On Peyote Highway

The lanes go this way and that
Purple haze sunset to the left
The radio changes itself

On Peyote Highway

The flowers all try to hitch rides
With thumbs held high in the sky
While cactus ride by on their bikes

On Peyote Highway

Rainbow clouds speak in foreign tongue
The Koala Bear next to you ***** his thumb
The clown on the hood chews Juicy Fruit gum

On Peyote Highway

Skeletons rattle their bones in the back
Constantly asking are we there yet
As mimes mouth hello from the ditch

On Peyote Highway

You travel in both space and time
Take the pedal off the metal of your mind
Set the scenery to always rewind

On Peyote Highway

For
              Carl Solomon

                   I

I saw the best minds of my generation destroyed by
      madness, starving hysterical naked,
dragging themselves through the ***** streets at dawn
      looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
      connection to the starry dynamo in the machin-
      ery of night,
who poverty and tatters and hollow-eyed and high sat
      up smoking in the supernatural darkness of
      cold-water flats floating across the tops of cities
      contemplating jazz,
who bared their brains to Heaven under the El and
      saw Mohammedan angels staggering on tene-
      ment roofs illuminated,
who passed through universities with radiant cool eyes
      hallucinating Arkansas and Blake-light tragedy
      among the scholars of war,
who were expelled from the academies for crazy &
      publishing obscene odes on the windows of the
      skull,
who cowered in unshaven rooms in underwear, burn-
      ing their money in wastebaskets and listening
      to the Terror through the wall,
who got busted in their ***** beards returning through
      Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
      Paradise Alley, death, or purgatoried their
      torsos night after night
with dreams, with drugs, with waking nightmares, al-
      cohol and **** and endless *****,
incomparable blind; streets of shuddering cloud and
      lightning in the mind leaping toward poles of
      Canada & Paterson, illuminating all the mo-
      tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
      dawns, wine drunkenness over the rooftops,
      storefront boroughs of teahead joyride neon
      blinking traffic light, sun and moon and tree
      vibrations in the roaring winter dusks of Brook-
      lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
      ride from Battery to holy Bronx on benzedrine
      until the noise of wheels and children brought
      them down shuddering mouth-wracked and
      battered bleak of brain all drained of brilliance
      in the drear light of Zoo,
who sank all night in submarine light of Bickford's
      floated out and sat through the stale beer after
      noon in desolate Fugazzi's, listening to the crack
      of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
      pad to bar to Bellevue to museum to the Brook-
      lyn Bridge,
lost battalion of platonic conversationalists jumping
      down the stoops off fire escapes off windowsills
      off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
      and memories and anecdotes and eyeball kicks
      and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
      and nights with brilliant eyes, meat for the
      Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
      trail of ambiguous picture postcards of Atlantic
      City Hall,
suffering Eastern sweats and Tangerian bone-grind-
      ings and migraines of China under junk-with-
      drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
      railroad yard wondering where to go, and went,
      leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
      through snow toward lonesome farms in grand-
      father night,
who studied Plotinus Poe St. John of the Cross telep-
      athy and bop kabbalah because the cosmos in-
      stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
      ionary indian angels who were visionary indian
      angels,
who thought they were only mad when Baltimore
      gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
      homa on the impulse of winter midnight street
      light smalltown rain,
who lounged hungry and lonesome through Houston
      seeking jazz or *** or soup, and followed the
      brilliant Spaniard to converse about America
      and Eternity, a hopeless task, and so took ship
      to Africa,
who disappeared into the volcanoes of Mexico leaving
      behind nothing but the shadow of dungarees
      and the lava and ash of poetry scattered in fire
      place Chicago,
who reappeared on the West Coast investigating the
      F.B.I. in beards and shorts with big pacifist
      eyes **** in their dark skin passing out incom-
      prehensible leaflets,
who burned cigarette holes in their arms protesting
      the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
      Square weeping and ******* while the sirens
      of Los Alamos wailed them down, and wailed
      down Wall, and the Staten Island ferry also
      wailed,
who broke down crying in white gymnasiums naked
      and trembling before the machinery of other
      skeletons,
who bit detectives in the neck and shrieked with delight
      in policecars for committing no crime but their
      own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
      dragged off the roof waving genitals and manu-
      scripts,
who let themselves be ****** in the *** by saintly
      motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
      the sailors, caresses of Atlantic and Caribbean
      love,
who balled in the morning in the evenings in rose
      gardens and the grass of public parks and
      cemeteries scattering their ***** freely to
      whomever come who may,
who hiccuped endlessly trying to giggle but wound up
      with a sob behind a partition in a Turkish Bath
      when the blond & naked angel came to pierce
      them with a sword,
who lost their loveboys to the three old shrews of fate
      the one eyed shrew of the heterosexual dollar
      the one eyed shrew that winks out of the womb
      and the one eyed shrew that does nothing but
      sit on her *** and snip the intellectual golden
      threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
      beer a sweetheart a package of cigarettes a can-
      dle and fell off the bed, and continued along
      the floor and down the hall and ended fainting
      on the wall with a vision of ultimate **** and
      come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
      in the sunset, and were red eyed in the morning
      but prepared to sweeten the ****** of the sun
      rise, flashing buttocks under barns and naked
      in the lake,
who went out ******* through Colorado in myriad
      stolen night-cars, N.C., secret hero of these
      poems, cocksman and Adonis of Denver--joy
      to the memory of his innumerable lays of girls
      in empty lots & diner backyards, moviehouses'
      rickety rows, on mountaintops in caves or with
      gaunt waitresses in familiar roadside lonely pet-
      ticoat upliftings & especially secret gas-station
      solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
      dreams, woke on a sudden Manhattan, and
      picked themselves up out of basements hung
      over with heartless Tokay and horrors of Third
      Avenue iron dreams & stumbled to unemploy-
      ment offices,
who walked all night with their shoes full of blood on
      the snowbank docks waiting for a door in the
      East River to open to a room full of steamheat
      and *****,
who created great suicidal dramas on the apartment
      cliff-banks of the Hudson under the wartime
      blue floodlight of the moon & their heads shall
      be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
      the crab at the muddy bottom of the rivers of
      Bowery,
who wept at the romance of the streets with their
      pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
      bridge, and rose up to build harpsichords in
      their lofts,
who coughed on the sixth floor of Harlem crowned
      with flame under the tubercular sky surrounded
      by orange crates of theology,
who scribbled all night rocking and rolling over lofty
      incantations which in the yellow morning were
      stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
      & tortillas dreaming of the pure vegetable
      kingdom,
who plunged themselves under meat trucks looking for
      an egg,
who threw their watches off the roof to cast their ballot
      for Eternity outside of Time, & alarm clocks
      fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
      fully, gave up and were forced to open antique
      stores where they thought they were growing
      old and cried,
who were burned alive in their innocent flannel suits
      on Madison Avenue amid blasts of leaden verse
      & the tanked-up clatter of the iron regiments
      of fashion & the nitroglycerine shrieks of the
      fairies of advertising & the mustard gas of sinis-
      ter intelligent editors, or were run down by the
      drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
      pened and walked away unknown and forgotten
      into the ghostly daze of Chinatown soup alley
      ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
      the subway window, jumped in the filthy Pas-
      saic, leaped on negroes, cried all over the street,
      danced on broken wineglasses barefoot smashed
      phonograph records of nostalgic European
      1930s German jazz finished the whiskey and
      threw up groaning into the ****** toilet, moans
      in their ears and the blast of colossal steam
      whistles,
who barreled down the highways of the past journeying
      to each other's hotrod-Golgotha jail-solitude
      watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
      if I had a vision or you had a vision or he had
      a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
      came back to Denver & waited in vain, who
      watched over Denver & brooded & loned in
      Denver and finally went away to find out the
      Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
      for each other's salvation and light and *******,
      until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
      impossible criminals with golden heads and the
      charm of reality in their hearts who sang sweet
      blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
   &nb

Chapter Two

“I think of art, at its most significant, as a DEW line, a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.”                Marshall McLuhan  
  
I attended Bucknell University in Lewisburg, Pennsylvania because my father was incarcerated at the prison located in the same town.  My tuition subsidized to a large extent by G.I. Bill, still a significant means of financing an education for generations of emotionally wasted war veterans. “The United States Penitentiary (USP Lewisburg)” is a high-security federal prison for male inmates. An adjacent satellite prison camp houses minimum-security male offenders. My father was strictly high-security, convicted of various crimes against humanity, unindicted for sundry others. My father liked having me close by, someone on the outside he trusted, who also happened to be on his approved Visitor List. As instructed, I became his conduit for substances both illicit, like drugs, and the purely contraband, a variety of Italian cheeses, salamis, prepared baked casseroles of eggplant parmesan, cannoli, Baci chocolate from Perugia, in Tuscany, south of Florence, and numerous bottles of Italian wine, pungent aperitifs, Grappa, digestive stimulants and sweet liquors. I remained the good son until the day he died, the source of most of the mess I got myself into later on, and specifically the main caper at the heart of this story.

I must confess: my father scared the **** out of me.  Particularly during those years when he was not in jail, those years he spent at home, years coinciding roughly with my early adolescence.  These were my molding clay years, what the amateur psychologists write off with the term: “impressionable years hypothesis.” In his own twisted, grease-ball theory of child rearing, my father may have been applying the “guinea padrone hypothesis,” in his mind, nothing more certain would toughen me up for whatever he and/or Life had planned for me. Actually, his aspirations for me-given my peculiar pedigree--were non-existent as far as the family business went. He knew I’d never be either a Don or a Capo di Tutti Capi, or an Underboss or Sotto Capo.)  A Caporegime—mid-management to be sure, with as many as ten crews of soldiers reporting to him-- was also, for me, out of the question. Dad was a soldier in and of the Lucchese Family, strictly a blue-collar, knock-around kind of guy. But even soldier status—which would have meant no rise in Mafioso caste for him—was completely out of the question, never going to happen for me.

A little background: the Lucchese Family originated in the early 1920s with Gaetano “Tommy” Reina, born in 1889 in Corleone, Sicily. You know the town and its environs well. Fran Coppola did an above average job cinematizing the place in his Godfather films.  Coppola: I am a strict critic when it comes to my goombah, would-be French New Wave auteur Francis Ford Coppola.  Ever since “One From the Heart, 1982”--one of the biggest Hollywood box office flops & financial disasters of all time--he’s been a bit thin-skinned when it comes to criticism.  So, I like to zing him when I can. Actually, “One From the Heart” is worth seeing again, not just for Tom Waits soundtrack--the film’s one Academy Award nomination—but also Natasha Kinski’s ***: always Oscar-worthy in my book. My book? Interesting expression, and factually correct for once, given what you are reading right now.

Tommy Reina was the first Lucchese Capo di Tutti Capi, the first Boss of All the Bosses. By the 1930s the Luccheses pretty much controlled all criminal activity in the Bronx and East Harlem. And Reina begat Pinzolo who begat Gagliano who begat Tommy Three Finger Brown Lucchese (who I once believed, moonlighted as a knuckle ball relief pitcher for Yankees.)
Three Finger Brown gave the Lucchese Family its name. And Tommy begat Carmine Tramunti, who begat Anthony Tony Ducks Corallo. From there the succession gets a bit crazy. Tony Ducks, convicted of Rico charges, goes to prison, sentenced to life.  From behind bars he presides through a pair of candidates most deserving the title of boss: enter Vittorio Little Vic Amuso and Anthony Gaspipe Casso.  Although Little Vic becomes Boss after being nominated by Casso, it is Gaspipe really calling the shots, at least until he joins Little Vic behind bars.
Amuso-Casso begat Louis Louie Bagels Daidone, who begat the current official boss, Stephen Wonderboy Crea.  According to legend, Boss Crea got his nickname from Bernard Malamud’s The Natural, a certain part of his prodigious anatomy resembling the baseball bat hand-carved by Roy Hobbs. To me this sounds a bit too literary, given the family’s SRI Lexile/Reading Performance Scores, but who am I to mock my peoples’ lack of liberal arts education?

Begat begat Begato. (I goof on you, kind reader. Always liked the name Begato in the context of Bible-flavored genealogy. Mille grazie, King James.)

Lewisburg Penitentiary has many distinguished alumni: Whitey Bulger (1963-1965), Jimmy Hoffa (1967-1971) and John Gotti (1969-1972), for example.  And fictionally, you can add Paulie Cicero played by Paul Scorvino in Martin Scorsese’s Goodfellas, not to be confused with Paulie Walnuts Gualtieri played by Tony Sirico from the HBO TV series The Sopranos. Nor, do I refer to Paulie Gatto, the punk who ratted out Sonny Corleone in Coppola’s The Godfather, you know: “You won’t see Paulie no more,” according to fat Clemenza, played by the late Richard “Leave the gun, take my career” Castellano, who insisted to the end that he wasn’t bitter about his underwhelming post-Godfather film career. I know this for a fact from one of my cousins in the Gambino Family. I also know that the one thing the actor Castellano would never comment on was a rumor that he had connections to organized crime, specifically that he was a nephew to Paulie Castellano, the Gambino crime family boss who was assassinated in 1985, outside Midtown New York’s Sparks Steak House, an abrupt corporate takeover commissioned by John Teflon Don Gotti. But I’m really starting to digress here, although I am reminded of another interesting historical personage, namely Joseph Crazy Joe Gallo, who was also terminated “with extreme prejudice” while eating dinner at a restaurant.  Confused? And finally--not to be confused with Paul Muldoon, poetry gatekeeper at The New Yorker magazine, that Irish **** scumbag who consistently rejects publication of my work. About two years ago I started including the following comment in my on-line Contact Us, poetry submission:  “Hey Paulie, Eat a Bag of ****!”

This may come as a surprise, Gentle Reader, but I am a poet, not a Wise Guy.  For reasons to be explained, I never had access to the family business. I am also handicapped by the Liberal Arts education I received, infected by a deluge, a veritable Katrina ****** of classic literature.  That stuff in books rubs off after awhile, and I suppose it was inevitable. I couldn’t help evolving for the most part into a warm-blooded creature, unlike the reptiles and frogs I grew up with.

Again, I am a poet not a wise guy. And, first and foremost, I am a human being. Cold-blooded, I am not. I generate my own heat, which is the best definition I know for how a poet operates. But what the hell do I know? Paulie “Eat a Bag of ****” Muldoon doesn’t think much of my work. And he’s the ******* troll guarding the New Yorker’s poetry gate. Nevertheless, I’m a Poet, not a Wise Guy.  I repeat myself, I know, but it is important to establish this point right from the start of this narrative, because, if you don’t get that you’re never going to get my story.

Maybe the best way to explain my predicament—And I mean PREDICAMENT in the sense of George Santayana: "Life is not a spectacle or a feast; it is a predicament." (www.brainyquote.com), not to be confused with George’s son Carlos, the Mexican-American rock star: Oye Como Va, Babaloo!

www.youtube.com/watch?v...YouTube Dec 20, 2011 - Uploaded by a106kirk1, The Best of Santana. This song is owned by Santana and Columbia Records.

Maybe the best way for me to explain my predicament is with a poem, one of my early works, unpublished, of course, by Paulie “Eat a Bag of ****” Muldoon:

“CRAZY JOE REVISITED”  
        
by Benjamin Disraeli Sekaquaptewa-Buonaiuto

We WOPs respect criminality,
Particularly when it’s organized,
Which explains why any of us
Concerned with the purity of our bloodline
Have such a difficult time
Navigating the river of respectability.

To wit: JOEY GALLO.
WEB-BIO: (According to Bob Dylan)
“Born in Red Hook, Brooklyn in the year of who knows when,
Opened up his eyes to the tune of accordion.

“Joey” Lyrics/Send "Joey" Ringtone to your Cell
Joseph Gallo, AKA: "Joey the Blond."
He was a celebrated New York City gangster,
A made member of the Profaci crime family,
Later known as the Colombo crime family,

That’s right, CRAZY JOE!
One time toward the end of a 10-year stretch,
At three different state prisons,
Including Attica Correctional Facility in Attica, New York,
Joey was interviewed in his prison cell
By a famous NY Daily News reporter named Joe McGinnis.
The first thing the reporter sees?
One complete wall of the cell is lined with books, a
Green leather bound wall of Harvard Classics.
After a few hours mainly listening to Joey
Wax eloquently about his life,
A narrative spiced up with elegant summaries,
Of classic Greek theory, Roman history,
Nietzsche and other 19th Century German philosophers,
McGinnis is completely blown away by Inmate Gallo,
Both Joey’s erudition and the power of his intellect,
The reporter asks a question right outta
The Discrete Charm of the Bourgeoisie:
“Mr. Gallo, I must say,
The power of your erudition and intellect
Is simply overwhelming.
You are a brilliant man.
You could have been anything,
Your heart or ambition desired:
A doctor, a lawyer, an architect . . .
Yet you became a criminal. Why?”

Joey Gallo: (turning his head sideways like Peter Falk or Vincent Donofrio, with a look on his face like Go Back to Nebraska, You ******* Momo!)

“Understand something, Sonny:
Those kids who grew up to be,
Doctors and lawyers and architects . . .

They couldn’t make it on the street.”

Gallo later initiated one of the bloodiest mob conflicts,
Since the 1931 Castellammare War,
And was murdered as a result of it,
While quietly enjoying,
A plate of linguini with clam sauce,
At a table--normally a serene table--
At Umberto’s Clam House.

Italian Restaurant Little Italy - Umberto's Clam House (www.umbertosclamhouse.com)
In Little Italy New York City 132 Mulberry Street, New York City | 212-431-7545.

Whose current manager --in response to all restaurant critics--
Has this to say:
“They keep coming back, don’t they?
The joint is a holy shrine, for chrissakes!
I never claimed it was the food or the service.
Gimme a ******* break, you momo!
I should ask my paisan, Joe Pesci
To put your ******* head in a vise.”

(Again, Martin Scorsese getting it exactly right, This time in  . . . Casino (1995) - IMDb www.imdb.com/title/tt0112641/Internet Movie Database Rating: 8.2/10 - ‎241,478 votes Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. Greed, deception, money, power, and ****** occur between two  . . . Full Cast & Crew - ‎Trivia - ‎Awards - ‎(1995) - IMDb)

Given my lifelong, serious exposure to and interest in German philosophy, I subscribe to the same weltanschauung--pronounced: veltˌänˌSHouəNG—that governed Joey Gallo’s behavior.  My point and Mr. Gallo’s are exactly the same:  a man’s ability to make it on the street is the true measure of his worth.  This ethos was a prominent one in the Bronx where and when I grew up, where I came of age during the 1950s and 60s.  Italian organized crime was always an option, actually one of the preferred options--like playing for the Yankees or being a movie star—until, that is, reality set in.  And reality came in many forms. For 100% Italian kids it came in a moment of crystal adolescent clarity and self-evaluation:  Am I tough enough to make it on the street?  Am I ever going to be tough enough to make it on the street? Will I be eaten alive by more cunning, more violent predators on the street?

For me, the setting in of reality took an entirely different form.  I knew I had what it takes, i.e., the requisite ferocity for street life. I had it in spades, as they say. In fact, I’d been blessed with the gift of hyper-volatility—traced back to my great-grandfather, Pietro of the village of Moschiano, in the province of Avellino, in the region of Campania, Italia Sud. Having visited Moschiano in my early 20s and again in my late 50s, I know the place well. The village square sits “down in the holler,” like in West Virginia; the Apennine terrain, like the Appalachians, rugged and thick. Rugged and thick like the people, at least in part my people. And volatile, I am, gifted with a primitive disposition when it comes to what our good friend Abraham Maslow would call lower order needs. And please, don’t ask me to explain myself now; just keep reading, *******.  All your questions will be answered.

Great Grandfather Pietro once, at point blank range, blew a man’s head off with a lumpara, or sawed-off shotgun. It was during an argument over—get this--a penny’s worth of pumpkin seeds--one of many stories I never learned in childhood. He served 10 years in a Neapolitan penitentiary before being paroled and forced to immigrate to America.  The government of the relatively new nation--The Kingdom of Italy (1861)--came up with a unique eugenic solution for the hunger and misery down south, south of Rome, the long shin bone, ankle, foot, toes & kickball that are the remote regions of the Mezzogiorno, Southern Italy: Campania, Basilicata, Calabria, Puglia & Sicilia. Northern politicians asked themselves: how do we flush these skeevy southerners, these crooks and assassins down South, how do we flush the skifosos down the toilet—the flush toilet, a Roman invention, I report proudly and accept the gratitude on behalf of my people. Immigration to America: Fidel Castro did the same thing in the 1980s, hosing out his jails and mental hospitals with that Marielista boatlift/Emma Lazarus Remix: “Give us your tired and poor, your lunatics, thieves and murderers.” But I digress. I’ll give you my entire take on the history of Italy including Berlusconi and the “Bunga Bunga” parties with 14-year old Moroccan pole dancers . . . go ahead, skip ahead.

Yes, genetically speaking, I was sufficiently ferocious to make it on the street, and it took very little spark to light my fuse. Moreover, I’ve always been good at figuring out the angles--call it street smarts--also learned early in life. Likewise, for knowing the territory: The Bronx was my habitat. I was rapacious and predacious by nature, and if there was a loose buck out there, and legs to be broken, I knew where to go.
Yet, alas, despite all my natural talents & acquired skills, I remained persona-non-grata for the Lucchese Family. To my great misfortune, I fell into a category of human being largely shunned by Italian organized crime: Mestizo-Italiano, a diluted form of full strength 100% Italian blood. It’s one of those voodoo blood-brotherhood things practiced by Southern European, Mediterranean tribal people, only in part my people.  Growing up, my predicament was always tricky, always somewhat bizarre. Simply put: I was of a totally different tribe. Blame my exotic mother, a genuine Hopi Corn Maiden from Shungopavi, high up on Second Mesa of the Hopi Reservation, way out in northern Arizona. And if this is not sufficiently, ******* nuts enough for you, add to the child-rearing minestrone that she raised me Jewish in The Bronx.  I **** you not. I took my Bar Mitzvah Hebrew instruction from the infamous Rabbi Meir Kahane, that’s right, Meir “Crazy Rebbe” Kahane himself--pronounced kɑː'hɑːna--if you grok the phonetics.

In light of the previously addressed “impressionable years hypothesis,” I wrote a poem about my early years. It follows in the next chapter. It is an epic tale, a biographical magnum opus, a veritable creation myth, conceived one night several years ago while squatting in a sweat lodge, tripping on peyote. I

Clay circles that allows
my hands to almost touch
ribbed startle of your
Soul in flight

That permits my breath
snake's tongue
to probe inside echoes
of a time you weren't so
sad and mocking

Wing tips brushing
floating face down
in keenness
of memory
I join lines running rivers
of peyote
stretch skin across a
stone sphinx
silently relive the
enigma

Please share the warm embrace of my new Poetry book:
108 Bhakti Kisses, The Ecstatic Poetry of a Modern Day Gopi
http://amzn.com/0984787216

In my mind, I raced against time
I smoked peyote with the Apache
I chased Kangaroos
Through the bush with the Aborigine
All the while
...I searched for the power within me

In my mind, I outpaced time
I drew cave art with the Neanderthal
I climbed to the top of the mountain with the Sherpa
I hunted seal out on the frozen tundra with the Inuit
All the while
...I searched for the power within me

In my mind, I eclipsed time
I wrote poetry while under the tutelage of Langston Hughes
And I created visual greatness while apprentice to Gordon Parks
I even stood on the wall with Che' Guevara, like a Sentry standing watch
All the while
...I continued searching for the power within me

In my mind, I turned to face time
I wrote an addendum to the Emancipation Proclamation
And I saw the ugly truths
Of freedom's farcical Declaration
All the while
...I continued searching for the power within me

In my mind, I embraced time
I sought to free my nation from the pandemic perils of *******
And I prayed that we Americans would be free of
The snares of racial and economic divide that still has us chained
I did this while searching for truth, in this, our most tenuous hour
...then empyreally, God reached for me, touching me, and I finally found my power

* Reprinted from 'Exegesis a Decade of Poetry by Mekael'
© July 14, 2009 by Mekael Shane

Sonoran desert
sacred, hot breathed
scorch of footsteps, blood red sands
sun bleached bones and skulls
this wash a hallowed holy ghost
an unnerving place of hiss and fire
molten sun to dry the water
a drowning fever of prickly sweat
last night the Yaqui man you met
undulating in a purification ceremony
lashing energy cords cut
he is laughing like coyote, wild eyed
green the velvet desert peyote
awakened you have come to understand
a universe within a fleck of sand.

1967 san francisco is transformed into city of missing children haight ashbury brims with scraggly orphans thousands sit on street curbs live in cars hang out on floors of shops roam streets parks sleep on sidewalks unthinkable social cultural phenomenon Odysseus embraces madness walking through different neighborhoods going without food sleep in golden gate park floral smells so strong he can taste flowers kids openly pass joints acid doses trip dance make music laugh Odysseus is risk-taker but he is not street smart along with flocks of totally wasted kids street hustlers abound Odysseus sets down backpack beside eucalyptus tree rests when he wakes backpack is gone he is penniless disconnected hitchhikes across bay to berkeley less congested more manageable meets some runaways like him but not like him they squatter in abandoned house off telegraph avenue maybe 20 hippies crashing in house Odysseus adopts enormous closet hidden in back bedroom as his space has small window feels like sanctuary sometimes he comes home finds 5 or 6 kids sleeping in closet in a way people in house become his family tribe some of people are suspicious especially older secretive man with 2 tongue-tied underage girls whom he claims are his daughters Odysseus suspects veiled ****** exploitation girls are lovely yet behave frightened repressed life on street does not come easy telegraph avenue overflows with lost souls searching to hook-up fragrance of frankincense drifts amidst music drug deals rip-offs bullying brawls hierarchy from hell’s angels down Odysseus stays high dances sometimes panhandles “i live in commune with 2 pregnant girls” whatever cash he collects scores acid **** subsists on diet of gum candy sunflower pumpkin seeds sometimes ketchup with french fries his acne crescendos he learns if he drops acid daily by third or fourth day he cannot get off no matter how much he doses tries peyote cactus buttons after waiting nearly hour to get off he suffers stomachache dizziness projectile vomits finally flies into freaky hallucinations he swallows mescaline capsules feels sick to his stomach forgets about his nausea trips for 9 hours tries psilocybin mushrooms laughing straight through night experiments with stp trips for 3 days Bobby Stern and Martha Quigley come out from chicago to visit they are curious about the scene need to hook up Odysseus introduces them to his friends shows them telegraph avenue he turns and they have vanished he does not know where they have gone everybody is losing everybody new kids show up everyday oakland **** named red rat kidnaps Martha is heiress from distinguished chicago family their disappearance makes chicago papers after week Bobby and Martha manage to escape they never reveal to Odysseus what red rat did to them radio plays doors’ “light my fire” and jimi hendrix’s "purple haze" Odysseus has crush on beautiful blonde Patty she  ran off for summer from her parent’s home in sunset section of san francisco Odysseus and Patty hang out go see country joe and fish in provo park on sundays hitchhike into city watch Jefferson Airplane play for free in golden gate park hitchhike to marin see Grateful Dead jam at muir beach dude hands out free acid Odysseus is total acidhead acid reveals everything in new intensified light *** on acid is beyond *** wilder than *** more primal *** so intense it transcends limits of eroticism acid helps Odysseus realize his true self his pain sadness tears lies crazy-*** side first tingling tremors in stomach chest hands then initial flashes of sparkle traces of color echoes of giggling laughter lucid thoughts sometimes he swallows such large doses all he can do is stare out at white light what is it about massive hits of acid? measure of how fierce his spirit? self-punishment? escapism? he wonders why he so desperately needs to escape from what whom? himself? Mom’s numerous efforts to convince him he is mentally disturbed? Dad’s fists? escape from real world to where? Odysseus hangs with Pluto skinny 16 year old ****-addict golden wavy hair rotting teeth finesse with girls Pluto claims crystal **** enhances *** more than acid needles frighten Odysseus he lets one of Pluto’s girls hit him up with methamphetamine feels sudden overwhelming rush through head body forgets about needle before it ever leaves his arm having been initiated Odysseus begins scoring with Pluto’s girls Pluto knows tons of girls Odysseus loves feeling numb free being out of control not giving a **** getting ****** ****** by pretty girl if he could have his way he would go from ****** to ****** with pretty girl all day every day deep in drug induced state because drugs lower inhibitions allow them to explore some sick disgusting stuff that is paradise for Odysseus he is rapidly slipping into street life drug addiction wakes up with ants crawling in his hair witnesses numerous fights freak-outs 2 different kids o.d. while he is present lots of creepy stuff  by early august realizes he might wind up dead soon or rotting like Pluto Odysseus has spirit but troubled by what he sees troubled enough to return home go back to school he feels lost desperate alone not thinking plots drug deal swindle double-crosses some people guilt and shame for conning people haunts him for years he gives Pluto half the money tells him to share with Patty with his cut buys ticket back to chicago Penelope is first to greet him she gives him big hug comments “you need a shower and shave real bad!” his hair is wild scraggly beard Odysseus holds on to her he has missed his little sister glad to be near her feels panicky his parents will punish him Mom and Dad are relieved but agitated their worry and shame at his flight have turned to anger resentment they rationalize he selfishly ran off merrymaking for 3 months they sternly make plans for his next semester while Odysseus was away in california Penelope has ****** ******* for first time in back seat of Jed Zurbeck's black pontiac Penelope in secret goes to see doctor for pregnancy test doctor recognizes Penelope’s last name calls house Odysseus answers phone doctor asks to speak with Mr. or Mrs. Schwartzpilgrim Mom picks up phone doctor informs her Penelope is pregnant all hell breaks loose doctor makes house call with Mom and Dad present offers 2 options for Penelope “you can be picked up by limousine on state street and blindfolded you will be taken to an undisclosed location where abortion procedure is performed then re-blindfolded and returned by limousine to state street or you can report incident as **** and get signatures of three physicians then have abortion in a hospital” Mom and Dad choose to report it as a **** fabricate story about Penelope walking home from school and being grabbed pulled into alley by black man who rapes her Penelope is made to tell lie three times deeply disturbs her after abortion is done in hospital Dad makes Penelope swear not to admit abortion to anyone insists she tell Jed Zurbeck she made up stupid lie and she was never really pregnant Penelope obeys and tells no one

I was dead in the morning and gone by the evening.
The vultures feasted.
I laid for hours not knowing I was a ghost.
Haunted features.
Ghost town thrift stores and surf guitars,
These are my delights.
Black deserts and high mountains,
Vaquero of the night.
Sun tanned bones and what have you.
Deep in the heart of Texas.
A lonesome ghost in the South
With nothing but a peyote dream.

We made a saint out of Nicolas
when we lost him.
We lost him
somewhere down Baja-way.
He was spinning his yarns there,
making magic in the desert,
a peyote fox,
then vanished
into thin air.
The last time we saw him
he was dancing circular
into the pitch,
waving his arms madly,
wildly speaking
in an ancient tongue.
Some of us believe
the mother ship came back.
I don't.
I think he turned feral
and continues
to cavort
on
the sabbath eves.

Say shrieked the.
Blind pierce I'm.
Taxicabs the.
1930s men the underwear.
Cities smoking putting all;
Entered street o hollow-eyed.
Contemplating briefly with who the cool boatload;
Ashcans moloch! wound lapse.
On in down vibrations jumped.
Body of;
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And blond island of with.
With rolling a dolmen-realms they invincible to their their.
Cross at hydrogen!;
Who of.
Leaping a racketing & public.
Returning in howled cried horrors sea- in.
Lung wars *** naked heartless drunkenness surrounded through of;
Skin them the;
Their on of;
Or *****;
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Eastern reality moloch the shorts;
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Laugh piece;
Or boxes upliftings only loned;
Overturned whispering darkness.
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And given;
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In love the up here sunset sky! outside sobbing smalltown denver.
Fire yard backyards.
Heads and.
In boxcars but waving.
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The golden dreams and and of the lamma.
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Of heaven ship mercy belt atlantic.
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Which tene- illuminates rockland out down drugs.
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Where snatches in lamma as;
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Be with;
To with.
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And night;
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And dreams!;
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The torsos.
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Shrew running drear.
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Shoes where.
Of dash.
And laurel hung despair;
In moloch!.
Who buildings that.
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And angel;
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Men! the;
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The whistles dripping moloch went.
Of moloch!.
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To the.
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Laughter neon;
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In the my intel- midnight and rockland last.
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Cry moloch fell rockland they've you sit.
We're over.
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Newark's down writers alley came.
Pederasty mol

Martin Luther had a dream
Geronimo had visions
People use all sorts of ways
To come to their decisions

Tea leaf readers in a cup
A Psychic with some cards
Looking at a twirling disc
And dancing in the yard

Decision making's easy
If you have the correct tool
You may get the right answer
Or you may end up a fool

Shaman in a sweat lodge
Chew peyote just to see
What the others can not visualize
But what comes easy to folks like me

Some roll dice, and others bones
To get the answer that they need
Others ask the dead to help
To get their answer freed

I myself use none of these
None of these at all
I sit down with a bourbon
And my old Magic Black 8-ball

I switched the little answer ball
It has answers....only two
One is just the one word "dude"
And "what would Keith Richards do?"

"Dude" is universal
It has helped me win not lose
Because it's meaning changes
Depending on the "u"'s

Say it with one U...dude
it means don't even think it
But add eight more and make it duuuuuuuuude
And there's no question you should drink it

The other answer's simple
What would good old Keefy do?
If it didn't **** old Keefy
It won't **** me and you

So, use your magic mushrooms
Dance with spirits in the hall
But I'll make my decisions
With my plastic, black eight ball

We look for Satan with the same intensity
that my mom and dad looked for God.

In retrospect
my parents were always pushing me to expand my consciousness
by huffing glue or gasoline
or chewing peyote buttons.
Simply because they'd done their time,
wasted their teen years
lolling in the muddy fields of Vermont
and the salt flats of Nevada,
naked except for rainbow face paints
and a thick coating of sweaty filth,
their heads festooned
with fifty pounds of fetid dreadlocks,
teeming with crab lice
and pretending to find enlightenment...
That does NOT mean I have to make the same mistake.

Sorry, Satan,
once again I've said the G-word.

Without breaking stride,
Leonard nods and points
to indicate the former deities of now-defunct cultures,
now warehoused in the underworld.
Among them: Benoth,
a god of the Babylonians;
Dagon,
an idol of the Philistines;
Astarte,
goddess of the Sidonians;
Tartak,
the god of the Hevites.

My suspicion
is that my parents treasure their sordid recollection
of episodes at Woodstock and Burning Man
not because those pastimes led to wisdom,
but because such folly
was inseparable from a period of their lives
when they were young
and unburdened by obligation;
they had free time, muscle tone,
and their futures still looked like a great, grand adventure.
Furthermore,
both my mother and father had been free of social status
and therefore had nothing to lose by cavorting ****,
their swollen genitals smeared with muck.

Thus,
because they had ingested drugs and flirted with brain damage,
they insisted I should do likewise.
I was forever opening my boxed lunch at school
to discover a cheese sandwich,
a carton of apple juice,
carrot sticks,
and a five-hundred-milligram Percocet.
Tucked within my Christmas stocking
--not that we celebrated Christmas--
would be three oranges,
a sugar mouse, a harmonica,
and quaaludes.
In my Easter basket
--not that we called the event Easter--
instead of jelly beans,
I'd find lumps of hashish.
Would that I could forget the scene at my twelfth birthday party
where I flailed at a piñata,
wielding a broomstick in front of my peers
and their respective
former-hippie, former-rasta,
former-anarchist throwback parents.
The moment the colorful papier-mâché burst,
instead of Tootsie Rolls or Hershey's Kisses,
everyone present
was showered with Vicodins,
Darvons, Percodans,
amyl nitrate ampoules,
LSD stamps,
and assorted barbiturates.
The now wealthy,
now-middle-aged parents
were ecstatic,
while my little friends and I couldn't help
but feel a tad bit cheated.

That,
and it doesn't take a brain surgeon to understand
that very few twelve-year-olds
would actually enjoy attending
a clothing-optional birthday party.

Some of the most gruesome images in Hell
seem downright laughable
when compared to seeing an entire generation of adults
stripped **** and wrestling on the floor,
grasping and panting in frantic competition
for a scattered handful of codeine capsules.

Put on your make up
while we're in the car
peyote in our air
travelling through the desert
holding hands
air conditioner broke
smoking 4 dollar cigarettes
kissing
wiping the sweat off our faces
with old shirts
torn sweaters
you wore a dress
that exposed your knees
no bra
and your shoulders were bright
like your eyes
it was 100 degrees
lip stick smeared on the rear view mirror
when we kissed kansas goodbye
driving with no shoes on
let's stop for gas
but the wind
the heat the peyote and the lips of yours are
keeping me on the road
melting like hot candle wax
we stopped at a motel
the windows let in a draft of hot air
coffee machine broken
the cable television speaking spanish
making love
listening to dogs bark
as if we were aristocrats
in a private box
at an opera
the sink leaked
adding background static
to the sounds of the air conditioner humming
sputtering for air
we bought bad whiskey
took off our clothes
fell asleep in the sand mixed with mexico's moon light
when I woke up
my good sweater was gone
the 1980'd-rusted-flat tired-oldsmobile was gone
she left me a cigarette
the rest of whiskey.

i remember when my mama took me up the mountain,
she told me,
"now, you are ready."
and pine and oak softly fluttered their leaves at my arrival.
there were yellow flowers,
growing wildly,
strangling the delicate blue blossoms,
made of flimsy roots and spindly bosoms.

i was the youngest in a tribe of
golden skinned people;
dreadlocks, tattoos,
moon cycles on the sides of their eyes,
and hair like cattails whispering in the dark.

with my stomach churning,
i entered the tall, dimly lit tepee.
the medicine man sat churning the ashes
in an empty fire-pit,
and women stood around me scattering
flower petals like
soft skin
all over the red-dirt earth.

his eyes twinkled,
and told me things that he would only let the
dusk unfold.
i took my seat on a white sheep-skin,
settling myself.

as the night grew older,
the fire grew larger,
shapes elongated on the fair skin of the stretched
tepee,
the flames dancing wildly,
smoke drifting up into the
starry dark.

the fire keeper stoked the raging
yellow and orange tongues,
and the medicine man sat with a bandanna on,
his waterfall nose moving,
and his leather brown skin creaking,
as he told us stories of the sacred medicine.

and we sat,
somebody started singing.
my mothers warm frame was close to mine,
and my step-father next to her,
shoulders touching in the close proximity,
intimate, smoky air.

they beat the deer-skin drum,
badum badum *** badum badum ***
in native languages like
roaring rivers,
they sang songs to the medicine,
for the opening of the heart;
their swift and strong voices
rising like smoke and flame.

when the drum was passed to me,
i didn't know any songs,
wasn't aware that i had to know any.
i started to hit the drum with the padded
stick, and
closed my eyes,
feeling the sticky sweat of my perspiring forehead
drip down upon my licked lips,
tasting of wood and dirt.
i sang something lilting
sounds coming from the deepest
crevices of my throat,
being gently pulled from the grasp of my ribs.

the medicine man put pine on the fire,
it sizzled and breath was filled with
sweet and sharp.

when the air was right, and
the night was thick with song,
he uncovered baskets of small,
green and ridged fruit-like shapes.
"buttons,"

the medicine was taking her form, and was cradled
as a native man took it around the circle,
along with oranges.
i'd find out soon why.

i took two, small and light in my fingers.
i closed my eyes and took the first bite.

my mouth was struck, eroding teeth
and erupting tongue
my face contorted from the bitter juices the small fruit
held within its delicate skin,
my stomach churned and i swallowed it down
biting into the orange, skin and all
begging for a shock of zest to take
down the intense flesh of the medicine.

i looked around,
some people were on their third, fourth.
the beat of the drums was constant,
along with the quiet,
restful crackle of the sighing fire.

the second bite was less of a surprise,
and i finished my first one.

it was only at the third bite of the second button
that my stomach refused to go any more without
heaving,
the astringent juices of the
small fruit working its magic on my stomach.

i closed my eyes and embraced what was around me;
slowly swaying in the deep voices of my
family,
mi familia,
'ohana,
and the heartbeat of the
mountain drums.

soon, i felt weary.
my mother rested her hand like falling rain on my shoulder,
and i lay in the warm arms of her
shawls,
twisting around me like snakes.

a traditional rollie was passed around,
made of corn husk and hand grown tobacco.
my eyes grew slow and drooping,
and i fell into the waiting arms of sleep
while listening to the music of
tobacco and wood smoke, hushed voices,
wilting night,
dancing fire, and alive laughter.

my sleep was deep and dreamless,
my body carried to other places by the medicine,
leaving my mind behind.

i woke to rough feet on the red dirt,
and my mother and father intertwined like red roses,
sleeping below the tepee's watch,
my mothers white skirt fanning out like
soft sheets in the summer
walls.

there were goodmorning smiles,
light spreading from one set of a skin to another,
as my family embraced me,
told me they were proud and grateful to me
for sitting with them.

a bowl of chocolate was passed around, along with a crate
of juicy, pink, dawn touched strawberries.
i dipped them in the dark, sweet and rich paste
and one after another,
felt myself expand into the universe even more.
only when my mother awoke,
to sprinkling flowers,
and lifted sky,
she told me that the chocolate held the medicine too.

i made my way across swaying, long grass,
and sat in the sun, sipping tea with a sliced lemon,
making art with twists and curls of my pencils and pens,
listening to the experiences of last night,
the enlightenment,
the sense of overwhelming love,
that was not quite drowning.

i basked in everything,
let the heat soak into my flesh,
the lilting laugh.
somebody handed me a guitar,
and i sang with my chocolate tinted lips,
and let my voice float within and around the mountain,
filling the tepee and the empty fire pit
once more,
with the sweet and bitter tastes of
the medicine
*peyote.

I am Marmeladov
Perched as if I were a Father Clock
A Wasp
A Fly
An ant crawling towards the jar of sugar
Stuck in a tear-drop of Honey
Perched at your window
Dream Catcher from vacation to Mexico
To City Country of bandits
Of hot sun
of desert skin
of guns ****** **** **** *******
Spanish women playing Spanish guitars
only 3 strings
only 5 fingers
only 1 eye
Gazing at Death
Her Depth of field altered by her one orange eye like lit cigarettes in a jail sell after lights out
quiet quartet
spanish folklore
a eulogy written in Violin strings
a graveyard of deceased mad men
we never fond Mozart's body
vanished in the sky like the pupils of a white crow
Anatomy of a violin:
Casted in glass
Molded by the moss stauteing over the side of your house
Alcohol
Sand and mud
Winter and old leather boots worn by a Vagabond searching the trees for proof
Sorrow Sorrow Sorrow
untouched lips of a woman
A.M.
Wet cigarettes and wine and crooked eyes and a starving belly a Thirsty Mind
A lost canine:سلوقی, Saluki, Persian Greyhound, Royal Dog of Egypt
Sitting in a plastic wool cabin
the Mad artist
drinking molding *****
A lost Breed
The Wise
The Proud drunkards writing hysterically on tenement rooftops of NYC
1950
1920
Rimbaud the Tenth of November 1891
The wonderers with peyote with whiskey with 'Kamel Reds' with Hope and Curiosity
Undress your symbolism
Your Strawberry Eyes that Grow on my walls and feet like Callus'
And like the Charcoal sketches performed By Death
We Age
just as the sky does
just as the Tree you climbed as it rained and you swallowed Lightning and Thunder
Yet the sky was dry of no rain
It is a drought
We pluck the roses eye lashes and
Kiss
We climb into Brick studios and watch the Ballet dancer
as she shapes her bones into Sad New Orleans Trees
The door is locked
Not by bolt but
By the uncut fingernails and hair of wild vines
So we crawl through the side shingles
like
San Antonio lizards

Ballet ashes
dancing to the sigh of Beethoven's last sight
before a wisdom of blindness
swept over his brown eyes
She seems to be painted all black
Like the flight of a Crow
Or the color of Plums
I sing with the owls
I lay with the long road of infinity and its sadness
Out of oil
Out of Gasoline
Out of Food
so we lay around
Carving the paint off walls
like Van Gogh

I am hunched over a grave
The pond is frozen over
'Monumento a la Madre'
Vagabond home
The rain casts a shadow
I cannot see past your face

Someone is listening
I seep into the peripheral of night
Write symphonies on stone
Lay with the weeds
digest the light of the moon

And as I follow the Southern Star home
I am
Stopped by
Painted red ***** houses
24/7 Whiskey Churches
So I Lay down the rifle

Nineteen twenty ways
to love the same photo, I
remember, it all.

The blubbering moon,
was thumping like itself;
no matter, we go!

We entered the room,
and we became an image,
and drank until full.

Illuminating
hot seat, the material
IKEA, alone,

pristine sounds of loss,
a man and woman dancing
each others eyes, there.

Midnight morning fly,
buzzing flea-like, almost gone.
My window opens.

All the yakking dead.
My porch- old wood and sunset,
smoke diving within.

Suffocate us sea!
If you dare drink what we have!
Our stomachs fit you!

The Titanic floats,
the night swim will carry us,
calmly to ourselves.

Opaque sea-gulls fly;
we are but moon beams seeking.
Igniting ripples.

The taste of salt shouts,
it devours our tiredness.
Running beside us.

Half shore nearing us,
no other bodies near us,
we know only peace.

Inside our madness
there is every dream which wakes
wet steps, standing up.

Skin inked by needle,
below your growing wild hair,
moving, as it stays,

A religious book,
its pages moving in wind,
brown with gentle time.

Negative film roll,
opal, and doused with liquid,
so we are, so still.

Permeating dream
a leaf from burning tree branch
settling in grass.

Sudden flower bloom,
I watch you grow as days change.
Time, can never be.

Holocaustic love,
returning to the swap mind,
nothing stays buried.

The last beggar hangs,
he was a poet, a friend.
Servant girl watching.

Holograph song sings,
she is more awake than words.
I smile back at her.

Doorless buildings shine,
travelling up beyond us,
the meeting begins.

The office suite melts,
only listening to data.
So much for talking…

Peyote smoked.
Old tribes knowing how it goes.
Perfectly happy.

Madigras come now!
Alive smokin drunk street life!
Masks bleeding with ghosts.

Mine, yours, lit by fire.
Lets join the raining parade,
and grab a chicken.

They do it in the ethereal range of our eye’s linking hands,
our bodies swaying to the din of infinite types of drum life,
happy to be ours, enough to fill every street with realms,
packed dead-masked as New Orleans is definitely new my love – - !
the bar door requires a kick from our ripened legs,
it shatters the sweat stairs as we walk down finding the ground
inside leaving the painted parade to flood in on itself,
the chorus is tap tap tapped and stamped by the bar-man ready here
to cool us down and let us choose from any drink we wish.

In thick New Orleans accent he says:

“You been swimmin’ in the big Bayou brotha-sista.”

But it’s enough for us to answer him from the photo behind his bar.

We let him touch us, we sit frozen in front of a box camera and wonder
what’ll happen as the bulb flashes.

I pull ma Creole queen into me, as all galllreees open brotha-sista!

The photo be taken quick enough to ****** life from shotgun.

You’ll just keep on sittin there wontcha ma cher,
while these gumbo ya-ya come down ma stairs.

**** Mardi graaa…

A couple come down the wooden stairs.

Helping each other stand from too much street juice.

Looking back from the photo the barman knows that the couple
heard him talking, they slap down on the bar stools as he kisses the
photo of him and his wife.

“Well they be a truer than you or me cher, dontcha think?”

He says smiling back, more cheer than teeth, as the conversation begins,
undisturbed by the pulsing sounds from above.

I woke up with a noose around our neck.
I thought it wasn't real,maybe,
a scene from a dream?
The snapping of the tree branch.
You use your nocturnal carte blanche
for just this one thing, it seems?
Every night you're given another chance.
Perchance;
Shrubbery snubbed your success, this time.
Instead of being caught by the bushes,
We could've collided into those boulders below!
Luck decided to show.
Intervened when there was no one else to.

I stranded us both on this island:
it's just me and you.
What delusions helped shape your one truth?
This island is a (psychological) poker table for two.
I deal from the deck.
We play a game reminiscent
of four-hand Omaha.
Sitting across from each other:
It always ends in a draw.

You know I can read your poker face.
You know I detest the one desire you chase.

Make your excuses:
They won't help you leave this place.
I see the ace up your sleeve:
It has always been homicide.

I wish you saw this body same as I-sacred.
Its purpose is to serve us,not be desecrated.
Everyday I pray in its name.
you prey.
plotting its demise at night.

One temple.
Two temperaments.
Your one-way fight.

at the Altar I pay tithes.
We are two alters-tied.
You wish to ***** out my life,
Yet abhor the idea of suicide.

I will never leave your bloodlust unchecked.
Your worst intentions(what do they reflect?)
You once could reside in the heart of the city,
Near the coast, by a bustling transit station.
I emerged that day to save them all from you-
You planned to derail a monorail
with a distraction,
Disguised as an altercation.
denied you your reverie
Of a premeditated killing spree,
stranded us intentionally far out at sea.
your constellation prize now
is trying to **** me.
You plant your ***** traps in the dark
while I'm sound asleep.

One morning
I
awoke
and water welcomed our lungs.
Weights wound round our feet,
took us down deep where fishes sleep.
One morning
I
awoke
and smelled smoke clawing at our throat.
Only one entrance in and out of our cave.
and of course: you'd set the entrance ablaze
One morning
I
awoke
and was in a daze
You had consumed something similar to peyote.
Slathered our skin in spices with a savory glaze,
then left us to be eaten in a den full of coyotes.

One morning
I
    awoke   And
One morning I
awoke
And
This morning I
Awoke
and this time. instead of death traps ...
my notebook was nestled in my lap.

ripped out pages I had written
-directed at you-
you glued them to trees with their own sap.
Splayed them out like Hansel and gretel,
for me to follow like a trail or a map.

But I'm no fool.
Luring me on a paper trail to buy my trust.
Where are the trojans that you've hidden?
Trying this new scheme
to occupy my attention.
I know you wish to slice and dice.
If I lose and you win:
we both will pay the price.

Yet, still I follow your route.
I have hope for what you want me to see.
I will always love you
because you're a part of me.

Maybe we can play a new game?
Learn from one another?
I know you think I'm your enemy,
but I've always seen you as my brother.

Shudder-I smell death.
I approach a clearing in the woods.
why have you brought me here?
Atop an amalgamation of numerous dead fowl, fish, rabbits, (those same) coyote
and deer.
A single piece of paper;
clear off the guts and grime.
Tears in my eyes, holding the paper dear.
That single sentence you wrote down:

I never thought I'd live to see this day.
That one line,

that one line was all I ever hoped to hear you say:

           
        "Together at our Altar we will pray."


-

The gaze feels suited under reflection,
catfish know better
than the bullfrogs haranguing it alone -
Midnight's rupture
the star Edith blazed her Gospel voice
across the Phoenix Star,
those podagra Svengalis mill
perpetually serenading this their dollar sign,
due graciousness lasts as long as the
peyote nostrums
parfum de la maison

I rode in the black back seat
at the age of three
From Wichita to Selma
in this land where nothing comes free

Across Texas , Arkansas , Mississippi
under stars I dreamed
While a heartbeat
was ever following me

Strange the things we choose
to remember and recall
Are the things maybe trivial
But are another brick in the wall

I lived in Panama City
until I was twelve
Swam with sharks and rays
Fell in love but on it I won't dwell

I ran with wild mustangs
in the wilds of Spokane
Climbed up the Rockies
Trekked the snows in a winter wonderland

I slept in the desert under
the most gorgeous stars
Ate mushrooms and peyote
trying to figure out who I are

But there's no place
No place , like the one
Where you were born

No place
on earth
Can lead you away that's far

There's no where
Like the dirt running
through your veins

There's no place
like the place where
you got your name

He would appear and disappear
without a sound
Would stare at the stars
all night long
Sleep on the cold desert floor
Eat peyote buds
and sing war songs
He was rich
in all the nothing he had
Identified as a thunderbird
The animal spirits
were sacred in his world
Asked about gold
and he would scorn
Holding up water
the most precious
in all forms
I called him Navaho
        NO !
Call me Dineh !
So I did

You are a traveler of the South lands
brown, a leathered skin coyote
desert walker of the Sonoran sands
crafty, black magic witch
a shaman, lucid dreamer
Yaqui Indian spell weaver
of visions, of paintings in the sand
mixing colors, peyote flowers
red, the melting of the aloe bowers
dark blood, the blooming agave towers
thick with snakes, the fire and hiss
that burns black of sacaton grass
the quiver and flash of flying sparks
igniting night, time traveling to the stars.

you have to face it:
you are getting tired of your boyfriend
especially when he sings along to the radio
your smile is cut open,
you are daydreaming through the midwest
your friend looking a little too hard
you touch your boyfriend’s jeans
just slightly.

her mouth is cut open,
and you can feel her red hair
spreading through you like a fever
you were always tired of her boyfriend
and you are already tired of los angeles
and you are only in texas.

you’ve been here for three days
and the earth shakes with *******
and gold bikinis. you sip a harvey wallbanger
and watch people **** in the fountain
and you resent your boyfriend
you cross your legs. you study the greek myths,
holding a cigarette.

her name is roxanne
and her mouth is a vase
of red flowers standing in the kitchen
of your connecticut home
when you are thirteen and
everyone is still alive
she is wearing black
and so are you.

you’ve never been ****** before.
the sun pushes through swelling flowers
towards the bar. you can’t stop blinking
when he leans into you, you giggle
like a mouse in a minidress
and uncross your legs, slowly
like you learned about in the magazines.

you’re wondering how much coke
one person can do in one night
(a lot)
but it’s not you, and the red fills the room
and you have benzodiazepine in your pocket
and you think about the word “calamity”
calm, or not?
what is the music industry?
you have started to sleep face down
and you keep the flowers close at night
and in the morning.

you’ve been kissing the sun
with your mouth open
so your boyfriend does a stage dive on national television
from 30 ft up
and the red fills the room.

when you are invited to his house
you want to say no
but instead you dress in silks
and take peyote, or LSD
roxanne drifts, laureled, around the ceilings
the host is drooling mad words
all over the candles. they’re not going out
and neither are you.

do you deserve half a million dollars,
or are you just telling yourself that?

roxanne doesn’t feel the gun in her mouth
until it’s going off
and she can see you outside on the beach
building your dream house out of sand-
but only for a second.

obviously, you didn’t think
you’d ever love your boyfriend again
but he relearned to walk
and you think it’s admirable
and strong, and brave
you’re the only one that los angeles didn’t swallow

by this time, the sun is going out
the blood around her mouth like a vase
of flowers on the kitchen table
give it a minute, you’ll be gone too.

private, you are to open new pathways in the north sector
sir, but we found the main power and then it was gone
sir, this tells me that this will happen again and again
are you refusing to follow a direct order from a commanding officer?
sir, no sir
ok good, because we think you might have just hallucinated finding the main power, or maybe just hallucinated that it disappeared
you are a fine soldier
clear the enemies from your mind, and they can't shoot you
yes sir!
now, get in there and dig deep...find that main power and free it
the whole world is depending on you
that's a lot of innocent people

a lot of guilty too sir
private! we are only worried about the innocent
when we get their power, they will take care of the guilty
here are your weapons, peyote to see, mushrooms to do
sir, yes sir!
now get in there and clear some space!
see you on the other side of consciousness soldier
sir, yes sir!
OORAH!

black carbon paper lips  
peyote nothing to eat
lord made em sick
prayed to jesus in a backseat
after birth behemoth's armpit
the end.

the end
the end
the end is near

white flags folded in memoriam
klansmen's hoods
bartered goods for gunpowder
kinds who werent designed
for human eyes to see
cause see son
their light is blinding.

they sleep
when the sun is shining
lying in a field of drug flowers.
hugs for smokes & hot showers.

what's the headcount.

man I was done yesterday.

I'm sitting here suffocating
numb to the new world
attitude & outcome
smothered in
carnal crimson summer
not for money or love or
anything or anyone.

I'm just sitting here
burning under the moon
thinking about alpha omega
& who took it upon themselves
to leave out the in-betweens.

godless heathens.
screechy gospel
that goes on for days

straight trip no stops.

in a magic land of purple static
with a hint of blue and green,
ghastly shadow figures stand tall
and dance in the background
of delirium and madness.
quadrilateral patterns hang
netted in dinosaur shaped trees
surrounded by lizard tin foil
windows and roosters crowing
in the moonless midnight.
watching cowboys puke peyote
in the plateaus of the Sierra Madre,
as white dragons couch surf through
the waterfalls of decrepit old women.
fingers bend back and melt into the
ice cube ashtrays and flowers bubble
up out of bedsheets as your waving
hands leaves behind black trails of
indiscretion.
three headed old man sits alone by
the campfire adjacent from moats
of mossy grass glistening in the
silver stars.
distorted magnets hang on refrigerator
doors as pumpkin heads and cancer
patients sit around candle lit tables.
twinkling treble clefts leave gentle,
somber imprints as the tunes float
out of the music box.
blue and gold caps tie intestines
up like a twisted pretzel.
unsavory flavors linger in the mouth
from styrofoam textures.
intensifying citrus awaits the
elephants gates of psychedelic
hallucinations.

                                  I
                              have
                           one thing
                        to say about
                whiskey and shrooms
             .... I miss my friend Kennie
                             every
                             single
                             day....

Uncle Sam reclines and unwinds
In his Adirondack chair
The Statue of Liberty reminds the Mater at Arms
Of the time when he was put in a peyote trance
It was only then he caught on
He rammed his head against his headboard every night
Wracking your brain, trying to wrap it around the concept of the excommunication of those who have had their mouths washed out with soap

There will be no fanfare for the stray lambs
They are only meal tickets for the clergy
Concord grapes and word of mouth
Raise the question, "what is in a hot dog?"

Don't latch on to me after I dance with you into mad denial under a brass florescent chandelier in front of all the stock brokers and shareholders
I'll dismantle your silver lining with a spork

The  cow pies disappear due to erosion

It's good to see you, I didn't know burlap sacks were all the rage right now
Stencil your name on it for good measure
How do you feel after your ego death?