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"pelvises" poems
those shiny plump cherry lips i adore, their lipstick scent, my nose an inch away as we approach, i lick them end to end, they part, you gasp, a word they dare not say, this moment, unexpected, they won't ruin, reasonings, our seasonings our spice, avoiding awkward explanations, in- hale, ex-hale, minty breath sweetly nice, now pressing four lips, squeezing pair on pair, now opening now closing, tongues do taste, my fingers combing through your long black hair, saliva, corner lips, they drip in haste, the slow warm wet worms grapple, intertwine, massaging topside bottom side and side, they slither round and up ecstacy's vine, higher, higher as they deeper crawl inside, as hands on lower back pull closer in, two jealous pelvises also do kiss, to grind the dance of passion and begin, with neither of our parts ready to miss (C)2012, Christos Rigakos
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Aug 8, 2012
Aug 8, 2012 at 6:24 PM UTC
those shiny plump cherry lips i adore
The little girl slides into her slippers, supple leather gloves for her tiny feet. Her hair, though not the same copper shade, still shows tints of auburn in the light. I brush back a few stray hairs into place, back to the nape of her neck, where mine stayed for so many years. I gaze at my shoes in the corner, the ribbons limp with depression, the elastic dog-eared and sad. The satin is the dusty rose of evening. I fluff her tutu and twirl her around; Chaines come easily to her, Just as they do to me. And though even now I strike a picture-perfect arabesque, no audience is there to watch. I have passed the recital stage in life, meaning I am a shut-down factory, left to rust; no longer am I considered a ballerina. No longer am I entitled a dancer, but deep inside, past the mismatched legs and crooked knees and twisted pelvises, I still am. Her eyelashes blink up at me, and I grasp her hand as the piano begins. She sighs and ballet runs across the stage. I wish the magic came without the reprimanding. Her green eyes sparkle and her feet sing. In my little sister, I see myself.
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Dec 22, 2009
Dec 22, 2009 at 6:21 PM UTC
Reflections on The Hopeful
my derelict third year in the drone: a way to assuage what it feels to function. to breathe mechanical air. the rambunctious scent of morning appears ill, confabulated, lysergic at most. ladies in lithe dresses pose for pressing scenes. taken photographs held up in loose light. pelvises unloosening, ****** on the thoroughfares fishing for trout as men, men as flowers, lackadaisical graffiti dropping like simian jaw upon visions of thigh. everything signatures a suture so precise like a repair of the lip, or the rapture of birds in impossibly blue skies. news was that a fortune was coming in, and I slept within the masses; dreams deliberately vandalized and fragged. they said it would be marvelous. they said it would not **** i see a woman in her 20s. falling subtly, a gingham dress sexed if not pullulated by flower-heads, she said it would be darling my third year in the machine.
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Mar 2, 2016
Mar 2, 2016 at 10:33 PM UTC
Back To The Drone
I escape into a volatile world with her Tongues dance in delight As our mouths lock Our starved hands claw at our worldly bonds Revealing the soft heated flesh below Her soft voluptuous ***** Pure warmth and joy in my hands As my fingers dance around her elevated peaks Our pelvises divulge the urge to grate against one another Like tectonic plates pushed to the precipice of fault Blood coerces through my ever beating veins My now rigid endowment pulsates to the pace of my heart As my fingers now sink down between her heated thighs Like an oasis to my thirsty finger tips I glide through her Sounds of her hushed groans fill my ears As the desire to fulfill my thirst occupies the rest of me I press myself to her scorching gate and enter Lustful thrusts give way to a flooding of eroticism Nerve endings pushed to the limit of their senses Before eruptions of passion soften into tremors The world around us evaporates and only our eyes remain Fixated on each other I feel contentment and a thirst for more... -R
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Dec 18, 2018
Dec 18, 2018 at 8:37 AM UTC
The Cube