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"pheasants" poems
I shall tread, another year, Ways I walked with Grief, Past the dry, ungarnered ear And the brittle leaf. I shall stand, a year apart, Wondering, and shy, Thinking, "Here she broke her heart; Here she pled to die." I shall hear the pheasants call, And the raucous geese; Down these ways, another Fall, I shall walk with Peace. But the pretty path I trod Hand-in-hand with Love-- Underfoot, the nascent sod, Brave young boughs above, And the stripes of ribbon grass By the curling way-- I shall never dare to pass To my dying day.
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4.7k
Paths
In the slant of the sun on the country-side, Cattle and sheep trail home along the lane; And a rugged old man in a thatch door Leans on a staff and thinks of his son, the herdboy. There are whirring pheasants, full wheat-ears, Silk-worms asleep, pared mulberry-leaves. And the farmers, returning with hoes on their shoulders, Hail one another familiarly. ...No wonder I long for the simple life And am sighing the old song, Oh, to go Back Again.
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4.7k
A Farmhouse on the Wei River
Russian black grass and an ornate pattere  garden, pheasants basking in uncertainty culpable designs eyeing towards. Yellow book inclusion, asks more than the obelisks shadows casting down the acers, the mia crocus still a red mist before laying the asphalt driveway.
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Feb 1, 2014
Feb 1, 2014 at 5:23 PM UTC
New Garden owners.
Now as I was young and easy under the apple boughs About the lilting house and happy as the grass was green, The night above the ****** starry, Time let me hail and climb Golden in the heydays of his eyes, And honoured among wagons I was prince of the apple towns And once below a time I lordly had the trees and leaves Trail with daisies and barley Down the rivers of the windfall light. And as I was green and carefree, famous among the barns About the happy yard and singing as the farm was home, In the sun that is young once only, Time let me play and be Golden in the mercy of his means, And green and golden I was huntsman and herdsman, the calves Sang to my horn, the foxes on the hills barked clear and cold, And the sabbath rang slowly In the pebbles of the holy streams. All the sun long it was running, it was lovely, the hay Fields high as the house, the tunes from the chimneys, it was air And playing, lovely and watery And fire green as grass. And nightly under the simple stars As I rode to sleep the owls were bearing the farm away, All the moon long I heard, blessed among stables, the nightjars Flying with the ricks, and the horses Flashing into the dark. And then to awake, and the farm, like a wanderer white With the dew, come back, the **** on his shoulder: it was all Shining, it was Adam and maiden, The sky gathered again And the sun grew round that very day. So it must have been after the birth of the simple light In the first, spinning place, the spellbound horses walking warm Out of the whinnying green stable On to the fields of praise. And honoured among foxes and pheasants by the gay house Under the new made clouds and happy as the heart was long, In the sun born over and over, I ran my heedless ways, My wishes raced through the house high hay And nothing I cared, at my sky blue trades, that time allows In all his tuneful turning so few and such morning songs Before the children green and golden Follow him out of grace. Nothing I cared, in the lamb white days, that time would take me Up to the swallow thronged loft by the shadow of my hand, In the moon that is always rising, Nor that riding to sleep I should hear him fly with the high fields And wake to the farm forever fled from the childless land. Oh as I was young and easy in the mercy of his means, Time held me green and dying Though I sang in my chains like the sea.
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3.3k
Fern Hill
Now as I was young and easy under the apple boughs About the lilting house and happy as the grass was green, The night above the ****** starry, Time let me hail and climb Golden in the heydays of his eyes, And honoured among wagons I was prince of the apple towns And once below a time I lordly had the trees and leaves Trail with daisies and barley Down the rivers of the windfall light. And as I was green and carefree, famous among the barns About the happy yard and singing as the farm was home, In the sun that is young once only, Time let me play and be Golden in the mercy of his means, And green and golden I was huntsman and herdsman, the calves Sang to my horn, the foxes on the hills barked clear and cold, And the sabbath rang slowly In the pebbles of the holy streams. All the sun long it was running, it was lovely, the hay Fields high as the house, the tunes from the chimneys, it was air And playing, lovely and watery And fire green as grass. And nightly under the simple stars As I rode to sleep the owls were bearing the farm away, All the moon long I heard, blessed among stables, the nightjars Flying with the ricks, and the horses Flashing into the dark. And then to awake, and the farm, like a wanderer white With the dew, come back, the **** on his shoulder: it was all Shining, it was Adam and maiden, The sky gathered again And the sun grew round that very day. So it must have been after the birth of the simple light In the first, spinning place, the spellbound horses walking warm Out of the whinnying green stable On to the fields of praise. And honoured among foxes and pheasants by the gay house Under the new made clouds and happy as the heart was long, In the sun born over and over, I ran my heedless ways, My wishes raced through the house high hay And nothing I cared, at my sky blue trades, that time allows In all his tuneful turning so few and such morning songs Before the children green and golden Follow him out of grace. Nothing I cared, in the lamb white days, that time would take me Up to the swallow thronged loft by the shadow of my hand, In the moon that is always rising, Nor that riding to sleep I should hear him fly with the high fields And wake to the farm forever fled from the childless land. Oh as I was young and easy in the mercy of his means, Time held me green and dying Though I sang in my chains like the sea.
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55
i love the fact that most people rather enter the concept of karma rather dialectics to argue their point - makes emily austen seem like a nutcracker of ideas to come from ikea as the self-assembled semi-detached heights, otherwise known as wuthering, heights or the disco-ball done in mahoganny eyed splinter shine - sheens the spot! it's just so ****** blocked nose rotten, the opposite of polite society, a bit like the middle-ages... reigning paranoia imported from a lost colony, library cards of blue indian peasants turned into pheasants that did the cancan dance all of a sudden... miracles christ couldn't even forsee! i'm free every saturday if you're hashtag up-for-it... never mind... i'll leave my quote and oil my phone-number for a missing mobile telepathic nuance on when differentiating blue indians with garam masala and red indians with mohawks - easiest game of all: snakes & ladders, noughts & crosses... garam masala & mohawks.
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Dec 5, 2015
Dec 5, 2015 at 8:26 PM UTC
where there's an ikea there's a suede scandinavian's worth of cabbage / call it evlis, i call it luck
that fizzy chemical feeling wraps itself around my veins. again. again. not again. i am full of blue smoke and voracious wind voices. i am full of melancholy and still-born dreams. i miss you, there, in the mirror. you shine like forgotten sun, laugh like terrific miniature gods. i am acetylene now. i am neither human nor beast. i return to the ashes and ether from whence I came. i don’t belong here, living as a fox among the pheasants.
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Oct 22, 2012
Oct 22, 2012 at 11:59 PM UTC
a fox among the pheasants
The fat lady came out first, tearing our roots and moistening drumskins. The fat lady who turns dying octopuses inside out. The fat lady, the moon's antagonist, was running through the streets and deserted buildings and leaving tiny skulls of pigeons in the corners and stirring up the furies of the last centuries' feasts and summinging the demon of bread through the sky's clean-swept hills and filtering a longing for light into subterranean tunnels. The graveyards, yes the graveyards and the sorrow of the kitchens buried in sand, and dead, pheasants and apples of another era, pushing it into our throat. There were murmurings from the jungle of ***** with the empty women, with hot wax children, with fermtented trees and tireless waiters who serve platters of salt beneath harps of saliva. There's no other way, my son, ***** There's no other way. It's not the ***** of hussars on the ******* of their ****** nor the ***** of cats that inadvertently swallowed frogs, but the dead who scratch with clay hands on flint gates where clouds and desserts decay. The fat lady came first with the crowds from the ships,s taverns, and parks. ***** was delicately shaking its drums among a few little girls of blood who were begging the moon for protection. Who could imagine my sadness? The look on my face was mine, but now isn't me, the naked look on my face, trembling for alcohol and launching incredible ships through the anemones of the piers. I protect myself with this look that flows from waves where no dawn would go. I, poet without arms, lost in the vomiting multitude, with no effusive horse to shear the thick moss from my temples. The fat lady went first and the crowds kept looking for pharmacies where the bitter tropics could be found. Only when a flag went up and the first dogs arrived did the entire city rush to the railings of the boardwalk.
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2.1k
Landscape of a Vomiting Multitude
The fat lady came out first, tearing our roots and moistening drumskins. The fat lady who turns dying octopuses inside out. The fat lady, the moon's antagonist, was running through the streets and deserted buildings and leaving tiny skulls of pigeons in the corners and stirring up the furies of the last centuries' feasts and summinging the demon of bread through the sky's clean-swept hills and filtering a longing for light into subterranean tunnels. The graveyards, yes the graveyards and the sorrow of the kitchens buried in sand, and dead, pheasants and apples of another era, pushing it into our throat. There were murmurings from the jungle of ***** with the empty women, with hot wax children, with fermtented trees and tireless waiters who serve platters of salt beneath harps of saliva. There's no other way, my son, ***** There's no other way. It's not the ***** of hussars on the ******* of their ****** nor the ***** of cats that inadvertently swallowed frogs, but the dead who scratch with clay hands on flint gates where clouds and desserts decay. The fat lady came first with the crowds from the ships,s taverns, and parks. ***** was delicately shaking its drums among a few little girls of blood who were begging the moon for protection. Who could imagine my sadness? The look on my face was mine, but now isn't me, the naked look on my face, trembling for alcohol and launching incredible ships through the anemones of the piers. I protect myself with this look that flows from waves where no dawn would go. I, poet without arms, lost in the vomiting multitude, with no effusive horse to shear the thick moss from my temples. The fat lady went first and the crowds kept looking for pharmacies where the bitter tropics could be found. Only when a flag went up and the first dogs arrived did the entire city rush to the railings of the boardwalk.
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44
My Brothers and Sister and Me We all share the same genes Though some hide it better than others. Similarities And Differences are pronounced. The apples don’t fall far from the tree Though a couple of them bounced. Apples baked into pies or Thrown to the horses Rotten and brown and wormy and Delicious apple cider in the Fall. Applesauce and apple butter and Appleton, Wisconsin Looking for a job?  Applications for them all. Mountains, and mountains of books Rivers, and streams of numbers Hiking and running through canyons Flowers and gardens and mushrooms and parks. Shooting pheasants in the fields Shooting stars in the dark. Time will tell.  Time will tell Mom’s in Heaven, Dad’s in his own Hell. Whose footsteps will you follow? What size boots do you own? Who most will you resemble? When your own kids are grown. We are laughing.  We are laughing. We are librarians and teachers And accountants and staff and lumbermen always. And still we all laugh.   “Thought one of you’d be a preacher.” “Good money in that.” Each generation’s gaps grow wider As the trees grow taller the apples fall farther Similarities and Differences well-defined Still laughing. Still laughing at things New genes swimming in the family pool Some of the cousins can sing!! PwL March, 2015
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Mar 28, 2015
Mar 28, 2015 at 2:49 AM UTC
Family Tree
I was with Lewis & his buddy Clark, talked with them Mandans, ran from the Blackfeet & ate the pheasants too. Sacagawea, that Shosone beauty, was an awesome trailmate, her eyes sparkled with Milky Way dreams. Twas' fate that brought me here, but I'm fine, I truly am, okay with that. 'Cause I enjoy the spirit-life, reminiscing about my past, adventure travels.
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Aug 21, 2014
Aug 21, 2014 at 11:55 AM UTC
I Enjoy The Spirit Life
The timpani crash of thunder The gentle side drum beat of autumn rain While violin and cello echo the gusting wind The Nightingale sweet sound of the piccolo echoes in the dusk Early morn and the French horn mimics the pheasants call And the well played flute could be the blackbird on the wall But this can't be Because man can never truly compose natures music
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Oct 12, 2014
Oct 12, 2014 at 2:08 PM UTC
Natures Music
It is wild and sporting, a miracle dinner befitting for the first day of christmas. It is not like most birds. It belongs to a pleasant family called pheasants. Quite the plump and careful bird i must add, avoiding places of high glory and gory
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Dec 5, 2013
Dec 5, 2013 at 10:54 AM UTC
Patridge
The day you leave daisies in my pocket is the first time I wore proper pajamas. Right-handed scissors paint with matching lip gloss, attempting to stick words together. My hands lay limply next to a wine glass containing nothing but grape juice, unhappy compromises. Everything felt pinched and blue. Last night I decided to write stories on my skin with little holes in the paper, nineteen socks under my bed. I tried to remember the rain, why it was lovely. I ended up with wet shoes, the smell of deserted food court and secrets billowing from cigarette stubs. Arizona breezes carry the taste of hushed whispers, making phone calls in the place of poetry. The idea of pheasants, tiny wrists black ink crisscrossing, hurried ‘X’s overlapping. Flowers grow from stagnant air Minted antibiotic breaths. Heart monitors printed in newspapers, your armada of pre-sharpened pencils accidentally drip into coffee mugs. Autopsies knit together, authors of the curve of your spine. You keep myths in glass jars with intricate wire lids. Why do we question the recipe for battle scars?
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Apr 24, 2013
Apr 24, 2013 at 10:28 AM UTC
Battle scars
Have a passion for music. A passion for plays. Must be left overs of purplish haze daze. A passion for words and good looking birds. Elegant peacocks and pheasants that flap. Tail feathers extended in preparation for glory. Male display is a vigorous thing. All for the sake of having a fling. (c)LIVVI
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Jan 12, 2016
Jan 12, 2016 at 5:06 PM UTC
ARTY CHICK (Nope, not artichoke, lol)
I heard birds chirping this morning. I wondered if birds conduct sonnets to other birds in their little bird languages. Maybe there is a bird tongue considered "French" of bird tongues. All romance and delight and cheese and devoid of home. They speak soft when chirping of flights South and loud of thawing North. Are they dissatisfied? Does flight seem like walking? On the bus I hear chatter. The workday not over. Wake up get back to work. If you pause remember you are a failure. If you invest, call it working. Unless it is French, do not pronounce anything that is not English correctly. Condemn those who make mistakes at what you do not know how to do. Say it is easy. Say you could do it better. Don't try. Fly South for the winter. Eat cheese by the fire. Pay a thousand dollars to hunt pheasants in an enclosure. Give your son a hundred dollars. Tell him to take her "somewhere nice." Kick him out when he takes him "somewhere nice." Watch people swoon at your feet; hate you; want to be you. Hate people who want nothing you offer to give them. Act as if the offer is a debt. Give gifts and ask for a return on your investment. Are your hands soft? Are your wings weak? Is there anything else you need
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Dec 6, 2012
Dec 6, 2012 at 7:23 PM UTC
French Bird Cheese
Each afternoon in Granada, each afternoon, a child dies. Each afternoon the water sits down and chats with its companions. The dead wear mossy wings. The cloudy wind and the clear wind are two pheasants in flight through the towers, and the day is a wounded boy. Not a flicker of lark was left in the air when I met you in the caverns of wine. Not the crumb of a cloud was left in the ground when you were drowned in the river. A giant of water fell down over the hills, and the valley was tumbling with lilies and dogs. In my hands' violet shadow, your body, dead on the bank, was an angel of coldness.
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1.2k
Gacela of the Dead Child
Content in a cornered part of the far reaches of France Where the gypsies naked prance and hastily dance Stars shine down on the groups of merry peasants Who talk love tell and pluck soon to be dead pheasants Here the children tell of monsters mixed to death with lore Milk pours from every cow and food grows more and more Rocks forget themselves underneath a bubbling river bed No one cries for here no one is beckoned to the river of the dead Illusions fortify their eyes and their beating red hearts Cars are parked for the horses as their only means to start On adventures to moon lit mortuaries candle lit dinner parties Dancing with ghosts sporting their finest being quite flirty I envisioned myself beneath the elm tree reading and writing Listening to no sounds of husband and wife fighting Some may call this place eden heaven or even impossible But I see it as a world hopeful to soon be chronicled
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Jul 12, 2011
Jul 12, 2011 at 3:45 PM UTC
Soon To Be
the crackling howl of jackals thrice fooled by the thick dessert mirage of wild turkeys and red-neck pheasants for the gathering of sunset
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Jan 9, 2013
Jan 9, 2013 at 9:38 PM UTC
For The Gathering Sunset
Marshes and meadows Sunshine and shadows Gentle ripples on the calm river Foaming rapids in white water The jungle echoes in the semi-darkness while daylight creepy-crawlies clear the mess. Peasants toiling and pheasants scratching as I spy a cricket somersaulting The cactus the desert's prickly femme-fatale elsewhere a lone leaf floats in the canal Prairie dogs go popping while hares go hopping and ladies go shopping Swans have formed a V-line The flora too is divine as bees nosedive in bee-line. Seista seizes birdlovers too Thus they miss out on the hoopoe's song For the hoopoe, it does not sing on cue since a bird may sing anytime to woo. What a medley eh of scenery Murky eve and dawning greenery Ah, wherever you go nature's so panoramic While we make and take pictures God actually makes what's so picturesque!
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Dec 29, 2017
Dec 29, 2017 at 4:10 PM UTC
Scenery medley contrasts
I want to show you the pond John says ducks and swans are there and now and then herons come Elaine wonders where the pond is is it far? she asks no not far just down through the wood here down these rides mind the brambles he walks ahead of her she follows can you hear that? he says what is it? blackbird you can tell by the song she looks at him ahead of her she wishes he would stay with her she's not been in these woods before how big is it? she asks not that big but big enough you'll see he says back to her walking on that's a song thrush he says love the song thrush she treads carefully along the ride she doesn't want to catch her legs on brambles they reach a fence and he climbs over and waits for her careful how you get over he says don't want to get a splinter in your leg she climbs carefully trying to keep her skirt tight to her legs doesn't want him to see up her skirt but he looks away out at the field see pheasants out there sometimes he says she climbs down the other side brushes her skirt down and stands next to him where's the pond? over there he says pointing over the way not far now he walks on and she follows him he is just ahead of her then he climbs over another fence it's here she comes to the fence and looks over you'll have to climb over to see it properly he says she climbs the fence carefully but he has gone down towards the pond staring at the water's skin she walks down beside him standing there a gentle smell of flowers hanging in the air.
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Jan 3, 2015
Jan 3, 2015 at 4:20 PM UTC
BY JOHN'S POND.
I want to show you the pond John says ducks and swans are there and now and then herons come Elaine wonders where the pond is is it far? she asks no not far just down through the wood here down these rides mind the brambles he walks ahead of her she follows can you hear that? he says what is it? blackbird you can tell by the song she looks at him ahead of her she wishes he would stay with her she's not been in these woods before how big is it? she asks not that big but big enough you'll see he says back to her walking on that's a song thrush he says love the song thrush she treads carefully along the ride she doesn't want to catch her legs on brambles they reach a fence and he climbs over and waits for her careful how you get over he says don't want to get a splinter in your leg she climbs carefully trying to keep her skirt tight to her legs doesn't want him to see up her skirt but he looks away out at the field see pheasants out there sometimes he says she climbs down the other side brushes her skirt down and stands next to him where's the pond? over there he says pointing over the way not far now he walks on and she follows him he is just ahead of her then he climbs over another fence it's here she comes to the fence and looks over you'll have to climb over to see it properly he says she climbs the fence carefully but he has gone down towards the pond staring at the water's skin she walks down beside him standing there a gentle smell of flowers hanging in the air.
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96
Promises made given and laid down in writing on stones. I read runes in the ruins of what has become, what they have done to me. No longer free I am devoured alive by those who contrive to control everything,those who bring nothing to the table and the table is bare, I share my crusts with the beggars who sit on the street,in dark corners I greet them and then I console them for they too have lost all to the mighty of Whitehall who don't give a damn,for they are the ram raiders the modern day slavers and we're all in chains,laid on the slabs,looked at in labs,dissected,inspected and put out to tender,sent out as fodder for the high in society to shoot at like pheasants,for aren't we the peasants of old? Life grows cold an old story indeed those who can't pay are unable to feed. So let us give thanks to those wonderful,fabulous,marvelous food banks who are there just in case we try to get out of the poverty trap that stares us in the face. Fuck'em all down in Whitehall I know where I am and I am a man not a note in a margin but marginalised just the same,just a piece in some game that they play. It'll all change one day though I may not be here to cheer but where ever I am,I will still be a man, and not a laboratory experiment.
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Feb 22, 2014
Feb 22, 2014 at 7:22 AM UTC
Saturday soapbox
That was a jay Jane said that bird we've just seen it belongs to the crow family it's an Eurasian Jay I was listening to her but taking in the line of her jaw as she spoke the lips opening and closing as the words flowed it's a lovely bird I said what colour eggs? she told me and we were walking up the drive up the Downs trees on either side birds calling rooks and crows and the sound of pheasants from the fields and cows mooing and her hand was near mine as she spoke I wanted to hold it and put it to my cheek and feel the softness of her but I let my hand stay just an inch away and I could smell the scent of her apple and hay and something she'd borrowed from her mother (I'd smelt it when I was at her parents house the other day for the tea) what do your parents think of me after the third degree the other day? I said we stopped and she said they like you and trust you she said they trust me anyway but it is you they were unsure about but yes they have taken you as trustworthy she added smiling I smiled too glad I'd been thought trustworthy especially after her mother's scrutiny of me the questions she had asked just on the border of things that Lizbeth's a different sort Jane said she and *** go together like cheese and onion but I am not like that I don't mean to sound prudish but I couldn't not before marriage I nodded my head and was nonplussed about it all we walked on she talked of the man her father knew whose daughter had got herself pregnant and she was only 14 and there was hell to pay and they left the area and the girl was taken some place and it has worried Father ever since I see I said and she took my hand and it was soft and I sensed her skin and warmth and her body near mine and there was sounds of rooks above our heads in the tall trees and knew Lizbeth wouldn't talk of birds or such she liked her ideas of *** too much.
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Mar 10, 2016
Mar 10, 2016 at 2:01 AM UTC
*** TOO MUCH 1961.
That was a jay Jane said that bird we've just seen it belongs to the crow family it's an Eurasian Jay I was listening to her but taking in the line of her jaw as she spoke the lips opening and closing as the words flowed it's a lovely bird I said what colour eggs? she told me and we were walking up the drive up the Downs trees on either side birds calling rooks and crows and the sound of pheasants from the fields and cows mooing and her hand was near mine as she spoke I wanted to hold it and put it to my cheek and feel the softness of her but I let my hand stay just an inch away and I could smell the scent of her apple and hay and something she'd borrowed from her mother (I'd smelt it when I was at her parents house the other day for the tea) what do your parents think of me after the third degree the other day? I said we stopped and she said they like you and trust you she said they trust me anyway but it is you they were unsure about but yes they have taken you as trustworthy she added smiling I smiled too glad I'd been thought trustworthy especially after her mother's scrutiny of me the questions she had asked just on the border of things that Lizbeth's a different sort Jane said she and *** go together like cheese and onion but I am not like that I don't mean to sound prudish but I couldn't not before marriage I nodded my head and was nonplussed about it all we walked on she talked of the man her father knew whose daughter had got herself pregnant and she was only 14 and there was hell to pay and they left the area and the girl was taken some place and it has worried Father ever since I see I said and she took my hand and it was soft and I sensed her skin and warmth and her body near mine and there was sounds of rooks above our heads in the tall trees and knew Lizbeth wouldn't talk of birds or such she liked her ideas of *** too much.
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112
There were birds and there were bees There were flowers and there were trees Blowing in the breeze There were brightly-coloured male pheasants With sharp beaks And camouflaged female pheasants On the ground, all around There were reed beds stretching As far as the eye can see They were there before the land Was covered with forests Now being given a hand by man To protect the wildlife Maggie
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May 20, 2016
May 20, 2016 at 3:26 PM UTC
LEIGHTON MOSS
They Did Not give Their Lives: Their Lives Were taken From Them. The boy soldiers formed up in line: the Sergeant inspected each in turn. Colonel Forde (retired) took the salute; the cadet’s drilled colour party moved off. Towards the village Cross the troop marched on, and as the band struck up the tune “Blaze Away” flocks of pigeons rose from misted fields exploding into flight spreading like shrapnel to enfilade the distant trees. Crackling gunfire echoed in the woods and pheasants beat from cover plunged to earth, killed in fern and bracken by weekend shooting party’s fusillade. On the war memorial wreathes rested where villager’s names inscribed on stone are listed Unforgotten. The church bell chimed an end to silent minute. A bugle call died away as birds sang out an anthem. Tony Brady
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Nov 9, 2014
Nov 9, 2014 at 3:51 AM UTC
A Poem For Remembrance Sunday
she could never imitate a cat or a dog, woman simply scolded man enough that man can relate to the two former state, and state that the third party misguides a share of concern for the two silences in terms of what man says: i think, which to the woman translates as: i scheme. being with a woman would only make me weak, i'm sure there are enough pheasants to strut the colar purple colours translated via genetics into wings from the depths of the pacific... as i am sure enough serfs and aristocrats simply love to **** in order to then look at aquariums filled with ants; come my puppets come! my fingers are eagerly awaiting strain for the puppetry of being strained; the king killed his queen in a raging fit of jealosy... he's my caeserean digit now - lo! behold the gravity of a chopped off head of a gladiator like the anaesthetic of the apple in salival drooling off the tree to the earth in a quasi-rubber spandex strap: ah, almost, almost, ah, almost, almost... drop!
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Dec 17, 2015
Dec 17, 2015 at 9:18 PM UTC
as truths abide concering silence