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Neville Johnson Jan 2019
Sue Venir loved Hugh Biquitous, but he was unreliable, so she confided this to her friend, Di Namic who confirmed he’d been seen with Penny Farthing and Miss Chevous. Then she ran into Ken Tucky, who’d just broken up with Jen Erator, and was known to hang with Mel N. Choly. Together, they and Dan Ube went to a party thrown by Perry Winkle at the house of Dana Point.

Con Valescence introduced Sue to Marine Layer who asked Mr. Tucky to join the conversation, and they’ve been conversing ever since. Lou Kemia couldn’t make the party as he was ill. This was confirmed by Nick Knack who’d been informed by Conrad Alert.

Penny Saver left early, heading over to the home of I. Stan Bul, who was throwing a celebration in honor of Hazel Nuts and Grant N. Aid, who were to be married by Will Power, though Miss Givings, his former girlfriend, did not approve. Celebrants included Buzz Saw, Ma Larkey, Ben E. Diction, ***** Pack and of course Ann I. Versary, who deemed it worthy of being remembered. Tom Foolery was always good for a laugh, which was appreciated by Art I. Face, Dee Vice and Tess Osterone.

Some chose to dine alfresco, notably Flora Fauna, Heidi **, and Ed U. Cate. Barb Ituate was a downer, though Ma Larkey tried to cheer her up, watched by Cliff Hanger who wanted to see what happened, until a dispute arose between Ana Conda and Ann Ticipation, who’d both been vying for the attention of Billy Goat.

Meanwhile, in another part of town, Terry Dactyl was in a dispute with Billy Club over Lilly White because of something Miss Conception had reported after hearing from that duo, Caesar Salad and Reuben Sandwich.

Junior Mints tried to mollify the situation with sugary statements, but was interrupted by Yuri Nal, who said he had to go, and then left with Jay Walking and they were off to congregate with Diane Tomeetya.

At the next table General Jive held court in a warlike mood,  that Cary Cature tried to lighten.  With them were Tex Arcana, whose accent was amusing to Bill Collector, Al Gorythm, Tim Buktu and Marv E. Lous, who always had a great time wherever he went.

By then, Bobby Pin, the luscious seamstress, had given up on Peter D. Out, after seeing him clowning around with Butch Wax and Slim N. None, all of them malcontents and disrupters.

In walked Daisy Chain, newly arrived  from the Southern Hemisphere, along with Sydney Australia. Klaus Trophobic had initially agreed to travel with the two of them, but said he had to stay at home. Frank O’Phile overhead this and confided to Phil O’Sophically that there is sometimes merit to such position.

The restaurant was owned by Ty ****, managed by Chuck Wagon, with the food delivered by waiters Clay *** and Terry Aki , assisted by busboyTara Misou.

The next morning, everyone gathered at the home of Dawn Patrol, who was there with her new husband, Earnest Money, after divorcing Perry Mutual. Deb Enture was her maid of honor.  Nick O’Time was nearly late to the party, driving in with Stu Debaker, via a shaky Uber driver named Manuel Shifting.

Al Acrity was his usual sunny self, but not when Den O’Thieves interrupted his conversation, which was shut down by Kay O.

Sherman Oaks and Van Nuys were late, having gotten mixed up on the location. Cliff Hanger was worried about the falling stock market, and as a result was getting drunk with Jack Daniels. Stan Dup was his usually assertive self, but was overshadowed by the always munificent Cy Pres.

Claude Hopper was dressed in yesterdays’ styles, but that didn’t matter to Dov Tail who  was going into business with Matt Chabox, known for his incendiary personality. They had two other partners to round the group out, **** Ular and Ben E. Fit.

Gar Gantuan loomed large, and was unstable when paired with Mo Mentum, who said in such situations, they needed to involve Otto Matic.

Terry Cloth was wrapped around Jan U. Ary, ogled by Barbie Queue and Coleman Lantern.
I patrol in my backyard
Cruising im my pedal car
I can see the Joker
Well, it's really a toy clown
Locked safely away in the toy shed

I am looking for Two Face
A teddybear that my dog ripped
So my Mum sewed up his face
But now he is out there, free
I must track him down

I search for him in the kitchen
There I spot the Scarecrow
It is a puppet, long and thin
I must stop in my search now
So I can tackle with my foe

I put the Scarecrow behind bars
My search continues, relentless
I see Two Face hiding in the lounge
I now creep up, slowly behind him
I pounce, the battle is long, but I win

That scarred teddybear is put away
Where he won't harm anymore toys
My Batcave awaits, up in my bedroom
I am sleepy, my eyes are feeling tired
I am Batman, even I must sleep
copyright Chris Smith 2010
Tyler Zempel Dec 2018
The Explorer

“Good evening everyone!  We are here outside the home of missing serial ****** and kidnapper, Chris Morris.
I’m here with my beautiful girlfriend Rachel and I’m sure being so close to Chris Morris’s house here on 21 Hoover Ln. is making her *******
tingle with excitement at the idea of the unknown we are walking into here.
A cop car has been parked outside the home for the past few hours now and has yet to disappear.
We have been waiting to venture inside just in case cops are inside doing another search,
but based on both long distance and short distance research
of the house and area, we are convinced no one is inside.
The house is dark, no movement has been detected so it’s time to decide,
go inside and explore, or bail and go home.
I’ve been salivating at the chance to explore this house and I’m pretty sure at the mouth I’m beginning to foam,
so inside we are about to go!
I’m your host Andrew Pittman and what we are about to find inside, well no one really knows.
What we discover will be caught on my camera for all of you guys to witness for yourselves.
We are going to video tape the secret room where Chris kept his victims locked up for his own sick ****** pleasure.
Whatever else we may document on this camera will be added treasure.
Here we go, on a grand endeavor,
to document and bring to you this dangerous and risky adventure.”

The cop car sitting outside the house still has me worried.
If a cop is inside combing through the building for evidence, he has not been in a hurry.
We have been parked waiting outside for a good three hours now and we can’t wait any longer.
What exactly are we walking into, well that’s the dilemma we currently ponder.
We approach the house cautiously remaining on our tip toes in order to remain silent and move undetected.
I look over to Rachel, she has to be as nervous as I am, but her face doesn’t look affected.
She’s smiling and in control of her emotions.
My face is a nervous wreck stuck in a monotone blank stare almost as if it is frozen.

We stop our approach at the front door and gather our wits for a moment.
I give Rachel a quick kiss in admiration of her determination, unbroken.
I place my hand on the door **** and hold my breath
as I turn the **** slowly opening the door, exposing a world that feels as if it’s plagued by the black death.
I was secretly hoping the door was going to be locked and we would have to find an alternate route inside or bail,
but I guess inside we go in risk of going to jail.

Once inside, we close the door behind us as quietly as possible to avoid detection if anyone is indeed inside.
I’m instantly hit in the gut with a feeling that someone has recently died.
The house is dark, very dark and quiet, too quiet.
Rachel grabs me on the shoulder, her face is excited.
She can’t believe we are actually inside the home of Chris Morris, no butterflies are swarming around in her stomach.
I, however, feel as if I’m standing on the edge of a mountain and am about to plummet.

I notice the bookcase in the living room still moved aside showing off the entrance to the hidden room.
We will explore there last as that will be the last scene my viewers are allowed to consume.
It will be the ****** of this film after all.
In the comments section below, you guys can debate that call.
Rachel moves ahead of me into the house and stops at the bedroom.
Her mouth drops nearly to the floor; her eyes fill with a sense of doom.
She looks my way beginning to shake, tears beginning to fall from her eyes.
She tells me that we have a problem and I can tell by the horror in her ****** expression that is no lie.

I make my way next to Rachel and look inside the bedroom.
What I witness more closely resembles a tomb.

With the camera still rolling, “What in God’s good name happened here?”

A naked man lies apparently dead on the ground.
A police uniform lies scattered on the floor; we may have found our cop that belongs to the patrol car out front.
A woman is handcuffed to the bed but is not moving.
If this was consensual or not, right now there’s no telling.

I approach the woman and touch her on the face to see if I get a response.
It only takes a few seconds for her to respond.
Her eyes shoot open in panic, she must have fallen asleep.
I’m not sure what we’ve stumbled upon, but whatever it is, it’s deep.

“Are, are you real?  Please tell me you’re real!’

“Yes, we are real.  What happened here?”

“That man on the floor is, or should I say, was a cop.
He pulled me over near the intersection of Bradberry and Hilltop.
He planted ******* on me and told me if I didn’t play along with his game that things wouldn’t end well for me.
He cuffed me and placed me in the back of his patrol car so I couldn’t flee,
then brought me here in order to **** me.
He snorted line after line after line of ******* off of my ***,
then as he began to **** me, he overdosed and died right there on the floor.
Honestly, I thought I was done for.
He died and I was handcuffed to this bed and no one had a clue anyone was even inside this godforsaken house.
If you don’t mind, can you find the keys for these cuffs and get me unchained from this bed?”

I agree to the request and take the keys for the cuffs off of the officer’s belt.
This is quite the unforeseen situation we’ve been dealt.
I take the cuffs off of the woman who gets up and hugs me for freeing her as Rachel looks on with a jealous stare at a half-naked woman hugging me.
I mouth towards her, “she’s just happy to be free.”

“So if you don’t mind me asking, what brought you two into this house in the first place?
I honestly had myself convinced I would never see another living face.”

“We are explorers who like to explore and document our adventures in abandoned or just down right creepy places,
and what’s the top place to hit up and explore right now?
Well…Chris Morris’s house!
So here we are to explore and document our findings.
Didn’t expect to find you and a dead cop here though.
We will cover up your identity in the film, just so you know.
O, and don’t call the cops and report this when you leave.
We will do that for you after we achieve
what we have come here to achieve.”

“Regardless of why you are here, I’m happy you guys showed up.
You just saved my life.
I won’t report this to the police, I’ll leave that for you to do.
This place does give me the creeps so that might be a cue
to not hang around here to **** long,
so do what you got to do and get the **** out!”

With that said, the woman departs leaving Rachel and I alone in the bedroom with a dead cop turned ******.
Time to find out just who this man is.
I locate the dead man’s wallet and take out his I.D. to identify just who he is for my future viewers.
Anthony Armstrong is the man’s name, what a loser.
I recognize the name.
He’s the cop that lead the searches of this house for both of the missing girls but was unable to find either of them each time.
He had everyone fooled thinking he had a heart of gold, instead it’s made out of slime.
The ****** wasn’t even able to locate the girls in this house when he executed the search warrants.
It took outside help for them to be located.
An anonymous tip lead to the location of the girls.
That must have been embarrassing.
And this Chris Morris guy is still missing!
He could be anywhere, even somewhere nearby, but he probably fled the country to avoid going to prison.

“Did you get that viewers?
This cop failed to located the two missing girls who were being held right here in this house, and was only able to finally locate them after an anonymous tip came in alerting the police to their location.
Then, when they arrived to save the girls, Chris was already gone and they have been unable to locate him ever since.
Police work at its finest, I’d say.”

Rachel and I, now tired of being in the same room as a dead corrupt cop, decide to finish up the adventure and check out the hidden room Chris used to keep the girl’s prisoner.
It would be nice to find some evidence pointing to Chris’s whereabouts so he’s finally able to face the executioner.

We exit the bedroom and make our way into the living room where the bookcase that hid the room is still moved exposing the hidden room for us just to walk into.
This is the moment we have all been waiting for, I hope you all enjoy the view.

We walk past the bookcase and enter into the hidden room,
where we are greeted with a nerving sense of gloom.
The room is even darker than the rest of the house.
Hanging on the wall is a skimpy school girl blouse.
The pervert was a teacher and I guess had a fetish for his students.
He probably brought them here to punish them for being truant.
Yeah I see it now, he would bring them here to punish them in hopes they would begin to show improvement,
but all he would do was leave them with their virginity’s ruined.

This room feels like a dungeon.
If I had to choose a way to die, I would have to go with being bludgeon.
I can’t imagine being ******* here, ***** and tortured for months on end.
This man’s actions, no one is able to defend.
The one poor girl gave birth to a baby just after being rescued from here.
That had to be one hell of an ordeal to endear.
After being ***** and abused for months on end,
she finally is rescued just to give birth to a baby that will remind her of her abuser for the rest of her life.
What a cruel ******* fate.
I hope one day she can find a good, loyal mate.

Rachel whispers into my ear…
o…I guess she is dead now…
murdered by the other girl who was kept here…
she was killed by the cops and is dead as well…
**** this adventure keeps getting darker as we go on.

Anyways, the room contains no windows as one would expect.
The one room has a table with straps and I swear it still smells of young ******* being wrecked.
*** toys still line the walls of the room.
I hope one day all of this is used as evidence in the courtroom.

The second room is just a chain attached to a wall.
The one girl reportedly spent many long hours chained up in here with nothing but a hard floor curled up in a ball.
She was drugged for her obedience or so the media has reported.
This is sickening, I wish there was some way it could all have been thwarted.
Chris really does need to be caught and forced to pay for his actions.
He needs to be punished in a merciless fashion.
I would love to have a few shots at him myself.
I would turn his final moments on the flat Earth into a brutal farewell.
This room, and house overall in general, really gives me the creeps.
I can’t imagine staying overnight here to sleep.
A constant, cold, nerve inducing chill crawls up and down my spine.
This place should be demolished and be covered by the local paper as their front-page headline.

Having enough footage between the dead police officer, cuffed to the bed, seminude girl and this godforsaken hidden room, I turn around to head back out of the room to leave.
I believe I accomplished everything I came here to achieve.
I stop in my tracks as standing in front of me at the entrance to the hidden room are a man and a woman.
The woman has a gun pointed directly at my head, wanting to pull the trigger I’m sure, to insert into my brain an life ending bullet.

The man speaks, “What are you two doing in this house?”

“We mean no harm, just came here to explore this house a little bit, to get a bird’s eye view of the set Chris Morris used to torture those poor girls.
This room is beyond disgusting and makes us want to hurl.
We found a dead cop in the bedroom and a young woman who was handcuffed to the bed who we released and has already called the police to come here, so I suggest we all make our way out of here before we get in real trouble.
Once the cops arrive and see their friend dead in that room, they won’t be in a mood to sit around with us to ******* and chuckle.”

The man motions to the woman to lower her gun.

“My name is Nathan and this is my friend Amanda.
We didn’t mean to startle you like this.
We got suspicious of the cop car that’s been parked out front for far too long and got suspicious after your car showed up and remained parked out front for an extended period of time now.
This isn’t a place for people to be hanging around anyhow.
We stumbled upon the dead cop as well so I suggest we do get moving and leave here immediately before trouble happens to stumble upon us.
I see you have a camera and like to video tape your explorations, so I have something I would like us to discuss.”

“What do you have in mind?”

“Well, my good friend Dr. James Allen Burke is conducting the most groundbreaking experiment of his life right now as we speak and could use a camera man to capture the moment on tape.”

“James Allen Burke, I’ve heard of him!  Wasn’t he the world-famous brain doctor that was forced into retirement due to trying to conduct very controversial experiments and surgeries on people?”

“Yes, however his experiments have not stopped, he just moved them underground and out of the spot light.
He lives right next door to this house, as do I on the opposite side, so how about you come over with me and use your camera for some good?  I promise you the man won’t bite.
You will be recording an event that will rewrite the history books as we know them.
Too pass on this offer would be mighty dumb.
So, what do you say?
Will you come with us?”

I look over to Rachel who appears unsure of what we should do.
I smile and wink towards her also feeling uneasy about this since this offer just came out of the blue.
But if Nathan is right and I’ll be recording a massive historic event, I can’t pass that up.
Worst comes to worst, we will thank them for their time and leave if this turns out to be a bust.

“Ok we will come with you.”

“Great, let’s get moving!”
Allen Wilbert Feb 2014
Thimble

Darkness rises from beneath,
small, ugly and has no teeth.
Crawls out from the slime,
gets more creepy each time.
Only happens once a year,
one long day makes a career.
Wanders out and wonders why,
one day is one day to shy.
Determined to make a day two,
this isn't Horton hearing a Who.
This is one mean creature,
you student, it teacher.
Only the size of a thimble,
has no name just a symbol.
Dug a hole through the pond,
it's like a miniature James Bond.
Rules the pond like no other,
looking for his missing mother.
Interviewing anything swimming,
dodging every single skimmer.
As the puddle starts to sink,
not an inch or a drop to drink.
A whirlpool circles in center,
into the whole that it enter.
Back down into its hole,
one day a year, it will patrol.

Darkness rises from beneath,
small, ugly and has no teeth.
Crawls out from the slime,
gets more creepy each time.
Only happens once a year,
one long day makes a career.
Wanders out and wonders why,
one day is one day to shy.
Determined to make a day two,
this isn't Horton hearing a Who.
This is one mean creature,
you student, it teacher.
Only the size of a thimble,
has no name just a symbol.
Dug a hole through the pond,
it's like a miniature James Bond.
Rules the pond like no other,
looking for his missing mother.
Interviewing anything swimming,
dodging every single skimmer.
As the puddle starts to sink,
not an inch or a drop to drink.
A whirlpool circles in center,
into the whole that it enter.
Back down into its hole,
one day a year, it will patrol.
we have inner peace. it helps to keep us calm
makes us feel so safe whenever we feel harm
it is there inside. there to call upon
when we need it most it helps us carry on.

there inside your body in your heart and soul
there to give you peace always on patrol.
everybody has its there inside of you
inner peace is there watching over you
we have inner peace. it helps to keep us calm
makes us feel so safe when ever we feel harm.
it is there inside. there to call upon
when we need it most it helps us carry on.

there inside your body in your heart and soul
there to give you peace always on patrol.
everybody has its there inside of you
inner peace is there and will pull you through
Jo Mar 2014
Gruff grouch griping
His words say bags
But his tone says blacks-
I'm a piece of slate covered up by white
Bars that shimmer in fluorescent lights -
He's just doing his job.
I went to a wedding
And now I'm having my bag checked
Just me, no one else,
For "contraband."
That white boy over there,
Yeah the one with blue eyes, eyes that make you
Comfortable,
He left his passport at home.  
You smile at him, it's okay you say,
Today is not your day, you bark at me.
It never is.
An incident I saw on the train leaving Canada today, I decided to write from the POV of the person chosen for a "random" check.
Clive Blake May 2021
The Cornish shore …
Where golden sand lies next
To dappled grey granite rock,
Where the sea breeze sweeps
And the mussels flock,
Where the rock pools gather
And the small ***** patrol,
Where the white foam curls
And the breakers roll,
Where the sea birds call
And the salt spray stings,
Where the seaweed sunbathes
And the limpet clings,
Where a stream’s course meanders,
And reflects the azure sky,
Where a starfish gazes skywards
And white clouds go scudding by.

By all means take treasured memories,
But please take nothing more,
And leave nothing but your footprints
On this sacred Cornish shore …
Cornwall is my homeland and l lies on the South Western most tip of the UK and is largely surrounded by the sea and its beautiful coastline.  Anything which comes from Cornwall, including its people, is/are described as Cornish. Cornish.  Cornwall is 'Kernow' in the Cornish language.
The Black Beast Mar 2020
Candle 1

Part 1

A lonely standing candle
Burning slow and dancing free.
It flickers light across the room
On a naked, you and me.

Our eyes are locked together,
Shadows dancing everywhere.
I lightly graze your cheekbone
As I brush aside your hair.

Your lips quiver in waiting,
Sending shivers to your toes.
Your breath begins to quicken
As our distance starts to close.

Oxytocin fills your body
And you feel yourself set free
As you feel my lips make contact,
And surrender yours to me.

Part 2

Soft and warm as candlelight.
Moist as summer rain.
Our lips divide for one last breath
Before they join again.

A rush now overcomes us
As they merge together fast.
Our teeth, like little soldiers
As our tongues race to get past.

Your arms grab my head tightly
As they don't want me to leave.
My beard tickles you slightly
As our heads just bob and weave.

As the candle wick burns lower,
My lips lower down your skin.
First the neck and then the chest.
Let the escapade begin.

Part 3

With my lips above your cleavage
My hands graze along your side,
'Til they softly cup your *******,
Which are beautiful and wide.

You feel a soft massage start as
Your underboob is tight.
My lips stil slowly falling
'Til your ******* are in sight.

Your fingers knotted in my hair,
Your legs around my waist.
As my tongue begins to circle
Before getting its first taste.

A quiet moan as my lips kiss
And **** upon your nips.
A few more moments, then it's time
To move down to your hips.

Part 4

This candle, nearly finished,
So, the lower I must get.
Your leg lock loosens on me
As you start to pant and sweat.

It starts with long sweet kisses,
Then a jiggle of the ****.
As my arms lock round your thighs and
Pull my face right into it.

My fingers spread you open
As I take on one last breath.
And dive in to taste the sweet treat,
'Til ****** or death.

A loud moan and long shiver
As my tongue now finds its mark.
And so, the candle burns away,
With us breathless in the dark.



Candle 2

Part 1

You light a second candle
And announce that it's my turn.
That I should lay upon my back
And let this candle this burn.

This view of you beside the light,
I simply, cannot speak.
My eyes and jaw snap open as
My muscles all fall weak.

Half lit by waltzing ambers, while,
The shadows claim the rest.
Not to jump up now and take you
Is a difficult request.

My time to wait is over as
You join me on the floor.
Making sure that as you fall our
Yearning lips collide once more.

Part 2

The wave of kissing deepens.
Your hand scrapes me as it falls.
First, my chest, and then my abs,
And then it ends up on my *****.

Our mouths pay no attention to
What's happening below.
As your hand now grips my shaft and
Starts the rhythm off real slow.

My wood becomes pure iron as
I feel your tempo surge.
And my breath becomes more stuttered
As you hold me on the verge.

You kindly ease down on your pace
And pull from one last kiss.
And as your head gets lower down
I know I'll enjoy this.

Part 3

You lick along the shaft and then
You loosen up your grip,
As your eyes engage my member
And you spit upon the tip.

Your mouth now claims it's dinner
As you gobble up my taint
And the sudden ******* motion
Makes me start to feel all faint

The slurping noises louden as
Your neck goes to and fro
With each mouthful getting deeper
As you find a steady flow.

My fingers link around your hair.
Your throat feels my quick ******.
Then while you gag and catch your breath
You turn and then adjust

Part 4

Your lip service keeps coming
As you keep your stable pace.
The only difference now is that
You're sitting on my face.

My mouth now back to action as
My tongue begins to weave.
My hands spread your cheeks open so
My nose has space to breathe.

Your flattened ******* lay dormant as
Your **** now starts to twerk.
And you grind your **** pumpum
Over one ecstatic smirk.

Our need for foreplay, over,
As we finish on our snack,
As the candle wax runs empty and
The room returns to black



Candle 3

Part 1

I vanish in the darkness and
You roll onto your spine.
You hear the sound of a match strike,
And see the candle shine.

You see me jump towards you as
You spread your legs apart.
You giggle as you clearly see
I cannot wait to start.

Your lips begin to open as
My tip begins to breach.
My arms hold on your waist as you
Soon lose the skill of speech.

The steadfast pump continues with
No need to yet go fast.
Let us endure every moment
As we feel each second last.

Part 2

Your eagerness is striking as
You push me to the ground.
As you start the task of riding
And regain the gift of sound.

Your moaning echoes round us as
You struggle to pronounce,
Now your pace sets out to quicken
And your ******* commence to bounce.

As your stamina decreases you
Decide to turn about.
And you pull a full 180
Without letting me slip out.

You then continue bouncing with
More power in each ******.
As our minds are lost to time and
Our control is lost to lust.

Part 3

I sternly lean you forward then
I kneel behind your rear.
Quickly getting back to business
But I take it up a gear.

I hold on tightly with both hands.
You feel me deep inside.
As your ******* hang low and jiggle on
With each and every stride.

Your head now rests on your crossed arms.
No strength to hold your pose.
As the ramming still continues
In the dimly lit shadows.

Our breaths are long and staggered with
Our bodies drenched in sweat.
So I choose to change position as
It isn't over yet.

Part 4

I lift you to the wall and hold
My fingers to your throat,
As I resume the insertion
And your brain begins to float.

A gasp of air revives you as
My hand loosens its grip.
But an intense rush consumes you
As you start to twitch and drip.

I let you sit upon the floor
And offer out my *****.
You swiftly take it in your mouth
And suckle on this load.

A ****** overcomes me and
I blow inside your jaw.
As the light begins to flicker
And the candle burns no more.



Candle 4

Part 1

The final wick ignited as
Together, we lay still.
The time of action, over as
We both have had our fill.

Our ribcages expanding as
Our lungs almost break out.
Overworked and undernourished as
We rest from our workout.

Your head is resting on my arm,
Your eyes stare at my chest.
They mark out a new spot for you
To use as an armrest.

A light cascade of fingertips
Caress across my side
As your hand takes its position
At the place that you had eyed.

Part 2

I see your cheeky smile as
I feel your tickle too
As i let out a quick giggle
And then try to tickle you.

A quick under and over as
Your hand comes up to block
Within moments it is over
As our fingers clasp and lock.

A sudden change of vibe now as
Our pupils lock as one.
As we both, within this moment,
Have been hit with shock and stun.

Our heads both drawn together as
We again lose control.
As our lips are reunited
And our tongues start their patrol.

Part 3

With our bodies spent and aching
The smooch doesn't last too long
As you lift your head and smile at
The thought of nothing wrong

I can see the candle dancing as
Your eyes reflect its glow
As our hands continue clutching as
We both will not let go.

My brain records this moment that
I never will forget.
How beautiful you look right now
Still covered in your sweat.

You rest your head below my neck,
An ear upon my frame.
As you listen to my heartbeat
And you hear it call your name.

Part 4

Your eyelids start to weaken and
Your breaths start to extend
Soon you feel your body slipping
And your consciousness, transcend.

A light snore soon escapes you and
I cannot help but grin,
As I don't want to disturb you
As you sleep upon my skin.

My arm is dead and stinging so
I try to change my stance.
I slide it out as I try not
To wake you up by chance.

I cuddle up beside you as
The room goes void of light.
I kiss your hair and then I wish
Sweet dreams for you tonight.
David Tollick Mar 2011
careless that she is a soldier's daughter
this afternoon she is a dancer
Looby-Loo skipsy across the cool tiles
while outside the sun crushes the town

hardly enough of her
to fill her pinafore
feather, skelf, sunbeam in perfect time
to the tune in her head

she holds her audience's gaze
four chairs, a broom and the cat
she notices a moth caught in a web
the window squeaks in the heat

1000s of miles away
sand catches at his boots
his mind waltzes back
across his last patrol

trusting the instincts
which have carried him safely
through each patrol so far
dancing with his death

like some deadly tango
after the first few steps
there is no going back
just like having children

there is no going back
Gabriel burnS May 2018
I hadn’t spoken for so long
a tiny spider had moved in
at the corner of my mouth
eating my words

my tongue laying limp like a
slain dragon at the bottom of the cave
like a king who passed away right there
on his throne having given the last order

my arms almost as still as uncontested borders
only palms carry out maneuvers
and fingers patrol the manifestation of expressions
commanded by thought fibers
like puppet soldiers

and the lines in the sand are words
born of themselves
telltale heartstrings stalking now the realm
just outside the eye orbit
Specs Jul 2019
There’s a superhero protecting the city,
And when the sun goes down he fights
To keep his friends and family safe
On treacherous, deadly nights.
He uses his marvelous super strength
For lots of things, it‘s quite practical.
And he uses invisibility
To be supremely sneaky and tactical.

Each and every night he goes to stop
Bad people from doing bad things
The city loves their superhero,
And treat him as their king.
They know him well and they can tell
That he’ll always treat them with care
They know they can call at any time,
And that the hero will always be there.

But many long and sleepless nights
Begin to take their toll.
The hero’s getting tired
Night after night on patrol.
And the battles fought aren’t easily won,
The hero’s decorated with scars
From poison darts, and fisticuffs,
Falling from buildings onto cars.

But no one else can protect the people
Whom the hero love so dear,
So the hero cannot take a break,
Not one day off because he fears
That as soon as he’s gone the baddies will come
And wreak havoc on his friends
And the hero cannot allow that to happen;
He could never make amends.

Though he’s growing quite weary, the hero keeps fighting
Because that’s the way heroes are wired.
But his strength doesn’t work like it used to,
And his invisibility tends to backfire.
His strength only works around other people,
He grows weak as soon as they’re gone.
He’s invisible almost all of the time,
So people can’t see something’s wrong.

It’s now to the point where the hero dreads
The sun sinking into the west
Because he knows that once the sun goes down,
He’ll be put to the test.
He’s so tired and weak and he’s ready to quit
But he knows he must go out again.
Isn’t protecting the city week after week
Worth any amount of pain?

He’s reluctant to go out, and almost dares to do evil,
To show that he’s in control.
But he knows he never will, his reputation’s at stake,
And he prepares to go out on patrol.
The city is asking to be saved once again.
And he cries as the sky turns red,
Maybe the city won’t expect to be saved
If the hero himself is dead.

For the hero feels so very alone.
He knows he can’t go on forever.
How many more super villains and monsters,
He asks, can this poor hero weather?
The hero knows that he can’t go much longer,
That he only has a little while
Before the people figure out he’s hurt
But for now he saves with a smile.

Though his bones are weak, and his skin is bruised,
Off to save the city once more, he goes.
He’s pushing himself far past his limit
As he brawls ‘gainst countless foes.
He wants to keep his people safe,
Though he may be going to his grave.
For no one ever taught this hero
To save others, first himself he has to save.
I’m so very tired
The needle falls down on the record, a thump deep in the bass, the speaker cone shakes and the sound ocean floods from my Serwin-Vegas...That alien who stepped out of the saucer in Close Encounters of the Third Kind decides to speak to Dreyfuss, and this is what it sounds like. This is the language of his planet, on the other side of a black hole in the Gamma region.

A ****** of crows, cold in the snow, muttering low, squeaking and squealing. Love taking on flesh and blood, suffocated by skin, now let's let the service begin. They sing their gut-hungry praises then flitter away.

Signifying nothing.

The priest places the wafer on the infidel's tongue. He lifts the cup to the liar's lips. A subtle glow emitted from a place slightly behind his head. He intones the Mass and tries to empty himself to allow the Holy Spirit to work through him as he ministers in the name of Jesus Christ to his congregation. The Spirit lifts up his voice to the sky and intercedes for my weak soul.

These chants are ancient, as old as the book of Genesis. These are the languages of the Mishraites or the Zareathites or the Eshtaulites. These are the tongues spoken by Zimran, Jokshan, Medan, Midian, Ishbak and Shuah. A language taught to them by their slave ancestors, excommunicated from the clans of Sarah, mother of the promised. A language used by Abraham himself, when he beckoned Isaac to the land of Moriah, making him carry the sacrificial knife soon held to his throat.

The procession moves forward, each recieving the body and blood in turn, enriched and better for recieving it. They walk like slaves submitting to a kind master they love to serve back to their seats in the cathedral, to wait, to get lost in the sacred relics and the sacred art scattered throughout this beautiful sanctuary.

And surely the Lord is in this place, for all that is good is from the Lord and this music is exceptionally good.

The chanting continues, now sung in the language of Baal-Zephon, where the king went after the Israelites, translated: "Wasn't there enough room in Egypt to bury us? Is that why you brought us out here to die in the desert? Why did you bring us out of Egypt, anyway? While we were there didn't we tell you to leave us alone? We had rather be slaves in Egypt than die in this desert!..."

These tone poems, written in the days of the Exodus, have a modern sound to them that is uncanny. Aliens who landed on earth in 897 BC bestowed gifts of prophecy and tongues to the individual members of the head's charge, and they are merely tools at the disposal of the leader of the aliens in their attempts to express themselves to the earthlings. No, there's no way any of us not from their planet could ever understand their language, borrowed as it was from the priests, Zadok and Abiathar in a meeting held on Mount Calvary the last time they landed on earth. The chord progressions are subliminally tainted with commands to relax, encourage a sense of floating, drift off with the thoughts that interest you most.

A looping tribal dance, recorded on site at a Buddhist monastary where the monks would mumble polyphonic OMs and the tourists would catapult their spirits through a needle's eye just to show that it can be done... Are they praying for rain? Or is it a rich harvest they petition the Great Spirit for today, their knees to the ground? The dance turns into an ****, bodies tangled up misplaced pieces of a jigsaw puzzle.

They **** the whale, and so we mourn.

They fester hate like a sore that won't go away, so we sing this lamentation. Translation: "The Son wants you...Hear things in the music that aren't there, only in your hammer struck head. Ring the living bell, ring the living bell, shine the living light, shine the living light...

They incite aggression, so we back off.

They treat the blind man with scorn and contempt, so we judge them.

They are good for nothing but fighting your wars, their stone hardened hearts too far gone to notice each life snuffed out under orders from ground patrol. So we pray for conflict. We petition the Lord for strife and dischord. Exterminate these burned-out husks of men before their 4 years are up.

They lay hands upon the genius and lock him in institutions with people who pull steak knives on strangers. They are afraid of him, so they put him away, in sweat-stinking padded cells or wrapped up nice and tight in a straight, mornings woke and hustled to the breakfast line. They extricate his confidence, thought pattern by thought pattern, and curb the flow of his intellect. They leave us to sing a funeral song for the postmodern society on the day when common sense is evenly distributed amongst individuals and Moral Law is accepted as fact by each and all. A dirge for each time you've ever been hurt by someone's words or actions. Our common denominator of heartache and sorrow. Divided about all other things, by necessity united by tears, wailing, howling at the moon, primal scream therapy and insomnia.

And now the church is empty. Angels lingering to usher the Spirit from the echoing halls. Silence and stillness brutal proof of God. Music from the other side of this life. Welcoming songs played at St. Peter's Gate. Stubborn prayers from those passed over, coaxing us through, waiting with scissors at the ready to slice the mortal coil. Believers bellys full of the body and blood of the Lord, digesting it at this very moment, letting the body do it's digestive work, preparing it for re-birth.
hyacinth w Oct 2015
you: alone after sunset, gathering firewood and skimming the shoreline for bodies with your eyes (only the entire beach is abandoned by now)

me: nine thousand planets away, complacent to the decompression window reflecting my own grotesque image while alarms go off in the other room
Andrew T Jul 2016
Control the guns. Or unload on one. Under the hopeless sun. Or control the shooters who stole his future.
Patrol in stupor when the gaping hole is super. Rolling in supras.
Holding and maneuver, round the bend. Good lord, glad I found the pen. But white men found the pen. In there, Black men down and spent. And they're wasting away in the pen. Write a letter to their friends. Either their behind the bars, or drinking in bars, or rhyming these bars. Spit it like I got tobacco juice in my mouth. Another shooting in the south, while I watch from the couch.

Kendrick said we gon be all right. And I'll believe him, when everyone has the same rights. When the white man know wrong from right. But just because you're light in your skin, it doesn't mean you're gone from light. Let this song break fights. Still though, as long as we're nice, you'll still invite us to smoke bongs and pipes.

But when the summer heat scorches the streets and the Porsches, next to the fortress with the smooth grain porches, you will ignore this. Warning shot coming at you, hot enough to light torches. I wake up every day thinking life is gorgeous, but at night I still walk like the tortoise.

No more of this.

Blood spilling on the pavement, now you wonder why I lounge in the basement. They say practice patience. They say keep waiting. They say there's saving. Pop a pill, forget about life, start raving. Po-po after the po, so send Edgar Allen Poe with a raven. Calling us kings, like this Game of Thrones, but this war is ancient. God vs. Satan. Medusa vs. the Maiden. Neo vs. all the agents.

Take hits before I escape to the matrix. Tired of eating fake ****. Make spliffs, out of makeshift wooden ships, that Cuba Gooding Jr. Gripped. Won't take lip, go and save it. Why are they loved and we hated?

Emotion flowing from the mac and the healing potion flowing from the track. Go in the back. Put the slow motion in the stacks, the records from class, tethered in snacks. America's anger is growing in fact, because every one knowing life's back. Shoot the body and throw it in the back. Fiction, or reality? Turn on the television, that has driven your vision to a complacent state of living. And you wonder why we're so forgiving?

But we're never forgetting. This here is armageddon. This is how life be when karma getting to be like, getting to be like, getting to be like fatal. Like Cain did abel. Death, or disabled. Missed the fable, because I kissed the label. Then the bottle, as I went and risked the stable. Now I'm gathering my crew and we're ****** and a holes.

Hear the shot ring from Baton Rouge to Chicago. Thinking about becoming a florist. Foreigner in this land of tourists. Listening to beats from Morris. Joshua hit me up for the chorus. How many black Americans need to die? If it were white people, would you ignore this?
Tyler Man Apr 2014
Instant mischief
They call me the beat chief
Making you all chant
Even well you got no breath you pant
Now what's next
Gonna make you feel my inner context
It's what's inside
That makes my heart burst with pride
It's how I've learned to flow
Turned me from intense to mellow
And now that I've gained control
I'm up here on patrol
The dance floors filling with bass
I promise you you'll feel it in your face!
Your feet going so crazy
There's no way you'll feel lazy
This is the roll call
All is present I've got them all
Never leavenin
Cause I'm a fiendin
For the evenin
The bass is my meanin
Let go of it all out of me to you
You may think I'm a fool
But I just love
To make you feel like your floating above
A beautiful cloud
Vibrating aloud
What I feel now when I'm up on stage playing music
the air was thick and heavy
the sun was heating up the sky
And somewhere in the jungle
more men were gonna die

The streets were full of people
Feral dogs were running free
The haze was thick and murky
The sun you couldn't see

It's a Saigon Sunday Morning
Ten more men were going home
To  a flag tri-corner folded
And a marker of white stone

The men were all assembled
To load them up with care
It was a Saigon Sunday Morning
with ten men no longer there

The jungle was a minefield
The trees were blocking out the light
It was ***** trapped like crazy
And it seemed like it was night

A patrol went hunting "Charlie"
But, they were found out first
It only took twelve seconds
And it turned out for the worst

The city never noticed
The 'copters flying overhead
Whether bringing in supplies
Or taking out the dead

It was a Saigon Sunday Morning
It never changed one little bit
The air was always heavy
And the alleys smelled like ****

Back home the news delivered
The families destroyed
They were waiting for their loved ones
A short time were deployed

Ribbons tied around the Oak Tree
to support those coming back
On a Saigon Sunday Morning
With twenty bullets in their back

A transport with the bodies
Drops fifty more to play the game
It's a vicious, endless, circle
The procedure's all the same

It's a Saigon Sunday Morning
Ten more men were going home
To a flag tri-corner folded
And a marker of white stone
Keith J Collard Oct 2012
Antennas sink,
anchors rise,
the sky is a Great White,
coming for a land capsized,
Wade towards the breakers,
For the house's lamps to glow,
The sky swims fast,
The arc flash moves slow,
Antennas now anchors--
The great white sky on patrol.
shaqila Dec 2013
Latin love to be called ******* we pick fruits and vegetables for a living.
We latins love cleaning toilets and floors and being maids in rich households.
Latins steal what ever ain't tied or sealed to something in rich homes we work as maids in.
Latins are mainly janitors or mechanics.
Latins got a natural instinct to run when we don't have a a green card from the border patrol.
Latins love being migrant workers.
Latins dance and have *** all day.
Latins don't believe in birth control and our population is growing faster than one of my other cultures asians.
We latins think our skin is not brown we closer to white and bleach our hair blonde.
We latins love mooch off all and not pay back what we borrow.
We love drugs and make them and sell them in our ghettos.
We live in small houses with hundreds of family and other latins living in only one room.
Latins favorite foods are tacos not like ones taco bell makes.
Latins are lazy.
Latins come to America to get welfare and make their babies legal immigrants.
My latin uncles cell fruit on the freeway off ramp when they aint out doing drugs and scamming money off someone.
Latins come to America love working as day laborers to get a day of pay then don't got back to work cause they lazy.
Andrew Rueter Dec 2017
When cops aren't held accountable
We're bound to fall
To unanswered calls
And free for alls
In project halls
With narrow walls

Fear gets the best of judgement
A cop shoots a suspect
He gives an explanation
Which doesn't pass examination
Only exacerbates inflammation
Stemming from the police station
When they go on patrol
To show who's in control
And act as rough terrorists
As the cuffs tear our wrists

The blood ceases to be red
As it gushes from our head
It becomes black or white
The difference day and night
The impulse is to fight
But is that right?
Will we lose sight
And become wrong
And sing their song?

Their favorite method for oppression
Is unbridled aggression
With discriminate discretion
Yet we're supposed to be nonviolent?
Even when the media has gone silent?
Even when a loved one has been maimed?
Or framed?
They depend on our inaction
To continue painful interactions
As we look for distractions
We build a mental immunity
Which gives the cops impunity
They think they're getting through to me
I just don't want them to shoot so I'll be free
I'll tell them what they want to hear
When they know violence is my fear
They use the mystery of suffering
And their long history of cuffing me
To manipulate me and get what they want
Then on the way to jail they tease and taunt
They've numbed themselves to my plight
And blinded themselves from my light
They hope they'll never see me again
After sending me to the state pen

The police get a thrill
Out of taking away our agency
The police get to ****
Despite how much we beg and plead
The cops keep making us needlessly bleed
Our supposed rights they needlessly read
A government system they needlessly feed

I feel rage and impotence
In this cage of hypocrites
The cops
Run a shop
Where hammers always look for nails
Even if they're minor fails
When employment depends on success
And ambitions rely on arrests
We better wear a vest
Because they'll terrorize the public
Then open their arms
For therein lies the musket
That does us harm

The police brutalize
While we rue their lies
But stay in disguise
Because they have the power to destroy us
People won't employ us
People won't enjoy us
Once we're trapped in a lonely cell
The police then toy with us
Making us feel like we're alone in hell

The police engender a vicious fear
Especially when they smell like beer
To cover up their tears
From what they do to their peers
They terrorize
We're paralyzed
We must teach them to be decent
When evidence of their hate is recent
The law must be followed
But the enforcers are hollow
And they bend the law
To twist our screws
We're stuck in their claws
Destined to lose
Where Shelter Jul 2023
They come by dawn’s early light


Just past Five am, they do an extended aerial search,
though well familiar with the shoreline and our oppo
campsites, they fly over in formation noisily debating,
which hunting grounds seem most secure, least guarded.

the scouts, numbering six, descend to the far edge of an
adjoining neighbor’s property, as always, remaining close
to the water’s edge, while the main body of these ghastly,
geesely beasts, numbering today a massive force of 42, land and storm our beach, after traversing up the earthen berms that buffer the bulkhead, and that also provides them a out-of-sight, surreptitious, secretive approach to the fresh green grass, that has emerged from two days of much needed sky watering.

Our preparations are at the ready, the old faux velvet slippers by the door, next to it our weapon of choice, a white parasol, most suitable for a tour group of tourists to follow, but this day, it is an extension of a waving arm and low growling.  Once the bevy of heads are espied bobbing spotted coming over the rise that downward slopes to the beach, the battle commences!

The two forces well known to each other, we advance slowly,
with a deliberate mien on our faces and in our step, and the enmity, I mean enemy, sees us coming and the alert is squawked, and all heads raised. they the geese, are in full dress fight or flee modality.  

We get within but a few paces when they squeak retreat, and in good order march to the beach, hoping to observe us in an early retreat and plan a sneaky return.  But we  proceed closer and they beat their wings and head to safety, and seeing us close observing their action, wisely to the water go.

But we know them well. Uncannily uncanny, they pretend to hide evasively, with semi-wounded pride nursed, while under the cover afforded by the dock. Yet, seeing our presence in attentive attention,  go forth finally to a safe distance to the wide, broad Peconic Bay.  

But this day is not yet over, for these foul fowl, counting upon human laziness and the appeal of a quick victory, paddle over to our other neighbor’s unguarded land mass and start to clamber up onto dry land 100 yards further east.

We gamely observe and realize furthest action now required,
descend to the beach, each side warily observing, regrouping.
Our approach is well kenned, and the enemy decides this day their cause is lost, and to the water retreat once more, heading around the bend, onwards to Shell Beach and West Neck Harbor.

As we return to our encampment, the bunny rabbits who,live beneath the deck emerge to give us glorious applause, for love no lost tween these two mismatched species of the same Kingdom, who share the appetite for the grasses greenest nutrients, though the geese leave their dreaded cluster bombs most unpleasant, and fully ravage the grass as if it was theirs alone.

The rabbits bring us coffee in porcelain mugs, steaming hot, for they have witnessed before this dance, most progressive, this charade of derring do, and love the quietude of the early morning, happy to share it with the itinerant beach walkers of the early hours and our
Dawn Patrol.

We drink in  our victory in deep and hot, and note per doctors orders, that our heart rate never exceeded 125 beats per minute, as ordered.

Sunday Jul 25
Silver Beach Armed Forces (SBAF!)
Peconic Beach Division

Officer Natalino (his official code name]
p.s. For reasons mysterious and unknown, our earbuds play a victory much most apropos, Act Ii: Dances of the Swan by Tchaikovsky
p.p.s. the next they returned with reenforcements, sixty  strong in all, some with
attitude,refusing to budge, unti almost face smacked…but they retreated and I watched them away,for the morning was glorious, orange clouds, reflecting the sun light arising, from behind my back…a pale blue hued sky of an aquamarine, and I secretly (shhhh) thanked then **** geese for waking and taking me lit to watch immobile the birthing of a beautiful, temperate day…

P.P.P.S.  If you look to the map on the left, the battle ground is clear and visible!
Marshall Gass Apr 2014
The national pride is nullified by the constant buzz of shores
being broken down and beaten with patrol boats
scouring the waves for lame boats carrying
malnourished passengers to a land of plenty.

With searchlights and stern rugged faces
blue uniformed and well fed, border patrol
scout out the weary travellers braving the high seas
and sharks to find a safe heaven in some hidden cove.

Pest control is serious business. Unlucky to be caught
and housed in centres with rationed food and worn clothes
herded into bare camps, often deported back
to home turf, the pest control cycle continues.

Take heed. A nation is built on pests., working hard, saving
every cent, running against the clock, against government agencies, starved and poor, defeated in justice, welfare,
community, papers, education and livelihood, slinking through
alleyways of paper networks, low paid, often beaten and bruised
packed in housing crates, stacked storeys high, nation building
begins at the journeys first step away from regimes too busy amassing wealth and wonder for themselves.

Nation builders are the pests you want. The pests you spend your money  to keep away from your own backyard
for a vote for safety.
Pin up a country that did not grow without these
masses of refuge pests?

Not one.

Author Notes
Migrants are nation builders. Check it out.
© Marshall Gass. All rights reserved.
AprilDawn Apr 2015
in the catalpa tree
beautiful daddy flits
and flutters by
plane jane mama sits
in the branches
on patrol
spring  storms savage
this little winged family
  Lily cat's restless prowl
anticipates the promise of eggs
nothing
is ever guaranteed
You just never know which way the winds of life will blow
Keith J Collard Sep 2012
Mom what are these snails,
with blood and sweat trails?
lumbering mountians, hauling heavy shells,
jumping in beer--killing themselves,
Why do they still patrol
the garden flag poles,
writhing in pain,
salt in flesh--burning holes,
Mother, the neighbors have no flag,
but they have a saltshaker to wave?
crushed shell--only way they listen to them,
rejoicing--at salted skin--wetly glistening.

But I feel I must do the same,
Well before the recruiter came,
I know what he sells,
The salty brimstone of hell,
But these Blood Sweat Snails in the dirt,
Jumping on grenades,
Absorbing brimstone bursts.
Truly are the salt of the Earth.
Andrei Marin Aug 2016
There was a rhythm in the night,
an echo from out of sight,

footsteps on cold concrete,
in an ally, dimly lit.

It was his last night guarding,
representing law and justice,
so much patience to practice.

He worked for the police: so slow and sluggish,
bound up in red tape, corruption and *******...

But tomorrow he'll be free,
returning to his farm house; the one with the old tree,
breathing in the fresh air, with the scent of young grass,
not like the city, smelling of smoke and gas.

His dreaming was cut short, by the sound of shattered glass,
turning around he saw a spark, heard a shot: he was caught...

Falling into death, the eternal black mass,
the last thing he saw; fields of green grass...
Andrew Rueter Feb 2018
We revere our ancestors
Becoming their protectors
Because they're remembered
With a golden scepter
Yet they're only infectors
Through outdated lectures

If you examine history
It doesn't take too long
To unravel the mystery
Our ancestors were wrong
They sing a siren's song
Of tradition
As redundant repetition
They sing a tribal hymn
Of societal sin
That fools fall in
Until we're walled in

If you want to meet our ancestors
Go to North Sentinel Island
They'll turn you into a rejector
Or **** you where you stand
The last island of savages
It's barely inhabited
Due to its low population
And the fact that its inhabitants are barely people
There's further obfuscation
When they can't differentiate between good and evil

Two fishermen drifted toward the village
Not to ****** and pillage
They had haphazardly fallen asleep
And temporarily lost control
They couldn't hear their worried fleet
Or the natives on patrol
They were turned into the dearly departed
Because these savages are basically *******
No justice was found for those men
They were killed by a protected people
Why are we protecting them then
If mere contact will always be lethal?

We love our ancestors so much we let them ****** us
Yet these are the same people that have inserted us
Into this cycle of violence
And now they're dead
The only relief is their silence
Their ideas we must shed
Can be found in my self published poetry book “Icy”.
https://www.amazon.com/Icy-Andrew-Rueter-ebook/dp/B07VDLZT9Y/ref=sr_1_1?keywords=Icy+Andrew+Rueter&qid=1572980151&sr=8-1
Pax Oct 2013
What is right from wrong?
What is worth keeping from what’s meant releasing?

From a dark veil you hide
Obligated, you abide
A silent prison you call home
That’s life in this dome

Wield by a strong patrol
Withheld by unyielding control

Flying has a price
It always has, a bounty to arise

Dominated,
Cultivated,
Motivated
By a driven force
Subside our hunger course
From the will to adapt
For what’s just right, we tap.














.
.
.
:my Quotes:
Some things are our guidance, but it doesn’t meant to withheld us from swimming.

*© Pax
i think this link will explain what is meant by this piece
here: http://www.writerscafe.org/writing/willyampax/1242562/
Mike Essig Oct 2015
hatchet-faced features
of the very young
who try to look tough
as they finger their guns

poised to step off
into a lie
and begin a walk
where any can die

the hidden mines
await their feet
poised to turn them
into lumps of meat

children really, barely
old enough to shave
with feet never farther
than a step from the grave

  ~mce
I , Frank Wilson , would be lawyer , represent myself in this attack upon my honor ! For I am a studious , God fearing man ! I bow before no Judge , Lawyer or Constable ! Your court dwells beneath moral turpitude , a jury of my peers will soon know the truth !
I do not recognize that woman and child , I'll not pay the stipend your foreman has read out loud ! Your verdict means little in my hardened eyes , one that I refuse to recognize !
Bailiff ! Send for the State Patrol , summon the officer before this Court ! Take this man directly to jail ! I want him in Reidsville by five p.m. !
Copyright October 5 , 2015 by Randolph L Wilson * All Rights Reserved
Lawrence Hall Nov 2018
Outside with the dogs for their night patrol
A bright flashlight for fear of wild winter wolves
Death-singing from the tree-line beyond the field -
My little dogs bark boldly, but stay close

They’re never permitted beyond the fence
That Hadrian’s Wall of doggylization
Through which they plot escape on sunny days
But not on this wolf-howling moonlit night

Better to have a chew-toy than to be one
So with them I close the door against the dark
KRB Apr 2014
I must look like a train-wreck to everyone at this party. Emaciated-chic melting into the couch with shaky hands and sweaty palms has never looked good on anyone. I can’t tell if the bass pounding from the stereo has seeped through my skin or if my heart has turned into a battering ram, using all of its power to break through my sternum. You think I would have learned after all these years-- benzos and ***** are never a good combination. But I still have at least fifty bucks to make at this party off of over-privileged, toxin-craving youth. Besides, it’s a bearable feeling, and I can just sleep it off on the couch here tonight.
       I survey the room, attempting to remember where the stairs to the basement were located. After forcing my drooping eyelids to stay open, I watch a parade of lax bros make their way up the stairs and into the kitchen. They are a mess of scrawny limbs floating in pinnies and their air-filled heads are capped off with snapbacks. Their smugness is laughable and mostly, if not entirely, induced by massive amounts of *******. Please. The only reason people show up to this dump is because of the free ***** and the always-entertaining fight that is guaranteed to happen by the end of the party. Even then, the crowd is mostly freshmen, and they just don’t know any better.
       A booming yooooo crashes down the staircase and stumbles towards me. I refrain from rolling my eyes.
       “Hey, you!” I have no idea who this is.
       “Whatchyew got tonight?” asks the greasy manchild with a few scraggly hairs bursting out of his chin.
       “Depends on what you’re looking for,” I respond, wishing I had worn something other than an oversized sweater and leggings. You shouldn’t hide everything in your cleavage.
       “How much you want for the zannies?”
       Hoping to never see this scumbag again, I figure it wouldn’t hurt to scare him off by jumping the price to seven bucks a bar. But before I can even grab the plastic bag out of my bra, I’m momentarily blinded by piercing red and blue LEDs out the window.
       “Aw, shiiiit,” he says as he races toward the back door.
       I struggle out of the crevice in the couch and calmly follow the manchild, pushing my way through the crowd by the door. My car is waiting patiently for me in the cul de sac, and once I get past the herd of screaming freshmen, I’ll be in the clear. Anyone will move if you start throwing elbows directly into their ribs. It’s a nice party trick to use when the cops show up.
       I’m able to make it onto the back porch, but I can’t seem to find the strength that is located in my legs. My strong limbs have been replaced by jellyfish tentacles. I grab onto the railing of the steps, but I learn quickly that it’s not going to help. I trip over my feet, the stairs, the air, everything, until I am able to lean heavily on the driver’s side of my car.
       The booming yooooo reappears.
       ******* it. I can’t deal with this kid right now.
       “I just gotta text that the cops are on their way back here. Better get out.”
       ****. I face the car and begin to fumble with my keys. While I attempt to find the one that will open this machine, I listen to the wail of sirens a few streets down. I finally retrieve it, but I realize by the time I start the car and head towards home, the cops will be here, and I can’t ruin my spotless record. The knee-high hedges lining the circle would never be able to completely cover me, and every other house on this street looks unfamiliar. I press a small, blue button and hear a pop in the back. Normally at this time, my common sense would **** in and tell me that the trunk of a car isn’t exactly a good place to hide, but I’m starting to feel the cold through the numbness. And the last thing I want to deal with is explaining to my parents how their angel has taken herself off of her meds to make some extra cash.  Better get comfortable, I guess.
       I lumber into the trunk, thankful that there are at least some blankets left over from the last time I went camping with my family. Breathing heavily, I pull the lid behind me. From here, several familiar voices grow frantic and demanding: Dump that **** now... Get rid of it... I don’t care how much you spent, I’m not getting caught with it... I roll gently onto my side, careful not to shake the car, only to rediscover the plastic bag filled with Xanax.
       I freeze when I hear cars pull up nearby. The crash of heavy metal doors boom through the hectic sounds of the people trying their hardest to get out of the way. I listen to the rough growl of a sturdy boot as it kicks aside pieces of broken glass and plastic cups.
       “You think that after the fourth time we’ve busted this house, they would get the hint,” says a stern officer. I imagine him as they type with a faded buzz cut, bulging muscles, and aviator sunglasses even though it’s well past midnight.
       “Well, kids will be kids,” says a more seasoned member of the law. He sounds like my grandfather and has probably seen more terrifying images than an underage girl in skimpy clothing puking in a nearby flowerbed. It seems as though the stern officer is herding the party-goers towards the back of the patrol car.
       “That’s no excuse,” says Stern Cop.
       “So you’re telling me that you never went to a party or had a beer before you turned 21?”
       “Well, that’s different. I was in control.”
       Hearing your rights sounds much less dramatic in real life than it does on TV. For these underage drinkers, it’s a sped-up process that is muffled by their own sobs. The metallic clink of handcuffs echoes through the air and immediately hushes everyone. Soft Cop chuckles and gently closes the door, attempting not to startle the shaken-up criminals.
       I am finally able to exhale as a car drives away, but I don’t feel as if I’ve gotten away with anything. I shift onto my back and look up at the roof of the trunk, illuminated by the blue-green light of my cell phone. Glancing down at the screen, I see the time: 1:47 a.m. I’m going to have to venture out into the world eventually.
       As I gather my strength and roll towards the trunk release, I feel my keys in my pocket along with a tiny click. Immediately, my car begins to scream. I scramble for my keys, hoping that no one is here to witness the embarrassing mess I’ve made of myself. Once I finally get the car to calm down, I hear an intoxicating mix of chuckles and mild profanities strung together. It’s Soft Cop. He knows.
       “Is everything alright in there?” asks Soft Cop as he knocks on the trunk.
       What am I supposed to say? Yeah, everything’s fine. Just chillin’ out here. No worries.
       “Uh... yes, sir. Just give me a moment.”
       I unlock the trunk and start push it upwards, but Soft Cop has managed to get to it first. He is a tall, thick man with a glorious salt-and-pepper colored mustache. His soft eyes look tired like a basset hound’s. I see his name-tag–– G. Lewis. He looks like a Gary.
       “Didjya get a little stuck?” he asks.
       “Yeah.” I smile and try not to let my nervous laugh creep through.
       Gary looks around the cul de sac and back into the trunk, reaching his chubby fingers towards me. As he helps me out, I notice that he’s a lot stronger than he looks.
       “Sorry for breaking up the party tonight. Have fun?” he asks, tilting his head towards me, eyes curious and comforting.
       “For a little. I didn’t get to stay very long.”
       He nods his head towards my car. “If you don’t mind me asking,” he chuckles, “how’d you wind up in there?”
“I guess I just got scared. I didn’t want to get in trouble for being here.”
       Gary finds this amusing and swears that by now, every other cop has left the area. He explains that he’s been left to make sure nothing starts back up. He shoves his hands in his pockets and kicks around an empty Miller Lite can.
       “Listen, I can tell you’ve been drinking.” His voice has changed. I know this tone. This is the tone of Your Mother and I both love you very much, and we’re not mad. We’re just disappointed. He looks me straight in the eyes, concern written all over his face. “Correct?”
       There’s no point lying to him, but who wants to be the one throw themselves under the bus? I’m trying to put the words together, but all I can manage is incoherent babbling.
       “Don’t worry. You’re not in trouble,” he insists. “I just don’t want you driving away in this state. You seemed to have a hard time finding the steering wheel.” A smirk emerges on his face, eventually growing in size to a radiating smile. He’s proud of that one.
       “Yeah, I guess I could take a nap in the backseat.”
       “How about I just drop you off at your house. You can pick up your car in the morning. Sound like a plan?”
       “Yes, sir.”
       We look at each other for a second. No thank you is needed. No more words are necessary. I relax my shoulders and look up at the clear sky. I feel the wind blow, and I don’t seem to mind the biting December wind.
       “Didn’t bring a coat?” asks Gary.
       “Didn’t match my outfit.”
       “You sound just like my granddaughter.” He laughs. “You even have the same blonde hair and big green eyes. It’s uncanny.”
       He then stops and looks down on the ground, eyes growing wide and serious. I know what he’s looking at. I was hoping he wouldn’t see my stash that is now laying on the street: eight white pills in a plastic sandwich bag, sweaty from making a quick escape from under my sweater.
       Gary sighs and lets his lips purse, still looking at the bag. The salt-and-pepper mustache takes over his mouth. He gathers his hands on his hips, shoulders hunching forward. He stays like this as I avoid the opportunity to make eye contact. After drawing some air into his lungs, he finally has the courage to look up with sullen and wet eyes.
       “Well,” he says as he regains his composure. He kicks the bag into a nearby storm grate. “Let’s get you home.”
written for a fiction course i'm taking currently
Cat Fiske May 2016
The neighborhood,
was quite good,
until the neighbors saw,

but I promise you it was just a humble fluke
that sadly my neighbors saw..
behind the hedges I had to puke,
and sadly the neighbors saw,

I hit their dog,
due to some fog,
and the neighbors saw,

and then our cat,
made a ****,
and sadly the neighbors saw,

and then my son,
****** their daughters tongue,
and sadly the neighbors saw,

and then are snake
ended up in there lake,
and sadly the neighbors saw,

and the one time our dog,
ate Mrs. Millers clog,
and sadly the neighbors saw,

and sometimes at night,
my husband and I fight,
and sadly the neighbors saw,

and my kid screams why,
and begins to cry,
and sadly the neighbors saw,

and our neighbors husband was on patrol,
and he saw me stole,
and sadly the neighbors saw,

one time I borrowed a book,
but instead I took.
and sadly the neighbors saw.

I began to sing,
and scared Mr. King,
and sadly the neighbors saw,

and I know I'm bad,
and a little mad,
and sadly the neighbors never saw,

that I was watching
and kind of stalking,
and sadly I saw...
josh Sep 2011
This is for all my battle buddies, HOOAH!
Serving in Iraq,
Serving in Afghanistan.
With a grainy, sandy, hot, and humid desert surrounding you.
Looking into miles of nothing.
Always ready, always on patrol, ready to roll.
Ducking your head to re-load in the middle of the firefight.
Taking a stand against the evils of the world.
To my battles with integrity,
We all bleed the same,
Fighting for freedom of the Red, White, and Blue
Live green die green
Scream it with me at the top of your lungs:
HOOAH!
Soldier people;

This for all the clowns that play Video Games
Talking that 1337 (LEET) speak
Owning some newbs for fun
Screaming at the little kids that they ****
I’m taking on the girls 1 versus 1
Passing by the hours staring at the screen
Drinking Mountain Dew, and eating skittles
Sniping people with your M4,
Blowing them up as they walk through the door
Gamer people;

This is for all my Tech-y nerds
Working with computer components
Make sure you stay grounded
We don’t want an electrical eruption
I hated Network Theory,
But I still didn’t get a B.
The “have you tried restarting,” people.
Surfing the Internets, refer to Wikipedia people.
Tech people;

This is for all the Snowboard bums,
We ride hard, but still chill
Jumping in front of the skiers for a mighty thrill
We do it for an Adrenaline rush
Boardin’ through the trees,
And the snow that is white and plush
Snowboard people;

This is for all the Music lovers
That let the beat move their souls
Bumpin’ to the rhythm
Dancing out of control
Let the beat take you away
Fist pump yourself into the night,
Even though I can’t dance, ‘cause I’m White.
Music people.
From lack of feeling, sick.
Quickening,
Sickening,
Death.
My high
won't dry
My tears
they lie
Beneath my lungs
The drugs
They paralyze
They tantalize,
My victims.
"This will be your better love."
I laugh
Bitterness veiled
from sight
My plight...
"Huh? What? Right."
Here's a freebie, just for you.
The cops patrol
Lie low.
I'll see you soon,
******
all rights reserved
Nat Lipstadt Sep 2013
Inadequate to the task
Humbled by the enormity of our love,
The perfection of our joining,
Where are the words kept that sufficient
Honor and portray what we have achieved?

You seated, beside me by the bay, finally,
Two old adirondack trees side by side,
By the sheltered place you bequeathed me,
Where poems are raindrops, so numerous,
And you, if not the subject, the source.

The waves rolling in, mirror the
Fluidity of thy dancing,
Fluidity of the adaptation,
Two lives, now one bay blue colored,
The merging, the unification,
Many waves, but one bay,
The Bay of Us.

Yet so different.
We are cloud worshippers,
Does not the Skye's Tableau inconstancy,
Mirror our ever changing form, individuality,
Yet, one sky,
The Sky of Us.

So many times have I lain be-sided
Even as we this afternoon sit now a-sided,
Tears welling up, above and beyond control,
This man's steady nerves, constant on patrol,
Our secret open, visible, un-hided,
Your are my Magi
My Yogi,
i.am, your, obedient devotee, shaped to you please.

This is the birthday present my words present.

Words, unremarkable,
Except for the contentment
That lies within them.

Let me love you more,
Recklessly abandon norms,
Kiss you at the supermarket, at the opera,
Unashamedly, take you in my arms
Wherever wonderment and wandering lead us.

T'is so very hard to compose
When tears flow upon my writing tablet,
To wipe, blot them away, I refuse,
For tears are joyous emblems,
Salty badges of love,
All compliments of our complementary beings,
The Tears of Us.

The soaring music we gather in.
The shimmering sparkles upon the bay,
My gift of natural diamonds better, this day,
Than jeweled glitterati I hide in the refrigerator.
All this treasure, part and sparkle of
The Treasure of Us.

T'is truth,
I know not, forgot, your age nor care,
The day the time the year,
What matter they to me these artifice markers,
I weep carelessly, undone, overcome,
Every day, but this day, most, united joy.

Need-No reminder,
I am a survivor,
From a concentration camp
That slow programmed to destroy,
Perhaps the kindness you claim
As the hallmark of my fame,
An inadvertent gift, from the devil?

You shook my hand on our first meet,
Don't think, have I ever let go?
Let me be your driver, entertainer, your only poet,
Let me be whatever you need,
Even as now, I laugh-cry, your tissue carrier.

For t'is I who weeps and keeps
These tissues as part of our history.
You are the first,
Who has ever read
The Words of Us.
Happy Birthday, my darling S.
Alysia Michelle Jan 2015
Hollowed in cheek bones hollowed out skull
drugs will make your brain go dull
hollowed in cheek bones hollowed out skull
all other feelings but euphoria are null
that's until the high wears thin
then I need more in my skin
less of a person more of a drone,
less of a person more skin and bone
can't get out the bugs
can't sweat out the drugs
Hollowed in cheeks hollowed out bones
My skin and heart are full of holes
I'm still a person beneath the monster
But what if it one day consumes me?
Hollowed in cheek bones hollowed out skull
childhood is what i stole
i used to have children
now i have child support
and i can't even support my addiction
hollowed in cheek bones hollowed out skull
how long till the drugs take toll
dance with the devil
flirt with the monster
incarceration
clean for a moment
then it calls to me again
come back to me
come back my friend
want so badly to stay clean
but my friend the monster
needs me
hollowed in cheek bones hollowed out skull
the monster has devoured me whole
hollowed in cheek bones hollowed out skull
is there salvation for my soul?
i'm in prison
or a slave
is it in my veins today?
hollowed in cheek bones hollowed out skull
out of prison on parole
hollowed in cheek bones hollowed out skull
how much longer can i control
my veins ache with the memory
i need that constant reverie
just a little couldn't hurt
one more time
one little flirt
hollowed in cheek bones hollowed out skull
now im on the patrol
need to find more
need more cash
find another stash
empty stomach is no concern
need to **** this aching urge
when will more emerge
how long till my teeth fall out
how much longer on this route
went out one day for a stroll
and fell right down the rabbit hole.
disclaimer: I have never done drugs myself, but I have witnessed the damage they cause first hand.
Calm, sad, secure; behind high convent walls,
   These watch the sacred lamp, these watch and pray:
And it is one with them when evening falls,
   And one with them the cold return of day.

These heed not time; their nights and days they make
   Into a long returning rosary,
Whereon their lives are threaded for Christ's sake;
   Meekness and vigilance and chastity.

A vowed patrol, in silent companies,
   Life-long they keep before the living Christ.
In the dim church, their prayers and penances
   Are fragrant incense to the Sacrificed.

Outside, the world is wild and passionate;
   Man's weary laughter and his sick despair
Entreat at their impenetrable gate:
   They heed no voices in their dream of prayer.

They saw the glory of the world displayed;
   They saw the bitter of it, and the sweet;
They knew the roses of the world should fade,
   And be trod under by the hurrying feet.

Therefore they rather put away desire,
   And crossed their hands and came to sanctuary
And veiled their heads and put on coarse attire:
   Because their comeliness was vanity.

And there they rest; they have serene insight
   Of the illuminating dawn to be:
Mary's sweet Star dispels for them the night,
   The proper darkness of humanity.

Calm, sad, secure; with faces worn and mild:
   Surely their choice of vigil is the best?
Yea! for our roses fade, the world is wild;
   But there, beside the altar, there is rest.

— The End —