with oral spice In the God made flesh of the dear lesbian daughter, Spell binding the equivalent in blossoms of the gay, Provoking hatred from the threatened heterosexists, But the oral *** of a lesbian is an apex of human pleasure Surpassing all on earth and in heaven, as no human barricade Of whatsoever caliber will cull lesbian’s feelings From the glorious power in the genitals on kiss of lips, As the tongue of the chic wag from side to other Touching fountains of ****** glory in cement of sameness Throwing threats of law and black order to dustbins And trash yards of anachronisms as the power of LGBT Engulfs the young world into in its protégé, Shamelessly tethered on the sensual tentacles Of maximum gusto in the ***** of oral *** with a dear ‘less’ In tune with all rhythms of the times Remaining strange to the conservatives, Ever seeking pleasure from where pain hails Living gloomy life on a brink of melancholia, Worry not lesbian daughter you are powerful, In one away or so, rise up and walk tall You have power in your oral *** Oral *** Oral *** Oral *** of a lesbian!
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31
♦   ♦   ♦ She was an earnest devotée. Her ideals, birthed in Chardonnay were globally diverse (read: white). A liberal bark preceded bite. Her crystal clearer than her vision; she provoked bemused derision as she breathed intolerance toward all who would not dance her dance. She swooned for distant pagan tribes, attuned to their exotic vibes – rapt in multi-culti piety strangely deaf to her own society, judged by her as abomination; unredeemed. The background station always stuck on N.P.R. (the soundtrack of her culture war, Pacifica News and Democracy Nows, and other progressive holy cows) Her motherland a shameful mystery: guilty first, and void of history – its origins defiled, corrupted… while she enjoyed uninterrupted freedom to pursue her whims: misguided one-world global hymns. The sisterhood of hu(man) kind was foremost in her earnest mind – even should that same sisterhood be sealed by her well-meaning blood. Out on a date with global death she hoped to unify the earth in solidarity with causes led by killers, warlord bosses, thugs she never knew existed who, if she’d met she’d have resisted. Her theory landed far from her praxis spun, by default, on an evil axis. Hot with zeal she fumed and stormed quite certain she was well-informed, at benefits, non-profit functions rallies, boycotts, left-wing luncheons; warm with righteous spite for Israel, aiding and abetting Ishmael with fellow-travelers, like-minded similarly hateful, blinded, rattling sabers, scimitars, axes… (lunacy never wanes, but waxes hotter with the passing years as activists confront their fears). She finally shilled for the Intifada (stopping short of reciting Shahada), reaching out to the terrorist with righteous raised progressive fist… offering thus her neck to blade: collateral to be repaid by murderers who couldn’t care less about her open-mindedness.
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Sep 9, 2015
Sep 9, 2015 at 9:57 PM UTC
Suicide by Diversity
♦   ♦   ♦ She was an earnest devotée. Her ideals, birthed in Chardonnay were globally diverse (read: white). A liberal bark preceded bite. Her crystal clearer than her vision; she provoked bemused derision as she breathed intolerance toward all who would not dance her dance. She swooned for distant pagan tribes, attuned to their exotic vibes – rapt in multi-culti piety strangely deaf to her own society, judged by her as abomination; unredeemed. The background station always stuck on N.P.R. (the soundtrack of her culture war, Pacifica News and Democracy Nows, and other progressive holy cows) Her motherland a shameful mystery: guilty first, and void of history – its origins defiled, corrupted… while she enjoyed uninterrupted freedom to pursue her whims: misguided one-world global hymns. The sisterhood of hu(man) kind was foremost in her earnest mind – even should that same sisterhood be sealed by her well-meaning blood. Out on a date with global death she hoped to unify the earth in solidarity with causes led by killers, warlord bosses, thugs she never knew existed who, if she’d met she’d have resisted. Her theory landed far from her praxis spun, by default, on an evil axis. Hot with zeal she fumed and stormed quite certain she was well-informed, at benefits, non-profit functions rallies, boycotts, left-wing luncheons; warm with righteous spite for Israel, aiding and abetting Ishmael with fellow-travelers, like-minded similarly hateful, blinded, rattling sabers, scimitars, axes… (lunacy never wanes, but waxes hotter with the passing years as activists confront their fears). She finally shilled for the Intifada (stopping short of reciting Shahada), reaching out to the terrorist with righteous raised progressive fist… offering thus her neck to blade: collateral to be repaid by murderers who couldn’t care less about her open-mindedness.
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57
How funny is it That to be blonde May Mean a myriad of things One who is blonde is Demure Pure Alluring Matronly Dull But never boring Blonde is thought to be a mark of perfection Strong Nordo-centricism Stronger white supremacy Are there not a brunette with the same attributes Are there not matronly persons with red hair Or black Or pink Or no hair at all Why does such arbitration continually define us Mere colors shape who we are Far more Than a more fair method Talent Devotion Piety Character Who decided this How do we fix it Do we
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Apr 19, 2015
Apr 19, 2015 at 12:39 AM UTC
Blonde
This specific autumnal celebration is characterised by throbbing obscenities, where a masquerade of piety resembles the trembling jester as he performs before medieval royalty. Oh, to witness the salmon run in Northern ecosystems where the caniform classification stands in a dominant stance at the edge of the falls. So, my independent and competitive contemporary, let us bow with sober reflection at those anthropological schools who swim upstream in this spiritual river in the vain pursuit of unattainable freedom. Today, on this second Monday of October, the name of the game has been brutally ***** by propagandist salesmen. So, at this juncture of existential consumerism, we stand within the jaws of our ever-smiling aristocracy. But, if you dare to open your eyes, my friend of unfathomable denial; you will find that the tradition is called Thanksgiving.
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Nov 6, 2013
Nov 6, 2013 at 9:46 PM UTC
The Gratitude of Consumerism
some believe in the deity others in the sanctity of self I think poetry is a religion a soul unto itself not a god but close and I seek her his its calming words wisdom to get on my knees and worship every night alone here in my sanctuary like any true believer
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Sep 12, 2016
Sep 12, 2016 at 12:08 AM UTC
piety and poetry
There are so many ways to worship the divine Though my absolute favourite is in an abandoned parking lot With fogged up windows to hide our devotion within A temple of our own construction, and as sacred as the sin between our lips As your hands roam the curves of my body, the fire within us ignites Ready to sacrifice any and all logical thoughts The rituals begin soon after in a rush to take our clothes off and I am nothing more than a humble offering So you can drink me in like the finest of nectar, suited only for the gods And finally the festivals commence with a tangle of limbs and a fight to keep ones breathe Hands still explore as the fire burns hotter and before I know it you take me to the home of the gods You welcome my acts of piety and respond in ways that make me see stars My screams echo louder as your pace only quickens And as the fire consumes us both You take great pleasure in hearing your name being sung from my lips like a prayer Satisfied by my worship you have no doubt in knowing which god my devotion belongs to
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Dec 19, 2021
Dec 19, 2021 at 11:40 AM UTC
An Act Of Worship
The day I opened a Bible was a tale of two cities, The best and the worst of times, I could no longer lay back and leave the sand in my hourglass, watch the days of my life drift, while logans lurk, wolverine around the brook in the forest, looking to claw the hope away, make a ridge between the family I claimed to love. There seems to be harmony in passions, But not even Timmy knows which spell Tabitha will cast to cause more division. The continent of the canine always barking with it's mouth open, Feed me, We cry, now we are fat with corruption, preying on the piety of poverty, prophiting leviathans, the cultish land with a superstition, fearful never able to hear the mission. We hold fast but not to the word, starving ourselves from understanding, traditions trump truth, as we defecate more dangerous nonsense into our ear holes, perhaps we're better off, we have some peace and food, we don't have the rat race, maybe I've been too sheltered, failing to truly discern the state of the land that houses me. I couldn't even see that my house was burning but it was cool if  it was watered down by a firetruck . I used to think that every African knows Jesus. Sometimes I act like I don't. -Kanyanta
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Feb 8, 2018
Feb 8, 2018 at 3:11 PM UTC
Every African knows Jesus
Submissiveness:        give into man. silence yourself. his word is final. rush to his beck and call when he is angered. we are wrong. man is dominant, and woman is soft. if man is the bone, we are the gushy cartilage cushioning his fall. body dominated and composed of bone, but we are the organs that keep the body functioning. forever being transplanted, while our men are broken. submit. Purity:        save yourself for man. wait for him with all your white so you are not tainted. innocence upheld. it is all for him, only him. wait for him to take it all, whenever he desires. be pure. Domesticity:         the home calls our name. it is our calling. our knees bound to scrubbing, hands tied to kneading because our family needs us. we are to be the slaves of our homes just as we were to the white man. permanency of pressing collars that are not our own. domestic labor. Piety:         we come from the rib of adam. without the presence of man we, ourselves would not exist. for this reason, we worship. we worship to reiterate our purity, to maintain our sanity when others challenge our virtues of womanhood. the lord is our shepherd. we uphold our lord. besides our husbands, he is all that we shall want. womanhood.
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Apr 27, 2014
Apr 27, 2014 at 12:08 PM UTC
womanhood
Listen my dear daughter, to my first song of caution Earmarked for you my wonderful sire, come and listen, That tall old man with white hair all over his head Standing over there is not good; he is gnomish in the mind Be careful with him, he is not human in the heart But a mermaid of Yoruba poetry, just like Thespis of Greece Even the pecuniary psychopomp of Sweden gave him an accolade His heart is selfishly full of avarice; he wants everything for himself, Don’t recite him any of your poetry, lest he spells an abyss Against your juvenile poetic talent, he will fool you with a gift; A white sheep or a scarlet goat for your birth day anniversary Please don’t take it or anything else from him, as nothing from him is genuine But only machinations of evil spell aimed at mahyeming your talent Finally to decimate your girlhood and life, this is my caution For you dear little African girl. Listen my dear little daughter, to my second song of caution That short man in a Muslim gear loafing yonder, is suspect The Muslim beret on his head is merely a smokescreen to aghastly behaviour He is in no way an avatar of god of love and humane piety He is a terrorist working with Boko Haram and Algaeda He is an Alshabab that is bombing young girls in Mombasa and Nairobi All over Kenya he has killed the young people; his long egret-white sari is not for holiness, It is merely a nefarious sanctum of grenades, other tools of work in terrorism trade His loudly prayers, body movements and pocket bursting monies are only a stunt To have you kidnapped into death conduit, once you goof to join his courts, His sanctimony is a total picaresque film, (s)heroes of terror the centerpiece And thus, this is my caution for you dear little African girl. Listen my dear daughter, to my third song of caution Those tourists thronging our streets are deadly *** pets, they also skulk **** Their handsome outlook is not a stamp to any good conscientiousness They derive pleasure from poverty and *** tourism; they yearn to see a girl in poverty, Often rarely will they help an African girl, out of milieu of beggarly squalorism, Instead they go straight for the purse between your thighs, Regardless of the legacy they leave out of this lewdness, they are showy, They regret not in their Byronic broadcast of *** and fatherless urchins in the poor streets Foundation for their further poverty tourism, this is my caution for you dear little African girl.
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May 26, 2014
May 26, 2014 at 4:20 AM UTC
VERSES OF CAUTION TO AN AFRICAN GIRL
Listen my dear daughter, to my first song of caution Earmarked for you my wonderful sire, come and listen, That tall old man with white hair all over his head Standing over there is not good; he is gnomish in the mind Be careful with him, he is not human in the heart But a mermaid of Yoruba poetry, just like Thespis of Greece Even the pecuniary psychopomp of Sweden gave him an accolade His heart is selfishly full of avarice; he wants everything for himself, Don’t recite him any of your poetry, lest he spells an abyss Against your juvenile poetic talent, he will fool you with a gift; A white sheep or a scarlet goat for your birth day anniversary Please don’t take it or anything else from him, as nothing from him is genuine But only machinations of evil spell aimed at mahyeming your talent Finally to decimate your girlhood and life, this is my caution For you dear little African girl. Listen my dear little daughter, to my second song of caution That short man in a Muslim gear loafing yonder, is suspect The Muslim beret on his head is merely a smokescreen to aghastly behaviour He is in no way an avatar of god of love and humane piety He is a terrorist working with Boko Haram and Algaeda He is an Alshabab that is bombing young girls in Mombasa and Nairobi All over Kenya he has killed the young people; his long egret-white sari is not for holiness, It is merely a nefarious sanctum of grenades, other tools of work in terrorism trade His loudly prayers, body movements and pocket bursting monies are only a stunt To have you kidnapped into death conduit, once you goof to join his courts, His sanctimony is a total picaresque film, (s)heroes of terror the centerpiece And thus, this is my caution for you dear little African girl. Listen my dear daughter, to my third song of caution Those tourists thronging our streets are deadly *** pets, they also skulk **** Their handsome outlook is not a stamp to any good conscientiousness They derive pleasure from poverty and *** tourism; they yearn to see a girl in poverty, Often rarely will they help an African girl, out of milieu of beggarly squalorism, Instead they go straight for the purse between your thighs, Regardless of the legacy they leave out of this lewdness, they are showy, They regret not in their Byronic broadcast of *** and fatherless urchins in the poor streets Foundation for their further poverty tourism, this is my caution for you dear little African girl.
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36
Pretend piety, Of the temporary variety, Placed in a shine of "I am better than you high society". Your words are intelligent, Your words hold weigh, But my sentiment makes your feeble words tremble and shake. It has taken years of mental ************ To develop the concentration, To compose these compilations of rhythmic translations! You think you are the victor, You feel you have won, But this is no mere battle, it's a ******* war...son...your pain has just begun. Because we don't need five minutes alone, To crush any poem, But reaching the masses and in between is where, I, call home. Love and pain are parts of the game, but so are other emotions, So merely beware, your pen must dip a little deeper into far vaster oceans, If you think you can contend to my level or quotient... My friend....
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Jan 16, 2014
Jan 16, 2014 at 1:50 PM UTC
My friend...
When I was a windy boy and a bit And the black spit of the chapel fold, (Sighed the old ram rod, dying of women), I tiptoed shy in the gooseberry wood, The rude owl cried like a tell-tale *** I skipped in a blush as the big girls rolled Nine-pin down on donkey's common, And on seesaw sunday nights I wooed Whoever I would with my wicked eyes, The whole of the moon I could love and leave All the green leaved little weddings' wives In the coal black bush and let them grieve. When I was a gusty man and a half And the black beast of the beetles' pews (Sighed the old ram rod, dying of ******* Not a boy and a bit in the wick- Dipping moon and drunk as a new dropped calf, I whistled all night in the twisted flues, Midwives grew in the midnight ditches, And the sizzling sheets of the town cried, Quick!- Whenever I dove in a breast high shoal, Wherever I ramped in the clover quilts, Whatsoever I did in the coal- Black night, I left my quivering prints. When I was a man you could call a man And the black cross of the holy house, (Sighed the old ram rod, dying of welcome), Brandy and ripe in my bright, bass prime, No springtailed tom in the red hot town With every simmering woman his mouse But a hillocky bull in the swelter Of summer come in his great good time To the sultry, biding herds, I said, Oh, time enough when the blood runs cold, And I lie down but to sleep in bed, For my sulking, skulking, coal black soul! When I was half the man I was And serve me right as the preachers warn, (Sighed the old ram rod, dying of downfall), No flailing calf or cat in a flame Or hickory bull in milky grass But a black sheep with a crumpled horn, At last the soul from its foul mousehole Slunk pouting out when the limp time came; And I gave my soul a blind, slashed eye, Gristle and rind, and a roarers' life, And I shoved it into the coal black sky To find a woman's soul for a wife. Now I am a man no more no more And a black reward for a roaring life, (Sighed the old ram rod, dying of strangers), Tidy and cursed in my dove cooed room I lie down thin and hear the good bells jaw-- For, oh, my soul found a sunday wife In the coal black sky and she bore angels! Harpies around me out of her womb! Chastity prays for me, piety sings, Innocence sweetens my last black breath, Modesty hides my thighs in her wings, And all the deadly virtues plague my death!
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5.3k
Lament
When I was a windy boy and a bit And the black spit of the chapel fold, (Sighed the old ram rod, dying of women), I tiptoed shy in the gooseberry wood, The rude owl cried like a tell-tale *** I skipped in a blush as the big girls rolled Nine-pin down on donkey's common, And on seesaw sunday nights I wooed Whoever I would with my wicked eyes, The whole of the moon I could love and leave All the green leaved little weddings' wives In the coal black bush and let them grieve. When I was a gusty man and a half And the black beast of the beetles' pews (Sighed the old ram rod, dying of ******* Not a boy and a bit in the wick- Dipping moon and drunk as a new dropped calf, I whistled all night in the twisted flues, Midwives grew in the midnight ditches, And the sizzling sheets of the town cried, Quick!- Whenever I dove in a breast high shoal, Wherever I ramped in the clover quilts, Whatsoever I did in the coal- Black night, I left my quivering prints. When I was a man you could call a man And the black cross of the holy house, (Sighed the old ram rod, dying of welcome), Brandy and ripe in my bright, bass prime, No springtailed tom in the red hot town With every simmering woman his mouse But a hillocky bull in the swelter Of summer come in his great good time To the sultry, biding herds, I said, Oh, time enough when the blood runs cold, And I lie down but to sleep in bed, For my sulking, skulking, coal black soul! When I was half the man I was And serve me right as the preachers warn, (Sighed the old ram rod, dying of downfall), No flailing calf or cat in a flame Or hickory bull in milky grass But a black sheep with a crumpled horn, At last the soul from its foul mousehole Slunk pouting out when the limp time came; And I gave my soul a blind, slashed eye, Gristle and rind, and a roarers' life, And I shoved it into the coal black sky To find a woman's soul for a wife. Now I am a man no more no more And a black reward for a roaring life, (Sighed the old ram rod, dying of strangers), Tidy and cursed in my dove cooed room I lie down thin and hear the good bells jaw-- For, oh, my soul found a sunday wife In the coal black sky and she bore angels! Harpies around me out of her womb! Chastity prays for me, piety sings, Innocence sweetens my last black breath, Modesty hides my thighs in her wings, And all the deadly virtues plague my death!
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60
When I was a windy boy and a bit And the black spit of the chapel fold, (Sighed the old ram rod, dying of women), I tiptoed shy in the gooseberry wood, The rude owl cried like a tell-tale *** I skipped in a blush as the big girls rolled Nine-pin down on donkey's common, And on seesaw sunday nights I wooed Whoever I would with my wicked eyes, The whole of the moon I could love and leave All the green leaved little weddings' wives In the coal black bush and let them grieve. When I was a gusty man and a half And the black beast of the beetles' pews (Sighed the old ram rod, dying of ******* Not a boy and a bit in the wick- Dipping moon and drunk as a new dropped calf, I whistled all night in the twisted flues, Midwives grew in the midnight ditches, And the sizzling sheets of the town cried, Quick!- Whenever I dove in a breast high shoal, Wherever I ramped in the clover quilts, Whatsoever I did in the coal- Black night, I left my quivering prints. When I was a man you could call a man And the black cross of the holy house, (Sighed the old ram rod, dying of welcome), Brandy and ripe in my bright, bass prime, No springtailed tom in the red hot town With every simmering woman his mouse But a hillocky bull in the swelter Of summer come in his great good time To the sultry, biding herds, I said, Oh, time enough when the blood runs cold, And I lie down but to sleep in bed, For my sulking, skulking, coal black soul! When I was half the man I was And serve me right as the preachers warn, (Sighed the old ram rod, dying of downfall), No flailing calf or cat in a flame Or hickory bull in milky grass But a black sheep with a crumpled horn, At last the soul from its foul mousehole Slunk pouting out when the limp time came; And I gave my soul a blind, slashed eye, Gristle and rind, and a roarers' life, And I shoved it into the coal black sky To find a woman's soul for a wife. Now I am a man no more no more And a black reward for a roaring life, (Sighed the old ram rod, dying of strangers), Tidy and cursed in my dove cooed room I lie down thin and hear the good bells jaw-- For, oh, my soul found a sunday wife In the coal black sky and she bore angels! Harpies around me out of her womb! Chastity prays for me, piety sings, Innocence sweetens my last black breath, Modesty hides my thighs in her wings, And all the deadly virtues plague my death!
0
4.9k
Lament
When I was a windy boy and a bit And the black spit of the chapel fold, (Sighed the old ram rod, dying of women), I tiptoed shy in the gooseberry wood, The rude owl cried like a tell-tale *** I skipped in a blush as the big girls rolled Nine-pin down on donkey's common, And on seesaw sunday nights I wooed Whoever I would with my wicked eyes, The whole of the moon I could love and leave All the green leaved little weddings' wives In the coal black bush and let them grieve. When I was a gusty man and a half And the black beast of the beetles' pews (Sighed the old ram rod, dying of ******* Not a boy and a bit in the wick- Dipping moon and drunk as a new dropped calf, I whistled all night in the twisted flues, Midwives grew in the midnight ditches, And the sizzling sheets of the town cried, Quick!- Whenever I dove in a breast high shoal, Wherever I ramped in the clover quilts, Whatsoever I did in the coal- Black night, I left my quivering prints. When I was a man you could call a man And the black cross of the holy house, (Sighed the old ram rod, dying of welcome), Brandy and ripe in my bright, bass prime, No springtailed tom in the red hot town With every simmering woman his mouse But a hillocky bull in the swelter Of summer come in his great good time To the sultry, biding herds, I said, Oh, time enough when the blood runs cold, And I lie down but to sleep in bed, For my sulking, skulking, coal black soul! When I was half the man I was And serve me right as the preachers warn, (Sighed the old ram rod, dying of downfall), No flailing calf or cat in a flame Or hickory bull in milky grass But a black sheep with a crumpled horn, At last the soul from its foul mousehole Slunk pouting out when the limp time came; And I gave my soul a blind, slashed eye, Gristle and rind, and a roarers' life, And I shoved it into the coal black sky To find a woman's soul for a wife. Now I am a man no more no more And a black reward for a roaring life, (Sighed the old ram rod, dying of strangers), Tidy and cursed in my dove cooed room I lie down thin and hear the good bells jaw-- For, oh, my soul found a sunday wife In the coal black sky and she bore angels! Harpies around me out of her womb! Chastity prays for me, piety sings, Innocence sweetens my last black breath, Modesty hides my thighs in her wings, And all the deadly virtues plague my death!
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60
my Mumbai woman ~~~ to my Indian poets & friends all be advised, my piety, my muse, has decamped me for weeks on end to your yon far and fair lands the red dot beside her electronic signature a sign of her absence, seemingly to have been magically transferred to her forehead so perhaps my love poetry will become absent, reticent, quiescent or perhaps it will build brighter, effervescing in my very own Taj Mahal, an edifice built by great love past and yet ever still present, for I testify, I have many times it, seen imbued, lovingly observed between a certain men and women here writ large, who there permanent reside, and in my heart as well spend a minute many, all my fingers and toes employed how many, so many, Indian fellow travelers on poetry lanes and yellow dust encrusted roads, in cities unpronounceable that this illiterate literary fool has come to know and multi-arm entwine to you, I commend and command to you her safety, asking immodestly for an imposition, an interference pray to the local gods, your heads of state and highest nature's, that they be her beside, her unobserved safe-keepers, as she treks your country's Northern pastures let her skin glow from your brighter rays, eyes even wider~wiser opened by the newness of your antiquity, your glorious, poetic place in our world of words
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Mar 6, 2016
Mar 6, 2016 at 2:17 PM UTC
my Mumbai woman (2016)
What should we have expected from new ascents? You think there is simple safety in messages sent? Melancholic waves descend, lonely veins sink in, If I was simple before, you'd be able to see, See through the extremities that bounded me. But how could a flower begin these internal spins? Bounded by piety to seek love away from sin, Destined, we hope that this one will sink in. If life's a play then this one is just pretend, And the toil of tragedy, revealed at play's end. But if this life is an Odysseun ode, Then oh! the wonders to be told! For each new ascent, a heroic tale, On the way down, purified hail. For we have cast Circe like Jonah's whale, And fly alongside a dove's tail, Whose wings spread in glorious white, Revealing Leila, mistress of the night.
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Oct 5, 2014
Oct 5, 2014 at 8:43 PM UTC
Epic or Tragedy
I gazed into his eyes like beads of sweat Blacker than the empty spacious depths Around the little bridge-like tiny speck, An ember on His hearth We only think is worth Its broken wharfs. He said to me: "Son, don't fear empty bluffs. They may be steep but they're not steep enough." And judging by the ace tucked in his cuff, I knew he would be true And his tale would be true too About the wharfs. "Throughout the many vicious centuries The motor of it always seems to freeze Until the kindled flame does hit the breeze And thaws its frostbit joints And burns the hand that points Out from the wharf." He cleared his throat and then he said aloud: "Is piety reaped from fertile ground? Or by the planter's hand is it endowed? The answer lies in strife So mount the throne of life Far from the wharf."
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Aug 15, 2017
Aug 15, 2017 at 5:09 PM UTC
Far From the Wharf
The pierced ego sees through an opaque lens; a vestige of hope, humor and   intellectual solidarity. Effigies of forgotten ethos, the culmination of a fated dream; unrequited ardor, abandons identity to an irreducible fervor,                       subtext of tension,                     enduring ****** privation; etude of a paramour ending torture, tasting mystical polarity. The wounded heart once intruded, bleeds effusive; the ornament of humility. Flattened collateral damage, primal search, proves illusive; portals of hurt, slivers of pride, assembled fragments of thereness absorb the loss of my English muse. Poetry and devotion punctuated murmurs of piety,   depth perception virtue unfound; expectation - access to suffering;   disinterested love present,   desultory carnage of rescission,    absurdity personified; euphemism of adieu, the sound of no sound. The discarded image finds no favor, the salt lost it's savor unquenched thirst; desire of diminished purview, the saporus stream deferred; vision eclipsed; saturated self hidden in the text. Poverty asks the question, absence summons ethereal substance merged into the immanent frame; integrating, in solitude signifying, mediating - logos contested the humiliation of the word. Lyrical enigma, where did I go? provisional personality scorned, renouncing nostrums of the prosaic, surrenders to the the realm interior sovereignty assumed in provenience, native horizon of the next. ©2008 & 2011 W.S. Warner
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Sep 3, 2011
Sep 3, 2011 at 6:11 PM UTC
The Humiliation of the Word
The pierced ego sees through an opaque lens; a vestige of hope, humor and   intellectual solidarity. Effigies of forgotten ethos, the culmination of a fated dream; unrequited ardor, abandons identity to an irreducible fervor,                       subtext of tension,                     enduring ****** privation; etude of a paramour ending torture, tasting mystical polarity. The wounded heart once intruded, bleeds effusive; the ornament of humility. Flattened collateral damage, primal search, proves illusive; portals of hurt, slivers of pride, assembled fragments of thereness absorb the loss of my English muse. Poetry and devotion punctuated murmurs of piety,   depth perception virtue unfound; expectation - access to suffering;   disinterested love present,   desultory carnage of rescission,    absurdity personified; euphemism of adieu, the sound of no sound. The discarded image finds no favor, the salt lost it's savor unquenched thirst; desire of diminished purview, the saporus stream deferred; vision eclipsed; saturated self hidden in the text. Poverty asks the question, absence summons ethereal substance merged into the immanent frame; integrating, in solitude signifying, mediating - logos contested the humiliation of the word. Lyrical enigma, where did I go? provisional personality scorned, renouncing nostrums of the prosaic, surrenders to the the realm interior sovereignty assumed in provenience, native horizon of the next. ©2008 & 2011 W.S. Warner
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83
Would a blue ballpen without ink just lie To die, like the children of our past needs, The mouths of their thinning souls leeching Our piety, our profanity, our tendency to build society Off faces and masks,                               Individual fragments of ourselves. Would one give a thousand pesos to he who smears Windshields with soap to take a few coins hostage Or to she who exhibits a gaunt infant, an offspring Of want, not wanted, the wear and tear of a rough World manifest on emaciating juvenile skin. Would one Give a thousand?                               Would one commit a kiss? When mere change can buy a pen with its full blood, What then is the worth of the bleeding, the bearded Blind on the somber sidewalks of forgetfulness where Without ink, it ceases to be blue, and unable to write,             He has no need for a pen. The world is writing his story,             He is only there to punctuate with his blood.
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Jul 12, 2012
Jul 12, 2012 at 11:56 PM UTC
Utility and Humanity
I am afraid of speaking. I am afraid of the texture of my voice, and the effect it will have on you. I don't want to be pressed into the caricature of an angry woman; voice raised in what they call a hysterical display of emotion. Calm down. Be rational. Stop being So Dramatic. Well let me tell you something: I am an angry woman. Because all I can see is my best friend’s blonde head, coming within an inch of becoming the crushed drywall beneath his fist. All I can see is the false piety painted on his pastor’s face, asking, “well… did he hit you?” I see her eyes closed in the darkness, fingers gripped in the sheets he tore off of her body to wake her. She has to hold on to something. He says, “Show me you're enjoying it.” Calm down. Be rational. Like he wasn't gaining access INTO her BODY by FORCE. Like, of course it's her job to lay down and take it. Like it. Lick his lips for the taste of honey, because honey, he told you to. but it's poison. It enters her bloodstream, weakening her will to resist it. She looks at her phone, at a text she did not compose herself, or send, “Hey hot stuff. When you see this, let's have *** “If I pretend I didn't write this I'm just playing hard to get.” Do you get it? Yeah. I am an angry woman. Stay calm, dear sister. Be rational. Rationalize the gaslighting, because the big picture doesn't look beautiful when you hang it above the sofa; and her home was staged to look like a family so that when you look in the window, you don't see that she was a hostage. You don't see that her son was asleep in the bed when he grabbed her face between his hands and crushed it, And called it “gently redirecting her gaze.” From the window, you can't see his body blocking the exit. You can't see her baby, with his little fingers curled around her ******* begging for comfort. I will not calm down. And in case you are so damaged by devotion to comfort that you can't see it, it is right to be angry. It is righteous. I am angry, and more rational than I have ever been in my entire life- rationally, righteously begging for justice to flow down like rivers. I am an angry woman.
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May 7, 2018
May 7, 2018 at 4:07 PM UTC
Another angry woman.
I am afraid of speaking. I am afraid of the texture of my voice, and the effect it will have on you. I don't want to be pressed into the caricature of an angry woman; voice raised in what they call a hysterical display of emotion. Calm down. Be rational. Stop being So Dramatic. Well let me tell you something: I am an angry woman. Because all I can see is my best friend’s blonde head, coming within an inch of becoming the crushed drywall beneath his fist. All I can see is the false piety painted on his pastor’s face, asking, “well… did he hit you?” I see her eyes closed in the darkness, fingers gripped in the sheets he tore off of her body to wake her. She has to hold on to something. He says, “Show me you're enjoying it.” Calm down. Be rational. Like he wasn't gaining access INTO her BODY by FORCE. Like, of course it's her job to lay down and take it. Like it. Lick his lips for the taste of honey, because honey, he told you to. but it's poison. It enters her bloodstream, weakening her will to resist it. She looks at her phone, at a text she did not compose herself, or send, “Hey hot stuff. When you see this, let's have *** “If I pretend I didn't write this I'm just playing hard to get.” Do you get it? Yeah. I am an angry woman. Stay calm, dear sister. Be rational. Rationalize the gaslighting, because the big picture doesn't look beautiful when you hang it above the sofa; and her home was staged to look like a family so that when you look in the window, you don't see that she was a hostage. You don't see that her son was asleep in the bed when he grabbed her face between his hands and crushed it, And called it “gently redirecting her gaze.” From the window, you can't see his body blocking the exit. You can't see her baby, with his little fingers curled around her ******* begging for comfort. I will not calm down. And in case you are so damaged by devotion to comfort that you can't see it, it is right to be angry. It is righteous. I am angry, and more rational than I have ever been in my entire life- rationally, righteously begging for justice to flow down like rivers. I am an angry woman.
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31
*Come, we have a story, said the Old Man. Come, sit and I shall tell you all a little tale of a donkey, a boy and his father…and of strangers too…and many a busybody… And the children sat round the campfire and the Old Man began his tale…* One day (and this is many, many uncountable days ago) Father called Son and he said: ‘Son you are grown now into a fine young lad and you must learn how to buy and sell and make a profit ‘So, come let us go you and I to the market to see what silver coins we can get for this old donkey in our shed’ 2 And so Son and Dad set out for the town market across the sandy and rocky miles and some way off Dad grew tired and he said: ‘Ah, Son this walk tires me and so I shall ride the donkey while you walk by the side; so, come let us go you and I to the market to see what silver coins we can get for this old donkey that I shall ride’ 3 ** ** What do we have here?’ came a voice as the Dad sat riding the donkey while the Son walked by the side ‘A cruel father you are,’ said the Family Standards Officer ‘Get down, you grown man and let the child ride!’ And the Father was ashamed and so he let the Son ride the donkey and he walked beside And the Family Standards Officer was extremely pleased and he filled up his forms and he bade the Father and Son safe journey: ‘Ah, this is another success story of the Family Welfare Dept where conscience has won the day and the Son rides the donkey and the Father walks beside’ 4 And the Father and Son are gone but a mile, a mile - when another interruption came their way, heading straight their way…. ‘What do we have here?’ came a scream and the Mandarin of the State Morals Education stopped the trio and the Mandarin glared disapprovingly at the boy riding the donkey and he said: ‘Where is your filial piety? Know you not the son must do his duty by the father? Get off the donkey - you young donkey! and allow your father to ride while you walk with reverence and duty beside!’ And so now we have the Father on the donkey and the Son walking beside all three slowly on and on Father and son to the market to see what silver coins they might get for this old donkey that they have taken turns to ride 5 Then comes an old woman and she mutters to herself as she passes by: ‘Ah, what’s come of life that a father should ride and allow the young to walk.’ And so the Father bids his Son be a pillion rider with him on the donkey and so they ride merrily, merrily on to the market to see what silver coins they can get for this old donkey that they both ride 5 But no sooner have they covered but a mile, just a mile with the respectable Father and the filial Son (both on the hapless donkey) when a voice thunders out from the bush and the Animal Rights Activist stands out and he screams: ‘Oh, you cruel people that you should ride a helpless donkey ! Shame on you! Much better that you both carried the creature!’ And of course the Son and Father so reasonable and always with an open mind they jump off the donkey and they carry the donkey all the way all the way just four more miles just four more miles and they soon come into the market carrying the donkey and shouting: ‘Donkey for sale! Donkey for sale!’ 6 And the buyers at the markets they see this Father and Son carrying the donkey and screaming: ‘Donkey f or sale! Donkey for sale!’ And the buyers they say: ‘But it appears, Sirs, there are three donkeys for sale three donkeys for sale! In declaring “Donkey for Sale!” when there are clearly three are you offering three for the price of one?’
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Oct 4, 2010
Oct 4, 2010 at 7:04 PM UTC
Listening to every Tom, **** and Donkey
*Come, we have a story, said the Old Man. Come, sit and I shall tell you all a little tale of a donkey, a boy and his father…and of strangers too…and many a busybody… And the children sat round the campfire and the Old Man began his tale…* One day (and this is many, many uncountable days ago) Father called Son and he said: ‘Son you are grown now into a fine young lad and you must learn how to buy and sell and make a profit ‘So, come let us go you and I to the market to see what silver coins we can get for this old donkey in our shed’ 2 And so Son and Dad set out for the town market across the sandy and rocky miles and some way off Dad grew tired and he said: ‘Ah, Son this walk tires me and so I shall ride the donkey while you walk by the side; so, come let us go you and I to the market to see what silver coins we can get for this old donkey that I shall ride’ 3 ** ** What do we have here?’ came a voice as the Dad sat riding the donkey while the Son walked by the side ‘A cruel father you are,’ said the Family Standards Officer ‘Get down, you grown man and let the child ride!’ And the Father was ashamed and so he let the Son ride the donkey and he walked beside And the Family Standards Officer was extremely pleased and he filled up his forms and he bade the Father and Son safe journey: ‘Ah, this is another success story of the Family Welfare Dept where conscience has won the day and the Son rides the donkey and the Father walks beside’ 4 And the Father and Son are gone but a mile, a mile - when another interruption came their way, heading straight their way…. ‘What do we have here?’ came a scream and the Mandarin of the State Morals Education stopped the trio and the Mandarin glared disapprovingly at the boy riding the donkey and he said: ‘Where is your filial piety? Know you not the son must do his duty by the father? Get off the donkey - you young donkey! and allow your father to ride while you walk with reverence and duty beside!’ And so now we have the Father on the donkey and the Son walking beside all three slowly on and on Father and son to the market to see what silver coins they might get for this old donkey that they have taken turns to ride 5 Then comes an old woman and she mutters to herself as she passes by: ‘Ah, what’s come of life that a father should ride and allow the young to walk.’ And so the Father bids his Son be a pillion rider with him on the donkey and so they ride merrily, merrily on to the market to see what silver coins they can get for this old donkey that they both ride 5 But no sooner have they covered but a mile, just a mile with the respectable Father and the filial Son (both on the hapless donkey) when a voice thunders out from the bush and the Animal Rights Activist stands out and he screams: ‘Oh, you cruel people that you should ride a helpless donkey ! Shame on you! Much better that you both carried the creature!’ And of course the Son and Father so reasonable and always with an open mind they jump off the donkey and they carry the donkey all the way all the way just four more miles just four more miles and they soon come into the market carrying the donkey and shouting: ‘Donkey for sale! Donkey for sale!’ 6 And the buyers at the markets they see this Father and Son carrying the donkey and screaming: ‘Donkey f or sale! Donkey for sale!’ And the buyers they say: ‘But it appears, Sirs, there are three donkeys for sale three donkeys for sale! In declaring “Donkey for Sale!” when there are clearly three are you offering three for the price of one?’
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148
"Wala pay sulod atong sako Nay.” Sack of rice is empty Stomach rumbling mercilessly Mind is hazy, breathing sporadically Cold porridge is a feast. “Go home!” says Mama sternly Frantic, frightened, panicky Rocks hurled, bullets fly Blood splatters; running aimlessly We dodge our way to safety Cold porridge is a feast. “I will not,” I say adamantly She looks at the sack mournfully Empty. Devoid of sanity. Cold porridge is a feast. “We’ll get some soon. Don’t worry.” “I don’t believe you.” I feel weak, I am crabby I’m staying despite this misery Cold porridge is a feast. Childlike will, piety of soul Purity of intention, pursuit of living whole Cold porridge is a feast.
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Nov 1, 2016
Nov 1, 2016 at 6:56 AM UTC
Cold Porridge is a Feast (for Yenyen)
[Fanfare, obviously] This poem should begin with the call of a bugle, as is fitting for an ode of Braveheart Macdougal. Children of Parklands, take heed and be wary, as I relate now, in verse, a tale cautionary. Benigna Murdie was a most virtuous lass, blesséd with promise and a penchant for sass. To peer pressure she was admirably immune, and ne'er did she bow to the temptation of goon. Nary a drop of ***** has e'er passed her lips, save for politeness and church-mandated sips. Yet even the mightiest fall-- what a pity! (harder than I did that night in the city). So I hope you all glean a moral from this, and your interpretation does not go too amiss. But all is self-evident, to quote Descartes, so allow me to recount this tale from the start. She hails from a country renown for their piety, for their pacifist ways and universal sobriety. The Scottish are known throughout the land for their temperance of character and lightness of hand. And our poor Bennigles was no rule-exception, she subscribed quite wholly to this perception. A more reserved and reclusive girl you've not seen, virtually a saint at only nineteen. Passed out on the couch, liquor was never the root, only strain from the studying and academic pursuit. A paradigm of virtue, a pillar of purity, no “that's-what-she-said's” to compromise maturity. But that all changed one day touched by fate, when Rachel realized that hedonism's great. She took to the streets to revel in her glee, and legit nothing bad happened cause this isn't tv. Alas, now I'm drunk and the screen is a-shaking, perhaps of wine I should halt my partaking. I cannot continue with this facetious ode, as we all well know that this is a total load. But I'll miss you, my Brit, and our shitshow nights, our Australian exploits and your culinary delights. Sorry I couldn't finish to detail your demise, but perhaps I'll conclude after an Australia-reprise.
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Feb 13, 2013
Feb 13, 2013 at 6:20 AM UTC
ODE TO A SCOT
[Fanfare, obviously] This poem should begin with the call of a bugle, as is fitting for an ode of Braveheart Macdougal. Children of Parklands, take heed and be wary, as I relate now, in verse, a tale cautionary. Benigna Murdie was a most virtuous lass, blesséd with promise and a penchant for sass. To peer pressure she was admirably immune, and ne'er did she bow to the temptation of goon. Nary a drop of ***** has e'er passed her lips, save for politeness and church-mandated sips. Yet even the mightiest fall-- what a pity! (harder than I did that night in the city). So I hope you all glean a moral from this, and your interpretation does not go too amiss. But all is self-evident, to quote Descartes, so allow me to recount this tale from the start. She hails from a country renown for their piety, for their pacifist ways and universal sobriety. The Scottish are known throughout the land for their temperance of character and lightness of hand. And our poor Bennigles was no rule-exception, she subscribed quite wholly to this perception. A more reserved and reclusive girl you've not seen, virtually a saint at only nineteen. Passed out on the couch, liquor was never the root, only strain from the studying and academic pursuit. A paradigm of virtue, a pillar of purity, no “that's-what-she-said's” to compromise maturity. But that all changed one day touched by fate, when Rachel realized that hedonism's great. She took to the streets to revel in her glee, and legit nothing bad happened cause this isn't tv. Alas, now I'm drunk and the screen is a-shaking, perhaps of wine I should halt my partaking. I cannot continue with this facetious ode, as we all well know that this is a total load. But I'll miss you, my Brit, and our shitshow nights, our Australian exploits and your culinary delights. Sorry I couldn't finish to detail your demise, but perhaps I'll conclude after an Australia-reprise.
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Sai Baba is the most Popular Hindu monk And mother Teresa is the most beloved Christian nun Both of them almost reached the state of divinity by serving the humanity And with a lot of religious piety Some may think Sai Baba is just a magician And Mother Teresa is merely a nun Their arguments sound quite fun because All the nuns and magicians can’t serve the world on such a grand scale unless they have divine charisma Both of them have disciples all over the world They were treated and revered almost like living gods As humans they might have suffered from some human follies and foibles But they proved to the world that SERVICE TO HUMANITY IS SERVICE TO GOD Let us all pray for the two noble souls Keeping our religious faiths aside
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Apr 27, 2011
Apr 27, 2011 at 6:56 AM UTC
THE HINDU MONK AND THE CHRISTIAN NUN
Exceeding tall, but built so well his height Half-disappears in flow of chest and limb; Moustache and whisker trooper-like in trim; Frank-faced, frank-eyed, frank-hearted; always bright And always punctual--morning, noon, and night; Bland as a Jesuit, sober as a hymn; Humorous, and yet without a touch of whim; Gentle and amiable, yet full of fight. His piety, though fresh and true in strain, Has not yet whitewashed up his common mood To the dead blank of his particular Schism. Sweet, unaggressive, tolerant, most humane, Wild artists like his kindly elderhood, And cultivate his mild Philistinism.
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