This is my rising,
it is so glaring.
The longer you hold
me down the better
and brighter I shine.
I am like the firefly,
illuminating
the remote darkness
with my brightness,
giving it an
illusion of magic.
The tinted glow
mixed up with
the cries of
mammals and birds
of the night makes it
a mysterious moment.
Alone at deepest abyss,
with the flicker
of the moonlight
penetrating through the
leaves in the forest,
i can hear
the wolves calling out
as if beckoning for
me to approach.
The fireflies giving
out their light
freely unperturbed
by my presence.
How can you not see
the love of nature,
working tirelessly
in synergy
with all things.
Even though you ignore it,
never can it go away,
for the beauty
of its flame
can make the fairies
grant your wish.
The heart knows
the unexplainable
mysteries of the
invisible which the
mouth cannot express.
©2018,Emeka Mokeme. All Rights Reserved.

I let go too soon, of these three fingers
pinning a white dress to my knees,
such a strut they possess, and psychic
for the waggle I do on my tulip-days:

mama said that the lace came from an
elves’ head, I could not wear it.
I put it in a dresser drawer, as I lost
my appetite for marriage and friends.

She said that father wanted to see it,
I should parade my red, pulsing veins.
A torpedo, it became, cowering until
liftoff  and glory hallelujah first kisses.

Was it not funny when I, poor chap,
kept garbage in my teeth and laughed
when you slithered your tongue inside,
like Friday penetrating the weekend?

You are a Leo; I am far from such, but
I understand why you may be insulted,
as mama garbs turquoise as the sky
and all our daffodils burn like rubber.

Each says it is because they love me,
railing cat-scratches with a stitch –
but I do not want that, see earthquakes
that hammer on  our tulip-days, dear.

A white bird flying at day
Or a black bird flying at night
Or a black bird flying at day
Or a white bird flying at night
Black and white, black over white 
Oh,my Lord, how painful can be 
This need of touch in his absence
White and black, white over black
Oh,my Lord, how painful can be 
This absence of his touch
Black penetrating white
And white penetrating black
Never finding the gray.

repetition, that's a good technique, a form of
reiteration, emphasis, as you like to
move in the river of synonymousness -
i mean, plenty to choose from -
well it's a better technique than rhyming,
it's like Kaiser Karl Lagerfeld said
about Coco Chanel's legacy after she died
in 1971: 'people tend to forget, that,
once upon a time, Chanel was old hat.
it was only Parisian doctors' wives who
still wore it. nobody wanted it - it was hopeless.'
(oh i can be couture no problem,
the other side of me that's into galleries -
even though that never brought me much
luck with the ladies, Beelzebub ******* on my
face and i started to squeeze out maggots
ensuring my face was forever crater riddled
moon - yes, excess white blood cells).
that's the same with poetry, it can't be
love me doo d'ah mushy mushy candy-floss
longing crap - mate, i'm a bus ****** and
this bus is coming but it's already 20 minutes late...
and it's ******* cats, dogs, frogs... Norwegian
acid rain, my anorak is peeling like a snake
shedding its skin and you're rewriting the early
Beatles unleashed on the American public:
shaved, hair trimmed into mushroom bops
all that Rene Magritte **** 'love, love me do!'
forget it, it's not going to happen, rhyming is the last
resort, i prefer the chance rhyme, it sometimes
happens, and it's too cute when it happens randomly
rather than with premeditation;
you can also throw out all the other premeditation
of techniques that poetry is known for...
what's the point? and back concerning rhyming,
you really want your poetry to be discussed by
schoolchildren and an english teacher in between
grammar lessons
                                  rhyming schemes and all?
that's how it goes:
         her name was Dazie          (a)
         she was never lazy             (a)
         i wrote her a sonnet           (b)
         reclining on a car bonnet  (b)
                                                               that's how they
do anatomy on poetry, the forensic team will
be with you shortly, the only reason i can think of
and know of as to why people are abhorred by
poetry (it's a natural repellent, spray it on weeds
             and insects, a natural insecticide,
****, spray it everywhere) is, because people on
the academic level have scrutinised it, analysed it
to the extent that it's not even there, it gets you thinking:
so who the hell was paying attention to the mammoth
novels of Tolstoy? oh right... no one!
the forensics, the post-mortem of poetry,
it has literally been mummified - the brain came out
as porridge ****** out through the nose.
are you familiar with Tenacious D's one note song?
that's what rhyming is to me, ever hear it?
it's the -ing twang
                            it's the -ing echo echo echo echo echo...
halfwit variations, you're hitting the same note,
great if you're penetrating a girl and she's giving
you an Opera of Vowels... otherwise it ends up
in a schoolroom, with an english teacher
and the rhyming scheme of a sonnet is?
                          ABAB CDCD EFEF GG
or?
                                                              abracadabra.
personally though Tenacious D's song kiełbasa,
etymology:
                    kieł       (canine, in polish)
   -basa (i'm guessing: the base of)             -
it's a sausage                                based on canines,
kieł (insert a           w    for the         ł.. tongue tied, eh?)
is a reference to a canine, a sharp tooth anyway,
and with -basa             i just intuitively thought of how
a hebrew would write it (i.e. hiding vowels)
and therefore juggled in an      e                  for -base.
they do, even though hebrew has Aleph (א) it hides
the vowels: S VRYTHNG RDS LK S - or i might
just be bullshitting you.

THE STORY OF SARA


AYAD GHARBAWI


CHAPTER 3: BEING AN ACTIVIST

  
Gradually, we become ever more radical in our burning quest to uproot every conceivable element of the corrupting culture of the oppressors.
  We soon started to call these oppressors 'Pigs', because that is exactly what they were: overweight, bloated, filthy animals who live simply eat and consume all day, and who love to live in their own excrement.
  The Pigs had to be removed, because you cannot negotiate with a pig.
  It was so obvious to me!
  Some people did, indeed, argue that diplomacy and negotiations were the way to achieve our blessed equality-based society, but that was pure idiocy to me; because, for Heaven's sake, a pig will remain a pig and cannot become an 'enlightened' pig! These criminals, who are creating poverty, and who are killing people, because they do not allow them decent health services, must be completely eradicated, or else, ordinary people will continue to suffer.
  One day I heard Tony give a speech in front of a huge audience: "There's no point in cutting the tail of the snake. No, you must go straight for the head, and that's how you **** it!" And there ensued roars and cheers, from the mainly young crowd. "And, if someone is trying to **** you, what do you do? Negotiate? Talk to them? No, you **** them first, that's what you do! That's who the Pigs are, my friends. They are out there killing you, and so many of you tonight are simply not even remotely aware that you are dying slowly – so, you must, first of all wake up, and realize that someone, somewhere, is draining out the blood of your life, and next you must identify the cancer that is killing you. So, who's the cancer?" Tony screamed, and the by now delirious crowds immediately responded with a thunderous and hate-filled, "Pigs! Pigs! Pigs!"
  "The Pigs talk and teach us about 'morality' and 'respect' and 'decency', and other subjects like that. That's laughable now, isn't it?! I mean, the blood stained mass murderer is teaching us etiquette here?!"
  "No! No!" roared back the audience. "**** the pigs! **** the pigs!" they suddenly and somehow instantaneously started to chant. So, I must correct what many people think about Tony, and that is, he 'invented' and popularized that phrase, '**** the pigs". No, he didn't; it was the audience that night who spontaneously came up with that really exciting and vibrant phrase!
  From then on, violence became more common along with the never ending chants – if not screams – of '**** the pigs!' Every day, and all over the country, the movement had flourished, and there were the most refreshing and gloriously destructive riots in almost every major city.

  It was at this time that I first heard a speech from Omar.
We waited for the man to appear, but he seemed nowhere to be found.
  My God, I heard from so many people that he was the most radical in the deepest sense of the word!
  Apparently, he made Tony sound like a child!
  He also had a well disciplined party – unlike Tony.
  Here was a place that I can find the ‘cause of my life’!
  I could work for Omar and that would be the point of my life!
  The thought thrilled me – because I was already a convert to their ideas, but with Omar, there was a real party that was actively fighting the government, whereas Tony and other leaders like him were independent activists, but with no party behind them.
    Then, Omar suddenly appeared.
  He was of medium height, average looks - but it wasn’t long before you noticed his inexpressibly burning, fanatical eyes!
  I was about a few metres from him, and I could feel the sheer intensity of passion and rage within those eyeballs!
  This man must have absolutely the words of truth, for no Man could look like that and be a liar!
And then he gently spoke:
  "**** the pigs, I hear you say. Well, that's not good enough for me. People like that make me yawn. And, I'm bored of yawning every day. We need more. We need to move on faster. I need speed. It's not just '**** the pigs', it's '**** the cops!', because the cops defend the Pigs and attack us every day; '**** the teachers!' because every teacher does nothing except to teach us with pointless information'. And, '**** every human being' who sides or serves the establishment!”.
  Omar’s eyes were literally able to stab right through your heart and soul simply by staring at you!
  I can well imagine that my reader will not believe me and will say it was because I was a convert to Omar’s ideas that I found his eyes to be so abnormally powerful – but, what do you say to all those people who did not like him, and who met him, and yet, they, too, all said that his eyes were profoundly piercing?!
  So, you see, reader, do believe me – it’s not because I was emotionally enthralled by Omar, that I am describing him to you the way I do!
  He had beautifully framed fingers – I don’t know why I noticed that!
  He had a rather longish nose – maybe, that was one defect in his face, but you hardly noticed that, given the other attractions in this man.
  And then he possessed the deepest, most guttural, and yet so sweetly melodic voice, that I had ever heard, and when he spoke, he simply entranced me – not to mention the thousands of others.
  Omar continued, beginning to raise his ragged voice:
“And, so I order you, tonight, and tomorrow, and every day, to fanatically and ruthlessly exterminate every visible sign, agent, artist, writer, philosopher, painter, sculptor, journalist, teacher, professor, lawyer, doctor, surgeon, banker, engineer, everyone who works in the mass media like the television, every film maker, every scientist, and every single employer and employee of the Pigs."
  The audience now simply shrieked the verb, '****! ****! ****!’ while Omar went silent, amidst this wild orchestra of hate being played out.


  I noticed, that unlike Tony, Omar wouldn't gesticulate or move his hands at all.
  Actually, he just stood there, rock solid, like a statue while only eyes and mouth spoke!
  The man, I swear, looked like a 'human rock'!
  He was the absolute epitome of boundless hatred; of unrestrained defiance against the rulers ruling us!
  Yes, I do admit, and I hesitate to say so, but, yes, he almost did like completely maniacal – were it not for his self control and the beauty of his words!
  The audience relaxed.
  Omar waited until there was silence, and he continued:
  "Do you see the difference between what I am saying and what brothers like Tony say? People like Tony demand from us to uproot the pigs. But what Pigs does he, in fact, mean? Who does he mean, when he says 'Pigs'? He means the rich. That's it.”


  Now, Omar abruptly went silent.
  Tension.
  He was staring at us.
  I could feel that the audience felt nervous precisely because Omar was staring at them.
  Finally, he continued:
  “Can you imagine the limits of his intellect?! To Tony and his misguided followers, the solution facing the problem before us is simple enough: you simply wipe out the rich, and suddenly we have the beautiful society!"
  Omar was sneering, being utterly sarcastic in his voice and tone.
  "So is that it, Brother Tony? Is that all we need to do?”
  There, he stopped again, with a sarcastic, wicked smile on his face.
  The man’s body simply had no motion in it!
  I was waiting to see, if Omar would, at some point, move his body or his arms, but so far nothing!
  He continued:
“My goodness, I never knew that the gigantic problem facing us was to be solved in such a simple manner! But, no, you're being fools. Or, maybe you're fooling your selves. Either way, I don't know, and more importantly, I don't care, because, as I told you all out there listening to me,” suddenly, he began to scream with his rasping voice:
  “I'm a serious man, with a serious mission, and above all, I'm a man in a hurry!"
  Again, Omar went suddenly silent.
  I could sense, that he was deliberately teasing the audience, because they were obviously desperate for him to continue speaking, while he, would every so often stop speaking, thus adding to the tension in the atmosphere!
  The audience laughed, loving the biting sarcasm; obviously there were lots of rivalry and jealousies between the two camps, and so Omar's followers just loved to hear the buckets of insults being poured upon the followers of Tony.
  The mocking tone continued:
  "These fools are retarding our own path to victory! These followers of Brother Tony, are doing the dumbest acts that I have ever seen. I mean, what do you mean and what are you trying to achieve, when you have his followers going to restaurants and disrupting the place? I mean, is this what the definition of 'stupidity' is, or what?!"
  The crowd cheered: "Yes! Yes! Idiots!"
  "Listen here Brother Tony; I would like to say, 'it's all right, you're still young and you'll soon grow up'. But I can't say that. You know why?"
  The audience waited as Omar paused.
  He was staring at his audience.
  Suddenly, he erupted with his deafening scream:
  "I can't wait. Didn't I already tell you that? Didn't I tell you I'm a man IN A HURRY AND I'VE GOT TO DO MY WORK! DON'T YOU PEOPLE OUT THERE GET IT?"
  He roared, and the masses applauded furiously.
  "I don't have time, for children like Tony, and for his own little children, to stand in my way, and wait for them to grow up! I don't have the time, because I have an enemy out there, that needs to be completely, ruthless and fanatically exterminated, root and branch, do you now follow me?"
  "Yes! Yes! We follow!" screamed the masses.
  Silence.
  And then, Omar continued:
  "So, we know who Tony defines as the Pigs. What about myself? We must talk the talk of the brave. If you're scared, then get out of here. Why do I say this? Because this struggle requires the most ruthless behaviour on our part, and to be ruthless, you need to be brave, and to be rave means you have no fear."
  It sounded almost as if he were singing.
  Or maybe it was my imagination.


"So, who are the Pigs, you ask me? Simple. The Pig is a man, woman and child who has any Pig Attributes. What do I mean by 'Pig Attributes'? Very simple. Any human, who has in his brain, any idea, concept, believe and acceptance of any value from the rulers who rule us all. And, what are these 'values' that come from our dear rulers? They are ideas and values such as: there are the simple ones, like the belief in the right to profit, belief in the right of property, inheritance and so on. Then, there are the other beliefs, such as, belief in compassion for the rich, or cooperating with the rich or socialising with the rich. You follow?"
  The audience was silent.
  "That means, any human in our sick society, poor or not, who in any way, not only physically interacts with the rulers is a Pig himself, but also any human, poor or not, who has in his heart and mind, any empathy for the rich is a Pig himself, and so therefore, it follows – and I hope you people out there are listening to me – it means, therefore, that a poor human being who has any Pig Attributes, is a Pig himself, just like the rulers themselves. Do you understand?"
  Silence.
  And then he walked out.


  It was so sudden, because I expect a really screaming end from Omar, but to the surprise of everyone, he ended and simply walked out!
  But, I, understood what he meant.
  Basically, he was enlarging the definition of what it meant to be the 'enemy'.
  This struggle was now going to be infinitely more difficult. With Tony, the war was simple enough.
  We were 'right' while anyone belonging to the ruling class was 'evil' and that was it.
  Obviously, no member in the ruling class can deny that he's in the ruling class! They can even change their accents and their clothes, pretending to be poor, but there are computers and archives, such as birth certificates, school records, and it doesn't take long, to find out a person's origins.
  But now what Omar was proposing, that a Pig is any human being who interacts with the ruling class is evil.
  Also, anyone who has any thoughts that have any Pig Attributes (for example, being pro-ruling class), are also evil, and therefore, had to be eliminated.
  In other words, the poor can be Pigs as well.
  I loved that, because, I was never comfortable with most other left leaders, including Tony, who only focused their ire against the rich.
  To them all the poor were ‘blessed’ and ‘sinless’, and I knew, from my own background, that they simply romanticised the poor, probably because they themselves were all rich people who had never lived one day of their lives in poverty.
  With Omar, being impure, or sinful could be anyone in society – and, your background or class didn’t matter.
  That was far more logical to me!

But with joining Omar’s party, came other problems for me.
How were we supposed to ‘find’ a Pig, or an impure person?
  How can we be sure if a person has the Pig Attributes in his mind?
  It seemed ludicrous to me!
  I had doubts because as attractive an orator that Omar was, once you went home and thought about what he actually said, a lot did not make sense.
  I had so many ideas that contradicted what Omar had to say.
  For example, can’t we achieve our goals by peaceful means – rather than choosing the path of violence?
  And if we must use violence, then why don’t we attack military targets and not civilians?
  Wasn’t it wrong to target civilians and civilian places – like factories, farms, and shops?

  
  There he stood; eyes blazing as ever.
  What makes eyes 'blaze' I wondered.
  They don't actually emit any light, do they?
  So how can one man have such penetrating, piercing eyes that go right to your innermost heart?
  Omar seemed to be made of steel.
  Or, maybe it was all in my imagination, as Sanji would always be telling me.
  It was his personality and also his body language: that stern, stiff way of standing, that seemed to be the epitome of defiance against the evil in the world!
  His whole body seemed to be chiselled from the purest marble; there he stood, this heroic rock, against the tyranny of the storms and the oceans that were crashing on him; and still, there he stood, not only in supreme piety, but also, there he stood, waging a struggle against these very dark forces of evil.
  He will rid our society and our nation from evil, and one day, we shall live in a truly happy country.
  This nation and its sad people, this nation that has so many miserable, poor and unhappy people, will soon be able to live free, happy lives, without the burdens and the shackles imposed on them by the ruling elites.
  He spoke:
"They need to be utterly, and without a shred of human mercy, be exterminated, or else, it is us, who will be exterminated! It is either them or us! We need to cleanse our entire body from these cancerous cockroaches. Don't you people understand? Call it '******', call it 'exterminate', call it 'butchering them' – I do not care; what I do care and what I need in order to breathe uncontaminated, fresh air,  is to surgically and methodically and blindly eliminate the very existence of every Pigs on our land! That is why we have no choice but to fight. The criminals leave us with no choice. If they surrender their corrupting ways agai

Malice ripples
lying low, under
penetrating nightlife strobe.

Repercussions?
None to show.

Limp bodies
'getting loose'
In truth,
injected with poison;
a slow-acting noose.

Repulsive actions of the
vile & depraved
****
endorsed at raves.

The mountain peak penetrating the sky
A lead sky hidden behind the indigo clouds,
Tapping with its shade the rain shower
Which beats the world of emaciated feelings
Those feelings keeping the encroached souls
In a mesh of life without hope
In a framework of themselves

The sky penetrating the mountain
In its valley's green depth
To the place where
The life's last illusion flows
In the middle of the chasms
Where the running water galvanizes
The gold silence
Weary wandering seemingly to nowhere
Trying to vanquish its metamorphosis
In the time sight
And on the time ear

The echo of its sound penetrating the life
Of a new spring, in its own
When the absence of the old one
Means not forgetfulness
Unlocking the ubiquitous meanders
Making the rain to shine
The cold gray stones
With their arms and their *******
Freaking the pick of their thoughts
Freaking the strength of their iron veins
And their paradoxical conundrum
Like a voice which is still alive
Or like a mysterious touch

Clad in vinyl
Bound and gagged
My whip cracks
Cleave clefts of flesh
And the blood trickles
Lightly
Pain is pulsing
Penetrating prior unknowns
Chains and leather
Inclement weather
The pain and pleasure
A pinnacle of understanding
Transcending
Our reality
Like lsd
A mind ****
Of the brutal but beautiful
An ode to those beyond
Rather above the pale
I tie your hands
Bind your feet
Kiss your face
And release
The Master.

beginning with a title... the transcendent bicycle...
because it really is just that...
if you have walked as much as i have:
a marathon from Romford
to St. Paul's and back...
a marathon from Romford to Epping
and back...
       i don't know but i do know that
i might have been aiming for: flesh of my flesh...
aged 34... but i'm still "trapped" inside
the dimension of the bicycle like
i'm ******* quicksilver / the flash...
i haven't ridden a bicycle in well over a decade...
today i found out i have ghost muscles...
the bicycle became the antithesis of
prosthetic limbs...
   it's hardly a Descartes contemplating
a desk and / or van Gogh's chair...
beauty in pickling... depths of thought in:
picking, juices...
how a second birth happens with
the advent of thought...
when... penetrating inanimate things...
to think about objects is to...
become more objective?
         it's not like i'll summon...
a Freudian complex...
using a bicycle... as a Deleuze
did when ushering in the bicycle from
a Beckett's perspective...
  beside the "village bicycle" i hardly
want to give sway to some ******* metaphor...

the bicycle is more than a chair
a chair is such a fermentation process
since you can sit on it...
but can hardly concern yourself
with making a ******* gallop on it...
but a bicycle is not a horse...
but a bicycle is not a horse...
writes the man that...
yes... i have ridden horses...
all the equestrian clubs in Essex can shy away
from the detail of...
i have allowed myself to ride a horse
to a gallop... neck, sore... entangled in:
want of massage... yes...
but a bicycle is not a horse!
it's a dog... at best... it goes where you want
it to go...
the leash of gears the muzzle of the breaks...

the **** i need a car for?
in London... even if it's outskirts /
kilt Loon'don?
     ha ha FARKER TARTAN WILLIAMSSON...
blah!
enriched with hidden energies of
newly discovered... otherwise plainly
shelved sensations of motion...
there's nothing new about a bicycle...
said the man who withheld a smirk
when attesting...
a gap... the same centre of gravity... though...
almost like the buoyancy arrived at
when swimming...

oh how my father tried to teach me...
how peer pressure taught me instead...
it's this exasperating O oh and ah...
that's not really becoming of adding any more
detail to a rekindled love for life...

notably concerning England...
and outer-suburbia...
- when you have been walking these
labyrinth streets for months...
to be suddenly injected with
a very new, but at the same time:
a very old concept... dimension: which sharpens
the genesis of thinking about the sentence...
a new dimension of... speed...
time, space are their own affairs...
invoked for a day by a day...
walking is merely movement...
cycling? that's not merely movement...
that's...             speed...
because... there's a whole chi focus
of X yes precisely X...
        only half an hour's worth of cycling
and i covered the whole peninsula of the area...
unbelievable the detail of acquiring
traffic coordination...
a shared responsibility that a mere
pedestrian might take for granted...
      
tomorrow's a Sunday and i'm supposing
come circa 7am the
traffic should be "slim"...
having tested the breaks and the gears
somewhat proper...

bicycle bicycle... where have you been
all my past decade...
bicycle: grandfather Joseph...
death toll murk... fill the bells!
let them not resound in the night
while i reclaim the wind for my own...

- that i sometimes drift in and out
of solipsism...
yes... that solipsism is
laboratory minded experimentation
with states of autism...
but you're given the excuse
of riding a bicycle...

i wonder what wings might feel like....
a bicycle is not a horse...
a bicycle is more or less a dog...
it's certainly not a cat... meow...
if there was an advent of wind to harness...
but there's me... merely pulverising forward...
the leash the muzzle
all that's frame and the breaks:
downhill...

the lullaby of emotions intrinsic in:
blocking all rancid thinking... all thinking
like so...
Zen by ***... it's not that i know more...
i know... different... but first you have to walk
said distances... before loopholes...
wormholes appear gesticulating the mind
with a provided for, otherwise...

i'm 34 and i feel like i've just...
accomplished more than
having shed feather of my virginity...
never make me feel so entrusting...
never make me feel so demanding "x"...
peddle ******* peddle...
tread-water.... in your pyjamas...
i do remember, like an elephant's cranium
might... details of a historical tattoo...

philosophy books are...
paupers of metaphor...
language is ever hardly elevated into
a bouquet...
i don't want to be in love again...
i don't want to be such an...
undemanding... lack of ambition...
lack of sacrifice...

take me into the woods
and shoot me in the back of the head...
but before you do...
i'll merely ask...
take me into the sort of woods
where the deed be done...
but appreciate walking me so far
off the well trodden path
that you might not remember
how to retrieve a safe-footing back...
take me into the woods of no known
horizon...

guarded by a strict wall of a mile of trees
that block out the otherwise pleasant
azure of the sky come hiding the sun
at sunset... or sunrise...
in that zenith of immobile grey
between the hours of commotion
when nothing is to be salvaged as one's
own... but... abhorred as it too must be...
somehow... shared...

some privy in on England... a land
of fertile imaginings...
when Descartes had his table, and chair...
to fist & fester on...
i'll lay clamour to the debris of alt...

yes: an overbearing load of sensation:
delusional.. let's put him in his "right"
place... let him believe the sole provided
the psychiatric source of angst
no purpose = no posit of transcendence...
no bicycle...
   custard... pie-load...
angst...
               jerking off from "excess" libido...
well... exercise the "excesses" of libido elsewhere...
exert well squid parallels
and more: firm grasp... "tentacles"...
see the same within the confines
of an "elsewhere"...

how ***** i became being so...
muscular abiding... simultaneously... docile... too...
it's not a Lamborghini it's not
a British T... triumph motorcycle...
it's a peddling ingenuity of
somewhat self-origin...

i could have eaten up a Solomon's share
of ****** and *******
that same of wisdom...
should i, could i, would i have
demanded less than was already left available
from the Tetragrammaton...

how did "we" ever learn to laugh...
how was HA... the hebrew definite article spawned
those biggest,
no... those grieving questions...
how a monotheistic deity might be all
good... yet somehow not all powerful...
yet all powerful but not all good...
bling alley... cul-de-sac view:

the algebra not solved: attempted by
numbers...
letters later sieved...
and more letters sieved...
played the party pooper with membrane knowledge
of katakana and Hangul...
because... Latin script does slip...

chi-focus?
the multiplication ascend of:
what was walked prior...
can now be cycled... shortened because no
"lost" time was ever to be grieved...
although... the front suspension is...
an unwelcome addition...
ha ha... privy me on details
like... excesses that are there...
21 gears and when there was a rigid frame
throughout and rising up from
a sitting position is not necessary...

no... i'm not gearing up for motorcycles...
i like the idea...
but also... subsequently... the experience...
of a double-decker... bus...
of a bus of being the transit mahjong skeleton...
pieces... mein alles!

mein alles!             gott, mit... uns!

yes... unbelievable... the demands for yachts...
for ******... diminished into a fizzle....
when a Beijing demand for bicycles
skyrocketed... and all that was left to salvage
was... promises of a Sunday,
circa 7am...

hidden gems of plied-play-dough-esque:
sort of truths...
sort of beefing up... doubting pork...
within the confines of chops...
between me and a prisoner...
between me an a prisoner...
it's hardly the yacht...
the hardly any nuance of bother...
believe the existence of hierarchy...
because the Bolsheviks didn't
come about the first time around...
second try...
escape the English cwown they said...
escape the litany of squares
they-void-thought... "said"...
herr omar bin sa-id...
conquest of the Hey-Brews... "said"...

don't undermine the intricate
tribal workings of...
half-possessed...
half truant... thereby almost totally... true...
associates of Casimir the Great...
there be a god of wisdom
and there be a god of fire...
there be a god of letters...
if so...

the same god will be inclined
to mind...
an apostrophe as much as a surd (letter)
in Ęgli-sh...
when not minding... "it"..
lay an Ę to the side to wreck havoc with...
ha ha!    Щ...

  Ę / Щ... the **** are you looking
at me... like i were the one
who killed your mother with a *******
harmonica / what have these galoshes to do with
"these" galoshes...
what has this pumpernickel to do with
this windmill... "this" is an obstruction...
the proverb states...
what has a pumpernickel to do with
a windmill?

exactly... ****-all!

two-riddle *******' worth... worth of...
newly ******* jargon... and crust of...
for the load that might be minded
invigorating life... as life in prospect...
re-orientating man toward the clamour
of detailing sky...
not on foot...
not on horse...
not via car... will you...
to hell with running down...
a stampede of perspective...

planet... luancy? is that where we are all,
from?
i am born of madness...
i am this salty precursor of i think...
clearly i first arrived...
later... i somehow managed to "think"...
i didn't think first
but i certainly didn't either:
i think therefore i am therefore i think...

i was more on the lines of...
from the lineage of:
trouble...
i am therefore i think therefore i am...
i am not a spider i'm not all emptying and detailing
the filling of gob-***** with
i am hungry i am vector...
i am therefore i think therefore i am...
but this... ****** of french...
premature *******....
of i think therefore i am... therefore i think:

honestly? thinking is sometimes not...
necessary...
sometimes water needs no... glue, metaphor...

Amsterdam's open mouth darkseid
apocalypse abode...
le trio joubran - masar.... a finite quest...
primo.... detailing conquest...
handling crux....

            the cat's in the riddle...
the yard is in a mile...
scrutiny of the Levant...
           leverage of hark... -ing
denote: closure... of "ambition":
this lesser "king"...
brow of the most dignified...

                   keeping with allowance
(an)
  justly, met...
  
give me wind:
   give me... air...
not... hair... i laugh... i laugh too little...
i chisel my teeth...
i scream: nothing primo!
my life but q.
there are more lived importances
that matter, thus...
cradle... diamonds...

"the end".

a bilingual rensaku

       1

píosa eile coiréil
            caite i dtír:
                        bhog sé – portán sligreach



another piece of coral
            washed up on the beach:
                        it moves – hermit crab





            2

spéir gan teimheal –
            ar aghaidh leis arís
                        ag máirseáil, portán sligreach



cloudless sky –
            off again on his marches
                        hermit crab



            3

tost ... airgeadaíonn an ghealach
            an gaineamh faoina luíonn
                        na huibheacha turtar

silence ... the moon silvers
            the sand that hides
                        turtle eggs



          







            4

iompaíonn a lí
            ar an ré chródhearg
                        teitheann na réaltaí



a blood-red moon
            changes colour
                        putting all the stars to flight



            5

cruth an choiréil ******>            cruth réaltbhuíne
                                                            i gcéin



the shape of this coral
            shape of a distant
                                                            galaxy



            6

oileáin á nochtadh
            is ag leá
an mar seo a cruthaíodh an domhan?



islands coming
            and going
is this how the world was made?













            7

ní gá iarraidh orthu –
            seolann na crainn phailme
                        bríos chugainn



cooling breeze
            from palm trees –
                        without asking



            8

an féileacán fiú
            glacann scíth
                        san ámóg



even the butterfly
            takes a rest
                        in the hammock





            9

taoi foirfe, i ngach slí,
a mhuiscít; mar sin féin
fan amach uaim



you are perfect in every way
mosquito; nonetheless
buzz off







            10

spléachadh ar thurtar
            a shúile
is a bhfuil feicthe acu



glimpse of a turtle
            his eyes
and what they have seen



            11

lorg bídeach chosa an éin
            ag díriú de shíor
ar ghaineamh gan chríoch



faint imprint of a bird’s feet
            pointing                       pointing
towards infinite sands





            12

isteach i bpoll sa ghaineamh
            rud a bhí róthapaidh
                        le hainmniú



into a hole in the sand
            something  too quick
to be named





            13

níl faic ar na gaobhair
ach brostaíonn an chearc a hál
an cosán anonn





nothing in sight
yet the hen bustles her clutch
across the path





            14

féar mara
            itheann na turtair é
                        seachas sin, n’fheadar



sea grass
            turtles eat it
                        apart from that, who knows















            15

linnte geala
            domhainchiúnais
                                    a réaltaí, na himíg’!



bright pools
            of deep silence –
                        no, stars, don’t go!



            16

nach toilltach!
            ar luas an tsolais, nach mór,
                        scairt an choiligh



how penetrating!
            almost at the speed of light
                        **** crow





            17

an lá á ghlaoch
            chun beochta acu
                        coiligh nach bhfeictear



calling the day
            to life –
                        invisible cockerels









            18
          
domhan fo thoinn
            cruinniú gearr
                        leis an mballach Napoléon



underwave world
            short meeting
                        with the Napoleon wrasse





            19

guth dearg an choiligh
            dathaíonn spéir
                        na maidine



a ****’s red voice
            painting
                        the morning sky





            20

coiréal inchinne cnapánaí
            gealas na réaltaí-
                        gan smaointe



knobby brain coral
            starglow -
                        no thoughts





            21



coiligh ag freagairt dá chéile
            eatarthu leátar
                        an ré



***** echoing one another
            between them they dissolve
                        the moon





            22

cos léi amuigh –
            tá an chuileog rómhór
                        do bhéal an gheiceo





one leg hangs out –
            the fly is too big
                        for the gecko’s mouth



            23



anáil chiúnaithe
            na cruinne: is ansin
                        scairt an choiligh





the stilled breath
            of the universe: then
                        cockcrow





            24

éisc ar crochadh
            faoin ngrian –
                        muir gan mhonabhar



fish hung out
            to dry
                        murmurless sea





            25

ina gceann is ina gceann
ciúnaíonn tonnta
                        roimh réaltaí



one by one
            waves become placid
                        for the stars





            26

scáil an turtair
            nó féar mara
                        b'fhéidir



turtle shadow
            or sea grass
                        maybe





            27

línte reatha -
an t-iasc séabrach
ag scríobh ar uisce



fleeting lines -
the zebra fish
writing on water











            28

hurlamaboc

            francach

                        in airde sa chrann cnó cócó



hullabaloo

            a rat

aloft in the coconut tree

Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.

You are in there,  I am certain of it--
Behind the gear's finely-honed,
precision fit  gear..

in to gear
in to gear

into gear..
And I wonder..  do you want out?
The machine  on the outside, self-repairs
Any attempt towards dismantle  from
the external,  is futile..
But the internal,  beautiful girl..

"I don't know what you mean, about 'machine'"
She is apprehensive, those beautiful
brown eyes,  looking up at me..
"Look down, sweet girl"
Her thighs, fully parted,  as I slide
in to her.. those amazing hips,
moving so perfectly with mine,  extracting..

Milking from me, my warm  pulsing *****--
a deeply-penetrating lubricant,  pulsed
deeply into the machine
As if to lubricate its gears..
As if..

But penetrating so deeply, as to now
permeate the insides  of the
mechanization's innerworkings--
turning from lubricant, to that
of a corrosive nature..
Fully coating now, the inner you..

as it turns back now, into that
of a healing balm
Bringing to you  a moment of Light  
  and internal clarity--  
long enough for you to see

    That the machine  is made vulnerable
    by the ever-changing qualities  of
    Love that found its way through
    As the awakened parts within you, for the
    first time.. understand

the machine's love-blocking,  nature
And you begin to choose, mid-******
the machine's dismantle,  from the inside--

'Little by little..

Line, upon line..

Block, upon block..

Precept, upon precept..'

Until we have the chance,  once again..
to do it all again

My neck noosed
My legs loosed
I witness the tragic
It seems so emphatic
I feel entropy
Enter me
Centering
Around love and pain
I wear gloves of shame
Toxicity taints touch
My reaction is to cautiously recoil
For I feel a great punch
When I expect them to be loyal
A tear rolls down my cheek
Navigating scars
Like a man who is meek
Navigating bars
It starts and stops
Then keeps going
The tears drop
From what I'm knowing
That my time is evaporating
Dealing with the exasperating

I feel I can be caring
I just need the chance
We'll see how I'm fairing
On the end of your lance
Penetrating deeply
The pain is unceasing
Like a thousand bee stings
While you stand there feasting
Making me feel alive
From the pain inside

I guess things could always be worse
Sometimes that feels like a curse
Because I have problems all the same
But it's true
The sum of our troubles equal this game
That we lose
Even though I'd rather deal with *** and silence
Than to be vexed by violence
They're all just ways of imposing our will
Whether it's through who we birth or ****
Conflict is how we get our fill
Every day a different fire drill
We hate each other
We date each other
We underrate each other
To deflate each other
Pain is used as a tool
Until blood lays in a pool

These things that annoy us
Are met by avoidance
These things compound
Until I can't be unwound
I live in a world of contending intentions
It's a world of our own selfish invention
A world that burns bright
So I can't sleep
When day turns to night
I hear death creep
Seeking to take me from a life I never asked for
But I'm grateful to have
Life is about experimenting with opening doors
And I'm stuck in the lab

The Magician glared down at the shallow water
The light of the Sun flickering against the cool blue
Some penetrating, some reflecting
All of them searching for Home

He thought of Man

Traveling so far, so fast
Towards the Mathematicians Inevitable Solution
Trajectory predetermined
The Observer laughs as they try to steer

A Perfect Evolution

Some accepted, some rejected
Yet all complete the journey,
Outside of time, outside of space
Inside of All, The Kingdom of ALL

At Home

The Magician saw particles of sand
Twisting, heaving, and some even sinking
Clawing at the confused currents
Swirling as if, for a time, they were one

And he thought of The Humans

Each of them individuals
Caught in a storm outside of their control
Forcing them together, pulling them apart
If they are Wise, they'll steer with their Hearts, as one

Towards the Solution

I'm your Shiva feel my love
Wear my spirit like a glove
For my Goddess I will melt
Illuminate till I'm felt
In your body brews a storm
*** inside keep you warm
Every inch of you is fascinating
Hold your stare as I'm penetrating
You are divine feel my devotion
Explosive with every motion
From our bodies spills a potion
Lubricating just like lotion
Tasty is your elegance
Choose me make me relevant
To worship every inch of thee
Ravish taste you Spiritually
I am hard..I will grind
Do it fast take my time
Command me do as you wish
Cook for you your favorite dish
On the table or on the floor
Bend you over feel me some more
Seduction tastes a lot like sin
Spoils satisfying  like a win
Bodies battle at the core
Spectacular is our ****** war
Pledge allegiance to my Queen
Feel this Shiva in your dreams

I will bring fire to thee.

Euripides.—’Androm’.

‘Eiros’.

Why do you call me Eiros?

‘Charmion’.

So henceforward will you always be called. You must forget,
too, my earthly name, and speak to me as Charmion.

‘Eiros’.

This is indeed no dream!

‘Charmion’.

Dreams are with us no more;—but of these mysteries
anon. I rejoice to see you looking life-like and rational.
The film of the shadow has already passed from off your
eyes. Be of heart, and fear nothing. Your allotted days of
stupor have expired, and to-morrow I will myself induct you
into the full joys and wonders of your novel existence.

‘Eiros’.

True—I feel no stupor—none at all. The wild
sickness and the terrible darkness have left me, and I hear
no longer that mad, rushing, horrible sound, like the “voice
of many waters.” Yet my senses are bewildered, Charmion,
with the keenness of their perception of the new.

‘Charmion’.

A few days will remove all this;—but I fully
understand you, and feel for you. It is now ten earthly
years since I underwent what you undergo—yet the
remembrance of it hangs by me still. You have now suffered
all of pain, however, which you will suffer in Aidenn.

‘Eiros’.

In Aidenn?

‘Charmion’.

In Aidenn.

‘Eiros’.

O God!—pity me, Charmion!—I am overburthened
with the majesty of all things—of the unknown now
known—of the speculative Future merged in the august
and certain Present.

‘Charmion’.

Grapple not now with such thoughts. To-morrow we will speak
of this. Your mind wavers, and its agitation will find
relief in the exercise of simple memories. Look not around,
nor forward—but back. I am burning with anxiety to
hear the details of that stupendous event which threw you
among us. Tell me of it. Let us converse of familiar things,
in the old familiar language of the world which has so
fearfully perished.

‘Eiros’.

Most fearfully, fearfully!—this is indeed no dream.

‘Charmion’.

Dreams are no more. Was I much mourned, my Eiros?

‘Eiros’.

Mourned, Charmion?—oh, deeply. To that last hour of
all there hung a cloud of intense gloom and devout sorrow
over your household.

‘Charmion’.

And that last hour—speak of it. Remember that, beyond
the naked fact of the catastrophe itself, I know nothing.
When, coming out from among mankind, I passed into Night
through the Grave—at that period, if I remember
aright, the calamity which overwhelmed you was utterly
unanticipated. But, indeed, I knew little of the speculative
philosophy of the day.

‘Eiros’.

The individual calamity was, as you say, entirely
unanticipated; but analogous misfortunes had been long a
subject of discussion with astronomers. I need scarce tell
you, my friend, that, even when you left us, men had agreed
to understand those passages in the most holy writings which
speak of the final destruction of all things by fire as
having reference to the orb of the earth alone, But in
regard to the immediate agency of the ruin, speculation had
been at fault from that epoch in astronomical knowledge in
which the comets were divested of the terrors of flame. The
very moderate density of these bodies had been well
established. They had been observed to pass among the
satellites of Jupiter without bringing about any sensible
alteration either in the masses or in the orbits of these
secondary planets. We had long regarded the wanderers as
vapory creations of inconceivable tenuity, and as altogether
incapable of doing injury to our substantial globe, even in
the event of contact. But contact was not in any degree
dreaded; for the elements of all the comets were accurately
known. That among them we should look for the agency
of the threatened fiery destruction had been for many years
considered an inadmissible idea. But wonders and wild
fancies had been of late days strangely rife among mankind;
and, although it was only with a few of the ignorant that
actual apprehension prevailed, upon the announcement by
astronomers of a new comet, yet this announcement was
generally received with I know not what of agitation and
mistrust.

The elements of the strange orb were immediately calculated,
and it was at once conceded by all observers that its path,
at perihelion would bring it into very close proximity with
the earth. There were two or three astronomers of secondary
note who resolutely maintained that a contact was
inevitable. I cannot very well express to you the effect of
this intelligence upon the people. For a few short days they
would not believe an assertion which their intellect, so
long employed among worldly considerations, could not in any
manner grasp. But the truth of a vitally important fact soon
makes its way into the understanding of even the most
stolid. Finally, all men saw that astronomical knowledge
lies not, and they awaited the comet. Its approach was not
at first seemingly rapid, nor was its appearance of very
unusual character. It was of a dull red, and had little
perceptible train. For seven or eight days we saw no
material increase in its apparent diameter, and but a
partial alteration in its color. Meantime, the ordinary
affairs of men were discarded, and all interest absorbed in
a growing discussion instituted by the philosophic in
respect to the cometary nature. Even the grossly ignorant
aroused their sluggish capacities to such considerations.
The learned now gave their intellect—their
soul—to no such points as the allaying of fear, or to
the sustenance of loved theory. They sought—they
panted for right views. They groaned for perfected
knowledge. Truth arose in the purity of her strength
and exceeding majesty, and the wise bowed down and adored.

That material injury to our globe or to its inhabitants
would result from the apprehended contact was an opinion
which hourly lost ground among the wise; and the wise were
now freely permitted to rule the reason and the fancy of the
crowd. It was demonstrated that the density of the comet’s
nucleus was far less than that of our rarest gas; and
the harmless passage of a similar visitor among the
satellites of Jupiter was a point strongly insisted upon,
and which served greatly to allay terror. Theologists, with
an earnestness fear-enkindled, dwelt upon the biblical
prophecies, and expounded them to the people with a
directness and simplicity of which no previous instance had
been known. That the final destruction of the earth must be
brought about by the agency of fire, was urged with a spirit
that enforced everywhere conviction; and that the comets
were of no fiery nature (as all men now knew) was a truth
which relieved all, in a great measure, from the
apprehension of the great calamity foretold. It is
noticeable that the popular prejudices and ****** errors in
regard to pestilences and wars—errors which were wont
to prevail upon every appearance of a comet—were now
altogether unknown, as if by some sudden convulsive exertion
reason had at once hurled superstition from her throne. The
feeblest intellect had derived vigor from excessive
interest.

What minor evils might arise from the contact were points of
elaborate question. The learned spoke of slight geological
disturbances, of probable alterations in climate, and
consequently in vegetation; of possible magnetic and
electric influences. Many held that no visible or
perceptible effect would in any manner be produced. While
such discussions were going on, their subject gradually
approached, growing larger in apparent diameter, and of a
more brilliant lustre. Mankind grew paler as it came. All
human operations were suspended.

There was an epoch in the course of the general sentiment
when the comet had attained, at length, a size surpassing
that of any previously recorded visitation. The people now,
dismissing any lingering hope that the astronomers were
wrong, experienced all the certainty of evil. The chimerical
aspect of their terror was gone. The hearts of the stoutest
of our race beat violently within their bosoms. A very few
days suffered, however, to merge even such feelings in
sentiments more unendurable. We could no longer apply to the
strange orb any accustomed thoughts. Its
historical attributes had disappeared. It oppressed us
with a hideous novelty of emotion. We saw it not as
an astronomical phenomenon in the heavens, but as an incubus
upon our hearts and a shadow upon our brains. It had taken,
with unconceivable rapidity, the character of a gigantic
mantle of rare flame, extending from horizon to horizon.

Yet a day, and men breathed with greater freedom. It was
clear that we were already within the influence of the
comet; yet we lived. We even felt an unusual elasticity of
frame and vivacity of mind. The exceeding tenuity of the
object of our dread was apparent; for all heavenly objects
were plainly visible through it. Meantime, our vegetation
had perceptibly altered; and we gained faith, from this
predicted circumstance, in the foresight of the wise. A wild
luxuriance of foliage, utterly unknown before, burst out
upon every vegetable thing.

Yet another day—and the evil was not altogether upon
us. It was now evident that its nucleus would first reach
us. A wild change had come over all men; and the first sense
of pain was the wild signal for general lamentation
and horror. The first sense of pain lay in a rigorous
construction of the breast and lungs, and an insufferable
dryness of the skin. It could not be denied that our
atmosphere was radically affected; the conformation of this
atmosphere and the possible modifications to which it might
be subjected, were now the topics of discussion. The result
of investigation sent an electric thrill of the intensest
terror through the universal heart of man.

It had been long known that the air which encircled us was a
compound of oxygen and nitrogen gases, in the proportion of
twenty-one measures of oxygen and seventy-nine of nitrogen
in every one hundred of the atmosphere. Oxygen, which was
the principle of combustion, and the vehicle of heat, was
absolutely necessary to the support of animal life, and was
the most powerful and energetic agent in nature. Nitrogen,
on the contrary, was incapable of supporting either animal
life or flame. An unnatural excess of oxygen would result,
it had been ascertained, in just such an elevation of the
animal spirits as we had latterly experienced. It was the
pursuit, the extension of the idea, which had engendered
awe. What would be the result of a total extraction of
the nitrogen? A combustion irresistible, all-devouring,
omni-prevalent, immediate;—the entire fulfilment, in
all their minute and terrible details, of the fiery and
horror-inspiring denunciations of the prophecies of the Holy
Book.

Why need I paint, Charmion, the now disenchained frenzy of
mankind? That tenuity in the comet which had previously
inspired us with hope, was now the source of the bitterness
of despair. In its impalpable gaseous character we clearly
perceived the consummation of Fate. Meantime a day again
passed—bearing away with it the last shadow of Hope.
We gasped in the rapid modification of the air. The red
blood bounded tumultuously through its strict channels. A
furious delirium possessed all men; and with arms rigidly
outstretched towards the threatening heavens, they trembled
and shrieked aloud. But the nucleus of the destroyer was now
upon us;—even here in Aidenn I shudder while I speak.
Let me be brief—brief as the ruin that overwhelmed.
For a moment there was a wild lurid light alone, visiting
and penetrating all things. Then—let us bow down,
Charmion, before the excessive majesty of the great
God!—then, there came a shouting and pervading sound,
as if from the mouth itself of HIM; while the whole
incumbent mass of ether in which we existed, burst at once
into a species of intense flame, for whose surpassing
brilliancy and all-fervid heat even the angels in the high
Heaven of pure knowledge have no name. Thus ended all.

Isolationist theories
of my brutal development
A mask
In the world of passengers

Regretting every slight disruption
Making icy chatters of teeth
As we wonder

How will these small altercations
Affect the grand course
of my surreptitious collapse?
Just a violent object on an axis
A washer head
thrown into a tumultuous ocean of visions

A flickering correspondent
Lying on an abolition
The worst things happening to the best people
It spins and breaths and *****

This molested scared demon
Anally penetrating all that I believe is genuine
Reels of my childhood development
Played on repeat to search for ammunition

The tunneling rib cages of my insanity
The forest nymph of all that is good
The one who created me
Locked away in a windowless world

Analyzed as if lockness was one of them
I always thought it would be me
Falling  to where I could not be found
How am I still standing?

I am the soft silent sight
nestled in a tree gently
holding hands with emotion.
Together like lovers we intimately
sit with an invisible touch.
Our eyes penetrating darkness
we govern like a loving mother
or angelic force like Mother Teresa.
A shiny moon polishing  
a silvery heart cooled
by a vast ocean.
I always fly quietly as I bring
a gentleness into darkness.
Tucking the night up with
the softest quilt, through a pane
of glass in a near by wood you
hear me calling.

I give a rod of stability eternal sight
seen it all before will see it again.
As we hang softly like the moon
in the sky or an Owl in the tree.
I lift people through their night
I carry them with my sight a
tractor beam of light.
As you feel my presence like a
million hands that softly
penetrate.
All holding torches you are
lite like a child who's mother
has come back.
Scooping you up your
darkness falls on
entering my Owls sight.

I am the light that always
surrounds the night .
I am the ever expanding vision
the tide that never turns but
just keeps on rising.
I grow with a bursting force
of an ever expanding universe
as I stretch my eyes they keep
on reaching.  
I am the ancient eye placed high
above always unstirred but
filled with feeling.
Like the white of an eye surrounding
a pupil I am the army who circles
around the darkness.

I am the reflection of the velvet
moon sitting on the ocean
threading itself throughout
your being.
Those caught within my sight
will feel a thousand tiny bubbles
of bright light.
Gandolf the white explores
your caves holding his
wisdom stick and lantern.
Unlocking your hidden emotion
giving you magic fighting
of your demon.
I will conquer hell fire with
a gentle trickle finding my path
like a mountain stream passing.
But when I open my heart my wings
the devil will shudder because I hold a
power like the pacific ocean.

So much protection we can find
at night within the Owls sight.

our love is like a circle;
never starting
never-ending

a starlit symphony;
by a tarpit
near a Denny's

my heart is like a hammer;
sometimes resting
sometimes beating

your head is like my nail;
penetrating,
yet, self-defeating


our words are like a story;
sometimes true
and sometimes fiction

I'd say I love you
more
but that would be
a contradiction

I won't be the weak one,
Although when I think and speak
I may tweak some I'm just
Searching for reasons
To justify the swell.
I will ride the undertow
Sunken beneath bass lines 
And blunt tails
Intending to take it slow.
But I get a little excited sometimes, you know.
So when this undertow undoubtedly 
Washes me ashore
I'll be the imaginary statue 
Erected in my honor
Proudly saluting every fleeting
Emotion that sailed
Straight through my harbor.
You see, 
Harboring hatred is a trait
I forfeited
To make way for the minuscule moments and glimpses
Of human existence penetrating
Layers of jade and years
Of conditioning and I am successfully
Transitioning into persistently 
Acknowledging the raindrops 
As they hit the pavement and pop.
You see some people feel the rain
While others just get wet,
A wise Rastafarian 
Once famously said.
And I think on it all
Far too frequently for a quiet mind
But I've never had one of those
Not even after rolling papers
Intertwine and smoke fills my eyes,
Because I am accustomed 
To a constant consciousness
And I'd much rather this
Than nothingness
And thus I sit, contemplating 
Consequence 
Aspiring to avoid the guilt of 
Seasons past,
For I am past the point of
Punishment and pain ghosts and
I have plenty of pangs from all
The echoes
In my brain and in these
Rattled apartment's stains
It's not all in vain 
Life grows these varicose
Veins
Colored-in, crawling across the
Window panes 
Of the chamber where my soul remained
Through the bridge until the end of
The refrain.
I am in reign. 
I rock the crown.
I roll the dice when 
I am down
I try to think twice
Before I frown
I contemplate the value 
Of the men that I allow
To lay me down 
Now,
I am grown and I am proud
Because I am humble
And I'm not loud
Any longer,
I listen
To the subtle sounds of
Human respiration.
I am the incarnation
Of ancient incantations that
Shake down the walls which
Separate us all
All the way to the ground.
True power is found
Where unity resounds.

Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.

-------

I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.

--------

I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.

riding warm wind
inside-out outside-in
mouth christenings

lost and found
inventory on skin

remembering who
forgetting where
I am

your eyes unbind
and tie

penetrating unsaids

Mom should’ve been here by now. I sat on my frilly blue and purple polka-dotted bed waiting for the knock on the door telling me mom found my dress. Finally, it raps on my door. “Mom! Did you find it?” My eyes widen as the silky blue sways in her arms, it’s beauty sings as a caged bird let free. I gasp in admiration. “I-It’s wonderful!” I pick it up and it glides down into a perfect fit.  “I’m glad you love it. Come down after you finish getting ready.” The door thuds after her. Looking across the room I note my honey brown hair that curls into pigtails. Restraining the squeal that is caught in my throat, I travel the length of my room to the mirror.

     The mirror sits on an antique dresser that my mom found at a garage sale. At first I didn’t care much for the ancient wooden junk that is at least half a century old. Now the gold-tinted metal gleams with pride once again. Rusty gems were in carved into an arc surrounding the mystic glass. “Lydia! Can you go upstairs and get that box down for me?” Mom’s request interfered with my thoughts. … Go in that dusty attic? “Sure mom!”

       Out the door and into the hallway stood a door like any other in our house. It squeaked open as eerily as what you’d expect in a haunted house. ‘A box, a box’ than out of the side of my vision I thought I saw motion. I shook it off as just being a spider or mouse. Soon my footsteps lead me to come across a dresser and mirror identical to the one in my room. It was cluttered with cobwebs and spiders. “Not very well taken care of, are you?” I muttered the joke. I looked into the mirror expecting to see a light blue dress covered in dust and sparkly silk material, but there was no reflection at all. I looked even closer at the mirror, before realizing, there was no mirror at all.

     I looked around until I found it behind the dresser, sitting on the ground. I touched one of the gems that surprisingly glowed despite the rust. Something shone until I was blinded. A tingle ran through the hand that brushed the mirror’s gem and flew through my arm until it encompassed me, racing into my every feeling until I couldn’t feel anything. My eyes shut and refused to open themselves.


     A gentle breeze grasped my hair, as music descended from the air. I could smell what seemed to be a banquet of some kind, mixed with perfume. Slowly my eyes lifted their veil to lock with waves pounding against a brick wall. I was looking down from a balcony into the erupting sea. The white brick-made balcony was large and lonely even with the brush of people walking by. I hid behind the rose-red curtains to look around. People danced and talked. Some ate. The music paved the trail for their feet to follow, all very gracefully. The men wore suits that tails drip to their knees. Their white shirts buried under sashes of gold, red, or blue. Sometimes holding medallions, some only dressed in ties. The woman wore Victorian dresses of every color and shade. Frilled hats with flowers were arranged on their heads.

     Wait, I’m not supposed to be here. I was in the attic, going to the café with mom. What was I doing? My head ached from the effort to recall my actions. Why can’t I remember? I stumble backward only to reach the balcony’s edge. Where is this anyway?

      I dive back into the curtain to search for my answer. The softness of the curtain was a rose pushed to my nose. I peeked through the small gap to find a page carting some clothes past my hiding spot. I sneaked next to the cart being wheeled into a doorway, planning to find a way out. I lost the page and walked around until I went through an archway door. The cool air spiraled against my silk-trapped skin. The scent of flowers bloomed around me. I found the garden labyrinth.

     Walking through the maze’s hedges I arrive at a beautiful fountain displaying crystal clear pouring waters. Everywhere I gazed, flowers embraced the greenery. My breath deprived my lungs of air as I took in the sight. It was so magnificent under the light of the full moon. A few lamps lighted a sidewalk path maneuvering along the hedges. I circled the fountain, taking in the surroundings. My silk dress was shining in the dim glow. The sceneries beauty entranced me.






     I didn’t see a shadow before me, and almost fell to the ground. In a graceful swoop an arm latched around my waist to pull me to my feet. “Be careful to look where you’re going, please my lady.” He bowed his head while his slim rimmed glasses started to fall off of his face, suddenly he looked up at me; sliding them back on with a slight wave of a finger. “That garb isn’t from around here.” He noted my sky blue dress with interest. I’m not even sure where I am. “I seem a bit lost. Will you help me?” he stares at me closer, a deeper curiosity shines in his green eyes, daintily brushed by his dark hair. “My dear, if it brings you comfort to know, we are in London at the Buckingham palace.”

      I gasped; London was so far away from New York. It’s across seas. I gulped at my next question as sweat pricked the nape of my neck, “What’s todays date?” His eyes sparkled at the question. “Why, it is June 28, of 1838. The entire castle is bustling at these very words. It’s a day to remember. Now my dear, I must take my leave and see to the ballroom. Farewell.” He bowed, than turned to leave. His slow stride seemed like a dance all on it’s own. My gaze was caught on his figure following the foot trail until he had disappeared. I sighed at my first encounter with someone in this grand place. The Buckingham Palace, in 1838. …1838!! That can’t be right, it’s 2014. Then the shock hit me as if bricks fell from the castle onto my forehead; the clothes, the language, the pages, and royalty. This couldn’t be London in present Great Britain.

    I circle the garden once more before I decide to go back inside. The young noble had realized my clothes didn’t belong here, probably anyone who sees me would recognize this too. I start off towards the footpath. The melodic rhythm still swirled in the breeze. Than for a second I thought I heard a footstep. My head twists back only to see a shadow move. The cool air now seems icy. Multiple possible things to say to the night air gallop through my mind. “ Such a lovely night,” is the one I decide on. From behind me a few feet back I imagine a sigh. No, not imagined, but actually there. It’s too real. I turn on my heels just to catch a glimpse of a black cape caught in the wind, as it’s master floats into the open. “My, It is lovely. However, I didn’t realize such a strangely dressed commoner as you could enter this palace.” His smirk shows sarcasm as easily as his eyes. “I never intended to visit a palace, even less in London.” My honest answer only has him conceal his laugh.




     “I’m sure you didn’t. Yet, your dressed for a fine occasion.” His hand reaches for mine. I pull away from the willowy figured glove. “Why not allow me this dance in the garden?” I back away, aware that his voice is too prescient and I should be careful. “Are you going to be wary of me?” his gaze turned pained, his blue eyes that were once full of playfulness now melted into hurt. I unintentionally reach out for his gloved hand. His laugh echoes past the foliage. “Such a naïve girl.” Dread decided that this nobleman should be avoided at all costs. I ran towards the palace. “And so the chase begins.” He snickers and rushes after me.


     I pass through the archways, glancing back now and again to find the caped captor flying along my tracks. If only there was some way to lose him. I ducked into the nearest doorway. At the far end of the hall I could see a door with a sign saying, “Dressing room”. I flung myself under a table and tablecloth to hide myself as my pursuer rounded the corner into the hall. I tucked my head between my knees and waited for his footsteps to fade. The warm place that held me trapped was close and too easily discoverable. I held my breath and tried to sink into the darkness. I’m not here. No one can find me.

     After enough time flew by to ensure my safety, I crawled out from under the table. The cloth draped over my head. I looked back and forth, half expecting to see a smirking smile, and haughty eyes. A girl stares down at me. She’s at least ten years old. “Shhh.” I press my finger to my lips and gently smile at her as if we’re keeping a secret between us. She giggles, copies the motion to her own mouth, than delightfully skips away. I let out a sigh and stand up. I follow the hall to the dressing room. The door creaks open and I look around once more, startled by the sudden noise.

     I sneak inside hoping find that the room is abandoned. In the darkly lit room, only my footsteps sound. As far as I can tell, no one has entered lately. I walk over to the carts of clothes and run my hand over the first one on the stack. It’s a ruby-red dress with fine material and some gems similar to those in the mirror. … The mirror. Not in my room, but the attic. My head hurts again, but I know I touched its gem before winding up here. How? I look through the dresses until I find a light blue and white one. The bowed sleeves come down to my elbow with frills encasing the bottom. The neckline forms a squared area of similar white frills. A small white sash acts as a belt that drops into the skirt of the dress. Two similar white ones come down each side. I pick up the light material and set it near my feet.
      My old silk dress easily slips overhead, making way for the new clothing. After tugging tight sleeves and bodices into place the light dress swoops over my feet. I spin through the dark room only to stop at catching someone’s eye. I immediately turn towards the frozen face. It is my own reflection in a mirror. I face myself as my sight settles on the dress I wear. My honey brown hair curled over the dress from my pigtails. My eyes sparkled it’s matching blue to the dress. In the corner of the room, next to the mirror, sat a large wooden box. I looked through it to find that it was full of jewelry and accessories. I prodded its contents until I found sky blue bows to wrap in my pigtails.

     I walked into the open hallway, now littered with people going to and fro. Anyone from passerby’s, young nobility, servants, and pages. Once the hall emptied I fled the room, hurrying through the corridors until I met with the room that created the harmonious trance. At the ends of the great ballroom sat crowds eating and laughing. Clusters of on-goers danced and chatted. In the middle of the farthest side of the room sat a throne that was embroidered with metal marks from centuries of legends. On the throne sat a woman at least eighteen of age. Her regal crown shone despite other attractions surrounding the dance room. A page strode over to her as she flourished her hand for his service. He stood and listened intently to her whispers. Finally, he stood and roared for the room’s attention. From his mouth spilled cheer and wistfulness, as he demanded the crowd’s ear. “Our young Queen Victoria’s coronation has completed. Now starts a new era! Let the celebration proceed.” The room reverberated with hope, love, and admiration for their new ruler.

     ‘Queen Victoria has been crowned’ having no clue how to find a way home, I disconsolately decide to join in the festivities. The crowd moves into a larger room. I stagger after them; the mass pushing everyone forward. We pass the kitchens. The aroma of cakes and deserts of every kind rises into the cool night air. The only smell more perceptible than delicate delights is the perfume penetrating the entire castle. We enter a by far more spacious ballroom. Empty amphitheater seats loom overhead, tied into the walls for onlookers to watch the ball unravel. Once again I glance at these to notice black material hangs over the edge. A head moves as people fill the seats. A nobleman with a black cape and familiar blue eyes takes their seat next to men and woman of high status. I walk into the mop to hide myself, while watching him. He laughs and chats with them as if he’s known them all his life.


      Unable to watch where I’m going, I trip. The harsh, solid ground hits my knee as if I’ve met a tornado. I wince at the pain as I strain myself to stand. A firm, but careful hand grabs mine. I look up into green eyes shaded by recognizable glasses. “My dear, you are very clumsy.” He smiles at me as I pat my dress back into place. “I see we’ve met again.” My response comes weakly as the sore from my knee makes me flinch. “I don’t think you’ve told me your name.” I inquire. “You have not requested my name, so I haven’t told it. However, if you do me the honor of a dance, my secret may be leaked.”  He bowed and offered me his arm, as I timidly accept it.

     A new song disrupts the last, as new pairs take the stage. He walks me onto the floor, and diligently starts to dance. I watch my feet, not wanting to mistake my pace. “Lift your chin, my dear. You don’t seem to but much of a church-bell.” I looked up at him puzzled. “Church-bell?” As he tried to conceal a grin, his glasses couldn’t suppress the laughter in his eyes. “Your rather quiet. And most likely not from around London, are you?” I looked to the ground once more. Should I tell him or not? Will it start problems, or will I be okay? “It’s fine, I shall not expect you to answer a question you wish not to.” I looked up at him, solemnly. “I promised to introduce myself, correct?” I nodded, as the music that echoed around us faded into the next song.

      His movements were so fluid; he was a wave at the end of the day, flowing into the sunset. “Miss, I am known by most as William Anderson. It’s a pleasure to meet you.” He procured my sweaty palm into his, tenderly swiping his mouth to my fingers. I let my hand be brought back into the dance as I searched for words to speak. Once the dance ended a few moments later, I curtsey and murmur, “It’s nice to meet you. I am Lydia Olsen.” At my gesture he bows, and requests once more, “Am I trustworthy enough to understand why you are in a mysterious place you don’t understand?” My answer had been decided and started to splatter from my mouth. “Y…”









     The next sound bounces along the room, it’s symphony starting. My words mix into the noise. In my vision of the seats above, snowy dots shoot arrows in my direction. Blue eyes gaze down at me, their iciness piercing me as icicles prickle my skin. I exchange a glance with William, nod and answer, “You are. I’ll explain.” My discomfort is surely recognizable. I often peek over my shoulder above as we dance. The shadow with a glare starts his voyage through the seats to reach the stairs that pillar into the wall. He descends from the tower, only adding to my panic. My hand seizes Williams, as I give him an apologetic smile. We hurry from the room, stumbling over each other’s feet. His graceful prance, now a faltering wreak.

     Once we are outside the ballroom, I turn towards him. “I trust you, so please understand, I live In the USA in 2014. Not London, not Even in the 1800’s.” His expression is masked, but I’m sure that I’ve confused him. “I went back into time, from the future.” The simple words struck a chord with him, his glasses tilted off his nose as he listens intently. “The future? How?” even I don’t know how to answer such questions. “I’m not sure. I was in the attic with a mirror, than … ****! I’m here.” Confusion once again wonders onto his face. “I went into a storage room with old things, and found a mirror, touched a gem, now I was here.”

     “I see, but why did we run away from the celebration? I was looking forward to another dance with you.” His casual smile does nothing to conceal unasked questions. I’m not sure how to answer them ei

Remember the indescribable insanity of our fiery love.

Remember the sensation of lips as I caressed your soft skin;

Remember how you melted in my arms as my breath warmed your ears in whisper.

Remember the goosebumps as my hands ran across your sweet delicate skin.

Remember the sweltering heat that rose as I opened your dress,

Remember the cool air stroking your smooth silk skin as it fell to the floor,

Remember the warmth of our bodies as I pressed you tightly flesh to flesh,

Remember that tingle as you clenched your legs while I nibbled your ear,

Remember the feeling of eternity as you slowly straddled me to the floor,

Remember the scent of our passion as we tantalized,

Remember the piercing trance of desire,

Remember the penetrating ecstasy of release as you reach your peak,

Remember the night you and I became a man and woman.

365Nectar #60  Devour Me        
Fri. November 22, 2013  9:18 P.M.


Devour me...

A provocative passionate pouring
of pillaging and plundering...
A pleasing prowling
of a piercing plunderer...
A lovely, limp nymph
laid upon a sizzling alter...
Smoldering...
Awakening all the senses
a choking of lust
unleashes exhilarating
and

envelops you...

Effortlessly evoking ethereal...
a sinister seduction
seductively seduces
and hungry hips
breakdance with hysterical
Stimulating a surreal surge of a sweet seeping...
waiting...

impatiently...

For you to chisel
an unimaginable devouring...

S slow steady climb to the summit
of the ultimate ******...
Time-
Time-
Time... a tool to employ flamboyantly...
immediately...

eargerly...

Expose my conquered heart
that leaks
of streams
of cream
of succulent sensation...

Expose my tamed moistness
that whispery whines
as you build a legacy
of torturous licking....

Seductively...

Slithering in spicy spirals
of stirring screams
from stormy shivers
of steamy anticipation
of your redefining touch...

Suddenly...
drowning in the sticky sensation
of all that is us...
A tender luscious love liquefying flesh
and penetrating souls...

We blend in blazing bliss
tapping taboo for titillating thrills
you rock a rowdy ravishing
inside me...

I whisper wet whimpers
and beg for bitten breast...
Our wrestling hips
hug, *****, and groan a hungry growling...
Pounded into saturated submission
I linger in lubricating dreams
for you-
to...

devour me.

**** Middle-Aged Dad at the Water Park,
this is an ode to you.

**** Middle-Aged Dad at the Water Park
ambles behind
the kids sprawling out of the entrance
like baby spiders spilling
out of the crushed mother’s abdomen.

**** Middle-Aged Dad at the Waterpark
flip-flops his way to the lazy river,
shies his black Harley Davidson tanktop
to reveal his sunburnt
abdomious belly
flopping over his camo swim trunks.

He shakes off his flip-flops
and awkwardly wades in,
his hulking mass shifting with
each foot and tree trunk
of a leg smashing into
the shallow water,
sending shockwaves towards
screaming toddlers
in his wake.

Finding a vacant tube,
he turns his body around
and heaves himself
into the neon green donut
with considerable
and farcical
difficulty.

Mother at the pavilion
opens an eye from the lawn chair
and chuckles to herself,
applying another layer of sunscreen
over ruddy cancer-sensitive skin.

Sporting oblong racecar sunglasses
atop flushed puffy cheeks,
**** Middle-Aged Dad at the Waterpark
basks in the baking mid-summer sun
and the cool ****-ridden waters
he sinks his hands and feet into.

What is on his mind?
I imagine it is as close
to nothing
as he aims to get,

free from responsibility
like a wiry youth
he knew
from long ago.

The piercing screams of laughter
from ambulant children
splashing about him
are fruitless
in penetrating
his enclave.

He coasts about this way
for an eternity,
his red leather hide
burning in the hot sun
enwreathing his glasses.

Meanwhile,
mother reads
under the cool shade
of the pavilion,

the kids tumble down
slides and splash gleefully,
endlessly,

and life lingers on a moment
for a necessary
sojourn.

**** Middle-Aged Dad
awakens from his sun-cooked daze,
approaches the exit
and prepares himself
for his departure.

Waddling left and right,
he flops starboard
splashing magnificently
like a cannonball rolling off the deck
into the ocean.

His sunglasses leave him in the ruckus,
he gropes blindly
with chlorine-infested eyes,
til he grasps the visage
and stands up in the water.

His great body surges
from the waters,
fading tattoos gleam
along with a bald spot
in the sunlight.

He ambles through the waters—
water spilling out of rolls of fat
undulating in the motion—
and sensuously runs a baseball glove of a hand
through thinning hair.

His trunks bunch up around
firm, beefy buttocks
and a tired old *****,
thick tree trunk thighs,
ending its constriction just above
the wrinkled knot
of kneecaps.

Mother snapshots a photo
of the visage,
his fruits spilling about him
in perpetual glee,
his stolid look of authority,
wisdom, drive,
and endearment.

Years later,
the ambulant youths
on the cusp of adulthood

leaf through old photo albums
suddenly eyeing the Father piously
in a newfound awe,

aware of his gargantuan countenance
that shielded their efflorescence.

He was their sun,
he was their shade,
and their sky—

for he knew
when to plant,
and when to water,
and when to wait.

Running a thumb over
the diaphanous visage
exemplifying
an analog adolescence,

they jeer each other
over the Father,
secretly harboring
an amassing reverence
for the great figure,

the **** Middle-Aged Dad at the Water Park.

When I look into the moon I see the only dependent part of me that still exists. Its as if the silence in her vocal cords spoke words of solitude. I gave her the only bio mechanical part of me that mattered.

The gears in my chest keep turning like clock work.
I count seconds into minutes and minutes into hours and hours into days. I keep thinking time is standing still while im still standing still.

I'm waiting, waiting on patience and as unjustified as it sounds I'm impatient. Dreams are just your natural thoughts heavily sedated, a sub-conscious reality based off the feelings we cant display them.

I don't consider myself a writer, I see the constant flow of words and as a kid it left me inspired. I'm more of the sub concious reality type. I drink coffee and outside of that I really don't have a life.

For me writing is self exspression without being judged by others.
I opinionate my feelings and organize them in ink. The papper is my empty canvas, my thoughts are my judgment, and the pen is the deliverer.

Sometimes writing is the only thing that can stitch my wounds, like the words curved inside my brain penetrating like the needlesof a tattoo. I wonder what will become me, in what paradox will I redeem the sum of me?

I just hope this bio mechanical heart ticks away. I hope people continue to be people with different mindsets and open steeples. I want love to be found and dreams to be created.

Kalvin Moon

the petrichor
penetrating the heart's core
from the earth crust
When quenched, it's thirst
blended in the gust
of the summer breeze
yes! it's summer rain!

the petrichor,
wish I could devour
intangible
invisible
inaccessible
yet i savour!

the petrichor,
released by the nature joyfully
when the rain heals
the burns, soothingly!

the petrichor,
intoxicating
exhilarating
reviving
embracing me, like you???

in the icy swirl
          of deep-inhale
            I reach down inside
                      to darkest
       heated flesh-fabric
removing the clothing
of my soul,
feeling the layers
                slowly  undone
                      the flay
                        of my own fleece
                          the peeling
                    of my own pelt
            penetrating
                through tissue,
                     a journey to the
                          deep heart of me,
                         cut in one clean move
                         and yet, like a miracle
                  there is
             no pain
                   just magnet-connect
                     beyond the cusp
                            of words
                              that curl from our
                                             tongues
                                      rising up in
                      latticed affirmations
                    a cleansing in frost
a constant, aquamarine renewal
and there is no past
no future
      just this prism
           of crystal liquid jewels
      flowing in
gentle,
         cellular music
             straight into the strands        
                    of our veins
and I miss you
like you have gone
on the long winter hunt
my longing splayed out
like an animal skin on
                    four poles
its tendons stretched
beyond measure
yet holding fast
with a roof over my head,
                    I acknowledge
             my restlessness
I am my own
       hunter-forager,
         both searching and found,
                     gathering up bits  
               of velocity
stroking the ribbons
of passion
stoking the fires of my
              heart and hearth
protecting what is us
like a lioness
for we are overflowing
with both strength
         and tenderness
              our own bones
ingredients of the wild soup              
of our feral union
of our constant rebirth
our very dna
          weaving itself
like heartstrings
               in the rush      
of
       time

I can remember my 9 year old hands scrapping macabre words on top those tortured blue lines that pitied my gated head.  
I can remember my down the street friends, lips turned purple, from the snow temperature, glistening watered creek in my yard.
I can remember the quivering muscles in my stomach begging me not upchuck a landslide of overflowing butterflies on that summer night when he took my hand.
I can remember shutting out the lights on that one night while the cross hanging on my wall starred me down to fall to my knees and pray for the rotten wood in my heart to be repaired.
I can remember turning over away from that cross and find comfort in the damp pillow trailing a broken path to my withered eyes.
I can remember the thrown away unopened lunches falling free from my fingertips and throat.
I can remember my stomach hating me and my mind thinking in happy confetti-like gestures with a piñata full of echo’s, because candy insides are the devil.
I can remember abandoned dinners when spiders that took my place to cobweb my chair, and my food in the trashcan.
I can remember remnants of silver, sharp-toothed squares being injected on my skin and used as crayons.
I can remember the tree’s with broken arms smiling at me as I sat under the black leaves sharing their loneliness with me and I never did mind.
I can remember my lullaby had the same frequency as the jumpy breathes fluttering from my sunken lips harmonizing with the drops of my tears and blood.
I can remember the creature starring back at me in my bedroom and we had matching scars.
I can remember I hated her.
I can remember she hated me.
I can remember the young, immature boys with sharpened tongues quick with words that constricted the evil accumulating my skeleton as if I did not already know what needed to disappear.
I can remember my lips faking exposure of my tarnished, ***** teeth with the corners of my mouth turned up and the reflection of my cross blurred in the two windows on my body.
I can remember his voice on the other end of the phone line as he confessed his love at the same time while he was the tracing paper on my skin and I was that paper’s captain with a sharp, shiny penknife.
I can remember skipping the blue skies outside my chambered bed failing to search for the keys, but I was the guard and they were hanging on my cross.
I can remember falling to my bathroom floor, cold and sweaty begging for forgiveness as I gave my body and soul away to the undertaker when I checked off sin number “too many”.
I can remember God’s smile at me from the heavens and my heart being split open but not the bad kind of split, the kind that burst in the presence of grace.
I can remember the growling of my stomach scaring me away into night terrors, every night but they soon became my home.
I can remember sitting on the floor as my older sister, with her packed bags, walking out my house into her adult world and I was not at her car door waving goodbye.
I can remember my older brother leaving for college and I ignored the door shut.
I can remember my selfishness floating in the hands of Satan for he is the record sin keeper.
I can remember church pews darkening as I sat up from them because my sins squeezed inside and left scars, but that golden, stained glass alter at the front kept them in line all nice and tidy, and I would smile back.
I can remember that beige bread chiseled heavenly by the hands of God resting in the little golden doors behind God’s chair sprinting down my throat and planted seeds of glory in my withered and dry garden.
I can remember the holy water raining in my stomach praying for minerals of bits of food.
I can remember the blood in my veins fighting the layers of my skin rebuilding crooked patches that did match my normal skin color because I was the chemical warfare throwing rusted razors and bow and arrows penetrating the fortress just above my veins.  
I can remember needles and stitching living in the doctor’s drawer untouched by my skin even though my name has been reserved on them 47 times.
I can remember breathing.
I can remember praying.
I can remember living.
I can remember remembering this when I am 100 years old.