I haven't told anyone--
but I know that my neighbor is dead
because when laying in my bedroom
separated by my wall and his.
I no longer feel him there as I usually did.

He always listened to "Horchata", by vampire weekend
on repeat it played as he slept.
I imagine he wanted to dream of tropical islands
to be back with his wife and child in the Philippines--
every morning it seemed to disappear
at the same moment he could no longer dream his dreams.

Each day making sure to wave to my neighbor
the largest smile I've ever seen was this mans,
with off pigment teeth that speckled in the morning sun
tarnished yellow from all the coffee I brought him;
it was a lovely smile, wish I had it framed to see it still.

As I usually do on Mondays I made my stop
popped open his door bringing his surprise,
some variety of coffee that sits idly on my counter--
inside hung the man I admired,
with a simple note saying "Thank you Young-Man"
and in front of him a scorched photo of his pregnant wife.

placid were his hands in mine--
setting aside the gift, I gave the only thing that I could.
I set the photo in his shirt pocket, "he deserved to be with her"
and putting his cd on repeat as "Horchata" filled the silence
slowly did I depart and head to my own bed.
After calling the police I hoped to fall asleep
and dream of tropical islands of where my neighbor is...

Seeing Ghosts

I walk around the streets
Of old Saigon
Seeing sensing the undead

The ghosts of the war
That haunted life
So many years ago

So many people died
For a war
That never should have been fought
For reasons that are still not clear

A great tragedy unfolded
In a land half away
Around the world

The ghosts smile at me
And then they disappear

Leaving me in the present
Life goes on
 
Old Ghosts  

Old ghosts wandering the streets of old Saigon
Lost spirits of the dead
Died during the endless wars  
Ghostly apparitions around every corner

Here was Kilroy
and his gang of soldiers
Over there were the Viet Cong
Waiting to **** them

Saigon is filled with memories like that
Terrible times were had here in Old Saigon
Silently the ghosts parade the city streets
As the tourists drink in the bars

 

Mastering the Saigon Shuffle

When I first visited Saigon
Learning the Saigon Shuffle
Was difficult

And now 24 years later
It all seems to be coming back

There is an art to crossing the street
Dodging the motor cyclists, the taxis, the private cars
The bikes and other pedestrians and the buses

The art consists of letting the big guys go first
Then walk between the motorcycles and cyclists
Trusting that they will get out of your way

And they being masters of the Saigon shuffle
Always find a way

In my two visits I was struck
By how it all flows together

Without a central authority
And with almost no planning
Lights or cops

Somehow it just is
And somehow it works

And it is still a mystery to me
24 years after first
Encountering the Saigon shuffle
 
Coffee Lady
Every morning
I have gone out for Vietnamese coffee
At a sidewalk café
Down the ally from our AIRBNB

The owner is a pleasant middle age woman
Who for some reason likes us
She smiles at us
Greets us in Vietnamese
She does  not understand English
Or Korean

And I wonder why
Why was there this connection
Between us

It dawned on me
Perhaps in a prior life
She knew an American or two
And I remind her of someone

Or perhaps she is found
Of Korean K drama
And Angela reminds her
Of her favorite K Drama star

Or perhaps it is both
Or another reason entirely

But I moved today
And will miss her

Might go back for a final cup
Of coffee

To say good bye
To my Vietnamese coffee lady
 
Mostly Harmless Old Lady in the Alley
There is an old Vietnamese lady
In the neighborhood
Obviously senile

But everyone knows her
And watches over her

To make sure
She stays out of traffic
And out of trouble

She talks to everyone
But no one seems to understand
What she is babbling on about
They smile at her
And she smiles back

Reminds me of the phrase
From the hitchiker’s guide to the galaxy
Mostly harmless

And she for some reason
She likes us
And like my Vietnamese Coffee lady

I wonder why
Why was there this connection
Between us

It dawned on me
Perhaps in a prior life
She knew an American or two
And I remind her of someone

Or perhaps she is found
Of Korean K drama
And Angela reminds her
Of her favorite K Drama star

Or perhaps it is both
Or another reason entirely

But in any event
I look forward
To seeing her smiling face
Every time I walk
Down my ally way

Avoiding the War Due to Two Birthdays

I avoided being drafted
Due to a fluke in my birth certificate
In 1974 the last draft was held
And some people were drafted

But no one went to Vietnam
The war was ending by then
I avoided the draft though
To no effort on my own

My number came up on the draft list
My real birthday was in the zone
But then my mother pointed out
That my legal birthday was different

When I was born at 4 am
The night clerk typed up
My birth certificate
With the wrong date

My father pointed that out
She said
Once I typed it
That is it

His birthday will be
What I typed
Get use to it
My father gave up

And so, 18 years later
That saved me
From the last draft
Never made it to Vietnam

Many years latter
I visited Vietnam
Right after we opened relations

Glad I finally got to see
The country
That so many Americans visited
so many decades ago

Buddha In Vietnam

In Saigon I saw the buddha
Buddha images are everywhere
Temples are scattered about
Here and there and everywhere

Buddha lives on
In the hearts and minds
Of the Vietnamese soul

The communists tried
To get rid of Buddhism
And other religious traditions

But they failed
And Buddhism has come back
Still speaks to the Vietnamese people

A different style
A different vibe
Than Korean Buddhism

But still Buddhist thought
Prevails in the tropical lands
Of the South
 

Mekong Dreams

Traveling along the Mekong
Back in time

Seeing the river
The people
Imagining life on the river
Imagining the war
The past in the Mekong delta

And the present tourist boom
Yet life goes on
With its own laid back rhythm

As we traversed the river
We were transported back
To an earlier time

Following the ancient rhythms
Of the Mekong Delta

 
Down and Out in Saigon

Southeast Asia, and Mexico
has always attracted
A certain type of westerner
The down and out
On a down word spiral

Why?
Relatively cheap to live
Lots of part time gigs
Teaching English
Or other things

*****, drugs, ***
Readily available
And cheap

Places to stay
Dirt cheap
And no one needs
To sleep out doors

Easy to disappear
Into the foreigners backpackers ghettos
And escape
From whatever you are running from

The locals are somewhat tolerant
The police usually look the other way
And there are lots of people
In your shoes

I was surprised to find
That Saigon has become
The latest place
For the down and outer crowd
To gather together

In Bangkok one sees them a lot
In Cambodia as well
In the Philippines
In Nepal

And south of the border
In Mexico as well

In India not so much
In Japan and Korea
Just too **** expensive
And too cold to be outdoors

Back in the day
I used to work
The citizen services gig
And saw lots of the down and outer set

The old song comes to mind
No one remembers you
When you are down and out

And in the States
Being down and out
Means living on the mean streets

As it is very difficult
To live with almost no money

And the various side hustles
Don’t give you much money
Unless you are dealing drugs

And teaching ESL
Is not an option

Food is expensive
Transportation is expensive
***** and drugs expensive
Rent is prohibitive
Commercial *** is expensive

And no one loves you
If you are down and out
No one knows your name
You are just another homeless ***

Invisible to all
As you try to make do

Much better to be down and out
In Southeast Asia
Than on the mean streets
Of the USA
 

Ghosts of Chu Chi

Crawling down the tunnels
Of Chu Chi
I could almost imagine
The Viet Kong guerillas

Hiding deep under the tunnels
As the land above is turned
Into a temporary dessert

With the vegetation burned off
By ****** and agent orange

The Viet Kong creep out at night
Stealing onto the bases
Stealing weapons, food, supplies
And occasionally killing soldiers

In their sleep
The US soldiers
Stay on base at night

Terrified of the mosquitos
And of the Viet Kong

the ghosts
Surround me
Telling me their stories
And at last I fled

Through the emergency escape tunnel
Declaring victory
Profoundly shaken up
By the ghosts of the Chu Chi tunnels

 
Saigon 2019

Saigon 2019

Vibrant, vivid, exciting
A city on the move
Becoming a world class city
Yet still with a Saigon swagger

Wandering the streets
Dodging the traffic
Admiring the women
Enjoying the food

Saigon enters my heart
And I know that I will be back
This city is growing on me
Reminds me of Korea back in the 1990’s

One hopes that as it develops
It will not become a carbon copy
Of other big Asian cities
Obliterating its past

In search of a false modern image
I hope it can retain
What makes Saigon Saigon
And not become another Gangnam

Hope it does it with Saigon style
And the people will evolve
The country will emerge
And become what it should be

The Paris of the East
This is my vision
Saigon 2019


 
Saigon 1995

Saigon 1995

In 1995
I was one of the first tourists
Allowed in to Vietnam
To freely wander about

Tourism was at its infancy
And Saigon was chaotic
Wild and crazy
Traffic was insane

There were few tourism sites
Few hotels
Few guest houses
And not too many restaurants

The food was good
We saw the war memorial
The re-unification palace
And the big market

But we felt we were being monitored
Beggars were everywhere
There were scams everywhere
And it was not that pleasant an experience

But Saigon grew up
Became a much more tourist-friendly place
And these problems we encountered
A thing of the place

Saigon is so much better
So much more developed
That it has captured our soul
And we will be back

In the jungle,
on the islands.
In my bedroom,
on my dumb *.

I get a text.
I need a tattoo.

A real tattoo;
a Lola's wrinkled hands slapping my thigh,
laying me over banana leaf,
then hammering long needles in my chest-
maneuvering a horn, a bone, a citrus thorn,
tap, tap, tap, tap,
sketching wounds to fill with soot.

A muted barb,
a slight prickling of skin,
then sinking, stamping, slipping-
through blood,
through muscle,
through bone.
Staining, stripping, splitting-
scraping at my inside-sun.

That’s what my grace has been feeling like.
That’s what my shame has been reeling like.

I deleted the poems.
I deleted the messages,
I tried to delete the flutter.
I want to cry but nothing comes out
my tongue is so big,
I have too many teeth.

My lungs feels the way mercury looks
pouring into a petri-dish.
Kind of trippy. I didn't even trip.
My surface is all salt and peppery,
numb, infinite,
and so, so stringy.

A man told me secrets and I didn’t flinch.
Then he got mad,
Maybe because I didn’t flinch.
Maybe because he can’t not wreck things.
I didn't flinch, so he threw * at the wall;
a bowl of puttanesca, cute frosted cakes,
oily tabouli, slippery tteokkbokki.

We watch it drip, drip down,
until scraps and broken plates tye-dye the baseboard.
I didn’t move to clean it up,
he didn’t move to explain.
We didn’t groove to call it art.
This is, of course, a metaphor;
we don't share a wall,
I haven’t made tabouli in years.

okay. okay. okay. okay.
It’s almost funny but not there yet.
Should we laugh about this or catalog it in our dark days?
but to catalog, you'd have to stay.

You said you weren’t scared.
I said I was glad.
I said you’re big and I’m small and we might fit perfectly.
You agreed. That was before you got mad.

Something inside you is reigning rabid-
We knew this.
I am rascally and rare.
We knew this too.
My feelings are so, so big.
Can you see them in shop-windows while you walk your city?
Can you hear them while you shower, or
smell them in your coffee grounds?

That feeling again-
That Old-World ink.
That heavy-heart sink.
The static slander of my skin,
the catty condensation of my brain.
Everything inside is lava lamp-holographic,
and everything outside is pin pin pin pin.
Lola, please keep hammering.
I still feel tacky but your needles
gather up the strings.

It's not decorative:
I'm hoping it's erosive.
I'll bow down deep;
elbows up, eyes down;
an apology for not flinching
when you thought I should have.
Eros bowed out, you're not staying.
I'll bow again- it's twice for the dead.

On this island,
it's just me, that Lola,
her long needles, and my big feelings.
She can hammer them back into me
And I won't flinch.

I still listen to music with words
When I am writing words

Sunlight streams through the window
Trees sway outside, with branches scratching the glass window
-
I smell fresh coffee beans
Starbucks, from the Philippines

A piece of paper flutters down
I look at it with a frown.
-
And one thing I suddenly recall,
It gives me an idea, a reason to stall

From what I am doing, (hummingbird mind, my friend.)
And I went into an imaginary glen.

With only my pen and my notes
For company, then my mind began to float.


He wrote in the most perfect handwriting
Compared to my scatterbrained black scribbling

He strummed a chord on my heartstrings
Without him even knowing


His name sounded like
the gold-tipped wings
of angels.
While mine sat on the
brown earth,
dreaming to the skies.


Though, once we'd meet once a week
And I would smile in the hallways
looking like a freak

There was always something idiotic
the way his teeth stuck out like a bunny's
He reminded me of Ishaan from Taare Zameen Par
A dyslexic student, great artist, had a smile so sunny.


I'm playing Owl City on my mp3
That's our secret anthem

Tears were there
The melody from the speakers
I wished I could've sat beside you
When your fingers waltzed over the black-and-white keys
Now I'm sitting all alone by myself
Tapping on black-and-white letters on the Mac


Even though I play the violin
I can't accompany you
My bow screeching against the strings
Just doesn't do your mesmerising piano justice

What I can only do is write
And draw with a cheap ballpen from a meeting hall
I will draw your eyes and your crooked grin.
And my dreams of you that remain unfulfilled.

I finish the poem
Rip the page out of my notebook
And tape it to the wall with my other works
and newspaper clippings, oh just look.

Tomorrow I take it down again
Slip it into an envelope
Wonder if I should buy a stamp.
Maybe mail it overseas with forlorn hope.

A month passes by,
The envelope gathers dust under my bed.
Oh my darling, oh my darling
The chances with you are hanging by a thread

We're going to fly back home once more
So I decide to get you a keepsake from here.
A wooden owl, carved by hand
I slip the poem inside, thinking what you'd think when it appears…

Mother Nature, why do you do this to us
A super typhoon, ready to hit a poor country who always drowns with all it's power
All cities submerged in water
Houses gone, people left with nothing

But then I realize
We are to blame
What has the human race done
Besides hurt Mother Nature
There are very few who protect her
But what can they do when the rest of the world is against them
We do not realize what our actions have done
Until we have nothing left
When we've used, took advantage, and wasted Mother Nature
We're all going to regret it
One day
We will realize
"We're sorry, Mother Nature"

Our trajectory is unknowable, you tell me: the planet
corkscrews around the Sun, sure,

but the Sun corkscrews around a black hole at
the heart of the Milky Way,

and our whole galaxy travels on some mysterious,
incalculable vector. But sister, I saw a photograph

in which two whale sharks were brought to
heel by men in simple reed boats just

off the coast of the Philippines. All that they had
to do was often feed

the sharks many gallons of grocery-store frozen
shrimp, poured from plastic garbage bags into

their yawning six-foot maws to portside.
Gargantuan, sure, but still

as obedient and eager for food as backyard
squirrels. I remembered a grainy

internet video—I saw it probably seven or
eight years back—in which

a captured whale shark was winched
ashore in Madagascar, or

maybe it was the Philippines again—no matter—
the thing still had life left

in it and struggled to breathe while a crowd of
people gathered around—there were

women carrying babies, girls holding baskets atop
their heads—and then the

men came with a long slender blade and sliced clean
through the whale’s spine, vivisected it

right there on the dock, and the onlookers stood there quite
unfazed—I remember

being shocked at the effortlessness of the cut,
the pinkness of the whale’s blood,

and the boredom in the onlookers’ eyes. Our father
took us down to San Antonio

on one of his business trips there when we were five
or six—I think

you were probably too young to
remember it—

it was when you and I saw the ocean for the first
time. We drove down to the Gulf

of Mexico, and we saw waves breaking
out near the horizon in pale

sunlight. I kept scanning for a dorsal
fin off beyond

the breakers, thinking that I might spot one—
sandy brown, mottled with

cream spots and glistening—so that I might be able to
say to you, pointing, “look,

sister, there is a whale shark!” Years
later we would learn

that he traveled down to San Antonio so
frequently because he was a philanderer. As

a child I believed that whale sharks
crisscrossed the ocean following

paths that we couldn’t fathom, that
their concerns were somehow

beyond our comprehension, but then
Keppler pinned down

the shape of the Earth’s orbit over four
hundred years ago,

and the lives of ancient sea
titans are sundered

effortlessly
by men with indifferent faces.

i.

Brandon and Jane
One heart pumping their blood;
Soulmates, eternal love.

ii.

Brandon and Jane
Names written on alleyway wall's;
Undiscovered by man,
Treasure's of God.

iii.

Brandon and Jane
Revealed for all to seeith;
Manifested to the naked eye
To her I seek to pleaseth.

iv.

Brandon and Jane
Together interconnected glow;
Ourn flower garden is planted
We art the growers of touching soul's.

v.

Brandon and Jane
Mine flesh is her flesh, as tis her's is mine.
Mine pain is her pain, as tis her's is mine.
Mine name is her name
Filipino divine.
A kingdom with an empress
Jane sardua, lady of time.

vi.

Brandon and Jane
Coalesced in sacrosanct lullaby's;
As newborn infant's, and before the age
Of man we were to find. To find one another
In a moment's blinking eye, I kneweth her, tis
She kneweth me, I searched the beaches and thus
The sea's, as I landed in Clarin, Philippines;

vii.

Brandon and Jane
Forever to be,
Resplendent
Symphony's
Of soulmate
Seeds. Together
                            Forever
            scintill­a
                            Serene.



©Brandon Cory Nagley
©Lonesome poet's poetry
©Earl Jane dedication ( Filipino rose) poetry

Followers of Sfera would be glad to know that the Spanish fashion brand recently launched its Fall-Winter 2016 collection at its flagship store in SM Makati.

The event, held in partnership with the Spanish Chamber of Commerce in the Philippines (La Camara Manila), had the local Spanish community and members of the diplomatic corps among the guests.

They were treated to a fabulous showcase of the collection, along with cocktails and an exciting shopping experience.

In attendance were Maria Jose Carrasco, wife of Spanish Ambassador Luis Antonio Calvo, Pedro Pascual of the Commercial Office of the Embassy of Spain, Alfredo Roca, vice president external of La Camara Manila.

Sfera, part of Madrid’s renowned El Corte Ingles Group of Companies, opened its first store in Asia in the Philippines in 2014, on the second floor of The SM Store Makati. In 2015, it opened more branches—on the second level of Building B in SM Megamall, and on the upper ground floor of SM Seaside City Cebu.

September 2016 saw its first department store corner at The SM Store in Aura Premier.

This premium fast-fashion brand offers men’s and women’s wear, and is known for its ability to stay on-trend every season while maintaining good-quality clothing and affordability.

From SM, heading to the opposite side of town, we were treated to a gastronomic symphony at one of our favorite restaurants, Salvatore Cuomo.

The six-course dinner, prepared by chef Salvatore Cuomo himself, served as a sneak peek of his new dishes on the menu.

The Italian culinary titan has narrowed the boundaries between innovation and fine taste. The meal was a roller-coaster of dynamic flavors and textures—an array of small bites paired with light aperitif for starters, washed down with Italian and French medium-bodied red and white wines.

In true Salvatore Cuomo fashion, the ingredients used in the entire dinner were thoughtfully selected and sourced from the best producers in Europe and Asia.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/red-carpet-celebrity-dresses

MANILA, Philippines - The public knows me as the Father of Philippine Franchising but what is hidden from the public eye is that I am a father of five sons and a daughter. This fact became very real to me again recently when my youngest son, Sam Gregory, got married.

Like I said, I have five sons and all of them are achievers and successful in their respective fields. My eldest son, Sam Benedict, for example, has a master’s degree from Kellogg and works for a top American company. My fourth son, Sam Christopher, on the other hand, got his master’s degree from Oxford and used to work for a top British conglomerate.

When my other sons got married, I was happy and proud as I could be; but when Greg got married I have to admit that there was a certain tug in my heart realizing that my little Sam was finally leaving the nest. I am not the sentimental type, but I guess every parent has a special place in his heart for his youngest.

But don’t get me wrong, Greg is no pushover. Being physically small, he did have his share of bullying when he was in school. But Greg knows how to deal with his problems. He befriended a number of his bigger classmates and that solved his problem in a snap. He may be small but he has a big heart.

Greg is idealistic and principled. He usually volunteers for civic and charitable activities and contributes to fund drives for disaster victims. My wife and I have accepted the fact that every time there is a typhoon, we can expect our cupboards to be cleared of canned goods and our cabinets purged of old clothes, which Greg would donate.

He follows traffic rules and regulations even when there’s nobody watching and even if following is not convenient for him. He saves energy. He recycles. He even convinced me and my wife not to use narra wood flooring in our retirement home.

Being a careful planner, he is the most prepared among our family for the “Big One.” But what I find most admirable is that he keeps two emergency kits in his car in case he finds himself in a situation where he might need to help others.

Greg is also romantic, creative and dedicated. When he was studying in Beijing, he would organize a virtual date with Charmaine Haw (who would eventually become Mrs. Sam Gregory Lim), who was in Manila. They would watch the same movie on the web and Greg would order movie snacks, which he would send to Charmaine’s house. The couple would also have virtual dinner dates where Greg would order similar meal courses, which would be delivered to Charmaine’s house and then they would chat via Skype while having dinner.

When the time came for Greg to buy his engagement and wedding rings, he refused to let us — his parents — help him. He used his own money despite being the one among his brothers who could least afford it, being the least salaried employee among them. He did this as a symbol of his love and commitment to Charm.

But when the wedding came I insisted that it should be a grand wedding.

To guarantee a great party, we made sure to have great food, a great place and great companions. Being an avid sci-fi fan, Greg already had an idea of a unique garden wedding. He wanted to transform the New Grand Ballroom of the Marriott Hotel into the forests of Avatar. To do this, the wedding stylist had to import a collection of trees, hanging plants, shrubs, flowers and other plants. The images projected on the giant 15-meter panoramic LED screen added to the reality of the scenery. It was a unique and original “garden setting” and was certainly a sight to behold and remember.

For the food, Greg was at his meticulous best to make sure that the evening’s feast was memorable. The dinner opened with a mouth-watering appetizer, lemon-spiced pan-seared scallop with tomato cucumber timbale in creamy ginger soya sauce followed by Manhattan clam chowder with cornbread dumpling. For the main course, we had the beef tenderloin prepared by the master chef of Cru Steakhouse of Manila Marriott Hotel, sea bass with roasted shallots, dauphin potatoes in perigourdine and mustard herb sauce.

The espresso-infused tiramisu and the white chocolate cheesecake with mango salsa served with piping-hot coffee completed the culinary feast.

With 800 guests, I would have to admit that we did splurge a little. But we also wanted the wedding reception to be an opportunity to thank the people who have been a part of our family. These are our relatives, friends and associates who have inspired, mentored and helped mold my children to be what they are today.

To my youngest son, Greg, and my new daughter, Charmaine — quoting from the Vulcan salute of the Star Trek saga (of which Greg is a big fan) — may you both live long and prosper!

read more:www.marieaustralia.com/formal-dresses

http://www.marieaustralia.com

Ikaw Ay maganda
These are words from Tagaloga
Which is the language of Philippines
It means "You are beautiful"
I can say this to the one who looks beautiful
But what is beauty
It is color or figure
I don't believe in faded beauty
Only interested in the beautiful heart
Which will not fade and
Which won't have any expiry date
So, Ikaw Ay Maganda
To every good people

ALMOST 500 aspiring fashion designers competed to represent Malaysia in the grand finale of this year’s AirAsia Runway Designer Search 2016.

The online submissions were narrowed down to 25 contestants, where a panel of judges chose their top 10 from that pool.

These top 10 contestants aged between 18 and 28 years old were judged based on their creativity, originality, theme and presentation.

From there, the top three lucky ones will represent Malaysia in the grand finale, which will also see contestants from five other Asian countries including Singapore, Indonesia and the Philippines.

“We have so many potential designers this year and it is very exciting to see their designs come to life on the runway,” said Kuala Lumpur Fashion Week Ready to Wear (KLFW RTW) founder Andrew Tan.

He said there was no one winner when it came to fashion as everyone had their own kind of creativity, which is why he is happy to send three finalists from Malaysia to compete in the grand finale.

“We are proud to have three designers representing our country.

“This year’s theme of Asean inspiration is where they can draw their inspiration from any Asean country, not just Malaysia,” he said.

He advised aspiring designers to not miss this opportunity to shine at one of the country’s biggest fashion events.

This can also be their platform to make their dreams come true as their designs will be showcased at the Kuala Lumpur Fashion Week and sold on Fashion Valet.

Joining Tan on the judging panel was AirAsia Berhad chief executive officer Aireen Omar who sees this as an event to capture Malaysia’s best talent in the fashion industry.

“We decided to make this contest a regional one to not only create more excitement but elevate the contest to a higher level,” she said.

Last year, the runway designer search was limited to Malaysian contestants.

She said making the contest regional was in line with AirAsia, which was all about networks and connectivity.

“It is also in sync with our Asean theme, where contestants draw inspiration from their travels to other countries,” she said.

In August, the top three contestants from each country will compete at the grand finale in Kuala Lumpur.

The winner will walk away with the title “Air Asia’s Most Promising Young Designer 2016” and prizes worth at least RM350,000 including a confirmed show segment to showcase the full collection on (KLFW RTW).

In addition, the winner will be mentored by the KLFW RTW team, RM25,000 to produce a capsule collection on Fashion Valet and RM150,000 AirAsia BIG Points to fly.Read more at:http://www.marieaustralia.com/formal-dresses-adelaide | www.marieaustralia.com/formal-dresses-perth

For You- Butch my friend from Philippines ocean away to Cali U.S.A

FRIENDSHIP is like Red Rose in my Garden.

It is not the  sum -total on how many it BLOOMED

but unfathomable beneath the ROOTS thriving & Sprouting.

Purview as Emoting little some Some,

little Bored,

little Depleted

little sad, or yielding to the Inevitable!

Languish to anguish perhaps from  lack of vitamin 'ME"..Ahah!

Thereby stayed in touch, in Tuned

following  the thread   with ME.

My Friend so close yet Afar.

Truly Extraordinary,
wonderfully Smiling
and  adamantly Affirms:

"You  are D apple of my Eye!"
Every time WE see eye to eye in social networking  called Facebook
Through Cyber Space
The abounding witty comments of "***'s," "Ohhs "and 'AAhhs"
makes everyone amused with Awe of such silly antics we so accorded!

A blessing, a gift from God.

So unusual Diamonds so Alike
a  rare atypical like it!

..so Uncommon

Not Phony friends out there to  deceive & Decry..
Succumb unlikely in Waterloo!

But You  definitely a Diamond to my passion!

As girl's BFF, a Buddy or a Sweet chum or Dude!
Not a Foe but Pal Forever.

And  just to let You Know , my Friend,
You  are  like a Diamond so brilliant
Found like a rare gemstone from a dust
who is never be a mere coincidence to bring JOY & Delight  
to the norm & Conform.

So for  now.. priceless friend like You..is for me to treasure the friendship between Us.

Thank you, my Friend,

I will always be here & there for You as a Friend in Deed!

I want green tea kit kat
Not because it is green
Nor it is a kat
Because it is a GREEN TEA KIT KAT
But as I look in the fridge only 1 remained
Yay it's a green tea kit kat
But NO It is the last GREEN TEA KIT KAT
I dunno what to do

Why oh why
Is it overpriced in the Philippines
Where coconuts are all around
But no cheap Green Tea Kit Kat
Someone pls

Give me more Green Tea Kit Kat

The Last Poem of Rizal

Farewell, my adored Land, region of the sun caressed,
Pearl of the Orient Sea, our Eden lost,
With gladness I give you my Life, sad and repressed;
And were it more brilliant, more fresh and at its best,
I would still give it to you for your welfare at most.

On the fields of battle, in the fury of fight,
Others give you their lives without pain or hesitancy,
The place does not matter: cypress laurel, lily white,
Scaffold, open field, conflict or martyrdom's site,
It is the same if asked by home and Country.

I die as I see tints on the sky b'gin to show
And at last announce the day, after a gloomy night;
If you need a hue to dye your matutinal glow,
Pour my blood and at the right moment spread it so,
And gild it with a reflection of your nascent light!

My dreams, when scarcely a lad adolescent,
My dreams when already a youth, full of vigor to attain,
Were to see you, gem of the sea of the Orient,
Your dark eyes dry, smooth brow held to a high plane
Without frown, without wrinkles and of shame without stain.

My life's fancy, my ardent, passionate desire,
Hail! Cries out the soul to you, that will soon part from thee;
Hail! How sweet 'tis to fall that fullness you may acquire;
To die to give you life, 'neath your skies to expire,
And in your mystic land to sleep through eternity!

If over my tomb some day, you would see blow,
A simple humble flow'r amidst thick grasses,
Bring it up to your lips and kiss my soul so,
And under the cold tomb, I may feel on my brow,
Warmth of your breath, a whiff of your tenderness.

Let the moon with soft, gentle light me descry,
Let the dawn send forth its fleeting, brilliant light,
In murmurs grave allow the wind to sigh,
And should a bird descend on my cross and alight,
Let the bird intone a song of peace o'er my site.

Let the burning sun the raindrops vaporize
And with my clamor behind return pure to the sky;
Let a friend shed tears over my early demise;
And on quiet afternoons when one prays for me on high,
Pray too, oh, my Motherland, that in God may rest I.

Pray thee for all the hapless who have died,
For all those who unequalled torments have undergone;
For our poor mothers who in bitterness have cried;
For orphans, widows and captives to tortures were shied,
And pray too that you may see your own redemption.

And when the dark night wraps the cemet'ry
And only the dead to vigil there are left alone,
Don't disturb their repose, don't disturb the mystery:
If you hear the sounds of cittern or psaltery,
It is I, dear Country, who, a song t'you intone.

And when my grave by all is no more remembered,
With neither cross nor stone to mark its place,
Let it be plowed by man, with ***** let it be scattered
And my ashes ere to nothingness are restored,
Let them turn to dust to cover your earthly space.

Then it doesn't matter that you should forget me:
Your atmosphere, your skies, your vales I'll sweep;
Vibrant and clear note to your ears I shall be:
Aroma, light, hues, murmur, song, moanings deep,
Constantly repeating the essence of the faith I keep.

My idolized Country, for whom I most gravely pine,
Dear Philippines, to my last goodbye, oh, harken
There I leave all: my parents, loves of mine,
I'll go where there are no slaves, tyrants or hangmen
Where faith does not **** and where God alone does reign.

Farewell, parents, brothers, beloved by me,
Friends of my childhood, in the home distressed;
Give thanks that now I rest from the wearisome day;
Farewell, sweet stranger, my friend, who brightened my way;
Farewell, to all I love. To die is to rest.

When I die, don't be afraid to show how you feel,
Shed a tear or grab a beer.
Believe me I will be somewhere near.

Whisper to the wind the words I long to hear,
Weep to the ocean all regrets there is,
Until the waves wash it all away.
Climb to the top of the mountain and shout your heart out,

When the load gets light,
Seeing you being real from a far would make it all bearable on my part
Wishing it is the same for you.

And when the light drifts away, the night creeps in,
Together with the cool breeze that blows chills on your nape,
You'll be sure I am at your back,
Hugging you tight, kissing you the sweetest goodnight.

**JP dela PazPhilippinesMay 2015

In a land where you exchange Mao
In his different values,
And get meals on Lazy Susans,
The aroma of tea
Filling malls and subways,
And people—
Ask for a fork and a knife.
Whirl your hands about
And attempt to communicate
In Chinese dashes of silhouettes
In air, while speaking
In another language you
Know will be lost to unknowing,
To this fine dining.
See the toothpicks, plain
And humble, and smile.
It could have been the same
As those in the Philippines.
Stress your hearing a little,
You might catch them say,
“Mao welcomes his brothers
From the working class.”
Back home, the only welcome
The working class can provide
Are smiles and turo-turos,
Free karinderia water
And a toothpick for the day’s
Only meal, the aroma of hunger
Filling people.

Sittin' on the dock of the bay,
Watching the sun slip, Simon-says, slide away,
Cheeks blushing flushing from orange ray-guns,
Drinking blush rosé to oil our eyes
For the subtle story the sky shortly will reveal,
For the subtle story the sky shortly will revel.

Grievous judgement to make,
Thinkin' skills possessed to praise,
When but yesterday I easy confessed,
When at the Blue Canoe (another poem),
I did not.

(The clouds were magnificent. No, I cannot write a poem about the cloud colors. Their shape shifting inexhaustible.  Mine eyes high on their creativity.  I'm just not good enough a poet to tamper with that sky.)

If you courage enough to
Call yourself poet, then
It is audacity, not blood,
Warming your extremities,
So foolishly try, always be prepared to fail.

No impulse. We pledged that tonight, ours,
One hour of sunset over Silver Beach.
Brought the wine, forgot the pillows,
So Abraham & Isaaca went prepared to sacrifice
All feelings in their butts for the greater glory
Of love and one of nature's great poetic challenges..

The conundrum~miracle of every sunset
O'er bay, lake or ocean, is its special,
Only-In-Nature unique way of customizing
Its descent just for you.

No matter where one observes,
No matter where you worship,
Wherever your temple, mosque or church situé,
Tennessee, Rhode Island, the Philippines,
Germany, Colombia, even in the ole U.K.,
(yes, you, know it, yes you)
The very same setting sun we all see,
Sends a magic dazzle gold orange path invitation
To the exact spot you are voyeuring,
One sun, all destinations equal before human.

How can that be?

Trepidation and tremblingly,
The clouds.

She leans on me, a perfect fit,
My back resting against a pylon,
So we see the clouds
With common exactitude,
But it is a quiet time, silence only shared.
Images stored silently within ourselves,
For we see the formation, man, woman,
Precisely and exactly, totally differently.

The clouds.
An armada moving imperial and imperiously
At a stately speed, saying I am awesome, fear me.
The largest cloud bank is an aircraft carrier,
Miles long, painted horizon blue-grey unsurprisingly.

The small white wisps, fast destroyers, stealthy submarines,
Moving fast to protect the mother ship,
Running random to confuse enemy radar and the
Pathetic, limited, human eye.

The colors.
Here I fail willingly, unashamedly.
So many sunsets, so many hearts,
All different, all the same.
Lacking knowledge, I cannot tender,
I cannot offer you tenderness to love
Enough,
The variety of oranges, gold, varietals interspersed
With pinks singeing the cornea,
And mock myself for all my meager brain yields is
Good Humor creamsicle...a delicious irony

You who write after midnight
Of razor blades, pills and shotguns,
And not marked two decades even, on this planet,
You want hard,
Write a poem about a sunset in ways never done before.

You, who are wracked with despair
Speak to the man with no job for months
And mouths to feed and a life insurance policy.
Speak to me.

I want to tell you to get over yourself,
But you reject that old saw.
Ok.
Get onto to yourself.

I have walked the hallways of deep despair,
Heard the bells ring between periods that signal only the next
Hell,
And to this day, still do,
But still I try to write external of sunsets and greater glories.

How many lives depend on you? Are you proud of your weakness?
Do you hate me yet for acknowledging out loud,
We are both cowards?

I have five mouths to feed,
Before I parse a morsel.
One less than two times three,
What do you have but to
Grow yourself?

Yeah coward.
Too yellow to write about a
Yellow sunset, cause that is hard in a way incomprehensible
Until tried.
Or the passing of your mother who could not speak clearly
But you, thru her eyes knew that she had poems to yet recite.
Run away like I did ashamed with frustrated failure.
Why should I coddle, give you easy soft?
.
If you come here to share, well and good.
If you come here to find comfort, good.
So gaze upon these words and feel
The love that only experience has earned.

What do you know of heartbreak?
Imprisoned for decades in a loveless life,
I walked by the water nightly, so tempted
To stay, to not pass by but pass on,
Yes, the same waters where I CinemaScoped
Yesterday's sunset, and walked away.

You can read about it if you look,
Look me up, look here, the story is in my poems, but always,
Look up!

So do something hard, something external.
Fail but love yourself more for just having tried.
Then try something else.

The saddest poem ever wrote
Was not yours, where you titillate with daring words
Razors, pills etc.,
The saddest poem ever writ
Was this one, a meager vanity to capture a
Sunset that keeps trying every day to
Surpass
Supersede
Its previous glorious failure,
Like we should too.
Keep trying

Now, I shall rest,
For I know that soon I shall see, feel, think,
Of something new that will make me eager to
Write a new poem.


August 3~5, 2013
Written and posted here one year ago today. Strangely, it fits my mood exactly, again, today, 2014. Edited for clarity here and there...

*If you courage enough to
Call yourself poet, then
It is audacity, not blood,
Warming your extremities,
So foolishly try, always be prepared to fail.

They ask why do you love the Philippines
Well theres palm trees and coconuts too
Lovely beaches everywhere good fishing
Just to name I guess out of all just a few

Great shopping and sunshine lots of rain
The rivers are wide and never ever dry
Love the people all of them I do so much
Tropical fruits are plenty and you ask why

Its a heaven all upon its own without a lie
Oh yes and the food is ever so very great
So much peace of mind to here find
Lovely mountains and good swimming mate

I could go on all day in all honesty about it
Don't think theres much that I've missed
Simply beauty sublime around all of the time
Just waiting to be seen enjoyed thats unkissed

https://www.google.com/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&cad=rja&uact=8&ved=2ahUKEwjNytfh5K3dAhXFLFAKHQlEDOgQjRx6BAgBEAU&url=https%3A%2F%2Fwww.pinterest.com%2Fpin%2F647603621389403972%2F­&psig=AOvVaw0gbbQ5FvQLTNdWdRJ0asZU&ust=1536577855626603

terrence michael sutton
copyright 2018