"percussion" poems
There is something magical
in the whirring
of a midday laundromat.
A cessation of pride,
maybe.
People all dressed in sweatpants
the air full of detergent smell
and the sound of coins clicking
against great tumblers
as they go round
and round
and round
and round...
The people smile back,
no use pretending superiority here.
Whistlers twitter on, folding towels and socks into neat, organized piles.
The children are well behaved,
their hands full of potato chips
given by their parents as a pittance for their patience.
The patient patrons
ponder on,
their empty hands crumpling receipts.
This, with the crunching of chips
and the distant whistle
over the percussion of clicking
coins clattering
in a dryer
compose an unintentional opera,
an ode to humility.
Humility's honorable honesty heals humanity's hubris.
Noisy trucks pass outside the floor-to-ceiling plate glass windows,
Where the hot air wreaks its violence
and men make their ways
in spite.
Oct 6, 2014
Oct 6, 2014 at 5:00 PM UTC
Can I write you a love song
I’ll sing it softy in your ear all night long
Blow gently without words on my saxophone
Diamond and Pearls behind the throne
A beautiful ensemble meant for only you
As I give credence too
Take my hand
Cross this journey with me as I sing about faraway lands
Past Egypt pyramids shifting Morocco sands
Lay back my love, allow your mind to silently drift
Feel the enchantment of my piano keys as it spiritual uplifts
I’ll sing love songs of old
A cappella chorus echoed from deep within my enlighten soul
I’ll sing to you about the blues, society’s injustice, and elements of darken storms
Keep your heart warm, while playing my French Horn
Enrapture foretold from this dedicated symphonic poem
A music sheet of percussion, woodwind, brass, keyboard, and strings
Harmony carrying the mind away as the joy of coming spring
I’ll hum your favorite beats, can you feel the crescendo now
Fiddle from the heart by the sweat of one’s brow
Submerge your cerebral cortex, lose yourself in the sultry tunes
Harp sounds bathe of light kissed from the illuminating moon
Destiny overcasts in the lyrics
Fate floating stratospheric
Karma of others handled in the eyes of satiric
Opera, I give you so grand in its grace
French Creole dialect murmured among silk and lace
Sounds of my flute resonant to face
Allowing my Cello sounds to thoroughly embrace
Can I write you a love song
Body and soul serenading soprano to keep you standing strong
My guitar stringing your philosophies along
An equal equation, one plus one equals two
Emotions, feelings, sentiments, its tenor expressed only for you
No compass to my heart, my seasonal love found in hidden melodies
Trombone guiding back and forth breathless as it please
Orchestra sounds
Ascending minds, bodies, souls, pass the opening clouds, divine and profound
The last note sung by me as we gradually come down
Beautiful music embraced, needs never to make a sound
Shh, close your eyes
Meditate on the music for a little while
Hush sweet baby don’t say a word
My heart softly tweets to a mockingbird
If that mockingbird don’t sing
Can I write you a love song created only for your being
As minds are sightseeing
Hearts fleeing
Timpani drums guaranteeing
Entwined of our divine wellbeing
Emotions freeing
Crooning of bodies heard as the day is long
Can I write you a love song
Sep 9, 2018
Sep 9, 2018 at 10:39 AM UTC
sacred drum thumping
ancient rhythms
living eternally
throughout earth
the sound births
a percussion
of subconsciousness.
Nov 17, 2011
Nov 17, 2011 at 3:17 PM UTC
Hunting has a noble heritage, for sure
Bringing us together, it forged a species
Keen-eyed, communicative, feared by the fierce
So who am I to begrudge you your sport?
I, too, love wide open skies, tramping over bog and fen,
I even quite like dogs!
I imagine nature might reveal herself to you
In signs jealously guarded from the armchair carnivore.
I can almost reconcile your harsh percussion
With the croak of the raven, the sloshing tide
And the chewing and mooing of cattle.
But the pheasant! For the love of God, the pheasant?
It can hardly be a battle of wits!
I've seen him as he sits, a big, red bullseye
On fences and *****
Startled by every day he survives.
How stirring can it be,
Picking off the ones the cars and lorries never got?
When you carry him home,
Better off dead,
Hang him in your garage for a week
Feeling like Henry VIII,
Cut him down, slit him open and find the crop
Stuffed not with heather shoots and beetles
But with half a pound of store-bought grain
(Generously laced with antibiotics) -
I hope the realisation creeps up
That you may as well have asserted yourself
In the hen coop,
Blasting away at befuddled poultry
And saving yourself a walk.
Nov 24, 2010
Nov 24, 2010 at 1:33 AM UTC
I am an italicized remark,
your spicy punctuation;
I am your steamy satisfaction,
your permanent vacation.
A unique innuendo,
a read between the lines;
I am a story like no other
as I lick between your thighs.
from Cosmo,
The New Yorker;
A romantic gentleman lover.
A sweet wine you taste-test
and lick around my lips,
I am a kiss you can't resist-
a naked sweat, a seductive bliss.
I am the palm that stings the skin,
a ***** spank than burns within.
I am a moaning, seeping ******
that rumbles with percussion.
I am your emphasized description
although no adjective does justice.
Jul 21, 2010
Jul 21, 2010 at 8:08 AM UTC
I am sitting on the surface of the stone faced moon
looking in through the gray above the green
hanging over the black shingle roof
of the room where I am sitting.
I can't see me resting here.
The streets of my youth are out my window
through a hole in the trees in the still autumn night.
I must rise to the call of the bread truck man,
to the whinny of the rag picker's horse,
to the distant clanking of a slow freight train.
So far away on the stone faced moon
how long my ears have thirsted
to drink the sounds they cannot drink again,
to sponge the voices from the streets of my youth
and squeeze them back a drop at a time.
Sitting on the surface of the stone faced moon
I can see the globe rolling cars upon it.
Outside my window into autumn is
the incessant din of transportation,
the percussion of outbound movement
toward the stone faced moon where I sit.
Nov 10, 2012
Nov 10, 2012 at 1:44 AM UTC
*Upon a bright spring morning,
In the warmth of the ember sun,
Adorable chromatic koi's pose,
Graciously leaping in a distinctive pond.
Casually stroking their fins,
In a flattering array,
On this delightful,
And cheerful beautiful day.
As they glide smoothly,
Hiding underneath huge stones,
Preciously playing peekaboo,
Each in a beauty of their own.
Near a tall brick wall .... beneath the purities of cascading waters,
Portraying a lively show,
As the zephyr gently embrace,
And the waterfall plays a soothing percussion, as it flows.*
Jun 10, 2014
Jun 10, 2014 at 1:20 PM UTC
Rap is crap
Can be written while napping
By simply slapping words like zapping
Up alongside trapping and wrapping
And suddenly you’re a rap star
Driving an expensive car
And before your coffee is cold
You are draped with gold
Maximum bling
But it doesn’t mean a thing
Other than money because honey
If your ‘song’ lyrics are still known.
When ten years are blown by
And you are no longer a famous guy
Whose words are forgotten
It is because they are misbegotten
And liked by the current batch of airheads
Who think this is music when instead
It’s a beat they can feel in their feet
And if they don’t read the words
Printed in the album, what is heard
Is a lot of screaming and percussion
Not worth discussion in Billboard.
Someone could cut the microphone cord
And all anyone could hear would be drums
And the audience spilling their beer,
And nothing worth humming;
Lyrics for the dumbing down of the race,
A major entertainment disgrace
That destroys the ears and means nothing
That will ever be revered like Sinatra
Elvis or The Beatles have done.
It may be number one today
But when time passes away
It will be nothing but the shouts
Of a bunch of untalented louts
To an audience one has to fear
Was born with a tin ear.
Brent Kincaid
6/1/2015
Jun 1, 2015
Jun 1, 2015 at 10:52 PM UTC
Excuse me for my hurt,
I know you mean well,
And you want to inspire,
And uplift me,
But language is a fickle art.
One that can make the difference,
Composing tone and the words themselves.
And there is no greater insecurity
Than the one called Me.
Since the very beginning,
I have been openly listening,
Engaging in thoughtful discussion -
The subject of You, the percussion.
I immediately spotted possible repercussions.
I wanted, and I still do,
To know your essence,
But healthy exchanges
Involve equality,
And I don't want to be left hanging,
Feeling like I'm lesser.
I crave knowing the rest of your essence,
But have you no interest
In knowing the same?
Are our minds connected
Of the same fibers
Or are we what we weave,
Being different in how we perceive,
A lifetime of individual strings?
The only Person I should keep in my life,
Making me feel inferior and uninteresting,
Is Me -
And I shall escape that fate,
With unconditional love, and positivity.
I am deeply interested,
In knowing MySelf, loving MySelf,
And to You, who has shown limited interest
In simply knowing me,
You, I choose as a direction of my Purity,
You, unaltered and true,
You, and Me, Alone -
It all, once again,
Always begins with You.
Jun 10, 2015
Jun 10, 2015 at 4:42 AM UTC
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note.
Chert
The piano draws an arc of rhythm
rising then falling.
Above
two choirs of wind and brass
exclaim, fanfare, mark out
shorter, determined
gestures of sound.
The procession, almost a march,
becomes a dance.
Alone
Two choirs of wind and brass
become four couples
whose music weaves
from complexity a simplicity:
Chromatic to Pentatonic
twelve becoming five.
Prase
Four stopped horns,
five extended tonalities.
Together they wander
a maze of Pentatonic paths;
alone, and in pairs, as a quartet
they discover within
a measured harmonic rhythm.
Tension: resolution
. . . and surrounding
their every move
the piano
insists an obligato,
a continuum of phrases,
absorbing into itself
the warp and weft of horn tone.
Sard
Oscillating
in perpetual motion
the full ensemble
occupies a frame
of time and space.
Flutes, reeds,
double-reeds
brass, piano,
percussion
mirror-fold on mirror-fold
layer upon layer
overlapping.
Yarns of threaded sound.
Tuff
Without a break
the mirrored oscillations
patter pentatonics
on tuned percussion
of marimba and vibraphone
whilst
a batterie of drums
lays down
shards of beaten rhythm
against this onward
folding of tonality change.
In the background
a choir of winds
flutes and single reeds
waymark this recursive journey
gathering together
cadential moments and the
necessary pause for breath.
Marl
Relentlessly, the motion is sustained,
piano-driven,
a syncopated continuo,
rhythm-sectioned
amidst layers of percussion.
Adding edge,
a choir of brass and double reeds
amplify the piano’s jagged rhythms
providing impetus for
phrases to become longer and longer,
ratching up the tension,
ever-denying closure
until the batterie
delivers
a conclusive flourish.
Paramoudra
Pulse-figures of winds.
Motific cells of brass.
Both
negotiate a stream of
fractal-shaped tonality
expanding: contracting.
A blossom of fanfares
folding into
pulsating layers
of tuned percussion,
flutes and reeds.
A dance-like episode
absorbs a chorale.
Four horns in close harmony
against the continuing dance.
A duet of differences
flows into a cascade of chords
in closed and open forms.
The piano supports
brass-flourishing figures
before a final stillness.
Heartstone
In gentle reflection
the solitary piano –
a figure in a landscape
of collapsed harmonic forms -
presents in slow procession
the essence of previous music.
Jan 27, 2013
Jan 27, 2013 at 12:41 PM UTC
Morning has broken
but she has not
it had been a long night
sinister fraught
the stars were cut
in lacerations of lace
stains of tears
mark trails
on her face
mascara in circles
mocking panda eyes
multiple moments
of almost self-demise
wrists bound to
sadness, heart
trussed to trust
pain from crumbling
illusions, plus
that constant,
searing lust
Now, on the floor,
lying face down
in what seemed
like blood,
she starts to
move around,
as realization pours over
in a thick, viscous flood:
She can move her arms;
for they were not
really bound
That gag in her mouth?
it has dissolved into sound
The sound of her voice
as she gets up
from the floor
opens the window
bringing light
to the fore
guttural noises
escape deep
from her throat
and before she
knows it, the
room starts to float
furniture circling
as the energy takes
and she lets in the air
fresh as new fate
her cuts balmed over
winds whipping up her hair
marks from taut ropes
smoothing over to bare
and the light bursts in
in a blast, in a whoosh
like bursts of starlight
cutting in with a push
they seep into shadows
pulsing over the dark
the howling rescinds
in an explosion of sparks
blocks of pain that held
her chained
are knocked over
and the lightstorm
keeps coming
her inner percussion
just doesn't stop drumming
And as she flies through that window
and unhinges the door
from its frame
freedom
is now hers
forever to claim
Aug 1, 2016
Aug 1, 2016 at 4:53 AM UTC
She may be our metronome mother
But when was rhythm first discovered?
Did ancient nomads hear it in the sounds of walking?
Did they like how it sounded over them talking?
Did they view the melody
As a felony?
And start to sway their hips
To the crack of whips?
Maybe that wasn't good enough
Maybe we needed more stuff
So we started crossing swords
To create more violent chords
That interested us more
Violence has a catchy hook
That can't be found in a book
But started with a ***** look
Until our brain begins to cook
And we learn to love the beat
As the harmony depletes
We take concert seats
At a darkness feast
There's an iambic pentameter
In the middle eastern theater
That sounds all too familiar
The troubling treble
Of mothers screaming
While superpowers meddle
And innocence is leaving
The reaper is reaping
To a situation heating
Empathy fleeting
Fascist seating
Rhythm beating
Our soundproof homes
Create acoustic cones
That our cries can't escape
Taking the container's shape
Filling our mind
Until we're blind
And only see political teams
Instead of childhood dreams
We fall into a rhythm
Based on deadly decisions
With lethal precision
Like surgical incisions
That don't make us healthy
But support the wealthy
Who whistle a different tune
That will **** us all soon
And as the world crumbles
Their bellies still rumble
Creating a disruptive bass
Their music we must face
With an impossible grace
Or else we'll be replaced
I hear instruments of percussion
Causing concussions
Deflecting discussions
Making us harmfully dance
So we'll have a fair chance
Which seems wrong at first glance
But it's actually a pragmatic trance
Provided by Mister Rhythm
Who carries misery with him
Apr 12, 2018
Apr 12, 2018 at 12:22 PM UTC
I am a sheet of music
I start quietly building on the quartet of Strings
the Violin starts a shimmering sound
backed up with the viola
the solemn sound of the cello
and the ground breaking bass
united in harmony
There is a rest a break in note
I am part of a Symphony an overture
out of the heart of the music
a quiet roll
the timpani building in sound
full orchestra building in amazing ******
Fireworks, Percussion, Brass, Woodwind, Strings
Combined together in unity
performing to the quality levels of sound
the amazing Tchaikovsky in 1812
Creativity and Imagination
shaking the core of the earth
Nov 27, 2014
Nov 27, 2014 at 1:01 PM UTC
I'm a fan of Vontaze Burfict
Though he may not be perfect
For he gives players concussions
To continue the daily discussions
Of the power of his percussion
To receive a hall of fame induction
That is where his value is derived
So what do these penalties imply?
That the referees have a preconceived notion of him
And are preemptively looking to treat him grim
Which gives his team a lesser chance to win
Which makes the biased referees grin
We are a country that idolizes quarterbacks
Every other position we're quick to attack
We only care about who has the ball
And laughing at others when they fall
We worship that which is shiny
And view everything else as grimy
Quarterbacks become celebrities incredulously
While everyone else is treated impetuously
The NFL is like America
Politics makes it harder to watch
The Patriots are boring and plain
They win constantly
The Bengals are entertaining and rough around the edges
They show promise and potential that is never realized
In a nation
Of provocation
I'd rather proudly call myself a bengal
I know that seems an idealistic angle
But Cincinnati provides no coziness or protection
You must always avoid discriminate detection
Of those that call themselves patriots
That drive blue and white chariots
And penalize players unnecessarily
For African Americanning
We really fumbled the ball
Because of the ref's call
That treats us unequally
How they have fun evilly
They can arbitrarily treat whoever however
But a concussion will make them less clever
Nov 12, 2017
Nov 12, 2017 at 5:31 PM UTC
I stand alone in the dark Fulton Street subway station,
Breathing in the urine-scented air,
Breathing out clouds of steam,
A subway train rushes along,
Not stopping,
Biting at my eardrums,
With the painful percussion,
Of thousands of people,
Silently screaming,
I don’t want to see,
I don’t want to see,
I don’t want to see,
The air fanned by each subway car,
Rushes against me,
Pushes the ozone and the smell of burnt brake linings,
Into my nostrils,
Along with the air,
****** through the iron gratings,
Along miles of Brooklyn sidewalks,
Carrying the odor of a prostitute’s festering sores,
And the cries of a hungry, fatherless child in ***** diapers,
And the hoarse moaning of a city councilman mentoring a young intern,
And the cheap perfume of a fourteen year-old runaway,
Turning $20 tricks in an alley,
Smelling of stale Chinese food and wet dogs,
And . . .
I don’t want to see,
I don’t want to see,
I don’t want to see,
. . . the smell of spoiled cabbage soup,
And the rancid remains of a hotdog buried in sauerkraut,
And putrid lilies lying in a gutter,
All assaulting me, forcing me backwards,
Until my back presses against,
The grimy once-white tiles,
That coldly burn their graffiti on my spine:
God is dead,
Bake a ****
Whitey *****
**** the *******
I don’t want to see,
I don’t want to see,
I don’t want to see,
The train finally passes,
Its red eyes receding into the dank,
Dark tunnel beyond the platform,
The screeches and screams slowly die out,
Their echoes ******* behind them,
The smell,
Of my,
Warm
*****
Dec 23, 2018
Dec 23, 2018 at 10:54 PM UTC
When I walk out my door, I hear the birds sing in silent symphony.
At the bus stop, the sounds of low humming engines and rolling tires.
Outstretched clouds of pure white follow horizons.
The percussion of rain clinks on boulders, drumming quietly.
Bee's wings play muted notes on flowers, sweetly collecting.
There is so much more than radio static and dull ads full of ditties.
Nature's ensemble invented the beat, rhythm, and the harmony.
Mar 17, 2015
Mar 17, 2015 at 2:12 PM UTC
#1-- Legacy
This city was my ancestors' town.
We have laid tar on your horse-paths-
a university grew from Riverview roots-
you chopped firewood from the
great-great grandfathers
of these trees.
#2-- saint cloud sounds like
midnight, shoemaker: haunted cries.
munsinger's melody: scurries & chirps.
when TNT shatters granite at the quarry.
pucks' percussion at the brooks center.
buzz of summers on lake george's shore.
somalia & scandinavia, singing.
Apr 21, 2015
Apr 21, 2015 at 1:16 AM UTC
My percussion teacher, fresh out of surgery:
Going down the line of kids at attention -
Checking the attention - my percussion teacher
In a wheelchair gliding down the line -
Fresh out of surgery - sliding down the line
Of kids at attention with heads bowed.
My percussion teacher with the aching back;
My percussion teacher, fresh out of surgery
(With the pill keeper on her keychain)
Wheeling down the line of insecure children -
Checking the attention - my percussion teacher
Calling "Chin up, chest out, back straight,"
(Fresh out of back surgery) going down the line,
"Don't lock your knees, be proud."
My percussion teacher weeks after surgery
With the back pain and the brave face,
At a Christmas parade
My percussion teacher gliding beside the drums
Chair whirring between beats, my teacher
Whispering, "roll step, back straight, chin up,
Be proud."
My teacher in her home at New Year's,
Recovered and childish, months after surgery
"Look, I'm taller now? Wanna see my scar?"
Yes I want to see it, yes of course - that scar,
That pride twisting pink across your chest, yes.
Yes, because your chin is up,
And your back is straight.
Apr 3, 2012
Apr 3, 2012 at 10:01 PM UTC
The love bug
A venomous bat
here to **** away all of what I know
a ****** of all hopes
here to **** away all of what I desire
I remember her teeth
clenched onto my neck and ripping off my skin
here to **** away all of who I am
is there anything more insane than love?
now this infection is spreading throughout my entire body!
everything that I saw as real has been ****** away from me.
now my mind is transforming,
all I can think of is,
"what am I willing to do to earn your affection?"
I am willing to top Van Gough
I'll cut out my heart for you
put it on some strings and proudly place it on your petite neck
and when I get near,
I will finally show you what my insides feel like
and when I get near,
you will feel the seizure of beats pound against your chest
and when I get near,
my heart will hit, hack and **** against you
and when I get near,
you will finally feel what I feel.
this is how I will stop the madness,
because when I get near
I will finally feel what you do,
Nothing
Nothing
Nothing
A repeated beat that will fade into beautiful emptiness
Nothing
Nothing
Nothing
I will wear a plastic smile
Nothing
Nothing
Nothing
I will have a plastic heart
Nothing
Nothing
Nothing
Those beats will get to comforting for me
I will kiss you
desperately
to feel those soothing rhythmic beats
the beatings we will share
Together
in unison.
For the first time
my words will hush
and my actions will have a rhythm
a steadily increasing pound
like a drum-line.
there is no way to feel this
Fantastic!
that ****** of two lips colliding
all I have to do is close my eyes
and believe the pictures in my head are true.
you are my dream girl
but my dreams are a virus.
reality ****** away from me
and because of this
I gave you all of me
all of what I am
all of what I desire
all of what I know
I hope you continue to wear that necklace
and feel my heartbeat thud against your chest
Thud, Thud, Thud
against your chest, whenever I think of you.
So you will finally know how great that music feels on your body.
that light percussion of my little drummer
will always beat for you
Thud, Thud, Thud
and I will
finally feel
what you do,
Nothing
Nothing
Nothing
Aug 14, 2012
Aug 14, 2012 at 3:15 AM UTC
Run rotten, for things have gotten out of hand.
Turn coat ducking, torture got him singing and eating outta my hand.
Getting scraped by the beater like youse a percussion instrument;
maybe that’s why a group of people are called a band?
For we all play our part to either be an influence or to be influenced.
Yet we won’t know anything if you never venture into the forest and meet the temptress.
When one experiences all six senses, when in present tenses, which then puts the body through stresses.
That makes the mind flood with guesses that clouds up our lenses.
But that’s just what war is like for one is always in the trenches.
Whilst other’s sit on benches, but each choice brings rewards and consequences.
Which bears questions on what your quest is?
To run free or to be held back by white picket fences?
For being hard pressed brings out either killers or medics.
To choose to be real or synthetic.
To become abstract or symmetric.
However, things aren’t always so metric.
So be wary of being a critique for just like branches of mathematics in arithmetic,
We have many great qualities but when in a group we can become manipulated.
Jan 15, 2019
Jan 15, 2019 at 3:45 PM UTC
'A triangle on the mount of mercury
is certainly an auspicious sign'
Thumping percussion of a native beat
in my head, a gyrating hindsight
The evening streams down pouring
streaks of grey and mangled orange
Walking past a bicycle chained to railings
front wheel mangled into a rough square
Squaring a circle, huh? How did that happen?
two thumps and a sonant beat...and again...
I see you sipping latte by Nero.
Mangled, stream out of your eyes
many coloured triangles
rushing, wheeling at me.
Vibrant beat, gyrating bottoms.
The mercury is soaring. Ululations.
The night-witch has charmed the city in her cloak.
Stars, oh, I see mangled triangles out of her hat.
Sep 14, 2013
Sep 14, 2013 at 11:52 PM UTC
The tension is mounting, standing in line
Bass reverberates, the sound of things to come
Manic conversation and body language animation
Staying awake until we see the sun.
Enter the venue greeted by sticky collective body heat
The treble of the onslaught of noise now palpable
Without thinking, i begin to move my feet
Becoming one with the masses of bodies moving in unison.
The milk of the night, one in my hand from a mate
I drink it down as I become expectant
Excitedly waiting for my body to be seized
And exited by a juggernaut of positive emotions.
Every stranger is a one minute friend
Micro moments of love become my guide for the night
The music sounds like the songs of the gods
The rhythm and percussion of an underground ritual.
Every touch and taste and sound is heightened
An emanating aura of love surrounds the crowd
Smiles, laughs, hugs and high-fives
Throwing shapes and boogieing down.
As the party creator closes down the night
Masses pour outside drowned by early sunlight
All in search of a beach or after-hours haunt
To continue on their hedonic treadmill.
Feb 16, 2014
Feb 16, 2014 at 2:27 PM UTC
The shadow moves above my eyes.
I'm blindfolded from sight, handcuffed from touch. The warm feeling of these lips upon my skin - ******* nibbling, biting from this excessive ****** lust and the crude tongue, playing a lecherous percussion of the forbidden dance on my ***** and ******** all this a tantalizing damnation, then this weapon I've been wanting, needing, craving is punched into me, pulling back and forth from horny-lovers lane. It lingers, simmers, agonizingly feeding my sexually crazed desires. I feel as if I'm crawling, brushing, climaxing my ***** and all that is around me. I let out a slow, mournful growl as I'm drawn to a constellated galaxy of ******** rush. Then I release myself through the milky-way returning to Earth, back in the beige-walled room. The blindfold is now off: free to sight, free to touch. I take a deep breath, look down upon my *** - I want to see him, the Mozart of my ****** pleasure; but instead I find her sitting there ******* her finger,wearing nothing but a smirk.
Oct 20, 2018
Oct 20, 2018 at 6:03 AM UTC
Rock and roll wheels
thump and trill
a roller skating rhythm.
Z-ray suits light
colors all a-glowing.
With the greatest of ease
roller skaters' moods
dazzel us with wheel music.
Jun 17, 2014
Jun 17, 2014 at 11:47 AM UTC
Shriek of humanity
The cries of innocence
Ahh yes, this song
You don’t hear it?
Tell me, what does she sound like?
The Symphony of string and percussion
The pounding of her heart like tip tap of water
Nearly empty
Thinning strings as she wails with the violin
Angry, Yearning for an audience
Harmonizing the dissonance she is struck with
It’s almost beautiful
Chaos that is in tune with the hearts of men
A song for you
A mimic of you
Muffled by the mirrors we build
Allowing only the slightest murmurs
A mere echo of their subverted lives
We can’t face the music
Fearing that we’d see our blemishes
Our faces crept away for centuries
A false lifestyle
In a carnival of plastic mirrors
Everyday the world is asking
New questions keep arising
Many still left unanswered
One day in your life, she’ll run out of breath
The silence will choke you
You’re loosing something
You’re not yourself
No longer spoon fed by her patience
But you’re still filthy rich
Yet something’s still missing
Maybe then you’ll be curious
What could be playing in that song?
How can we find out?
May 20, 2014
May 20, 2014 at 9:35 AM UTC