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Matilda.
The light of my life.
The poem of my tongue.
The fire of my chest.
The wind of my *****.
The hate I loathe.
The beauty I view.
My lady.
My dream.
My hesitant rainbow.
My fearless tears.
My coverlet and starlet;
my blanket and dainty amulet.
My distant promise and cautiousness;
but in all my darling; looking ever so stately-
yet not like yon faraway, morning dew.

Matilda.
The hands I adore;
the fingers I want to kiss.
The solitude I live in;
the fate I was born in.
A pair of eyes ever to me too divine,
A charm that loyally strikes, and glows and shines.
A lock of hair that petulantly sways and sweats.
A midday tale of love; as how it is mine,
a beauty that this world ensures,
but cannot adore.

Matilda.
Even the brisk turquoise sea
is ever less glossy than thy eyes,
for their calmness is still less harmful,
unlike unbending, thus insolent tides, at noon.
Ah, Matilda, thou art yet too graceful,
but tricky and indolent, as the puzzling moon!
Thy purity is like unseen smoke,
tearing the skies' linings like a fast rocket,
making me ever thirsty, turning my heart wet,
but still this attentive heart thou canst not provoke;
thou art a region too far from mine;
but still luck is in heart whose fate's in thine.
And as thou singeth a tone I liketh to sing
I cannot help but more admiring thee;
And as thou singeth it genuinely more,
thou capture all my breath and give it all a thrill;
for I realise then, that thou canst be stiff, as sandless shores;
but thy beauty canst so finely startle,
and whose startledness
canst ****.

Matilda.
But deadness, and ever desolation
are vividly clamouring in thy eyes;
Thou art but distinct, distinct indeed-from serenity;
for thou warble thyself, but gladly-away, from thy sullen reality.
Ah, Matilda, how canst a soul so comely
be hateful to fame, and dishonest just from its frame?
Matilda, to those merciless hearts indeed thou beareth no name;
Thou art a shame to their pride, and a stain to their bitterly fevered, sanity.
Yet still, thou art to innocent to understand which,
and in love naively, as thou just art, now-
with that feeble shadow of a pampered young fellow,
Whose stories are also mine,
for his father's money is donned,
and coined every day-by my servant's frail hands;
The sweat of my palms obey me in doing so-
I am my master's son's poor sailor,
and he his sole heir-and soon is to inherit
an indecent boat; full of roaming paths, doors, and locks
And at nights, costly drapery and jewels shall be planted in their hair-
yes, those beastly riches' necks, and skin fair,
And thou be their eternal seamstress,
weaving all those bare threads with thy hands-
ah, thy robust ****** hands,
whilst thy heart so dutifully levitating
about his false painting, and bent even more heartily, onto him.
Ah, 'tis indeed unfair, unfair, unfair-and so unfair!
For such a liar he was, and still is-
Once he was betrothed to a bitter, and uncivil Magdalene;
Uncivil so is she, prattling and bickering and prattling and bickering-
To our low-creature ears, as she once remarked,
She who basked in her own vague hilarity, and sedate glory
And so went on harshly unmolested by her vanity, and fallibility;
But sadly indeed, occupied with a great-not intellect,
As not sensible a person as she was;
At least until the winds knocked her haughty voices out-
and so then hovering stormy gales beneath,
took her out and gaily flung her deep into the raging sea.

Still he wiggled not, and seems still-in a seance every night,
whenst he but cries childishly and calls out to her name in fright.
Her but all dead, dead name;
'Till his father tears him swiftly out of his solitude
And with altogether the same worried face
but drags his disconcerted son back into his flamboyant chamber.
Ah, and I caught thee again, Matilda,
Bowed over the picture of yon young sailor;
'Twixt those sweet-patterned handkerchiefs
On thy lil' wooden table, yesterday
And curved over yon picture, I was certain;
I caught some fatigued tears in thy eyes-
for from thy love thou wert desperate,
but still unsure even, of the frayed tyings of cruel fate.
Ah, Matilda, your hair is still as black as the night
The guilty night, though nothing it may knoweth, of thy love,
and perhaps just as unknowing it seemingly is;
as th' tangled moon, and its dubious arrows
of unseen lilies, above
Shall singeth in uncertainty; and cordless dignity
And which song shall forever be left unreasoned
Until the end of our days arrive, and bereft us all
of this charismatic world-and all its dearest surge of false,
and oftentimes unholy, fakeness.
Oh Matilda, but such truest clarity was in thy eyes,
And frightened was I-upon seeing t'is;
As though never shrouded in barren lies
Like a love that this heart defines;
but never clear, as never is to be gained.
Ah, Matilda, and such frank clarity dismays me;
It threatens and stiffens and chortles me,
for I am certain I shan't be with thee-
and shall ever be without thee,
for thou detest and loathe me,
and be of no willingness at all-
to befriend, to hold, or to hear-
much less reward me with thy love,
as how I shall reward thee with mine.

Matilda, this love is too strong-but so is, too poor
And neither is my heart plainly bruised;
For it is untouched still, but feeling like it has been flawed
Ah, why does this love have to be raw-and far indeed, too raw!
I, who is thy resilient friend, and fellow-sadly never am in thy flavour;
for in his soul only-thy love is rooted;
And this love is forever never winning-and it is sour,
Like a torn, mute flower; or like a better not, laughter.
And my heart is once more filled with dead leaves-
Ah, dead, dead leaves of undelight, and unjoy;
Whose cries kick and bend and strangle themselves-
all to no avail, and cause only all its devouring to fail,
For his doorless claws are to strong,
Stealing thy eyes from me for all day,
and duly all night long.
How discourteous! Virtual, but too far, still-
corrupting me; ah, unjust, unjust, and discourteous!
Tormentingly-ah, but tormentingly, torturously, insincere!
Ah, Matilda! But soon as thou prayeth,
every single grace and loveliness thou shall delicately saith;
Thy voice is as delightful as nailed, or perhaps, cunningly deluded vice-
Which I hath always feigned to be refuting tomorrow,
but is only to bring me cleverer and cleverer sorrow
'Till hath I no power to defy its testy soul,
that for no reason is too shiny and bold,
but so dull, and bland as a hard-hearted summer glacier,
and too unyielding as hurtful, talloned wines.
Oh, but no appetite I hath, for any war
against him-for he is fair, and I am not,
He is worthier of thee, than my every word;
He who to thee is like a graceful poem,
he who is the only one to smirk at
and hush away thy daylight doom.
Matilda! For evermore thy heart is mine;
and mine only-though I canst love thee
only secretly, and admire thee from afar,
Still cannot I stand bashful, and motionless-too far,
For I wish to hath been born, for thy every sake
Though it shall put my sinless tongue at stake
And even my love is even gentler then blue snowflakes;
and more cordial than yon rapturous green lake.
Ah! Look! Upon the moors the grass is swirling,
so please go back now; and be greedy in thy running.
Still when no music is playing,
all is but too painful for thee,
which I liketh to neither witness, nor see,
for upon thee the moon of love might not be singing,
as it is upon all others a song,
But somehow to nature it not be wrong,
for he cannot still be thy charm, nor darling.
O-but I hate thinking of which affectionately,
when thou crieth and which sight, to my heart, is paining.
Ah, Matilda! For even to God thy love is but too pure;
for it is faultless as morns, and poisonless-
like those ever unborn thorns;
Of yon belated autumn melody,
But is, somehow, fraught and dejected
With sorrow, for it is him, that yesterday and now
Thou loveth softly and securely,
Two hours later and perhaps, in every minute of tomorrow.

Matilda! But still tell me, how can thou securely love a danger?
For I am sure he is but a danger to thee, indeed;
Once I witnessed how his face
grotesquely thrusted into furtive anger
As he burst into a dearth of strong holds,
of his burning temper-under the blooming red birch tree;
And as every eye canst see,
He is only soft, and perhaps meek-as a butterfly,
Whenever the world he eats and sleeps and feeds on in-
Tellest him not the least bit of a lie;
Ah, Matilda, canst I imagine thee being his not,
ah, for I shall be drowned in deflating worry, indeed-I shall be, I shall be!
I dread saying t'is to thee-but he, the heir of a ruthless kingdom,
and kingdom of our God not-within their lands and reigns of scrutiny,
His words are but a tragedy, and a pain thou ought not to bear;
O, Matilda, thou art but too holy and far too fair!
Thy soul is, so that thou knoweth, my very own violin-
To which I am keenly addicted;
I am besotted with thy red cheeks-;
As whose tunes-my violin's, are thy notes
as haunting and sunnily beautiful,
And cloudless like thy naivety,
Which stuns my whole nature,
and even the one of our very own Lord Almighty.
Ah, Matilda, even the heavens might just turn out
far too menial for thee;
and their decorum and sweet tantrums idle and unworthy;
Thou art far, far above those ladies in dense gowns,
With such terseness they shall storm away and leave him down.
But why-why still, he refuses to look at thee!
Ah, unthinking and unfeeling,
foolish and coquettish,
unwitted and full of deceit-is himself,
for loving should I be-if thy smile were what I wished,
and thy blisses and kisses were what I dreamed;
I wouldst be but warmer than him,
I wouldst be but indeed so sweet,
I wouldst be loftier than he may seem;
and but madden thee every sole day, with my gracious-
though sometimes ferocious-ah, by thy love, ever tender wit.

I hath so long crept on a broken wing,
And thro' endless cells of madness, haunts, and fear,
Just like thou hath-and as relentlessly, and lyrically, as we both hath.
But not until the shining daffodils die, and the silvery
rivers turn into gold-shall I twist my love,
and mold it into roughness-
undying, but enslaved roughness;
that thou dread, and neither I adore;
For for thee I shall remain,
and again and again stay to find
what meaningful love is-
Whilst I fight against the tremor
and menace this living love canst bring about-
To threaten my mask, and crush my deep ardor.
Ah, my mask that hath loved thee too long,
With a love so weak but at times so strong;
and witnessed thee I hath, hurt and pained
and faded and thawed by his nobility
But one of worldliness; and not godliness
For heavens yonder shall be ours, and forever
Shall bestow us our triumphs, though only far-in the hereafter;
Still I honour thee, for holding on with sincerity-
and loyalty, to such contempt too strong
For thou art as starry as forgiveness itself,
and thus is far from yon contempt-and its overbearing soul;
And perhaps friendly, too unkind not-
like its trepid blare of constant rejection, and mockery
And as I do, shall I always want thee to be with me;
For thou art the mere residue, and cordial waning age of the life that I hath left;
For thou art the only light I hath, and the innate mercy I shall ever desire to seek;
and perhaps have sought shall, within the blessed soul of my 'ture wife.
Oh, Matilda, thou art the dream t'at I, still, ought not to dream,
thou art the sweetness I ought' only charm, and keep;
As thou art the song, that I may not be right'd to sing;
but the lullaby; which in whose absence, I canst shall never sleep.
Nick Durbin Sep 2012
Time is of the deception of immemorial agreement...
People, friends and family will get together time and time again -
To discuss what?!?
Most of the time, they petulantly boast about their own personal apotheosis -
What does this prove?
Where are they going with their abrogated thoughts?
The people speak with impetuous pertinence and achieve absolutely nothing....
An asundering of cryptic thoughts that fell into oblivion -
This is the sole reason why the inauspicious world will disintegrate and become a history book for worlds to come...
When time has come to overlap itself . . .
The world's clock stops. . .
Your heart stops. . . .
Time, the inevitable dimension that will carry on with no remorse
When we are gone. . . .
When I am gone..
Mike Essig Oct 2015
just a hint of fever
and he recoils
                     recalls
when first the malaria
hit him like a
a dump truck full
of iron garden gnomes
left him shivering
                           sweating
swimming
                in pain deeper
than the greatest
                 Great Lake
before it broke and
he was smashed
                         flat
left crapulent and woozy
a still stagnant pond
where parasites
permanently
                   petulantly
           patrol
awaiting their turn
to make another visit
and say hello again hello

   ~mce
EGDarling Mar 2013
oh, you made the common winter flu virus
jealous the way you dispersed yourself
inside my veins and refused to go without a
fight;

disheveling every fragment and fiber
that supports my frail bone structure,
provoking all 25 trillion two hundred million white blood
cells, rattling about in the stream that
keeps me alive and;

with this,
I noticed the way you ordered yourself to be
a bandage, but I soon discovered you stitched
it on too petulantly for my liking

Perhaps, you are the winter flu in bad times
but everyone knows that I’m
already sick for you
Gum
I am walking in the park
After a night of empty talk -
Looking for something beautiful,
I find myself reaching down
Taking from my pocket a piece of gum.

Now, I am actually chewing God -
I’ve taken him from the trees,
I’ve stripped him from the fields,
And I haven’t even tried
To look for him in town -
Why bother?
I've got him in my mouth.

Compact and easy to manage,
At worst he might get stuck
To the outside of my lips:
So what?
It's a small price to pay,
For the luxury of compacting all divinity
Into a single pointless blob.

Once, he breathed life into the world,
Now he breathes minty freshness
Up my nostrils:
What's the difference?
He was, at first, the nonsense of the universe;
Now he is the nonsense
That I ****** with my tongue,
For no particular reason -
Same thing.

I often imagine a little face
On his lumpy plastic body,
Whining petulantly
As I chew him with irrational force -
And I find this very funny!
But then I think:

Perhaps he does not mind
How hard I squeeze,
Because really he is sad
That his real home is, you know,
Everywhere,
And instead he's getting chewed,
Whilst I’m laughing at a piece of goo,
When I should be laughing at the world.

Now I'm not laughing
At my gum anymore.

Instead,
I've cast him out,
To this open graveyard on the floor -

And his epitaph reads:
'I was only ever paste'
And he becomes another God
Who I have no desire to taste.
“Rice ball!” Her voice, though soft,
works its way through my haze.

“What?” I ask. “Rice ball,” she says petulantly.
“Sorry,” I say, as I envelop her small, cold hand in mine.

We walk almost every night. If she had her way,
it would be twice daily. Perhaps more.

Walking is good for me and she makes sure I go.
This means she must come with me to make sure.
“Good for your diabetes”, she says.

Cold weather makes her shiver.
Cool weather makes her shiver.
Even summer nights out walking necessitates
a long-sleeved shirt to cover her arms.

“Rice ball?” She asks.
I have been silent for longer than usual and my fingers
have loosened since the last time I rice-balled her hand.

I close my hand gently around her curled-up fist.
Squeeze once, so she knows I’m still with her.




Bonaventure Saptel
Alan McClure May 2011
"They say it's the tallest in the country, you know,"
the older man smiles.
His companion's eyes follow the trunk,
smooth and sheer, to the clouds
in wonder.
The topmost branches sway
and he feels himself adrift
beneath a giant mast,
sails flapping on the wind
as feathered cirrus fly through the blue beyond.

Just then a carriage bursts through the forest
causing them to leap from the path.
A bilious face glares out from inside.
"Mind out the ****** way
"Or I'll have you clapped in irons!"
scream the spit-spattered lips,
chins a-wobble petulantly above a too-tight collar.

"Begging your pardon, your grace,"
says the older man, doffing his cap and bowing
as the carriage careers on.

The young man is speechless with fury.
"*******!" he screams.
"*******!"
But the old man is clutching his sides with mirth.

"How can you laugh?
"That fat pig nearly killed us!"
The boy's agitation is making him dance.
"Clapped in irons for looking at a tree?"

"No, no," chuckles the older, "for looking at his tree!
"The height that leads our eyes
"Up towards heaven
"casts a long shadow over his wallet
"And the weight which fills us with awe and joy
"presses on his shoulders every day!
"Ownership is a terrible thing, my lad!"

And they make their way home,
free,
through the forest,
their forest,
laughing.
Dawn Treader Jan 2017
It was in April we met of last year
Never thought I'd hold you so dear
A curious thing I thought you were
Loud, eccentric, and certainly belligerent
Of my feelings, mostly inconsiderate

At odds were we from the start
With every argument we rip each other clean apart
We clash like demigods on the battlefront
I, petulantly persistent and you, cruelly blunt
I am stubborn and prideful just like you
An abundance of intense feelings between we two
Polar opposites in personality are we
But some of the things in you I see in me

Leery was I of your intentions
Following every reply with even more questions
See, no matter how hard I try can't read you
So handing my trust over to you is an issue
I've never had someone be so true
It scares me to death, because true people are so few

Even if you are not meant to be my lover
You'd be a genuine friend--like no other
(Even at times when we can't stand one another)

Patient sometimes you are with me
As I slowly release my grip and conceed to our reality
For whatever twisted reason there may be
I love you for you and you love me for me
We are like fire and gasoline, passionate lovers usually end in smoldering ash. We'll see how it goes
Micah Alex Sep 2015
This amazing architecture of allure; awe-some

to behold , from beneath bed upon beautiful bed

of clouds, cotton-white, concrete-gray and crow-black,

this dangerous density diligently damning my dainty

existence; ever eliciting earnest

and fevered fallacies of false pride to be fatally felled by

this gigantic gale-mother, these gods of galactic proportions.

Hold me, as I help myself hallucinate about heaven in hell,

Innately inundating my lost innocence with it.

Joyously joining in jovially joking about our jubilation in,

Killing our Kudis and our Khaleesis in keeping with,

Our love of labeling lust as love and losing ourselves to,

Mankind's madness for maleficence. We manipulate

our naive needs into necessities, neutralizing all notions

Of obscenity, Obese in our omissions.

Petulantly, we punish any probability of penance or pity.

We will soon quiver and quake, while quail will fly in this beautiful quag,

Resting reluctantly and resisting the requiem of the realm,

That holds a sad semblance of the sky's seas.

Traveler, your traveling is less than trash if you haven't traced

This ubiquitous umbrella; untouched and untainted

By the viscous vice that voraciously vitiates the viscera.

Wait, weary world look up to the place that no words can describe,

To the heavenly xystus that acts as a xylophonic xylem to our xerical and xeroxed dreams.

Yearn traveler yearn, for your eyes to look yonder forever,

To feel the zigzagging zephyrs that witnessed every zenith of history, from Zoas to Zebras.
Kudi - Punjabi for lass
Zoa- protozoa
Ackerrman Aug 2019
In case you forget,
In all your darkest moments,
Warmth,
Sunshine dancing petulantly on the water.
I would like to share the majesty-
Windermere.

Endless lawns of forlorn, scraggly grass
Stretches and etches hills into life.
Formed from the hand of an artist,
Stroking the countenance
And beaming beauty into its many folds,

Little hovels of black, vert and emerald
Hide like mice and voles,
Shivering in the sanctity
And uncertain security
That the upside-down mounds afford.

The lane is a wash of blue,
Smiling delicately at a distance
Flowing as it waves,
Languid and gay,
Comfortable in it's age.

Island.
But one tree,
Standing helplessly,
Hopelessly, out of place.
Feeling content, in its lovely face.

Even the sky agrees,
For there is no quarrel
Between it and the translucent, ethereal colours
Flooding the canvas.
What is the work of man compared to God?

And how much more beautiful it is than anything I have seen
A poem I wrote in the lake district
Ackerrman Sep 2019
Blood-rich, vibrant, swirling petals dance, swing
Around breezes, tremble petulantly,
Feeling power course: green heartfelt stems sing,
Wearing thorn-mail, blazon, nonchalantly.
Cruel thoughts drift timidly toward the wood,
Shady under-shadows conceal pollen,
Ash bees sing the Roses’ song- Ruby food
Feeding volcanic hearts, single chronons
Bounce between young cupid’s glass heart garden,
Dream half coloured mirage: Wood-Nirvana.
Water drips and sputters, flower haven
Calls from woodlands as Father to Maiden,
Calling gently to sail, meander home.
Rest safe in the halls of horticulture.
Eat my heart out
B H H Burns Jul 2017
Folds of mouldering
grey clouds enshroud a pale sky
like cold curdled whey.

Heaven holds its breath
then spits petulantly down
upon frowning Earth.

Swollen, sagging sky
that's filled with fat, congealed clouds
ready for the rain.
Inspired by #MadVerse prompt 'Bring The Rain'
AprilDawn Apr 2014
Miniature tree
furiously fuzzy
pink and white
petulantly
blooms
between
curvaceous
imperial palms
reminds reverently
of a larger tree
in another place
and time
our potted baby mimosa in Texas.
Chloe May 2014
Love is the crushed diamond white of summer snow, blemished with frost burned sprouts and the last of fall’s molding leaves. It sprinkles the road like powdered sugar, glittering in the sunshine and merging with melting rain. The snow is not perfect- It has little hills and footprints and muddy swirls, ringed by spring finches chirping petulantly over the bruised cherries that have rolled on down the hill. A worn red scarf loops round a carrot in a pile of melted frost, coal pieces staining the white ground gray. The footprints on the ground are from two people dancing to music that flows between them, sending the birds squawking and shadowing the flowers that twist and vine out of the winter, smelling like pure sweetness when crushed below twirling feet.  The powdered sugar snow is not perfectly spread, but standing still has never been the best way to dance.
We were doing a concrete metaphor thing in class. No, I really don't know wth this is, just roll with it : /
Mark Addison May 2016
Life’s ostensibly dead weight pulls downward, maddeningly consistent in its campaign to fell him.
Its moribund song is maniacally hummed by he who seems to mourn with his limbs as he walks,
Soul skulking petulantly as suicide-bees formicate wildly beneath his scalp;
He dreams of his post-mortem feast.

Gazing intently at his doodle-strewn bedside wall,
Cringing as he reads those scribbled aphorisms he had erased the day before,
He wonders if the bees were ever really there in the first place.

He writes, ‘Ire-inducing idleness. Vapid, vacuous days;
He is man’s antithesis, ****** from sentiment.
His is the syphilitic brain of one filled with disdain
For all those who threaten his thinly-veiled comfort,
The thespian of truth, he’d play the faux jumper.’


The elevator comes to a halt.
Exiting, he sees someone has left the door open for him.
Climbing cautiously to the roof, he is met with an angry gust upon stepping outside.
The solemn timbre of T. Yorke resounds as he drunkenly stumbles across the pebble-laden surface,
And as he sidles along the ledge he realizes that nothing is infinite.
Please let me know if this sort of hybrid style is frowned upon on this website.
Parin Aug 2020
Now even my dreams inflict me with pain,
The dreams that once used to be my happy place,
Which once used to be my escape
From the bitter reality,
That I can taste constantly on my tongue,
That very tongue which I once used to say only honey sweet words,
But now speaks only unpleasant and petulantly.
Oh how much I am longing for just a taste of sugar,
Maybe just once.
Al Drood Feb 2018
Hail squalls petulantly
against leaded windows,
as down in the midnight garden
unkempt brambles scratch
at cold night winds.

In the abandoned nursery,
where faded draught-blown drapes
brush dusty toy-strewn floorboards,
a broken rocking-horse moves faintly.

Upon a moonlit stage
where innocence long since died,
a legless teddybear stares
at a blind rag-doll.
A ***** harlequin
slumps drunkenly forward;
a crippled spinning-top
rusts beside a scattered jigsaw,
as mocking rhymes echo
insanely down the years.

Crockery elopes with cutlery,
suicidal mice run out of time,
blackbirds die oven-baked,
and the little boy laughs
to see such fun
as Old King Cole
steals your adult soul.
Beanie Dec 2018
we are all waiting for something,
a plane to land,
a response to be sent,
a love to be requited.

waiting is the hardest part
of living in this world.

patience,
a virtue seldom valued,
is not a value i hold near.

impatience runs within me,
why not now?
i ask petulantly
as if the stars should hang in the sky
because i no longer want to wait for nightfall.
written for a boy i love, an ocean away.
Graff1980 Dec 2017
This is a poem
about another
solitary shift.

There is tension
in my sore shoulders,
and a tender tightness
in my right knee joint.

The dark sky brings
the trifecta of
three rainbow hallow
having light bulbs
blazing.

Less than a quarter
of a block’s distance
is a pair of lights
that pierces the night
like irritated eyes
peevishly peering
out at the parking lot’s clearing
while pouting petulantly.

Near night’s end
I walk and listen
to the sound of the wind
moving through
the select few
scattered trees
that surround me.

The orange’s juice drips
on my dry cracked lips
while the sun
spreads its orange
glazed glory
across the dark morning sky,
a catharsis of narcissi’s sweetness.

Flags up
and then I am off
fleeing from
the forming day,
and going home
so, I can sleep
the rest of the
daylight away.
Al Drood Mar 2021
Small hail rattles petulantly
against leaded attic windows.
Below, in untended gardens,
a child's broken swing creaks
where unkempt brambles
scratch at cold night winds.

In the abandoned nursery,
where faded draft-blown drapes
brush toy-strewn floorboards,
a dappled, paint-blistered rocking-horse
sways faintly on a fleeting, moonlit stage.

Where innocence long since died,
a legless bear leers at a blind rag doll.
A jammed spinning-top lies rusting
upon a hopelessly scattered jigsaw.
A ***** Harlequin slumps in depression,
his wanton Columbine gone forever.

From the torn, once gaudy, pages
of a faded, open book,
mocking rhymes echo
insanely down the years.

Crockery elopes with cutlery,
a suicidal mouse runs out of time,
Humpty mimics Lucifer . . .
and a little boy laughs to see such fun
as Old King Cole
steals your adult soul.
Michael John Feb 20
i

listen, lily, when the romans
built an aquaduct, the gradient
varied by half the width of a finger
over
a hundred yards-any more the
water damaged the walls-
any less it stagnated..

they also enjoyed throwing
errant slaves to the eels
(so swings and roundabouts..)
in every great civilization
there exist contrast-but
what of today-what of
posterity?

ii

she says petulantly
wrong is wrong is wrong
cause monkeys clap themselves
(it was a rhetorical question really
and the reference to the simian illudes..)
but they will wonder at our food-
in particular pizza and all-meat,
but on the positive there is  prosthetics..
(she returns in a huff to her book..)

iii

what is she reading?
early victorian-
bucolic tales..

we were raised in their shadow
the schools and prisons
of similar design..

tiny window-dicipline
terrible food..
corruption..

ghosts and superstition-
flora thompson reccounts
a young man´s suicide

he hung himself from a tree
they buried him at the crossroads
(in unhallowed ground)

they drove a spike
through his entrails..
why is suicide taboo?

a good question lily
upon which i will not
dwell..
Andrew Feb 2018
Horizon doesn’t need a name
Not out here, the sun slips
Back again behind those mountains
Why do I always talk of endings?
She said, so petulantly with a
Cold whisper like moths
In the garden. The cactus have not
Had rain out here for months the canyons
Are still red as a beating heart;
Those caves out there they have eyes
And they hardly sleep in the day even
Gravity has a name even those
Cold dreams even the flower death
Has a name the moon is up
And the end is over, again
Horizon doesn’t need a name out
Here, the dawn has burst
Two baby deer in the desert roam free
Even the forgotten have a name
Twenty hundred souls break then
The surface shattered like a window
The desert lies open and free
I just try to climb mountains those near
Mountains but never can I reach the tops
The nerves run out splintered death becomes too real
I slip down endlessly and frustrated
Pamela Anene Jun 2020
disappear over the mountain
taken the classical notes and arias
jauntily hatted clown huffed off petulantly
or was given the push back to the circus
where cowboys play like actors
in invisible love dreams of contrived romance
singing crazy songs in crazy names
where names mean nothing and men are liars
its the drama of poetic life saying hello
Mateuš Conrad Jun 2018
otherwise unexplored territory;
     what's  stable among
the eixstentialists?
  the freud-jung complex,
                 i guess: "to begin with"...
but as such, there is
no beginning...
                   "as such"...
                       only the interplay
of authentic metaphor,
   and the brushing aside
a stand on making coherency,
partly aggravated,
                    partly workable....
coherent context,
  and the consistency of content:
one of those worded quadratic
equations that fall into one's lap,
like the sight of the moon,
             during daylight hours...
because what element has
the capacity to reflect light...
               if on close-up...
         there's but shadow and dust
to be found on the surface?
             what element allows
sunlight to be reflected,
                in order for the moon
to be visible, at night,
when it's                  Hesiod
orb...  a dull emblem
                of coal... requiring agitation,
compared to the luminosity of
Virgil?
                  point being...
    what can stem from meta-phor?

                        phren
                      /
            meta

                             and with the current
state of physics?
    the heart knows no physics...
the sole love for women
was always bound to their
timid-irrationality...
          which is a compliment,
since it: allows something
  to take place, should nothing
have ever happened...

              beauty?! just a bypass
                              circumstance      
akin to a circle
   showing its undergarments of
                               a circumference...

no, i want to understand
the existentialist with metaphor,
or do as they do,
              nuance the paragraph...

and continue along the miscarriage
of vocabulary with
      a persistent interjection
of "black" and "not" black,
              "black", and black,
           black and not "black"...
how many tiers are there
in the dimension of telling, but, one, lie?!
                        
       nuance is the new metaphor...

but it's little wonder,
   that language and its usage had
to be propped up,
to exclude all forms of naïveté
from its ranking order of:
a mere capacity for the errosion
of memory in strapping words
into a bundle we'd like
                     to call a lexicon...

i can only suggest that
there's an impeding lack, to grasp
a "necessary" acute A in
the italic styled word...
               syllables as custard,
awry....
                third limb "phenomenon"...

am i the only person to
not have under-appreciated
a rendition of Kant?

  beside the point,
          meta-physics and
the meta-phor...

                       why then the "para"-norms
of suggested society?
              paranormal, isn't that
just a word suggesting:
           sure as ****, that shouldn't happen!
eh?
            
      and what of the ortho- avenue?
             the most assuring standard
within the grasp of orthography...
given that the english language
is a blank slate without any diacritical
application...

             i'll leave the ****... stanis to
**** their women... i'll do the "mis"-handling
of the tongue myself...
  and how will i do it?
     speaking it better than the natives!
        
       and by the time i'm through:
                i'll have petted leviathan...
or: nathan... as i like to call him...
           clear syllables:
      na-θ-an...
                         given the hyphen
interjection, you don't even require
upper-case punctuation
         of pseudo-apostrophes...
i.e.: θàn
                     intra-verbum
punctuation...
                    shy F zenith...
                     na-              f'              -an,
hence the dislodging apostrophe...
                       but if there is a case for
metaphysics, the ortho- and para-
avenues need to be acquired in
in a discussion,
                we already possess
orthography,
                   and the paranormal...
                  hence the retraction into
the meta-phren...
                     allowed by metaphor...
hence the nuance...
                              in the name of the father,
and of the son, and of the zeitgeist...

in that the third party was always
regarded as nameless...
          free as a ******* dove!
festered by a flutter of dove wings
imitating clapping!
  petulent call for prayer my ***...

for whatever mortal framework
is being given allowance:
i have this...
                         funnily enough:
i don't have a heaving
  burden of a heart to play
        a smothering gargamel...

but how can you not be ruthless
with a blank piece of pixel?!
           the only way to pet a cat
is to ignore them...
         the only way to authentically
**** a ******* is
to steal a kiss from their lips...
        
   by then it's not exactly:
to own the knees and petulantly embraced:
hand with hand...
             peering into the heart
and owning it with
                   a reciprocated kiss?
sunbathing on the beach
of consciousness,
   surmounted by the sea
of unconscious...
  bypassing the faculty of dreaming
in fear of drowning in disillusionment:
   but sure as hell ready to die;
when there's
an ultimate peace, being
                                        assured.

           tod ist statisch;
                     sohle permanenz
.
Steven L Herring Mar 2021
Year at a Glance
By Steven L Herring

I see a sea of violence
riding a wave of hate
set to crush
set to destroy
Pistol-lined pockets
The nuclear option tastes
like metal in the mouths
of the innocent
as we take to the streets

I don't know about y'all
but the excitement is scarce in me
I'm not to keen
on getting blood on my sneaks
Media wars by media ******
cut the path
to peace in pieces
and all I hear is a vacuum
******* sanity out of the air
Rusty razors
tainted with nair

Breakout!
Skin crawls with virus
Hot pokers pierce the iris
TV
Feeds me
My eyes rolled out
of their sockets
to that tune
by love and rockets
I'm alive, but for how long?
Gotta feed a firing squad
fifty copper jackets
harvested from the hearts
of the ghosts of innocents past

Outcast
Stressed out
Stretched out
for all the world to see
Disfigured and on display
We screamed,
but masks muffled our airway
Patient's color grey for days
Streets worn and black
Center lines jagged
Petulantly painted
by a basket case wonder
This lonely road rages on
Let it spill into the sea
LET IT SPILL INTO THE SEA!

— The End —