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Purple Rain May 2015
Perfect perfections
One woman once made a connection,
Not to me, but the world
You see,
She found the key within her complexion  
For her whole life she faced rejection,
She wasn't "YOUR" definition of perfection
Your definition of perfection,
kept her from discovering her own


You kept her captive by your desperation,
to hurt her with your words of stone
For a short period of time you destroyed her throne
But now she has a voice of her own
The words that are made of stone
You get trapped by the sound of the drone

"Perfect perfections"
Today,
She stares into her reflection,
At her complexion
And says
" I have Perfect perfections"
Hey, I need your help.
Eager yellings have got me over-thinking,
linking what I think with pain,
I'm on the brink of breaking.
Each incision to my brain,
has never completely faded.
Onto reality, formality presents us to hide everything.
Wrongly suggesting,
we'd be better investing
imperfect perfections-
I've been working on this for awhile now.
Everyone is different, And us, as a society, has said we've accepted that, but we really haven't . We only accept the differences WE understand.
All feedback is welcome and appreciated!
pixels Oct 2012
Words swathe me in calm,
Sentences, paragraphs that soothe.

Viridian verbs burst through the grey,
Taunting me into action-
Seducing me into a delicious dance-
Gypsy girl, swing your sentences my way!

Turquoise adjectives wrap around my wounds,
Embracing my flaws and perfections.
Rough olive skin; somber caesious eyes-
Gypsy girl, with amaranthine scars.

I drape myself over sienna nouns,
Steadfast, supporting me proper, improper, always.
Paper, songs, tree, sky, love, Jami Lee-
Gypsy girl, use your words correctly!

Each turn of a page lures me deeper-
Each spoken rhyme embraces me close-

Jami Lee, sweet little girl, get your head out of the clouds,
And your nose out of a book!
A Poem for Three Voices

Setting:  A Maternity Ward and round about

FIRST VOICE:
I am slow as the world.  I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen?  I do not think so.
She is simply astonished at fertility.

When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me.  I am ready.

SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office.  They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,

And the man I work for laughed:  'Have you seen something awful?
You are so white, suddenly.'  And I said nothing.
I saw death in the bare trees, a deprivation.
I could not believe it.  Is it so difficult
For the spirit to conceive a face, a mouth?
The letters proceed from these black keys, and these black keys proceed
From my alphabetical fingers, ordering parts,

Parts, bits, cogs, the shining multiples.
I am dying as I sit.  I lose a dimension.
Trains roar in my ears, departures, departures!
The silver track of time empties into the distance,
The white sky empties of its promise, like a cup.
These are my feet, these mechanical echoes.
Tap, tap, tap, steel pegs.  I am found wanting.

This is a disease I carry home, this is a death.
Again, this is a death.  Is it the air,
The particles of destruction I **** up?  Am I a pulse
That wanes and wanes, facing the cold angel?
Is this my lover then?  This death, this death?
As a child I loved a lichen-bitten name.
Is this the one sin then, this old dead love of death?

THIRD VOICE:
I remember the minute when I knew for sure.
The willows were chilling,
The face in the pool was beautiful, but not mine--
It had a consequential look, like everything else,
And all I could see was dangers:  doves and words,
Stars and showers of gold--conceptions, conceptions!
I remember a white, cold wing

And the great swan, with its terrible look,
Coming at me, like a castle, from the top of the river.
There is a snake in swans.
He glided by; his eye had a black meaning.
I saw the world in it--small, mean and black,
Every little word hooked to every little word, and act to act.
A hot blue day had budded into something.

I wasn't ready.  The white clouds rearing
Aside were dragging me in four directions.
I wasn't ready.
I had no reverence.
I thought I could deny the consequence--
But it was too late for that.  It was too late, and the face
Went on shaping itself with love, as if I was ready.

SECOND VOICE:
It is a world of snow now.  I am not at home.
How white these sheets are.  The faces have no features.
They are bald and impossible, like the faces of my children,
Those little sick ones that elude my arms.
Other children do not touch me:  they are terrible.
They have too many colors, too much life.  They are not quiet,
Quiet, like the little emptinesses I carry.

I have had my chances.  I have tried and tried.
I have stitched life into me like a rare *****,
And walked carefully, precariously, like something rare.
I have tried not to think too hard.  I have tried to be natural.
I have tried to be blind in love, like other women,
Blind in my bed, with my dear blind sweet one,
Not looking, through the thick dark, for the face of another.

I did not look.  But still the face was there,
The face of the unborn one that loved its perfections,
The face of the dead one that could only be perfect
In its easy peace, could only keep holy so.
And then there were other faces.  The faces of nations,
Governments, parliaments, societies,
The faceless faces of important men.

It is these men I mind:
They are so jealous of anything that is not flat!  They are jealous gods
That would have the whole world flat because they are.
I see the Father conversing with the Son.
Such flatness cannot but be holy.
'Let us make a heaven,' they say.
'Let us flatten and launder the grossness from these souls.'

FIRST VOICE:
I am calm.  I am calm.  It is the calm before something awful:
The yellow minute before the wind walks, when the leaves
Turn up their hands, their pallors.  It is so quiet here.
The sheets, the faces, are white and stopped, like clocks.
Voices stand back and flatten.  Their visible hieroglyphs
Flatten to parchment screens to keep the wind off.
They paint such secrets in Arabic, Chinese!

I am dumb and brown.  I am a seed about to break.
The brownness is my dead self, and it is sullen:
It does not wish to be more, or different.
Dusk hoods me in blue now, like a Mary.
O color of distance and forgetfulness!--
When will it be, the second when Time breaks
And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart--
Swabbed and lurid with disinfectants, sacrificial.
Waiting lies heavy on my lids.  It lies like sleep,
Like a big sea.  Far off, far off, I feel the first wave tug
Its cargo of agony toward me, inescapable, tidal.
And I, a shell, echoing on this white beach
Face the voices that overwhelm, the terrible element.

THIRD VOICE:
I am a mountain now, among mountainy women.
The doctors move among us as if our bigness
Frightened the mind.  They smile like fools.
They are to blame for what I am, and they know it.
They hug their flatness like a kind of health.
And what if they found themselves surprised, as I did?
They would go mad with it.

And what if two lives leaked between my thighs?
I have seen the white clean chamber with its instruments.
It is a place of shrieks.  It is not happy.
'This is where you will come when you are ready.'
The night lights are flat red moons.  They are dull with blood.
I am not ready for anything to happen.
I should have murdered this, that murders me.

FIRST VOICE:
There is no miracle more cruel than this.
I am dragged by the horses, the iron hooves.
I last.  I last it out.  I accomplish a work.
Dark tunnel, through which hurtle the visitations,
The visitations, the manifestations, the startled faces.
I am the center of an atrocity.
What pains, what sorrows must I be mothering?

Can such innocence **** and ****?  It milks my life.
The trees wither in the street.  The rain is corrosive.
I taste it on my tongue, and the workable horrors,
The horrors that stand and idle, the slighted godmothers
With their hearts that tick and tick, with their satchels of instruments.
I shall be a wall and a roof, protecting.
I shall be a sky and a hill of good:  O let me be!

A power is growing on me, an old tenacity.
I am breaking apart like the world.  There is this blackness,
This ram of blackness.  I fold my hands on a mountain.
The air is thick.  It is thick with this working.
I am used.  I am drummed into use.
My eyes are squeezed by this blackness.
I see nothing.

SECOND VOICE:
I am accused.  I dream of massacres.
I am a garden of black and red agonies.  I drink them,
Hating myself, hating and fearing.  And now the world conceives
Its end and runs toward it, arms held out in love.
It is a love of death that sickens everything.
A dead sun stains the newsprint.  It is red.
I lose life after life.  The dark earth drinks them.

She is the vampire of us all.  So she supports us,
Fattens us, is kind.  Her mouth is red.
I know her.  I know her intimately--
Old winter-face, old barren one, old time bomb.
Men have used her meanly.  She will eat them.
Eat them, eat them, eat them in the end.
The sun is down.  I die.  I make a death.

FIRST VOICE:
Who is he, this blue, furious boy,
Shiny and strange, as if he had hurtled from a star?
He is looking so angrily!
He flew into the room, a shriek at his heel.
The blue color pales.  He is human after all.
A red lotus opens in its bowl of blood;
They are stitching me up with silk, as if I were a material.

What did my fingers do before they held him?
What did my heart do, with its love?
I have never seen a thing so clear.
His lids are like the lilac-flower
And soft as a moth, his breath.
I shall not let go.
There is no guile or warp in him.  May he keep so.

SECOND VOICE:
There is the moon in the high window.  It is over.
How winter fills my soul!  And that chalk light
Laying its scales on the windows, the windows of empty offices,
Empty schoolrooms, empty churches.  O so much emptiness!
There is this cessation.  This terrible cessation of everything.
These bodies mounded around me now, these polar sleepers--
What blue, moony ray ices their dreams?

I feel it enter me, cold, alien, like an instrument.
And that mad, hard face at the end of it, that O-mouth
Open in its gape of perpetual grieving.
It is she that drags the blood-black sea around
Month after month, with its voices of failure.
I am helpless as the sea at the end of her string.
I am restless.  Restless and useless.  I, too, create corpses.

I shall move north.  I shall move into a long blackness.
I see myself as a shadow, neither man nor woman,
Neither a woman, happy to be like a man, nor a man
Blunt and flat enough to feel no lack.  I feel a lack.
I hold my fingers up, ten white pickets.
See, the darkness is leaking from the cracks.
I cannot contain it.  I cannot contain my life.

I shall be a heroine of the peripheral.
I shall not be accused by isolate buttons,
Holes in the heels of socks, the white mute faces
Of unanswered letters, coffined in a letter case.
I shall not be accused, I shall not be accused.
The clock shall not find me wanting, nor these stars
That rivet in place abyss after abyss.

THIRD VOICE:
I see her in my sleep, my red, terrible girl.
She is crying through the glass that separates us.
She is crying, and she is furious.
Her cries are hooks that catch and grate like cats.
It is by these hooks she climbs to my notice.
She is crying at the dark, or at the stars
That at such a distance from us shine and whirl.

I think her little head is carved in wood,
A red, hard wood, eyes shut and mouth wide open.
And from the open mouth issue sharp cries
Scratching at my sleep like arrows,
Scratching at my sleep, and entering my side.
My daughter has no teeth.  Her mouth is wide.
It utters such dark sounds it cannot be good.

FIRST VOICE:
What is it that flings these innocent souls at us?
Look, they are so exhausted, they are all flat out
In their canvas-sided cots, names tied to their wrists,
The little silver trophies they've come so far for.
There are some with thick black hair, there are some bald.
Their skin tints are pink or sallow, brown or red;
They are beginning to remember their differences.

I think they are made of water; they have no expression.
Their features are sleeping, like light on quiet water.
They are the real monks and nuns in their identical garments.
I see them showering like stars on to the world--
On India, Africa, America, these miraculous ones,
These pure, small images.  They smell of milk.
Their footsoles are untouched.  They are walkers of air.

Can nothingness be so prodigal?
Here is my son.
His wide eye is that general, flat blue.
He is turning to me like a little, blind, bright plant.
One cry.  It is the hook I hang on.
And I am a river of milk.
I am a warm hill.

SECOND VOICE:
I am not ugly.  I am even beautiful.
The mirror gives back a woman without deformity.
The nurses give back my clothes, and an identity.
It is usual, they say, for such a thing to happen.
It is usual in my life, and the lives of others.
I am one in five, something like that.  I am not hopeless.
I am beautiful as a statistic.  Here is my lipstick.

I draw on the old mouth.
The red mouth I put by with my identity
A day ago, two days, three days ago.  It was a Friday.
I do not even need a holiday; I can go to work today.
I can love my husband, who will understand.
Who will love me through the blur of my deformity
As if I had lost an eye, a leg, a tongue.

And so I stand, a little sightless.  So I walk
Away on wheels, instead of legs, they serve as well.
And learn to speak with fingers, not a tongue.
The body is resourceful.
The body of a starfish can grow back its arms
And newts are prodigal in legs.  And may I be
As prodigal in what lacks me.

THIRD VOICE:
She is a small island, asleep and peaceful,
And I am a white ship hooting:  Goodbye, goodbye.
The day is blazing.  It is very mournful.
The flowers in this room are red and tropical.
They have lived behind glass all their lives, they have been cared for
        tenderly.
Now they face a winter of white sheets, white faces.
There is very little to go into my suitcase.

There are the clothes of a fat woman I do not know.
There is my comb and brush.  There is an emptiness.
I am so vulnerable suddenly.
I am a wound walking out of hospital.
I am a wound that they are letting go.
I leave my health behind.  I leave someone
Who would adhere to me:  I undo her fingers like bandages:  I go.

SECOND VOICE:
I am myself again.  There are no loose ends.
I am bled white as wax, I have no attachments.
I am flat and virginal, which means nothing has happened,
Nothing that cannot be erased, ripped up and scrapped, begun again.
There little black twigs do not think to bud,
Nor do these dry, dry gutters dream of rain.
This woman who meets me in windows--she is neat.

So neat she is transparent, like a spirit.
how shyly she superimposes her neat self
On the inferno of African oranges, the heel-hung pigs.
She is deferring to reality.
It is I.  It is I--
Tasting the bitterness between my teeth.
The incalculable malice of the everyday.

FIRST VOICE:
How long can I be a wall, keeping the wind off?
How long can I be
Gentling the sun with the shade of my hand,
Intercepting the blue bolts of a cold moon?
The voices of loneliness, the voices of sorrow
Lap at my back ineluctably.
How shall it soften them, this little lullaby?

How long can I be a wall around my green property?
How long can my hands
Be a bandage to his hurt, and my words
Bright birds in the sky, consoling, consoling?
It is a terrible thing
To be so open:  it is as if my heart
Put on a face and walked into the world.

THIRD VOICE:
Today the colleges are drunk with spring.
My black gown is a little funeral:
It shows I am serious.
The books I carry wedge into my side.
I had an old wound once, but it is healing.
I had a dream of an island, red with cries.
It was a dream, and did not mean a thing.

FIRST VOICE:
Dawn flowers in the great elm outside the house.
The swifts are back.  They are shrieking like paper rockets.
I hear the sound of the hours
Widen and die in the hedgerows.  I hear the moo of cows.
The colors replenish themselves, and the wet
Thatch smokes in the sun.
The narcissi open white faces in the orchard.

I am reassured.  I am reassured.
These are the clear bright colors of the nursery,
The talking ducks, the happy lambs.
I am simple again.  I believe in miracles.
I do not believe in those terrible children
Who injure my sleep with their white eyes, their fingerless hands.
They are not mine.  They do not belong to me.

I shall meditate upon normality.
I shall meditate upon my little son.
He does not walk. &n
Chandler Higgs Jul 2013
This world was built on a foundation of perfection
No weight lies upon our shoulders
Each person needs no other to survive
No others need to be added to this perfect world
For perfection is perfect

But the storm rips us apart
I huddle by myself
Covering my eyes to make it not true
The pieces of the world cut through the air
Not just the air, but my flesh, my soul
The others cower alone as well
We all hide our sobs
And muffle our cries of pain
For Perfection is not weak

The storm moves on
And the world is now dull gray
The wounded tend to themselves
And the children cry alone
We do not reach for the pieces we have lost
But instead begin to build a new world
For Perfection knows no past

This new world is perfect
Each person takes care of only their needs
Nothing can be added or lost to make it less perfect
But the perfection weighs upon my shoulders
And slices into me like glass
It hurts so much I cry
But no help is given when I reach out
For Perfection does not care

Doors close
Windows slam shut
The people scatter as they hear my rage
They do not want to talk of or hear about the terrible past
The future is what matters, they say
For Perfection does not know pain

But I find another who shows pain
The other and I, we search for the pieces of the lost world
The other and I, we lay them out
But the pieces do not fit
What has been ripped apart cannot be fixed
For Perfection is not in the pieces

The other and I, we show the pieces
To the citizens of the new perfect world
The past stands before them
Some faces are masked
Some are in tears
Worse are the cries of anguish
But each person does not acknowledge any other's pain
For Perfection is self-sufficient

The other and I now realize what Perfection is
It is covering what's inside
And pretending emotions do not exist
It is showing your faults to no one
And not caring for another
It is thinking only of the pain you are in
And being swallowed by your own misery
So much that you forget that you can heal another's pain
Just as they can heal your own
For Perfection is a mask for those too selfish and weak to show the pain inside
For Perfection is forgetting there are others like yourself
For Perfections is not knowing
That Perfection is not real

The other and I, we stop putting together the pieces
The other and I, we leave that perfect world
The other and I, we begin to make a new world
Full of imperfections
The other and I, we do not hide our pain
We show it to our imperfect world
And because it is shown
It drifts towards the heavens
And because the other and I, we show our imperfection
The imperfections fill our world
And the other and I, we begin to mend
For imperfection is healing

They all begin to see
The happiness that is brought to the other and I
The other and I, we teach them
How to show their pain
To display their imperfections
To heal the wounds inside
For imperfection makes our world beautiful

When new pain is found
We display it to the world
We help others as they help us
We are dependent on each other
Losing a person fills us with sorrow
A person being added fills us with joy
For imperfection connects us all

To say our world is perfect is far from true
Perfection and imperfection should never be compared
Pain is in our world, but there is also happiness
Loss, but also gain
Every pain we feel is matched with joy for something else
For imperfection means to have emotion
For imperfection means to live
“I cannot but remember such things were,
  And were most dear to me.”
  ‘Macbeth’

  [”That were most precious to me.”
  ‘Macbeth’, act iv, sc. 3.]


When slow Disease, with all her host of Pains,
Chills the warm tide, which flows along the veins;
When Health, affrighted, spreads her rosy wing,
And flies with every changing gale of spring;
Not to the aching frame alone confin’d,
Unyielding pangs assail the drooping mind:
What grisly forms, the spectre-train of woe,
Bid shuddering Nature shrink beneath the blow,
With Resignation wage relentless strife,
While Hope retires appall’d, and clings to life.
Yet less the pang when, through the tedious hour,
Remembrance sheds around her genial power,
Calls back the vanish’d days to rapture given,
When Love was bliss, and Beauty form’d our heaven;
Or, dear to youth, pourtrays each childish scene,
Those fairy bowers, where all in turn have been.
As when, through clouds that pour the summer storm,
The orb of day unveils his distant form,
Gilds with faint beams the crystal dews of rain
And dimly twinkles o’er the watery plain;
Thus, while the future dark and cheerless gleams,
The Sun of Memory, glowing through my dreams,
Though sunk the radiance of his former blaze,
To scenes far distant points his paler rays,
Still rules my senses with unbounded sway,
The past confounding with the present day.

Oft does my heart indulge the rising thought,
Which still recurs, unlook’d for and unsought;
My soul to Fancy’s fond suggestion yields,
And roams romantic o’er her airy fields.
Scenes of my youth, develop’d, crowd to view,
To which I long have bade a last adieu!
Seats of delight, inspiring youthful themes;
Friends lost to me, for aye, except in dreams;
Some, who in marble prematurely sleep,
Whose forms I now remember, but to weep;
Some, who yet urge the same scholastic course
Of early science, future fame the source;
Who, still contending in the studious race,
In quick rotation, fill the senior place!
These, with a thousand visions, now unite,
To dazzle, though they please, my aching sight.

IDA! blest spot, where Science holds her reign,
How joyous, once, I join’d thy youthful train!
Bright, in idea, gleams thy lofty spire,
Again, I mingle with thy playful quire;
Our tricks of mischief, every childish game,
Unchang’d by time or distance, seem the same;
Through winding paths, along the glade I trace
The social smile of every welcome face;
My wonted haunts, my scenes of joy or woe,
Each early boyish friend, or youthful foe,
Our feuds dissolv’d, but not my friendship past,—
I bless the former, and forgive the last.
Hours of my youth! when, nurtur’d in my breast,
To Love a stranger, Friendship made me blest,—
Friendship, the dear peculiar bond of youth,
When every artless ***** throbs with truth;
Untaught by worldly wisdom how to feign,
And check each impulse with prudential rein;
When, all we feel, our honest souls disclose,
In love to friends, in open hate to foes;
No varnish’d tales the lips of youth repeat,
No dear-bought knowledge purchased by deceit;
Hypocrisy, the gift of lengthen’d years,
Matured by age, the garb of Prudence wears:
When, now, the Boy is ripen’d into Man,
His careful Sire chalks forth some wary plan;
Instructs his Son from Candour’s path to shrink,
Smoothly to speak, and cautiously to think;
Still to assent, and never to deny—
A patron’s praise can well reward the lie:
And who, when Fortune’s warning voice is heard,
Would lose his opening prospects for a word?
Although, against that word, his heart rebel,
And Truth, indignant, all his ***** swell.

  Away with themes like this! not mine the task,
From flattering friends to tear the hateful mask;
Let keener bards delight in Satire’s sting,
My Fancy soars not on Detraction’s wing:
Once, and but once, she aim’d a deadly blow,
To hurl Defiance on a secret Foe;
But when that foe, from feeling or from shame,
The cause unknown, yet still to me the same,
Warn’d by some friendly hint, perchance, retir’d,
With this submission all her rage expired.
From dreaded pangs that feeble Foe to save,
She hush’d her young resentment, and forgave.
Or, if my Muse a Pedant’s portrait drew,
POMPOSUS’ virtues are but known to few:
I never fear’d the young usurper’s nod,
And he who wields must, sometimes, feel the rod.
If since on Granta’s failings, known to all
Who share the converse of a college hall,
She sometimes trifled in a lighter strain,
’Tis past, and thus she will not sin again:
Soon must her early song for ever cease,
And, all may rail, when I shall rest in peace.

  Here, first remember’d be the joyous band,
Who hail’d me chief, obedient to command;
Who join’d with me, in every boyish sport,
Their first adviser, and their last resort;
Nor shrunk beneath the upstart pedant’s frown,
Or all the sable glories of his gown;
Who, thus, transplanted from his father’s school,
Unfit to govern, ignorant of rule—
Succeeded him, whom all unite to praise,
The dear preceptor of my early days,
PROBUS, the pride of science, and the boast—
To IDA now, alas! for ever lost!
With him, for years, we search’d the classic page,
And fear’d the Master, though we lov’d the Sage:
Retir’d at last, his small yet peaceful seat
From learning’s labour is the blest retreat.
POMPOSUS fills his magisterial chair;
POMPOSUS governs,—but, my Muse, forbear:
Contempt, in silence, be the pedant’s lot,
His name and precepts be alike forgot;
No more his mention shall my verse degrade,—
To him my tribute is already paid.

  High, through those elms with hoary branches crown’d
Fair IDA’S bower adorns the landscape round;
There Science, from her favour’d seat, surveys
The vale where rural Nature claims her praise;
To her awhile resigns her youthful train,
Who move in joy, and dance along the plain;
In scatter’d groups, each favour’d haunt pursue,
Repeat old pastimes, and discover new;
Flush’d with his rays, beneath the noontide Sun,
In rival bands, between the wickets run,
Drive o’er the sward the ball with active force,
Or chase with nimble feet its rapid course.
But these with slower steps direct their way,
Where Brent’s cool waves in limpid currents stray,
While yonder few search out some green retreat,
And arbours shade them from the summer heat:
Others, again, a pert and lively crew,
Some rough and thoughtless stranger plac’d in view,
With frolic quaint their antic jests expose,
And tease the grumbling rustic as he goes;
Nor rest with this, but many a passing fray
Tradition treasures for a future day:
“’Twas here the gather’d swains for vengeance fought,
And here we earn’d the conquest dearly bought:
Here have we fled before superior might,
And here renew’d the wild tumultuous fight.”
While thus our souls with early passions swell,
In lingering tones resounds the distant bell;
Th’ allotted hour of daily sport is o’er,
And Learning beckons from her temple’s door.
No splendid tablets grace her simple hall,
But ruder records fill the dusky wall:
There, deeply carv’d, behold! each Tyro’s name
Secures its owner’s academic fame;
Here mingling view the names of Sire and Son,
The one long grav’d, the other just begun:
These shall survive alike when Son and Sire,
Beneath one common stroke of fate expire;
Perhaps, their last memorial these alone,
Denied, in death, a monumental stone,
Whilst to the gale in mournful cadence wave
The sighing weeds, that hide their nameless grave.
And, here, my name, and many an early friend’s,
Along the wall in lengthen’d line extends.
Though, still, our deeds amuse the youthful race,
Who tread our steps, and fill our former place,
Who young obeyed their lords in silent awe,
Whose nod commanded, and whose voice was law;
And now, in turn, possess the reins of power,
To rule, the little Tyrants of an hour;
Though sometimes, with the Tales of ancient day,
They pass the dreary Winter’s eve away;
“And, thus, our former rulers stemm’d the tide,
And, thus, they dealt the combat, side by side;
Just in this place, the mouldering walls they scaled,
Nor bolts, nor bars, against their strength avail’d;
Here PROBUS came, the rising fray to quell,
And, here, he falter’d forth his last farewell;
And, here, one night abroad they dared to roam,
While bold POMPOSUS bravely staid at home;”
While thus they speak, the hour must soon arrive,
When names of these, like ours, alone survive:
Yet a few years, one general wreck will whelm
The faint remembrance of our fairy realm.

  Dear honest race! though now we meet no more,
One last long look on what we were before—
Our first kind greetings, and our last adieu—
Drew tears from eyes unus’d to weep with you.
Through splendid circles, Fashion’s gaudy world,
Where Folly’s glaring standard waves unfurl’d,
I plung’d to drown in noise my fond regret,
And all I sought or hop’d was to forget:
Vain wish! if, chance, some well-remember’d face,
Some old companion of my early race,
Advanc’d to claim his friend with honest joy,
My eyes, my heart, proclaim’d me still a boy;
The glittering scene, the fluttering groups around,
Were quite forgotten when my friend was found;
The smiles of Beauty, (for, alas! I’ve known
What ’tis to bend before Love’s mighty throne;)
The smiles of Beauty, though those smiles were dear,
Could hardly charm me, when that friend was near:
My thoughts bewilder’d in the fond surprise,
The woods of IDA danc’d before my eyes;
I saw the sprightly wand’rers pour along,
I saw, and join’d again the joyous throng;
Panting, again I trac’d her lofty grove,
And Friendship’s feelings triumph’d over Love.

  Yet, why should I alone with such delight
Retrace the circuit of my former flight?
Is there no cause beyond the common claim,
Endear’d to all in childhood’s very name?
Ah! sure some stronger impulse vibrates here,
Which whispers friendship will be doubly dear
To one, who thus for kindred hearts must roam,
And seek abroad, the love denied at home.
Those hearts, dear IDA, have I found in thee,
A home, a world, a paradise to me.
Stern Death forbade my orphan youth to share
The tender guidance of a Father’s care;
Can Rank, or e’en a Guardian’s name supply
The love, which glistens in a Father’s eye?
For this, can Wealth, or Title’s sound atone,
Made, by a Parent’s early loss, my own?
What Brother springs a Brother’s love to seek?
What Sister’s gentle kiss has prest my cheek?
For me, how dull the vacant moments rise,
To no fond ***** link’d by kindred ties!
Oft, in the progress of some fleeting dream,
Fraternal smiles, collected round me seem;
While still the visions to my heart are prest,
The voice of Love will murmur in my rest:
I hear—I wake—and in the sound rejoice!
I hear again,—but, ah! no Brother’s voice.
A Hermit, ’midst of crowds, I fain must stray
Alone, though thousand pilgrims fill the way;
While these a thousand kindred wreaths entwine,
I cannot call one single blossom mine:
What then remains? in solitude to groan,
To mix in friendship, or to sigh alone?
Thus, must I cling to some endearing hand,
And none more dear, than IDA’S social band.

  Alonzo! best and dearest of my friends,
Thy name ennobles him, who thus commends:
From this fond tribute thou canst gain no praise;
The praise is his, who now that tribute pays.
Oh! in the promise of thy early youth,
If Hope anticipate the words of Truth!
Some loftier bard shall sing thy glorious name,
To build his own, upon thy deathless fame:
Friend of my heart, and foremost of the list
Of those with whom I lived supremely blest;
Oft have we drain’d the font of ancient lore,
Though drinking deeply, thirsting still the more;
Yet, when Confinement’s lingering hour was done,
Our sports, our studies, and our souls were one:
Together we impell’d the flying ball,
Together waited in our tutor’s hall;
Together join’d in cricket’s manly toil,
Or shar’d the produce of the river’s spoil;
Or plunging from the green declining shore,
Our pliant limbs the buoyant billows bore:
In every element, unchang’d, the same,
All, all that brothers should be, but the name.

  Nor, yet, are you forgot, my jocund Boy!
DAVUS, the harbinger of childish joy;
For ever foremost in the ranks of fun,
The laughing herald of the harmless pun;
Yet, with a breast of such materials made,
Anxious to please, of pleasing half afraid;
Candid and liberal, with a heart of steel
In Danger’s path, though not untaught to feel.
Still, I remember, in the factious strife,
The rustic’s musket aim’d against my life:
High pois’d in air the massy weapon hung,
A cry of horror burst from every tongue:
Whilst I, in combat with another foe,
Fought on, unconscious of th’ impending blow;
Your arm, brave Boy, arrested his career—
Forward you sprung, insensible to fear;
Disarm’d, and baffled by your conquering hand,
The grovelling Savage roll’d upon the sand:
An act like this, can simple thanks repay?
Or all the labours of a grateful lay?
Oh no! whene’er my breast forgets the deed,
That instant, DAVUS, it deserves to bleed.

  LYCUS! on me thy claims are justly great:
Thy milder virtues could my Muse relate,
To thee, alone, unrivall’d, would belong
The feeble efforts of my lengthen’d song.
Well canst thou boast, to lead in senates fit,
A Spartan firmness, with Athenian wit:
Though yet, in embryo, these perfections shine,
LYCUS! thy father’s fame will soon be thine.
Where Learning nurtures the superior mind,
What may we hope, from genius thus refin’d;
When Time, at length, matures thy growing years,
How wilt thou tower, above thy fellow peers!
Prudence and sense, a spirit bold and free,
With Honour’s soul, united beam in thee.

Shall fair EURYALUS, pass by unsung?
From ancient lineage, not unworthy, sprung:
What, though one sad dissension bade us part,
That name is yet embalm’d within my heart,
Yet, at the mention, does that heart rebound,
And palpitate, responsive to the sound;
Envy dissolved our ties, and not our will:
We once were friends,—I’ll think, we are so still.
A form unmatch’d in Nature’s partial mould,
A heart untainted, we, in thee, behold:
Yet, not the Senate’s thunder thou shall wield,
Nor seek for glory, in the tented field:
To minds of ruder texture, these be given—
Thy soul shall nearer soar its native heaven.
Haply, in polish’d courts might be thy seat,
But, that thy tongue could never forge deceit:
The courtier’s supple bow, and sneering smile,
The flow of compliment, the slippery wile,
Would make that breast, with indignation, burn,
And, all the glittering snares, to tempt thee, spurn.
Domestic happiness will stamp thy fate;
Sacred to love, unclouded e’er by hate;
The world admire thee, and thy friends adore;—
Ambition’s slave, alone, would toil for more.

  Now last, but nearest, of the social band,
See honest, open, generous CLEON stand;
With scarce one speck, to cloud the pleasing scene,
No vice degrades that purest soul serene.
On the same day, our studious race begun,
On the same day, our studious race was run;
Thus, side by side, we pass’d our first career,
Thus, side by side, we strove for many a year:
At last, concluded our scholastic life,
We neither conquer’d in the classic strife:
As Speakers, each supports an equal name,
And crowds allow to both a partial fame:
To soothe a youthful Rival’s early pride,
Though Cleon’s candour would the palm divide,
Yet Candour’s self compels me now to own,
Justice awards it to my Friend alone.

  Oh! Friends regretted, Scenes for ever dear,
Remembrance hails you with her warmest tear!
Drooping, she bends o’er pensive Fancy’s urn,
To trace the hours, which never can return;
Yet, with the retrospection loves to dwell,
And soothe the sorrows of her last farewell!
Yet greets the triumph of my boyish mind,
As infant laurels round my head were twin’d;
When PROBUS’ praise repaid my lyric song,
Or plac’d me higher in the studious throng;
Or when my first harangue receiv’d applause,
His sage instruction the primeval cause,
What gratitude, to him, my soul possest,
While hope of dawning honours fill’d my breast!
For all my humble fame, to him alone,
The praise is due, who made that fame my own.
Oh! could I soar above these feeble lays,
These young effusions of my early days,
To him my Muse her noblest strain would give,
The song might perish, but the theme might live.
Yet, why for him the needless verse essay?
His honour’d name requires no vain display:
By every son of grateful IDA blest,
It finds an ech
Devon Webb Apr 2015
I had all these little
perfections
hung across my life
like fairy lights
but now they're gone
and it will take my
eyes a while
to adjust
to the dark.
"The Druids taught their disciples many things about nature and the perfections of God, and that, there was only one God, the Creator of heaven and earth. One name, under which they worshiped him, was Esus or Hesus (“He," in Celtic meaning, "Lord," ) or Harits which is their name for Horus..."

~Julius Caesar from [Signs and Symbols of Primordial Man, by Albert Churchward circa 1912] [Page 186]



"He,"  -meaning, "Lord," and "Sus," being the most ancient Minoan form of, "Zeus," therefore, "Jesus," means in Celtic and Greek;

"Lord Zeus."

The word "Harits," being Sanskrit identical to, "Charits," and "Marits, Maruts," a mythical epithet for Aryas, or Aryans so the usage of it for his name means it represents him as being Aryan.  

Jesus as an Aryan.

If You can prove it, prove it wrong,
then do so here or do so in song.
If you can also, do it in verse,
then truly you'll deserve a purse.
I do not believe there will ever be,
on this point,

...a mortal man to challenge me!


Good Luck
skyler Sep 2017
you
i want you
in every way there is to want a person

from lazy rainy days
sitting around in underwear
wrapped up in the covers
enveloped in each other

to lustful late nights
high happy and in love
too absorbed with each other
to focus on anything else

i want you
and i see so much in you
that counting all your perfections
would be like counting the stars
there's too many to keep track of
and they just seem endless

i am utterly in love
with every inch of your being
every corner of your mind
and everything in between

i might not know what i believe
or where i'm going
or what i'm doing
but i do hope
you'll hold my hand
and wander blindly with me
because as long as i'm with you
i don't need a destination
you are the journey

i am simply enamored with your entity
captivated by your character
fascinated
infatuated
amorous
in love
you asked me to write you a poem, i hope you like it
Andrea Diaz Nov 2011
Insecurities are poisonous to a child's mind
It causes so much negativity in themselves that one day, death is the only thing positive left.
And it's not like that whole
"Oh Romeo, let me drink this poison to fake my death in order to be with you."
No, It's more like,
"Oh Romeo, I'm so FAT AND UGLY LET ME JUST USE THIS DAGGER IN ORDER TO
                END MY EXISTENCE"
And it's definitively not that whole "Teenaged Angst" psychologists come up with
It's more like society's baby food is starting to poison it's children.

You see,
Not so long ago society started this whole standards issue on how girls and boys are supposed to look like
Girls are supposed to have that hourglass figure where regularly eating is considered being a ******.
And where anerexia is the new cover of beauty magazines.
And guys are never supposed to cry,
Because tears are a sign of weakness and not how strong they've been holding those weights in.
And guys who are always on the cover of men's magazines are those muscle headed jerks who treat women as if they were mere objects

You see,
According to society
That whole lesson on "Be Yoursellf" is just a myth because being yourself is a sign of ugliness
And to trule feel that sign of beautty is to wear the mask of another.

And not so long ago,
I used to think like that.
I used to have those grey clouds in my head because there was always that one negative voice telling me I wasn't good enough
That no one wanted to be near a horrible existence liek me.
All those compliments like
Pretty
Beautiful
Unique
And Cool
Turned into insults like,
Ugly
Hideous
Plain
And Stupid
This whole negativity turned into a game of darts,
Where I was the target and te insults were knives
And it got to the point where I thought sweet ever lasting afterlife seemed like the only way out.
But because I'm the type of person who over thinks her actions,
Something like suicide never played out.
Days went by,
And all those pretty compliments turned into ugly insults,
And it seemd like that glimmer of hope wasn't going to come shine down through the dark clouds.
Even that game of insult darts,
Was trying to aim its knives at my heart.

Then...
One day,
I looked into a mirror
And I finally saw that pretty girl everyone was talking about
Those grey clouds in my head finally cleared up and showed Mr. Sun.
Those knives aiming for my heart turned into cherry blossom petals dancing in the wind.
Even those insecurities the negative voice pointed out,
Turned into compliments, perfections, and even beatifications
You see,
Insecurities can poison a child's mind
But,
It's up to the child to use it as a leathel weapon or an antidote for life long lessons.
Looking back on that self reflecting day,
I have learned to turn those imperfections that once kept me down into perfections that can hold my self esteem high up.
And I've learend that
I am terribly afraid of being someone other than myself.
So,
Livingup to society's standards of a female no longer worries me.
Because
The only standards I should worry about are the ones I make for myself.
And
Insecurities should no longer be apart of that.
Insecurities for little old me.
Now Morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aery-light, from pure digestion bred,
And temperate vapours bland, which the only sound
Of leaves and fuming rills, Aurora’s fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest:  He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamoured, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus.  Awake,
My fairest, my espoused, my latest found,
Heaven’s last best gift, my ever new delight!
Awake:  The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colours, how the bee
Sits on the bloom extracting liquid sweet.
Such whispering waked her, but with startled eye
On Adam, whom embracing, thus she spake.
O sole in whom my thoughts find all repose,
My glory, my perfection! glad I see
Thy face, and morn returned; for I this night
(Such night till this I never passed) have dreamed,
If dreamed, not, as I oft am wont, of thee,
Works of day past, or morrow’s next design,
But of offence and trouble, which my mind
Knew never till this irksome night:  Methought,
Close at mine ear one called me forth to walk
With gentle voice;  I thought it thine: It said,
‘Why sleepest thou, Eve? now is the pleasant time,
‘The cool, the silent, save where silence yields
‘To the night-warbling bird, that now awake
‘Tunes sweetest his love-laboured song; now reigns
‘Full-orbed the moon, and with more pleasing light
‘Shadowy sets off the face of things; in vain,
‘If none regard; Heaven wakes with all his eyes,
‘Whom to behold but thee, Nature’s desire?
‘In whose sight all things joy, with ravishment
‘Attracted by thy beauty still to gaze.’
I rose as at thy call, but found thee not;
To find thee I directed then my walk;
And on, methought, alone I passed through ways
That brought me on a sudden to the tree
Of interdicted knowledge: fair it seemed,
Much fairer to my fancy than by day:
And, as I wondering looked, beside it stood
One shaped and winged like one of those from Heaven
By us oft seen; his dewy locks distilled
Ambrosia; on that tree he also gazed;
And ‘O fair plant,’ said he, ‘with fruit surcharged,
‘Deigns none to ease thy load, and taste thy sweet,
‘Nor God, nor Man?  Is knowledge so despised?
‘Or envy, or what reserve forbids to taste?
‘Forbid who will, none shall from me withhold
‘Longer thy offered good; why else set here?
This said, he paused not, but with venturous arm
He plucked, he tasted; me damp horrour chilled
At such bold words vouched with a deed so bold:
But he thus, overjoyed; ‘O fruit divine,
‘Sweet of thyself, but much more sweet thus cropt,
‘Forbidden here, it seems, as only fit
‘For Gods, yet able to make Gods of Men:
‘And why not Gods of Men; since good, the more
‘Communicated, more abundant grows,
‘The author not impaired, but honoured more?
‘Here, happy creature, fair angelick Eve!
‘Partake thou also; happy though thou art,
‘Happier thou mayest be, worthier canst not be:
‘Taste this, and be henceforth among the Gods
‘Thyself a Goddess, not to earth confined,
‘But sometimes in the air, as we, sometimes
‘Ascend to Heaven, by merit thine, and see
‘What life the Gods live there, and such live thou!’
So saying, he drew nigh, and to me held,
Even to my mouth of that same fruit held part
Which he had plucked; the pleasant savoury smell
So quickened appetite, that I, methought,
Could not but taste.  Forthwith up to the clouds
With him I flew, and underneath beheld
The earth outstretched immense, a prospect wide
And various:  Wondering at my flight and change
To this high exaltation; suddenly
My guide was gone, and I, methought, sunk down,
And fell asleep; but O, how glad I waked
To find this but a dream!  Thus Eve her night
Related, and thus Adam answered sad.
Best image of myself, and dearer half,
The trouble of thy thoughts this night in sleep
Affects me equally; nor can I like
This uncouth dream, of evil sprung, I fear;
Yet evil whence? in thee can harbour none,
Created pure.  But know that in the soul
Are many lesser faculties, that serve
Reason as chief; among these Fancy next
Her office holds; of all external things
Which the five watchful senses represent,
She forms imaginations, aery shapes,
Which Reason, joining or disjoining, frames
All what we affirm or what deny, and call
Our knowledge or opinion; then retires
Into her private cell, when nature rests.
Oft in her absence mimick Fancy wakes
To imitate her; but, misjoining shapes,
Wild work produces oft, and most in dreams;
Ill matching words and deeds long past or late.
Some such resemblances, methinks, I find
Of our last evening’s talk, in this thy dream,
But with addition strange; yet be not sad.
Evil into the mind of God or Man
May come and go, so unreproved, and leave
No spot or blame behind:  Which gives me hope
That what in sleep thou didst abhor to dream,
Waking thou never will consent to do.
Be not disheartened then, nor cloud those looks,
That wont to be more cheerful and serene,
Than when fair morning first smiles on the world;
And let us to our fresh employments rise
Among the groves, the fountains, and the flowers
That open now their choisest bosomed smells,
Reserved from night, and kept for thee in store.
So cheered he his fair spouse, and she was cheered;
But silently a gentle tear let fall
From either eye, and wiped them with her hair;
Two other precious drops that ready stood,
Each in their crystal sluice, he ere they fell
Kissed, as the gracious signs of sweet remorse
And pious awe, that feared to have offended.
So all was cleared, and to the field they haste.
But first, from under shady arborous roof
Soon as they forth were come to open sight
Of day-spring, and the sun, who, scarce up-risen,
With wheels yet hovering o’er the ocean-brim,
Shot parallel to the earth his dewy ray,
Discovering in wide landskip all the east
Of Paradise and Eden’s happy plains,
Lowly they bowed adoring, and began
Their orisons, each morning duly paid
In various style; for neither various style
Nor holy rapture wanted they to praise
Their Maker, in fit strains pronounced, or sung
Unmeditated; such prompt eloquence
Flowed from their lips, in prose or numerous verse,
More tuneable than needed lute or harp
To add more sweetness; and they thus began.
These are thy glorious works, Parent of good,
Almighty!  Thine this universal frame,
Thus wonderous fair;  Thyself how wonderous then!
Unspeakable, who sitst above these heavens
To us invisible, or dimly seen
In these thy lowest works; yet these declare
Thy goodness beyond thought, and power divine.
Speak, ye who best can tell, ye sons of light,
Angels; for ye behold him, and with songs
And choral symphonies, day without night,
Circle his throne rejoicing; ye in Heaven
On Earth join all ye Creatures to extol
Him first, him last, him midst, and without end.
Fairest of stars, last in the train of night,
If better thou belong not to the dawn,
Sure pledge of day, that crownest the smiling morn
With thy bright circlet, praise him in thy sphere,
While day arises, that sweet hour of prime.
Thou Sun, of this great world both eye and soul,
Acknowledge him thy greater; sound his praise
In thy eternal course, both when thou climbest,
And when high noon hast gained, and when thou fallest.
Moon, that now meetest the orient sun, now flyest,
With the fixed Stars, fixed in their orb that flies;
And ye five other wandering Fires, that move
In mystick dance not without song, resound
His praise, who out of darkness called up light.
Air, and ye Elements, the eldest birth
Of Nature’s womb, that in quaternion run
Perpetual circle, multiform; and mix
And nourish all things; let your ceaseless change
Vary to our great Maker still new praise.
Ye Mists and Exhalations, that now rise
From hill or steaming lake, dusky or gray,
Till the sun paint your fleecy skirts with gold,
In honour to the world’s great Author rise;
Whether to deck with clouds the uncoloured sky,
Or wet the thirsty earth with falling showers,
Rising or falling still advance his praise.
His praise, ye Winds, that from four quarters blow,
Breathe soft or loud; and, wave your tops, ye Pines,
With every plant, in sign of worship wave.
Fountains, and ye that warble, as ye flow,
Melodious murmurs, warbling tune his praise.
Join voices, all ye living Souls:  Ye Birds,
That singing up to Heaven-gate ascend,
Bear on your wings and in your notes his praise.
Ye that in waters glide, and ye that walk
The earth, and stately tread, or lowly creep;
Witness if I be silent, morn or even,
To hill, or valley, fountain, or fresh shade,
Made vocal by my song, and taught his praise.
Hail, universal Lord, be bounteous still
To give us only good; and if the night
Have gathered aught of evil, or concealed,
Disperse it, as now light dispels the dark!
So prayed they innocent, and to their thoughts
Firm peace recovered soon, and wonted calm.
On to their morning’s rural work they haste,
Among sweet dews and flowers; where any row
Of fruit-trees over-woody reached too far
Their pampered boughs, and needed hands to check
Fruitless embraces: or they led the vine
To wed her elm; she, spoused, about him twines
Her marriageable arms, and with him brings
Her dower, the adopted clusters, to adorn
His barren leaves.  Them thus employed beheld
With pity Heaven’s high King, and to him called
Raphael, the sociable Spirit, that deigned
To travel with Tobias, and secured
His marriage with the seventimes-wedded maid.
Raphael, said he, thou hearest what stir on Earth
Satan, from Hell ’scaped through the darksome gulf,
Hath raised in Paradise; and how disturbed
This night the human pair; how he designs
In them at once to ruin all mankind.
Go therefore, half this day as friend with friend
Converse with Adam, in what bower or shade
Thou findest him from the heat of noon retired,
To respite his day-labour with repast,
Or with repose; and such discourse bring on,
As may advise him of his happy state,
Happiness in his power left free to will,
Left to his own free will, his will though free,
Yet mutable; whence warn him to beware
He swerve not, too secure:  Tell him withal
His danger, and from whom; what enemy,
Late fallen himself from Heaven, is plotting now
The fall of others from like state of bliss;
By violence? no, for that shall be withstood;
But by deceit and lies:  This let him know,
Lest, wilfully transgressing, he pretend
Surprisal, unadmonished, unforewarned.
So spake the Eternal Father, and fulfilled
All justice:  Nor delayed the winged Saint
After his charge received; but from among
Thousand celestial Ardours, where he stood
Veiled with his gorgeous wings, up springing light,
Flew through the midst of Heaven; the angelick quires,
On each hand parting, to his speed gave way
Through all the empyreal road; till, at the gate
Of Heaven arrived, the gate self-opened wide
On golden hinges turning, as by work
Divine the sovran Architect had framed.
From hence no cloud, or, to obstruct his sight,
Star interposed, however small he sees,
Not unconformed to other shining globes,
Earth, and the garden of God, with cedars crowned
Above all hills.  As when by night the glass
Of Galileo, less assured, observes
Imagined lands and regions in the moon:
Or pilot, from amidst the Cyclades
Delos or Samos first appearing, kens
A cloudy spot.  Down thither prone in flight
He speeds, and through the vast ethereal sky
Sails between worlds and worlds, with steady wing
Now on the polar winds, then with quick fan
Winnows the buxom air; till, within soar
Of towering eagles, to all the fowls he seems
A phoenix, gazed by all as that sole bird,
When, to enshrine his reliques in the Sun’s
Bright temple, to Egyptian Thebes he flies.
At once on the eastern cliff of Paradise
He lights, and to his proper shape returns
A Seraph winged:  Six wings he wore, to shade
His lineaments divine; the pair that clad
Each shoulder broad, came mantling o’er his breast
With regal ornament; the middle pair
Girt like a starry zone his waist, and round
Skirted his ***** and thighs with downy gold
And colours dipt in Heaven; the third his feet
Shadowed from either heel with feathered mail,
Sky-tinctured grain.  Like Maia’s son he stood,
And shook his plumes, that heavenly fragrance filled
The circuit wide.  Straight knew him all the bands
Of Angels under watch; and to his state,
And to his message high, in honour rise;
For on some message high they guessed him bound.
Their glittering tents he passed, and now is come
Into the blissful field, through groves of myrrh,
And flowering odours, cassia, nard, and balm;
A wilderness of sweets; for Nature here
Wantoned as in her prime, and played at will
Her ****** fancies pouring forth more sweet,
Wild above rule or art, enormous bliss.
Him through the spicy forest onward come
Adam discerned, as in the door he sat
Of his cool bower, while now the mounted sun
Shot down direct his fervid rays to warm
Earth’s inmost womb, more warmth than Adam needs:
And Eve within, due at her hour prepared
For dinner savoury fruits, of taste to please
True appetite, and not disrelish thirst
Of nectarous draughts between, from milky stream,
Berry or grape:  To whom thus Adam called.
Haste hither, Eve, and worth thy sight behold
Eastward among those trees, what glorious shape
Comes this way moving; seems another morn
Risen on mid-noon; some great behest from Heaven
To us perhaps he brings, and will vouchsafe
This day to be our guest.  But go with speed,
And, what thy stores contain, bring forth, and pour
Abundance, fit to honour and receive
Our heavenly stranger:  Well we may afford
Our givers their own gifts, and large bestow
From large bestowed, where Nature multiplies
Her fertile growth, and by disburthening grows
More fruitful, which instructs us not to spare.
To whom thus Eve.  Adam, earth’s hallowed mould,
Of God inspired! small store will serve, where store,
All seasons, ripe for use hangs on the stalk;
Save what by frugal storing firmness gains
To nourish, and superfluous moist consumes:
But I will haste, and from each bough and brake,
Each plant and juciest gourd, will pluck such choice
To entertain our Angel-guest, as he
Beholding shall confess, that here on Earth
God hath dispensed his bounties as in Heaven.
So saying, with dispatchful looks in haste
She turns, on hospitable thoughts intent
What choice to choose for delicacy best,
What order, so contrived as not to mix
Tastes, not well joined, inelegant, but bring
Taste after taste upheld with kindliest change;
Bestirs her then, and from each tender stalk
Whatever Earth, all-bearing mother, yields
In India East or West, or middle shore
In Pontus or the Punick coast, or where
Alcinous reigned, fruit of all kinds, in coat
Rough, or smooth rind, or bearded husk, or shell,
She gathers, tribute large, and on the board
Heaps with unsparing hand; for drink the grape
She crushes, inoffensive must, and meaths
From many a berry, and from sweet kernels pressed
She tempers dulcet creams; nor these to hold
Wants her fit vessels pure; then strows the ground
With rose and odours from the shrub unfumed.
Mean while our primitive great sire, to meet
His God-like guest, walks forth, without more train
Accompanied than with his own complete
Perfections; in himself was all his state,
More solemn than the tedious pomp that waits
On princes, when their rich retinue long
Of horses led, and gro
mark john junor Sep 2014
my heart thirsts to speak poems shouted from rooftops in the pouring rain
my heart longs to run wildly free with a song of loves strength in my veins
my heart burns to write perfections phrase
and give it as a gift to her sweet name
Cup Noodles Jun 2015
Here I lie
Typing word after word
Everything I've ever felt
And everything I've never felt

All the conversations
I wished we had
The moments I dreamed
To finally come true

Our likes and dislikes
Your perfections and perfections
After perfections
And my imperfections

And then I realized
My fingers
Talk more
Than me
mark john junor Sep 2013
her soft apology
tear stained letter handwritten in the
dust of yesterday on the tabletop
it gives voice to her perfection
and the imperfections her perfection hides
delicate like a steel syringe full of regret
like a bitter song full of time that cant be recaptured
she releases me seeking to deny cruelty
but it is cruel to have been there and cast aside

deprived of the moments
when her sky was mine
her eyes have lost focus
her touch lost its immediacy
buried it in the scars on her arm
parallel lines red with regret
but hers or mine
they are so infront of me even when unseen
how can i contain them
how can i softly speak the nearness
of what i must be feeling
but i cannot discern I'm too close to her tears

i race with complete abandon
the hours and days across the vast emptiness
of this world
to bring even a moments ease to what
she must be suffering
to do anything that would cease this for her
but it slips through my crying fingers
slips through my screaming hand
and softly falls to the white tile cold floor
like death like tears
like her heart falling from grace
like me falling trying to catch her

her soft apology
handwritten  in the inky dust of my yesterday
feels like a voice trying to rationalize
self immolation in tangled lines
in sorrowful beauty
all the perfections of her
and all the imperfections they hide
im sorry i could not save you, i would give anything to
You say the cuts on your arms are ugly
But I say they are beautiful
You say fat
But I say you're just right
You say your misshapen but i say you're the most gorgeous person in the world
just letting you know that
All of Your Imperfections are Perfections to Me
The onion, now that's something else
its innards don't exist
nothing but pure onionhood
fills this devout onionist
oniony on the inside
onionesque it appears
it follows its own daimonion
without our human tears

our skin is just a coverup
for the land where none dare to go
an internal inferno
the anathema of anatomy
in an onion there's only onion
from its top to it's toe
onionymous monomania
unanimous omninudity

at peace, at peace
internally at rest
inside it, there's a smaller one
of undiminished worth
the second holds a third one
the third contains a fourth
a centripetal fugue
polypony compressed

nature's rotundest tummy
its greatest success story
the onion drapes itself in it's
own aureoles of glory
we hold veins, nerves, and fat
secretions' secret sections
not for us such idiotic
onionoid perfections


Wisława Szymborska, translated from the Polish by Stanisław Barańczak & Clare Cavanagh
Wisława Szymborska (2 July 1923 – 1 February 2012) was a Polish poet, essayist, translator and recipient of the 1996 Nobel Prize in Literature ("for poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality"). Her work has been translated into English and many European languages, as well as into Arabic, Hebrew, Japanese and Chinese.
Riya Mar 2015
If I had a camera that could capture flaws,
Darling I know it wouldn't capture yours.
Baby, you're perfect,
Perfect as anyone can be .
But darling why can't everyone else see what I can see?

They don't see your chocolate brown eyes,
Those same ones that make me melt.
The same ones that reminds me of that summer near the fireplace.

They don't see your rosy cheeks,
The ones that blush when I mention your slightly crooked teeth.
The ones that lost their colour after that dark, dark day.
The ones that match mine when we played outside in the rain.

They don't see your sense of style.
All they see is a black shirt and crooked tie.
What I see is a beautiful grey suit,
The one that I burried you in that matches your boots.

They don't see your deep brown eyes,
The ones that lost their colour the day you lied.

Darling you promised we were forever!
So why have you been in that casket since December!
Darling you said you would always be with me
So why are you burried six feet deep?!
Diana Oct 2018
quite too often
I hear people tell others to
EMBRACE their flaws
well
I don't want to
embrace my "flaws"
I want to change
the way I view myself
so that when I look in the mirror
I accept and love
my ENTIRE body
because I SEE no flaws
#confidenceisbeautifulsowearit #trueselflove
NicoleRuth Feb 2015
Would you love me if  my skin was beautiful
a perfect porcelain
without scars marring my skin?

Would you love me if i had full lips
the delicate kind
that kissed roses everday?

Would you love me if i had a straight nose
a feminine one
that looked perfect from every angle?

Would you love me if i had doe shaped eyes
an innocent pair
that showed my inner purity?

Would you love me if i had an unbroken heart
like those of newborns
trusting and joyful every passing second?

Would you love me if i had a clean soul
white as the first fall of snow
never to have known of darkness and unimagninable hurts?

Would you love me if i had a muscial laughter
like gentle gurgles of a stream
never a note out of place in its symphony?

Would you love me if i spoke in soft tones
never to utter a curse
with diplomacy ruling my tongue?

Would you love me if i was this check list
of what others considered beauty
seemingly the ideal whose hand a task to win?

If you could love me as this
erase meat once from the chambers of your mind
leave no trace of my presence visible
i would be sure to disappoint your wishes and dreams
you held on high pedestals

For i am riddled with battlescars
and my words would only voice my honest opinions
my body breaking the mould of ideal perfection
my heart a shattered vase taped together
my soul steeped in darkness yet riddled with wells of dreams

If you could love my imperfections
If you could love my soul
then you and i could possibly be together
as imperfection but never alone.
Jordan Harris Jul 2014
Another slimy page absorbed by gentle, tender hands
Another reality channel infected by impossibilities
Another grainy film shaded by green to hide the truth

All eyes are glued to these perfections
Simple utopias I can never be

Her hair, his eyes, their laugh, that smile

How disheartening it is
for my friends to say one word
when the tags on my clothing say another

A dent here, a scar there, a bulge elsewhere
hips too wide, skin too rough, hair too straight, eyes too red,
toes too small, nose too big, scar too dark, skin too light
My entire being is stitched together faults

So my eyes burn as yours shine
I guess it is yet another imperfection

But then again, are the blemishes even mine?
mark john junor Sep 2014
sitting on the floor barefoot in a baby blue dress
perfections dreamscape hewn in lace
romance flower of such gentle strength
and such sweet grace
my life was a blank page
waiting to be written
waiting for my wanderers heart to be smitten
for this wild child dreadlock princess
for this gentle soul to sing her heartsong for me
tremble no more for all darkness is gone
with eachother we are stronger than moonlight
with eachother our hearts beat as one
my life to you and for you my sweet
be my wife
be my life
all of you are invited to the wedding...itll be a classic hippie wedding barefoot on the beach at dawn with a rock band playing grateful dead songs :-)
shåi Apr 2014
the mirror
divides where
the partition begins
between broken and free

i touch the glass
it imitates me
copies my every move
i must be confused

i touch the glass again
it still imitates me
showing the contour lines
of my every ****** expression
but then its gone
i must be very confused

i look hard into the glass
i see my face
i look harder
but this time its different

i first see my flaws
my imperfect perfections
what makes me whole
why should i look like a brainless doll?

i look harder once more
into the glass
and i see something
far more different

i see the girl
with the piercing
dark grey eyes
who has everything in
her life just sorted out

but then i see
the girl
with dark black
holes in her sockets
instead of eyes

this girl has
many marks on her body
signifying how many times
she has been hurting

i see a marking
on her forehead
it says LOST
it then begins to
cut a wound
into her scull

i try to forget
all these disturbing images
i have seen in this mirror
forgive and forget

hasn't it always been about forgiving and forgetting?

i'm not sure i want to forget anymore.

i want to remember.

i turn back
and look at the girl
with the deep dark eyes
i then see her mouth move

who are you?

(b.d.s.)
suggestions are always appreciated! :)
btw the title is is the word reflection backwards

chapter 1 of the reflection writing prompt.. chapter 2: Spiritual Death is out now
Part Time Poet Dec 2015
I'm lying here awake
Just thinking about you
Where we started
And who we've become.

I'm lying here awake
And now I'm wondering
Are you lying there awake
Thinking about me too?

I'm lying here awake
Listing all of your perfections
If I try to list them all
I'll be up until the dawn.

I'm lying here awake
As the minutes tick by
I'm going to get little sleep
But it's worth it because
I love to think about you.

I'm lying here awake
Drifting off into sleep
I'll see you in my dreams
And I'll carry you off to live happily ever after
Because you're a princess
And you deserve a prince
I'll rescue you from any trouble, any distress
And I'll never leave you as long as you're alive.

I'm lying here awake
Just thinking about my princess
And how my life would be different
If I had never met you.

I'm lying here awake
And now I am thankful
That I met you
In our own little fairytale.
L.R.
Ground smolders and smokes

Luminescent men, humps at the front

**** and poke

The air acrid, the smell of burning stone

On a wall three boys

Gaze, eyes wide, mouths

Marleyesque, dropping

Bewitched as the florescent men

Smooth and calm the steaming earth

Spraying water from a can

To quench its thirst

The seething, black

And exhausted ground

Murmurs in sick response

To its own fragmented curse

A yellow dragon near by

Belches black blood

Oozing from its innards

Through Gothic gargoyle mouth

The lime coloured men shovel

This toxic *****, smear it

Across the gasping earth

That lies, ripped like a jagged

Wound on a dying man

The lime colored men

Mount the yellow dragon

Speed off, leaving

The scorched ground

Burning and hissing,

With sulphurous smoke

A million sizzling angry snakes

The three boys run away in freight

Dropping playthings as they fumble

And tumble in their horrified flight

The black earth cries, bubbles

And consumes their toys

Passes sentence

Makes them L'Enfant Commune

The lost boys

Then there is a quiver

A tedious tremble, a treble;

That played like stretched

Elastic flicked with

Forefinger and thumb

Making the heart numb

Extracting false confessions

A stench of putrid untruth

*** charades of delicate

Ravaged faced youth

A drole de ménage

Slave to the hunger

Of the unknown demand

The French grooming

Of horses, that may charm

The curious but leaves curiosity

Still smouldering in the

Hidden depths of the

Universal mind

Sanumbolists in the

Fullness of a dream of

Ineffable torture consume need

The boys cry out, for the

Earth has stolen a liars tongue

Branded them abominable

With decaying enormities

Detestable, enamelled eyes

Lurk and peer from

Behind gauzed curtains

A corpse of understanding

That inspects the invisible

Images of imbeciles

Parchments dripping in powdered

Crystalline drops smear the pavements

The boys wave their arms

But no-one sees them

There is the rise and fall of cryptic waves

That ebb and flow scorching

A shore of silent sorrows

Lapping feverously at the

Arc of a whirlpool

Whose decreasing concentric

Circles **** the boys down

Into an eternity of hot tears

Leaves them without parents

Gives their brothers and sisters

Into a slavery of barbarous belief

A ferocious language

Banning the boys from all beaches

Provides tyrannical pilgrimages

To black robbed priests

Possessors' of serpents' hearts

The yellow dragon returns

Lemon coloured men spill

From its foaming mouth

The boys hide behind

Dead rose bushes

Ah, but their tenebrous

Trembles creak in the

Blotched and bloodied

Butchers sawdust

A fabulous elegance cradles them

Making the smoking dragon angry

It spews molten bile taken

From the bloated stomachs

Of white beasts

The luminosity of the

Lemon coloured men

Increases to blindness

They wave tattered antediluvian

Bark and scream from

Their dark, deceitful, anchored armchairs

From railed and spiked alters

Spitting bitterest gall

The lemon coloured men

Butcher the fabulous elegance

Leaving the boys naked

Prey to the perfections of

Puerile generosities

That vows to extinguish

Their human desire

Vacant eyes with

Nauseating sight strut

A cruel distortion

Terrifying voices offer

Demonic destruction

The boys weep, but

no-one hears them

A violent paradise

Of popular poses tries,

But fails to caress them

The dragon burns the boys

But no-one smells them

Their terror turns to molten flesh

The lemon coloured men

Spread it over the earth

The beast' heart beats

Joyfully in its bulbous belly

Sacred men smile while

Pitiless priests provide

A comedy

The boys become a hallow

Antique night their left

Legs held up for all

To see

Delirium devours the minds

Of a subjugated people

The deadly hissing of the earth

Like a silken spectre rises

Making scintillating shudders

Through the spiked splinters

Of time

Intelligence is reduced

To the rubble of religious

Intolerance

Lime, yellow, lemon drips

Heated plastic from false eyes

There are cries, sights and sounds

But no-one hears, sees or speaks

No real people are left

Similar boys watch from a wall

Huddle together and weep
anotherdream Nov 2017
When I break out a laugh and fake a smile,
I know deep inside I haven’t felt happy in a while.
But as I look across the room and notice your luminous eyes,
I knew right then it was time to try on honesty for a size,
And show you my hopes and fears.
For it’s my insecurities I hold onto so dearly.

With no one waiting on me,
There was no one to laugh and notice beautifully,
The perfections and flaws that make you who you are.
If you tried to blend in it wouldn’t be hard,
To find you among the others because you so uniquely stand out.

With every perfect piece you create love’s puzzle,
And make me feel honored and so very humbled,
To know you and yearn to know more.

As I looked across the room barely holding my head high,
I couldn’t even manage to hold in the tears from my face-drenched cry.
I couldn’t accept the thought there were people like me,
Who were always blinded by their lies and unable to see,
Their beauty and perfections that shine through the darkness.
Don't wanna say who this is about... haha
Domino Black Feb 2014
Through wigs and make up,
I pick up slack,
Where you fall,
I have your back,
You lose your rhythm,
And fall off track,
I am perfections,
In which you lack,
I have no flaws,
I have no cracks,
When you lose yourself,
Find Domino Black.
Tawanda Mulalu Feb 2016
Perfect: I used that word once to talk about you
as if you were a doll with limbs made of plastic:
stiff and whimsical and subject to the niggardly
commands of the conscious- yet you, who thinks
as aggressively as any doll-house builder do not
construct your own set-pieces; instead you
pirouette into one carefully constructed day to the
next as you delicately
stride
from bed to shower to wardrobe to mirror to desktop to
window to mirror to mirror to
mirror mirror on the wall, who’s the fairest of them
all-
and the staid look on your face when the mirror gives no
answer
because it can’t. Checkered skirt, sharp eyelashes, wary
jumper, almost heels. Perfect, you might think
for a moment before your eyes roll gently from self
to mirror
to self
to mirror
to mirror
the self. What was
it that you were looking for if all it does is lead
you back to your skin? Meanwhile, the snow
stutters softly from above as if God had dandruff-
perfect- and it all gently glazes the spongy surface of the world like
flawless coconut icing on some sorry party cake- perfect- and the morning
bell rings impossibly on time like the last
breath you thought was your last- perfect- and somewhere in
America I use words to remind you of the little
unreachables
of perfection that both start and end with your perfectly
snow-pale skin, where somewhere in
America and somewhere on
your thighs perfect ridges of red have formed themselves like
plastic scratches on a Barbie which we both think
are little but we both know
are big
because you are not plastic.

                                               At nighttime our feet
skip on the icy brick pathways that lead from
the dorm-rooms to the library and we shiver
as the snowflakes bob in and out of our bodies
like thoughts
that seem funny but aren’t quite- they melt away
as soon as they stumble upon our skin. From our mouths
cloudy puffs of being flutter out- little butterflies affirming
out listless snowflake-filled minds, sperming out ice-clouds
from our mouths, our mouths, our mouths; birthing friendship.
Breath, visible, is laughter. I trip and swear and momentarily
skate
across a sudden ice-surface as you speak another ice-breath. We
arrive
at the library but dart towards the empty right-side, the science
classrooms. We hope
to examine the thought-skirmishes on your right thigh, to turn  
and change this hopeless world-spinning into centrifuge
separation-
make apparent the light from the dark
                        the firmament from the void
                        the flesh from the plastic, the-
here we are as you talk
about your family and I
try my best to look you
in the eye so I
can become
your eyes
even when
normally
I
am
so
vehemently
against

staring

at the soul-gates of another being-
here we are as you talk;
God is still missing from the centrifuge
of the endlessly turning world- your
axis
is your skin yet
you trust it
not. The salads without dressing,
        the weighing scales,
        the taste of bile at the back of your
throat-
all for skin that
       you
do
not
      trust.
All for flesh that you think is plastic
so
     you
     cut.
      
             Enough
talk because the bell cuts through the flesh
of our conversation. Enough
talk because the world insists on
turning still
and forcing us to revolve
with it. Enough
breathing, enough
snow, enough
life. I remember you saying
that the ratios of your face are wrong;
that certain equilibriums do not exist between
your cheeks your lips your eyes your life…I remember the science
classrooms where parts of you were as mathematical as the architecture... I remember how
you keep thinking your flesh is plastic… You forget how
inglorious the nature of these words is. The problem
with human thought, with the ratios of your face, with the
geometric structures that cut across your thighs, with the
statistical neatness with which your family decomposes;
the problem with our conception of perfect is how
awkwardly it both exists and does not exist for us to
see.
The ratios of your face which you think are broken are
the same miracles I wonder about as you laugh. The incorrect distance
from your cheek to your eye which you think is wrong is the same
lightyear which separates the stars from the planets. The curvature
of your stomach is the bending of a spacetime to accommodate
the way the air must move to let your body occupy the space and time in which it
exists.
The ratios you speak of spring from your own limitlessness, your own
perfect imperfections , imperfect perfections-
strange oddities and unfathomable beauties and yes. Yes,
even the ridges across your right thigh are minute, red,
gasping
grand-canyons of
flesh,
of human, of breathing clay
flesh-
           never
plastic;
            always
worthy.
            
              Recently the voices in my head have been getting louder,
telling me all sorts of things about how the snow ought to bury me
in its mercilessness. They mention also that my words bear no meaning,
my thoughts even less so. Assumedly, the ridges across your thigh
carry such spectres as well but, I messaged you before you went to bed
about coming out and having an adventure because tick-tock-tick-tock…tick…tock…tick-
the last bell of the day is going to ring soon and the voices and ridges
will assert themselves again with the bedtime silence, but check your Facebook
messages and come outside and let’s go skipping with your friends across
the century-old polished prep-school brick pathways that smell archaic because it’s

snowing outside and it’s lovely.
For a friend.

Update, 4/23/2018, the poem found a home here: https://postscriptpublication.wordpress.com/2018/04/22/ratios/   thanks to a friend.
Faith Feb 2014
Inside of my mind, you'll find a vast part of it is full of repressed memories of you.  I can remember the way your teeth would grab your bottom lip while saying the first letter of my name. Do you remember that time we were in your backyard, and you told me that everything would be okay?
Why did you have to tell me that? I didn't want everything to be okay.
  -We were supposed to be a **** up in a room full of perfections.
Poet B Lee May 2010
They put us in glass boxes
And empty rooms with glass ceilings
We conform to make our ends, and we learn to muffle our feelings
Their inventions age into Standards, and they sell us their finest wine for a fee
No prison for this Queen
'Cause I like my ******* free...

They applaud our independance at first
Then tell us we are now too proud
Our voices once unheard are now suddenly too loud
Make sure you please the people
No heels too high, and no skirt above the knee
I wear no bra to imprison my womanhood
'Cause I like my ******* free...

Jiggle jiggle with hard *******, let them bounce naturally
I am every bit of my roots- I'm ***** happily
I'm not ashamed of their smallness
Despite their size, they  stand as firm and tall as mountain peaks
They're embarassed or jealous of my freedom
'Cause I like my ******* free...
  
Big or small, short or tall, even if one is size 'A' and the other 'B'
They are our imperfect perfections
They belong to you, they belong to me

Our country has learned to dictate through mandate
While they ******* themselves to higher power
I'm not ashamed of my nakedness and I look in the mirror after my shower

So if you think I need a bra
Then I will tell you you need to be imprisoned
My mind is mine, as is my body and they will never take my vision

They try to smother what they don't understand
I'm just evolving into the best Me
I know who and what I am...

...And I just happen to like my ******* to be free.
Queen Poetess B Copyright (c) 2010. All Rights Reserved.
VioletFlames Jun 2014
You paint your
Skin with false
Perfections

Hiding the marks
That you think
Are flaws

But I think
There's no need
To paint your skin

Because those "flaws"
Make you beautiful
Amber MacWilson Aug 2015
Mona Lisa, of Louvre,
in simplest words,
an angelic, of beauty.
Her enigmatic smiles,
so mystical, like
bewitching, yet heavenly
as I and you,
felt her, so alive,
left a mystery of,
unrevealed,
Da Vinci's Perfections.
"The painter has the universe in his mind and hands"
- Leonardo Da Vinci (1452-1519)
Primrose Clare Sep 2013
His body lost temperature as he pressed himself against the chest of hers, seducing her with his love.
With his sleepy **** voice, he hums her romantic morning lullabies.
The gray walls of the room soon embosomed with gleaming hearts of their beauteous lust and speedy soft breaths, leaving nothing more but powder blushes of crimson on her flowery cheeks in the springtime dawn.

The honeyed lust in the veins lit the bodies of two lovers like candles into eternal flames of romance.

Under the chocolate brown duvets,
Milky fragrances of the tea dances along the bare hands of two lovers,
while he serves breakfast on bed to her in an old-fashioned way.
Bleak morning mist tango around the vitreous skins of scratched windows,
as fat hummingbirds' tinkling giggles paint beyond the nature's smiley meadows,
sending a major abundance of lovable freedom and glee to the people.

In the bathtub,
Velvety calyx of dreamlover rose flows smoothly through the silk water.
They shower each other and let warmth grasp their naked body.
He kissed her dancing soul of chasms out
and tie uncountable amount of butterfly knots to her pancake stomach.
His abilities of heart possessions had captured the universe's breath.

Nothing has changed since day number one, everything is iridescent.
Everything is swimming in a magical pool of scarred perfections.


As the sun sets to the west,
The undarkened nightfall sings lulling melodies and let its harmonic fire burn the skies.
The shadows of their love whirl out unstoppable romance that vanished away void hopes and pain.
The lover's spirits echo and echo into spring gorges and dashing rivers,
Feeding darkness with lucent fragments of light.

Oh they were only two humans in love...
Or only a size of two negligible lovedust in the mystical galaxies...

But their endless love never fails to deluge the world with drizzling tears.
A facile spark of romance can be an amazing set of fireworks that creates indiscernible fruitful happiness.

Who in the world could resist this unpredictable power of their spingtime love?
Purity Kimani Feb 2015
Have we met?

Maybe yes, maybe no

But in your head

There must be an image of me.

Either real, sketchy, vague or an imagination

To some a rare gem

To others is a beautiful devil

And to you...

maybe just a facebook friend.




Maybe it’s the smiling girl

In my profile picture,

Who got your attention...

Or maybe it was that awkward update

That got you thinking.

Or maybe it’s the color of her eyes,

Or is it the long slender legs

In that party dress as she walks across the street?

Mhhh... Just maybe








You must be wondering

Why am writing all this

I would love to answer you

But I really don’t know

What my last line will be like.

So, will keep writing...





Do you ever wonder why this girl isn’t constant?

Today she is in love

Tomorrow her man is a pain on her neck,

One minute she is your friend

The other minute you are a stranger

I think i know why...

She is like you, she is human!



She may not live long enough

To defend all her flaws

Or brag about her perfections

But I can tell you a few things about her...

Some she isn’t proud of

But others she wouldn’t change

Just to please a crowd


She has a beautiful heart

To complement her warm smile

But she has a temper too

Which beats that of a betrayed woman

She is opinionated

But still a good listener.

But an insensitive word...

Hurts her like a sharp sword.





So, if you haven’t met her,

Now you know something about her

Do I need write more?

Oh yes, tomorrow i will write, and the day after

Maybe about you, or about my shoe or the trees

Everyday I will write.







C@P2013   September 4, 2013 at 8:53pm
Claire Ellen Jun 2013
What have these fairy tales made us afraid of?
Step moms and snakes?
there is more to life that living in fear,
And there is more to fear than being afraid.
Fear is a feeling of many natures and forms,
Including step moms and snakes.
Fear isnt only brought on by dark,
fear is in love too,
and fear is in hate.
Fear is in a butterflies first flight,
and fear is in our tummys,
when something is not right.
The Sound of Music showed us more than the sights of Austria,
It showed us how to sing,
Some times the fear is in what we already know.
Fear can control if you let it,
and after you see it,
its hard to forget,
But you can replace your with something bigger.
Bigger than the night time,
I am the stars.
I'm not in heaven, but when i'm
with you i'm
close.
You are faster than the night,
and sneakier than the clock ticking past noon.
On a Saturday, you are the Sunday afternoon.
The fear is less now.
You are ahead of my own thought,.
You know my bed,
You know i have zebra sheets,
and a red stain in the corner.
You know my body,
dimples and scars.
You know all the perfections, and defections.
The fear is less and less now.
Our kisses enable me to hear,
clocks ticking around the world.
you taste like...
words are to meager to describe.
There goes the fear,
There it goes,
out the window,
and into the hearts of those,
Step moms and Snakes.
I'm not dissing on Step moms in the poem, its just... the way I wrote it. Please don't be offended! and enjoy!
Mary McCray Apr 2015
(NaPoWriMo Challenge: April 5, 2015)

An effect in which incompetent people fail to realize they are incompetent because they lack the skill to distinguish between competence and incompetence. Actual competence may weaken self-confidence as competent individuals may falsely assume that others have an equivalent understanding.

Who among us know who among us?
Who worries the cracks in the levy?
The suffering know. They bear the smart
of all judgments: as they know themselves,
as they know others.  While fools
blissfully devastate the latticework
of our perfections.

The Pope advocates peace for Resurrection Day,
and end to the persecution, and by the way
he means  the Kenyan dead not Christmas signage
in America. Too many opinions

will make you blind. A competent madness,
a fear of failure: songless, unable to dance,
unable to praise the dead, restore to life
the mind of the beginner who does not yet know
yet who will be grateful to know
that competence saves lives
but will it save you?
Gabriel Jan 2014
Warmed sand from the hot day slides between her slider toes,
Her soft delicate ankles flex so tenderly with each step,
Smooth calves pull taut with petite strength, yet so frailly,
The falling sun dances on her hip and thigh seductively,

(A woman of complete ****** power, yet seemingly helpless,
Only as fragile as the tip of the golden dagger she bares,
Her greatest power is in your pleasures pleasingly fulfilled,
For once she has you clasped then her bidding can begin,)

Widening hips well versed in shifting her gently pooched belly,
A belly, so sensual, adored with melted elemental perfections,
Colorful beads to draws eyes to skin like petals of a newly bloomed rose,
A belly that when shaking releases all your heart's troubles and woes,

(When she loves, her warmth is ten times the sun on a cold night,
But if you were to oppose her, you are the prey to the panther's delight,
She will give you everything your heart could ever desire,
A kindness that burns inside her for her lover like a bellowed fire,)
  
Fluid, water like hands tell a story of enchantment as they slice through air,
Caressing a ***** so supple in form, a tear drop design of sexiness shown,
Gentle and smooth as her beasts gyrate with motion as her body moves like waves,
Her hands the constant agonist starting a seductive chain reaction through her body,

(A passionate heart awaiting a love so true, searching for her warrior poet,
She controls her world with her feminine wile but craves a life that is true,
A man that values and respects her intellect, equally as much as the view,
And look into her eyes to see the beautiful goddess that await him,)  

Long flowing black hair loved by the wind, teasing her curls as she spins,
The beauty of her face only second to Nefertiti, but her eyes that of a goddess,
Eyes reminiscent of a feline capturing the attention of the strongest man,
Emerald green, deep with passion like the ocean, and rival its beauty infinitely,

A dream that I see her in and long for her intimately......
Meanwhile the new-baptized, who yet remained
At Jordan with the Baptist, and had seen
Him whom they heard so late expressly called
Jesus Messiah, Son of God, declared,
And on that high authority had believed,
And with him talked, and with him lodged—I mean
Andrew and Simon, famous after known,
With others, though in Holy Writ not named—
Now missing him, their joy so lately found,
So lately found and so abruptly gone,                      
Began to doubt, and doubted many days,
And, as the days increased, increased their doubt.
Sometimes they thought he might be only shewn,
And for a time caught up to God, as once
Moses was in the Mount and missing long,
And the great Thisbite, who on fiery wheels
Rode up to Heaven, yet once again to come.
Therefore, as those young prophets then with care
Sought lost Eliah, so in each place these
Nigh to Bethabara—in Jericho                              
The city of palms, AEnon, and Salem old,
Machaerus, and each town or city walled
On this side the broad lake Genezaret,
Or in Peraea—but returned in vain.
Then on the bank of Jordan, by a creek,
Where winds with reeds and osiers whispering play,
Plain fishermen (no greater men them call),
Close in a cottage low together got,
Their unexpected loss and plaints outbreathed:—
  “Alas, from what high hope to what relapse                
Unlooked for are we fallen!  Our eyes beheld
Messiah certainly now come, so long
Expected of our fathers; we have heard
His words, his wisdom full of grace and truth.
‘Now, now, for sure, deliverance is at hand;
The kingdom shall to Israel be restored:’
Thus we rejoiced, but soon our joy is turned
Into perplexity and new amaze.
For whither is he gone? what accident
Hath rapt him from us? will he now retire                  
After appearance, and again prolong
Our expectation?  God of Israel,
Send thy Messiah forth; the time is come.
Behold the kings of the earth, how they oppress
Thy Chosen, to what highth their power unjust
They have exalted, and behind them cast
All fear of Thee; arise, and vindicate
Thy glory; free thy people from their yoke!
But let us wait; thus far He hath performed—
Sent his Anointed, and to us revealed him                  
By his great Prophet pointed at and shown
In public, and with him we have conversed.
Let us be glad of this, and all our fears
Lay on his providence; He will not fail,
Nor will withdraw him now, nor will recall—
Mock us with his blest sight, then ****** him hence:
Soon we shall see our hope, our joy, return.”
  Thus they out of their plaints new hope resume
To find whom at the first they found unsought.
But to his mother Mary, when she saw                        
Others returned from baptism, not her Son,
Nor left at Jordan tidings of him none,
Within her breast though calm, her breast though pure,
Motherly cares and fears got head, and raised
Some troubled thoughts, which she in sighs thus clad:—
  “Oh, what avails me now that honour high,
To have conceived of God, or that salute,
‘Hail, highly favoured, among women blest!’
While I to sorrows am no less advanced,
And fears as eminent above the lot                          
Of other women, by the birth I bore:
In such a season born, when scarce a shed
Could be obtained to shelter him or me
From the bleak air?  A stable was our warmth,
A manger his; yet soon enforced to fly
Thence into Egypt, till the murderous king
Were dead, who sought his life, and, missing, filled
With infant blood the streets of Bethlehem.
From Egypt home returned, in Nazareth
Hath been our dwelling many years; his life                
Private, unactive, calm, contemplative,
Little suspicious to any king.  But now,
Full grown to man, acknowledged, as I hear,
By John the Baptist, and in public shewn,
Son owned from Heaven by his Father’s voice,
I looked for some great change.  To honour? no;
But trouble, as old Simeon plain foretold,
That to the fall and rising he should be
Of many in Israel, and to a sign
Spoken against—that through my very soul                  
A sword shall pierce.  This is my favoured lot,
My exaltation to afflictions high!
Afflicted I may be, it seems, and blest!
I will not argue that, nor will repine.
But where delays he now?  Some great intent
Conceals him.  When twelve years he scarce had seen,
I lost him, but so found as well I saw
He could not lose himself, but went about
His Father’s business.  What he meant I mused—
Since understand; much more his absence now                
Thus long to some great purpose he obscures.
But I to wait with patience am inured;
My heart hath been a storehouse long of things
And sayings laid up, pretending strange events.”
  Thus Mary, pondering oft, and oft to mind
Recalling what remarkably had passed
Since first her Salutation heard, with thoughts
Meekly composed awaited the fulfilling:
The while her Son, tracing the desert wild,
Sole, but with holiest meditations fed,                    
Into himself descended, and at once
All his great work to come before him set—
How to begin, how to accomplish best
His end of being on Earth, and mission high.
For Satan, with sly preface to return,
Had left him vacant, and with speed was gone
Up to the middle region of thick air,
Where all his Potentates in council sate.
There, without sign of boast, or sign of joy,
Solicitous and blank, he thus began:—                      
  “Princes, Heaven’s ancient Sons, AEthereal Thrones—
Daemonian Spirits now, from the element
Each of his reign allotted, rightlier called
Powers of Fire, Air, Water, and Earth beneath
(So may we hold our place and these mild seats
Without new trouble!)—such an enemy
Is risen to invade us, who no less
Threatens than our expulsion down to Hell.
I, as I undertook, and with the vote
Consenting in full frequence was impowered,                
Have found him, viewed him, tasted him; but find
Far other labour to be undergone
Than when I dealt with Adam, first of men,
Though Adam by his wife’s allurement fell,
However to this Man inferior far—
If he be Man by mother’s side, at least
With more than human gifts from Heaven adorned,
Perfections absolute, graces divine,
And amplitude of mind to greatest deeds.
Therefore I am returned, lest confidence                    
Of my success with Eve in Paradise
Deceive ye to persuasion over-sure
Of like succeeding here.  I summon all
Rather to be in readiness with hand
Or counsel to assist, lest I, who erst
Thought none my equal, now be overmatched.”
  So spake the old Serpent, doubting, and from all
With clamour was assured their utmost aid
At his command; when from amidst them rose
Belial, the dissolutest Spirit that fell,                  
The sensualest, and, after Asmodai,
The fleshliest Incubus, and thus advised:—
  “Set women in his eye and in his walk,
Among daughters of men the fairest found.
Many are in each region passing fair
As the noon sky, more like to goddesses
Than mortal creatures, graceful and discreet,
Expert in amorous arts, enchanting tongues
Persuasive, ****** majesty with mild
And sweet allayed, yet terrible to approach,                
Skilled to retire, and in retiring draw
Hearts after them tangled in amorous nets.
Such object hath the power to soften and tame
Severest temper, smooth the rugged’st brow,
Enerve, and with voluptuous hope dissolve,
Draw out with credulous desire, and lead
At will the manliest, resolutest breast,
As the magnetic hardest iron draws.
Women, when nothing else, beguiled the heart
Of wisest Solomon, and made him build,                      
And made him bow, to the gods of his wives.”
  To whom quick answer Satan thus returned:—
“Belial, in much uneven scale thou weigh’st
All others by thyself.  Because of old
Thou thyself doat’st on womankind, admiring
Their shape, their colour, and attractive grace,
None are, thou think’st, but taken with such toys.
Before the Flood, thou, with thy ***** crew,
False titled Sons of God, roaming the Earth,
Cast wanton eyes on the daughters of men,                  
And coupled with them, and begot a race.
Have we not seen, or by relation heard,
In courts and regal chambers how thou lurk’st,
In wood or grove, by mossy fountain-side,
In valley or green meadow, to waylay
Some beauty rare, Calisto, Clymene,
Daphne, or Semele, Antiopa,
Or Amymone, Syrinx, many more
Too long—then lay’st thy scapes on names adored,
Apollo, Neptune, Jupiter, or Pan,                          
Satyr, or Faun, or Silvan?  But these haunts
Delight not all.  Among the sons of men
How many have with a smile made small account
Of beauty and her lures, easily scorned
All her assaults, on worthier things intent!
Remember that Pellean conqueror,
A youth, how all the beauties of the East
He slightly viewed, and slightly overpassed;
How he surnamed of Africa dismissed,
In his prime youth, the fair Iberian maid.                  
For Solomon, he lived at ease, and, full
Of honour, wealth, high fare, aimed not beyond
Higher design than to enjoy his state;
Thence to the bait of women lay exposed.
But he whom we attempt is wiser far
Than Solomon, of more exalted mind,
Made and set wholly on the accomplishment
Of greatest things.  What woman will you find,
Though of this age the wonder and the fame,
On whom his leisure will voutsafe an eye                    
Of fond desire?  Or should she, confident,
As sitting queen adored on Beauty’s throne,
Descend with all her winning charms begirt
To enamour, as the zone of Venus once
Wrought that effect on Jove (so fables tell),
How would one look from his majestic brow,
Seated as on the top of Virtue’s hill,
Discountenance her despised, and put to rout
All her array, her female pride deject,
Or turn to reverent awe!  For Beauty stands                
In the admiration only of weak minds
Led captive; cease to admire, and all her plumes
Fall flat, and shrink into a trivial toy,
At every sudden slighting quite abashed.
Therefore with manlier objects we must try
His constancy—with such as have more shew
Of worth, of honour, glory, and popular praise
(Rocks whereon greatest men have oftest wrecked);
Or that which only seems to satisfy
Lawful desires of nature, not beyond.                      
And now I know he hungers, where no food
Is to be found, in the wide Wilderness:
The rest commit to me; I shall let pass
No advantage, and his strength as oft assay.”
  He ceased, and heard their grant in loud acclaim;
Then forthwith to him takes a chosen band
Of Spirits likest to himself in guile,
To be at hand and at his beck appear,
If cause were to unfold some active scene
Of various persons, each to know his part;                  
Then to the desert takes with these his flight,
Where still, from shade to shade, the Son of God,
After forty days’ fasting, had remained,
Now hungering first, and to himself thus said:—
  “Where will this end?  Four times ten days I have passed
Wandering this woody maze, and human food
Nor tasted, nor had appetite.  That fast
To virtue I impute not, or count part
Of what I suffer here.  If nature need not,
Or God support nature without repast,                      
Though needing, what praise is it to endure?
But now I feel I hunger; which declares
Nature hath need of what she asks.  Yet God
Can satisfy that need some other way,
Though hunger still remain.  So it remain
Without this body’s wasting, I content me,
And from the sting of famine fear no harm;
Nor mind it, fed with better thoughts, that feed
Me hungering more to do my Father’s will.”
  It was the hour of night, when thus the Son              
Communed in silent walk, then laid him down
Under the hospitable covert nigh
Of trees thick interwoven.  There he slept,
And dreamed, as appetite is wont to dream,
Of meats and drinks, nature’s refreshment sweet.
Him thought he by the brook of Cherith stood,
And saw the ravens with their ***** beaks
Food to Elijah bringing even and morn—
Though ravenous, taught to abstain from what they brought;
He saw the Prophet also, how he fled                        
Into the desert, and how there he slept
Under a juniper—then how, awaked,
He found his supper on the coals prepared,
And by the Angel was bid rise and eat,
And eat the second time after repose,
The strength whereof sufficed him forty days:
Sometimes that with Elijah he partook,
Or as a guest with Daniel at his pulse.
Thus wore out night; and now the harald Lark
Left his ground-nest, high towering to descry              
The Morn’s approach, and greet her with his song.
As lightly from his grassy couch up rose
Our Saviour, and found all was but a dream;
Fasting he went to sleep, and fasting waked.
Up to a hill anon his steps he reared,
From whose high top to ken the prospect round,
If cottage were in view, sheep-cote, or herd;
But cottage, herd, or sheep-cote, none he saw—
Only in a bottom saw a pleasant grove,
With chaunt of tuneful birds resounding loud.              
Thither he bent his way, determined there
To rest at noon, and entered soon the shade
High-roofed, and walks beneath, and alleys brown,
That opened in the midst a woody scene;
Nature’s own work it seemed (Nature taught Art),
And, to a superstitious eye, the haunt
Of wood-gods and wood-nymphs.  He viewed it round;
When suddenly a man before him stood,
Not rustic a

— The End —