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"phrasing" poems
Brother: "I'm older than you, so I'm smarter than you!" Sister: "Older, yes, smarter, no." Brother: "Yes I am!" Sister: "No you're not" Brother: "Yes I am!" Sister: "Okay, Okay. I apologize. I'm sorry I'm less stupid than you are." Brother" That's better." (its all about the phrasing) copyright: Richard Riddle-January 05, 2015
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Jan 5, 2015
Jan 5, 2015 at 9:15 AM UTC
Siblings
O It’s Nice To Get Up In,the slipshod mucous kiss of her riant belly’s fooling bore —When The Sun Begins To(with a phrasing crease of hot subliminal lips,as if a score of youngest angels suddenly should stretch neat necks just to see how always squirms the skilful mystery of Hell)me suddenly grips in chuckles of supreme *** In The Good Old Summer Time. My gorgeous bullet in tickling intuitive flight aches,just,simply,into,her. Thirsty stirring. (Must be summer. Hush. Worms.) But It’s Nicer To Lie In Bed —eh? I’m not. Again. Hush. God. Please hold. Tight
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8.9k
O It’s Nice To Get Up In,The Slipshod Mucous Kiss
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
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May 2, 2010
May 2, 2010 at 7:10 PM UTC
CONSTRUCTIVE CRITIQUE v SOMETHING WORSE
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
Continue reading...
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~ *Lost inside a labyrinth Tight-lipped tinkerer open-mouthed cynosure Pressing matters completing their circuit all things said, but not spoken Osculated locution, succinct phrasing released, but not heard The human element imparting seminal spark —together felt and touched A tingling syntax owing to its art becoming its nucleus* ~
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Jun 3, 2021
Jun 3, 2021 at 4:10 PM UTC
A Kiss is a Conversation
You know it’s nothing but emptiness, When you fail phrasing your feelings in words. Other people might call it love rather than emptiness. But let me tell you this: Without emptiness, We wouldn’t find warmth in love. Some say love is frigidly cold, Some say love is fondly warm. Yet as seasons change from Summer to Winter, Love will too. And I’ve reached the point where I stopped seeking for love in people, But in invisible objects that can keep me alive. Can invisible objects really keep you alive? Or will they leave you terrified? Well, a definition for ‘Invisible Objects’ would be: ‘Emotions’. And in the end, Their purpose is to Not. Keep. You. Alive.
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Jul 20, 2014
Jul 20, 2014 at 10:35 AM UTC
Invisible Objects.
Wasting my life. Cause my time is so precious, ha! Walking through my room, the stench actually slows progress. You feel it on your skin, it thickens the air, increases drag. They squirm on the floor. I wipe them off my hands and stomach. They might have had dreams, aspirations. How ridiculous they’re just ejaculations. I posses a value for life. But my children here. I don’t feel anything for them, or without them. Time ***** by. Instinct, greed and something else win again. This addiction doesn’t leave track marks, ***** spoons, or empty lighters. But it does leave a stench, and little time. It’s a **** I can’t get rid of. Literally. It’s attached to me, I use it everyday in one way. But **** it. Whoops, phrasing... I mean ***** it, school is in like 6 hours. I feel relieved in one way. Now I have it onboard. A nice big hit, of dopamine. Instantly.
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Feb 20, 2020
Feb 20, 2020 at 10:17 AM UTC
Wasting Kids
Mark Twain to Helen Keller “Oh, dear me, how unspeakably funny and owlishly idiotic and grotesque was that “plagiarism” farce! As if there was much of anything in any human utterance, oral or written, except plagiarism! The kernel, the soul—let us go farther and say the substance, the bulk, the actual and valuable material of all human utterances in plagiarism. For substantially all ideas are second hand, consciously or unconsciously drawn from a million outside sources and daily use by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them any where except the little discoloration they get from his mental and moral calibre and his temperament, which is revealed in characteristics of phrasing.” Mark Twain
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Dec 1, 2021
Dec 1, 2021 at 3:39 PM UTC
On Plagiarism: Mark Twain to Helen Keller, who was accused of plagiarizing...
The night becomes you - hair coiffed in fashion illuminated eyes reveal attraction, the scent of body oil pervasive, ambient music evolves persuasive savory rhetoric, cabernet erodes my inhibition no contrition, turn the ignition. The night becomes you - you wear it well   an amalgam, ardor and insouciance - redefining glamour, ephemeral moments dial down the sunlight, I am slain - voice and accent weave their spell; black dust coat, white hat, a pair of posh boots they live to tell. The night becomes you rhyme scheme -  lyrical poetry sophisticated venue, table for two ensconced, the leather lounge, similitude within difference; undulation - cadences of counterpoint - poise and peril of duality we inhabit the floor. Postprandial, conversation extempore; machinations of intoxicating discourse, I could drink your words - artistic milieu- beguiling imagery, sonant susurrations penetrate my being. The night becomes you - theoretical locutions phrasing depth and humor, undiluted amour, tensions resolve frame by frame, solidify the affair and validate the rumor subsumed in sequence, pulsating, igniting the sapid interior flame silver screen ending, effusive reviews two hearts collide and form one; the cherub's arrow finds its aim. ©2008 & 2011 W.S. Warner
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Sep 22, 2011
Sep 22, 2011 at 10:34 PM UTC
The Night Becomes You
Tattoo Promises Read these words now inked of a passionate verse From miles away, beneath clouded silver linings Far beyond every enchanted moon glow vista Phrases of undying devotion in eternal fonts Styled by a hand now longing your touch Tattoo promises melodically whispered Breathless devotion in sonnet sighs Forevermore holding tightly your Affectionate kisses dripping Of sweetest pure honey Unto my wanting lips In poetic phrasing Written entirely Upon the walls Of this my Beating Heart
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Jan 13, 2014
Jan 13, 2014 at 4:34 PM UTC
Tattoo Promises
“May they be scalded at the post, Drape from the limbs upon our pine, Inscribe into their stripped bare skin They are the weak, the faulty, of sin." I could compose a ballad of time, Profound, compelling reason and rhyme, Impeccable stanzas, Phrasing flowing as a river— As could all of us, But what impact would succeed? To pirouette in the aching of others, Leer in their ****** their night **I’m a dashing ******* Bound from birth to do nothing but receive While others around me Shall pale, wither, die Never for any other Have I so much as cried...
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Jul 10, 2014
Jul 10, 2014 at 10:30 PM UTC
The Weak
Thoughtless phrasing for shallow trouble; you know nothing of the gravity of life. Sarcasm, does not become you.
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Jan 25, 2016
Jan 25, 2016 at 2:11 PM UTC
"The Struggle Is Real"
Chronic, demonic, eccentric, magic, poetic, tragic! Dreams it seems of comical or unusual! Visual sights of many sites! Plenty fights, heights, nights, plights and lights! Dreams it seems of chimes, crime, gleams and grime. Moonbeams, rhymes, screams and times. Dreams it seems as they attempt to tempt with contempt! Some become exempt and unkempt! Dreams it seems of afros, arrows, buffalos, rainbows and sparrows! Ample, purple-apples hung from chapels! Dreams it seems of hurdles and simple people as pimples jumping from steeples! Dreams it seems of the begotten, forgotten and rotten. Dreams and themes of cotton candy clouds! Crowds in shrouds! Dreams it seems of the dandy and handy! Glories and gory stories of the holy or unholy. Dreams it seems of crud and mud! The loud and proud! The vowed and wowed! Dreams it seems of blood and floods! Dreams it seems of amazing, crazing and gazing! I’m phrasing; “Is this a dream a scheme or hell?” Well I couldn’t tell! As I began to scream and yell! Those streams of dreams that I dream… Dreams that I may, these dreams that I say. Dreams it seems in dreamy dismay.
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Mar 29, 2012
Mar 29, 2012 at 10:19 PM UTC
POEM ENTITLED: “DREAMS IT SEEMS”
There is an equilibrium of rivers soaring into a distant spectrum far from earth's existence unfamiliar territories extending to the deepest depths bursting beginnings exhilarating endings a true presence unmasking various dreams deep within the core of the universe a wave of thoughts and feelings floating in the crimson sea in the moonlight of hollow chambers the shimmering sun shining down upon its glossy surface sinking in its shadowing frame how it's captivating phrasing is a passageway of escaping mazes a domain of unbreakable chains swelling into eternity curling in rising nouns and pronouns amplifying into massive metaphors a horizon of limitless languages shifting towards greater heights illuminating destiny in the palm of its hand each magnificent sight a seamless design of crowned creations every synchronized sound a desiring anticipation waiting to be unveiled to the masses
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Aug 2, 2018
Aug 2, 2018 at 12:16 PM UTC
Equilibrium of Rivers
I could tell you how to write a poem Playful phrasing, not too quick, not too strong, Be graphic and persuasive, appealing to us all, The want for supposed meaning and a silver tongue Is the truth beneath our fall Heartfelt sentiment, articulation, Let’s entice some Pharisees to avoid any tribulation For the bouts and shouts of living out And extravagantly exhibiting oneself to all and everyone— Clichéd, now it may be, There’s truth in that I see Can we find apparent happiness All appearance and accreditation, Let’s be certain we’re (clandestinely) drudging for recognition, Yet, I can never tell you what is true in writing, The slow path? That’s what I long for, Or profess, in the world of colorful mosaics, I am the truth! The way and the light! I’ll set you free! The God of Wonders! Can’t you see? I’m God, I’ve always meant to be! *Heaven help me, I didn’t mean to pretend But I believed beyond What even I could comprehend.. I’m not God, this I know, But is this— The way I'll go?* It is my end…
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Jul 12, 2014
Jul 12, 2014 at 10:20 PM UTC
Worst Poem (Greed)
We sit in silence, backs crooked, the couches' cushions caving in. The weight of passing hours and minuettes alleviating thinking in a miscellaneous metronome ticking to bring time to a heaving chest. Stay calm, the pain of realignment will pass. Burdensome they may be, burgeoning wings will free you of... Pressure collapsing this cage, walls torn from studs, leaving only this skeleton surrounding us as we find delirium the backbone of convulsing lungs watched, earthquake mute laughter marring the faces with jagged faults. The cost of cracking, we must accept the scarring permanent. Breaks unplanned infirmities, alone, our time line disrupted itself and the heavens came, tumbling down. In silence, we lay, arms barring our escaping words. Eyes overstep boundaries, slipping through the gaps, a second moment of clarification fractures restraints whilst beguiling brainstorms sparked our interest. Our tongues meet, shyly. rubies placed upon your breath slipping against molded clay. In sapphires you and I hold nighttime reflections of passion contained in coal, waiting. Ivory runs my length, bending to ecstasy, breathing shallow, asynchronous, failing to find it's end in persistence. In night the danger dropped us, longing that dusty light beaming down on the show, Act 2 is the comedy. Off. Parallel parabola line diamond reflections, allow for recall with brushed fingertips, horse hair undertones realigning smiles, abstract the paintings of today, of yesterday, stealing away tomorrow in a previous reiteration of our variant indifference. The wings of the demon opened in symbolic solace, fell far across this burning emotional harbor, aflame in angels' suicides. We've fallen, taken knees to grace, whispering eulogies the waves applaud. Sands wash away to cupped stone palms, caressing the troubled banks lost in time. The blood washes away, momentary marks, brown, stained, it passes. Demons foreshadow. In their shade we are seen falling into broken arms, sinew stitched through hearts, still healing strength gives way. Our tongues meet shyly, this reunion a mistake, now locked, staying stilled while attempting apologetic phrasing. We sit in silence, backs crooked, blank walls and barren recounts crashing in.
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Aug 19, 2012
Aug 19, 2012 at 2:32 AM UTC
Silence Crashing In
We sit in silence, backs crooked, the couches' cushions caving in. The weight of passing hours and minuettes alleviating thinking in a miscellaneous metronome ticking to bring time to a heaving chest. Stay calm, the pain of realignment will pass. Burdensome they may be, burgeoning wings will free you of... Pressure collapsing this cage, walls torn from studs, leaving only this skeleton surrounding us as we find delirium the backbone of convulsing lungs watched, earthquake mute laughter marring the faces with jagged faults. The cost of cracking, we must accept the scarring permanent. Breaks unplanned infirmities, alone, our time line disrupted itself and the heavens came, tumbling down. In silence, we lay, arms barring our escaping words. Eyes overstep boundaries, slipping through the gaps, a second moment of clarification fractures restraints whilst beguiling brainstorms sparked our interest. Our tongues meet, shyly. rubies placed upon your breath slipping against molded clay. In sapphires you and I hold nighttime reflections of passion contained in coal, waiting. Ivory runs my length, bending to ecstasy, breathing shallow, asynchronous, failing to find it's end in persistence. In night the danger dropped us, longing that dusty light beaming down on the show, Act 2 is the comedy. Off. Parallel parabola line diamond reflections, allow for recall with brushed fingertips, horse hair undertones realigning smiles, abstract the paintings of today, of yesterday, stealing away tomorrow in a previous reiteration of our variant indifference. The wings of the demon opened in symbolic solace, fell far across this burning emotional harbor, aflame in angels' suicides. We've fallen, taken knees to grace, whispering eulogies the waves applaud. Sands wash away to cupped stone palms, caressing the troubled banks lost in time. The blood washes away, momentary marks, brown, stained, it passes. Demons foreshadow. In their shade we are seen falling into broken arms, sinew stitched through hearts, still healing strength gives way. Our tongues meet shyly, this reunion a mistake, now locked, staying stilled while attempting apologetic phrasing. We sit in silence, backs crooked, blank walls and barren recounts crashing in.
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*"Be the harpooner of the unexamined life, with unfettered rhapsody, comfort caress us, exhort the loopy to light their illusionary candles, turn the sad eyed lowlanders into crinkly eye-lined smilers."* l<>| writ many years past, just another dusted off phrasing, composed from life's lecture notes, collected by eyes tired from the hazing, eyes wearied by the addict-strong, incessant observational needing, of celebrating the loopy, they who make this planet capable of laughing at itself, a helping habit for mutual survival... *should you spot a man ungainly wrought, weighted down by a harpoon cross cursed  'pon his Cain-marked back, you need not move to the other side, 'tis only a make-believe poet, with his recording device, seizing your rhapsodies to rhyme, his collected artifacts, your crinkly smiles, his meat, his metier, his chosen career, a comfort caresser of your illusions into a shapely sculpture of words for you to keep, a token of your now examined worth, a celebration for the keeping...*
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Aug 13, 2016
Aug 13, 2016 at 7:05 PM UTC
the harpooner of the unexamined life
in the grass lingering subtle. new life, seeks. life over distractions will you buy attentions? for me? i could try and persuade interjections to interject anomalies. false. in decay, blooming death. closer than your mother. unaware of the scythe speechless. despite selection phrasing perpetually simply put, arrogance tests my limits. carefully. picking out life from death a masterful game. monotonous. does the truth betray your senses? do your eyes smell? deliverance. ignorance for innocents. there are millions. billions. unstoppable. watch my back. we’ll both die. a rip in sound. feel the throat churn. erratic vibrations disorient the world they cannot understand us. poisoned perception of the native mind in struggle. in war. recovering and failing the same. thieving the motions. motionless. all to achieve deplorable fame dreadful.
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Sep 16, 2013
Sep 16, 2013 at 7:58 PM UTC
Back? tea, riya?
Her body used to be humming With ideas. Words like sand filling Her boots and zipping around her Insides. Leaping from ***** to ***** Splashes and jack-knives into A positive veins Glitter metaphors filling lungs, Thick phrasing weighing down intestines like Dried mud on tires. Now everything is static and stuttered And to wake it up we’ll need To take the the pin out of this grenade.
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Oct 20, 2012
Oct 20, 2012 at 9:01 PM UTC
Word Search
Here we shared the slips and reels of earnest conversation, An interweaving counterpoint of dialogue Wherein I bled the truth of loving. Heart’s secrets shed And shared. And by and by transposing the antiphonal chant You guide towards consonance, harmony, With gentle lilting phrasing Encouraging sweet concord within the cantus firmus. And yet you say you do not sing? Surely our hearts beat out the song of love and life And all our narratives are ballades sung in open form? I have heard you sing your madrigals With melodies of hope and peace and grace And tried to catch the tune. Here, have rich harmonies been played out And love songs whispered on the air. So, if God grants, a final cadenza let there be In a lullaby that’s sung for me.
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Mar 4, 2010
Mar 4, 2010 at 12:25 AM UTC
I Think You Sing
My heart - delicate, and malleable undulates within two poles, seamlessly juxtaposed - beauty and affliction capricious container- truth and fiction; the sheer surfeit of choice reverberates with imperious diversion, settled invitation- loud and shiny things. Hard to breathe, I'm in exile slave to my emotions, obsequious and servile barren, cold and mute existence - the brute; tilted reminiscence, scars of loss contrive frames   around moments - footprints,   interminable - being and time. Infinite deity, triune polyphony artist of sublimity smearing shades of loneliness, vestiges of faith, to retrieve hues of meaning; oddly convivial prophets of reprieve. Orpheus lost Eurydice palpable discordancy suffused in time could not resolve without verse decidedly sonorous, canvas showered pain, splashed Jackson Pollack stain Love - onerous, deep beneath the veneer, it's mercy severe. Fiction from the first Eden‘s fatal gift, lucidity cursed altered cosmos murmur, parlance of disordered elegance; effusive language, phrasing art nouveau tacit script; ensconced within the fabric; create a Thirst torment - visceral and immediate. Ardor and innocence once quenched, render pathos in proportion to the pleasure, conveyance of beatitude The past absorbed into the treasure, Inscrutable Heart - devotion and turpitude desire, loathing and paucity affinity in abundance, fear and doubt inhabit certitude. ©2009 & 2011 W.S. Warner
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Aug 31, 2011
Aug 31, 2011 at 11:19 AM UTC
The Beautiful Thirst
#*The Violin’s azure strings wept softly, from inside of a mind made cell; musical echoes lamenting, a poignant abyss too vast to fill each and all silenced reverie, leaving the philosopher’s stone                                           unthrown Blue guitar minor chord changes, bent notes phrasing sharps and flats; memories ―      gently weeping confirmation as a repressed flow of soul pensively leaks out The spirit's currents eddy suffused within written verve; silently purging the soul's fountains ―                                     musical rivulets swell                                      quietly overflowing                               an alchemist’s soul unfurled*...         © harlon rivers ... all rights reserved
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Sep 15, 2016
Sep 15, 2016 at 9:17 PM UTC
The Azure Violin
I feel the content rolling about on my tongue the same words the same concepts recycled feelings that won't go away no matter how many times they’re hashed out again and again their delicate phrasing varying in complexity masked by deceiving themes but all the same in the end same organs, same bones same blood, same flesh and so as I sit ready to write living words I can taste the same content I can hear the same feeling I can see the same words rolling about my tongue
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Mar 18, 2015
Mar 18, 2015 at 4:34 PM UTC
My Cliche
follow the yellow brick road... The terrible freedom unleashed by typewriters. Condition of complexity judged without criteria. Radical provocations. Urinals and prams. Contingent. Anarchist aesthetic. Not truth nor beauty but freedom. Materiality of language. Multi-hued wheel barrows. A cuttlefish. A crate. A cassowary. A cigarette. A ****** Paratactic order. Particular phrasing. Pulsing pastiche. An infinite conversation without resolution as with the stupid friend who won’t shut up. Ever. A transcendent dialectic based solely on proximity. Ineluctable modality of the near. Only that. Buck it. An unquiet ghost endlessly self-questioning. No answers. Moaning in the meaning. A simple stuttering. Sibilant. Turbulent and unpredictable as waddling wolverines. Words that only mean whatever is seen. Juxtaposition. Dissolving into desired dissonance. The magic chord. Absolute verity in the experience of the fraudulent for the same reason as the ubiquity of toothpaste. The poem as its own universe, complete and whole, fodder for the mind, not balm for the soul.
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May 3, 2016
May 3, 2016 at 1:21 PM UTC
A Road Map To Modern Poesy
Festtooned around sweet-faced Tracery of words, never deeper Than exquisite phrasing, Lies counterfeit, creeping Retrouse' of unmeant affection. Playing at love is outright Two-faced plain deception. Fake tendrils never curl round right And the genuine heart Knows, pain shows when hurt starts.
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Dec 18, 2010
Dec 18, 2010 at 2:30 PM UTC
Playing At Love.